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[Trade catalogs from Kingsbury Machine Tool Corp.]

Variant company name:
Jane's office, women in advertising  Search this
Company Name:
Kingsbury Machine Tool Corp.  Search this
Notes content:
Kingsbury machines perform machining operations on forged brass valves and fittings, and Ledloy cast iron valves and fittings.
Includes:
Trade catalog and photographs
Black and white images
Physical description:
2 pieces; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Keene, New Hampshire, United States
Date:
1900s
Topic (Romaine term):
Machine tools and metalworking equipment  Search this
Topic:
Machine-tools  Search this
Metal-working machinery  Search this
Record ID:
SILNMAHTL_10462
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_10462

Carnegie Institute, Museum of Art records

Creator:
Carnegie Institute, Museum of Art  Search this
Names:
Art Institute of Chicago  Search this
Buffalo Fine Arts Academy  Search this
Corcoran Gallery of Art  Search this
Gallery of William Macbeth  Search this
M. Knoedler & Co.  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Alexander, John White, 1856-1915  Search this
Beatty, John W. (John Wesley), 1851-1924  Search this
Beaux, Cecilia, 1855-1942  Search this
Brush, George de Forest, 1855-1941  Search this
Chase, William Merritt, 1849-1916  Search this
Church, Samuel Harden  Search this
East, Alfred, Sir, 1849-1913  Search this
Hassam, Childe, 1859-1935  Search this
Homer, Winslow, 1836-1910  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Extent:
265.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Letterpress books
Museum records
Place:
Spain -- History -- Civil War, 1936-1939
Date:
1883-1962
bulk 1885-1962
Summary:
The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.
Scope and Contents:
The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.

This collection is a complete record of the museum's work, starting with the planning of the first loan exhibition in 1885 and ending with the cancellation of the International at the start of World War II in 1940. The museum's day-to-day relationships with all aspects of the contemporary art world are documented within the historical context of artists' reactions to World War I; the economic repercussions of the Great Depression on art sales and museum budgets; the ramifications of fascism on German, Italian, and European art; the impact of civil war on Spanish art; and the tensions introduced by the rise of 'radical' modernist art in Europe.

Correspondence (Series 1) is the largest series in the collection (152.5 linear feet) and is comprised of extensive correspondence between the Museum of Art and over 8700 correspondents, with over 3600 correspondents specifically related to art and artists.

Correspondents related to the art world include museum staff, artists, collectors, museums, galleries, dealers, shippers, insurance agencies, art directors, associations, societies, clubs, critics, press, and governments. These exchanges include general requests for information; requests related to the museum's exhibitions, including the International; letters regarding the museum's involvement in the events of other art organizations; loan, sales, and provenance information for specific works of art; and information regarding the events of other art organizations.

The correspondence of the museum's staff provides the greatest insight into understanding the museum's evolution into an international cultural institution. Both directors' correspondence touch on their personal opinions on art, their rationale behind policy decisions, and their understanding of the extent to which the museum's work was dependent on the good relations they maintained in the art world. Additionally, the extensive, opinionated correspondence between Saint-Gaudens' European agents and museum staff during the 1920s and 1930s provide a unique perspective on emerging art trends and the skill, growth, and personalities of individual artists.

The most prolific of the museum staff correspondents include museum directors John Beatty and Homer Saint-Gaudens, Board of Trustees president Samuel Harden Church, assistant director Edward Balken, and European agents Guillaume Lerolle , Ilario Neri, Arnold Palmer, Margaret Palmer, and Charlotte Weidler. Additional prominent staff members include Helen Beatty, Robert Harshe, Caroline Lapsley, Henry Jack Nash, John O'Connor, Charles Ramsey, George Shaw, George Sheers, August Zeller, and Fine Arts Committee members John Caldwell, William Frew, William Hyett, and John Porter.

The most prolific artist correspondents include John White Alexander, George Grey Barnard, Cecilia Beaux, Frank Benson, George de Forest Brush, William Merritt Chase, William Coffin, Bruce Crane, Andre Dauchez, Charles H. Davis, Alfred East, Ben Foster, Daniel Garber, Charles P. Gruppe, John Johansen, Johanna Hailman, John McLure Hamilton, Birge Harrison, Childe Hassam, Winslow Homer, Laura Knight, John la Farge, Gaston la Touche, John Lavery, Henri le Sidaner, Jonas Lie, Hermon A. MacNeil, Antonio Mancini, Gari Melchers, Emile Menard, Henry R. Poore, Edward Redfield, W. Elmer Schofield, Leopold Seyffert, Lucien Simon, Eugene Speicher, Abbott Handerson Thayer, Robert Vonnoh, J. Alden Weir, Irving R. Wiles, and Ignacio Zuloaga. Other artists of note include: Edwin Austen Abbey, George Bellows, Edwin Blashfield, Frank Brangwyn, Mary Cassatt, Kenyon Cox, Thomas Wilmer Dewing, Thomas Eakins, William Glackens, Robert Henri, Eastman Johnson, Rockwell Kent, Paul Manship, Henry Ranger, John Singer Sargent, Edward Steichen, Alfred Stieglitz, Edmund Tarbell, James McNeil Whistler, N.C. Wyeth, and Charles Morris Young.

Frequent museum collaborators include the Art Institute of Chicago, Boston Museum of Fine Arts, Brooklyn Museum, Buffalo Fine Arts Academy, Cleveland Museum of Art, Corcoran Gallery of Art, Detroit Institute of Art, Metropolitan Museum of Art, Museum of Modern Art, Saint Louis Museum of Fine Arts, Toledo Museum of Art, and Worcester Art Museum.

Other prolific correspondents include collectors Chauncey Blair, Andrew Carnegie, Charles Lang Freer, George Hearn, Alexander Humphreys, Roy Hunt, Mrs. B.F. Jones, Burton Mansfield, Frank Nicola, Duncan Phillips, John Stevenson, and William Stimmel; dealers and galleries M. Knoedler, William Macbeth, Central Art Gallery, Charles A. Walker, C.W. Kraushaar Art Galleries, Downtown Gallery, Durand-Ruel and Sons, Ehrich Galleries, Ferargil Galleries, Frank Rehn, Frederick Keppel, Haseltine Art Gallery, R.C. Vose Galleries, and W. Scott Thurber Fine Arts; insurance agent Macomber Co.; and shippers Dicksee and Co., J.W. Hampton, P. Navel/R. Lerondelle, Stedman and Wilder, and W.S. Budworth and Son.

Correspondents not specifically related to the contemporary art world include businesses, educational institutions, libraries, and the general public. These exchanges detail the daily work of the museum, including the estimates and work orders of office suppliers, contractors, printers, and etc.; programming and research inquiries of k-12 and college/university institutions; acknowledgements of the receipt of Museum of Art publications; and general public inquiries regarding museum policies, exhibitions, and the permanent collection. Companies and institutions who worked particularly closely with the museum include Alden and Harlow (architects), Detroit Publishing Co., and Tiffany and Co.

Department of Fine Arts (Series 2) consists of art and artist lists, correspondence, memoranda, notes, and reports. These files were begun under John Beatty's tenure and streamlined under Homer Saint-Gaudens' directorship to track activities directly related to the museum's interoffice affairs. File headings continued under Saint-Gaudens focus on art considered and purchased for the permanent collection, employee records, exhibition proposals and loans, Fine Arts Committee minutes, museum programming, museum publications, press releases, requests for images, and requests for general information.

Under Saint-Gaudens, the Fine Arts Committee files contain voluminous impressions of contemporary European artists, which he composed during his annual studio tours of the continent in the early 1920s and late 1930s. These informal reports provide insight into the shaping of the International and include a running commentary on historical events of the time. The Fine Arts Committee files also document the artistic and budgetary compromises that were struck, particularly during the Great Depression and early run-up to World War II.

Exhibitions (Series 3) includes correspondence with collectors, museums, galleries, dealers, shippers, and many of the artists themselves. Additional documents include catalogs, lists, planning notes, and telegrams related to 185 traveling and loan exhibitions held at the Museum of Art from 1901 to 1940. Of these, over 100 are one-artist shows and 82 are group, survey, regional, or topical shows. The one-artist exhibitions tend to showcase contemporary artists of the time. Regional shows focused on American and European art, with two shows featuring the art of Canada and Mexico. Survey themes focused on animals, children, cities, gardens, landscapes, Old Masters, and portraitures. Many of the genre shows venture into art not typically collected by the Museum of Art, including architecture, crafts, engravings, figure studies, graphic arts, illustrations, miniatures, mural decorations, oriental rugs, prints, printed books, sculpture, small reliefs, stained glass, theater models, watercolors, and wood engravings.

The most important shows organized and curated by Museum of Art staff include the Panama-Pacific International Exposition (1915), American Sculpture Show (1915, 1920), Applied Arts Show (1917), Original Illustrations Show (1921), Mexican Art Show (1929), Garden Club Show (1922), Industrial Art Show (1924), Pittsburgh Artists Show (1935), French Survey Show (1936), English Painting Survey Show (1937), American Paintings, Royal Academy Show (1938), and Survey of American Painting Show (1940).

Important one-artist shows include Abbot Handerson Thayer (1919), George de Forest Brush (1922), Frank W. Benson (1923), Rockwell Kent (1923, 1939), Anders Zorn (1924), John Lavery (1925), Paul Manship (1925), Mary Cassatt (1925), Laura Knight (1925), Edouard Manet (1932), Edward Hopper (1936), Winslow Homer (1922, 1936), Paul Cezanne (1936), Charles Burchfield (1937), and William Glackens (1938).

International (Series 4) is comprised of catalogs, correspondence, art and artist lists, itineraries, jury selection ballots, minutes, notes, and reports related to the planning, logistics, and promotion of the International Exhibition from 1895 to 1940. These documents were originally grouped and filed separately under John Beatty and were more rigorously streamlined under Homer Saint-Gaudens. The folder headings continued under Saint-Gaudens focus on art purchases, artists' invitations, artists' request for information, general exhibition planning, Foreign Advisory Committees, foreign governments, jury reception planning, loan requests, and touring logistics.

Letterpress books (Series 5) consist of 75 volumes that chronologically collect all of the Museum of Art's outgoing correspondence from 1896 to 1917. Volumes 1-8 contain the only copy of outgoing correspondence from 1896 to 1900. Duplicate copies of all outgoing correspondence dating from 1901 to 1917 were filed in Correspondence (Series 1) by museum staff.

Card catalogs (Series 6) also include three sets of catalogs created by the Museum of Art to track the outgoing and incoming correspondence contained in this collection. Set 1 (1895-1906) consists of the original cards. Set 2 (1907-1917) and Set 3 (1918-1940) consists of photocopies of the original cards that were merged together into one contiguous set.
Arrangement:
The collection is arranged into six series:

Series 1: Correspondence, 1883-1962, (Boxes 1-153, OV 267; 152.5 linear feet)

Series 2: Department of Fine Arts, 1896-1940, (Boxes 153-184, OV 268; 31.6 linear feet)

Series 3: Exhibitions, 1901-1940, (Boxes 184-204; 20 linear feet)

Series 4: International, 1895-1940, (Boxes 204-234, 265-266; 30.2 linear feet)

Series 5: Letterpress Books, 1900-1917, (Boxes 235-251; 17 linear feet)

Series 6: Card Catalogs, 1895-1940, (Box 252-264; 11 linear feet)
Biographical / Historical:
The Carnegie Institute Museum of Art was established in 1895 by industrialist and philanthropist Andrew Carnegie. One of the first modern contemporary art museums in the United States, its flagship exhibition, the Carnegie International, is recognized as the longest running contemporary exhibition of international art in North America and is the second oldest in the world.

Andrew Carnegie (1835-1919) was born in Dumfermline, Scotland and migrated to America with his family in 1848. Often regarded as the second-richest man in history behind John D. Rockerfeller, Carnegie built his industrialist fortunes in the steel industry and spent the remainder of his life in support of major philanthropic projects. By the age of 33, he had developed his personal philosophy of philanthropy, which saw it as the responsibility of the wealthy to foster educational opportunities and disseminate the ideals of high culture among all levels of society. In addition to establishing over 2500 free public libraries, in 1895, he provided the funds to build the Carnegie Institute, located in the Oakland neighborhood of Pittsburgh, Pennsylvania. The Carnegie Institute originally maintained three separate departments under the auspices of the Carnegie Library of Pittsburgh, the Carnegie Museum of Natural History, and the Carnegie Museum of Art.

The Carnegie Institute was administered by a Board of Trustees selected by Carnegie, all prominent professional men of Pittsburgh. Within this group, eight men were selected to serve on the Museum of Art's Fine Arts Committee, which was initially granted the final say on gallery affairs. The first Fine Arts Committee was composed of two artists, Alfred Bryan Wall and Joseph Ryan Woodwell, and six businessmen. Among the latter group, John Caldwell, Henry Clay Frick, William Nimick Frew, and David Thompson Watson were also knowledgeable art patrons and collectors. Over time, the Fine Arts Committee's sway over gallery affairs would be measured by the dedication of its various members and tempered by the vision and authority of the Museum's directors, John Beatty and Homer Saint-Gaudens, and the Carnegie Institute Board of Trustees president, Samuel Harden Church.

From 1896 to 1921, John Wesley Beatty (1851-1924) served as the first director of the Museum of Art. A native Pittsburgher and an accomplished silver engraver, illustrator, and painter, Beatty attended the Royal Bavarian Academy in Munich and upon his return to America, made a living as an artist. He also taught at the Pittsburgh School of Design for Women and co-founded a small school of art with fellow local artist George Hetzel. In 1890, while serving as the secretary of the Pittsburgh Art Society, he became the primary organizer of a loan exhibition to be displayed at the opening of the Carnegie Free Library in Allegheny, Pennsylvania. In 1895, when the Carnegie Institute trustees began discussing the possibility of a similar loan exhibition for the opening of their new institution, Beatty was contacted and eventually enlisted to take on the task. Upon the success of that exhibition, he was invited to direct the gallery's affairs and served as the Museum of Art's director until his retirement.

Beatty was an enthusiastic supporter of Impressionism, Realism, Tonalism, Symbolism, and the critically acclaimed contemporary art of the 1890s. He also shared Carnegie's vision for the Museum of Art and believed in the educational and uplifting role aesthetic beauty could provide to the general public. Pursuant to the stated goals of Andrew Carnegie, under Beatty's direction the museum began to purchase important contemporary works to add to its chronological collection of "Old Masters of tomorrow" and almost immediately began planning the first of its Internationals.

The Internationals were viewed as the primary means of showcasing the Museum of Art's selection of the best in contemporary American and European painting, thereby elevating its role as an influential cultural institution on a national and international level. Juried monetary prizes would be awarded to the two best works by American artists, additional awards would be offered to artists of all nationalities, and the Museum of Art's purchases for the year would be selected from the exhibition. Certain artists and collectors were tapped to serve as unofficial representatives of the Museum of Art at home and abroad, among them John White Alexander, William Coffin, I.M. Gaugengigl, Walter Shirlaw, and Edmund Tarbell. Many of the most prominent Pittsburgh art collectors were also asked to lend works to the exhibition. While details of the jury and artist selection process, number of representatives, exhibition show dates, and amount and total number of prizes would change over the years, the planning template was set and would remain the same for future Internationals.

Beatty continued to rely on a stable of close friends and confidantes to help smooth over relations with artists, dealers, shipping agents, and galleries alike, relying heavily on John White Alexander and W. Elmer Schofield, in addition to artists Thomas Shields Clarke, Walter Gay, Robert Henri, Frank D. Millet, and critic Charles M. Kurtz. Over time, many of the artists who served on International juries or Foreign Advisory Committees also became reliable friends and advocates of the International, including Edwin Austen Abbey, Edmond Aman-Jean, Edwin Howland Blashfield, William Merritt Chase, Charles Cottet, Kenyon Cox, Charles Harold Davis, Alfred East, Ben Foster, Charles Hopkinson, John la Farge, Gari Melchers, Leonard Ochtman, Irving R. Wiles, and Robert W. Vonnoh.

From 1896 to 1921, the Museum of Art held twenty-one Internationals, with the only exceptions coming in 1906 (construction of the Hall of Architecture, Hall of Sculpture, and Bruce Galleries), 1915 (deference to the San Francisco Panama-Pacific International), and 1916-1919 (World War I). During these years, the scope and administration of the International slowly expanded, though not without growing pains. At the turn of the century, new modernist styles of art that were appearing in galleries across Europe had not yet entered major American museums and the Carnegie Museum of Art maintained this trend. The museum's generally conservative selection policies, combined with criticism regarding the timing of the exhibition and the jury selection process, led to increasingly tense relations with artists, and were only partially resolved by changes made to the format of the International. In spite of these challenges, the Carnegie International retained its reputation as a preeminent venue for contemporary art and awarded top prizes to John White Alexander, Cecilia Beaux, George W. Bellows, Frank W. Benson, Andre Dauchez, Thomas Wilmer Dewing, Thomas Eakins, Childe Hassam, Winslow Homer, John Lavery, Henri le Sidaner, Edward W. Redfield, W. Elmer Schofield, Edmund C. Tarbell, Abbot Handerson Thayer, Dwight W. Tryon, and J. Alden Weir.

In addition to the International, Carnegie's mission of bringing cultural and educational opportunities to Pittsburgh was a central priority of the museum's daily operations. Beatty cultivated relationships with fellow museum directors, which allowed for the easy co-ordination and planning of traveling exhibitions benefiting the city. The museum developed educational programs for children and adults, including lectures, gallery talks, Saturday morning classes, fine art extension classes, guided tours, and outreach to local schools. As popular Pittsburgh art societies and clubs formed, the museum also provided meeting and exhibition spaces for groups such as the Associated Artists of Pittsburgh, the Art Society of Pittsburgh, the Art Students League, the Garden Club of Allegheny County, and the Junior League.

After more than 25 years of service, Beatty made the decision to retire and put out an informal call for candidates. Being the right man at the right time, in 1921, Homer Schiff Saint-Gaudens (1880-1958) became the Museum of Art's second director.

The only child of American sculptor Augustus Saint-Gaudens and his wife and artist, Augusta Fisher Homer, Saint-Gaudens frequently traveled abroad and grew up in the company of his parents' wide circle of friends, many of them artists, poets, writers, and performers who frequented the Cornish Artists' Colony. More intimate friends of the family included former students, assistants, and colleagues, the architect Stanford White, and successful artist-couples who resided near the family's Cornish, New Hampshire home, among them Louise and Kenyon Cox, Maria and Thomas Dewing, Florence and Everett Shinn, and Emma and Abbott Thayer.

Homer Saint-Gaudens attended the preparatory school Lawrenceville, graduated from Harvard in 1903, married the artist and suffragist Carlota Dolley (1884-1927) in 1905, and remarried to Mary Louise McBride (n.d.-1974) in 1929. He began his professional career as a journalist and worked as assistant editor of The Critic (1903) and managing editor of Metropolitan Magazine (1905). During those years, he was introduced to a number of the Ash Can school artists, wrote articles on contemporary art, and honed his abilities as a writer. In 1907, Saint-Gaudens took a break from professional editing and began a second career as the stage manager for Maude Adams, the most highly paid and successful stage actress of her day, with a yearly income of over one million dollars at the peak of her popularity. Working in theater and as Adams' manager for over ten years, Saint-Gaudens learned the ins and outs of event promotion and logistics, media coverage, and maintaining diplomatic relations through compromise, ideal skills he would later use in organizing the Carnegie Internationals.

With the United States' entry into World War I, Saint-Gaudens served as the chief of the U.S. Army's first camouflage unit and was awarded the Bronze Star. After his discharge, he managed Adams' 1918 final season and simultaneously helped his mother organize a major retrospective of his father's sculptures. While organizing a section of his father's work for the 1921 International, he was invited to step into the position of assistant director of the Carnegie Museum of Art, and was promoted to the directorship upon John Beatty's retirement.

Throughout his tenure, Saint-Gaudens was able to call upon long-standing family friendships with artists and art patrons to the museum's benefit. His connections to the art world can clearly be seen in his first major stand-alone exhibition, the Garden Club Show (1922). In this, he enlisted the aid of Elizabeth Alexander, wife of John White Alexander, and Johanna Hailman, artist and wife of John Hailman, who reached out to their circle of artists and art collecting friends in search of works appropriate for the show. Their efforts, combined with the relationships Beatty had established with museum directors, galleries, and dealers, as well as Saint-Gaudens' own friendships with Kenyon Cox, Thomas Dewing, Barry Faulkner, and Gari Melchers, resulted in an assemblage of 150 paintings of note. Coming immediately upon the heels of the 1922 International, the show was a resounding success. The exhibition's opening attracted over 300 delegates of the Garden Club of America and the entirety of Pittsburgh high society, settling any concerns regarding his leadership abilities.

As director of the Museum of Art, Saint-Gaudens instituted measures intended to streamline the Internationals and improve diplomatic relations with artists. Though the basic format of the juried exhibition remained the same, his solutions to the complaints many artists raised with the artist invitation, art selection, and jury systems reformed the International's reputation at a critical time. Though he was naturally inclined to appreciate the art and artists he had grown up with, Saint-Gaudens understood the immediate necessity of introducing modernist contemporary art into the museum's exhibitions and galleries. He circumvented the conservative Fine Arts Committee's resistance to the accolades of European modernists by choosing the tamest of the new 'radical' works. Eventually, he balanced the Internationals with a mix of conservative, moderate, and advanced works that appealed to a large range of audiences and increased the status and diversity of the Internationals.

To aid in his reformation of the International, Saint-Gaudens formalized a team of European agents who worked year round to scout artists' studios, recommend suitable art and artists, navigate local politics, arrange local transportation and logistics, and maintain cordial relations with artists abroad. In the spring, Saint-Gaudens would travel to Europe to meet with his agents in person, tour the most promising studios, and meet with artists personally. His team was headed by Guillaume Lerolle, who shared Saint-Gaudens' distinction of being the son of a well regarded national artist, Henry Lerolle. Like Saint-Gaudens, Lerolle was able and willing to call upon longstanding family friendships and networks on behalf of the Museum of Art. The other core members of the team were Ilario Neri (Italy), Arnold Palmer (England), Margaret Palmer (Spain), and Charlotte Weidler (Germany).

From 1922 to 1940, the Museum of Art held seventeen Internationals, with the exceptions coming in 1932 (Great Depression) and 1940 (World War II). After a brief period of change, growth, and experimentation in the early 1920s, the museum eventually settled on a routine of planning the Internationals, arranging for traveling exhibitions, and expanding upon the most popular of their educational programs. In addition to those programs put into place under Beatty's tenure, Saint-Gaudens paved the way for a revamped lecture series featuring visiting critics and traveled as a visiting lecturer himself.

During the 1930s, financial difficulties and increasing political tensions in Europe presented ample challenges to the diplomatic skills of Saint-Gaudens and his agents, and they found themselves increasingly forced to navigate through political minefields presented by the fascist ideologies of Germany and Italy, the chaos of the Spanish civil war, and the eventual outbreak of World War II in Europe. In spite of these challenges, under Saint-Gaudens' direction, the museum remained true to Andrew Carnegie's vision. The International was expanded to accept on average over sixty additional works of art, and at its peak, included art from twenty-one countries. Beginning in 1927, top prizes and recognition were awarded to Georges Braque, Marc Chagall, Salvador Dali, Andre Derain, Raoul Dufy, Karl Hofer, Rockwell Kent, Yasuo Kuniyoshi, Henri Matisse, Pablo Picasso, and Edouard Vuillard.

Works by Arthur B. Davies, Charles Hawthorne, Edward Hopper, Augustus John, Oskar Kokoschka, Leon Kroll, Ernest Lawson, and William Orpen were added to the museum's permanent collection. And, as under Beatty's tenure, many of the artists selected to serve on the Jury of Award became advocates and friends of the museum, including Emil Carlsen, Anto Carte, Bruce Crane, Charles C. Curran, Daniel Garber, Charles Hopkinson, Laura Knight, Jonas Lie, Julius Olsson, Leopold Seyffert, Lucien Simon, Eugene Speicher, Maurice Sterne, Gardner Symons, Horatio Walker, and Charles H. Woodbury.

The monumental task of establishing the Carnegie Institute Museum of Art and the Carnegie International has left an archival record that is unique and unparalleled in documenting its relations with every aspect of the contemporary art world from the turn of the century through the first forty years of the twentieth century.
Provenance:
The Carnegie Institute, Museum of Art records were loaned for microfilming in 1966 and later donated to the Archives of American Art in 1972. A small addition of corrrespondence was donated in 2017 by Elizabeth Tufts Brown.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Economic aspects  Search this
World War, 1914-1918  Search this
Depressions -- 1929  Search this
Art, Modern -- Exhibitions  Search this
Fascism  Search this
World War, 1939-1945  Search this
Museum directors  Search this
Function:
Art museums -- Pennsylvania
Genre/Form:
Photographs
Letterpress books
Museum records
Citation:
Carnegie Institute, Museum of Art records, 1883-1962, bulk 1885-1940. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.carninst
See more items in:
Carnegie Institute, Museum of Art records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-carninst
Online Media:

Correspondence

Collection Creator:
Berryman family (Washington, D. C.)  Search this
Type:
Archival materials
Date:
1829-1953, undated
Scope and Contents note:
This series includes a scrapbook of greeting cards to family members illustrated by Clifford and Jim Berryman, but primarily contains letters written by presidents, notable politicians, and other political cartoonists, discussing Clifford Berryman's work.

See Appendix for list of notable correspondents from Series 1.3
Appendix: Notable Correspondents from Series 1.3.:
Adams, Alva B. (Senator, Colorado): 18 Oct 1938, 05 Apr 1941

Akerson, George (Secretary to the President): 10 Jul 1929

Albright, Horace M. (Director, National Park Service): 02 Dec 1932

Alexander, D. (Congressman): undated

Allen, Henry J. (Senator, Kansas): May 13, 1930

Allison, William B. (Senator, Iowa): 03 Jun 1906

Alston, Frank H., Jr. (artist): 22 Jul 1947

Anderson, Clint (Sec. of Agriculture): 13 Sep 1945

Andrews, Marietta (illustrator): undated, 05 Feb 1925 (illustrated letter), 16 Sep 1928 (illustrated letter), Jan 1930

Arnold, Oren (writer): 04 Mar 1944

Ashurst, Henry F. (Senator, Arizona): 11 Feb 1941

Astor, Vincent: undated (letter from C. Berryman), 11 Nov 1932, 12 Nov 1932 (letter from C. Berryman), 14 Nov 1932, 17 Nov 1932, 12 Apr 1933

Auchincloss, James C. (Congressman, New Jersey): 12 Nov 1947

Austin, Warren R. (Senator, Vermont): 24 Oct 1941, 28 Oct 1941, 29 Oct 1941 (letter from Mrs. Austin)

Babcock, J. W. (Congressman, Wisconsin): 12 Jun 1903

Bailey, Josiah William (Senator, North Carolina): 26 Jan 1938, 14 July 1938, 21 Jun 1939, 26 Jun 1939

Baird, G. W. (cartoonist?): 20 Jul 1914?

Baker, James M. (Senator): 05 Aug 1916

Baker, Newton D. (Secretary of War): 10 Mar 1916, 08 Jan 1917, 10 Feb 1920, 27 Mar 1920, 06 Apr 1920

Baldwin, Stanley (Prime Minister): 19 Apr 1929 (letter about him)

Ballinger, Richard A. (Secretary of the Interior): 08 Mar 1909, 23 Sep 1911, 08 Apr 1916

Barclay: undated (illustrated letter)

Barkley, Alben W. (Senator, Kentucky): 19 Feb 1943, 01 Dec 1943

Barrett, John (Director, Pan American Union): 06 Mar 1915

Barrett, Robert ( -- Evening World -- ): 07 Oct 1927

Bartlett, John H. (Asst. Postmaster General and Governor of New Hampshire): 02 Apr 1924, 11 Nov 1927, 30 Jul 1932, 15 Dec 1949

Baruch, Bernard M.: 09 Mar 1938, 16 Sep 1943

Bassford, Wallace (secretary of Speaker's Room, House of Representatives): 12 Dec 1913

Bastedo, P. H. (Rear Admiral): 09 May 1947

Beckham, J. Crepps Wickliffe (Senator, Kentucky): 07 Mar 1916, 29 Mar 1916, 20 Dec 1919

Berger, Victor L. (Congressman, Wisc.): 05 Feb 1924

Beveridge, Albert J. (Senator, Indiana): 21 Feb 1907, 30 Mar 1907, 18 May 1935

Biddle, Francis (Attorney General): 09 Jan 1942, 23 Mar 1942, 20 Apr 1942, 08 May 1942, 25 May 1942, 09 Jun 1942

Bittinger, Charles: 30 Nov 1931, 13 Feb 1938

Blackburn, J. C. S. (Senator): 09 Jan 1906

Bland, Schuyler Otis (Congressman, Va.): 30 Dec 1941

Bliss, Edward Goring: 21 Feb 1936

Bloom, Sol (Congressman, New York): 09 Apr 1928, 26 Apr 1928, 05 May 1931, 19 Feb 1932, 07 May 1932, 09 Mar 1933, 22 Oct 1934, 09 Nov 1934, 21 May 1935, 07 Mar 1936, 26 Mar 1936, 08 Jun 1936, 31 Aug 1936, 15 Dec 1936, 03 Jan 1938, 10 Jun 1940, 18 Jan 1941, 10 Mar 1941

Boardman, Mabel: 14 Apr 1912

Bolton, Frances P. (Congresswoman, Ohio): 05 Mar 1942

Bone, Homer T. (Senator, Washington): 19 Apr 1944

Bone, Scott C. (editor, -- The Washington Herald -- and the -- Post-Intelligencier -- ): 27 Jan 1908, 05 Oct 5 1911

Bone, Scott W. (son of Scott C. Bone): 10 Oct 1932

Borah, William E. (Senator): 03 Oct 1921 (letter about him)

Brayman, Harold (President, National Press Club): 07 Mar 1938, 03 May 1944

Bridges, H. Styles (Senator, N. H.): 28 Feb 1938

Britten, Fred A. (Congressman, Illinois): 25 Dec 1934

Brooke, Frederick (architect): undated, 12 May 1945

Browne, Edward E. (Congressman, Wisc.): 17 Feb 1931

Bruker, John (Governor, Ohio): 21 Feb 1944

Bryan, William Jennings: undated, 09 Dec 1907, 19 Jan 1908, 16 Jan 16 1913, 15 Aug 1914, 24 Feb 1915, 02 Mar 1915 (letter about him), 11 Feb 1917, 02 Apr 1917, 20 Mar 1919, 27 Apr 1920

Buck, Mrs. Solon J.: 08 Mar 1942

Burke, James Francis (Republican National Committee): undated

Burkett, E. J. (Congressman): 21 Jan 1905

Burroughs, Nannie H.: undated

Burton, Theodore E. (Congressman, Ohio): 25 Feb 1927

Burwell, J. Baldwin (Leader Publishing Co.): undated

Butler?, Harold H. (Senator): 10 May 1944

Butler, Hugh (Senator, Nebraska): 03 Apr 1944

Byrd, Curley (President, U. of Maryland): 10 Jun 1944

Byrd, Harry Flood (Senator, Virginia): undated, 10 Nov 1925, 27 Dec 1927 (letter about him), 17 Jun 1934, 23 May 1935, 26 Feb 1936, 25 Mar 1936, 27 Aug 1936, 10 Sep 1936, 08 Dec 1936, 19 May 1937, 07 Mar 1938, 16 Mar 1938, 05 Aug 1938, 06 Feb 1939, 18 Feb 1941, 09 Jun 1941, 16 Jun 1941, 26 Sep 1941, 02 Mar 1942, 09 Oct 1942, 29 Nov 1942, 28 Sep 1944, 28 Mar 1945, 24 May 1948, 25 May 1948, 11 Jun 1948, 07 Apr 1949, 22 Dec 1949, 02 Aug 1949, 19 Sep 1949, 21 Apr 1950

Byrnes, James F. (Senator, South Carolina): 31 Jan 1938, 02 Jan 1939 (letter about him), 08 Jun 1940, Dec 1942, 11 Apr 1944, May 1944

Cable, John L. (Congressman, Ohio): 14 Aug 1922

Calder, William M. (Senator, New York): 16 Feb 1920

Calderon, Madame Alvarez (Peruvian Legation): undated

Camden, Johnson N. (Senator, Kentucky): 04 Mar 1915

Campbell, L. H. (Major General): 25 Jan 1943

Caniff, Milton (President, National Cartoonists Society): 13 May 1948, 14 Dec 1949

Cannon, J. G. (Speaker of the House): 02 Dec 1910 (letter about him)

Capehart, Charles (editor, -- The Cartoon -- ): 06 Apr 1908 (C. Berryman drawing of Cannon)

Capper, Arthur (Senator, Kansas): 13 Feb 1920, 06 Dec 1935

Carlson, Frank (Congressman, Kansas): 02 Feb 1944

Carnegie, Andrew: 14 May 1911 (letter from C. Berryman)

Caughey, J. M. (cartoonist): 12 Nov 1915

Chamberlain, George E. (Senator, Oregon): 11 Mar 1916

Chamberlain, K. R. (cartoonist): 23 May 1914

Chandler, Albert B. (Senator,Kentucky): 07 Jul 1942, 11 Aug 1942 (letter from his wife), 28 Jun 1943, 30 Mar 1944, 20 Apr 1944, 26 Apr 1945, 17 May 1945

Chapple, Joe Mitchell ( -- National Magazine -- , Boston): 31 Dec 1904

Chiperfield, Burnett M. (Congressman, Illinois): 22 Apr 1916, 12 May 1916, 03 Jul 1929

Choate, H. Lawrence: 09 Feb 1939

Clapper, Raymond: 18 Jan 1939 (letter to Charles Dawes), 27 Jan 1939

Clark, Champ (Speaker of the House): 29 Jun 1906

Clark, P. L. ("Skippy" cartoonist): 25 Nov 1935

Clay, Henry: 22 Apr 1829 (letter to Mark Hardin, Shelbyville Ky), 21 Jun 1843 (letter to a gentleman)

Clements (Governor, Kentucky): 07 Jan 1948

Coffeen, R. A. (cartoonist): 09 Dec 1940

Colby, Bainbridge (Secretary of State): 01 Apr 1920

Cole, Cyrenus (Congressman, Iowa): 01 Feb 1928, 10 Mar 1936

Coleman, Harry ( -- Pontiac Press Gazette -- ): 12 Oct 1914

Collier, William Miller (President, George Washington University): undated, 12 Jan 1921, 22 Mar 1921

Connally, Tom (Senator, Texas): 06 Nov 1943

Coolidge, Calvin: 03 Mar 1927, 01 Aug 1927 (letter about him)

Cooper, Henry Allen (Congressman, Wisconsin): 14 Feb 1907, 24 Feb 1925

Corby, William Stephen: undated calling card, 20 Oct 1916 (2), 14 Feb 1920 (2), 19 Jul 1926, 13 Aug 1932

Cousins, A. G.? (cartoonist?): Dec 1904

Cousins, Robert G. (Congressman): 02 Feb 1907

Craig, Donald Alexander (author): 30 Sep 1924

Crisp, Charles R. (Congressman, Georgia): 03 Oct 1932

Culberson, C. A. (Senator, Texas): 07 Jul 1906

Cummings, Homer S. (Attorney General): 29 Sep 1933 (letter about him), 30 Sep 1933, 21 May 1934, 28 Jun 1934 (letter from his wife), 02 Jul 1934, 22 Oct 1934, 12 Mar 1945

Curran, Edward M. (U.S. Attorney, D.C.): 28 Oct 1946

Cushman, Francis W. (Congressman): 25 Dec 1899, 05 Jan 1904

Dale, Mrs. Thomas H. (Congressman's wife): 27 Apr 1906

Daniel, J. (Senator): 23 Dec 1903 (illustrated letter)

Daniels, Jonathan (son of Josephus Daniels): 15 Mar 1933, 29 Jan 1934, 16 Aug 1941

Daniels, Josephus (Secretary of the Navy): undated calling card (from Mrs. Daniels), 25 Mar 1913, 15 May 1913 (letter about him), 25 Aug 1913 (letter about him), 31 Oct 1913, 26 Oct 1914, 12 Jan 1915, 22 Aug 1916, 08 Sep 1916, 27 Mar 1917, 22 Nov 1917, 27 Nov 1917, 24 Jan 1918, 12 Feb 1920, 29 Mar 1920, 03 Apr 1920, 20 Nov 1920 (3), 11 Jan 1921 (letter about him), 02 Mar 1921, 05 Jun 1926, 05 Apr 1927 (2), 04 Aug 1927, 10 Dec 1928, 15 Mar 1933, 19 May 1934, 11 May 1937, 19 Oct 1937, 18 Nov 1937, 25 Mar 1938, 18 May 1938, 09 Aug 1941

Darling, Jay Norwood "Ding": undated (letter about him), 19 Nov 1934

Davies, Joseph E.: 09 Jun 1944, 16 Jun 1944

Davis, James J. (Sec. of Labor and Senator, Pa.): Feb 9, 1923, 24 Dec 1925, 16 Feb 1931

Davol, Ralph (Cosmos Club): 30 Mar 1920, 06 Apr 1925 (illustrated letter), 06 Apr 1930

Dawes, Charles Gates (Vice President): 19 Jan 1928 (printed invitation), 24 Jan 1939 (letter to Clapper)

Dawley, Mrs. M. Webster (League of Republican Women): 08 Feb 1938

Debs, Eugene: 17 Aug 1912

Delano, Frederic A. (Washington National Monument Society): 03 Feb 1944, 23 Feb 1944

Delano, Victor: 06 May 1941 (on USS WEST VIRGINIA, Pearl Harbor), 25 Mar 1942 (on USS SAN JUAN)

De Leon, T. C. (cartoonist?): 04 Aug 1904

Denby, Edwin (Secretary of the Navy): 04 Mar 1922

Depew, Chauncey: undated (2 printed invitations), 05 Jul 1923, 10 Feb 1926

Dern, George H. (Secretary of War): 27 Jan 1935 (printed invitation)

Dewey, Thomas E. (Governor, New York): 10 Oct 1944, 23 Jun 1947 (letter about him), 21 Nov 1947

Dial, Nathaniel B. (Senator, S. C.): 17 Jan 1925

Dickinson, L. J. (Congressman, Iowa): 09 Dec 1926

Dillingham, William P. (Senator): 10 Mar 1904, 08 Mar 1916

Dirksen, Everett M. (Congressman, Ill.): 09 Jun 1942

Donahey, James Harrison ( -- Plain Dealer -- ): 02 Oct 1908, 30 Jan 1927

Doughton, Robert L. (Congressman, N. C.): 10 Jan 1948

Dowling, James J. (Democratic County Committee, N.Y.): 19 Dec 1934

Downing, Robert L.: 19 Dec 1930, 05 Nov 1932

Drewry, P. H. (Congressman, Virginia): 26 Feb 1935, 28 Mar 1935

DuBois, James T. (State Department): undated, 26 Jan 1905, 26 Feb 1905, 06 Mar 1905, 24 Nov 1905, 22 Mar 1907, 18 Jul 1917

Dugal, J. (Congressman): 19 Jan 1908

Durkee, J. Stanley (President, Howard University): 11 May 1922, 24 May 1922, 03 Nov 1924, 24 Nov 1924

Eccles, Marriner S. (Chairman, Federal Reserve System): 03 Oct 1941

Edison, Thomas: 13 Aug 1914 (letter about him)

Edwards, J. H. (Treasury Department): 18 Aug 1905

Elliott, Richard (Asst. Comptroller General, GAO): 01 Dec 1932

Ernst, Richard P. (Senator, Kentucky): 22 Dec 1922, 10 Nov 1925 (2), 15 Mar 1926, 19 Sep 1929, 15 Jun 1929

Estopinal, Albert (Congressman, La.): 21 Mar 1914

Evans, Silliman (Publisher, -- Chicago Sun -- ): 14 Apr 1942

Fall, Albert B. (Secretary of the Interior): 28 Feb 1923, 01 Mar 1923

Farley, James A.: 20 Dec 1932, 03 Jan 1934, 30 Jan 1934 (letter about him), 11 May 1934, 21 May 1934, 13 Sep 1934, 18 Oct 1934, 26 Oct 1934, 04 Dec 1935, 28 Oct 1937, 10 Aug 1940, 16 Jan 1942, 01 Apr 1942, 03 Aug 1942, 13 Oct 1942, 12 Nov 1942, 26 Feb 1943, 11 Mar 1943, 06 Jul 1943, 17 Nov 1943, 29 Nov 1943, 29 Dec 1943, 03 Jan 1944, 27 Jan 1944, 29 Jan 1944, 05 May 1944, 21 Nov 1944

Farnum Jno. (cartoonist): 03 Jun 1908

Faulkner, Robert R. (attorney): 03 Jun 1935

Fawcett, James Waldo ( -- Washington Star -- ): 02 Apr 1939

Fenn, E. Hart (Congressman, Connecticut): 09 May 1929

Fenning, F. A. (Inaugural Committee): 14 Jan 1925

Fess, Simeon D. (Senator, Ohio): 19 Apr 1928 (letter about him), 28 Apr 1934

Finch, Frank J. (cartoonist): 03 Feb 1905, 08 Apr 1910, 06 Jun 1910

Fish, Hamilton, Jr. (Congressman, New York): 19 May 1936, 22 May 1936, 04 Jan 1937

Fishback, Fred L. (Senator, Mass.): 26 Sep 1912

Fisher, Walter L. (Sec. of the Interior): 25 Jan 1912

Fitzgerald, Roy G. (Congressman, Ohio): 23 Feb 1925

Foch, Le Marechal: Jun 1906

Foley, E. H. (Asst. Sec. of the Treasury): 01 Nov 1947

Foraker, Joseph B. (Senator, Ohio): 30 Aug 1905 (letter about him), 03 Sep 1905

Frelinghuysen, J. S. (Senator, New Jersey): 04 Apr 1917 (letter about him)

Galbraith, Alfred ( -- Flint Daily Journal -- ): 02 Jun 1907

Gallinger, Jacob H. (Senator): 02 Feb 1905

Gallivan, James A. (Congressman, Massachusetts): 05 Mar 1923

Galloway, Ewing (news editor, -- Collier's -- ): 07 Sep 1916

Gard, Warren (Congressman, Ohio): 31 Mar 1916, 13 Feb 1917

Gardner, A. P. (Congressman, Massachusetts): 09 Apr 1910 (letter about him), 26 Jan 1911, 31 Jan 1913, 28 Jun 1916, 20 Jul 1916

Garfield, James Rudolph (Interior Dept.): 08 Nov 1907

Garner, John Nance (Congressman, Texas): 16 Jan 1930, 15 Mar 1935

Garrison, Lindley M. (Secretary of War): 19 Dec 1914, 25 Dec 1914, 11 Jan 1915, 28 Apr 1915, 30 Aug 1915

Gerry, Peter G. (Senator): 06 May 1941

Gerth, Arthur W. (President, American University): 02 May 1928

Gibson, Charles D. (Division of Pictorial Publicity): 28 Dec 1917

Gibson, Ernest W. (Congressman, Vermont): 19 Feb 1925

Gilbert, Ralph (Congressman, Kentucky): 20 Oct 1921, 07 Jan 1922

Gillett, Frederick H. (Senator, Massachusetts): 10 Feb 1928, 14 Feb 1928

Gillette, Guy M. (Senator, Iowa): 05 Aug 1943

Gittins, Robert H. (Congressman, N. Y.): 01 Aug 1914

Glass, Carter (Secretary of the Treasury): 26 Jun 1903, 20 Jan 1919, 20 Jan 1919, 11 Feb 1920, 02 Dec 1929, 09 Nov 1936, 15 Mar 1937, 05 Apr 1937 (letter about him), 10 Apr 1937, 19 May 1937 (letter about him)

Glover, Charles C. (Inaugural Committee): 09 Dec 1904, 21 Dec 1904, 20 Dec 1911

Godwin, E. ( -- Washington Times -- ): 30 Dec 1918

Goethals, General: undated (letter about him)

Goff, "Roy": Dec 1949

Gore, Albert (Congressman, Tennessee): 25 May 1942

Gorman, Arthur P. (Senator, Maryland): 03 Mar 1898, 28 Jan 1902, 07 Mar 1903, 02 May 1903, 28 Oct 1903 (letter from Mrs. Gorman)

Grant, U.S., III: 15 Mar 1926, 22 Jun 1927, 03 Nov 1927, 20 Jun 1930

Grayson, Cary T. (Inaugural Committee): 18 Feb 1933

Green, Theodore Francis (Senator, R. I.): 17 Oct 1944

[Gregory?], Tom (Attorney General): undated

Grew, Joseph: 09 Apr 1943 (illustrated letter)

Grey, Kenneth? (Dept. of the Treasury): 27 Mar 1945

Grosvenor, Bert (National Geographic Society): 17 Mar 1940, 15 Apr 1940

Grosvenor, Gilbert (National Geographic Society): 21 Mar 1921, 27 Apr 1921, 21 Dec 1921, 15 Nov 1927, 16 Nov 1931, 15 Mar 1935, 11 Nov 1935, 04 Nov 1938, 08 Nov 1944, 23 Dec 1949

Guffey, Joseph F. (Senator, Pennsylvania): 16 Jun 1943, 29 Mar 1944

Halleck, Charles A. (Congressman, Ind.): 02 Jan 1948

Halsey, W. F. (Admiral): 24 Dec 1942

Hamilton, Ernest? ( -- Judge -- magazine): 19 Mar 1913

Hamilton, Norman R. (Congressman, Virginia): 21 Jun 1938 (3), 22 Jun 1938 (2), 02 Jul 1938

Hancock, Clarence E. (Congressman, N. Y.): 19 Apr 1941

Hannegan, Robert E. (Democratic National Committee): 01 Mar 1945

Harding, Warren G.: 06 Jan 1917, 11 May 1921 (printed invitation)

Harriman, William Averill: 03 Jan 1939

Harris, William J. (Senator, Georgia): 01 Nov 1913, 11 Feb 1920, 06 Apr 1920, 18 May 1920, 12 Dec 1922, 12 Jan 1923

Harrison, William Henry: 13 Apr 1936

Harvey, George (US Ambassador to England): 15 Oct 1914

Hatch, Carl N. (Senator, New Mexico): 06 May 1937

Hawley, Willis C. (Congressman, Oregon): 15 Mar 1929, 25 Mar 1930

Hay, John (State Department): 31 Oct 1904, 02 Nov 1904

Hays, Arthur: 27 Feb 1912

Hays, Will H. (Postmaster General and President of the Motion Picture Producers & Distributors of America): 14 Jun 1921 (letter about him), 27 Jan 1922, 28 Feb 1922, 31 Aug 1922, 20 Dec 1922, 03 Mar 1937

Heinl, Robert D.: 05 Feb 1912, 20 Mar 1913, 28 Jan 1915, 29 Jun 1920, 04 May 1938

Hicks, Frederick C. (Congressman, New York): 19 Feb 1922, 01 Dec 1922, Nov 1923

Hildreth, Melvin D. (Inaugural Committee): 28 Dec 1948

Hilles, Charles D.: 23 Jul 1935

Hitchcock, Ethan A. (Secretary of the Interior): 28 Jan 1908, 07 Mar 1916?

Hitchcock, (Senator): undated, 10 Sep 1930 (letter about him)

Hodges, John G.: undated

Holt, Rush D. (Senator, West Virginia): 23 May 1935, 22 Nov 1937, 04 Aug 1940, 30 Aug 1940

Hoover, Herbert: 03 Jan 1923 (letter from Hoover's secretary, Richard S. Emmet), 16 Aug 1949

Hoover, J. (John) Edgar: 29 Aug 1933, 20 Oct 1934, 29 Oct 1934, 23 Mar 1936, 26 Mar 1936, 01 Oct 1936, 14 Apr 1937, 03 Feb 1942, 05 Feb 1942, 01 Jul 1942, 15 Jul 1942, 02 May 1944, 21 Jun 1949, 08 Jul 1949

Hoover, Lou Henry: undated

Hopkins, Harry L.: 10 Apr 1935, 24 Mar 1942

Houston, David F. (Sec Treas): 12 Feb 1920

Howard E. P. (N.Y. Press): 03 Apr 1927, 26 Mar 1927, 15 Apr 1927, 23 Jan 1928

Hubbard, Kin (cartoonist, -- Indianapolis News -- ): 10 Feb 1913, 15 Feb 1913, 31 Jul 1914

Hughes, Charles Evans (Secretary of State): 15 Apr 1921 (printed invitation)

Hughes, R. E. (La. Purchase Exposition): 15 Mar 1904

Humphrey, William E. (Federal Trade Commission): undated (illustrated letter), 20 Jan 1933

Hutchison, George W. (National Geographic Society): 09 Dec 1935, 01 Apr 1937

Ickes, Harold L. (Secretary of the Interior): 09 Mar 1935, 08 Nov 1935, 20 May 1936, 29 Nov 1938, 11 Dec 1939, 05 Jun 1941, 09 Jun 1941, 13 Jun 1941, 17 Jun 1941 (letter from Mrs. Ickes), 13 Feb 1942, 27 Apr 1942, 04 May 1942, 15 Jun 1943, 21 Jun 1943, 05 May 1944, 15 Dec 1949

Ireland, William A. ( -- Columbus Dispatch -- ): 21 Mar 1913, 16 Mar 1917 (letter of introduction for Will Rogers), 01 Mar 1926

Jackson, Robert H. (Attorney General): 08 Feb 1938, 05 Dec 1938, 05 Dec 1940

James, Ollie M. (Congressman?, Kentucky): 20 Jan 1910

Johnson, Albert (Congressman, Washington): 24 Nov 1913, 20 Feb 1915, 02 Jun 1926, 18 Apr 1929, 31 Mar 1932

Johnson, Andrew: 19 Aug 1861 (letter to A. M. Coffin not in Johnson's hand)

Johnson, Herbert (art editor, -- Saturday Evening Post -- ): 09 Sep 1913, 16 Sep 1913, 23 Feb 1928, 11 May 1934

Johnson, Herschel V. (US Representative to UN): 12 Sep 1937, 22 Oct 1947

Johnson, Hiram W. (Senator, California): 11 Feb 1920, 01 Nov 1940

Johnson, Nelson T. (Asst. Sec. of State): 21 Dec 1928

Johnson, Philander Chase: 03 Jan 1908

Johnston, John A. (General): 05 Apr 1919

Jones, E. Lester (US Coast & Geodetic Survey): 10 Mar 1920

Jones, Jesse H. (Secretary of Commerce): 24 Dec 1941, 29 May 1942, 13 Oct 1943, 04 Dec 1943, 02 May 1944

Jones, Marvin (Congressman, Texas): 24 Feb 1936

Jones, Wesley L. (Senator): 07 May 1920, 18 Feb 1925

Kahn, Julius (Congressman, California): 17 Mar 1920, 13 Apr 1920

Kauffmann, Rudolph Max ( -- Washington Star -- ): 05 Oct 1920, 16 Apr 1947, 12 May 1947

Kearns, (Senator): undated

Keefe, Frank B. (Congressman, Wisconsin): 29 Jul 1947

Kelly, Clyde (Congressman, Pennsylvania): 14 Feb 1928

Kelly, Hugh A. (Governor, New Jersey): 14 May 1938

Kelly, J. (editor, -- Chicago Tribune -- ): 02 Jun 1906

Kendrick, John B. (Governor, Wyoming): 30 Sep 1916 (letter about him)

Kennedy, Joseph P. (Chairman, US Maritime Commission): 24 Sep 1937

Kenyon, William S. (Senator, Iowa): 29 Mar 1916, 27 Sep 1916

Keyes, Frances Parkinson: 18 Jul 1921

Keyes, Henry W. (Senator, New Hampshire): 25 Feb 1925

King, Ernest J. (Admiral): 24 Nov 1942, 06 Nov 1944

Kirchhope, Alt? ( -- Buffalo Evening News -- ): 26 Mar 1927

Kitchin, Claude (Congressman): 06 Mar 1916, 31 Mar 1916

Knutson, Harold, (Congressman, Minnesota): 04 Mar 1948

LaFollette, Robert M., Jr. (Senator, Wisconsin): 03 Jul 1929, 09 Mar 1931 (letter about him)

La Gorce, John Oliver (National Geographic Society): undated, 27 Feb 1912, 18 Jun 1943, 02 May 1944, 31 May 1949

Land, E. S. (Chairman, US Maritime Commission): 10 Mar 1941

Land, George A. (Congressman): 03 Mar 1904

Landis, C. B. (Congressman, Indiana): undated, 11 Nov 1904

Landon, Alf M. (Governor, Kansas): 30 Oct 1935, 14 Jan 1936, 24 Mar 1936, 08 Aug 1936, 26 Dec 1936, 02 Feb 1937, 27 Feb 1937, 13 Oct 1943, 16 May 1944, 20 Nov 1944, 01 Apr 1948

Lane, Franklin K. (Secretary of the Interior): undated, 15 Mar 1913, 18 Mar 1913, 31 Dec 1913, 06 Mar 1916, 13 Mar 1916, 08 Jan 1917, 21 Dec 1918, 11 Feb 1920, 13 Feb 1918, 12 Mar 1918, 19 Mar 1918, 22 Mar 1920

Lansburgh, Henry: 30 Dec 1915

Lansburgh, Mark (Lansburgh & Bro.): 16 Apr 1931, 05 Nov 1932

Lansing, Robert (Secretary of State): 28 Mar 1916, 25 Jan 1917, 08 Feb 1918, 24 Feb 1920, 29 Apr 1924

Lauder, Harry: undated

Lewis, B. J. ( -- Knickerbocker News -- ): 13 Mar 1941

Lewis, Fulton (WOL Radio): 17 Aug 1938

Lewis, James Hamilton, (Senator, Illinois): 30 Mar 1916, 15 Jan 1919, 26 Feb 1919, 07 Feb 1930, 16 Feb 1933, 13 May 1937

Lewis, John L.: 17 Apr 1937

Lewis, William Mather (Pres., George Washington U. and Pres., Lafayette College): 19 Sep 1924, 11 Oct 1929, 09 Dec 1931 (letter about him), 24 Mar 1942, 31 Mar 1942, 07 May 1944

Lindsay, R. C. (British Embassy): 26 May 1939

Lineberger, Walter F. (Congressman, Ca.): 01 Jun 1926

Lobeck, C. O. (Congressman, Nebraska): 11 Mar 1916, 01 Apr 1916

Locke, M. E. (Brigadier General): 24 May 1941

Lodge, Henry Cabot (Senator, Massachusetts): 18 Feb 1907, 22 Jul 1910, 22 Jul 1942

Lohr, Lenox (NBC): 29 June 1938, 29 Jul 1938

Long, B. (Asst. Secretary of State): 11 May 1942

Loring, Paule: undated, 13 Oct 1936 (illustrated letter)

Lowden, Frank O. (Governor, Illinois): 26 Jan 1920, 14 Feb 1920

Ludlow, Louis (Pioneer Book Co.): 14 Feb 1925, 25 Dec 1926, 20 Nov 1941, 20 Dec 1941

Luther, Dr. Hans (German Ambassador): undated

MacVeagh, Franklin (Sec. of the Treasury): 18 May 1911

Mahony, Felix: undated (illustrated letter)

Maloney, Francis (Senator, Connecticut); 11 Sep 1941, 22 Sep 1941, 06 Jan 1943, 02 May 1944

Mann, James R. (Congressman, Illinois): Oct 28, 1913, 07 Dec 1918, 01 Mar 1921

Marshall, George Catlett (General): 13 Jun 1940, 01 Apr 1944 (letter from his wife)

Martin, Joseph W., Jr. (Congressman, Massachusetts): 05 Jan 1942 (letter about him), 09 Mar 1942, 17 Apr 1943, 05 May 1944

Martin, Thomas S. (Senator): 07 Feb 1912

Marvin, Cloyd H. (Pres., George Washington U.): 06 Apr 1944

Maxwell, G. T. (cartoonist?): 14 Jul 1914

McAdams, Clark (President, St. Louis Artists' Guild): 06 Jan 1914, 20 Jan 1914

McAdoo, William G. (Secretary of the Treasury): 06 Jun 1914, 11 Jan 1914, 15 Feb 1917, 02 Mar 1917 (letter about him), 03 Sep 1918, 21 Nov 1922, 09 Aug 1925

McCarran, Patrick (Senator, Nevada): 23 May 1941

McClellan, George S.: 14 Feb 1938

McClure, Samuel G. (editor, -- Ohio State Journal -- ): 23 Jul 1903

McCormack, John W. (Congressman, Massachusetts): 06 Aug 1944

McCumber (Senator, North Dakota): 29 Oct 1919

McCutcheon, John T. ( -- Chicago Tribune -- ): 02 Dec 1907, 04 Apr 1913, 30 Dec 1913

McDonald, C. P. ( -- Chicago Tribune -- ): 19 Aug 1909

McDonald, Eugene F. (President, Zenith Radio Corp.): 20 Jan 1940 (letter to R. D. Heinl re FDR), 13 Nov 1939

McDuffie, John (Congressman, Alabama): 16 Apr 1934

McKellar, Kenneth (Senator, Tennessee): 19 Mar 1942, 31 Mar 1944

McKelway, Ben M. (ed., -- Washington Star -- ): 20 Oct 1947

McKenna, Joseph (Supreme Court Justice): 27 Feb 1923

McKinley, William B. (Senator, Illinois): undated, 06 Feb 1913, 03 Mar 1913, 04 Aug 1920

McLean, Edward B. (Inaugural Committee): 23 Dec 1920

McNair, Lesley James (General): 19 Jun 1944, 19 Jun 1944 (letter from his wife)

McReynolds, James C. (Supreme Court Justice): 11 Feb 1920, 09 Feb 1937 (letter from Mrs.McReynolds)

Mellon, Andrew (Secretary of the Treasury): 13 Apr 1925 (letter about him)

Meredith, Edwin T. (Sec. of Agriculture): 13 Feb 1920

Merrick, Frank L. (Louisiana Purchase Exposition): 18 Aug 1903, 20 Aug 1927

Meyer, George von L. (Sec. of the Navy): 23 Jan 1911

Meyers, Eugene ( -- Washington Post -- ): 14 Jun 1938, 27 Feb 1941 (printed invitation), 11 May 1944, 29 Jul 1949

Michelson, Charles (Democratic National Committee): 16 Oct 1935 (2), 21 Sep 1936, 29 Sep 1936

Millard, Charles D. (Congressman, N. Y.): 21 Feb 1935

Miller, James M. (Congressman): 17 Mar 1909 (letter from Mrs. Miller)

Mills, Ogden L. (Undersecretary of the Treasury): 22 Apr 1931

Minnigerode, C. Powell (Dir., Corcoran Gallery of Art): 27 Dec 1918 (2), 18 Jun 1943 (illustrated letter)

Minor, Benjamin S. (Inaugural Committee): 15 Jan 1913

Mitchell, Mrs. William Dewitt: 02 Mar 1931

Mondell, Frank W. (Congressman, Wyoming): 08 Apr 1920

Montgomery, James Shera (Chaplain, House of Representatives): 06 Aug 1918, 19 Jul 1919, 14 Jul 1945

Moore, J. Hampton (Congressman, Pa. and Mayor of Philadelphia): 17 Mar 1905, 28 May 1908, 29 Dec 1909, 29 Mar 1910, 01 Apr 1910, 04 Apr 1910, 07 Apr 1910, 27 Apr 1911, 27 Jan 1914, 23 Feb 1914, 08 Feb 1918, 14 Feb 1923, 09 Mar 1923, 23 Oct 1923, 05 Mar 1925, 31 Mar 1925, 15 Apr 1925 (2), 28 Jul 1925, 17 Oct 1925

Morgenthau, Henry, Jr. (Secretary of the Treasury): 05 Mar 1936, 10 Dec 1936, 23 Apr 1937, 12 Dec 1940, 18 Mar 1941, 22 Apr 1941, 09 May 1941, 03 Jul 1941

Moses, George H. (Senator, N. H.): 19 Jan 1922, 25 Jul 1923, 10 Feb 1927, 15 Dec 1927, 17 Dec 1927, 16 Jan 1929, 15 Aug 1929 (letter about him)

Murdock, Victor (Congressman, Kansas): undated (2), 01 Mar 1915, 18 Oct 1940

Murphy, Francis P. (Governor, N. H.): 27 Jan 1938 (2)

Murphy, J. E. ( -- Oregon Journal -- ): 14 Sep 1913

Murphy, William C. ( -- Philadelphia Inquirer -- ): 12 May 1941

Neely, Matthew M. (Governor, W. V.): 16 Jan 1941

New, Harry S. (Postmaster General): 30 Jul 1924, 10 Jan 1927

Newcome, W. A. (Ambassador to Italy): 13 Feb 1913

Nimitz, Chester W. (Admiral): 28 Nov 1942 (letter from his daughter Catherine), 15 Mar 1944

North, James (cartoonist?): 14 May 1921, 16 May 1921

Norton, Mary T. (Congresswoman, New Jersey): 09 Aug 1937, 13 Aug 1937, 06 Dec 1937, 30 Jun 1942

Noyes, Newbold: 13 Jan 1927 (letter from Mrs. Clarence Williams)

Noyes, Theodore W.: undated (3), 01 Jul 1918, 13 Mar 1920, 08 Jul 1929, 23 Apr 1930, 27 Feb 1934

O'Connor, John H. (Congressman, New York): 05 Jan 1937

Oliver, W. B. (Congressman, Alabama): 16 Feb 1924

Olney, Richard (Congressman, Mass.): 01 Apr 1920

O'Neal, Sam (Pres., National Press Club): 22 Jun 1944

Osborn, F. H. (Brigadier General): 16 Jan 1942

Ourand, Chas. H. (Isthmian Canal Commission): 20 Mar 1913

Owen, Ruth Bryan (Congresswoman, Florida): 09 Nov 1932

Palmer, A. Mitchell (Attorney General): 12 Feb 1920, 01 Apr 1920

Parsons, R. C. (editor, -- Cleveland Leader -- ): 04 Mar 1898

Patrick, Geo. H.: 01 Jun 1906 (re McClellan statue), 07 Jun 1906

Peaslee, Horace W. (architect): 25 Mar 1941

Penrose, Boies (Senator, Pennsylvania): 15 Jun 1906

Pepper, Claude (Senator, Florida): 13 Mar 1942, 03 Nov 1943, 17 Apr 1945

Perkins, Francis (Secretary of Labor): 24 Jul 1942

Pershing, John J. (General): 28 May 1945 (autographed card)

Phelan, James D. (Senator, California): 28 Jun 1918, 05 Jun 1920

Phipps, Lawrence C. (Senator, Colorado): 07 May 1920, 03 Mar 1923

Pike, Albert (Department of the Interior): undated

Poindexter, Miles (Senator, Washington): 13 Feb 1920

Polk, Frank L. (Undersecretary of State): 25 Mar 1920

Pomerene, Atlee (Senator, Ohio): 01 Jun 1911 (letter from Mrs. Pomerene), 20 Feb 1920 (letter from Mrs. Pomerene), 01 Mar 1920 (letter from Mrs. Pomerene), 08 May 1920

Porter, Laura (League of Women Voters): 28 Dec 1930

Pou, Edw. W. (Congressman, North Carolina): 30 Sep 1904, 07 Oct 1904, 10 Oct 1904, 17 Oct 1904

Powers, Samuel Leland (Congressman, Massachusetts): 17 Feb 1905, 30 Dec 1925

Proctor, Redfield (Senator): 21 Jun 1906

Radcliffe, George L. (Senator, Maryland): 15 Sep 1938

Rainey, Henry T. (Congressman, Illinois): 07 Mar 1916

Ralston, Samuel M. (Senator, Indiana): 30 May 1924

Ramspeck, Robert (Congressman, Georgia): 28 Nov 1941

Rankin, J. E. (Congressman, Mississippi): 14 Feb 1942

Rathbun, Richard (Asst. Secretary of Smithsonian): 11 Apr 1912, 07 Dec 1915

Rayburn, Sam: 24 Mar 1944

Reams, Frank (White House staff): 10 Jan 1929

Redfield, William C. (Secretary of Commerce): 31 Aug 1912, 07 Nov 1913, 07 Apr 1915, 07 Mar 1916

Reed, Daniel (Congressman, New York): Apr 28, 1920

Reed, Stanley F. (Supreme Court Justice): 13 Mar 1948

Reed, Stuart F. (Congressman, W. V.): 27 Mar 1922

Reid, Albert T. (American Artists Professional League): 02 May 1944

Rhodes, John D. (Senator): undated, 01 Nov 1943

Ritchie, Albert C. (Governor, Maryland): 15 Nov 1923 (2), 14 May 1924, 23 Dec 1925, 28 Dec 1926, 09 Jan 1927, 14 Jan 1927, 10 Feb 1927, 20 Jan 1931, 07 Aug 1931, 30 Jan 1936

Robertson, David A. (President, Goucher College): 15 Dec 1939 (letter from Anne Robertson), 19 Apr 1932, 18 Dec 1942, 14 Aug 1943

Robinson, Boardman ( -- New York Tribune -- ): 21 Mar 1913, 02 Jun 1913

Robinson, Joe T. (Senator, Arkansas): 10 Mar 1916, 29 Nov 1921, 25 Apr 1936

Rodman, Hugh (Admiral): 10 Nov 1937

Rogers, Edith Nourse (Congresswoman, Massachusetts): 15 Feb 1937, 16 Feb 1937

Rogers, W. A.: 19 Mar 1925, 10 Apr 1925

Rogers, Will: 16 Mar 1917 (letter of introduction from Bill Ireland), 19 Aug 1927 (invitation to Press Club dinner in his honor)

Roosevelt, Franklin D.: 26 Apr 1935 (letter about him), 20 Jan 1940 (letter about him), 08 Jul 1940 (photograph of letter)

Roosevelt, Theodore: 29 Dec 1902, 09 Jan 1912

Root, Elihu (Secretary of State): 14 Dec 1905

Roper, Daniel C. (Secretary of Commerce): undated, 18 Aug 1913, 16 Sep 1932, 15 Aug 1933, 07 Sep 1933, 11 Nov 1933, 14 Aug 1934, 10 Dec 1934, 18 May 1936, 16 Nov 1937, 05 Aug 1938

Ross, Nellie Tayloe (Democratic National Committee): 10 Dec 1932

Roteler, J. Allen: 23 Feb 1936 (letter re Andrew Mellon and the Corcoran Gallery)

Russell, K. L. (cartoonist?): 11 Jun 1906 (illustrated letter)

Russell, Richard (Senator and Governor of Florida): 29 Mar 1944, 22 Mar 1949

Sabath, A. J. (Congressman, Illinois): 24 Feb 1941, 19 Jan 1945

Sackett, Frederic M. (Senator, Kentucky): 24 Oct 1925

Saltonstall, Leverett (Senator, Mass.): 12 Apr 1948

Sanders, Everett (Congressman, Indiana): 19 Feb 1925, 02 Jul 1932

Saulsbury, Willard (Senator, Delaware): 21 Oct 1918 (letter to Col. E. A. Halsey)

Scott, Hugh D., Jr. (Congressman, Pa.): 10 Oct 1949

Seger, George N. (Congressman, N. J.): 13 Jan 1925

Seton, Grace Thompson (National League of American Pen Women): 12 Mar 1927, 12 Apr 1927, 11 May 1927

Shaw, Albert P.: 08 Nov 1901, 08 Nov 1926, 09 Nov 1926, 09 Jan 1933 (letter from C. Berryman)

Shaw, Leslie M.: 11 Oct 1905 (printed invitation)

Sheppard, Morris (Senator, Texas): 08 May 1920, 10 Oct 1924, 15 Nov 1924, 05 Sep 1933, 31 Dec 1937, 13 Oct 1938, 08 Nov 1938, 10 Aug 1940, 19 Sep 1940

Sherman, Lawrence Y. (Senator, Illinois): 08 Feb 1918

Shih, Hu (Chinese Embassy): 07 Dec 1939, 27 Nov 1941

Shoemaker, Vaughn (cartoonist, -- Chicago Daily News -- ): 29 Mar 1945

Shoppell, R. W. ( -- National Tribune -- ): 02 Dec 1904

Slemp, C. B. (Congressman, Virginia): 31 Aug 1914, 10 Mar 1916

Smith, Alfred (Governor, New York): 07 May 1924

Smith, John Walter (Senator, Maryland): 11 Mar 1916

Smoot, Reed (Senator): 29 Jun 1906, 07 May 1920

Smoot, William (Governor, Pennsylvania): 13 Jan 1922

Snell, Bertrand H. (Congressman): 31 May 1929

Snow, William J. (Major General): 06 Jan 1919, 14 Jan 1921

Snyder, John W. (Sec. of the Treasury): 23 Jun 1947

Somerville, Harry P. (The Willard): 01 Apr 1936, 09 Jul 1936, 10 Apr 1942

Spooner, John C. (Senator, Wisconsin): 07 Mar 1907

Stand, Bert (Democratic County Committee): 02 Jun 1936

Stanley, Augustus O. (Senator, Kentucky): 20 Feb 1907, 25 Mar 1920, 13 Aug 1921, 19 Aug 1921, 09 Nov 1935

Stettinius, Edward R. (Secretary of State): 15 Sep 1944, 26 Oct 1944, 13 Mar 1945, 29 Mar 1945

Stimson, Henry L. (Sec. of State and Sec. of War): 06 Feb 1912, 21 Dec 1932, 29 Apr 1943

Stone, Harlan F. (Supreme Court Justice); 02 May 1944

Strick (National Press Club): undated

Sulzer, William (candidate for Governor): 21 Jul 1914 (3), 21 Jul 1914 (letter from Mrs. Sulzer)

Suter, John Wallace (Dean, Washington Cathedral): 13 Feb 1945, 12 Mar 1945

Sutherland, Howard (Senator): 10 Feb 1920, 07 May 1920

Swanson, Claude A. (Senator, Virginia): 18 Aug 1910, 15 Oct 1919

Swing, Phil D. (Congressman, California): 20 Dec 1932

Sylvester, Arthur ( -- Newark Evening News -- ): 23 Jun 1947

Sylvester, Richard (Inaugural Committee): 31 Dec 1904

Taft, William Howard: 10 May 1907, 30 Jun 1908, 18 Mar 1925 (letter about him)

Taliaferro, Sidney F. (DC Commissioner): 13 Apr 1927

Tharin, Charles E. (White House staff): 14 Jun 1905

Thomas, Elmer (Senator, Oklahoma): 02 Jul 1936

Thompson, Charles Willis ( -- New York Times -- ): 13 Mar 1905

Thornton, J. R. (Senator): 16 Dec 1910, 10 Dec 1912, 12 Dec 1912, 22 Nov 1913, 18 Mar 1914, 21 Mar 1914, 11 Feb 1915, 15 Mar 1915, 01 Jul 1916

Tilson, John Q. (Congressman, Conn.): 18 Apr 1929

Tobey, Charles W. (Senator, N. H.): 12 Jan 1948

Tony, F. A. ( -- Strand -- magazine): 06 Nov 1914

Towner, H. M. (Governor, Puerto Rico): 14 Jul 1924, 15 Apr 1925

Treadway, Allen T. (Congressman, Mass.): 25 May 1935

Trimble, South (Congressman): 24 Nov 1915, 11 Mar 1938

Trinkle, E. Lee (Governor, Virginia): 04 Feb 1925, 02 Mar 1925, 22 Jun 1925, 08 Jan 1926

Truesdell, George: 08 Jun 1906 (re McClellan statue)

Truman, Bess: 31 May 1949

Truman, Harry S: 07 Jun 1945 (copy of letter to Col. Johnson), 29 Mar 1946

Tydings, Millard E. (Senator, Maryland): 10 May 1935, 14 May 1935, 10 Jun 1938, 17 Jun 1938, 09 Sep 1938, 20 Sep 1938, 07 Mar 1944, 01 May 1944, 09 May 1944

Underwood, Oscar W. (Congressman, Alabama): 26 Feb 1912, 10 Mar 1916, 06 Jan 1917, 11 Feb 1920

Vincent, B. M. (Congressman, Kentucky): 07 Sep 1940 (letter about him)

Vinson, Carl (Congressman, Georgia): 09 Jun 1920

Wadsworth, James W. (Congressman, N. Y.): 13 Feb 1941

Walker, Frank C. (Postmaster General): 26 Nov 1941, 05 Nov 1943, 06 Jul 1943

Wallace, Henry A. (Secretary of Agriculture): undated (2), one illustrated), 01 Feb 1937, 06 Dec 1937

Ward, H. S. (Congressman, North Carolina): undated

Warner, V. (Congressman): 14 Jan 1905

Warren, Francis E. (Senator): 10 May 1920, 15 Oct 1924, 18 Oct 1924 (letter about him), 24 Nov 1924, 17 Feb 1925

Warren, Lindsay C. (Congressman, North Carolina): 11 Mar 1935, 13 Mar 1935

Watterson, Henry ( -- Courier-Journal -- ): 22 Apr 1912 (2)

Webster, Harold Tucker: 17 May 1918, 01 Jul 1918, 17 Jul 1918, 29 Aug 1918 (2), 09 Oct 1918, 06 Nov 1918

Westerman ( -- Ohio State Journal -- ): undated

Wetmore, A. (Smithsonian Institution): 26 Jul 1944

Wheeler, Burton K. (Senator, Montana): undated (letter from Mrs. Wheeler), 27 Jan 1937, 05 Aug 1941

White, Edward D. (Supreme Court Justice): 06 Feb 1917

Wickard, Claude R. (Secretary of Agriculture): 30 Jan 1942, 11 Feb 1942, 16 Apr 1942

Wickersham, George W.: 23 Dec 1930, 17 Dec 1934

Wile, Frederic William: 12 May 1924 (letter of introduction for William Schofield), 15 Nov 1928

Williams, John Sharp (Senator): 14 May 1914

Willis, Frank B. (Senator, Ohio): 13 Feb 1928

Willkie, Wendell L.: 02 May 1944

Wilson, Charles R. (candidate for Mayor, Huntington West Virginia): 21 Mar 1928, 14 May 1932

Wilson, Edith Bolling: 26 Mar 1916, 10 Feb 1917

Wilson, James (Secretary of Agriculture): 30 Jan 1909

Wilson, Lyle C. (United Press Assocs.): 29 Mar 1945

Wilson, Woodrow: 04 Dec 1916

Winslow, Samuel E. (Congressman, Massachusetts): 13 Feb 1920, 20 Feb 1925

Wood, Edwin O. (Democratic National Committee): 09 Dec 1911 (2), 24 Jul 1914, 10 Sep 1914

Wood, Will R. (Congressman, Indiana): 20 Jul 1916, 03 Mar 1925

Woodin, William H. (Sec. of the Treasury): 07 Jun 1933

Woodward, Donald (Woodward & Lothrop department store): 17 Jan 1921

Work, Hubert (Secretary of the Interior): 31 Dec 1926, 12 Jan 1927, 23 Jun 1928

Works?, John D. (Senator): 29 Mar 1916

Young, George M. (Congressman, N. D.): 07 Oct 1925

Zears, Guy (Congressman): 28 Dec 1940

Zihlman, Frederick N. (Congressman, Md.): 10 Feb 1927

Zimmerman, Eugene ZIM"; (cartoonist): 02 Jul 1929 (letter about him from Freeman H. Hubbard), 05 Jul 1929 (letter about ZIM from C.Berryman)
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Berryman family papers, 1829-1984, bulk 1882-1961. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.berrfami, Subseries 1.3
See more items in:
Berryman family papers
Berryman family papers / Series 1: Clifford and Kate Berryman Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-berrfami-ref22

Why Cathedral Ledge Is Perfect for Extreme Rock Climbers

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2013-09-18T19:30:02.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_7709LlQFRow

Portsmouth, New Hampshire

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2011-08-15T16:58:50.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_8z5A2Xw_YgU

White Mountain National Forest

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2013-04-25T17:35:07.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_9ohFmypBWv4

5. Dennis Meadows - Perspectives on the Limits of Growth: It is too late for sustainable development

Creator:
Smithsonian Institution  Search this
Type:
YouTube Videos
Uploaded:
2012-03-09T22:52:56.000Z
YouTube Category:
Education  Search this
See more by:
SmithsonianVideos
Data Source:
Smithsonian Institution
YouTube Channel:
SmithsonianVideos
EDAN-URL:
edanmdm:yt_f2oyU0RusiA

National Woven Coverlet Project: Bill Leinbach Demo

Creator:
National Museum of American History  Search this
Type:
YouTube Videos
Uploaded:
2019-07-03T16:09:15.000Z
YouTube Category:
Education  Search this
Topic:
American History  Search this
See more by:
SmithsonianAmHistory
Data Source:
National Museum of American History
YouTube Channel:
SmithsonianAmHistory
EDAN-URL:
edanmdm:yt_DXu4SnKAvzI

Anna & Elizabeth - "Ripest of Apples" [Official Music Video]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2018-03-26T17:00:04.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_oIuePqMGflQ

Glass Lantern Slide and Lecture Scripts

Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
See more items in:
The Garden Club of America collection
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref32850
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Glass Lantern Slide and Lecture Scripts digital asset number 1

New Hampshire: White Mountain Garden Club Lecture Script and Correspondence

Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Glass Lantern Slide and Lecture Scripts
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref32863

Westminster West -- Hayward Garden

Gardener:
O'Donnell, Helen  Search this
Owner:
Hayward, Mary  Search this
Hayward, Gordon  Search this
Provenance:
Garden Club of Dublin (New Hampshire)  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Hayward Garden (Westminster West, Vermont)
United States of America -- Vermont -- Windham -- Westminster West
Scope and Contents:
Hayward Garden includes 63 digital images and a folder that includes worksheets, photocopies of articles and additional images including a pamphlet about a musical program created for and perfomed in the garden in 2014 as a the Yellow Barn summer program.
General:
The owners describe their one and one-half acre ornamental garden as a new garden in an old place, with its 200 year-old colonial farmhouse and attached barn, low stone walls, and old farm building foundations that have been repurposed as distinctive garden rooms within surrounding meadows and woods. They purchased the property in 1983 and spent about one year clearing the land of scrap metal and other debris, brambles and weed trees, a rotting barn, dead trees, and an old Nash Metropolitan automobile. The garden style is English, with a rectilinear format from south to north softened by lush growth in season and more evident in the long Vermont winter. The design began by drawing a straight line from the front door of the house to a 75-year-old apple tree. There is a crab apple orchard along that main axis that can be seen from the house. Brick and pea stone gravel walks, 90-foot long mixed borders, and an herb garden laid out in formal parterres are either parallel or perpendicular to the central axis of the garden. The 14 garden rooms are delineated by clipped hedges of varying heights, many of yew but also other plant materials for variation. There are four places to sit within the garden: a gazebo at the far end reached through a tunnel of pleached copper beech, an outdoor dining room on pavers under tall trees, a bench slightly above and overlooking their spring garden, and another bench next to a shed near the herb garden.
Creating a garden in harmony with the rural location was important to the owners, who subsequently purchased 19 adjacent acres and preserved the meadows and woods with the Vermont Land Trust. To instill harmony in the diverse garden rooms the owners adhere to three themes: hedges for structure, black locust posts and terra cotta containers for materials, and burgundy and other reds for the color that recurs throughout the garden rooms. Since the entire garden is unified it is possible to add variations without muddling the design. Honoring the long gone dairy farms they have turned the foundations of a milking parlor into a garden room that has low, drought tolerant plants growing among the stone flooring and three rusted milk cans. The cracked cement foundation of a former silo was turned into a pond with a fountain built into a stone wellhead and a statue of Buddha on the shore.
Gordon Hayward has written many articles for Horticulture, Taunton's Fine Gardening, and regional magazines using his own garden to teach design aesthetics and their practical application. Topics include the effective placement of planted and unplanted containers and other garden ornaments, how to build a small fountain, the importance of proportions to design, how to set vertical posts, and tips on outdoor seating and dining rooms. Good design is illustrated by reshaping lawns to complement planted borders or trees, through consistent choices of decorative materials, through applying the principles of theme and variation when choosing what to put in the garden, and through planning for the winter garden with berries and crab apples for birds and good "bones" that become evident in winter.
Persons associated with the garden include: Gordon Hayward (owner, garden designer, and gardener, 1983- ), Mary Hayward (owner, garden designer, and gardener, 1983- ), Ephraim and Lydia Johnson Ranney, and their descendants in the Buxton and Reed families (former owners, circa 1790-1983); Helen O'Donnell (gardener, 2008-2015).
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Vermont -- Westminster West  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File VT019
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Vermont
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref11360

New Hampshire

Collection Donor:
Eudaily, Daniel  Search this
Flautt Antiques. Calvin R.  Search this
Franklin, Sue  Search this
Fry, Robert E.  Search this
Groves, Ruth Ann Empie  Search this
Johnson, Marjorie  Search this
Otto, Carlin, Ms.  Search this
Ravnitzky, Michael  Search this
Rupp, Gloria  Search this
Collection Creator:
Fogel, Byron J.  Search this
Collection Collector:
National Museum of American History (U.S.). Archives Center  Search this
Container:
Box 4
Box 10
Type:
Archival materials
Date:
undated
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives Center Postcard Collection, twentieth century, Archives Center, National Museum of American History.
See more items in:
Archives Center Postcard Collection
Archives Center Postcard Collection / Series 2: Geographical, United States
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0483-ref51

Yankee, magazine, Dublin, New Hampshire

Series Collector:
National Museum of American History (U.S.). Archives Center  Search this
Series Donor:
Gay Officers Action League. GOAL  Search this
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Container:
Box 104, Folder 17
Type:
Archival materials
Date:
1984
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 15: Barna, Joseph T. and Heritage of Pride (HOP), New York, New York / 15.3: Barna, Joseph T.
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref1419

"Women never, never, never shall be slaves", Manchester Women's Co-Operative Printers (Manchester, New Hampshire), poster

Series Collector:
National Museum of American History (U.S.). Archives Center  Search this
Series Donor:
Gay Officers Action League. GOAL  Search this
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Container:
Box 26, Folder 1
Type:
Archival materials
Date:
undated
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 5: Biren, Joan E. (JEB) / 5.2: Posters and Oversize Advertisements
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref741

Historical American Records Survey portrait survey records, 1935-1942

Creator:
Historical Records Survey (U.S.)  Search this
Historical Records Survey (U.S.)  Search this
Subject:
United States. Works Progress Administration  Search this
United States. Work Projects Administration  Search this
Place:
United States -- Economic conditions -- 1918-1945
United States -- Social conditions -- 1933-1945
Topic:
Portraits, American  Search this
Portrait painting, American  Search this
New Deal, 1933-1939  Search this
Federal aid to the arts  Search this
Federal aid to public welfare  Search this
Art and state  Search this
Theme:
Government Sponsorship of the Arts  Search this
Record number:
(DSI-AAA_CollID)9793
(DSI-AAA_SIRISBib)212230
AAA_collcode_histreco
Theme:
Government Sponsorship of the Arts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212230

In the charming White Mountains--Mt. Pleasant, Mt. Stickney and the winding Ammonoosuc River, N.H. [Active no. 5242 : interpositive.]

Topic:
NEW ENGLAND
Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5".)
Type:
Archival materials
Landscapes (representations)
Photographs
Place:
Ammonoosuc River (N.H.)
Mt. Pleasant (New Hampshire)
Mt. Stickney (New Hampshire)
New Hampshire
White Mountains (New Hampshire)
Local Numbers:
RSN 26634
General:
Currently stored in box 3.2.50 [106].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Mountains -- New Hampshire  Search this
Rivers -- New Hampshire  Search this
Genre/Form:
Landscapes (representations) -- New Hampshire
Photographs -- 1900-1910 -- Interpositives -- Glass
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 26600-26704
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref24393

Granite quarries, with derricks, cars and finished blocks, Concord. 11161 Interpositive

Topic:
NEW HAMPSHIRE
Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5")
Type:
Archival materials
Photographs
Place:
Concord (New Hampshire)
New Hampshire
Local Numbers:
RSN 27775
General:
Currently stored in box 3.2.57 [83].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Derricks -- New Hampshire  Search this
Granite quarrying -- New Hampshire  Search this
Laborers -- New Hampshire  Search this
Trams -- New Hampshire  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 27741-27844
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref25533

Colonial farmhouse in New Hampshire [on envelope]. [Active no. 11548 : interpositive,]

Publisher:
Underwood & Underwood  Search this
Photographer:
Page  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (Size 3-1/4" x 3-1/4".)
Type:
Archival materials
Photographs
Place:
New Hampshire
Date:
1905
Local Numbers:
RSN 27912
General:
Currently stored in box 3.2.58 [91], moved from [40].
NOTE! IMAGE REVERSE COPIED ON VIDEODISC! Similar to RSN 15264, 15265 and 24687.
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Dwellings -- New Hampshire  Search this
Family -- New Hampshire  Search this
Farms -- New Hampshire  Search this
Portraits -- New Hampshire  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 27845-27950
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref25668

[Large farm house with trees, New Hampshire. [Active no. 11548 : stereo interpositive.]

Publisher:
Underwood & Underwood  Search this
Photographer:
Page  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8")
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
New Hampshire
Date:
1905
Local Numbers:
RSN 24687
General:
Similar to RSN 15264, 15265 and 27912.
Currently stored in box 3.2.39 [173].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Buildings -- New Hampshire  Search this
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Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 24586-24692
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref22451

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