Skip to main content Smithsonian Institution

Search Results

Collections Search Center
129 documents - page 1 of 7

Lily Harmon papers

Creator:
Harmon, Lily, 1912-  Search this
Names:
Algren, Nelson, 1909-1981  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Nierendorf, Karl  Search this
Odets, Clifford, 1906-1963  Search this
Schmid, Elsa, 1897-  Search this
Stieglitz, Alfred, 1864-1946  Search this
Warburg, Edward M. M.  Search this
Interviewee:
Ashton, Dore  Search this
Avery, Sally  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Bruno, Phillip A.  Search this
Copley, Alfred L.  Search this
Dehner, Dorothy, 1901-1994  Search this
Drew, Bettina, 1956-  Search this
Driggs, Elsie, 1898-1992  Search this
Hertzberg, Benjamin  Search this
Hutton, Leonard, Sir  Search this
Isaacs, Lewis  Search this
Kahn, Max, 1903-2005  Search this
Knotts, Howard  Search this
Kuh, Katharine  Search this
Lamm, Johanna Neumann  Search this
Manacher, Frances  Search this
Neumann, Albrecht  Search this
Neumann, Peter, 1928-  Search this
Rothbaum, Nolbert  Search this
Sapanel, Margarete  Search this
Schultz, Margarete  Search this
Solman, Joseph, 1909-2008  Search this
Stix, Hugh  Search this
Vogel, Ilse Margret  Search this
Extent:
6 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Video recordings
Date:
1930-1996
Scope and Contents:
Primarily research files and notes, subject files, interview tapes and transcripts, correspondence, writings, and other materials compiled by Harmon for a never-published biography of art dealer J.B. Neumann, titled The Art Lover. Found are photocopies of J.B. Neuman's correspondence with Karl Nierendorf, Clifford Odets, Elsa Schmid, and Alfred Stieglitz; photocopies and other materials from the J.B. Neumann Collection at the University of Texas at Austin, Harry Ransom Humanities Center, including photocopies of the magazine published by Neumann titled Art Lover Library, 1930-1957 (volume 1, 1930 is original bound volume), copyprints and photocopies of photographs of Neumann, his family, and of other subjects; interview transcripts and audio tapes with numerous artists conducted in the mid-1980s; research notes and files; and subject files on numerous artists (all photocopies).
Harmon's personal papers include resumes; copies of letters from friends, family, dealers and others; photographs of Harmon's paintings; writings, including poems, excerpts from diaries, autobiographical essays, and her autobiography FREEHAND; photocopies of various mss. drafts of Harmon's biography of Neumann, The Art Lover, and related writings by Harmon, including The Art Dealer and the Playwright, and Synopsis of Art Lover, ca. 1987-1990 ; a transcript of an interview of Harmon conducted by Karl Fortress, 1967; magazine and newspaper clippings; exhibition announcements and catalogs; and miscellany.
Interviewees include: Dore Ashton, Sally Avery, Alfred Barr, Phillip Bruno, Al Copley, Dorothy Dehner, Bettina Drew (about Nelson Algren), Elsie Driggs (also found is a video interview and transcript of Driggs by Merryman Gatch, n.d.), Ben Hertzberg, Leonard Hutton, Lewis Isaacs, Max Kahn, Katharine Kuh, Johanna Neumann Lamm, Frances Manacher, Peter Neumann, Albrecht Neumann, Nolbert Rothbaum, Margarete Schultz, Joseph Solman, Margarete Sapanel, Hugh Stix, Ilse Vogel with Howard Knotts, and Edward M.M. Warburg.
Biographical / Historical:
Painter and sculptor; New York City. Harmon worked for the influential art dealer J.B. Neumann, and spent several years preparing a biography of him which was never published. As an artist, she lived in Europe in the early part of the century, and worked on WPA art projects in the 1930s.
Provenance:
Donated 1983 and 1998 by Lily Harmon.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Women artists -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Video recordings
Identifier:
AAA.harmlily
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-harmlily

Lee Gatch papers

Creator:
Gatch, Lee, 1902-1968  Search this
Names:
World House Galleries  Search this
Driggs, Elsie, 1898-1992  Search this
Kahn, Max  Search this
Kuh, Katharine  Search this
Mumford, Lewis, 1895-1990  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Phillips, Duncan, 1886-1966  Search this
Willard, Marian, 1904-  Search this
Extent:
1 Linear foot ((partially microfilmed on 5 reels))
Type:
Collection descriptions
Archival materials
Date:
1925-1979
Scope and Contents:
Correspondence, notebooks, writings, photographs, catalogs and other publications.
REEL D160: Letters from Gatch's dealer J.B. Neumann, detailing his financial difficulties, Marian Willard of Willard Gallery, collector Duncan Phillips, who discusses a catalog he is writing on Gatch, and painter and collector Max Kahn; photographs of Gatch, ca. 1934; a commonplace book, 1925-1937, which also includes food recipes and an inventory of Gatch's paintings; clippings; and catalogs.
REEL NLG-1: Mainly correspondence with Phillip Bruno of World House Galleries concerning the pricing and delivery of paintings. Gatch comments specifically on "Veronica's Veil" and "Gothic Night." Also included are social notes from Elsie Driggs Gatch to Josephine Bruno, playbills from performances of Merriman Gatch, clippings, and photographs.
REEL N69-137: an autobiographical sketch; letters, 1934-1965, from Lewis Mumford, Katharine Kuh, and others, commending his work, from J.B. Neumann and Duncan Phillips, discussing sales of his painting, and from Max Kahn, commenting generally on art matters; brief essays by Gatch on his paintings "Jurassic Frieze" and "World's End," and the development of his painting; a book of poems inscribed by the author, Power Dalton; and catalogs.
REEL 1: Letters to Elsie Driggs, 1934-1935, commenting on his art theories, his plans for Yaddo, and his financial situation; an exchange between Gatch and Bruno, commenting on his use of texture; one letter from Duncan Phillips, discussing an article he is preparing on Gatch. Also, a typescript comment by Gatch on the aim of his art, a certificate from the New York Institute of Mechanics, 1941, and a National Institute of Arts and Letters citation, 1965.
REEL 2812: 36 photographs of Gatch, his homes, and studios, ca. 1927-1963; 3 exhibition catalogs; and a letter, February 8, 1979, from Robert J. Koenig to Merriman Gatch regarding "The Acrobats" by her father.
UNMICROFILMED: Photographs, printed material, several letters, a student notebook, and memorabilia.
Biographical / Historical:
Painter; New York, N.Y.
Provenance:
Donated 1963-1979 by Gatch and his wife Elsie Driggs Gatch, except for material on reel NLG-1, which was lent for microfilming, as well as portions of the unmicrofilmed material, which were donated 1971 by Mrs. Leonard Strauss (6 snapshots), who was working on a master's thesis on Gatch, and by Gatch's sister, Sister Mary Rachel Gatch (2 letters, and printed material).
Occupation:
Art dealers  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Painting, Modern -- 20th century  Search this
Function:
Art galleries, Commercial -- New York (State) -- New York
Identifier:
AAA.gatcleep
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gatcleep

Eva Lee Gallery records

Creator:
Eva Lee Gallery  Search this
Names:
Korvettes  Search this
New Art Circle (New York, N.Y.)  Search this
Albers, Josef  Search this
Benn, Ben, 1884-  Search this
Benton, Thomas Hart, 1889-1975  Search this
Calder, Alexander, 1898-1976  Search this
Christo, 1935-  Search this
Corinth, Lovis, 1858-1925  Search this
Cornell, Joseph  Search this
Dalí, Salvador, 1904-  Search this
Feininger, Lyonel, 1871-1956  Search this
Grosz, George, 1893-1959  Search this
Hartley, Marsden, 1877-1943  Search this
Hopkins, John  Search this
Indiana, Robert, 1928-  Search this
Lee, Eva  Search this
Lieberman, Harry, 1880-1983  Search this
Lipchitz, Jacques, 1891-1973  Search this
Loewe, Frederick  Search this
Magritte, René, 1898-1967  Search this
Marin, John, 1870-1953  Search this
Mommer, Paul  Search this
Nesbitt, Lowell, 1933-1993  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Odets, Clifford, 1906-1963  Search this
Ritchie, Andrew Carnduff  Search this
Shahn, Ben, 1898-1969  Search this
Simpson, Merton D. (Merton Daniel), 1928-  Search this
Valentin, Curt, 1902-1954  Search this
Vasarely, Victor, 1906-1997  Search this
Weber, Max, 1881-1961  Search this
Extent:
4 Linear feet
Type:
Collection descriptions
Archival materials
Watercolor drawings
Photographs
Date:
1921-1973
Summary:
The scattered records of the New York contemporary American art Eva Lee Gallery measure 4.0 linear feet and date from 1921-1973. Artist files contain provenance notes, photographs of artwork, records of sales and consignments, exhibition catalogs from other galleries, and reference information on numerous contemporary artists, many represented by the gallery. There are also scattered letters and artwork from artists, scattered sales records of J.B. Neuman's New Art Circle Gallery, and a photocopy of an auction catalog for Korvettes Art Galleries in Douglastan, New York. A significant amount of information is found within the collection about Alexander Calder, Lovis Corinth, Salvadore Dali, Lyonel Feininger, George Grosz, Robert Indiana, Harry Lieberman, Rene Magritte, John Marin, Lowell Nesbitt, Ben Shahn, Victor Vasarely, and Max Weber.
Scope and Content Note:
The scattered records of the New York contemporary American art Eva Lee Gallery measure 4.0 linear feet and date from 1921-1973. Artist files contain provenance notes, photographs of artwork, records of sales and consignments, exhibition catalogs from other galleries, and reference information on numerous contemporary artists, many represented by the gallery. There are also scattered letters and artwork from artists, scattered sales records of J.B. Neumann's New Art Circle Gallery, and a photocopy of an auction catalog for Korvettes Art Galleries in Douglastan, New York.

The records are comprised of artists' files arranged into four categories established by the gallery: general artists' files; notebooks of artists' files; financial artists' files; and consignment and sales artists' files. General artists' files contain background and reference information on numerous contemporary artists, performers, and art-related organizations. More information exists for Alexander Calder and Harry Lieberman than the other names represented in the general files. Lee also arranged provenance notes and photographs of artwork into notebooks, presumably including many of the artists represented by the gallery. There is a significant amount of material in the notebooks on Alexander Calder, Robert Indiana, Lowell Nesbitt, Ben Shahn, Victor Vasarely, and Max Weber.

Financial artists' files contain correspondence with artists and patrons concerning the sale of artwork by both the Eva Lee Gallery and J. B. Neumann of the New Art Circle Gallery, scattered artwork, printed material, photographs of artists, and checks signed by Neumann and endorsed by miscellaneous artists. Eva Lee worked on the estate of J. B. Neumann and collected and interspersed his files with her own. These files include letters from Josef Albers, Thomas Hart Benton, Alexander Calder, Christo, Joseph Cornell, Robert Indiana, and a postcard of Calder's studio from Ben Shahn. There are also watercolor sketches by Clifford Odets, an exhibition catalog autographed by Ben Shahn, and photographs of Marsden Hartley, Jacques Lipchitz, composer Frederick Loewe, Paul Mommer, Mert Simpson, and Curt Valentin with Andrew Ritchie.

Eva Lee Gallery artists' consignment and sales files primarily contain photographs of artwork and notes concerning sales of specific artwork by the Eva Lee Gallery. Also found in these sales files are scattered letters, receipts, and printed material. There is a significant amount of material for Ben Benn, Alexander Calder, Lovis Corinth, Salvadore Dali, Lyonel Feininger, George Grosz, Marsden Hartley, John Hopkins, Rene Magritte, and John Marin. It is assumed that Eva Lee separated the two latter sets of artists' files containing sales records.

Also found in the collection is a photocopy of the Korvettes Art Galleries auction catalog, which lists artwork sold at a 1970 auction liquidating the holdings of the Douglaston, New York gallery.
Arrangement:
The collection is arranged as 5 series:

Series 1: General Artist Files, 1923-1972 (Boxes 1-2; 1.3 linear feet)

Series 2: Notebooks of Artist Files, 1929-1973 (Boxes 2-3; 1.4 linear feet)

Series 3: Financial Artist Files, 1921-1970 (Boxes 3-4; 0.6 linear feet)

Series 4: Eva Lee Gallery Consignment and Sales Artist Files, 1960-1972 (Box 4; 0.7 linear feet)

Series 5: Photocopy of Korvettes Art Galleries Auction Catalog, 1970 (Box 4; 1 folder)
Historical Note:
Eva Lee was born circa 1924. She fled from Nazi Germany to the United States, becoming an art dealer and the owner of the Eva Lee Gallery, Inc. Located in Great Neck, New York, the Eva Lee Gallery specialized in modern art and handled the work of many prominent artists including Alexander Calder, Lyonel Feininger, George Grosz, Marsden Hartley, Jacob Lawrence, Ben Shahn, and Max Weber. The gallery was in operation through the first half of 1973.

Eva Lee died suddenly on November 4, 1973 in Terre Haute, Indiana, while undergoing unspecified medical treatment.
Provenance:
The Eva Lee Gallery records were donated in 1973 by Eva Lee through Eloise Spaeth, and in 1978 by Neal Richmond of the Paul Klapper Library, Queens College, Flushing, New York, who had been asked to disperse Lee's gallery records following her sudden death in 1973. A photocopy of the Korvettes Art Galleries Auction Catalog was donated by Eva Lee in 1970.

Lee's records also contained financial files belonging to art dealer J. B. Neumann and his New Art Circle Gallery, whose estate she had worked on in 1966.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art galleries, Commercial -- New York (State) -- Long Island  Search this
Works of art  Search this
Genre/Form:
Watercolor drawings
Photographs
Citation:
Eva Lee Gallery records, 1921-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.evalee
See more items in:
Eva Lee Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-evalee
Online Media:

José de Creeft papers

Creator:
De Creeft, José, 1884-1982  Search this
Names:
Art Students League (New York, N.Y.) -- Faculty  Search this
Black Mountain College (Black Mountain, N.C.) -- Faculty  Search this
New School for Social Research (New York, N.Y.) -- Faculty  Search this
Norton Gallery and School of Art  Search this
Skowhegan School of Painting and Sculpture -- Faculty  Search this
Stone Mountain Memorial (Ga.)  Search this
Albers, Josef -- Photographs  Search this
Calder, Alexander, 1898-1976  Search this
Calder, Alexander, 1898-1976 -- Photographs  Search this
Campos, Jules  Search this
De Creeft, William  Search this
De Diego, Julio, 1900- -- Photographs  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Diederich, William Hunt, 1884-1953  Search this
Dodd, Lamar  Search this
Escuder, Joseph  Search this
Gropius, Walter, 1883-1969 -- Photographs  Search this
Gross, Chaim, 1904-1991 -- Photographs  Search this
Gómez Gil, Alfredo, 1936-  Search this
Lawrence, Gertrude -- Photographs  Search this
Lipchitz, Jacques, 1891-1973  Search this
Lipchitz, Jacques, 1891-1973 -- Photographs  Search this
Neumann, J. B. (Jsrael Ber) -- Photographs  Search this
Nivola, Costantino, 1911-1988  Search this
Rattner, Abraham -- Photographs  Search this
Roszak, Theodore, 1907-1981 -- Photographs  Search this
Soyer, Raphael, 1899-1987 -- Photographs  Search this
Sweeney, James Johnson, 1900-  Search this
Zorach, William, 1887-1966 -- Photographs  Search this
Extent:
28.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Video recordings
Diaries
Interviews
Scrapbooks
Sketches
Date:
1871-2004, bulk 1910s-1980s
bulk 1910-1990
Summary:
The papers of Spanish-born sculptor and educator José de Creeft measure 28.1 linear feet and date from 1871 to 2004 with the bulk of the material dating from the 1910s to the 1980s. Found are biographical materials, correspondence, fifty diaries, writings, subject files, personal business records, printed materials, twenty-seven photo albums and other photographs, scrapbooks, and scattered sketches.
Scope and Contents:
The papers of Spanish-born sculptor and educator José de Creeft measure 28.1 linear feet and date from 1871 to 2004 with the bulk of the material dating from the 1910s to the 1980s. Found are biographical materials, correspondence, fifty diaries, writings, subject files, personal business records, printed materials, twenty-seven photo albums and other photographs, scrapbooks, and scattered sketches.

Biographical materials include address books, awards, recorded interviews with and about de Creeft, membership materials, naturalization records, resumes, and travel documents.

Correspondence is primarily professional in nature and concerns exhibitions, de Creeft's involvement in arts organizations, and awards. There are also scattered personal letters from family and friends. Correspondents include Alexander Calder, Nina, Alice, Barbara and William de Creeft, Hunt Diederich, Joseph Escudar, and Gil Gomez, Jacques Lipchitz, Edwin Dickinson, James Johnson Sweeney, Costantino Nivola, Abraham Rattner, and Lamar Dodd, among others.

De Creeft's fifty diaries are nearly complete for the period dating from 1926 to 1981. Some are bound volumes and others are loose pages. The bulk of the diaries are in Spanish and many include sketches. Additional writings, called "escritos varios" by José de Creeft, are mostly in Spanish and consist of typed manuscripts and essays, including "Roosty Was My Friend, 1957, notebooks, an artist's statement, and writings by others, including drafts for The Sculpture of de Creeft by Jules Campos, and a video recording entitled José de Creeft by Bob Hanson. There is one sound recording of Lorrie Goulet reading poetry.

Subject files are varied and include files on de Creeft's teaching positions at the New School for Social Research, Black Mountain College, Skowhegan School of Painting and Sculpture, and the Art Students League. There are files for some of his sculpture projects, inlcuding Alice in Wonderland, Poet, and a proposed model for the Stone Mountain Confederate Memorial in Georgia, as well as compiled information about various art related topics of interest.

De Creeft's business records include appraisals, contracts, leases, price lists, and scattered receipts. Also found are art inventories in the form of three sets of index cards, some of which include photographs.

Printed materials include books, clippings, exhibition announcements and catalogs, exhibition labels, postcards, and posters.

There are loose photographs and twenty-seven photograph albums depicting de Creeft, his family, friends, and works of art. There are photos of Alexander Calder; de Creeft and Goulet with Raphael Soyer, posing with Soyer's portrait of them; Gertrude Lawrence; art juries, which also include images of Chaim Gross, Jacques Lipchitz, Theodore Roszak, and William Zorach; students, friends, and faculties of Black Mountain College, the Art Students League, Skowhegan School of Painting and Sculpture, and the Norton School of Art, which also includes images of Joseph Albers, Alexander Calder, Julio De Diego, Walter Gropius, J. B. Neumann, and Abraham Rattner.

Seven mixed media scrapbooks document de Creeft's career from 1929 to 1982. Also found are scattered pen and pencil sketches and one sketchbook dating from the 1920s.
Arrangement:
The collection is arranged as 10 series:

Series 1: Biographical Material, 1914-1979 (Boxes 1, 27; 0.9 linear feet)

Series 2: Correspondence, 1910s-1980s (Boxes 1-6; 4.2 linear feet)

Series 3: Diaries, 1926-1981 (Boxes 6-11; 5.4 linear feet)

Series 4: Writings, 1871-1977 (Boxes 11-13, 28; 2.5 linear feet)

Series 5: Subject Files, 1924-1980 (Boxes 13-16, 27; 2.4 linear feet)

Series 6: Personal Business Records, 1909-1980s (Boxes 16-17, 27; 1.0 linear feet)

Series 7: Printed Material, 1921-1980s (Boxes 17-21, 27, 33; 4.7 linear feet)

Series 8: Photographs, 1900-2004 (Boxes 21-25, 29, 31; 5.1 linear feet)

Series 9: Scrapbooks, 1929-1982 (Box 26, 30, 32; 1.8 linear feet)

Series 10: Artwork, 1920s-1930s (Box 26; 2 folders)
Biographical / Historical:
José de Creeft (1908-1982) was a Spanish-born sculptor active in New York City, New York.

José de Creeft was born in Guadalajara, Spain and raised in Barcelona. In 1900, he apprenticed to sculptor Don Augustine Querol and studied drawing with Idalgo de Caviedas. De Creeft moved to Paris in 1905 and began formal art training at the Académie Julianand. He also took a studio in the Batteau Lavoir in Montmartre, where he interacted with Pablo Picasso, Juan Gris, Manolo, and Pablo Gargallo, all of whom also had studios there. During this period, de Creeft became friends with the artist Mateo Hernandez.

In 1915, de Creeft rejected the traditional technique of reproducing sculpture in stone from clay and plaster models and turned to direct carving in wood and stone. He was also one of the first sculptors who practiced assemblage and incorporated found objects into his work. His notable assemblage sculpture El Picador, a large figure on horseback, received worldwide press coverage and was exhibited at the Salon des Artistes Independents in 1926. Between 1919 and 1928, his work was exhibited in various Paris salons. In the late 1920s, he created 200 stone carvings for Roberto Ramonje's Forteleza (fortress) in Mallorca. It was around this time frame when de Creeft met Alexander Calder, who became his student in direct carving. De Creeft encouraged Calder to display his mechanical toys and Calder put his Circus together for the first time in de Creeft's studio.

De Creeft emigrated to the United States in 1929, right after marrying fellow sculptor Alice Robertson Carr. They divorced nine years later.

While in New York, de Creeft began sculpting with lead sheets beaten into three-dimensional forms and established a studio at 1 Washington Square. His first solo exhibition was at the Ferargil Galleries in New York City and included The Portrait of Cesar Vallejo in chased lead and The Silver Fox of found materials.

In 1932, de Creeft accepted a teaching position in sculpture at the New School for Social Research. He also taught courses at Black Mountain College, where he met his second wife, sculptor Lorrie Goulet, the Art Students League, Skowhegan School of Painting and Sculpture, and the Norton Gallery and School of Art. In 1946, de Creeft and Goulet purchased a hundred-acre farm in Hoosick Falls, NY where they established a studio and part-time residence.

Perhaps De Creeft's most well-known monumental scuplture is Alice in Wonderland in Central Park, New York City. The 12' x 16' bronze was dedicated during a public event in 1959 and gave de Creeft worldwide recognition. In 1995 a short film about the making of the sculpture was produced by J. D'Alba and narrated by Lorrie Goulet.

De Creeft was as founding member of the American Artist's Congress, the Sculptors Guild, and the Artist's Equity Association. De Creeft was represented by the Georgette Passedoit Gallery from 1936 to 1949. Later, he joined The Contemporaries (gallery) and exhibited there until 1966. Kennedy Galleries represented de Creeft from 1970 until his death in 1982.
Related Materials:
The Archives of American Art also holds an interview of José De Creeft conducted October 1-8, 1968 by Forrest Selvig and the papers of de Creeft's wife Lorrie Goulet.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels D150 and 375-378). While most of the items were included in subsequent gifts, material not donated to the Archives remain with the lender and are not described in the collection container inventory.
Provenance:
The José de Creeft papers were first lent for microfilming by the artist in 1963 and 1972. Lorrie Goulet, José de Creeft's widow, donated most of this material along with additional items in 1985 and 2009.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Study and teaching  Search this
Educators -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Sculpture, Modern -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Sound recordings
Video recordings
Diaries
Interviews
Scrapbooks
Sketches
Citation:
José de Creeft papers, 1871-2004, bulk 1910s-1980s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.decrjose
See more items in:
José de Creeft papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-decrjose

Oral history interview with Ilya Bolotowsky

Interviewee:
Bolotowsky, Ilya, 1907-1981  Search this
Interviewer:
Cummings, Paul  Search this
Creator:
Diller, Burgoyne, 1906-1965  Search this
Names:
American Abstract Artists  Search this
American Artists' Congress  Search this
Art Students League (New York, N.Y.)  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
Federation of Modern Painters and Sculptors  Search this
G.R.D. Studio (New York, N.Y.)  Search this
National Academy of Design (U.S.)  Search this
Public Works of Art Project  Search this
United States. Works Progress Administration  Search this
Yaddo (Artist's colony)  Search this
Albers, Josef  Search this
Browne, Byron, 1907-1961  Search this
Dlugoszewski, Lucia, 1931-2000  Search this
Drewes, Werner, 1899-1985  Search this
Gorky, Arshile, 1904-1948  Search this
Greenberg, Clement, 1909-1994  Search this
Greene, Balcomb, 1904-1990  Search this
Greene, Gertrude, 1904-1956  Search this
Hawthorne, Charles Webster, 1872-1930  Search this
Holtzman, Harry  Search this
Johnson, William H., 1901-1970  Search this
Léger, Fernand, 1881-1955  Search this
Mondrian, Piet, 1872-1944  Search this
Neilson, Raymond P. R. (Raymond Perry Rodgers), 1881-1964  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Olinsky, Ivan G. (Ivan Gregorewitch), 1878-1962  Search this
Ozenfant, Amédée, 1886-1966  Search this
Spivak, Max, 1906-1981  Search this
Vogel, Joseph, b. 1911  Search this
Extent:
197 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Wyoming
Date:
1968 March 24-April 7
Scope and Contents:
Interview of Ilya Bolotowsky conducted 1968 March 24-April 7, by Paul Cummings, for the Archives of American Art.
Bolotowsky, a lively raconteur, recalls a host of episodes from his personal and professional life. He speaks of his childhood in Russia and Azerbaijan; the effects of war and communism; the family's flight as refugees into Georgia and then to present-day Istanbul; and his early education with a private tutor and at a Jesuit school in Istanbul. Bolotowsky recalls his family's emigration to the United States by ship in 1923; his first impressions of New York City; and early visits to the city's museums. He relates numerous anecdotes about faculty and fellow students at the National Academy of Design, including Ivan Olinsky, Raymond Neilson, Charles Hawthorne, Amedee Ozenfant, and William Henry Johnson.
He speaks of various early exhibitions of his work, including those with the Art Students League, G.R.D. Studio, and the J.B. Neumann Gallery. He also describes a stay at Yaddo in 1934.
Bolotowsky recounts his participation in the Public Works of Art Project as a teacher of art to delinquent children; later work on the mural project of the Works Progress Administration; the picketing of WPA offices, providing anecdotes about Max Spivak and Joseph Vogel; military service during World War II, first working on a Russian dictionary of technical terms and then as a liason officer with the Soviet Air Force in Nome, Alaska.
Upon his return from the military, Bolotowsky immediately resumed his painting career, and describes his involvement with artists' organizations such as the American Abstract Artists, the American Artists' Congress, the Concretionists, the Federation of Modern Painters and Sculptors, and the Ten; he mentions in these contexts such personalities as Byron Browne, Burgoyne Diller, Werner Drewes, Arshile Gorky, Clement Greenberg, Balcomb and Gertrude Greene, Harry Holtzman, Fernand Leger, Piet Mondrian, and Meyer Schapiro.
Bolotowsky gives an extensive description of his experiences filling in for Joseph Albers for a year at Black Mountain College, and goes on to discuss his subsequent teaching positions at the University of Wyoming (including a discussion of the impact of the Wyoming landscape on his painting), Brooklyn College, Southampton College, and SUNY New Paltz. He devotes great attention to the development of his painting, his understanding of neo-plasticism and abstraction, and his efforts in filmmaking and playwriting.
Biographical / Historical:
Ilya Bolotowsky (1907-1981) was a Russian-American abstract painter in New York, New York.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 12 digital wav files. Duration is 6 hr., 37 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others. Funding for the interview was provided by the New York State Council on the Arts.
Restrictions:
ACCESS RESTRICTED; written permission required.
Occupation:
Filmmakers  Search this
Playwrights  Search this
Topic:
Art and state  Search this
Concretionists (Group of artists)  Search this
Emigration and immigration  Search this
Experimental films  Search this
Federal aid to the arts -- United States  Search this
Painting, Abstract -- New York (State) -- New York  Search this
Playwriting  Search this
Philadelphia Ten (Group of artists)  Search this
World War, 1939-1945 -- Anecdotes  Search this
Painters -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.boloto68
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-boloto68

Avis Berman research material on Katharine Kuh

Creator:
Berman, Avis  Search this
Names:
Arensberg, Walter, 1878-1954  Search this
Dale, Chester, b. 1883  Search this
Duchamp, Marcel, 1887-1968  Search this
Harmon, Lily, 1912-  Search this
Kaufmann, Edgar, 1910-1989  Search this
Kuh, Katharine  Search this
Lebrun, Rico, 1900-1964  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Rich, Daniel Catton, 1904-1976  Search this
Tobey, Mark  Search this
Extent:
3 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Date:
1939-2006
Summary:
The Avis Berman research material on art dealer and curator Katharine Kuh measures 3.0 linear feet and dates from 1939 to 2006. The materials were compiled by art historian Avis Berman in preparing Katharine Kuh's memoir, which was published posthumously as My Love Affair with Modern Art: Behind the Scenes with a Legendary Curator. The collection includes Katharine Kuh's files; Kuh's drafts, manuscripts and interviews for her memoir; and Avis Berman's files relating to the book's publication. Also included is memorabilia.
Scope and Content Note:
The Avis Berman research material on art dealer and curator Katharine Kuh measures 3.0 linear feet and dates from 1939 to 2006. The materials were compiled by art historian Avis Berman in preparing Katharine Kuh's memoir, which was published posthumously as My Love Affair with Modern Art: Behind the Scenes with a Legendary Curator. The collection includes Katharine Kuh's files; Kuh's drafts, manuscripts and interviews for her memoir; and Avis Berman's files relating to the book's publication. Also included is memorabilia.

The Katharine Kuh files contain correspondence; exhibition files; writings and notes; and Kuh's interview with Lily Harmon on J. B. Neumann. Correspondents include Walter Arensberg, Marcel Duchamp, and Edgar Kaufmann. Also included is the scattered correspondence of Daniel Catton Rich with Walter Arensberg, Chester Dale, Katharine Kuh, Samuel Marx, and others. Exhibition files pertain to exhibitions curated by Katharine Kuh for the Louise and Walter Arensberg Collection and one-man shows for Rico Lebrun and Mark Tobey, respectively.

Sorting Out and Summing Up: Episodes in An Art Odyssey contains Katharine Kuh's draft versions of book chapters; her manuscripts and interviews; and drafts of chapters that were not incorporated in the published memoir. Also included are manuscripts for the memoir and an annotated version of Avis Berman's interview with Kuh.

The Avis Berman files include correspondence, writings, printed material, clippings, press releases, and miscellaneous printed material. Files document Berman's activities concerning the publication of the memoir.

Memorabilia consists of a monograph and a memorial booklet.
Arrangement:
The collection is arranged as 4 series:

Series 1: Katharine Kuh Files, 1944-2003 (Box 1; 0.3 linear feet)

Series 2: -- Sorting Out and Summing Up: Episodes in an Art Odyssey -- by Katharine Kuh, 1939-2006 (Boxes 1-3; 2.0 linear feet)

Series 3: Avis Berman Files, 1950s-2006 (Box 3; 0.6 linear feet)

Series 4: Memorabilia, 1976, 1977 (0.1 linear feet)
Biographical Note:
Writer and art historian, Avis Berman lives and works in New York City. Berman was a close friend of Katharine Kuh's and is Kuh's literary executor. Berman compiled Katharine Kuh's research materials for the memoir that she was working on at the time of her death; the book was subsequently published as My Love Affair with Modern Art: Behind the Scenes with a Legendary Curator in 2006.

Katharine Kuh (1904-1994) was a curator and art dealer born in St. Louis, Missouri. She received her Bachelor of Arts from Vassar College in 1925, where she studied art history under Alfred Barr. In 1928, she earned her Master's in Art History at the University of Chicago. As a graduate student, Kuh developed an interest in modern art, particularly the work of European artists.

Kuh married George Kuh, a businessman in 1930. She and Kuh divorced six years later.

In 1935, she established the Katharine Kuh Gallery in Chicago. The gallery was dedicated to featuring the works of contemporary European and American painters and sculptors, such as Alexander Archipenko, Alexei Jawlensky, Wassily Kandinsky, Gyorgy Kepes, Paul Klee, Gaston Lachaise, Fernand Léger, Carlos Mérida, Joan Miro, Lazlo Moholy-Nagy, Pablo Picasso, as well as Charles Biederman, Alexander Calder, Stuart Davis, and Isamu Noguchi, among others. The Katharine Kuh Gallery was one of the first galleries in Chicago to show photography as art. Kuh held exhibitions for Ansel Adams, Eliot Porter, Edward Weston, and she also showed the photographs of Gyorgy Kepes and Man Ray.

At the gallery, Kuh taught classes on an informal basis to individuals interested in modern art. During this period, she spent her summers as a Visiting Professor of Art History at the University School of Fine Arts of San Miguel in Guanajuarto, Mexico (1938-1940). With the onset of America's involvement in World War II, Kuh realized that the war would curtail her contact with many of the European artists whose works she had promoted and in 1942, she decided to close the gallery.

In 1943, Katharine Kuh took a position in the public relations department at the Art Institute of Chicago. The following year, Kuh was asked to take over the Gallery of Art Interpretation at the Art Institute. Later she was appointed the Curator of Painting and Sculpture; in this role, she developed a close collaborative relationship with the Director of the Art Institute, Daniel Catton Rich. From 1946-1953, she served as the Editor of the Art Institute of Chicago Quarterly.

She left the Art Institute in 1959 and settled in New York City. She served as an art editor at the Saturday Review and World Magazine. She was also an art consultant for the First National Bank of Chicago from 1968-1979.

Katharine Kuh traveled extensively and often wrote about the art of the places she visited such as Sicily, Turkey, and the Yucatan. In the 1940s Kuh developed an interest in the wood carvings of the Indian tribes in the Pacific Northwest. The University of Alaska awarderd her an honorary doctorate for her efforts to preserve the indigenous artwork of the region's Native Americans.

Her publications on twentieth-century art included: Art Has Many Faces (1951), The Artist's Voice: Talks with Seventeen Artists (1962), Break-up: The Core of Modern Art (1965), and The Open Eye: In Pursuit of Art (1971). Kuh also wrote the catalog that accompanied the "Fernand Léger Retrospective at the Art Institute of Chicago" (1953). At the time of her death, Katharine Kuh had completed a final draft of her memoir, which she had tentatively titled, Sorting Out and Summing Up: Episodes in an Art Odyssey.

In 1994, Katharine Kuh died in New York City.
Related Material:
The Archives of American Art holds the Katharine Kuh papers, 1908-1994. Also found in the Archives of American Art is an oral history interview with Katharine Kuh conducted by Avis Berman, March 18, 1982-March 23, 1983. Additional Katharine Kuh material is located at the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.
Provenance:
The Avis Berman Research Material, 1939-2006 was donated to the Archives of American Art by Avis Berman, an art historian and literary executor of Katharine Kuh's estate in 2007.
Restrictions:
Use of original papers requires an appointment.
Rights:
The donor has retained all intellectual property rights, including copyright, that they may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art dealers -- Illinois -- Chicago  Search this
Topic:
Art, Modern  Search this
Curators -- Illinois-Chicago  Search this
Genre/Form:
Interviews
Citation:
Avis Berman research material on Katharine Kuh, 1939-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bermavis3
See more items in:
Avis Berman research material on Katharine Kuh
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bermavis3

Oral history interview with Ben-Zion interview

Interviewee:
Ben-Zion  Search this
Interviewer:
Shikler, Barbara  Search this
Creator:
Mark Rothko and His Times Oral History Project  Search this
Names:
Gallery Secession (New York, N.Y.)  Search this
Jewish Museum (New York, N.Y.)  Search this
Mark Rothko and His Times Oral History Project  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Rothko, Mark, 1903-1970  Search this
Extent:
56 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1982 August 3-September 21
Scope and Contents:
An interview of Ben-Zion conducted 1982 August 3-1982 September 21, by Barbara Shikler, for the Archives of American Art's Mark Rothko and His Times oral history project.
Ben-Zion speaks of his family's background in Ukraine and Poland and their arrival in the United States after the death of his father. He remembers working as a writer for a Hebrew newspaper in the Bronx, the writing block he suffered in reaction to Nazi atrocities in Europe, and his turn to art with the patronage of J. B. Neumann. He recalls exhibiting with The Ten, meeting Mark Rothko through the Gallery Secession, and the rift that developed among members of The Ten. He describes his own commercial success, the influence of Jewish tradition upon his choices of subject matter, and his relationship with the Jewish Museum in New York. He discusses a period in which he stopped painting and returned to writing, and his later interest in sculpture. He speaks of his writings and his work habits.
Biographical / Historical:
Ben-Zion (1897-1987) was a painter and sculptor from New York, N.Y.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 4 hr., 5 min.
Provenance:
This interview was conducted as part of the Archives of American Art's Mark Rothko and his Times oral history project, with funding provided by the Mark Rothko Foundation.
Others interviewed on the project (by various interviewers) include: Sonia Allen, Sally Avery, Bernard Braddon, Ernest Briggs, Rhys Caparn, Elaine de Kooning, Herbert Ferber, Esther Gottlieb, Juliette Hays, Sidney Janis, Buffie Johnson, Jacob Kainen, Louis Kaufman, Jack Kufeld, Katharine Kuh, Stanley Kunitz, Joseph Liss, Dorothy Miller, Betty Parsons, Wallace Putnam, Rebecca Reis, Maurice Roth, Sidney Schectman, Aaron Siskind, Joseph Solman, Hedda Sterne, Jack Tworkov, Esteban Vicente and Ed Weinstein. Each has been cataloged separately.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Abstract expressionism  Search this
Jewish artists  Search this
Philadelphia Ten (Group of artists)  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
World War, 1939-1945  Search this
Art criticism  Search this
Function:
Art galleries, Commercial
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.benzio82
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-benzio82

Ilse-Margret Vogel papers

Creator:
Vogel, Ilse Margret  Search this
Names:
Galerie Gerd Rosen  Search this
New Art Circle (New York, N.Y.)  Search this
Harmon, Lily, 1912-  Search this
Knotts, Howard  Search this
Krause, Markus, 1964-  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Date:
[circa 1949-1993]
Scope and Contents:
Letters, photographs, exhibition catalogs, writings, an interview, printed material and miscellany regarding Vogel's career as a children's book illustrator and gallery owner. Approximately 100 letters and postcards from J. B. Neumann; photographs of Vogel, J. B. Neumann, Howard Knotts, Markus Krause and others; catalogs published by Neumann's gallery New Art Circle at 41 East 57th Street in New York City and several catalogs published by Galerie Gerd Rosen, Berlin; two annotated books, "Galerie Gerd Rosen: Die Avantgarde in Berlin, 1945-1950," by Markus Krause, 1995, and "What I Believe by Bertrand Russell, 1925"; a 1985 interview on cassette of Vogel conducted by Lily Harmon; newspaper clippings.
Biographical / Historical:
Children's book illustrator and gallery owner; New York, N.Y. Prior to moving to the United States from Berlin, Vogel opened the Galerie Gerd Rosen, the first modern art gallery in Berlin in the 1940s.
Provenance:
Donated 2007 by Howard Knotts, c/o Nancy Lindbloom. Knotts was Vogel's husband.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Illustrators -- New York (State) -- New York  Search this
Function:
Art galleries, Commercial -- New York (State) -- New York
Art galleries, Commercial -- Germany -- Berlin
Genre/Form:
Interviews
Identifier:
AAA.vogeilse
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vogeilse

Elsa Schmid papers

Creator:
Schmid, Elsa, 1897-  Search this
Names:
Albers, Josef  Search this
Anrep, Boris, 1883-1969  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Brooks, Van Wyck, 1886-1963  Search this
Chase, Helen  Search this
D'Arcy, Martin Cyril, 1888-1976  Search this
Dewey, John, 1859-1952  Search this
Forbes, Edward Waldo, 1873-1969  Search this
Kelekian, Dikran, 1868-1951  Search this
Morgan, Barbara Brooks, 1900-1992  Search this
Neumann, J. B. (Jsrael Ber)  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Poor, Henry Varnum, 1887-1970  Search this
Walkowitz, Abraham, 1880-1965  Search this
Weber, Max, 1881-1961  Search this
Wheelock, Warren, 1880-1960  Search this
Extent:
1.1 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1910-1967
Scope and Contents:
Personal and professional correspondence, files on artists, photographs, works of art, notes and lecture material, and printed material relating to Elsa Schmid's career as a mosaic artist.
Correspondents include Henry Varnum Poor, Max Weber, Boris Anrep, Helen Chase, Edward Waldo Forbes, Warren Wheelock, Abraham Walkowitz, Alfred H. Barr, Georgia O'Keeffe, Barbara Morgan and Josef Albers. Files are on artists Van Wyck Brooks, Father Martin D'Arcy, John Dewey, and Dikran Kelekian.
Photographs are of Schmid's mosaics. Works of art include drawings of mosaics. Printed materials includes newspaper clippings, magazine articles and catalogs.
Biographical / Historical:
Mosaicist, painter, sculptor; Rye, N.Y. Married to art dealer J. B. Neumann.
Provenance:
Donated 1974 by Peter Neumann, Schmid's son. Two additional mosaic transpsarencies of Abraham Lincoln received in 2010 as a transfer from the Musem of American Art, Smithsonian Institution.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Mosaicists -- New York (State)  Search this
Painters -- New York (State)  Search this
Sculptors -- New York (State)  Search this
Topic:
Mosaics -- 20th century -- New York (State)  Search this
Painting, Modern -- 20th century -- History -- New York (State)  Search this
Women artists  Search this
Identifier:
AAA.schmelsa
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-schmelsa

Oral history interview with Reuben Nakian

Interviewee:
Nakian, Reuben, 1897-1986  Search this
Interviewer:
Berman, Avis  Search this
Names:
Brancusi, Constantin, 1876-1957  Search this
Duchamp, Marcel, 1887-1968  Search this
Dudensing, F. Valentine, 1892-1967  Search this
French, Daniel Chester, 1850-1931  Search this
Hague, Raoul, 1905-1993  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Lachaise, Gaston, 1882-1935  Search this
Manship, Paul, 1885-1966  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Zorach, William, 1887-1966  Search this
Extent:
105 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1981 June 9-17
Scope and Contents:
An interview of Reuben Nakian conducted 1981 June 9-17, by Avis Berman, for the Archives of American Art.
Nakian speaks of his childhood, growing up in New York City; his early interest in art; early ventures in sculpture; working for Paul Manship; meeting Daniel Chester French; teaching; early influences; his European travels; techniques and materials; the relationship of artists and suffering; his portrait busts of other artists; dealers he has been affiliated with, including Edith Halpert and Valentine Dudensing; animal sculptures; his Babe Ruth sculpture; critical and public reaction to his work. He recalls Constantin Brancusi, Marcel Duchamp, Raoul Hague, William Zorach, Gaston Lachaise, and J. B. Neumann. The third voice heard on the tape is that of Nakian's assistant, Don Ross, who helps prompt Nakian to recall certain incidents.
Biographical / Historical:
Reuben Nakian (1897-1986) was a sculptor from Stamford, Conn.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 4 hrs., 15 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art, American  Search this
Sculpture -- Technique  Search this
Sculptors -- Connecticut -- Stamford -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.nakian81
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nakian81

Oral history interview with Isamu Noguchi

Interviewee:
Noguchi, Isamu, 1904-1988  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Artists' Union (New York, N.Y.)  Search this
Bollingen Foundation  Search this
Brummer Gallery (New York, N.Y.)  Search this
Japanese American Citizens' League  Search this
Japanese American Citizens' League  Search this
Leonardo da Vinci Art School  Search this
Skidmore, Owings & Merrill  Search this
UNESCO  Search this
Barnard, George Grey, 1863-1938  Search this
Becker, John Bruere, 1915-  Search this
Borglum, Gutzon, 1867-1941  Search this
Brancusi, Constantin, 1876-1957  Search this
Breton, André, 1896-1966  Search this
Brummer, Joseph  Search this
Cahill, Holger, 1887-1960  Search this
Calder, Alexander Stirling, 1870-1945  Search this
Calder, Alexander, 1898-1976  Search this
Collier, John, Jr., 1913-1992  Search this
Covarrubias, Miguel, 1904-1957  Search this
Davis, Stuart, 1892-1964  Search this
De Kooning, Willem, 1904-1997  Search this
Duchamp, Marcel, 1887-1968  Search this
Egan, Charles, 1911-  Search this
Fraser, James Earle, 1876-1953  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gorky, Arshile, 1904-1948  Search this
Graham, John, 1887-1961  Search this
Graham, Martha  Search this
Gregory, Peter Ronald, 1947-  Search this
Guston, Philip, 1913-1980  Search this
Hare, David, 1917-1992  Search this
Hasegawa, Saburō, 1906-1957  Search this
Hopkins, Harry Lloyd, 1890-1946  Search this
Itō, Michio, 1893-1961  Search this
Kahn, Louis I., 1901-1974  Search this
Kantor, Morris, 1896-1974  Search this
Kline, Franz, 1910-1962  Search this
Knoll, Hans  Search this
Levy, Julien  Search this
Léger, Fernand, 1881-1955  Search this
McMahon, Audrey, 1900?-1981  Search this
Moore, Henry, 1898-1986  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Price, Edison A., d. 1997  Search this
Raymond, Antonin, 1888-  Search this
Reynal, Jeanne, 1903-  Search this
Rivera, Diego, 1886-1957  Search this
Ruellan, Andrée, 1905-2006  Search this
Ruotolo, Onorio, 1888-1966  Search this
Schoen, Eugene, 1880-1957  Search this
Shoji, Sadao, 1937-  Search this
Stieglitz, Alfred, 1864-1946  Search this
Taniguchi, Yoshirō, 1904-  Search this
Ward, Eleanor, 1912-1984  Search this
Zorach, William, 1887-1966  Search this
Extent:
148 Pages (Transcript)
1 Item (Audio excerpt: 1 sound file (5 min. 29 sec.), digital)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Japan -- Description and Travel
Italy -- description and travel
Egypt -- description and travel
India -- description and travel
Date:
1973 Nov. 7-Dec. 26
Scope and Contents:
An interview of Isamu Noguchi conducted 1973 Nov. 7-Dec. 26, by Paul Cummings, for the Archives of American Art.
NOVEMBER 7, 1973 session: Noguchi discusses his family background; growing up in Japan; returning to the United States in 1917; his identity as an artist; Gutzon Borglum; Columbia University and studying pre-med; attending Leonardo da Vinci Art School; apprenticing to Onorio Ruotolo; quitting Columbia to become a sculptor; Guggenheim Fellowship in 1927; J.B. Neumann; Alfred Stieglitz; George Grey Barnard; James Earle Fraser; Brummer and the Brummer Gallery; studying at Chaumiere and Collarosi; working with Brancusi; meeting Sandy Calder in Paris; Stuart Davis; Morris Kantor; Andrée Ruellan; his work, "Sphere"; reacting against Brancusi; Eugene Schoen's; his Carnegie Hall studio; Michio Ito; Martha Graham; Buckminster Fuller; traveling in China and Japan; meeting Chi Pai Shi; John Becker; his works, "Play Mountain," "Monument to the Plow," "Monument to Ben Franklin," and "Orpheus" for Balanchine; designing for the stage; Audrey McMahon; Harry Hopkins; Holger Cahill; Mexico; Diego Rivera; Miguel Covarrubias; and the Artists Union.
DECEMBER 10, 1973 Session: His reaction to the Spanish Civil War- avoided direct involvement; Stuart Davis; Gorky; Andre Breton; David Hare; Marcel Duchamp; John Graham; Julien Levy; his artist friends dying at the peak of their success; Leger; Stirling Calder; associating himself with the laboring class; Buckminster Fuller; being American; expanding the possibilities of sculpture; his Associated Press Building project in Rockefeller Center, it being done in stainless steel instead of bronze; John Collier; Japanese-American Citizens League; organizing Nisei Artists and Writers Mobilization for Democracy; Jeanne Reynal; going to Poston, Ariz. to assist with American Indian Service camp under John Collier and becoming an internee there; returning to New York in 1942; Bollingen Foundation; trip around the world in 1949; and Philip Guston.
DECEMBER 18, 1973 session: Best work in studio; reaction against expressionism; artists protesting against the Establishment; his objection to the WPA, influenced by William Zorach; exhibiting in group show called, "Fourteen Americans at the Museum of Modern Art"; show at Egan Gallery in 1949; accepting art in its most aesthetically pure form without reference to social issues; movement in Japan since war to get away from refinement of Japan; Yoshiro Hiro responsible for Gutai and the happenings; his work, "Monument to Heroes," using bones; his work takes years to do; materials used in his work; his work, "Cronos"; doing theater stage sets for the Library of Congress including, "Appalachian Spring" and "Herodiade"; wants a given space which he can call his own and do something with it, has to be a work of art.
DECEMBER 26, 1973 Session: Show with Charles Egan in 1948 arranged by de Kooning; applying to the Bollingen Foundation to write a book on leisure, which was never written; traveling to Italy, Egypt, and India for two years; being removed from the New York scene with Franz Kline and de Kooning; his light objects; sculpture as environment; respect for material; Mondrian and his art deriving from nature; his time in Japan in 1931; visiting Japan in 1951; working in stone; projects in Japan; Taniguchi; Antonin Raymond; designing Japanese gardens; discovery of Zen; Hasegawa Saburo; Skidmore; Hans Knoll; Edison Price; Italy in the 1960s; Peter Gregory; Henry Moore; Louis Kahn; UNESCO; Noguchi Foundation and Plaza Company; Shoji; Eleanor Ward; and his autobiography, "A Sculptor's World."
Biographical / Historical:
Isamu Noguchi (1904-1988) was a Japanese American sculptor based in Long Island City, New York.
General:
Originally recorded on 4 sound tape reels. Reformatted in 2010 as 7 digital wav files. Duration is 6 hrs., 25 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Asian American art  Search this
Asian American artists  Search this
Sculpture, Modern -- 20th century  Search this
Sculpture, American  Search this
Gardens, Japanese  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American sculptors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.noguch73
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-noguch73

J. B. Neumann papers

Creator:
Neumann, J. B. (Jsrael Ber)  Search this
Names:
Artlover  Search this
Gehenna Press  Search this
New Art Circle (New York, N.Y.)  Search this
Albers, Josef  Search this
Baskin, Leonard, 1922-2000  Search this
Beckmann, Max, 1884-1950  Search this
Kandinsky, Wassily, 1866-1944  Search this
Morrison, Helen Balfour, 1901-1984  Search this
Namuth, Hans  Search this
Rattner, Abraham  Search this
Schmid, Elsa, 1897-  Search this
Photographer:
White, Clarence H., 1871-1925  Search this
Extent:
2.1 Linear feet (4 boxes)
Type:
Collection descriptions
Archival materials
Drawings
Photographs
Scrapbooks
Etchings
Date:
1905-1967
Summary:
The papers of gallery director, art dealer and publisher Jsrael Ber Neumann (1887-1961) measure 2.1 linear feet and date from 1905 to 1967. The papers document Neumann's career as the director of galleries in Berlin and Munich, Germany (1910-1924) as well as the New Art Circle gallery in New York City (1924-1952). Neumann was a respected art dealer, publisher of Artlover periodical, founder of Gehenna Press, and frequent lecturer. Found within his papers are correspondence with artists and museums, writings, printed materials mostly comprised of exhibition catalogues, artwork, and photographic materials.
Scope and Contents:
The papers of gallery director, art dealer and publisher Jsrael Ber Neumann (1887-1961) measure 2.1 linear feet and date from 1905 to 1967. The papers document Neumann's career as the director of galleries in Berlin and Munich, Germany (1910-1924) as well as the New Art Circle gallery in New York City (1924-1952). Neumann was a respected art dealer, publisher of Artlover periodical, founder of Gehenna Press, and frequent lecturer. Found within his papers are correspondence with artists and museums, writings, printed materials mostly comprised of exhibition catalogues, artwork, and photographic materials.

Correspondence is between Neumann and friends, colleagues, and museums. There is also correspondence with notable artists, including Josef Albers, Leonard Baskin, Max Beckmann, Wassily Kandinsky, and Abraham Rattner, among others. There are also condolence letters from friends and colleagues to Elsa Schmid, Neumann's wife.

Scattered writings consist of typescript drafts of Neumann's speeches and one article on expressionism. There is also one speech written by curator Richard Klein.

Printed materials comprise the bulk of the collection and include a bound gallery guest register, a disbound scrapbook, exhibition catalogs and announcements, brochures, magazines, posters, and news clippings. There are many exhibition catalogs from Neumann's galleries in Berlin and Munich as well as from the New Art Circle gallery in New York. Artwork consists of two etchings and one drawing by an unknown artist or artists.

Photographic materials include black and white photographs and negatives, including notable portraits of Neumann by photographers Helen Balfour Morrison, Clarence White, and Hans Namuth.
Arrangement:
This collection is arranged as 5 series.

Series 1: Correspondence, 1925-1961 (0.2 linear feet; Box 1)

Series 2: Writings, 1919, 1954-circa 1960 (5 folders; Box 1)

Series 3: Printed Materials, 1910-1967 (1.7 linear feet; Box 1-4)

Series 4: Artwork, 1919-circa 1960 (3 folders; Box 3-4)

Series 5: Photographic Materials, 1905-circa 1950 (0.2 linear feet; Box 3-4)
Biographical / Historical:
J. B. (Jsrael Ber) Neumann (1887-1961) was a gallery director, art dealer and publisher. After immigrating to the U.S., Neumann founded the New Art Circle Gallery in New York City. Before then, he had art galleries in Berlin, Munich, Dusseldorf and Bremen, Germany.

J. B. Neumann was born in Austria in 1887. His father was an oil and lumber dealer. Neumann initially studied business but later apprenticed to a book and picture dealer when he was nineteen. While working as a clerk in a large bookstore in London, Neumann had the opportunity to work at the rare book dealer's table in the British Museum. The job allowed him to assess and handle fine and rare books, starting a lifelong passion, and Neumann went on to amass a substantial personal library.

In 1910, Neumann returned to Berlin, Germany and in 1911 opened a book and art shop where he exhibited the work of Edvard Munch and others. Neumann had many friends who were artists and in 1915-1916 he was secretary to the Berlin Secession, a prominent German artist association. By 1922 Neumann had branch offices in Bremen, Dusseldorf and Munich.

Neumann immigrated to America in 1923 and left the Berlin gallery to the directorship of Karl Nierendorf and the Munich gallery to Günther Franke. Neumann settled in New York City and one year later he opened a 57th Street gallery and bookshop, first called J.B. Neumann's Print Room and later the New Art Circle gallery. He supported numerous artists, including Wassily Kandinsky, Max Beckmann, Paul Klee, and Georges Rouault. Elsa Schmid, Neumann's wife, was an artist who worked in mosaics.

Neumann also worked as a publisher. He created the printing company Gehenna Press and published a series of periodicals including Bilderhefte (Berlin, 1920-1922) and Artlover (New York, 1926-1945, 1959). The New Art Circle gallery closed circa 1952 and, after working as its director for nearly three decades, Neumann became a consultant for museums and collectors. He was also a lecturer and he frequently spoke about art at universities, museums and galleries.

Neumann died in Rye, New York on April 28, 1961. He is survived by his widow, Elsa Schmid (d. 1970); two sons, Peter and Albrecht; and a daughter, Mrs. Johanna Lam.
Related Materials:
The Archives of American Art also holds a collection of Josef Albers letters to J. B. Neumann, 1934-1947 on microfilm reel 911.

Additional J.B. Neumann papers are also located at the Museum of Modern Art in New York. The museum microfilmed a portion of these papers and donated a copy of that film to the Archives. This material may be viewed on reel NJBN5 at Archives of American Art offices, affliate centers, and via interlibrary loan.
Separated Materials:
Also available at the Archives of American Art are materials lent for microfilming (reels NJBN-1- NJBN-5) including correspondence with numerous artists, art critics, museum directors and others. The materials on reel NJBN-1- NJBN-4 were returned to Neumann's wife, Elsa Schmid and the original material on reel NJBN-5 is located at The Museum of Modern Art in New York, NY. Loaned material is not described in the collection container inventory.
Provenance:
Neuman's wife, Elsa Schmid and The Museum of Modern Art lent the Archives of American Art material for microfilming in 1966-1967. The rest of the J.B. Neumann papers were donated in several installments between 1973-2007 by Eva Lee (family friend), Joy Weber, Max Weber's daughter, Neil Richmond, and Hellie Neumann, J.B. Neumann's granddaughter.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art dealers -- New York (State) -- New York  Search this
Gallery directors -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- United States -- History  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art -- Periodicals  Search this
Genre/Form:
Drawings
Photographs
Scrapbooks
Etchings
Citation:
J. B. Neumann papers, 1905-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.neumjsra
See more items in:
J. B. Neumann papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-neumjsra

Oral history interview with Jack Kufeld

Interviewee:
Kufeld, Jack, 1907-1990  Search this
Interviewer:
Berman, Avis  Search this
Creator:
Mark Rothko and His Times Oral History Project  Search this
Names:
Design Laboratory (New York, N.Y.)  Search this
Gallery Secession (New York, N.Y.)  Search this
Mark Rothko and His Times Oral History Project  Search this
Avery, Milton, 1885-1965  Search this
Godsoe, Robert  Search this
Gottlieb, Adolph, 1903-1974  Search this
Gross, Chaim, 1904-1991  Search this
Harris, Louis, 1902-1970  Search this
Jaffe, Vladimir  Search this
Kufeld, Jack, 1907-1990  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Rothko, Edith  Search this
Rothko, Mark, 1903-1970  Search this
Weber, Max, 1881-1961  Search this
Yavno, Max  Search this
Extent:
28 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1981 Oct. 5
Scope and Contents:
An interview of Jack Kufeld conducted 1981 Oct. 5, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project.
Kufeld discusses his acquaintance with Mark Rothko and the artists of The Ten. He speaks briefly about Gallery Secession and its owner, Robert Godsoe, and the Gallery's role in the formation of The Ten. Kufeld and Rothko lived together for a short time after Rothko's separation from his first wife, Edith. Kufeld remembers Edith, with whom he remained friends for many years even though he stopped associating with painters when he abruptly stopped painting in the late 1930s. He talks about the Design Laboratory, where he was a teacher. Kufeld recalls Robert Godsoe, Milton Avery, Max Yavno, J.B. Neumann, Adolf Gottlieb, Lou Harris, Max Weber, I. Rice Pereira, Chaim Gross, Vladimir Jaffe, and many others.
Biographical / Historical:
Jack Kufeld (1907-1990) was a painter from New York, N.Y. Member of the painters' group The Ten which included Mark Rothko, Ilya Bolotowsky, Joseph Solman, Adolph Gottlieb and others.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 1 hrs., 44 min.
Provenance:
This interview was conducted as part of the Archives of American Art's Mark Rothko and his Times oral history project, with funding provided by the Mark Rothko Foundation.
Others interviewed on the project (by various interviewers) include: Sonia Allen, Sally Avery, Ben-Zion, Bernard Braddon, Ernest Briggs, Rhys Caparn, Elaine de Kooning, Herbert Ferber, Esther Gottlieb, Juliette Hays, Sidney Janis, Buffie Johnson, Jacob Kainen, Louis Kaufman, Katharine Kuh, Stanley Kunitz, Joseph Liss, Dorothy Miller, Betty Parsons, Wallace Putnam, Rebecca Reis, Maurice Roth, Sidney Schectman, Aaron Siskind, Joseph Solman, Hedda Sterne, Jack Tworkov, Esteban Vicente and Ed Weinstein. Each has been cataloged separately.
Restrictions:
Transcript is available on the Archives of American Art's website.
Topic:
Philadelphia Ten (Group of artists)  Search this
Abstract expressionism  Search this
Painters -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.kufeld81
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kufeld81

Max Kahn papers

Creator:
Kahn, Max  Search this
Names:
Beckmann, Max, 1884-1950  Search this
Gatch, Lee, 1902-1968  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Valentine, Curt  Search this
Extent:
0.6 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1949-1993
Scope and Contents:
Correspondence, photographs, works of arts, printed material and financial records regarding artists Lee Gatch, J.B. Neumann, Curt Valentine and Max Beckmann. Also included are letters to Kahn regarding museum gifts.
UNMICROFILMED: Letters regarding museum gifts are from H. W. Catling, Julia Robertson, Evelyn Harrison, J. Carter Brown, Earl A. Powell, III, Virginia Mecklenburg, Ruth Fine and others.
REEL 1128: A card file on paintings by Gatch, 1925-1957, listing title, date, size, exhibition history, locations of reproductions, present location. In addition, there is a photograph of "My Three Aunts" with descriptive notes.
Biographical / Historical:
Dealer, collector; New York, N.Y. Gave financial support to painter Lee Gatch. Kahn was associated with J.B. Neumann from 1947-1953, and with Grace Borgenicht 1953-ca. 1960.
Provenance:
Material on reel 1128 lent for microfilming 1976 and unmicrofilmed material donated 1976 by Max Kahn and in 2007 by David Strauss, Kahn's cousin.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Painting, Modern -- 20th century -- United States  Search this
Art -- Collectors and collecting -- United States  Search this
Identifier:
AAA.kahnmax
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kahnmax

R. Sturgis Ingersoll papers relating to Henry McCarter

Creator:
Ingersoll, R. Sturgis (Robert Sturgis), b. 1891  Search this
Names:
Pennsylvania Academy of the Fine Arts  Search this
Barnes, Albert C. (Albert Coombs), 1872-1951  Search this
Beaux, Cecilia, 1855-1942  Search this
Biddle, Francis, 1886-1968  Search this
Borie, Adolphe, 1877-1934  Search this
Cortissoz, Royal, 1869-1948  Search this
Crane, Alexander  Search this
Cullen, Charles  Search this
Davis, Bernard  Search this
Garber, Daniel, 1880-  Search this
Hall, William Weeks, 1894-1958  Search this
Herman, Leorna Owsky  Search this
Ingersoll, Anna Warren, 1887-1980  Search this
Kendall, William Sergeant, 1869-1938  Search this
McCarter, Henry, 1866-1942  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Rattner, Abraham  Search this
Roosevelt, Nicholas Guy, 1883?-1965  Search this
Walsh, Lorna Gill  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Extent:
0.6 Linear feet ((on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1896-1944
bulk 1930-1943
Scope and Contents:
Material compiled by R. Sturgis Ingersoll preparatory to his biography of Henry McCarter (never completed), primarily Ingersoll's correspondence with McCarter's friends and associates, and McCarter's correspondence collected by Ingersoll.
Included are Ingersoll's correspondence requesting information and documents relating to McCarter; correspondence and clippings regarding the Henry McCarter Memorial Exhibition held at the J.B. Neumann Gallery, New York, N.Y. and at the Pennsylvania Academy of the Fine Arts, 1943; and documents regarding McCarter's estate, 1943, 1944. Among the correspondents are Francis and Katherine Biddle, Mrs. Adolphe Borie (Edith), Alexander Crane, Royal Cortissoz, Charles Cullen, Bernard Davis, Daniel Garber, William Weeks Hall, Mrs. William Sergeant Kendall (Christine Herter), Joanna McCarter (McCarter's neice), Abraham Rattner, Lorna Gill Walsh, Franklin C. Watkins, and others.
McCarter's correspondence is with Albert C. Barnes, Cecilia Beaux, Francis and Katherine Biddle, Adolphe and Edith Borie, Bernard Davis, Lenora Owsley Herman, Anna Warren Ingersoll, R. Sturgis Ingersoll, William Sergeant Kendall, Nicholas Roosevelt, and others. Also included are a manuscript fragment by McCarter about individual expression and the "stifling' traditions of academic training, undated; Hannah Rile Weiman's handwritten notes of a lecture by McCarter at the Pennsylvania Academy of the Fine Arts, 1920 or 28; sketches by McCarter; 12 photographs of McCarter and others, ca. 1930; and clippings.
Biographical / Historical:
Ingersoll was a lawyer, art collector, and President of the Philadelphia Museum of Art; McCarter a Philadelphia painter.
Provenance:
Lent for microfilming 1994 by Mr. Perry Benson, Ingersoll's grandson.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- Pennsylvania -- Philadelphia  Search this
Lawyers -- Pennsylvania -- Philadelphia  Search this
Topic:
Art, American -- Pennsylvania -- Philadelphia  Search this
Art -- Collectors and collecting  Search this
Identifier:
AAA.ingershm
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ingershm

Oral history interview with Balcomb Greene

Interviewee:
Greene, Balcomb, 1904-1990  Search this
Interviewer:
Cummings, Paul  Search this
Names:
American Abstract Artists  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Schaefer, Bertha, 1895-1971  Search this
Swinden, J. W.  Search this
Extent:
2 Sound tape reels (Sound recording (3 hours 30 min.), 5 in.)
56 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1972 Mar. 13
Scope and Contents:
An interview of Balcomb Greene conducted 1972 Mar. 13, by Paul Cummings, for the Archives of American Art. Greene speaks of his background as the son of a minister and growing up in various parish towns in Iowa; attending Syracuse University as a psychology major; beginning to draw and write; teaching at Dartmouth College; going to Paris in 1930-1931; his involvement with the Federal Art Project; getting his Master's at the Institute of Fine Arts, New York University; teaching at Carnegie Institute; the American Abstract Artists group; working with models and photographs; the development of his own painting; collages;
color theory; his change from abstract to representational painting; figure and landscape painting; working with a spray gun; his painting technique and his use of light; his dislike for acrylics; style and personalization in art; exhibitions at New Art Circle, Bertha Schaefer Gallery, the Saidenberg Gallery, the Forum Gallery and others; going to Paris in 1960; and the contemporary art scene. He recalls J.W. Swinden, J.B. Neumann and Bertha Schaefer.
Biographical / Historical:
Balcomb Greene (1904-1990) was a painter from New York, N.Y.
General:
Sound quality is poor.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Topic:
Sculptors -- United States -- Interviews  Search this
Painters -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.greene72
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-greene72

Josef Albers letters to J. B. Neumann

Creator:
Albers, Josef  Search this
Names:
Neumann, J. B. (Jsrael Ber)  Search this
Extent:
1 Microfilm reel (41 items on partial microfilm reel)
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1934-1947
Scope and Contents:
The microfilm collection of the Josef Albers letters to J. B. Neumann contains 40 letters, primarily in German, written to J. B. Neumann by Josef Albers. Also included is an article on Albers written by Alexander Dorner.
Biographical / Historical:
Josef Albers (1888-1976) was a German-born painter, printmaker, and educator who advocated a disciplined approach to composition, form, and color. He immigrated to the United States in 1933 and taught at Black Mountain College in North Carolina. In 1949 he moved to New Haven, Connecticut to teach at Yale University and serve as Chairman of the art department.

J. B. (Jsrael Ber) Neumann (1887-1961) was an Austrian-born gallery director, art dealer, and publisher. Neumann had art galleries in Berlin, Munich, Dusseldorf, and Bremen, Germany. In 1923 he immigrated to the United States and founded the New Art Circle Gallery in New York.
Related Materials:
The Archives of American Art also holds the Josef Albers papers, 1929-1970; the oral history interview with Josef Albers, 1968 June 22-July 5; and the J. B. Neumann papers, 1905-1967. Yale University Library Manuscripts and Archives holds the Josef Albers Papers (MS 32). The Frick Collection and Frick Art Reference Library holds the Josef Albers Papers, 1933-1961.
Provenance:
Lent for microfilming 1966 by the Brooklyn Museum, Department of Prints.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- Connecticut -- New Haven  Search this
Painters -- Germany  Search this
Painters -- North Carolina  Search this
Educators -- North Carolina  Search this
Educators -- Connecticut  Search this
Identifier:
AAA.albejose2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-albejose2

Maurice Becker papers

Topic:
Liberator (New York, N.Y.: 1918)
New masses
Masses (New York, N.Y.)
Creator:
Becker, Maurice, 1889-1975  Search this
Names:
Artists for Victory, Inc.  Search this
Becker, Dorothy Baldwin  Search this
Lancaster, Elizabeth G. (Elizabeth Grieg), 1889-  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Extent:
2.3 Linear feet
Type:
Collection descriptions
Archival materials
Prints
Photographs
Sketches
Watercolors
Paintings
Date:
circa 1910-1970
Summary:
The papers of painter and political cartoonist Maurice Becker measure 2.3 linear feet and date from circa 1910 to 1970. Found within the papers are biographical material; personal and professional correspondence; writings; printed material, including radical labor and political periodicals; artwork; and photographs of Becker, his family and friends, and his artwork.
Scope and Contents:
The papers of painter and political cartoonist Maurice Becker measure 2.3 linear feet and date from circa 1910 to 1970. Found within the papers are biographical material; personal and professional correspondence; writings; printed material, including radical labor and political periodicals; artwork; and photographs of Becker, his family and friends, and his artwork.

Biographical materials consist of a curriculum vitae and a list of artworks.

Correspondence is primarily with Becker's family, friends, and business associates. There are letters from his wife, Dorothy Baldwin Becker, a letter from friend and artist Elizabeth Lancaster, and a letter from Artists for Victory. There is also a letter from Becker to his friend J. B. Neumann containing a draft of Becker's will authorizing Neumann to sell and distribute his paintings upon his death or incapacitation; a letter of invitation to artists and writers interested in reviving a new Masses style journal; and letters from magazine editors regarding freelance commissions.

Printed material includes bulletins, clippings and labor newspapers, exhibition announcements and catalogs, periodicals, press releases, and miscellaneous printed material. Periodicals include whole issues of Liberator, The Masses, New Masses, and One Big Union Monthly, where Becker's political cartoons were frequently featured.

Artwork includes paintings, over 800 graphite and pen and ink sketches, watercolors, and prints depicting Becker's figure drawings, caricatures, portrait drawings of men and women, and sketches of animals and landscapes. Many of these sketches were the basis for panels that later appeared in the New York Tribune, The Masses, and Liberator.

Photographs are of Maurice Becker with family and friends, and five photographs of his artwork.
Arrangement:
The collection is arranged as 6 series.

Series 1: Biographical materials, 1925-1964 (2 folders; Box 1)

Series 2: Correspondence, 1919-1964 (4 folders; Box 1)

Series 3: Writings, circa 1920-1960 (2 folders; Box 1)

Series 4: Printed material, circa 1910-1970 (1 linear foot; Box 1, 4, OV 5)

Series 5: Artwork, circa 1910-1965 (1.2 linear feet; Box 1-3, OV 6-8)

Series 6: Photographs, circa 1910-1966 (3 folders; Box 3)
Biographical / Historical:
Painter and political cartoonist Maurice Becker (1889-1975) lived and worked in New York City, New York and Tioga County, Pennsylvania, and was a frequent contributor to contemporary periodicals of the 1910s.

Becker was born in Nizhni-Novgorod (now Gorky), Russia to Isor and Rose Becker. In 1892, his family immigrated to the United States and settled in the Jewish community of Manhattan's Lower East Side. After graduating from high school, Becker took night classes in bookkeeping and art, studied with Robert Henri and Hugo Boss, and worked days as a sign painter and garment factory worker. He began illustrating for the New York Tribune and Scripps newspapers from 1914 to 1915, and contributed artwork to numerous contemporary periodicals in the 1910s, including Harper's Weekly, Saturday Review, and Metropolitan. Becker was also a frequent contributor to more radical political journals, including The Masses, Liberator, and One Big Union Monthly.

In 1918, he married Dorothy Baldwin, who was a registered Socialist. After stating his conscientious objection to World War I, Becker traveled to Mexico to avoid the draft and was arrested upon his return in 1919. After his trial and sentencing, he served 4 months of hard labor before President Wilson's commutation of all objectors to the war. From 1921 to 1923, Becker lived in Mexico working as an illustrator for El Pulsa de México, and began to devote himself to painting full time.

After his return to New York City, Becker held a series of one-man shows at the Whitney Studio Club (1924-1928), J.B. Neumann Gallery (1924-1931), and Delphic Studios (1930). Becker was a member of the Society of Independent Artists and the Artists' League of America and remained a pacifist for the rest of his life. He died in 1975.
Separated Materials:
There are scattered Maurice Becker papers found within the Art Young papers at the Tamiment Library in New York. These were loaned to the Archives in 1971 for microfilming on reel 96. These papers are not described in the container inventory of this finding aid but include approximately 20 postcards, catalogs, sketches, photographs, and other printed materials.

Duplicate magazines, catalogs, and clippings were transferred to the National Portrait Gallery Library in 1977.
Provenance:
Maurice Becker donated his papers in several increments between 1962-1966.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Cartoonists -- New York (State) -- New York  Search this
Topic:
Painters -- New York (State) -- New York  Search this
Politics in art  Search this
Caricatures and cartoons -- New York (State) -- New York  Search this
Painting, American -- New York (State) -- New York  Search this
Cartooning -- United States  Search this
Genre/Form:
Prints
Photographs
Sketches
Watercolors
Paintings
Citation:
Maurice Becker papers, circa 1910-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.beckmaur
See more items in:
Maurice Becker papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-beckmaur

Oral history interview with Isamu Noguchi, 1973 Nov. 7-Dec. 26

Interviewee:
Noguchi, Isamu, 1904-1988  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Itō, Michio  Search this
Barnard, George Grey  Search this
Becker, John Bruere  Search this
Borglum, Gutzon  Search this
Brancusi, Constantin  Search this
Breton, André  Search this
Brummer, Joseph  Search this
Cahill, Holger  Search this
Calder, Alexander  Search this
Calder, Alexander Stirling  Search this
Collier, John, Jr.  Search this
Covarrubias, Miguel  Search this
Davis, Stuart  Search this
De Kooning, Willem  Search this
Duchamp, Marcel  Search this
Egan, Charles  Search this
Fraser, James Earle  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Gorky, Arshile  Search this
Graham, John  Search this
Graham, Martha  Search this
Gregory, Peter Ronald  Search this
Guston, Philip  Search this
Hare, David  Search this
Hasegawa, Saburō  Search this
Hopkins, Harry Lloyd  Search this
Kahn, Louis I.  Search this
Kantor, Morris  Search this
Kline, Franz  Search this
Knoll, Hans  Search this
Léger, Fernand  Search this
Levy, Julien  Search this
McMahon, Audrey  Search this
Moore, Henry, 1898-1986  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Price, Edison A.  Search this
Raymond, Antonin  Search this
Reynal, Jeanne  Search this
Rivera, Diego  Search this
Ruellan, Andrée  Search this
Ruotolo, Onorio  Search this
Schoen, Eugene  Search this
Shoji, Sadao  Search this
Stieglitz, Alfred  Search this
Taniguchi, Yoshirō  Search this
Ward, Eleanor  Search this
Zorach, William  Search this
Artists' Union (New York, N.Y.)  Search this
Bollingen Foundation  Search this
Brummer Gallery  Search this
Japanese American Citizens' League  Search this
Leonardo da Vinci Art School  Search this
Skidmore, Owings & Merrill  Search this
UNESCO  Search this
Japanese American Citizens' League  Search this
Type:
Sound recordings
Interviews
Place:
Japan -- Description and Travel
Italy -- description and travel
Egypt -- description and travel
India -- description and travel
Topic:
Asian American art  Search this
Asian American artists  Search this
Sculpture, Modern -- 20th century  Search this
Sculpture, American  Search this
Gardens, Japanese  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American sculptors  Search this
Record number:
(DSI-AAA_CollID)11906
(DSI-AAA_SIRISBib)216546
AAA_collcode_noguch73
Theme:
Asian American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216546
Online Media:

Max Kahn papers, 1949-1993

Creator:
Kahn, Max  Search this
Subject:
Gatch, Lee  Search this
Valentine, Curt  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Beckmann, Max  Search this
Topic:
Painting, Modern -- 20th century -- United States  Search this
Art -- Collectors and collecting -- United States  Search this
Record number:
(DSI-AAA_CollID)10298
(DSI-AAA_SIRISBib)213500
AAA_collcode_kahnmax
Theme:
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213500

Modify Your Search







or


Narrow By