Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Arnold Mesches papers, 1939-2015. Archives of American Art, Smithsonian Institution.
This collection is temporarily closed to researchers due to archival processing and digitization. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Nancy Spero papers, 1940s-2009. Archives of American Art, Smithsonian Institution.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Leon Levy Foundation.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Rights:
Audio visual material "Philip Pearlstein Draws the Artists' Model": Authorization to quote or reproduce for purposese of publication requires written permission from Pearlstein or his heirs. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Philip Pearlstein papers, circa 1940-2008. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard Murray research material regarding Abbott Handerson Thayer, 1948-2004, bulk 1994-2001. Archives of American Art, Smithsonian Institution.
Use of original material requires an appointment. Use of archival audiovisual recordigs with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The donor has retained all intellectual property rights, including copyright, that she may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Freeman papers, 1971-2015. Archives of American Art, Smithsonian Institution.
Use of original material requires an appointment. Use of archival audiovisual recordigs with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.
Use of original material requires an appointment. Use of archival audiovisual recordigs with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.
2 Videocassettes (BetacamSP) (camera tapes numbered 5-6; time code :11 and :12)
2 Videocassettes (Betacam) (camera tapes numbered 12 and 8, time code :13 and :14)
Container:
Box 5, Item 1
Type:
Archival materials
Moving Images [31027000863353]
Videocassettes (betacamsp)
Videocassettes (betacam)
Date:
1998 March 8
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The donor has retained all intellectual property rights, including copyright, that she may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Freeman papers, 1971-2015. Archives of American Art, Smithsonian Institution.
Personal documentation consists of reproductions of Gray's Princeton University transcript and U. S. Army honorable discharge papers.
Additional awards (Neuberger Museum of Art Lifetime Achievement Award and Connecticut Aberdeen-Angus Breeders' Association blue ribbon) are housed with Artifacts (Series 7).
Collection Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordigs with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.
Use of original material requires an appointment. Use of archival audiovisual recordigs with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.
State University of New York at Albany, Art Gallery
State University of New York, College at Purchase ( -- See also -- : Neuberger Museum of Art, Box 3, F 38-39)
Steckel, Marie-Monique
Steegmuller, Francis
Steig, William
Steinberg, Leo
Stephan, John
Stetson, John C.
Stevens, Leonard A.
Styron, William, ( -- See also -- : Correspondence, Personal, Box 1, F 21)
Swan, Simone Withers
Talbot, William
Thaw, Eugene Victor
Collection Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordigs with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.
Artifacts include a Chinese scroll representative of those that hung in Cleve Gray's studio, and two of his paintbrushes. Other artifacts are awards - a blue ribbon from the Aberdeen-Angus Breeders' Association, and the Neuberger Museum of Art Lifetime Achievement Award.
Arrangement note:
Certificates relating to other awards are filed with Biographical Information (Series 1).
Collection Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordigs with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.
Original footage includes multiple interviews with Elizabeth Catlett, including one with her husband, Francisco Mora, and another conducted by Faith Ringgold in her Cuernavaca, Mexico home and studio. Also found is footage of Catlett working in her studio in Mexico, and location footage of her home and city there. Original footage also includes documentation of Catlett's appearance at the Neuberger Museum of Art on the occasion of her 1998 retrospective exhibition there, including a conversation with curator Lowery Sims before a live audience. Transcripts of all unedited footage are also present.
Production material includes correspondence, notes, draft scripts, photographs, shotlists, rough edits, soundtrack, and a final script. The finished documentary is found in both a long and short version.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The donor has retained all intellectual property rights, including copyright, that she may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Freeman papers, 1971-2015. Archives of American Art, Smithsonian Institution.
Includes 1 sound cassette, Lesley Dill lecture at the Neuberger Museum of Art
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kit Smyth Basquin papers, 1992-2012. Archives of American Art, Smithsonian Institution.
Alphabetical files consist of Cleve Gray's personal and professional correspondence, as well as subject files relating to projects and interests.
Correspondence is with friends and family, colleagues, publishers, museum curators and directors, art dealers, collectors, and fans. Correspondents of note include: Abe Ajay, Jacques Barzun, John Cage, Alexander Calder, James E. Davis, Marcel Duchamp, Helen Frankenthaler, Naum Gabo, Albert Gleizes, Bruce Goff, Louise N. Grace, Philip Guston, Howard and Jean Lipman, Robert Motherwell, Barnet Newman, Hans and Fridel Richter, George Rickey, Bridget Riley, Barbara Rose, George Rowley, and Jacques and Gaby Villon. Other substantial correspondence is with: Berry-Hill Galleries, Betty Parsons Gallery, Century Association, Columbia University, Connecticut Commission on the Arts, Jacques Seligmann and Co., Neuberger Museum of Art, New York Studio School, Pratt Institute, Princeton University, Rhode Island School of Design, and Yale University.
Subject files mostly consist of correspondence, but include printed material and some photographs. Among them are: Art Collection of Cleve and Francine Gray, Art in America Ceramics Project, Art in America Decorative Arts Show, Artist-Art Dealer Consignments and Visual Artists' Rights Act of 1989, Artists' Tax Equity Act of 1979, "Narcissus in Chaos," Outdoor Art at the Station, Promised Gifts to Museums, Sculpture, Threnody, Vestments, and Vietnam Protest. Other files of particular interest relate to the Estate of Hans Richter (Cleve Gray, executor), and Gray's research materials and illustrations (photographs of artists including: Nell Blaine, Lee Bontecou, Joan Brown, Elaine de Kooning, Helen Frankenthaler, Sonia Gretchoff, Grace Hartigan, and Ethel Magafan) for his Cosmopolitan article "Women - Leaders of Modern Art."
Collection Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordigs with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.
