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Vasudhara, Goddess of Abundance

Medium:
Gilt copper with semi-precious stones and traces of vermilion
Dimensions:
H x W x D: 20.9 x 16.1 x 14.9 cm (8 1/4 x 6 5/16 x 5 7/8 in)
Type:
Sculpture
Origin:
Nepal
Date:
dated 1082
Topic:
Buddhism  Search this
lotus  Search this
Nepal  Search this
Vasudhara  Search this
South Asian and Himalayan Art  Search this
Credit Line:
Gift of Susanne K. Bennet in memory of Felicja "Lusia" Arendt (1928-1942?)
Accession Number:
S2012.2
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
On View:
Sackler Gallery 22a: The Art of Knowing in South Asia, Southeast Asia, and the Himalayas
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye350359a3b-d4bd-4aa6-88f5-826b0898279d
EDAN-URL:
edanmdm:fsg_S2012.2

Medicine Buddha Bhaishajyaguru

Medium:
High tin bronze
Dimensions:
H x W x D: 31.1 × 18 × 18.2 cm (12 1/4 × 7 1/16 × 7 3/16 in)
Type:
Sculpture
Origin:
Indonesia
Date:
8th-9th century
Topic:
Buddhism  Search this
Buddha  Search this
Indonesia  Search this
Southeast Asian Art  Search this
Credit Line:
Gift of Ann and Gilbert Kinney
Accession Number:
S2015.25
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
F|S Southeast Asia
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
On View:
Sackler Gallery 22a: The Art of Knowing in South Asia, Southeast Asia, and the Himalayas
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye32321aec8-f83a-4094-801d-7cbef1320af9
EDAN-URL:
edanmdm:fsg_S2015.25
Online Media:

Janet Longcope photographs of world travels

Creator:
Longcope, Janet, ca. 1886-1974  Search this
Extent:
600 Mounted prints (circa 600 mounted prints, silver gelatin)
4,000 Color slides (circa)
Type:
Collection descriptions
Archival materials
Mounted prints
Color slides
Photographs
Place:
Pakistan -- Description and Travel
Fiji -- Description and Travel
Ethiopia -- Description and Travel
Easter Island -- Description and Travel
Yemen -- Description and Travel
Honduras -- Description and Travel
Peru -- Description and Travel
Guatemala -- Description and Travel
Israel -- Description and Travel
Vietnam -- Description and Travel
Solomon Islands -- Description and Travel
Colombia -- Description and Travel
Thailand -- description and travel
Taiwan -- description and travel
Jordan -- Description and Travel
Uzbekistan -- Description and Travel
Singapore -- Description and Travel
Bhutan -- Description and Travel
Afghanistan -- Description and Travel
Burma -- Description and Travel
Brazil -- Description and Travel
Australia -- Description and Travel
Lebanon -- Description and Travel
Iraq -- Description and Travel
Iran -- Description and Travel
India -- description and travel
New Guinea -- Description and Travel
Syria -- Description and Travel
Nepal -- Description and Travel
Hong Kong -- Description and Travel
Cambodia -- Description and Travel
Sri Lanka -- Description and Travel
Chile -- description and travel
Mexico -- description and travel
Japan -- Description and Travel
Italy -- description and travel
Morocco -- description and travel
Spain -- description and travel
Mongolia -- Description and Travel
New Zealand -- Description and Travel
Russia -- Description and Travel
Kenya -- Description and Travel
Macau (China) -- Description and Travel
Malaysia -- Description and Travel
Yucatan -- Description and Travel
Indonesia -- Description and Travel
Date:
1954-1971
Scope and Contents note:
Photographs made by Janet Longcope during trips to countries around the world. They depict landscapes, buildings, markets, dances, agriculture, arts and crafts, ceremonies, children, cooking, musicians, and transportation. Locations depicted include Afghanistan, Australia, Bhutan, Brazil, Burma, Cambodia, Chile, Colombia, Easter Island, Egypt, Ethiopia, Fiji, Greece, Guatemala, Hawaii, Honduras, Hong Kong, India, Indonesia, Iran, Iraq, Israel, Italy, Japan, Jordan, Kenya, Lebanon, Macao, Malaysia, Mexico, Mongolia, Morocco, Nepal, New Guinea, New Zealand, Pakistan, Peru, Russia, Siberia, Singapore, Solomon Islands, Spain, Sri Lanka, Syria, Taiwan, Thailand, Uzbekistan, Vietnam, Yemen, and Yucatan. Longcope used many of these photographs in lectures.
Biographical/Historical note:
Janet Longcope (1886-1974) was a bookbinder and world traveler who gave informal lectures about her travels. Ater the death of her husband Dr. Warfield T. Longcope in 1953, she visited countries all over the world, returning to some, such as India, as many as nine times.
Local Call Number(s):
NAA Photo Lot 75-26
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Markets  Search this
Dance  Search this
Transportation  Search this
Agriculture  Search this
Cooking  Search this
Genre/Form:
Photographs
Citation:
Photo lot 75-26, Janet Longcope photographs of world travels, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.75-26
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw31062ae88-54fe-4e84-8a03-5a1d99a5a8e2
EDAN-URL:
ead_collection:sova-naa-photolot-75-26

Sir Edmund Hillary Autograph

Creator:
Hillary, Edmund, 1919-2008  Search this
Extent:
1 Sheet (31 x 38 cm.)
Container:
Folder 1
Type:
Collection descriptions
Archival materials
Ephemera
Sheets
Ink drawings
Drawings
Signatures (names)
Place:
Nepal
Washington (D.C.)
USA -- District of Columbia -- Washington
Date:
November 16, 1998
Scope and Contents:
One sheet bearing Hillary's signature, along with a line drawing of two figures climbing a mountain, both in black ink.
Arrangement:
Organized in one file folder.
Biographical / Historical:
Sir Edmund Percival Hillary (1919-2008) was New Zealand mountaineer and explorer. As part of the ninth British expedition to Everest, Hillary and his Sherpa guide Tenzing Norgay were the first men to reach the summit of Mt. Everest, the highest point on Earth, on May 29, 1953. For this feat, he was knighted by Queen Elizabeth II, while Tenzing received the George Medal, one of Britain's highest civilian awards. Hillary would go on to participate in other expeditions in the Himalayas, as well as an expedition to the South Pole. In 1985, he was appointed New Zealand High Commissioner to India. Hillary also devoted much of his time and energy to various philanthropic causes, particularly those dedicated to preserving the ecology of the Himalayas and improving the living conditions of the Sherpa people. In 1998, Hillary was the recipient of the James Smithson Bicentennial Medal in honor of his "monumental explorations and humanitarian achievements." This autograph drawing was made by Hillary during a press conference at the Freer Gallery on November 16.
Local Numbers:
FSA A1998.09
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Mountaineering  Search this
Genre/Form:
Ink drawings
Drawings
Signatures (names)
Citation:
Sir Edmund Hillary Autograph. FSA.A1998.09. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.
Identifier:
FSA.A1998.09
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc32219124f-a362-42a8-8c77-f56b85675550
EDAN-URL:
ead_collection:sova-fsa-a1998-09
Online Media:

Anna Walinska papers

Creator:
Walinska, Anna  Search this
Names:
Guild Art Gallery  Search this
Avery, Milton, 1885-1965  Search this
Beata, Welsing  Search this
Hacohen, Bracha  Search this
Littlefield, William Horace, 1902-1969  Search this
Nevelson, Louise, 1899-1988  Search this
Walinsky, Louis Joseph, 1908-2001  Search this
Extent:
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Photographs
Scrapbooks
Sketchbooks
Sketches
Transcripts
Travel diaries
Place:
Europe -- description and travel
Israel -- Description and Travel
Date:
1927-2002
bulk 1935-1980
Summary:
The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.
Scope and Contents:
The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.

Biographical material consists of awards, certificates, curriculum vitae, biographical outlines, exhibition lists, passports and other material. There is a partial transcript from a radio interview of Anna Walinska. Also included are limited financial records.

Correspondence includes Anna Walinska's letters to her family from her 1954-1955 trip abroad to multiple countries in Asia, the Middle East, and Europe. There is personal and professional correspondence with friends, artists and art institutions. Notable correspondents include Milton Avery, Louise Nevelson, Beata Welsing, Bracha Hacohen, William Littlefield, and Walinska's brother Louis Walinsky.

Writings consist of Walinska's notes, notebooks, lectures, essays, and a handwritten prospectus for Guild Art Gallery. There is one folder of writings by others about Walinska at the end of the series. There are four travel diaries that describe Walinska's trip around the world from 1954-1955, during which she traveled to many countries, and later trips to locations such as Israel and Trinidad.

Printed Material include clippings about Anna Walinska, group and solo exhibition catalogs, announcements, event invitations, and course catalogs for the Master Institute of United Art in New York City, where Walinska taught painting and drawing classes.

There are three scrapbooks: one scrapbook is about Guild Art Gallery, the second scrapbook is about the Holocaust exhibition, the third oversized scrapbook documents Walinska's career and activities overall.

Artwork consists of two bound sketchbooks as well as drawings and sketches in a variety of mediums from pencil and ink to watercolors and oils.

Photographs are of Walinska, friends, family, artists, artwork, exhibition installations, and other subjects. One album includes photos of Anna Walinska and her travels, along with images of friends and colleagues. The second album includes photographs of Walinska's solo exhibition at Sunken Meadow Gallery (1959). There is also one folder of photocopies of photos of assorted artwork by Walinska.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, 1927-2002 (Box 1; 11 folders)

Series 2: Correspondence, 1949-1995 (Box 1; 0.4 linear feet)

Series 3: Writings, circa 1935-circa 1983 (Box 1; 8 folders)

Series 4: Travel Diaries, 1954-1973 (Box 1; 0.2 linear feet)

Series 5: Printed Material, 1942-2002 (Boxes 1-2; 0.4 linear feet)

Series 6: Scrapbooks, circa 1929-1980 (Boxes 2, 4; 0.5 linear feet)

Series 7: Artwork, circa 1929-1963 (Box 3; 5 folders)

Series 8: Photographs, circa 1932-1980 (Box 3; 0.3 linear feet)
Biographical / Historical:
Anna Walinska (1906-1997) was a New York artist, teacher and gallery director who traveled widely and is most well known for her paintings related to the subject of the Holocaust.

Anna Walinska was born in London, England in 1906 to labor organization leader Ossip Walinsky and poet Rosa Newman Walinska. She had two siblings, Emily and Louis. The family immigrated to New York City in 1914, and Anna Walinska began studying at the Art Students League in 1918. In 1926, she travelled to Paris and studied art at the Academie de Grande Chaumier with Andre L'Hote. France was her primary residence until 1930.

In 1935, Walinska and artist Margaret Lefranc co-founded the Guild Art Gallery at West 57th Street in New York and gave Arshile Gorky his first solo exhibition in the city. The gallery closed its doors in 1937. In 1939, Walinska was the Assistant Creative Director of the Contemporary Art Pavilion at the New York World's Fair. During this time, Walinska also pursued her own art and exhibited work in numerous group shows.

From 1954 to 1955, Walinska traveled around the world, visiting the capitals and major cities of many countries in Asia, the Middle East and Europe. Places she went included Japan, Burma (now known as Myanmar), Pakistan, Greece, Italy, France and Spain. During her four month stay in Burma, she painted a portrait of Prime Minister U Nu and she later became a highly respected portrait artist who painted numerous illustrious subjects such as First Lady Eleanor Roosevelt, artists Louise Nevelson and Mark Rothko, and many others.

In 1957, Walinska became the artist-in-residence at the Riverside Museum where she also taught and exhibited with other artists. That same year, she had her first retrospective at the Jewish Museum in New York City.

Walinska exhibited widely and often. Holocaust: Paintings and Drawings, 1953-1978, which opened at the Museum of Religious Art at the Cathedral of St. John the Divine in New York City, is probably the most well-known of her exhibitions and it traveled across the country to several other sites such as the War Memorial Building in Baltimore and Mercy College of Detroit. Works from this exhibition were acquired by multiple museums to become part of their permanent collections.

Walinkska died on December 19, 1997 at the age of 91 in New York City. In 1999, there was a retrospective of her work titled Echoes of the Holocaust: Paintings, Drawings, and Collage, 1940-1989 held at Clark University's Center for Holocaust Studies. The Onisaburo Gallery at New York's Interfaith Center also held a solo exhibition titled Portraits of Faith (2000). Her art is part of the collections at the Denver Art Museum, National Portrait Gallery, National Museum of Women in the Arts, the Rose Art Museum, and other museums.
Related Materials:
The Archives of American Art also has the Guild Art Gallery records, which consists of material related to the gallery that was co-founded by Anna Walinska.
Provenance:
The papers were donated by Anna Walinska in two installations in 1976 and 1981. Rosina Rubin, Anna Walinska's niece, made a third donation of material in 2017.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., research center.
Occupation:
Gallery directors -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Drawing--Study and teaching  Search this
Holocaust, Jewish (1939-1945), in art  Search this
Painting -- New York (State) -- New York  Search this
Asia--Description and travel  Search this
Middle East--Description and travel  Search this
Trinidad and Tobago--Description and travel  Search this
Women painters  Search this
Women artists  Search this
Women educators  Search this
Genre/Form:
Drawings
Interviews
Photographs
Scrapbooks
Sketchbooks
Sketches
Transcripts
Travel diaries
Citation:
Anna Walinska papers, 1927-2002, bulk 1935-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.walianna
See more items in:
Anna Walinska papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9995d1f6a-668f-4e1e-8abe-bb24edfb016b
EDAN-URL:
ead_collection:sova-aaa-walianna
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Online Media:

Eugene Irving Knez papers

Creator:
Knez, Eugene I. (Eugene Irving), 1916-2010  Search this
Names:
East China Seas Program  Search this
Korean National Museum of Anthropology  Search this
National Folk Museum of Korea  Search this
National Museum of Korea  Search this
Extent:
57.6 Linear feet
Type:
Collection descriptions
Archival materials
Place:
Korea
Tibet
Bhutan
East Asia
Nepal
Date:
circa 1920–2000, With Information Dating Back to 1481
Summary:
The Knez papers include material concerning many aspects of his career up to the time he retired from the Smithsonian. Of particular strength is the documentation of Asian exhibits, both temporary and permanent ones installed during his time at the Institution. There is also considerable material concerning specimens and collections acquired earlier. Material concerning Knez's work as a field researcher, bibliographer, and editor are also among the papers. After his retirement, Knez became involved in a study of Buddhism among the Tibetans living in India. Copies of film made for this study have been deposited in the Human Studies Film Archives. It should be noted that the papers represent only a portion of the Knez papers, for he has retained some of them.
Scope and Contents:
Knez was not a prolific writer. Though his research encompassed East and Southeast Asia, his field expeditions for collections and his charge to establish the first permanent Asian halls while at the Smithsonian limited his scientific writings to documentation required for Smithsonian exhibitions and his ongoing interest in the material culture of Sam Jong Dong and The Three Ministries, located in the Kimhae region of southeast Korea. To overcome Asian language barriers, Knez had to utilize informants, Korean scholars, and translators in order to carry out his research. The materials that he collected or were forwarded to him about Asia, however, represent an impressive body of information that researchers of Southeast Asia would want to review for general studies. Of special importance would be the information about culture around the South China Sea, and especially studies about Korean and Japanese ethnology and anthropology, the pre-colonial and colonial period, the period right after World War II, the Korean War, and changes in Korean agricultural farming life, from the early 1900s through the 1980s. A knowledge of Chinese calligraphy, Korean Hangul, and pre-World War Two Japanese (Taisho and Showa Periods) are required to understand the complete record documenting Korean history.

These papers contain detailed correspondence and memoranda, documenting Knez's professional life as a curator of anthropology at the Smithsonian Institution. Visual images, photographs, slides, videotapes, film, and sound recording as well as research information and correspondence provide a complete record of the exhibitions that Knez established at the Smithsonian. Correspondence, memoranda, and photographs provide a less complete picture of Knez's activities before his appointment as curator. There is a very strong and complete record of his activities while stationed in Korea after World War II and during the Korean War. This material includes correspondence, photographs and film footage. Knez also brought out of Korea photographs that were taken by the Japanese during the colonial period. There is also film footage taken around 1946 on Cheju Island. In addition, there are postcards and photo cards that contain a rich visual image of Korea dating back before the 1920s.

The largest series within these papers contains Knez's material culture research on Korea. This series includes field notes, interviews, transcriptions, correspondence, photographs, publications and translations about Korean history dating back to 1481, Japanese publications and translations regarding anthropomorphic and agricultural studies of Koreans and Korean agricultural life, and Knez's draft publications. There is a large series of photographs and slides documenting Asian art collections as well as Asian cultures. The Knez Papers also includes a phonograph record collection which is not dated and contains Korean and Japanese opera and folk songs. In addition, there is a collection of Confucius teachings, school books, and genealogy written in Chinese calligraphy and Hangul.

The arrangement of these papers and the file folders within the series are not always well ordered. Multiple accessions were transferred to the National Anthropological Archives. Where subject information was the same, folders were filed into existing series developed in the 1970s and 1980s. In similar fashion, individual items that were not within folders were interfiled in existing folders that contained the same information.

The research series (series six), which primarily documents Knez's research activities and information he received or collected on Korea has some provenance. The material was reboxed several times, but there remains segments of information that are completely related. At other times, there is no logical relationship between one group of files and the next. Most of the folders were never dated. Therefore, it is difficult to understand the different periods in Knez's life when he worked on his Korean studies, without going through the entire series. Photographs are not always dated. Only a very small number were used in Knez's 1997 publication (where they are dated), The Modernization of Three Korean villages, 1951-1981 (Smithsonian Institution Press).

Most of the series within these papers contain different aspects of Knez's interest in Asia, and in particular, his focus on Korea. For example, correspondence regarding Knez's activities during his stay in Korea after World War II and during the Korean War will be found in series two, Subject File; photographs documenting the same time period will be found in series six, Research Projects, and series thirteen, Biographical and Autobiographical Material. And, series ten, Motion Picture Film and Sound Recordings, contain visual images of Knez's activities in Korea during 1946, 1950-1951.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
The collection is arranged into fourteen (14) series:

SERIES 1.Accession Correspondence and Information and Examination and Reports of Collections, 1959-1977 and undated, with information dating back to 1893, boxes 1-4

SERIES 2.Subject File, 1937-1999 and undated, with information dating back to 1852, boxes 4-32

SERIES 3.Professional and Non-Professional Association Material, 1955-1980, with information dating back to 1896, boxes 33-36

SERIES 4.Exhibitions, 1960-1977 and undated, with information dating back to 1876, boxes 36-43

SERIES 5.Research Grants, 1963-1981 and undated, with information dating back to 1884, boxes 43-46

SERIES 6.Research Projects, 1909, 1929-2000 and undated, with information dating back to 1481, boxes 47-115

SERIES 7.Geographical and Publications Files, 1929-1977 and undated, boxes 116-139

SERIES 8.Korean and Chinese Writings, boxes 140-141

SERIES 9.Collection and Research Photographs, 1946-1977 and undated, boxes 142-161

SERIES 10.Motion Picture Film and Sound Recordings, 1946-1978 and undated, boxes 162-164

SERIES 11.Phonograph Recordings, 1959- and undated, with recordings possibly dating back to the 1940s, boxes 165-170

SERIES 12.Invitations and Greetings, box 171

SERIES 13.Biographical and Autobiographical Material, Family Photographs, and Notes, circa 1920s-1997 and undated, boxes 172-174

SERIES 14.Oversize, 1952-1971 and undated, box 175 and oversize map case drawers
Biographical / Historical:
Eugene I. Knez was born Eugene Irving Knezevich on May 12, 1916, in Clinton, Indiana, where he graduated from high school in 1935. His mother and father, Ida and Sam Knezevich, were divorced in 1932, and in 1936, his mother married Edward P. Pearson. The family moved to California where Knez enrolled in pre-medical studies at Los Angeles City College. Knez transferred to the University of New Mexico (UNM), but before completing his studies, returned to Indiana to be with his father, who was ill. There, Knez enrolled at Indiana University. Since Indiana University did not offer courses in anthropology, Knez took classes in sociology and psychology so that he could fulfill the requirements of UNM. Upon completion of his course work at Indiana University, UNM awarded Knez a B.A. in 1941.

While attending the University of New Mexico, Knez was primarily interested in the Native American Indian. During the summer of 1939 he was appointed Park Ranger-Historian in the National Park Service at Coolidge, Arizona. When he returned to Indiana to be with his father, Knez found a summer job as an assistant to a psychologist, who was testing inmates at the Indiana State Farm.

Knez was drafted as a private in the United States Army in 1941. He was promoted to sergeant in 1942 and during that same year was selected for Officer's Candidate School. Knez graduated OCS as a second lieutenant. Knez was trained and later moved into personnel classification and assignment sections in various divisions before and during World War II. In 1945, he was promoted to captain while in a combat support unit on Saipan.

At the end of the war Knez was assigned to Korea. This assignment began a pivotal sequence of events in his life. With his background in anthropology, Knez was placed in charge of the Army's Bureau of Culture, National Department of Education, United States Military Government in Korea headquartered in Seoul. His responsibilities included the restoration of cultural and religious activities, including museums. At the Bureau, Knez developed a sensitivity towards Korea and her people in the aftermath of Japanese colonialism. Knez undertook the restoration of Admiral Yi's large inscribed boulder and a Buddhist pagoda that had been partially dismantled by the Japanese. He established The National Museum of Anthropology (which became the National Folk Museum). In 1946 Knez sponsored an expedition to Cheju Island to collect ethnographic artifacts and record music for the Museum. During that year he also received permission to excavate two royal Silla Tombs at Kyonju with staff from the National Museum of Korea (NMK). This was the beginning of an endearing association with Korea and her people, which culminated in Knez receiving the award of The Order of Cultural Merit (gold medal) in 1995 from the Republic of Korea.

Knez was discharged from the United States Army in 1946. From 1947 to 1948, he attended Yale University as a research assistant in anthropology and worked at the Peabody Museum. He then joined the federal government and from 1949 to 1953 Knez served as a Cultural Affairs and Public Affairs officer at the American embassies in Korea and Japan. From 1949 to 1951, Knez was chief of Branch Operations, United States Information Agency, first headquartered in Seoul and then moving from Seoul to Pusan with the invasion by North Korea.

During his assignment in Korea, Knez undertook several major activities that had a profound effect on his life. With the approaching North Korean forces getting ready to invade Seoul for the second time, Kim, Chewon, director of the National Museum of Korea, approached Knez and made a personal request to help save the Museum's treasures. Though Knez was a war time member of the American Embassy he undertook the task without receiving official permission. He coordinated the movement of the Museum and Yi dynasty collections and some of the Museum staff by having them shipped by railroad boxcar from Seoul to Pusan.

During the fighting Knez began his ethnographic material culture research at Sam Jong Dong in the Kimhae region north of Pusan. When it appeared in 1951 that the United Nations was losing the war, Knez received permission to spend two months of his home leave to stay in Korea to continue his research. This study was to continue into the 1990s.

While in Pusan, Knez recommended that two dinners be held to help the morale of Korea's cultural leaders, those who were refugees from Seoul. One dinner was to be for the older generation and the second for younger Korean scholars and members of the cultural community. At the second dinner, Knez met his future bride, Choi, Jiae, a highly regarded Korean actress.

During 1951, Knez was transferred to Tokyo as Policy and Program officer for the United States Information Agency. In 1952 he was assigned as the USIA regional Public Affairs officer in Fukuoka.

In 1953, Knez left the USIA and joined the staff at Hunter College, located in the Bronx, New York, first as a lecturer and then as an instructor. While teaching at Hunter, Knez attended graduate school at Syracuse University. In 1959, he received a Doctor of Social Science Degree in anthropology from the Maxwell School of Citizenship and Public Affairs. Knez's thesis was Sam Jong Dong: A South Korean Village. During the school year 1968-1969, the Maxwell School went from awarding the D.S.Sc. degree to the Ph.D. In 1970, Knez successfully petitioned the School to have his degree changed.

In 1959, Knez was appointed Associate Curator of Anthropology at the Smithsonian Institution. He was given the responsibility for Asian ethnology and was assigned the task of establishing the first permanent Asian exhibitions in two halls at the United States National Museum (later, the National Museum of Natural History). At the time, the Asian collections available for the halls were poor or non-existent. Knez began his first of several field expeditions to augment the Museum's artifact and cultural collections. Almost all of the Asian exhibitions that he planned had to have collections taken directly from the field.

The first permanent exhibition was opened in 1961 and contained information on the South Asian World in Miniature, India and Pakistan. During the year two more exhibitions were completed, documenting India, Pakistan, and Thailand. In 1962, Knez completed fifteen more exhibitions; he completed eight in 1963 and 1964; one in 1965; and one in 1967. The themes for the exhibitions included China, Japan, Iran, Korea, Tibet, Thailand, Malaysia, Cambodia, Laos, Pakistan, India, East Africa, North Africa and the Middle East, Islam, and Buddhism.

From 1963 through 1973, Knez put together additional temporary exhibitions, which included themes on Korea, China, India, Japan, Bhutan, and acquisitions of Hindu and Buddhist sculpture. In 1967, Knez provided the objects and created the documentation for the United States Department of State exhibition honoring the visit of the King and Queen of Thailand. Knez developed an exhibition about Korea, which went on display between 1977 and 1979 and was coordinated by the Smithsonian Institution Traveling Exhibition Service.

Knez retired from the Smithsonian in November 1978 and was appointed Anthropologist Emeritus in 1979. Knez moved to Hawaii and developed ties with the University of Hawaii as a visiting scholar at the Center for Korean Studies. Knez continued his research on the Kimhae region, and in 1993, published his revised, The Modernization of Three Korean Villages, 1951-81: an Illustrated study of a people and their material culture.

May 12, 1916 -- Born

1935 -- Graduated High School

1941 -- Drafted, Private, United States Army B.A., University of New Mexico

1942 -- Officer's Candidate School, 2nd Lieutenant, United States Army

1945 -- Promoted to Captain, United States Army

1945-1946 -- United States Army, In charge, Bureau of Culture, National Department of Education, Seoul, Korea

1946 -- Excavation, National Museum of Korea, Royal Silla Tomb, Kyongju Ethnographic and Geographic Survey, National Folk Museum of Anthropology, Korea, Cheju Island

August 1946 -- Honorable Discharge, United States Army

1947-1948 -- Yale University, Peabody Museum, Research Assistant in Anthropology

1947 -- Study of American Indian Shaker cult, Washington State Museum, Seattle

1949 -- Changed Name from Knezevich to Knez

1949-1951 -- Wartime Center Director, United States Information Service, Pusan, Korea

1951 -- Shipment of National Museum of Korea Collections and Staff from Seoul to Pusan

1951-1952 -- Ethnographic Study of Kimhae Area, Korea, towards a dissertation

1952-1976 -- United States Army Reserve (retired as Full Colonel)

1953-1959 -- Lecturer and Instructor, Hunter College, New York

1959 -- Fellow, American Anthropological Association D.S.S.C. (later, Ph.D.) Syracuse University Anthropologist, Smithsonian Institution

1961-1962 -- Overseas Collecting Trips to Asia

1961 -- First Asian Exhibition Installation

1962 -- Letter of Appreciation, Republic of Korea

1965 -- Smithsonian Special Act (Development of Asian Collections) Award

1966 -- Member of the United States Museums Advisory Delegation Planning Meeting for the Establishment of a Korean National Science Museum Center, Seoul

1970 -- Award, Korean Village Study, Smithsonian Institution, Secretary's Fund

1971 -- Exhibition, A Korean Village: Its Changing Culture, which was later adapted as a traveling exhibition in the United States and Canada

1974 -- Exhibition, Bhutan: The Land of Dragons

1975 -- Invited Participant, Pakistan-Sind Government International Seminar

1977 -- Exhibition, Arms and Armor of Japan

1978 -- Retired, Smithsonian Institution Fellow, The Explorers Club, New York

1979 -- Anthropologist Emeritus, Smithsonian Institution Award, Himalayan Project, Tibetan Buddhism and Its Role in Society and State, National Endowment for the Humanities, which led to a publication by Knez with Franz Michael

1981 -- Award, Fulbright Senior Scholar, Korea, Council for International Exchange of Scholars

1995 -- Presentation of The Order of Culture Merit (Gold Medal), Republic of Korea
Related Materials:
The National Anthropological Archives holds Franz H. Michael and Eugene I. Knez photographs and sound recordings relating to Tibetan Buddhism in northeastern India (NAA.PhotoLot.80-13).
Separated Materials:
The motion picture film was transferred to the Human Studies Film Archives in 2002 (HSFA.2002.09).
Provenance:
Most of the papers were donated to the National Anthropological Archives by Dr. Knez in 1978. There have been additional accretions since then.
Restrictions:
The Eugene Irving Knez papers are open for research.

Access to the Eugene Irving Knez papers requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Village life -- Korea  Search this
Language and languages -- Documentation  Search this
Citation:
Eugene Irving Knez papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.1980-22
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw35632d487-40c6-4e14-9b21-bab85debd8dd
EDAN-URL:
ead_collection:sova-naa-1980-22

Laura Boulton films

Creator:
Boulton, Laura, 1899-1980  Search this
Extent:
Film reels (16mm)
0.5 Linear feet
Culture:
Bantu-speaking peoples  Search this
Ovambo (African people)  Search this
Dogon (African people)  Search this
Toda (Indic people)  Search this
Mandingo (African people)  Search this
Songhai (African people)  Search this
Zulu (African people)  Search this
Tuaregs  Search this
Type:
Collection descriptions
Archival materials
Film reels
Silent films
Sound films
Place:
Asia
North America
Africa
Europe
Oceania
Samoa
Nepal
Date:
1934-1985
Scope and Contents:
Film and video of the ethnomusicology collection of Laura C. Boulton, shot primarily by Dr. Boulton among traditional peoples around the world. (See inventory attached to agreement).

Collection contains supplementary material: associated texts, sound recordings, annotations, sound logs, and field notes.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or Anthropology Archives, but is available in its original form to facilitate research.
Related Materials:
The Columbia University Center for Ethnomusicology has the Laura Boulton Collection of Traditional Music; the Harvard University Archive of World Music (Eda Kuhn Loeb Music Library) houses Boulton's liturgical music collection; the Archive of Folk Culture at the Library of Congress contains wax cylinders, aluminum discs and reel-to-reel tapes of Boulton's field recordings of traditional vocal and instrumental music worldwide; and Smithsonian Folkways has the originals of recordings Boulton made for Folkways Records.
Provenance:
Received from the Laura Boulton Foundation in 1987.
Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Rights:
Contact the repository for terms of use.
Topic:
Music  Search this
Dance  Search this
Art  Search this
Ethnological expeditions  Search this
Hinduism  Search this
Buddhism  Search this
Genre/Form:
silent films
Sound films
Citation:
Laura Boulton films, Human Studies Film Archives, Smithsonian Institution
Identifier:
HSFA.1987.09
See more items in:
Laura Boulton films
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc92ccfe958-07e2-43f2-9d43-f4b4180b2860
EDAN-URL:
ead_collection:sova-hsfa-1987-09

Architects of Buddhist leisure socially disengaged Buddhism in Asia's museums, monuments, and amusement parks Justin Thomas McDaniel

Author:
McDaniel, Justin  Search this
Physical description:
xiv, 224 pages 24 cm
Type:
Books
Place:
Asia
Asie
Date:
2017
Topic:
Architecture and recreation  Search this
Buddhist architecture  Search this
Architecture et loisirs  Search this
Architecture bouddhique  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1145334

Abhisarika Nayika

Medium:
Opaque watercolor and gold on paper
Dimensions:
H x W (painting): 20 × 36.2 cm (7 7/8 × 14 1/4 in)
H x W (overall): 25.4 × 40.5 cm (10 × 15 15/16 in)
Type:
Painting
Origin:
Mewar, Rajasthan state, India
Date:
1660
Topic:
garden  Search this
India  Search this
Lakshmana  Search this
South Asian and Himalayan Art  Search this
Catherine and Ralph Benkaim Collection  Search this
Credit Line:
Purchase and partial gift from the Catherine and Ralph Benkaim Collection — funds provided by the Friends of the Freer and Sackler Galleries
Accession Number:
S2018.1.72
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye33b47e594-1e23-41b7-b3de-eea57c4692f8
EDAN-URL:
edanmdm:fsg_S2018.1.72

Gallery Guide: Understanding South Asian Art

Publisher:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Language:
English
Object type:
Lesson Plan
Date created:
2003-01-03 00:00:00
Topic:
Arts  Search this
Visual Arts  Search this
World Studies  Search this
Asia  Search this
Religion  Search this
Gods  Search this
Deities  Search this
Hindu  Search this
Buddhist  Search this
Jain  Search this
Indian  Search this
Pakistani  Search this
Typical age range 8-10  Search this
Typical age range 10-12  Search this
Typical age range 12-14  Search this
Typical age range 14-16  Search this
Typical age range 16-18  Search this
Data source:
SI Center for Learning and Digital Access
EDAN-URL:
edanmdm:SCLDA_1340

Falk Collection Photographs, India, Nepal

Collection Creator:
Falk, Johnny, 1906-1992  Search this
Falk, Pauline  Search this
Container:
Box 59, Folder 55
Type:
Archival materials
Photographs
Date:
1967
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
Pauline B. and Myron S. Falk, Jr. Papers, FSA.A2002.03. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the Falk family.
See more items in:
Pauline B. and Myron S. Falk, Jr. Papers
Pauline B. and Myron S. Falk, Jr. Papers / Series 4: Collection Files / 4: Photographs
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc30c31da96-8dce-4685-8d8f-f393eec8012a
EDAN-URL:
ead_component:sova-fsa-a2002-03-ref1048

The Asia Society (West Pakistan, Afghanistan and Iran), William World Travel (Nepal), Japan

Collection Creator:
Falk, Johnny, 1906-1992  Search this
Falk, Pauline  Search this
Container:
Box 22, Folder 14
Type:
Archival materials
Date:
1967-1970
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
Pauline B. and Myron S. Falk, Jr. Papers, FSA.A2002.03. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the Falk family.
See more items in:
Pauline B. and Myron S. Falk, Jr. Papers
Pauline B. and Myron S. Falk, Jr. Papers / Series 2: Travel / 1: Miscellaneous Trips
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3c97f2225-d107-4e86-8ceb-2c59dfb85751
EDAN-URL:
ead_component:sova-fsa-a2002-03-ref560

Mary Slusser Collection

Extent:
28.57 Cubic feet
Culture:
Nepal -- Architecture  Search this
Nepal -- Art  Search this
Type:
Collection descriptions
Archival materials
Place:
Bhaktapur (Nepal)
Nepal
Kathmandu Valley (Nepal)
Nepal -- Description and Travel
Tibet (China)
Vietnam
Canada
Himalaya Mountains
Date:
1933-2017
Scope and Contents:
Mary Slusser (1918-2017) was a prominent scholar of Nepalese art, architecture, and cultural history. This collection contains personal files, professional correspondence, research files, travel documents, and photographs. The research files relate to her study of specific subjects and contain mixed media. Photographic materials include prints, slides, negatives, contact sheets, and digital images on compact discs in both color and black and white. Most of the collections are related to her study of Nepal, though other countries are represented including Tibet, Laos, China, and Vietnam. Subjects include firsthand observations of objects and sites; notes on secondary sources; correspondence with fellow scholars; manuscript drafts; and records of her work on the gallery space, and guide to, the Patan Museum. The earliest materials date from 1951 during the beginning of her time living abroad alongside her husband, while both worked for the State Department. The materials continue through 2017, reflecting her dedicated scholarship and travel through the end of her life.
Arrangement:
The collection is organized into five series:

• Series 1: Biographical Materials

• Series 2: Correspondence

• Series 3: Research Files

• Series 4: Travel Files

• Series 5: Photographic Materials
Biographical / Historical:
Dr. Mary Slusser (1918-2017) was born as Mary Shepherd in Welland, Ontario to George Percy and Ethel Mary Shepherd. Her family moved to Michigan the following year and Slusser became a naturalized US citizen in 1934. Slusser followed her sister, Dorothy Shepherd (1916-1992), to the University of Michigan, where Mary graduated with a bachelor's degree in 1942. During her studies at Michigan, she met Robert Slusser, whom she would marry in 1944. Slusser moved to New York City in 1942, again following the path of her sister, Dorothy, who had enrolled in graduate school at New York University's Institute of Fine Arts. Slusser undertook some coursework at NYU as a part-time student. Slusser would eventually complete her graduate studies at Columbia University, earning a PhD in anthropology in 1950. She completed some of her coursework at Harvard University, while her husband studied at nearby Tufts University. Her dissertation was titled "Preliminary archeological studies of northern Central Chile."

Next, Slusser worked as a research analyst at the US State Department. Her husband also worked at the agency and spent much of his career completing foreign service appointments as an economist with USAID. Slusser accompanied her husband to his various overseas posts, beginning in 1954 in Vietnam. The Slussers would live and work abroad in Vietnam, Yugoslavia, Guinea, Nepal, and Tunisia. Slusser continued to work for the State Department as a field anthropologist. Mary received funding from the Smithsonian to acquire a small collection of Nepalese artifacts. She immediately took to learning about the art and culture of the region. She found a dearth of English-language information on the area and did her own field work and engaged with local scholars to fill in the gaps. She remained in Nepal for five years, contracted by the Smithsonian to write a guide to Nepal. Her research would lead to Nepal Mandala: A Cultural Study of Kathmandu Valley, a two-volume set of text and images, predominantly her own photographs, which was published in 1982.

Robert Slusser retired in 1980, and he and Mary permanently settled in Washington, DC. Her scholarly work took her to museums, first at the Museum of African Art as a curatorial assistant from 1975 to 1978, and then a post-doctoral fellowship at the Freer Gallery of Art and Arthur M. Sackler Gallery in 1989. After her fellowship, Slusser was asked to remain at the museum as a research associate, an unpaid position she held for the rest of her career. Slusser continued to publish works on Nepalese art, including the 2010 book, The Antiquity of Nepalese Wood Carving: a Reassessment, co-authored with Paul Jett, a conservator at the museum. Slusser used carbon dating tests to show that many Nepalese wood sculptures were much older than originally thought. Slusser also contributed to the establishment of the Patan Museum in Nepal, which opened in 1997. She served as the museum's cultural advisor and curator and wrote the museum guide and many of the exhibition materials.

Slusser continued to travel to Nepal and other parts of central Asia well into her eighties, often visiting remote sites on foot with the aid of local guides. Slusser stayed active at home, continuing her research work despite declining eyesight and hearing. She died in 2017 at age 98.
Related Materials:
Mary Shepherd Slusser papers, circa 1950 – circa 1995, National Museum of National History, National Anthropolgical Archives, NAA.1983.0407

Dorothy Shepard Photographs, National Museum of Asian Art Archives, FSA.A2015.12

Russell Hamilton Postcard and Photograph Collection, National Museum of Asian Art Archives, FSA.A2001.13

Russell Hamilton postcards, between 1900-1909, National Museum of African Art, Eliot Elisophon Photographic Archives, EEPA.2003-001
Restrictions:
Collection is open for research.
Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the National Museum of Asian Art's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Topic:
Wood-carving  Search this
Art, Asian -- Research  Search this
Sculpture  Search this
Photography -- Archives  Search this
Citation:
Mary Slusser Collection, FSA A2015.21. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Mary Slusser.
Identifier:
FSA.A2015.21
See more items in:
Mary Slusser Collection
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc353b3a07b-752e-43ad-a50d-d8fb86c5b628
EDAN-URL:
ead_collection:sova-fsa-a2015-21

Negatives and Contact Sheets

Type:
Archival materials
Date:
1965-2017
Scope and Contents:
The negatives and contact sheets are organized into both folders and boxes. The earliest materials include Slusser's first experience living and researching in Nepal.
Arrangement:
Arranged alphabetically by title, with the exception of a negative index, which is placed at the beginning of the subseries. The materials are arranged in their original order and maintain Slusser's personal filing system.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the National Museum of Asian Art's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Collection Citation:
Mary Slusser Collection, FSA A2015.21. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Mary Slusser.
Identifier:
FSA.A2015.21, Subseries 3
See more items in:
Mary Slusser Collection
Mary Slusser Collection / Series 5: Photographic Materials
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc379151fb7-6478-461b-9528-fc6be1602031
EDAN-URL:
ead_component:sova-fsa-a2015-21-ref12

Negative File "T," Nepal

Container:
Box 97, Folder 3
Type:
Archival materials
Negatives
Date:
undated
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the National Museum of Asian Art's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Collection Citation:
Mary Slusser Collection, FSA A2015.21. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Mary Slusser.
See more items in:
Mary Slusser Collection
Mary Slusser Collection / Series 5: Photographic Materials / 3: Negatives and Contact Sheets
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc34ee2146c-de76-4805-9f7b-8bf31acd8eb1
EDAN-URL:
ead_component:sova-fsa-a2015-21-ref157

Aspects of Nepalese wood carving Mary Slusser Nepal Images

Container:
Box 106, Disk 6
Type:
Archival materials
Computer Disks
Date:
undated
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the National Museum of Asian Art's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Collection Citation:
Mary Slusser Collection, FSA A2015.21. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Mary Slusser.
See more items in:
Mary Slusser Collection
Mary Slusser Collection / Series 5: Photographic Materials / 4: Images on Compact Disc
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3ea86e024-046c-4cd6-b3e5-cf97a9266057
EDAN-URL:
ead_component:sova-fsa-a2015-21-ref377

CD-R Title: 060518_1503(D:) copy of Selected folders from Nepal ALL sites

Container:
Box 106, Disk 10
Type:
Archival materials
Computer Disks
Date:
undated
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the National Museum of Asian Art's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Collection Citation:
Mary Slusser Collection, FSA A2015.21. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Mary Slusser.
See more items in:
Mary Slusser Collection
Mary Slusser Collection / Series 5: Photographic Materials / 4: Images on Compact Disc
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3acf5146d-c77b-4012-b4ee-6f9188b00da3
EDAN-URL:
ead_component:sova-fsa-a2015-21-ref381

Kumar Nepal

Container:
Box 106, Disk 23
Type:
Archival materials
Computer Disks
Date:
November, 2005
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the National Museum of Asian Art's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Collection Citation:
Mary Slusser Collection, FSA A2015.21. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Mary Slusser.
See more items in:
Mary Slusser Collection
Mary Slusser Collection / Series 5: Photographic Materials / 4: Images on Compact Disc
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3b8c52982-ba04-46c0-8d63-bd3db04426bc
EDAN-URL:
ead_component:sova-fsa-a2015-21-ref394

Mary Nepal Back-up DVD

Container:
Box 106, Disk 29
Type:
Archival materials
Computer Disks
Date:
2005
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the National Museum of Asian Art's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Collection Citation:
Mary Slusser Collection, FSA A2015.21. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Mary Slusser.
See more items in:
Mary Slusser Collection
Mary Slusser Collection / Series 5: Photographic Materials / 4: Images on Compact Disc
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc31c176790-5566-4109-bc09-5e0ba2acaf95
EDAN-URL:
ead_component:sova-fsa-a2015-21-ref400

Mary - Nepal

Container:
Box 106, Disk 33
Type:
Archival materials
Computer Disks
Date:
November 2007
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the National Museum of Asian Art's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Collection Citation:
Mary Slusser Collection, FSA A2015.21. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Mary Slusser.
See more items in:
Mary Slusser Collection
Mary Slusser Collection / Series 5: Photographic Materials / 4: Images on Compact Disc
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3bcd54619-bc64-40df-af84-70ad37572bb3
EDAN-URL:
ead_component:sova-fsa-a2015-21-ref404

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