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Chester Beach papers

Beach, Chester, 1881-1956  Search this
American Academy in Rome  Search this
Architectural League of New York  Search this
Cleveland Museum of Art  Search this
Ecole nationale supérieure des beaux-arts (France)  Search this
Frontier Art Colony  Search this
Mark Hopkins Institute of Art  Search this
National Academy of Design (U.S.)  Search this
National Sculpture Society (U.S.)  Search this
Panama-Pacific International Exposition (1915 : San Francisco, Calif.)  Search this
Salmagundi Club  Search this
Salon d'automne  Search this
Allen, Mary Jester  Search this
Beach, Eleanor Murdock  Search this
Blumenschein, Ernest Leonard, 1874-1960  Search this
Carrington, Fitz Roy, 1869-1954  Search this
Couper, William, 1853-1942  Search this
Fitchen, Eleanor Beach  Search this
French, Daniel Chester, 1850-1931  Search this
Greacen, Edmund W., 1876-1949  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Jackson, Hazel Brill  Search this
Jennewein, Carl Paul, 1890-  Search this
Kuhn, Brenda, 1911-  Search this
Kuhn, Walt, 1877-1949  Search this
Käsebier, Gertrude, 1852-1934  Search this
Leibig, Bonnie  Search this
MacMonnies, Frederick William, 1863-1937  Search this
Mora, F. Luis (Francis Luis), 1874-1940  Search this
Nelson, Laurence, 1887-1978  Search this
Nisbet, Robert H., 1879-1961  Search this
Olmsted, Frederick Law, 1822-1903  Search this
Piexotto, Jessica B.  Search this
Winter, Ezra, 1886-1949  Search this
7.32 Linear feet
Collection descriptions
Archival materials
Christmas cards
bulk 1895-1999
The Chester Beach papers measure 7.32 linear feet and date from 1846 to 1999, with the bulk ot the material dating from circa 1900 to 1999. The work and professional activities of Beaux Arts sculptor Chester Beach (1881-1956) and his family's efforts to exhibit and sell work from the estate are documented by project files, business records, correspondence, scrapbooks, printed material, and photographs. The papers also include many artist-designed Christmas cards sent and received by the Beach family, and artwork by Chester Beach and others.
Scope and Contents:
The Chester Beach papers measure 7.32 linear feet and date from 1846 to 1999, with the bulk ot the material dating from circa 1900 to 1999. The work and professional activities of Beaux Arts sculptor Chester Beach (1881-1956) and his family's efforts to exhibit and sell work from the estate are documented by project files, business records, correspondence, scrapbooks, printed material, and photographs. The papers also include many artist-designed Christmas cards sent and received by the Beach family, and artwork by Chester Beach and others.

Biographical material consists of biographical notes, identification cards, and a membership certificate.

Project files contain correspondence, financial records, notes, drawings and plans, research materials, printed matter, and photographs that document commissions for sculpture, medals and coins, monuments, and Beach's own projects. Among the most thoroughly documented projects are a fountain sculpture for the grounds of the Cleveland Museum of Art (Sun, Earth, Fountain of the Waters, and Zodiac) and the Edward W. Bok Memorial in Mountain Lake, Florida; both commissions were executed in conjunction with the firm of Frederick Law Olmsted.

Business records include Chester Beach's general business correspondence and correspondence concerning consignments. An address book records names, addresses, and occasionally indicates prices of services and supplies used by the sculptor. Other record books detail expenses and income of the studio building Beach owned, with a list of the effects of the former owner, sculptor William Couper; bronzes cast; sales, with titles, prices, and buyers; names and addresses of clients, dealers, and suppliers; and instructions for cleaning and bronzing plaster.

Family correspondence consists mainly of letters, many mentioning Chester Beach, and addressed to Mrs. Chester Beach and daughter Eleanor Beach Fitchen. Estate correspondence and related documents concern efforts to exhibit, sell, and research Beach's remaining work. These records, for the most part, were created by Mrs. Fitchen who acted as sales agent, ran the Chester Beach Memorial Studio, and maintained the Beach archive. Of particular interest is a series of letters from Brenda Kuhn that relate what she learned from handling the estate of her father, Walt Kuhn; in addition, she offered ideas and advice about exhibitions, the Memorial Studio, and the Beach Centennial.

Beach designed his family's annual Christmas cards, most of which incorporate images of their three daughters. A complete set, preserved in an album, includes a few later cards that reproduce artwork by his widow. Many of the cards received - some with original artwork - are from artist friends, among them: Ernest Blumenschein, Edward W. Greacen, Hazel Brill Jackson, Paul Jennewein, Bonnie Leibig, F. Luis Mora, Robert Nisbet, and Ezra Winter. Also of note are a card from Walker Hancock bearing a photograph of his studio; a painting of Beach's Sylvan at Brookgreen Gardens, reproduced on Anna Hyatt Huntington's card; and a card from Beach patron Mary Jester Allen containing a brief note about the Frontier Art Colony she had established near Cody, Wyoming.

Among the drawings and sketches by Chester Beach are student work, designs for some of his Christmas cards, and a sketchbook containing drawings of sculpture. Work by other artists consists of prints, including one by Ezra Winter.

Three scrapbooks, largely comprised of newspaper clippings and other printed material, contain a variety of other items, including: letters from the American Academy in Rome, Architectural League of New York, Ecole des Beaux Arts, Daniel Chester French, Hazel Brill Jackson, Frederick MacMonnies, National Academy of Design, National Sculpture Society, Jessica B. Piexotto, and Salon d'Autome. There are also awards and certificates from the National Academy of Design, Panama-Pacific International Exposition; bookplates and a place card Beach etched for Mr. and Mrs. George Davison; and an unfinished poem by FitzRoy Carrington. Photographs within the scrapbooks are of a night school class Beach attended at the Mark Hopkins Art Institute in San Francisco, Beach at work in his studio, and a portrait of him painted by G. Laurance Nelson.

Printed material includes Panama-Pacific International Exposition guide books, brochures about the Chester Beach Memorial Studio in Brewster, New York, and catalogs for solo and group exhibitions.

Photographs and glass plate negatives of artwork are mainly of Chester Beach's sculpture and include views of work in progress. Also found are photographs of drawings and sculpture from his student years in California and Paris. Pictures of work by other artists are portraits of Chester Beach painted by G. Laurance Nelson and by his daughter, Natalie Beach McLaury. Among the photographs of Chester Beach are several by Gertrude Kasebier, circa 1910. Other pictures show Beach in his studio, Beach with family and friends, and a "Dinner tendered to Edmund W. Greacen by Samuel T. Shaw, Salmagundi Club, March 2, 1922." Places documented are Beach's boyhood home in San Francisco, the interiors of his studios, and Brookgreen Gardens. Miscellaneous subjects are nude models.
The collection is arranged as 10 series. Glass plate negatives are housed separately and closed to researchers.

Missing Title

Series 1: Biographical Material, 1910-1947 (4 folders; Box 1)

Series 2: Project Files, 1846-1999 (1.6 linear feet; Boxes 1-2, 11, OV 12-13)

Series 3: Business Records, circa 1900-1958 (0.4 linear feet; Boxes 2-3)

Series 4: Writings, 1913-1935 (2 folders; Box 3)

Series 5: Correspondence, 1875, 1933-1996 (0.5 linear feet; Box 3)

Series 6: Christmas Cards, 1909-1961 (0.7 linear feet; Boxes 3-4)

Series 7: Artwork, circa 1900-1955 (0.3 linear feet; Boxes 4, 11)

Series 8: Scrapbooks, 1903-1972 (0.3 linear feet; Box 10)

Series 9: Printed Material, 1910-1997 (0.4 linear feet; Box 4)

Series 10: Photographs, circa 1885-circa 1960s (3.1 linear feet; Boxes 4-9, 11, 14)
Biographical / Historical:
Sculptor Chester Beach (1881-1956) was known for portrait busts, allegorical and mythological figures, coins and medallic art in the Beaux-Arts tradition. He lived and worked in New York City and Brewster, New York.

Chester Beach, son of Chilion Beach and Elizabeth Ferris Beach, was born in San Francisco on May 23, 1881. Beach initially studied at the California School of Mechanical Arts in 1899. He remained in San Francisco and between 1900 and 1902 continued his art training at the Mark Hopkins Institute of Art while working as a jewelry designer. To further his career and exposure to artistic trends, Beach moved to New York City in 1903. The following year, he went to Paris, enrolled at the Ecole des Beaux-Arts, and also studied with Raoul Verlet at the Académie Julian.

Upon his return to New York in 1907, Beach established a studio on Tenth Street. He won the National Academy of Design's Barnett Prize for sculpture in 1907 and the Academy elected him an Associate Artist the following year. His increased stature resulted in numerous portrait commissions and eventually led to commissions for monuments and architectural sculpture. In 1910, Chester Beach married Eleanor Hollis Murdock, a painter he met when both were art students in Paris. The couple spent the next two years in Rome; for several years after returning, Beach continued to spend time in Italy and maintained a studio in Rome.

Solo exhibitions of Beach's work were presented at Macbeth Gallery (1912), Pratt Institute (1913), Cincinnati Art Museum (1916), John Herron Art Institute (1916), and Memorial Art Gallery, Rochester (1917). In addition to frequent participation in annual exhibitions at the National Academy of Design and the Pennsylvania Academy of the Fine Arts, Beach was represented in the Panama-Pacific International Exposition (1915), and in group shows at venues including: Art Institute of Chicago, Boston Art Club, California Palace of the Legion of Honor, and National Arts Club.

The gold medal presented by Académie Julian (1905), Beach's first award, was followed by many other prizes, among them: American Numismatic Society prize for a medal commemorating the Peace of Versailles (1919) and its Saltus Medal for distinguished medallic art (1946); Architectural League of New York gold medal (1924); National Academy of Design Barnett Prize (1907) and Watrous gold medal (1926); National Arts Club medal and prizes (1923, 1926, 1932); and the Panama-Pacific International Exposition silver medal (1915).

Beach was an Academician of the National Academy of Design, a member of the American Numismatic Society, Architectural League of New York, National Arts Club, National Institute of Arts and Letters, and the National Sculpture Society (President, 1927-1928).

For more than 40 years, Beach lived and worked at 207 East 17th Street. The brownstone, purchased in 1913, was large enough for the family's home, his studio, and additional studios that were rented to other artists. Through barter, Beach acquired land in Brewster, New York, and in 1917 hired Italian stonemasons to build a studio. Later, they erected a summer house for the family. Many old stone walls on the site provided material for both buildings and Beach named the property Oldwalls.

After a long illness, Chester Beach died at Oldwalls on August 6, 1956. The funeral service was held at his Brewster, New York, studio and he is buried in Cold Spring Cemetery, Cold Spring, New York.
Separated Materials:
Also in the Archives of American Art is microfilm of papers lent for microfilming (reels N727-N729 and N68-11) including passports, genealogical materials, photograph albums, travel sketches, travel diaries of Mrs. Beach, and business and family correspondence. While the obituary letters on reel N68-11 are referenced in a scrapbook in Series 8, all other loaned materials were returned to the lender and are not described in the collection container inventory.
Chester Beach's daughter, Eleanor Beach Fitchen, lent materials for microfilming in 1967 and 1967. Subsequent papers were donated in 2009 by the estate of Eleanor Beach Fitchen, through her grandson and executor, John Fitchen.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Glass plate negatives are housed separately and not served to researchers.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Sculptors, American -- New York (State) -- New York  Search this
Eclecticism in architecture  Search this
Sculpture -- Technique  Search this
Sculpture -- Equipment and supplies  Search this
Artists' studios  Search this
Sculpture -- Economic aspects  Search this
Christmas cards
Chester Beach papers, 1846-1999, bulk circa 1900-1999. Archives of American Art, Smithsonian Institution.
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Chester Beach papers
Archival Repository:
Archives of American Art
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Carl Hirschberg papers

Hirschberg, Carl, 1854-1923  Search this
Bonnat, Léon Joseph Florentin, 1833-1922  Search this
Harper, William St. John, 1851-1910  Search this
Hirschberg, Alice, b. 1856  Search this
Hoeber, Arthur, 1854-1915  Search this
Laurens, Jean-Paul, 1838-1921  Search this
Nelson, Laurence, 1887-1978  Search this
Turner, Charles Yardley, 1850-1918  Search this
5 Linear feet
Collection descriptions
Archival materials
Scope and Contents:
The bulk of collection consists of correspondence with his wife Alice Hirschberg and their son Laurence Nelson, but also included are letters to Hirschberg from Charles Yardley Turner and William St. John Harper, who write from abroad while studying art with Jean Paul Laurens and Leon Bonnat. Other correspondents include Walter Shirlaw, John Lavery, Edwin Austin Abbey, Arthur Hoeber and art patron J. Sanford Saltus. Nelson's correspondence relates to his experiences while studying abroad and with Birge Harrison at the Art Students League Woodstock Summer School. Also included are photographs, mainly of the family and a written work by Alice Hirschberg.
Biographical / Historical:
Painter, illustrator; New York, N.Y. Born in Germany. Married to Alice Hirschberg (Alice Kerr-Nelson). Their son, painter and teacher Laurence Nelson, took his mother's name.
Donated by William Dolan Fletcher in 1985.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Painters  Search this
Art, Modern -- 19th century  Search this
Art -- Study and teaching -- France -- Paris  Search this
Archival Repository:
Archives of American Art

William G. Bowdoin letters

New York evening world
Bowdoin, William G. (William Goodrich), 1861-1947  Search this
Gorham Company (New York, N.Y.)  Search this
William Knable & Co.  Search this
Aikman, Walter Monteith, 1857-1939  Search this
Althouse, C. E.  Search this
Andreini, J. M.  Search this
Appel, Joseph H.  Search this
Archibald, A.  Search this
Bach, Richard, 1887-1968  Search this
Barney, J. Stewart (John Stewart), d. 1925  Search this
Beauley, William Jean, b. 1874  Search this
Birnbaum, Martin, 1878-1970  Search this
Brock, Gustav Frederick, 1881-1945  Search this
Browne, Margaret Fitzhugh, 1884-1972  Search this
Caro-Delvaille, Aline  Search this
Chapin, J. H. (Joseph Hawley), 1869-1939  Search this
Chapman, S. Jay  Search this
Clark, William A. (William Andrews), 1839-1925  Search this
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Clifford, William Hugh, Baron, 1858-1943  Search this
Coe, Henry Eugene, Mrs  Search this
Cooke, Robert Grier  Search this
Coster, Esther A.  Search this
Cox, Bertram  Search this
Craine, E. J.  Search this
Crawford, Winifred Marie  Search this
Davis, Charles H. (Charles Harold), 1856-1933  Search this
Denslow, H. C. (Henry Carey), 1867-1944  Search this
Detwiller, Joel Rhys  Search this
Earle, Olive Lydia  Search this
Eddy, Henry S. (Henry Stephens), 1878-1944  Search this
Ehrich, Harold Louis, 1880-1932  Search this
Fleischman, Leon  Search this
Fowler, Carlton C., 1877-1930  Search this
Fox, William Henry, 1858-1952  Search this
Greene, Beryl Morse, b. 1895  Search this
Hall, Frances Cushing  Search this
Harrington, John W.  Search this
Harte, Richard Bret  Search this
Hartley, Rachel, b. 1884  Search this
Hatfield, T. F. (Thomas F), d. 1925  Search this
Heine, Edward  Search this
Hirst, Claude Raguet, 1855-1942  Search this
Hoffman, Harry L., 1874-1966  Search this
Hopkins, A. A.  Search this
Hudnut, Alexander M. (Alexander Malew)  Search this
Hutchinson, Susan A.  Search this
Inness, Katherine  Search this
Jevons, T. Seton  Search this
Kent, Henry Watson, 1866-1948  Search this
Lafferty, Bob  Search this
Lenique de Francheville, Andree, 1875-1944  Search this
Macbeth, Robert W. (Robert Walker), 1884-1940  Search this
Magonigle, Edith Marion, b. 1877  Search this
Marbury, Elisabeth, 1856-1933  Search this
Maunsbach, Eric C.  Search this
Meyer, Herbert W. (Herbert William), 1882-1960  Search this
Miller, D. Roy, b. 1891  Search this
Montgomery, Percy F.  Search this
Nelson, Laurence, 1887-1978  Search this
Noe, Sydney P. (Sydney Philip), 1885-1969  Search this
Owens, David  Search this
Pearson, Ralph M., 1883-1958  Search this
Perry, Walter Scott  Search this
Plimpton, George  Search this
Rabinovitch, Mr  Search this
Robinson, Edward G., 1893-1973  Search this
Rosenbach, A. S. W. (Abraham Simon Wolf), 1876-1952  Search this
Scott, James, 1889-1967  Search this
Shepherd, James G.  Search this
Siddall, John M.  Search this
Spencer, Robert, 1879-1931  Search this
Stevens, Edward F., 1860-1946  Search this
Swinton, Marion, d. 1938  Search this
Vail, Floyd  Search this
Voorhees, Willis A.  Search this
Wanamaker, John, 1838-1922  Search this
Wentworth, Bertrand H.  Search this
White, Clarence H., 1871-1925  Search this
Wiggins, Guy C. (Guy Carleton), 1883-1962  Search this
Williams, Max, 1874-1927  Search this
Zabriskie, E. C.  Search this
80 Items ((on partial microfilm reel))
Collection descriptions
Archival materials
Scope and Contents:
Letters to Bowdoin while he was art critic of the New York Evening World, most of which are brief expressions of appreciation for reviews which Bowdoin has written.
Correspondents include: Walter M. Aikman, C. E. Althouse, J. M.Andreini, Joseph H. Appel, A. Archibald, Richard F. Bach, J. Stewart Barney, William J. Beauley, Martin Birnbaum, Gustav Brock, Margaret F. Browne, Aline Caro-Delvaille, J. H. Chapin, S. Jay Chapman, W. A. Clark, Thomas B. Clarke,William Clifford, Robert G. Cooke, Mrs. Henry E. Coe, Esther A. Coster, Bertram Cox, E. J. Craine, Winifred M. Crawford, Charles H. Davis, H. C. Denslow, Joel R. Detwiller, Olive Earle, Henry S. Eddy, Harold L. Ehrich, Leon Fleischman, Carlton C. Fowler, William H. Fox, the Gorham Co., Beryl M. Greene.
Also, Frances Hall, John W. Harrington, Richard B. Harte, Rachel I. Hartley, T. F. Hatfield, Edward Heine, Claude R. Hirst, Harry L. Hoffman, A. A. Hopkins, Alex Hudnut, Susan A. Hutchinson, Katherine Inness, T. Seton Jevons, Henry W. Kent, William Knable & Co., Robert C.Lafferty, Mme. Andree Lenigue De Franceville, Robert W. Macbeth, Edith Magonigle, Elizabeth Marbury, Eric C. Maunsbach, Herbert Meyer, D. Roy Miller, Percy F. Montgomery, G. Laurence Nelson, Sydney P. Noe, David Owens, Ralph M. Pearson, Walter S. Perry, George A. Plimpton, Rabinovitch, Edward Robinson, A. S. W. Rosenbach, James Scott, James G. Shepherd, John M. Siddall, Robert Spencer, Edward F. Stevens, Marion Swinton, Floyd Vail, Willis A. Voorhees, John Wanamaker, Bertrand H. Wentworth, Clarence H. White, Guy Wiggins, Max Williams, and E. C. Zabriskie.
Biographical / Historical:
Art critic; New York City.
Microfilmed 1956 by the Archives of American Art with other art-related papers in the Manuscript Division of the New York Public Library. Included in the microfilming project were selected papers of the Art Division and the Prints Division.
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Art critics -- New York (State) -- New York  Search this
Archival Repository:
Archives of American Art

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