Galapagos Islands, Indefatigable Island. "Tortoise Country," near hill calles "Table Mountain" or "Los Negritos", Colón, Ecuador, South America - Neotropics
Solomon Islands (Fataleka music, divinity songs): Uuni ; Solo on the susuku bundle panpipe --Australia: Women's Wu-ungka songs (extract) --Java: Tarawangsa (extract) -- Cambodia: Phlerng khlom (extract) --Laos: Pheng phi fa (extract) --Tibetan ritual: Invocation to the goddess Yeshiki Mamo : tantric puja (extract) --Japan: O-fune-matsuri nerikomi bayashi --Mexico: Son de la Media Bamba (Dance of the Negritos) --Brazil: Marido paru (extract) --Co.te d'Ivoire: Dance of the elephant mask --Central African Republic: Ze ze ze kuluse (Song for ancestors' souls) --Yemen: Zar -- Syria: Akh tagorye h'achirye (Takhshefto, extract) -- Afghanistan (Herat): Na't --Ukraine: Why do you weep, why do you lament? = Pourquoi pleurer, pourquoi te lamenter? -- Armenia: Ourah ler sourp yeghehetzi --Turkey: Pesrev in makam bayati (extract) --Sicily: Gloria ; Invocations of the nudi and of the faithful.
120 Sicily: Invocations of the nudi and of the faithful.
Local Numbers:
UNESCO.8103
Publication, Distribution, Etc. (Imprint):
Paris, France Audivis
Date/Time and Place of an Event Note:
Recorded in: Italy, Sicily (Italy), Turkey, Armenia, Ukraine, Herat (Afghanistan), Afghanistan, Syria, Yemen, Central African Republic, Côte d'Ivoire, Brazil, Mexico, Japan, Tibet (China), Cambodia, Indonesia, Java (Indonesia), Australia, Queensland, Solomon Islands.
General:
Commercial
Traditional vocal and instrumental music. Published by UNESCO and Auvidis in collaboration with the International Music Council and the International Council for Traditional Music. Previously released material. Compact disc. Program notes and selected vocal texts in English and French (15 p. : ill.) inserted in container.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (digital audio file)
Type:
Archival materials
Sound recordings
Date:
2015 June 25
Scope and Contents:
Felix Roberto Arguedas Caycho; Jose Antonio Ballumbrosio Guadalupe; Nadia Ysabel Calmet Calmet; Miguel Angel Ballumbrosio Guadalupe; Wladimir Felix Coronado Enriquez; Romald Augusto Yllesca Chavez; Maria Catalina Robles Izquierdo; Rosario Sonia Goyoneche Narciso
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2015 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (digital audio file)
Type:
Archival materials
Sound recordings
Date:
2015 July 01
Scope and Contents:
Pedro Tolomeo Rojas Meza; Elliot Urcuhuaranga Cardenas
General:
This audio recording has been transcribed. View transcription and play recording here. Download a PDF of the transcription here.
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2015 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (digital audio file)
Type:
Archival materials
Sound recordings
Date:
2015 July 02
Scope and Contents:
Felix Roberto Arguedas Caycho; Jose Antonio Ballumbrosio Guadalupe; Nadia Ysabel Calmet Calmet; Miguel Angel Ballumbrosio Guadalupe; Wladimir Felix Coronado Enriquez; Romald Augusto Yllesca Chavez; Maria Catalina Robles Izquierdo; Rosario Sonia Goyoneche Narciso
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2015 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
101. Dale tu Mano al Indio. Give Your Hand to the Indian / Spanish. Uruguay. Daniel Viglietti. 00:01:55
102. A Desalambar. Tear Down the Fences! / Spanish. Uruguay. Daniel Viglietti. 00:02:20
103. Duerme, Negrito. Sleep, Little One / Ramiro Hernandez, Tumbadora (drums). Humberto Vasquez, Marimbula. Daniel Garcia, Claves y quijada. Spanish. Uruguay. Atahualpa Yupanqui. 00:02:15
104. Yo Naci en Jacinto Vera. I Was Born in Jacinto / Federico Britos, Violin. Spanish. Uruguay. Liber Falco, poem; Daniel Viglietti, music. 00:01:53
105. Cruz de Luz. Cross of Light / Spanish. Uruguay. Daniel Viglietti. 00:02:15
106. Milonga de Andar Lejos. Song of Going Far Away / Spanish. Uruguay. Daniel Viglietti. 00:01:35
107. Cancion del Hombre Nuevo. Song of the New Man / Spanish. Uruguay. Rafael Alberti and Daniel Viglietti. 00:01:35
108. Remontando los Rios. Going Upstream / Spanish. Uruguay. 00:01:20
109. Mi Pueblo. My People / Spanish. Uruguay. Rafael Alberti and Daniel Viglietti. 00:01:52
201. Me Matan Si No Trabajo. If I Don't Work They'll Kill Me / Spanish. Uruguay. Nicolas Guillen, words and Daniel Viglietti, music. 00:02:22
202. Soldado Aprende a Tirar. Soldier, Learn to Shoot / Spanish. Uruguay. Nicolas Guillen, words and Daniel Viglietti, music. 00:01:48
203. Ronda. Round / Spanish. Uruguay. Nicolas Guillen, words and Daniel Viglietti, music. 00:01:23
204. Remansos. Stagnant Pools / Spanish. Uruguay. Federico Garcia Lorca, words and Daniel Viglietti, music. 00:01:30
205. Remansillos. Little Stagnant Pools / Spanish. Uruguay. Federico Garcia Lorca, words and Daniel Viglietti, music. 00:01:00
206. Variacion. Variation / Spanish. Uruguay. Federico Garcia Lorca, words and Daniel Viglietti, music. 00:01:00
207. Cortaron Tres Arboles. They Cut Three Trees / Spanish. Uruguay. Federico Garcia Lorca, words and Daniel Viglietti, music. 00:01:00
208. Dos Baladas Amarillas. Two Yellow Ballads I / Spanish. Uruguay. Federico Garcia Lorca, words and Daniel Viglietti, music. 00:01:25
209. Dos Baladas Amarillas. Two Yellow Ballads II / Daniel Viglietti, Garcia Lorca. Spanish. Uruguay. Federico Garcia Lorca, words and Daniel Viglietti, music. 00:01:00
210. Masa. The Masses / Spanish. Uruguay. César Vallejo, words and Daniel Viglietti, music. 00:02:25
211. Pedro Rojas (part 1) / Spanish. Uruguay. César Vallejo, words and Daniel Viglietti, music. 00:02:15
212. Pedro Rojas (part 2) / Spanish. Uruguay. César Vallejo, words and Daniel Viglietti, music. 00:02:10
Local Numbers:
Paredon.1011
Publication, Distribution, Etc. (Imprint):
Brooklyn, N.Y. : Paredon Records, 1973
Participant or Performer Note:
Daniel Viglietti, voice and guitar, with additional musicians as noted.
General:
Recorded in Havana, Cuba, 1967.
Program notes by Barbara Dane, with Spanish texts of the songs and English translations (16 p.) inserted in container.
Album cover design by Collective Graphics Workshop. Cover art from 1972 Alamanaque, a Desalambrar.
Restrictions:
Access by appointment.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Political ballads and songs -- Uruguay Search this
106. Mi Canto Trabajador / Flora Santiago, Grupo Taone Tipico.
201. Siempre Con Puerto Rico / Amuary Perez Vidal.
202. Cuando Digo Ho Chi Minh / Andres Jiminez, Grupo Taone Tipico.
202. Glorioso Vietnam / Andres Jiminez, Grupo Taone Tipico.
203. Ochenta Mil / Estrella Artau.
204. De Un Pajaro Las Dos Alas / Pablo Milanes.
205. Despierta Boricua / Andres Jiminez, Grupo Taone Tipico.
206. Speech Fragment / Carlos Gallisa.
206. Slogans at U.N. Demonstration.
206. La Borinque.
Local Numbers:
Paredon.1035
Publication, Distribution, Etc. (Imprint):
New York, Paredon 1978
General:
Performed in Spanish.
Restrictions:
Restrictions on access.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Political ballads and songs -- Puerto Rico Search this
Cantón de Bagaces. P.N. Palo Verde. Valle del Tempisque. Cerro Guayacán. Sitio Los Negritos y Agua Fría. Creciendo en los cerros calizos en la Fila Guayacán., Guanacaste, Costa Rica, Central America - Neotropics
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Bogert, Charles M. (Charles Mitchill), 1908-1992 Search this
Extent:
1 Sound tape reel (7 inch reel)
Container:
Box 4
Type:
Archival materials
Audio [CFCH03501]
Sound tape reels
Date:
1955 October 28
Scope and Contents:
Recorded at Pátzcuaro, Michoacán
10 parts, as follows:
1. Cruzúcua (La Cruz)
2. Matondocua (Manilla or hobble)
3. Tres Campanitas (Three little bells)
4. Son de Rosita
5. Juanzucuarécua (Voltearse)
6. Tzutzucurápic (Flor Blanca)
7. Cosondurán Tulípiti (Tapito negrito)
8. Serúpacua (Resbaladera)
9. Checánonscua (Tamale de Trigo)
10. Canácua (Corona)
Played and danced or feet put through movements, by Juan Hernandez, a native of Santa Fe de la Laguna, at north end of Lake Pátzcuaro.
Recorded by C.M. Bogert
Explanation followed by Baile de una Sona Cárdenista Michoacana
General:
Played and danced (or feet put through movements, by Juan Hernández, a native of Santa Fe de la Laguna, at nort end of Lake Pátzcuaro. Recorded by C. M. Bogert. "Explanation followed by Baile de Una Sona, Cardenista Michoacána,"
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Charles M. Bogert audio recordings, Ralph Rinzler Folklife Archive and Collections, Smithsonian Institution.
Cantón de BAGACES. P.N. Palo Verde. Valle del Tempisque. Cerro Guayacán. Sitio Los Negritos y Agua Fría., Guanacaste, Costa Rica, Central America - Neotropics
Photographs made by Isabel T. Kelly in Tajin, Papantla, and elsewhere in Mexico. There are images of dances and dancers (including Volador "Flying" dance, Guagua, and Negrito dances), Totonac people, a Totonac wedding, and pyramids and relief sculpture at El Tajin Site. The photographs are enlarged prints, mounted and signed, that were made for an exhibit. In part, the images relate to work of the Institute of Social Anthropology and include photographs made by Isabel T. Kelly, George T. Smisor, Done Otto, Elena Guzman, Bertha B. Harris, and John McDonald; in some cases, multiple photographers documented the same event. Also included is a watercolor drawing "Palo de Voladores" and a school workbook "Silabario Metódico de San Miguel."
Biographical Note:
Isabel Truesdell Kelly (1906-1983) was an archeologist and social anthropologist who specialized in Mexican cultures and prehistory. Born in Santa Cruz, California, she developed a long-standing scholarly interest in anthropology while an undergraduate student at the University of California at Berkeley (UCB). She earned her BA (1926), MA (1927), and PhD (1932) in anthropology at UCB. From 1932-1934, Kelly conducted fieldwork with the Southern Paiute as a National Research Fellow in the Biological Sciences. She then went to Mexico as a research associate under the direction of Carl Sauer and Alfred Kroeber; while there, she directed archeological investigations in Culiacan, Sinaloa. In 1936, she returned to UCB as Carl Sauer's teaching assistant and then conducted research with the Gila Pueblo Archeological Foundation in 1937. With minimal funding from UCB's Anthropology Department, Kelly returned to Mexico for archeological reconnaisance in 1939. She gained Mexican residency in 1940, finally settling in Tepepan. In 1946, Kelly became Ethnologist-in-Charge of the Smithsonian's Institute of Social Anthropology (ISA) Mexico City office; she taught and conducted research among the Totonac Indians in Veracruz and conducted health care research in El Salvador and Mexico. From 1952-1960, Kelly worked with the Institute of Inter-American Affairs (forerunner to the Agency for International Development), studying in Mexico, Bolivia, and Pakistan. In 1960, she returned to research in Mexico with the sponsorship of the Rockefeller Foundation, Wenner-Gren Foundation, and National Geographic Society.
Local Call Number(s):
NAA Photo Lot 80-32
Location of Other Archival Materials:
Totonac artifacts collected by Kelly held in the Department of Anthropology collections in accession 365366.
The National Anthropological Archives holds Institute of Social Anthropology photographs (Photo Lot 4623) and the ISA records.
Photo lot 80-32, Isabel T. Kelly collection of photographs of Totonac people and archeological sites in Mexico, National Anthropological Archives, Smithsonian Institution
