Original caption reads, "South Africa. Members of the Ndebele tribe in their colorful blankets and beadwork in front of gaily decorated walls."
General:
Title source: Postcard caption.
Image indexed by negative number.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"The shortage of urban housing and the accelerated migration to the towns has led to the invasion of large tracts of vacant urban land by squatters who erects shacks (umjondolo). These rectangular makeshift huts are built of wattle stakes and laths and filled with mud, cartons or other discarded materials, and the roofs are of corrugated iron or plastic sheeting. In their layouts the settlements intuitively observe contours and provide for foothpaths of communication." [Oliver P., 1998: Encyclopedia of Vernacular Architecture of the World. The Sub-Saharan Africa. Cambridge University Press]. The photograph depicts shacks with abstract paintings on walls. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from January 8, 1947 to end of June 1947.
Local Numbers:
Negative number 24658, C-3A, 34.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "T 5 Ndb. Ndebele. Rhodesia, near the Bembesi River. Houses. 3/1947. EE. neg.no. 24658, C-3A, 34." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"The shortage of urban housing and the accelerated migration to the towns has led to the invasion of large tracts of vacant urban land by squatters who erects shacks (umjondolo). These rectangular makeshift huts are built of wattle stakes and laths and filled with mud, cartons or other discarded materials, and the roofs are of corrugated iron or plastic sheeting." [Oliver P., 1998: Encyclopedia of Vernacular Architecture of the World. The Sub-Saharan Africa. Cambridge University Press]. The photograph depicts mural paintings on shacks' wall, illustrating how the inhabitants of the settlement have reinterpreted their exposure to two different cultures, one traditional and the other western, and have invested them with their own symbolic meaning. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from January 8, 1947 to end of June 1947.
Local Numbers:
Negative number 24658, C-4A, 2.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "T 5 Ndb. Ndebele. Rhodesia, near the Bembesi River. Detail of painting, house exterior. 3/1947. EE. neg.no. 24658, C-4A, 2." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"The shortage of urban housing and the accelerated migration to the towns has led to the invasion of large tracts of vacant urban land by squatters who erects shacks (umjondolo). These rectangular makeshift huts are built of wattle stakes and laths and filled with mud, cartons or other discarded materials, and the roofs are of corrugated iron or plastic sheeting." [Oliver P., 1998: Encyclopedia of Vernacular Architecture of the World. The Sub-Saharan Africa. Cambridge University Press]. The photograph depicts mural paintings on shacks' wall, illustrating how the inhabitants of the settlement have reinterpreted their exposure to two different cultures, one traditional and the other western, and have invested them with their own symbolic meaning. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from January 8, 1947 to end of June 1947.
Local Numbers:
Negative number 24658, C-3A, 36.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "T 5 Ndb. Ndebele. Rhodesia, near the Bembesi River. House. 3/1947. EE. neg.no. 24658, C-3A, 36." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"The shortage of urban housing and the accelerated migration to the towns has led to the invasion of large tracts of vacant urban land by squatters who erects shacks (umjondolo). These rectangular makeshift huts are built of wattle stakes and laths and filled with mud, cartons or other discarded materials, and the roofs are of corrugated iron or plastic sheeting." [Oliver P., 1998: Encyclopedia of Vernacular Architecture of the World. The Sub-Saharan Africa. Cambridge University Press]. The photograph depicts mural paintings on shacks' wall, illustrating how the inhabitants of the settlement have reinterpreted their exposure to two different cultures, one traditional and the other western, and have invested them with their own symbolic meaning. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from January 8, 1947 to end of June 1947.
Local Numbers:
Negative number 24658, C-3A, 35.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "T 5 Ndb. Ndebele. Rhodesia, near the Bembesi River. House. 3/1947. EE. neg.no. 24658, C-3A, 35." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"The shortage of urban housing and the accelerated migration to the towns has led to the invasion of large tracts of vacant urban land by squatters who erects shacks (umjondolo). These rectangular makeshift huts are built of wattle stakes and laths and filled with mud, cartons or other discarded materials, and the roofs are of corrugated iron or plastic sheeting." [Oliver P., 1998: Encyclopedia of Vernacular Architecture of the World. The Sub-Saharan Africa. Cambridge University Press]. The photograph depicts mural paintings on shacks' wall, illustrating how the inhabitants of the settlement have reinterpreted their exposure to two different cultures, one traditional and the other western, and have invested them with their own symbolic meaning. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from January 8, 1947 to end of June 1947.
Local Numbers:
Negative number 24658, C-3A, 37.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "T 5 Ndb. Ndebele. Rhodesia, near the Bembesi River. House. 3/1947. EE. neg.no. 24658, C-3A, 37." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"The shortage of urban housing and the accelerated migration to the towns has led to the invasion of large tracts of vacant urban land by squatters who erects shacks (umjondolo). These rectangular makeshift huts are built of wattle stakes and laths and filled with mud, cartons or other discarded materials, and the roofs are of corrugated iron or plastic sheeting." [Oliver P., 1998: Encyclopedia of Vernacular Architecture of the World. The Sub-Saharan Africa. Cambridge University Press]. The photograph depicts mural paintings on shacks' wall, illustrating how the inhabitants of the settlement have reinterpreted their exposure to two different cultures, one traditional and the other western, and have invested them with their own symbolic meaning. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from January 8, 1947 to end of June 1947.
Local Numbers:
Negative number 24658, C-4A, 1.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "T 5 Ndb. Ndebele. Rhodesia, near the Bembesi River. House. 3/1947. EE. neg.no. 24658, C-4A, 1." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"The shortage of urban housing and the accelerated migration to the towns has led to the invasion of large tracts of vacant urban land by squatters who erects shacks (umjondolo). These rectangular makeshift huts are built of wattle stakes and laths and filled with mud, cartons or other discarded materials, and the roofs are of corrugated iron or plastic sheeting." [Oliver P., 1998: Encyclopedia of Vernacular Architecture of the World. The Sub-Saharan Africa. Cambridge University Press]. The photograph depicts mural paintings on shacks' wall, illustrating how the inhabitants of the settlement have reinterpreted their exposure to two different cultures, one traditional and the other western, and have invested them with their own symbolic meaning. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from January 8, 1947 to end of June 1947.
Local Numbers:
Negative number 24658, C-4A, 6.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "T 5 Ndb. Ndebele. Rhodesia, near the Bembesi River. House. 3/1947. EE. neg.no. 24658, C-4A, 6." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"The shortage of urban housing and the accelerated migration to the towns has led to the invasion of large tracts of vacant urban land by squatters who erects shacks (umjondolo). These rectangular makeshift huts are built of wattle stakes and laths and filled with mud, cartons or other discarded materials, and the roofs are of corrugated iron or plastic sheeting." [Oliver P., 1998: Encyclopedia of Vernacular Architecture of the World. The Sub-Saharan Africa. Cambridge University Press]. The photograph depicts mural paintings on shacks' wall, illustrating how the inhabitants of the settlement have reinterpreted their exposure to two different cultures, one traditional and the other western, and have invested them with their own symbolic meaning. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from January 8, 1947 to end of June 1947.
Local Numbers:
Negative number 24658, C-4A, 5.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "T 5 Ndb. Ndebele. Rhodesia, near the Bembesi River. House. 3/1947. EE. neg.no. 24658, C-4A, 5." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"The shortage of urban housing and the accelerated migration to the towns has led to the invasion of large tracts of vacant urban land by squatters who erects shacks (umjondolo). These rectangular makeshift huts are built of wattle stakes and laths and filled with mud, cartons or other discarded materials, and the roofs are of corrugated iron or plastic sheeting. In their layouts the settlements intuitively observe contours and provide for foothpaths of communication." [Oliver P., 1998: Encyclopedia of Vernacular Architecture of the World. The Sub-Saharan Africa. Cambridge University Press]. The photograph depicts shacks with abstract paintings on walls. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from January 8, 1947 to end of June 1947.
Local Numbers:
Negative number 24658, C-4A, 4.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "T 5 Ndb. Ndebele. Rhodesia, near the Bembesi River. Houses. 3/1947. EE. neg.no. 24658, C-4A, 4." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"The shortage of urban housing and the accelerated migration to the towns has led to the invasion of large tracts of vacant urban land by squatters who erects shacks (umjondolo). These rectangular makeshift huts are built of wattle stakes and laths and filled with mud, cartons or other discarded materials, and the roofs are of corrugated iron or plastic sheeting." [Oliver P., 1998: Encyclopedia of Vernacular Architecture of the World. The Sub-Saharan Africa. Cambridge University Press]. The photograph depicts mural paintings on shacks' wall, illustrating how the inhabitants of the settlement have reinterpreted their exposure to two different cultures, one traditional and the other western, and have invested them with their own symbolic meaning. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from January 8, 1947 to end of June 1947.
Local Numbers:
Negative number 24658, C-4A, 3.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "T 5 Ndb. Ndebele. Rhodesia, near the Bembesi River. House. 3/1947. EE. neg.no. 24658, C-4A, 3." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Loved, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Manuscript and office files include clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other materials that document Larrabee's career, family history, and personal life.
Scope and Contents:
The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Lovedu, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand.
Notable people photographed include Noel Coward, Gwen Ffangcon Davies, Athol Fugard, Nadine Gordimer, Norman Hackforth, Freida Lock, Ivor Novello, Alan Paton, Alexis Preller, Gerard Sekoto, and Marda Vanne.
The manuscript materials and office files are comprised of clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other manuscript materials that document Larrabee's career, family history, and personal life.
Arrangement:
Arranged by format into 3 series:
Series 1: Photographs, circa 1936-circa 1988
Series 2: Manuscript Materials, circa 1936-circa 1996
Series 3: Office Files, 1900-1997
Biographical/Historical note:
Photographer Constance Stuart Larrabee (1914-2000) was best known for her images taken in South Africa. Born in Cornwall, England, she was raised in Pretoria. She studied photography in London (1933-1935) and at the Bavarian State Institute for Photography in Munich (1935-1936), where she was influenced by the avant-garde work of artists at the Bauhaus. Returning to South Africa, Larrabee set up a studio and photographed many leading cultural and political figures of the period. During World War II she served as South Africa's first woman war correspondent, and in 1950 she married American Sterling Larrabee and moved to the United States.
Larrabee began photographing the peoples of South Africa in the late 1930s. She published extensively, including a portfolio produced for the book Cry, the Beloved Country, by Alan Paton (New York: C. Scribner's Sons, 1948). Her work has appeared in exhibits throughout the world, including the following: The Lovedu in Pretoria, 1947; The Family of Man (Museum of Modern Art, 1955); Tribal Photographs (Corcoran Art Gallery, 1984; and Go Well, My Child (National Museum of African Art, Smithsonian Institution, 1986).
Constance Stuart Larrabee collection (COR0011-MS):
Collection held at the George Washington University Archives and Special Collections. Includes artifacts, correspondence, exhibition files, photographs, negatives, and publication files of Constance Stuart Larrabee, photographer and South Africa's first woman war correspondent. A bulk of the materials document Larrabee's time in Europe as a correspondent and photographer during World War II.
Provenance:
Donated by Constance Stuart Larabee in 1986 and 1998.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The collection includes (1,305) 35mm color slides, (325) 35mm color negatives, (331) photographic prints, (3) DVDs and manuscript materials. The images were produced between circa 1970s and 1999 and most depict the Ndebele peoples of South Africa in their kraals (homesteads) making bricks, thatching roofs, and performing other daily activities; architecture, especially homes with painted murals, churches, and schools; and ornamental objects, including leg rings, neck rings, maces, Nyoga (Snake), Pepetu, Jocolo, Linaga, Nguba, Ghabi, Breast Plates, and Scotch. While the majority of the photos document the Ndebele, there are also images of Venda, Zulu, Xhosa, Swazi, Sotho, Tsonga/Shangaan and Tswana peoples. Ceremonies including the Domba Initiation Dance, a Zulu wedding, and a Swazi Reed Dance are also represented. The photos were primarily taken in South Africa, including in Mpumalanga, Limpopo Province, Delmas, Loskop, and Nebo. Some of the photographs were taken by Zamie Liknaitzky and Norman Priebatsch.
The collection's manuscript materials date from 1977 to 2011 and include exhibition announcements and catalogs, publications, including articles and clippings, correspondence, and research notes. Many of the photos in catalogues were taken by Berna Jersich. The collection also contains three DVDs, Dungamanzi: Stirring Waters, Tsonga and Shangaan Art from Southern Africa, and two that document the exhibition l'Afrique: A Tribute to Maria-Stein-Lessing and Leopold Spiegel (Museum Africa, 2009), which was curated by Knight.
Arrangement:
This collection is arranged according to format and is comprised of 5 series:
Series 1: Slides, circa 1977-circa 1983 (1305 items)
Series 2: Negatives, 1970-1999 (325 items)
Series 3: Photographic Prints, circa 1970s-circa 2000s (331 items, Boxes 1-2)
Series 4: DVDs, circa 2007-2009 (3 items, Box 2)
Series 5: Manuscript Materials, 1974-2011 (19 folders, Box 2)
Biographical / Historical:
Natalie Knight:
Art gallery owner, collector, curator, researcher, writer and art critic Natalie Knight was born in Johannesburg, South Africa and earned a Diploma of Law (1957) and Bachelor of Arts (1974) from the University of Witwatersrand, Johannesburg (Wits). After practicing as a lawyer for a short time, she moved her professional focus to art. She founded the Natalie Knight Gallery in Hyde Park (1981-1995), with the opening show Whatever Happened to Pop Art? which featured works by Warhol, Dine, Hamilton and Hockney. In 2007, along with Nessa Leibhammer, Knight curated Dungamanzi/Stirring Waters (Tsonga and Shangaan Art from Southern Africa) at JAG 2007 and l'Afrique: A Tribute to Maria-Stein-Lessing and Leopold Spiegel at Museum Africa in 2009. From December 2008 through 2012, Knight served as Art Curator for the West Campus at Wits University. In 2013 Knight curated the exhibition We Love Mandela: Art Inspired by Madiba, which previewed at the Peacemaker's Museum in Sandton to celebrate Mandela's 95th birthday (July 18, 2013), and (in October 2013) at the South African Embassy in Trafalgar Square, London. In 2014, she received the Lifetime Achievement Award in the Arts and Culture section from CEO Magazines "Most Influential Women in Business and Government". In 2017 Knight published her Art-O-Biography, The Big Picture, which documents the major events of her professional career.
Suzanne Priebatsch:
A graduate of Smith College (B.A., 1971) and Harvard University (Masters in Theological Studies, 1974), Priebatsch has held such varying positions as volunteer teacher at Clarke School for the Deaf (1967-1971), Assistant Art Librarian at Yale University (Summer 1969), Director of the Hillel Program at Simmons College and Wheelock College (1972-1974), Education Programming and Public Relations Assistant at Johannesburg Art Gallery (1974-1975), Projects Officer at the Art Institute, South Africa (1975-1976), freelance writer, lecturer at University of Witwatersrand, Johannesburg, and Partner of the Economic Planning Group, Boston. She began an investment management career in 1986 and has worked at Smith Barney, now Morgan Stanley, for three decades. She is currently a Senior Vice President, with the title of Senior Investment Management Consultant, at Morgan Stanley.
Natalie Knight and Suzanne Priebatsch earned funding to research Ndebele art in South Africa from the Smithsonian Institution in 1976. Their collaboration produced an exhibition and audiovisual program, Designs of the Ndebele, for the Smithsonian Institution Traveling Exhibition Service (SITES), which toured the United States from 1979 to 1981. Additionally, Knight and Priebatsch have published numerous books and articles, including Ndebele Images (1983), which accompanied the exhibition at the Natalie Knight Gallery, Johannesburg, 1983, Art of the Ndebele: Evolution of a Cultural Identity (Atlanta International Museum, 1998), which was produced for the exhibition at Atlanta International Museum, 1998, and two articles in African Arts: "Traditional Ndebele Beadwork" (1978) and "Ndebele Figurative Art" (1979). Knight and Priebatsch have placed examples of Ndebele and Tsonga/Shangaan art and artifacts in major museums around the world.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Natalie Knight and Suzanne Priebatsch Collection, EEPA 2012-010, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Strip number: 6703 - 6706; Larrabee's description on negative sleeve: Folder: S. Africa 1960 Feb - April Ndebele
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
Strip number: 6703 - 6706; Larrabee's description on negative sleeve: Folder: S. Africa 1960 Feb - April Ndebele
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
Strip number: 6703 - 6706; Larrabee's description on negative sleeve: Folder: S. Africa 1960 Feb - April Ndebele
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
Strip number: 6703 - 6706; Larrabee's description on negative sleeve: Folder: S. Africa 1960 Feb - April Ndebele
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
Strip number: 6707 - 6710; Larrabee's description on negative sleeve: Folder: S. Africa 1960 Feb - April Ndebele
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
Strip number: 6707 - 6710; Larrabee's description on negative sleeve: Folder: S. Africa 1960 Feb - April Ndebele
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
Strip number: 6707 - 6710; Larrabee's description on negative sleeve: Folder: S. Africa 1960 Feb - April Ndebele
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
