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Miklos Suba papers, 1908-2001

Creator:
Suba, Miklos, 1880-1944  Search this
Topic:
Painters  Search this
Architecture  Search this
Painting  Search this
Record number:
(DSI-AAA_CollID)7206
(DSI-AAA_SIRISBib)209343
AAA_collcode_subamikl
Theme:
Lives of American Artists
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209343

José de Creeft papers, 1871-2004, bulk 1910s-1980s

Creator:
De Creeft, José, 1884-1982  Search this
Subject:
De Diego, Julio  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Escuder, Joseph  Search this
Gropius, Walter  Search this
Albers, Josef  Search this
Gross, Chaim  Search this
Calder, Alexander  Search this
Lipchitz, Jacques  Search this
Gómez Gil, Alfredo  Search this
Campos, Jules  Search this
Diederich, William Hunt  Search this
Lipschitz, Jacques  Search this
Lawrence, Gertrude  Search this
Dickinson, Edwin Walter  Search this
Roszak, Theodore  Search this
Rattner, Abraham  Search this
Dodd, Lamar  Search this
De Creeft, William  Search this
Nivola, Costantino  Search this
Soyer, Raphael  Search this
Zorach, William  Search this
Sweeney, James Johnson  Search this
Art Students League (New York, N.Y.)  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
New School for Social Research (New York, N.Y.)  Search this
Norton Gallery and School of Art  Search this
Skowhegan School of Painting and Sculpture.School  Search this
Stone Mountain Memorial (Ga.)  Search this
Type:
Sound recordings
Scrapbooks
Interviews
Video recordings
Topic:
Sculpture, Modern  Search this
Sculptors  Search this
Record number:
(DSI-AAA_CollID)7406
(DSI-AAA_SIRISBib)209563
AAA_collcode_decrjose
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209563
Online Media:

Emil J. Bisttram papers, 1902-1982

Creator:
Bisttram, Emil, 1895-1976  Search this
Subject:
Jonson, Raymond  Search this
Berninghaus, Oscar E. (Oscar Edmund)  Search this
Phillips, Bert Geer  Search this
Saarinen, Eero  Search this
Higgins, Victor  Search this
Macdonald-Wright, Stanton  Search this
Ufer, Walter  Search this
Dows, Olin  Search this
Public Works of Art Project  Search this
Treasury Relief Art Project  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Topic:
Federal aid to the arts  Search this
Symmetry  Search this
New Deal, 1933-1939  Search this
Design  Search this
Proportion (Art)  Search this
Taos school of art  Search this
Painting, Abstract  Search this
Art and state  Search this
Record number:
(DSI-AAA_CollID)9018
(DSI-AAA_SIRISBib)211207
AAA_collcode_bistemil
Theme:
Art Movements and Schools
Lives of American Artists
Government Sponsorship of the Arts
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211207

Meet Smithsonian Ornithologist Sahas Barve

Creator:
National Museum of Natural History  Search this
Type:
Youtube videos
Uploaded:
2020-01-29T18:40:13Z
Topic:
Natural History  Search this
Youtube Category:
Education  Search this
See more by:
smithsonianNMNH
YouTube Channel:
smithsonianNMNH
Data Source:
National Museum of Natural History
EDAN-URL:
edanmdm:yt_TSuKYvzmwPo

Clotilde Arias Papers

Topic:
Star-spangled banner (Song)
Donor:
Arias, Roger  Search this
Creator:
United States. Dept. of State  Search this
Arias, Clotilde, 1901-1959  Search this
Thompson, J. Walter (advertising agency).  Search this
Extent:
3 Cubic feet (8 boxes)
Type:
Collection descriptions
Archival materials
Immigration records
Music
Contracts
Correspondence
Compact discs
Scrapbooks
Sheet music
Parts (musical)
Songbooks
Photographs
Commercial art
Date:
1919-1957
2009
Summary:
This collection documents the life and career of Peruvian musician, composer, and translator Clotilde Arias. Her work includes a Department of State-commissioned translation of "The Star-Spangled Banner" titled "El Pendón Estrellado", advertising jingles, original compositions, and translations of music originally written in English. She also was heavily involved in numerous Pan-American organizations including La Unión de Mujeres Americanas/United American Women.This collection contains correspondence, music manuscripts, photographs,newspaper clippings and printed materials, and four compact discs.
Scope and Contents:
The collection documents the life and career of Clotilde Arias, who was chosen by the U.S. State Department to write a Spanish translation to "The Star Spangled Banner," during the years of the Good Neighbor Policy. In addition to materials related to her translation of the National Anthem, entitled "El Pendón Estrellado," the collection includes music manuscripts, lyrics, composition notebooks, parts for instruments, and correspondence with the State Department. This collection also contains papers related to Arias's work in advertising, her work as a translator, and her own business records. Personal papers include correspondence, immigration and naturalization documents, printed material, and photographs as well as items from a scrapbook. Also included are compact discs containing images from items in the collection.
Arrangement:
This collection is composed of six series.

Series 1: Personal Papers, 1923-1956

Series 2. Music Materials, 1921-1953

Series 3. "El Pendón Estrellado"/"The Star Spangled Banner," 1919-1954, 2009

Series 4. "Himno de las Américas"/"Hymn of the Americas," 1939-1945

Series 5. Miscellaneous Printed Materials, 1942-1956

Series 6. Photographs and Scrapbook, 1939-1957
Biographical / Historical:
Clotilde Arias was a Peruvian-born musician, composer, and translator who lived in New York City following her migration from Iquitos, Peru, to the United States in the 1920s. Her full name was Maria Clotilde Arias and she briefly took her husband Jose Anduaga's last name during their marriage from 1929 to 1942 but was known most often as Clotilde Arias. With Jose Anduaga, Arias had one son, Roger Arias. While she is known for her Department of State-commissioned translation of "The Star-Spangled Banner" titled "El Pendón Estrellado," Arias worked diligently as a translator and musician in a variety of contexts as well as working with a variety of organizations that promoted Pan-Americanism. Prior to her life in the United States, Arias worked for the Iquitos newspaper El Oriente writing satirical pieces related to local issues. Arias died in 1959 in New York City.
Provenance:
Donated to the Archives Center, National Museum of American History, by Clotilde Arias's son, Roger Arias in 2010.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Translations  Search this
Translators  Search this
Good neighbor policy  Search this
National songs  Search this
advertising  Search this
Composers  Search this
Women musicians -- 1930-1950  Search this
Women musicians  Search this
Advertising agencies  Search this
Women in the advertising industry  Search this
Women -- Peru  Search this
Women composers  Search this
Music by women composers  Search this
Women composers -- United States  Search this
Pan-Americanism  Search this
Commercial art  Search this
Jingles (Advertising songs)  Search this
Jingles (Advertising songs) -- Writing and publishing  Search this
Minorities in advertising  Search this
Music in advertising  Search this
Women translators  Search this
Naturalization records  Search this
Genre/Form:
Immigration records
Music -- Manuscripts
Contracts
Correspondence -- 20th century
Compact discs
Scrapbooks -- 20th century
Sheet music -- 1920-1960
Parts (musical)
Songbooks
Photographs -- 20th century
Commercial art
Citation:
Clotilde Arias Papers, 1919-1957, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1164
See more items in:
Clotilde Arias Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1164
Online Media:

William Hunt Diederich papers, 1900-1976

Creator:
Diederich, William Hunt, 1884-1953  Search this
Subject:
Diederich, William Hunt  Search this
Grand Central Art Galleries  Search this
Milch Gallery  Search this
Ferargil Galleries  Search this
Topic:
Iron sculpture  Search this
Decorative arts  Search this
Record number:
(DSI-AAA_CollID)8876
(DSI-AAA_SIRISBib)211061
AAA_collcode_diedwill
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211061

José de Creeft papers

Creator:
De Creeft, José, 1884-1982  Search this
Names:
Art Students League (New York, N.Y.) -- Faculty  Search this
Black Mountain College (Black Mountain, N.C.) -- Faculty  Search this
New School for Social Research (New York, N.Y.) -- Faculty  Search this
Norton Gallery and School of Art  Search this
Skowhegan School of Painting and Sculpture -- Faculty  Search this
Stone Mountain Memorial (Ga.)  Search this
Albers, Josef -- Photographs  Search this
Calder, Alexander, 1898-1976  Search this
Calder, Alexander, 1898-1976 -- Photographs  Search this
Campos, Jules  Search this
De Creeft, William  Search this
De Diego, Julio, 1900- -- Photographs  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Diederich, William Hunt, 1884-1953  Search this
Dodd, Lamar  Search this
Escuder, Joseph  Search this
Gropius, Walter, 1883-1969 -- Photographs  Search this
Gross, Chaim, 1904-1991 -- Photographs  Search this
Gómez Gil, Alfredo, 1936-  Search this
Lawrence, Gertrude -- Photographs  Search this
Lipchitz, Jacques, 1891-1973  Search this
Lipchitz, Jacques, 1891-1973 -- Photographs  Search this
Neumann, J. B. (Jsrael Ber) -- Photographs  Search this
Nivola, Costantino, 1911-1988  Search this
Rattner, Abraham -- Photographs  Search this
Roszak, Theodore, 1907-1981 -- Photographs  Search this
Soyer, Raphael, 1899-1987 -- Photographs  Search this
Sweeney, James Johnson, 1900-  Search this
Zorach, William, 1887-1966 -- Photographs  Search this
Extent:
28.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Video recordings
Diaries
Interviews
Scrapbooks
Sketches
Date:
1871-2004, bulk 1910s-1980s
bulk 1910-1990
Summary:
The papers of Spanish-born sculptor and educator José de Creeft measure 28.1 linear feet and date from 1871 to 2004 with the bulk of the material dating from the 1910s to the 1980s. Found are biographical materials, correspondence, fifty diaries, writings, subject files, personal business records, printed materials, twenty-seven photo albums and other photographs, scrapbooks, and scattered sketches.
Scope and Contents:
The papers of Spanish-born sculptor and educator José de Creeft measure 28.1 linear feet and date from 1871 to 2004 with the bulk of the material dating from the 1910s to the 1980s. Found are biographical materials, correspondence, fifty diaries, writings, subject files, personal business records, printed materials, twenty-seven photo albums and other photographs, scrapbooks, and scattered sketches.

Biographical materials include address books, awards, recorded interviews with and about de Creeft, membership materials, naturalization records, resumes, and travel documents.

Correspondence is primarily professional in nature and concerns exhibitions, de Creeft's involvement in arts organizations, and awards. There are also scattered personal letters from family and friends. Correspondents include Alexander Calder, Nina, Alice, Barbara and William de Creeft, Hunt Diederich, Joseph Escudar, and Gil Gomez, Jacques Lipchitz, Edwin Dickinson, James Johnson Sweeney, Costantino Nivola, Abraham Rattner, and Lamar Dodd, among others.

De Creeft's fifty diaries are nearly complete for the period dating from 1926 to 1981. Some are bound volumes and others are loose pages. The bulk of the diaries are in Spanish and many include sketches. Additional writings, called "escritos varios" by José de Creeft, are mostly in Spanish and consist of typed manuscripts and essays, including "Roosty Was My Friend, 1957, notebooks, an artist's statement, and writings by others, including drafts for The Sculpture of de Creeft by Jules Campos, and a video recording entitled José de Creeft by Bob Hanson. There is one sound recording of Lorrie Goulet reading poetry.

Subject files are varied and include files on de Creeft's teaching positions at the New School for Social Research, Black Mountain College, Skowhegan School of Painting and Sculpture, and the Art Students League. There are files for some of his sculpture projects, inlcuding Alice in Wonderland, Poet, and a proposed model for the Stone Mountain Confederate Memorial in Georgia, as well as compiled information about various art related topics of interest.

De Creeft's business records include appraisals, contracts, leases, price lists, and scattered receipts. Also found are art inventories in the form of three sets of index cards, some of which include photographs.

Printed materials include books, clippings, exhibition announcements and catalogs, exhibition labels, postcards, and posters.

There are loose photographs and twenty-seven photograph albums depicting de Creeft, his family, friends, and works of art. There are photos of Alexander Calder; de Creeft and Goulet with Raphael Soyer, posing with Soyer's portrait of them; Gertrude Lawrence; art juries, which also include images of Chaim Gross, Jacques Lipchitz, Theodore Roszak, and William Zorach; students, friends, and faculties of Black Mountain College, the Art Students League, Skowhegan School of Painting and Sculpture, and the Norton School of Art, which also includes images of Joseph Albers, Alexander Calder, Julio De Diego, Walter Gropius, J. B. Neumann, and Abraham Rattner.

Seven mixed media scrapbooks document de Creeft's career from 1929 to 1982. Also found are scattered pen and pencil sketches and one sketchbook dating from the 1920s.
Arrangement:
The collection is arranged as 10 series:

Series 1: Biographical Material, 1914-1979 (Boxes 1, 27; 0.9 linear feet)

Series 2: Correspondence, 1910s-1980s (Boxes 1-6; 4.2 linear feet)

Series 3: Diaries, 1926-1981 (Boxes 6-11; 5.4 linear feet)

Series 4: Writings, 1871-1977 (Boxes 11-13, 28; 2.5 linear feet)

Series 5: Subject Files, 1924-1980 (Boxes 13-16, 27; 2.4 linear feet)

Series 6: Personal Business Records, 1909-1980s (Boxes 16-17, 27; 1.0 linear feet)

Series 7: Printed Material, 1921-1980s (Boxes 17-21, 27, 33; 4.7 linear feet)

Series 8: Photographs, 1900-2004 (Boxes 21-25, 29, 31; 5.1 linear feet)

Series 9: Scrapbooks, 1929-1982 (Box 26, 30, 32; 1.8 linear feet)

Series 10: Artwork, 1920s-1930s (Box 26; 2 folders)
Biographical / Historical:
José de Creeft (1908-1982) was a Spanish-born sculptor active in New York City, New York.

José de Creeft was born in Guadalajara, Spain and raised in Barcelona. In 1900, he apprenticed to sculptor Don Augustine Querol and studied drawing with Idalgo de Caviedas. De Creeft moved to Paris in 1905 and began formal art training at the Académie Julianand. He also took a studio in the Batteau Lavoir in Montmartre, where he interacted with Pablo Picasso, Juan Gris, Manolo, and Pablo Gargallo, all of whom also had studios there. During this period, de Creeft became friends with the artist Mateo Hernandez.

In 1915, de Creeft rejected the traditional technique of reproducing sculpture in stone from clay and plaster models and turned to direct carving in wood and stone. He was also one of the first sculptors who practiced assemblage and incorporated found objects into his work. His notable assemblage sculpture El Picador, a large figure on horseback, received worldwide press coverage and was exhibited at the Salon des Artistes Independents in 1926. Between 1919 and 1928, his work was exhibited in various Paris salons. In the late 1920s, he created 200 stone carvings for Roberto Ramonje's Forteleza (fortress) in Mallorca. It was around this time frame when de Creeft met Alexander Calder, who became his student in direct carving. De Creeft encouraged Calder to display his mechanical toys and Calder put his Circus together for the first time in de Creeft's studio.

De Creeft emigrated to the United States in 1929, right after marrying fellow sculptor Alice Robertson Carr. They divorced nine years later.

While in New York, de Creeft began sculpting with lead sheets beaten into three-dimensional forms and established a studio at 1 Washington Square. His first solo exhibition was at the Ferargil Galleries in New York City and included The Portrait of Cesar Vallejo in chased lead and The Silver Fox of found materials.

In 1932, de Creeft accepted a teaching position in sculpture at the New School for Social Research. He also taught courses at Black Mountain College, where he met his second wife, sculptor Lorrie Goulet, the Art Students League, Skowhegan School of Painting and Sculpture, and the Norton Gallery and School of Art. In 1946, de Creeft and Goulet purchased a hundred-acre farm in Hoosick Falls, NY where they established a studio and part-time residence.

Perhaps De Creeft's most well-known monumental scuplture is Alice in Wonderland in Central Park, New York City. The 12' x 16' bronze was dedicated during a public event in 1959 and gave de Creeft worldwide recognition. In 1995 a short film about the making of the sculpture was produced by J. D'Alba and narrated by Lorrie Goulet.

De Creeft was as founding member of the American Artist's Congress, the Sculptors Guild, and the Artist's Equity Association. De Creeft was represented by the Georgette Passedoit Gallery from 1936 to 1949. Later, he joined The Contemporaries (gallery) and exhibited there until 1966. Kennedy Galleries represented de Creeft from 1970 until his death in 1982.
Related Materials:
The Archives of American Art also holds an interview of José De Creeft conducted October 1-8, 1968 by Forrest Selvig and the papers of de Creeft's wife Lorrie Goulet.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels D150 and 375-378). While most of the items were included in subsequent gifts, material not donated to the Archives remain with the lender and are not described in the collection container inventory.
Provenance:
The José de Creeft papers were first lent for microfilming by the artist in 1963 and 1972. Lorrie Goulet, José de Creeft's widow, donated most of this material along with additional items in 1985 and 2009.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The José de Creeft papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Study and teaching  Search this
Educators -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Sculpture, Modern -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Sound recordings
Video recordings
Diaries
Interviews
Scrapbooks
Sketches
Citation:
José de Creeft papers, 1871-2004, bulk 1910s-1980s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.decrjose
See more items in:
José de Creeft papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-decrjose

The World's Best Natural Defense Against Climate Change May Soon Make Things Worse

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Thu, 27 Feb 2020 14:00:00 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_2ef9fff9a4fa391ec6f0767881ad3592

Identification and Naturalization Records, Frans and Marjorie Wildenhain

Collection Creator:
Wildenhain, Frans, 1905-1980  Search this
Container:
Box 1, Folder 17
Type:
Archival materials
Date:
1957
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Frans Wildenhain papers, circa 1890-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Frans Wildenhain papers
Frans Wildenhain papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-wildfran-ref10

Climate Change Committees /Speeches [including a few by RIde]

Collection Creator:
Ride, Sally, 1951-2012  Search this
Container:
Box 39, Folder 1
Type:
Archival materials
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Sally K. Ride Papers, Acc. 2014-0025, National Air and Space Museum, Smithsonian Institution.
See more items in:
Sally K. Ride Papers
Sally K. Ride Papers / Series 6: Space and Stem Education Advocacy / 6.2: STEM Advocacy, Committees and Conferences
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-2014-0025-ref536
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Climate Change Committees /Speeches [including a few by RIde] digital asset number 1
  • View Climate Change Committees /Speeches [including a few by RIde] digital asset number 2

Immigration and Naturalization Records

Collection Creator:
Presser, Josef, 1906-1967  Search this
Container:
Box 1, Folder 7
Type:
Archival materials
Date:
1926
1935
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Josef Presser and Agnes Hart papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Josef Presser and Agnes Hart papers, 1913-1980, bulk 1940-1980. Archives of American Art, Smithsonian Institution.
See more items in:
Josef Presser and Agnes Hart papers
Josef Presser and Agnes Hart papers / Series 1: Josef Presser / 1.1:: Biographical Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-presjose-ref22

Last Month Was the Hottest July in Recorded History

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Tue, 06 Aug 2019 20:04:04 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_770c17c89df95c1d3542a74c7d1b5649

The World's Northernmost Permanent Settlement Set a Record High Temperature

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Mon, 22 Jul 2019 16:35:51 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_4994194263e1c44c820393313908dbd3

The family tree toolkit : a comprehensive guide to uncovering your ancestry and researching genealogy / Kenyatta D. Berry

Author:
Berry, Kenyatta D.  Search this
Physical description:
xviii, 267 pages : illustrations ; 28 cm
Type:
Handbooks, manuals, etc
Handbooks and manuals
Date:
2018
Topic:
Genealogy  Search this
Family records  Search this
Genetic genealogy  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1101637

Biographical Material

Collection Creator:
De Creeft, José, 1884-1982  Search this
Extent:
0.9 Linear feet (Box 1, 27)
Type:
Archival materials
Date:
1914-1979
Scope and Contents:
Biographical materials include an address books and calling cards, awards, and resumes. Membership materials include scattered minutes and identification cards reflecting good-standing in an organization, many of which are art related. De Creeft's naturalization records and travel documents are also found, some of which are in Spanish. An interview from 1972 on a sound tape reel is with de Creeft by Karl Fortness and interviews with Lorrie Goulet by Jules Campos are on two cassette tapes.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The José de Creeft papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
José de Creeft papers, 1871-2004, bulk 1910s-1980s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.decrjose, Series 1
See more items in:
José de Creeft papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-decrjose-ref5

Biographical Material

Collection Creator:
Soyer, Moses, 1899-1974  Search this
Extent:
(Box 1, 5, OV 6; 12 folders)
Type:
Archival materials
Date:
1925-1974
Scope and Contents note:
Biographical materials include three address books, award and membership certificates, including Soyer's 1966 membership to the National Institute of Arts and Letters and several awards from the National Academy of Design, and a few exhibition labels for his artwork. Also found are scattered documents regarding his professional career including publishing contracts and royalty statements for books he wrote or illustrated and records of the sale or loan of his artwork to various galleries, museums, and individuals. Official documents found here include his marriage certificate, passports, naturalization record, and membership cards.
Arrangement note:
Items are arranged chronologically within each folder. This series has been scanned in its entirety.
Collection Restrictions:
Use of the original papers requires an appointment.
Collection Rights:
The Moses Soyer papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Moses Soyer papers, circa 1905-1974. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.soyemose, Series 1
See more items in:
Moses Soyer papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-soyemose-ref15

Romp in the Swamp [sound recording]

Artist:
Brennan, Billy  Search this
Physical description:
1 phonograph record : analog, 33 1/3 rpm ; 12 in
Type:
Musical sound recordings
Date:
1983
Local number:
Do Dreams 309055
Restrictions & Rights:
Restrictions on access. rr
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_359832

Let Wildlife Recordings From the 1930s Take You Back to Nature

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Thu, 04 Dec 2014 17:38:18 +0000
Topic:
Search this
See more post:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_103220cb3222af92cd6d505ac8049d97

Americans Are Using Less Water Than We Did in 1970

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Fri, 21 Nov 2014 20:00:23 +0000
Topic:
Search this
See more post:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_419b154f08a9ccde01334081b4d341bc

Minnesota - History and Heritage

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Tue, 06 Nov 2007 05:00:00 +0000
Topic:
Search this
See more post:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_5d10b264521baf681dcf15ad5229739a

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