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March of Dimes Spot

Collection Creator:: Archives Center, National Museum of American History Search this

Extent:: 1 Motion picture film

Container:: Reel AC0358-OF0001

Type:: Archival materials; Moving Images; Motion picture films

Date:: 1955

Scope and Contents:: With Sammy Davis, Jr.

Provenance:: Transferred from Human Studies Film Archives, National Museum of Natural History; found in a collection received from another National Museum of Natural History unit, but not appropriate to Human Studies Film Archives collections; original source unknown.

Collection Restrictions:: Collection is open for research. Only reference copies may be used.

Collection Rights:: Reproduction may be restricted due to copyright or trademark. Contact Archives Center staff for more information.

Collection Citation:: Archives Center Miscellaneous Film and Videotape Collection, 1930-1978, Archives Center, National Museum of American History.

See more items in:: Archives Center Miscellaneous Film and Videotape Collection

Archival Repository:: Archives Center, National Museum of American History

GUID:: https://n2t.net/ark:/65665/ep8ead62a48-4f4e-4842-87b7-978e54a9f0dd

EDAN-URL:: ead_component:sova-nmah-ac-0358-ref14

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[March of Dimes advertising "spot"]

Collector:: Human Studies Film Archives Search this

Names:: March of Dimes Search this

Collection Creator:: Archives Center, National Museum of American History Search this

Extent:: 1 Item (film)

Type:: Archival materials; Commercials; Motion pictures (visual works)

Date:: 1955

Scope and Contents:: A 16mm film spot (commercial) about the March of Dimes.

Local Numbers:: 2002.3081 (NMAH Acc.)

Restrictions:: Unrestricted research access to videotape copy only, on site by appointment.

Collection Rights:: Reproduction may be restricted due to copyright or trademark. Contact Archives Center staff for more information.

Topic:: Television advertising Search this; Charities Search this; Poliomyelitis Search this

Genre/Form:: Commercials; Motion pictures (visual works)

Collection Citation:: Archives Center Miscellaneous Film and Videotape Collection, 1930-1978, Archives Center, National Museum of American History.

See more items in:: Archives Center Miscellaneous Film and Videotape Collection; Archives Center Miscellaneous Film and Videotape Collection / March of Dimes Spot

Archival Repository:: Archives Center, National Museum of American History

GUID:: https://n2t.net/ark:/65665/ep8091b6652-c637-4474-b149-d34a5cfea1da

EDAN-URL:: ead_component:sova-nmah-ac-0358-ref547

MS 1998-54 Exercise book containing drawings by an anonymous Kiowa artist

Extent:: 16 Drawings (graphite and colored pencil, 6.5 x 8 inches)

Container:: Box 98-54

Culture:: Kiowa Search this

Type:: Collection descriptions; Archival materials; Graphic Materials; Drawings; Works of art; Ledger drawings

Place:: Florida -- Fort Marion; North America

Date:: 1875-1878

Scope and Contents:: The collection consists of sixteen (16) drawings in a commercial exercise book. The book had been sewn into a second cover prior to its acquisition by the Smithsonian. This second cover was removed and the book was rebound. The second cover has been retained.

The drawings depict hunting, courtship, dance, social gatherings, Indian scouts, mounted and dismounted warriors, and part of the Kiowa Sun Dance. The inside of the front cover is inscribed:

"Capt Pratt U.S.A." "Work by Indians" "By the Indians incarcerated in Fort Marion St. Augustine Florida in 1876" "Engaged in the Custer Massacre" "Care of Capt Pratt in charge assisted by the following ladies-- Mrs Linethurst, Mrs Gibbs - Mrs S'- Mother St Augustine, Mrs Kingsly Gibbs - aunt, Mrs Valentine - Phila, Miss Reed" "Carlisle was the outcome of Capt Pratt's efforts assisted by Mrs Kingsly Gibbs of St Augustine"

The back cover is inscribed:

"Works of the Indians while in prison in Fort Marion St Augustine Florida-- After the Custer Massacre in care of Capt Pratt-- The founder of Carlisle-- These Indians finally taken there for housing and taming--by the Government-- under the care of Capt Pratt USA"

In addition to the inscription, the back cover bears the image of a man wearing a breechcloth, which was scratched into its surface. The name "ZOTOM" appears in stencil block letters on the back cover and the inside of the front cover. Although Zotom was a noted Kiowa artist, it is not clear that he is responsible for the drawings. Candace Greene notes that they are unlike his later work and early documented examples of his drawing style have not been identified.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.

Historical Note:: Fort Marion, also known as Castillo de San Marco, is a stone fortress in St. Augustine, Florida. Between 1875 and 1878, seventy-two prisoners from the southern plains were incarcerated in the fort. Captain Richard Pratt supervised the prisoners during their incarceration at Fort Marion. The prisoners consisted of 27 Kiowas, 33 Cheyennes, 9 Comanches, 2 Arapahos, and a single Caddo. With the exception of one Cheyenne woman, all the prisoners were men. They had been accused of participating in the recent Red River War, earlier hostilities, or both. With the exception of the wife and daughter of one of the Comanche men, the prisoners families were not allowed to accompany them to Fort Marion.

Local Numbers:: MS 98-54 000

Restrictions:: The collection is open for research.

Access to the collection requires an appointment.

Rights:: Contact the repository for terms of use.

Genre/Form:: Works of art; Ledger drawings

Citation:: MS 1998-54 Exercise book containing drawings by an anonymous Kiowa artist, National Anthropological Archives, Smithsonian Institution

Identifier:: NAA.MS1998-54

See more items in:: MS 1998-54 Exercise book containing drawings by an anonymous Kiowa artist

Archival Repository:: National Anthropological Archives

GUID:: https://n2t.net/ark:/65665/nw39b1ada3f-864a-426e-9cd8-1bb560f310e0

EDAN-URL:: ead_collection:sova-naa-ms1998-54

Online Media:

Francis B. Wilson papers

Creator:: Wilson, Francis B., 1914-2004 Search this

Extent:: 2.25 Linear feet

Type:: Collection descriptions; Archival materials

Place:: Oceania; Ulithi (Micronesia)

Date:: 1945-1950

Scope and Contents:: The Francis B. Wilson papers comprise material documenting Wilson's time in Ulithi and include correspondence, a diary, photographs, Ulithi language documentation, a copy of Life magazine featuring the Ulithi community in which Wees and Wilson lived, and compiled transcripts of a radio show distributed as "Ulithi Encyclopedia," with information about the islands and their inhabitants. Also included is Wees' autobiographical publication King Doctor of Ulithi. Photographs include an annotated photo album plus additional photographic prints and negatives.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.

Historical Note:: In 1945 Dr. Marshall Paul Wees received orders to travel to Ulithi Atoll (Yap, Federated States of Micronesia) and treat an outbreak of yaws. He selected Francis B. "Willie" Wilson (1914-2004), a Chief Pharmacist's Mate, to accompany him as assistant.

Separated Materials:: The Francis B. Wilson papers came to the Smithsonian as part of a larger collection which contain objects from Ulithi collected by Wilson. These materials, which include basketry, carved wooden figures and other items comprise Accession No. 2059602 in the collections of the Department of Anthropology, National Museum of Natural History.

Provenance:: The papers were part of a donation of Ulithi materials to the collections of the Department of Anthropology, National Museum of Natural History (Accession No. 2059602) , from Luke E. Wilson, son of Francis Wilson, in 2015. The papers were separated from the objects and transferred to the National Anthropological Archives.

Restrictions:: The collection is open for research.

Access to the Francis B. Wilson papers requires an appointment.

Rights:: Contact the repository for terms of use.

Identifier:: NAA.2015-08

See more items in:: Francis B. Wilson papers

Archival Repository:: National Anthropological Archives

GUID:: https://n2t.net/ark:/65665/nw3419c8382-d69a-4e7c-babd-21de6d59362f

EDAN-URL:: ead_collection:sova-naa-2015-08

Smithsonian Folklife Festival records: 1995 Festival of American Folklife

Creator:: Smithsonian Institution. Center for Folklife and Cultural Heritage Search this

Names:: Smithsonian Folklife Festival Search this

Extent:: 1 Cubic foot (approximate)

Type:: Collection descriptions; Archival materials; Business records; Sound recordings; Negatives; Video recordings; Correspondence; Plans (drawings); Memorandums; Photographic prints; Videotapes; Notes; Audiocassettes; Contracts; Slides (photographs); Audiotapes; Digital images

Date:: June 23-July 4, 1995

Summary:: The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:: This collection documents the planning, production, and execution of the 1995 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:: Arranged in 6 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: The Cape Verdean Connection

Series 3: The Czech Republic: Tradition and Transformation

Series 4: Heartbeat: The Voices of First Nations Women

Series 5: Russian Roots, American Branches: Music in Two Worlds

Series 6: Special Events

Historical note:: The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1995 Festival of American Folklife was produced by the Smithsonian Center for Folklife Programs and Cultural Studies and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:: The 1995 Festival featured American Indian women's musical traditions, the heritage of the Czech Republic and Czech Americans, music of Russian and Russian American groups, and the cultural life of the Cape Verdean community. These programs testified to the vitality of the human spirit, and to how people, ideas, and forms of cultural expression increasingly cross boundaries of geography, politics, language, race, and gender. Special events included evening concerts devoted to African immigrant communities in the Washington, D.C. area and a memorial concert for Festival founding director, Ralph Rinzler.

Heartbeat: The Voices of First Nations Women presented the musical culture of American Indian women. The program examined how these women express their identity through the use of a variety of musical forms - from traditional songs of home to contemporary songs of Indian life, from the appropriation of men's music to the fusion of root music with country, folk, blues, and gospel.

The Czech Republic: Tradition and Transformation provided a broad survey of the ways national, regional, ethnic, and local traditions have been defined in a complex state located at the crossroads of Central Europe. The "Velvet Revolution" of 1989 and the separation of the Czech and Slovak Republics in 1993 have prompted further examinations of cultural identity, the relationship between the state and popular expression, creativity and tradition. Czech Americans, too, have looked at these changes and the reestablishment of relationships to their ancestral homeland.

A third program, Russian Roots, American Branches: Music in Two Worlds, explored the musical culture of Old Believers and Molokans, Russian religious communities created in the 17th and 18th centuries. The program united immigrant communities long established in the United States with those from Russia, and brought together people who, although separated by generations and different social environments, have nonetheless faced parallel issues with regard to cultural persistence and adaptation.

All these programs involved complex institutional arrangements, local-level research and documentation, and strong commitment to and pride in Festival representation. The Cape Verdean Connection program well demonstrated these processes. Cape Verde is an independent island nation and former Portuguese colony located off the west coast of Africa. Cape Verdean Americans, now numbering about 400,000, most born and raised here, historically settled in New England during the 18th century, playing instrumental roles in the whaling and cranberry industries. Cape Verdeans had an important story to tell about their role in American life, their immigrant and continuing transnational cultural experience, their multiracial heritage, and their enduring sense of community - a story with much to tell others as well. Cape Verdeans provided the impetus for the Festival program, carried out most of the research in concert with Smithsonian scholars, led the effort to raise funds from governments, foundations, corporations, and individuals through benefit dances, auctions, and other community events, and, as is fitting, joined with the Smithsonian to share their experiences with the American public.

The 1995 Festival took place during two five-day weeks (June 23-27 and June 30-July 4) between Madison Drive and Jefferson Drive and between 10th Street and 13th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan). It featured four programs and several special events.

The 1995 Program Book included schedules and participant lists for each program; essays provided background on the Festival and each of the four programs.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife Programs & Cultural Studies.

Center for Folklife Programs & Cultural Studies

Richard Kurin, Director; Richard Kennedy, Deputy Director; Diana Parker, Festival Director; Anthony Seeger, Director, Smithsonian/Folkways Recordngs; Peter Seitel, Senior Folklorist; Thomas Vennum, Jr., Senior Ethnomusicologist; Betty Belanus, Olivia Cadaval, Amy Horowitz, Marjorie Hunt, Diana Baird N'Diaye, Curators, Folklorists, Educational and Cultural Specialists; Carla M. Borden, John W. Franklin, Charlene James-Duguid, Program Managers; Felicia Erickson, Arlene L. Reiniger, Mary Van Meter, Program Specialists; Jeffrey Place, Archivist; Kenneth M. Bilby, Roland Freeman, Ivan Karp, Corrine Kratz, Alan Lomax, Worth Long, Yook Jung Park, Kate Rinzler, Research Associates & Collaborators

Folklife Advisory Council and Folkways Advisory Council

Roger Abrahams, Jacinto Arias, Michael Asch, Jane Beck, Don DeVito, Pat Jasper, Ella Jenkins, Jon Kertzer, Barbara Kirshenblatt-Gimblett, John Nixdorf, Bernice Reagon, John Roberts, Carol Robertson, Gilbert Sprauve, Jack Tchen, Ricardo Trimillos, Carlos Vélez-Ibáñez

National Park Service

Roger Kennedy, Director; Robert G. Stanton, Regional Director, National Capital Region

Shared Stewardship of Collections:: The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.

Forms Part Of:: Smithsonian Folklife Festival records: 1995 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:: Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:: Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:: Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:: Folk art Search this; arts and crafts Search this; Food habits Search this; Folk music Search this; Folklore Search this; World music Search this; Folk festivals Search this

Genre/Form:: Business records; Sound recordings; Negatives; Video recordings; Correspondence; Plans (drawings); Memorandums; Photographic prints; Videotapes; Notes; Audiocassettes; Contracts; Slides (photographs); Audiotapes; Digital images

Citation:: Smithsonian Folklife Festival records: 1995 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.