Sun dance (1:32) -- Love song (0:57) -- Crazy Dog song (1:41) -- Buffalo dance song (1:03) -- Man's love song (0:54) -- Hand game song (1:42) -- Prisoner's song (2:20) -- World War II song (1:36) -- Warrior death song for Sitting Bull (2:00) -- Canvas dance song (1:40) -- Funeral song (1:37) -- Suguaro song (1:58) -- Peyote song : first song cycle (1:26) -- Moonlight song (2:09) -- Eagle dance (2:59) -- Butterfly dance (1:41) -- Lullaby (0:58) -- Rain dance (1:47) -- Night chant (1:43) -- Song of happiness (1:09) -- Silversmith's song (1:09) -- Corn grinding song (0:59) -- Children's songs (1:47) -- Church song (1:03) -- Devil dance, crown dance (2:57). Wolf song (2:05) -- Potlatch song (1:38) -- Hamatsa song (1:12) -- War song for marriage (1:50) -- Rabbit dance song (2:03) -- Cree dance song (2:24) -- Fiddle dance song (1:00) -- Bear hunting song (1:44) -- Inviting-in dance song (0:47) -- His first hunt (2:06) -- Hunting for musk ox (3:33) -- Corn dance (2:08) -- Stomp dance (1:57) -- Song of welcome (1:19) -- Buffalo feast song (1:06) -- Morning song (1:12) -- Song of the unfaithful woman (0:59) -- Hoot owl song (1:09) -- Oh Mary (1:01) -- Catholic hymn (0:42) -- Calusa corn dance song (1:32) -- Song of removal (1:41) -- Fortynine dance (2:00) -- Unidentified track (1:03) -- As long as the grass shall grow (6:03).
Track Information:
101 Sun Dance / Drum,Whistle.
102 Love Song.
103 Crazy Dog Song / Jack Low Horn, Jim Low Horn, Emil, Mrs. Wings. Drum,Rattle (Musical instrument).
106 Hand Game Song / William Peaychew. Sticks (Musical instrument).
104 Buffalo Dance Song / Jack V. Anquoe, Kenneth Anquoe, Nick Webster. Drum.
105 Man's Love Song / Mark Evarts.
107 Prisoner's Song / William Burn Stick. Drum.
108 World War II Song / George Nicotine. Drum. English language.
109 Warrior Death Song for Sitting Bull / Bass drum,Bells.
207 Song of Happiness / Fort Wingate (N.M.) Indian School. Drum,Harmonica. Navajo language.
208 Silversmith's Song / Ambrose Roanhorse. Anvils. Navajo language.
209 Corn Grinding Song / Basket drum. Navajo language.
110 Canvas Dance Song / Baptiste Pichette, Eneas Conko. Drum.
111 Funeral Song.
112 Suguaro Song.
113 Peyote Song: First Song Cycle / Burton John, Roy James. Drum,Rattle (Musical instrument).
201 Moonlight Song.
202 Eagle Dance / Drum.
203 Butterfly Dance / Drum.
204 Lullaby.
205 Rain Dance.
206 Night Chant / Rattle (Musical instrument). Navajo language.
210 Children's Song: Wolf Song / Irene Chalepah Poolaw. Kiowa Apache.
303 Hamatsa Song, Cedar Bark Dance / Mungo Martin.
304 War Song for Marriage / Billy Assu.
305 Rabbit Dance Song.
306 Cree Dance Song.
307 Fiddle Dance Song / Fiddle.
308 Bear Hunting Song / Sebastian McKenzie.
309 Inviting in Dance Song / Otis Ahkivigak.
310 His First Hunt / Kemukserar, Pangatkar.
311 Hunting for Musk Ox / Kemukserar, Pangatkar. Drum.
401 Corn Dance / Thomas Lewis.
402 Stomp Dance / Huron Miller.
403 Song of Welcome / Albert Yellow Thunder, Blow Snake, Winslow White Eagle.
404 Buffalo Feast Song / Albert Yellow Thunder, Blow Snake, Winslow White Eagle.
405 Morning Song / Albert Yellow Thunder, Blow Snake, Winslow White Eagle. Rattle (Musical instrument).
406 Song of the Unfaithful Woman / Albert Yellow Thunder, Blow Snake, Winslow White Eagle. Flute.
407 Hoot Owl Song / David, Oshawenimiki Kenosha.
408 Oh Mary / Fred Lacasse.
409 Catholic Hymn / Thomas Shalifoe.
410 Calusa Corn Dance Song / Billy, Gatcayehola Stewart.
411 Song of Removal / Billie Stewart, Susie Tiger.
412 Fortynine Dance / Fred Lacasse. English language.
413 The Seneca: As Long As the Grass Shall Grow / Peter La Farge.
Local Numbers:
FW-COMM-LP-04541
Folkways.4541
Publication, Distribution, Etc. (Imprint):
New York Folkways 1973
Date/Time and Place of an Event Note:
Recorded in: Florida, Michigan, Wisconsin, Onondaga Indian Reservation (N.Y.), Chesterfield (Alaska), Barrow, Point (Alaska), Alaska, Schefferville (Québec), Québec (Province), Montana, Fort Wingate (N.M.), New Mexico, Fort Qu'appelle (Sask.), Canada, Saskatchewan, New York (N.Y.), United States, New York.
General:
Commercial
Songs and dance music from many tribes including Sioux, Cree, Hopi, Zuni, Navajo, Apache, Kwakiutl-Nootka, Slavey, Iroquoian, Winnebago, Ojibwa, Seminole, and others. Compiled and edited by Michael I. Asch. Originally compiled principally from material previously released on several Folkways and Asch recordings. Program notes in English by Michael I. Asch and others, and Native American vocal texts with English translations and English vocal texts (10 p.)
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Opening song of prayer--Midnight water sing--Morning water song--Quilting song--Origin of the Native American church--Runnning tht evening meeting--Prayer--Explanation on the meeting--Morning water song--Prayer and final stages of meeting
Local Numbers:
FW-ASCH-7RR-1809
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
unk--Kiowa hymn--Blossom praying--Talking/ lullaby--War dance--49 song--Rabbit dance--Model T song--49 song--Wherever I go--Peyote song--Daylight song--Unk Kiowa song--Preamble--unk
Local Numbers:
FW-ASCH-7RR-2148
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Opening song/ Midnight water song/ Morning water song/ Quitting song--Descriptions of peyote meeting
Local Numbers:
FW-ASCH-7RR-2158
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Peyote song--Talking/ 49 song--My grandfather's song--Description of ghost dance/ Dance song--Talking toad/ Dance song--Prairie dog lullaby
Local Numbers:
FW-ASCH-7RR-2159
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Origin of the flute--Origin of the flute--Peyote songs 1 and 2--49 song #1--49 Song #2 and #3
Local Numbers:
FW-ASCH-7RR-4236
General:
Folkways 4601
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Introduction--Introduction in English--Story 1--Story 1 in English
Local Numbers:
FW-ASCH-7RR-4237
General:
Folkways 4601
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Intro in English--Story 1--Story 2 in English--Story 2 in Kiowa--Commentary on Story 3--Story 3 in English
Local Numbers:
FW-ASCH-7RR-4238
General:
Folkways 4601
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Reuben Snake, your humble serpent : Indian visionary and activist / as told to Jay C. Fikes ; introduction by Jay C. Fikes ; foreword by James Botsford ; epilogue by Jay C. Fikes ; afterword by Walter Echo-Hawk
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
The Reuben A. Snake, Jr. Papers, located in the Cultural Resource Center of the National Museum of the American Indian, contain writings, correspondence, biographical materials, and written materials relating to the Native American Church which document the literary and political activities of this Winnebago tribal leader.
Scope and Contents:
The Reuben Snake Papers encompass original writings by Snake, correspondence, biographical materials, and written materials relating to Reuben's activism on behalf of the Native American Church.
Also included in this collection are video and audio tapes that contain interviews, talks, radio broadcasts, and other orally and visually transmitted items. These materials have been transferred to the NMAI Media Archives. All photographs have been transferred to the NMAI Photo Archives.
Arrangement:
The Reuben Snake papers are divided into four series:
Series 1, Writings, (undated, 1972-1993),
Series 2, Correspondence (undated, 1982-1996),
Series 3, Biographical (undated, 1985-1996),
Series 4, Native American Church (1971-1993)
Biographical / Historical:
Reuben A. Snake, Jr. was born January 12, 1937 at Winnebago, Nebraska, the youngest child of Reuben Harold and Virginia Greyhair Snake. Reuben's mother divorced her husband and later remarried, but Reuben's early life was fraught with hardships, including a period of separation from his parents and siblings. When the family's financial situation improved, parents and children were able to reunite and eventually settled in Hastings, Minnesota.
Reuben entered Haskell Institute in Lawrence, Kansas, in 1950 but later dropped out due to problems with alcohol. He joined the Army in 1956, from which he was honorably discharged, and two years later he married Kathy McKee, with whom he raised four daughters and two sons. In 1965 he quit drinking.
Reuben was active in the American Indian Movement (AIM) in the 1970s and organized many demonstrations during his tenure as national chairman of that organization. After being elected chairman of the Winnebago tribe, Reuben reorganized the tribe, centralizing its administration and improving funding and accountability. Reuben was involved with educational issues as well, serving on education committees for the National Congress of American Indians and the National Tribal Chairman's Association. He worked both nationally and internationally to help make more widely known issues of Indian health, education, and religious freedom.
Reuben began to renew his spiritual and cultural ties with the Native American Church in the 1970s and eventually became a Roadman for the church. With the help of Senator Daniel Inouye from Hawaii he fought judicial battles to legalize the importation of peyote from Mexico for use in sacramental ceremonies. In 1990, when the United States Supreme Court ruled that the sacred use of peyote was not protected by the Constitution, Reuben became the official spokesperson for the Native American Church to educate the public about church philosophy and history. He organized the Native American Religious Freedom Project to lobby for national legislation what would amend and strengthen the American Indian Religious Freedom Act.
Reuben had suffered a major heart attack in 1986, and by the early 1990s, his health was deteriorating. He died on June 28, 1993. Reuben did not live to see the results of his hard work on behalf of Native American religious freedom, Amendments to the American Indian Religious Freedom Act, which President Clinton signed into law in October, 1994. These amendments protected the religious use of peyote by Indians.
Provenance:
Collection donated by Kathy Snake in 2006.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the Archivist of the National Museum of the American Indian. Please submit a written request to NMAIArchives@si.edu. Copyright vested in Reuben A. Snake, Jr. has not passed to the National Museum of the American Indian; researchers are responsible for determining any other copyright questions.
Identification of specific item; Date (if known); Reuben A. Snake, Jr. Papers, Box and Folder Number; National Museum of the American Indian Archives, Smithsonian Institution.
