Search Results

Creator:

National Postal Museum  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2021-07-26T18:12:30.000Z

YouTube Category:

Education  Search this

Topic:

Postal service;Letter mail handling;Stamp collecting  Search this

See more by:

SmithsonianNPM

Data Source:

National Postal Museum

YouTube Channel:

SmithsonianNPM

EDAN-URL:

edanmdm:yt_8UAZq8kM_-0

Creator:

Hirshhorn Museum and Sculpture Garden  Search this

Type:

YouTube Videos

Uploaded:

2020-10-10T19:08:56.000Z

YouTube Category:

Education  Search this

Topic:

Art, modern  Search this

See more by:

hirshhornmuseum

Data Source:

Hirshhorn Museum and Sculpture Garden

YouTube Channel:

hirshhornmuseum

EDAN-URL:

edanmdm:yt_qnX4OSX5mqA

Container:

Box 2 of 3

Type:

Archival materials

Collection Citation:

Smithsonian Institution Archives, Accession 07-040, Ellis Leon Yochelson Papers

See more items in:

Ellis Leon Yochelson Papers

Ellis Leon Yochelson Papers / Box 2

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-fa07-040-refidd1e2939

Collection Collaborator:

McElwee, Ross  Search this

Blitz, Daniel  Search this

Bishop, John Melville  Search this

Baker, Peter  Search this

Ritchie, Claire  Search this

Young, Robert  Search this

Terry, John  Search this

Galvin, Frank  Search this

Bestall, Clifford  Search this

Gardner, Robert  Search this

Asch, Timothy, 1932-1994  Search this

Marshall, Lorna  Search this

Collection Creator:

Marshall, John, 1932-2005  Search this

Type:

Archival materials

Date:

1943

Collection Restrictions:

The John Marshall Ju/'hoan Bushman Film and Video Collection is open for research. Please contact the Archives for availabilty of access copies of audio visual recordings. Original audiovisual material in the Human Studies Film Archives may not be played. Materials relating to Series 6 Production Files are restricted and not available for research until 2048, 2063, 2072. Kinship diagrams in Series 13 are restricted due to privacy concerns. Various copyrights and restrictions on commercial use apply to the reproduction or publication of film, video, audio, photographs, and maps.

Collection Rights:

Contact the repository for terms of use. Information on reproduction and fees available from repository.

Collection Citation:

The John Marshall Ju/'hoan Bushman Film and Video Collection, 1950-2000, Human Studies Film Archives, Smithsonian Institution.

Sponsor:

Finding aid has been funded through generous support from the Arcadia Fund.

Identifier:

HSFA.1983.11, Item 2008.10.75

See more items in:

John Marshall Ju/'hoan Bushman film and video collection

John Marshall Ju/'hoan Bushman film and video collection / Series 13: Maps and Kinship diagrams

Archival Repository:

Human Studies Film Archives

GUID:

https://n2t.net/ark:/65665/pc924b4fb95-4633-4a47-b4c0-6d01e6c5acbf

EDAN-URL:

ead_component:sova-hsfa-1983-11-ref1061

Collection Creator:

Cornell, Joseph  Search this

Type:

Archival materials

Date:

1944-1982

Scope and Contents note:

Subseries is comprised of printed material, some of which was most likely collected by Cornell and either shared with his sister during his lifetime or bequeathed to her along with the rest of his papers, and some of which was created and/or accumulated by Benton during the time she was administering Cornell's residual estate.

Printed material collected by Cornell includes various clippings, a legal publication, issues of National Geographic magazine (with pages cut out), and stamps. It is possible that some of this printed material (particularly the magazines) constitutes part of Cornell's source material, which he may have used in his own box constructions and collages or shared with Benton for her to use in her collages.

Printed material collected by Benton includes announcements and catalogs for exhibitions of Cornell works; clippings on or related to Cornell; publications (such as Architectural Digest and Bulletin of the Art Institute of Chicago) with articles on or referencing Cornell or his art works; lists (created by Benton) of Cornell material given to the Anthology Film Archives and of Cornell's record collection (parts of which seem to have been given to different institutions, including the Lighthouse Music School, the New York Institute for the Education of the Blind, and Southampton College, among others); and a brief biography of Robert Cornell written by Lynda Roscoe Hartigan for the International Year of Disabled Persons at the Smithsonian Institution.

Arrangement note:

Files are arranged in chronological order.

Collection Restrictions:

Use of the original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Joseph Cornell papers, 1804-1986, bulk 1939-1972. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Getty Foundation and the Terra Foundation for American Art.

Identifier:

AAA.cornjose, Subseries 10.3

See more items in:

Joseph Cornell papers

Joseph Cornell papers / Series 10: Joseph Cornell Estate Papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw925885f9a-6e12-4aa4-be57-8c2194e13322

EDAN-URL:

ead_component:sova-aaa-cornjose-ref1182

Collection Creator:

Cornell, Joseph  Search this

Container:

Box 22, Folder 25

Type:

Archival materials

Date:

1956

Collection Restrictions:

Use of the original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Joseph Cornell papers, 1804-1986, bulk 1939-1972. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Getty Foundation and the Terra Foundation for American Art.

See more items in:

Joseph Cornell papers

Joseph Cornell papers / Series 10: Joseph Cornell Estate Papers / 10.3: Printed Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9de6445bf-bbd6-4661-949b-696b79ba37a4

EDAN-URL:

ead_component:sova-aaa-cornjose-ref1185

Collection Creator:

Cornell, Joseph  Search this

Container:

Box 22, Folder 26

Type:

Archival materials

Date:

1957

Collection Restrictions:

Use of the original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Joseph Cornell papers, 1804-1986, bulk 1939-1972. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Getty Foundation and the Terra Foundation for American Art.

See more items in:

Joseph Cornell papers

Joseph Cornell papers / Series 10: Joseph Cornell Estate Papers / 10.3: Printed Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw977ab3336-1a95-4e82-8671-91826632944a

EDAN-URL:

ead_component:sova-aaa-cornjose-ref2213

Creator:

Kuntz, Robert E.  Search this

Extent:

2168 Negatives (photographic) (circa, acetate)

548 Prints

78 Color slides

Type:

Collection descriptions

Archival materials

Negatives (photographic)

Prints

Color slides

Photographs

Place:

Taiwan

Egypt

Turkey

Hong Kong (China)

Borneo

Nigeria

Kenya

Libya

Pakistan

Sudan

Baʻlabakk (Lebanon)

India

Thailand

Philippines

Yemen

Vietnam

Korea

Damascus (Syria)

Japan

Date:

circa 1949-1966

Scope and Contents note:

Photographs made by Robert E. Kuntz documenting people and the natural and built environments that he encountered during his world travels. Locations depicted include Asia (Taiwan, India, Korea, Thailand, Hong Kong, Vietnam, and Japan), the Middle East (Pakistan, Turkey, Lebanon, Syria, Egypt, and Yemen), Africa (Sudan, Libya, Kenya, and Nigeria), and Oceania (Borneo and the Philippines). Images of Taiwan include street scenes of Taipei, festivals and ceremonies (including celebrations of 10-10 Day, Buddha's birthday, and Lantern Festival), temples, villages and agriculture, boats and harbors, artwork and shrines, carving, construction, markets, bridges, and a cemetery. The collection also includes images of the Acropolis of Athens, the Taj Mahal and other structures in India, historical structures and the harbor in Istanbul, markets and vendors in west Pakistan, and Wat Benchamabophit and Wat Arun in Thailand, ancient structures in Baʻlabakk (Lebanon), St. Catherine's Monastery (Sinai) and a parade and ceremonies in Egypt.

Biographical/Historical note:

Dr. Robert E. Kuntz (1916-2003) was a parasitologist for the U.S. Navy and the Southwest Research Foundation. After earning his MS in zoology from Oklahoma University and Ph.D. in parasitology from the University of Michigan, he joined the United States Navy in 1943. He was a parasitologist and medical entomologist with the Naval Medical Research Institute and then Chairman of the department of parasitology at the Southwest Foundation for Research and Education, a position that brought him into contact with groups in the Middle East, Africa, and Asia. In 1964, Kuntz retired from the Navy as a captain. He wrote hundreds of publications and his photographs have been reproduced in textbooks, National Geographic Magazine, and other publications.

Local Call Number(s):

NAA Photo Lot 2003-25

Reproduction Note:

Modern prints made from original negatives by Smithsonian Institution, 1987.

Location of Other Archival Materials:

Kuntz's field notes are held in the Smithsonian Institutuion Archives in the Field Book Project, SIA Acc. 12-254.

Taiwanese fish skins collected by Kuntz held in the anthropology collections of the NAtional Museum of Natural History, accession 231999.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Festivals  Search this

Rites and ceremonies  Search this

Agriculture  Search this

Markets  Search this

Art  Search this

Architecture  Search this

Genre/Form:

Color slides

Photographs

Citation:

Photo Lot 2003-25, Robert E. Kuntz photographs of Asia, Africa, Oceania, and the Middle East, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.2003-25

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3983aeae7-528a-4863-be06-b9f942a82b8c

EDAN-URL:

ead_collection:sova-naa-photolot-2003-25

Creator:

Fenollosa, Ernest Francisco, 1853-1908  Search this

Collection Creator:

Freer, Charles Lang, 1856-1919  Search this

Extent:

196 Pages (19.5 x 13 cm.)

Container:

Box 56, Folder 2

Type:

Archival materials

Pages

Notebooks

Place:

USA -- Michigan -- Detroit

Date:

November 4-11, 1907

Scope and Contents:

One journal-style volume, quarter-bound black pebble-grained cloth with brown marbled paper boards. Approximately 200 pages, mostly filled with handwritten notes. Paper onlay on the front cover bears the handwritten inscription "Notes taken before Mr. Freer's collection in Detroit -- some amount is [?] -- mostly [?] lantern slides." Inside front cover has the bookplate of Ernest K. Fenollosa; the bookplate also bears the ink signature "Mary McNeil Fenollosa (Sidney McCall)" and the ink stamp of the Freer Gallery of Art, Washington D.C. Loosely inserted at the beginning of the journal is an undated receipt for the purchase of several items from the Walpole Galleries in New York City.

The first part of the journal, dated November 1907, contains approximately 104 pages of notes, presumably written in Fenollosa's hand. On the back cover, another paper slip bears the inscription "This end of the note book to be used for a list of Illustrations from Stokes' prints to be sent Mr. Heinemann -- begun March 16th 1911." From this point, a new set of notes begins, written after Fenollosa's death and consisting of approximately 34 pages.

Notes taken before Mr. Freer's collection in Detroit

Arrangement:

Organized in one flat box.

Biographical / Historical:

Ernest Francisco Fenollosa (1853-1908) was a poet and student of Asian art. Born in Salem, Massachusetts, Fenollosa studied at Harvard, Cambridge University and the art school at the Boston Museum of Fine Arts before traveling to Japan to teach political economy and philosophy at the Imperial University at Tokyo. In 1988, he helped establish the Tokyo Fine Arts Academy and the Imperial Museum, serving as its director. For his many efforts to preserve temples and shrines and their art work, the Emperor of Japan decorated him with the orders of the Rising Sun and the Sacred Mirror. In 1890 Fenollosa returned to the Boston Museum of Fine Arts to take the position of curator of the department of Oriental arts. However, his public divorce and immediate remarriage in 1895 to the writer Mary McNeill Scott (1865-1954) led to his dismissal from the Museum in 1896 and he returned to Japan to teach English literature at the Tokyo Higher Normal School. He returned to the United States in 1900 to write and lecture on Asia. His works include East and West: The Discovery of America and Other Poems (1893); Epochs of Chinese and Japanese Art (2d ed. 1912), compiled by his widow, Mary McNeil Fenollosa; and two works on Japanese drama (ed. by Ezra Pound, 1916).

Local Numbers:

FSA A.01 04.02

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art, Asian  Search this

Art -- Private collections  Search this

Genre/Form:

Notebooks

Collection Citation:

Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.

Identifier:

FSA.A.01, Item FSA A.01 04.02

See more items in:

Charles Lang Freer Papers

Charles Lang Freer Papers / Series 4: Freer Colleague Materials / 4.1: Ernest Fenollosa Materials

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc360ebabb9-7765-4a5b-b8c4-a1f6323cf129

EDAN-URL:

ead_component:sova-fsa-a-01-ref2477

Collection Creator:

Nakashima, George, 1905-1990  Search this

Container:

Box 1, Folder 8

Type:

Archival materials

Date:

1982 January-May

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Collection Citation:

George Nakashima papers, 1950-1991. Archives of American Art, Smithsonian Institution.

See more items in:

George Nakashima papers

George Nakashima papers / Series 2: Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9e34ded2a-6f46-42fa-8672-f0e97f5dff23

EDAN-URL:

ead_component:sova-aaa-nakageor-ref31

Collection Creator:

Bell, Alexander Graham, 1847-1922  Search this

Beals, Jessie Tarbox  Search this

Container:

Box 1, Binder 2

Type:

Archival materials

Date:

January 1-February 28, 1907

Collection Restrictions:

No restrictions on access

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

Collection Citation:

Early Aeronautical Newsclippings (Alexander Graham Bell) Collection, Acc. NASM.XXXX.0086, National Air and Space Museum, Smithsonian Institution.

See more items in:

Early Aeronautical News Clippings (Alexander Graham Bell) Collection

Early Aeronautical News Clippings (Alexander Graham Bell) Collection / Series 1: Scrapbooks

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg21fbb2c2d-8ffe-4a18-aab8-55f47c2aeba5

EDAN-URL:

ead_component:sova-nasm-xxxx-0086-ref508

Collection Creator:

Bell, Alexander Graham, 1847-1922  Search this

Beals, Jessie Tarbox  Search this

Container:

Box 1, Binder 3

Type:

Archival materials

Date:

March 1-April 30, 1907

Collection Restrictions:

No restrictions on access

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

Collection Citation:

Early Aeronautical Newsclippings (Alexander Graham Bell) Collection, Acc. NASM.XXXX.0086, National Air and Space Museum, Smithsonian Institution.

See more items in:

Early Aeronautical News Clippings (Alexander Graham Bell) Collection

Early Aeronautical News Clippings (Alexander Graham Bell) Collection / Series 1: Scrapbooks

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg28d596493-4048-435c-9c5b-899958ce4fcf

EDAN-URL:

ead_component:sova-nasm-xxxx-0086-ref509

Author:

Dall, William Healey  Search this

Object Type:

Smithsonian staff publication

Year:

1896

Citation:

Dall, William Healey. 1896. "The so-called Jeannette relics." National Geographic Magazine, 7, (3) 93–98.

Identifier:

129087

Data source:

Smithsonian Libraries and Archives

EDAN-URL:

edanmdm:slasro_129087

Author:

Dall, William Healey  Search this

Object Type:

Smithsonian staff publication

Year:

1896

Citation:

Dall, William Healey. 1896. "The Russo-American telegraph project of 1864–1867." National Geographic Magazine, 7, (3) 110–111.

Identifier:

132674

Data source:

Smithsonian Libraries and Archives

EDAN-URL:

edanmdm:slasro_132674

Collection Creator:

Bitter, Karl Theodore Francis, 1867-1915  Search this

Container:

Box 1, Folder 6

Type:

Archival materials

Date:

1909

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Karl Theodore Francis Bitter papers, 1887-circa 1977. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.

See more items in:

Karl Theodore Francis Bitter papers

Karl Theodore Francis Bitter papers / Series 3: Diaries

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9af27f391-75c7-44ba-9165-c2fee7c09813

EDAN-URL:

ead_component:sova-aaa-bittkarl-ref15

Creator:

Stirling, Matthew Williams, 1896-1975  Search this

Stirling, Marion  Search this

Names:

National Geographic Society (U.S.)  Search this

Smithsonian Institution. Bureau of American Ethnology  Search this

Extent:

37.94 Linear feet (84 boxes, 3 map folders)

Culture:

Olmec (archaeological culture)  Search this

Type:

Collection descriptions

Archival materials

Field notes

Photographs

Correspondence

Place:

Papua New Guinea

Mexico

Ecuador

Costa Rica

Panama

Date:

1876-2004, undated

bulk 1921-1975

Summary:

The Matthew Williams Stirling and Marion Stirling Pugh papers, 1876-2004 (bulk 1921-1975), document the professional and personal lives of Matthew Stirling, Smithsonian archaeologist and Chief of the Bureau of American Ethnology (1928-1957), and his wife and constant collaborator, Marion Stirling Pugh. The bulk of the material is professional in nature and includes material from Matthew's early career in the 1920s, the careers of Matthew and Marion together from when they married in 1933 to Matthew's death in 1975, and Marion's life and work from 1975 until her death in 2001.

The majority of the documentation relates to the investigation of the Olmec culture in Mexico by the Stirlings, including the discoveries of eight colossal Olmec heads. In addition, the collection documents their work in Panama, Ecuador, and Costa Rica, looking for connections between Mesoamerica and South America. Materials include field notes, journals, correspondence, photographs, writings, clippings, ephemera, articles, and scrapbooks.

Scope and Contents:

The Matthew Williams Stirling and Marion Stirling Pugh papers, 1876-2004 (bulk 1921-1975), document the professional and personal lives of Matthew Stirling, Smithsonian archaeologist, and Chief of the Bureau of American Ethnology (1928-1957), and his wife and constant collaborator, Marion Stirling Pugh. The bulk of the material is professional in nature and includes material from Matthew's early career in the 1920s, the careers of Matthew and Marion together from when they married in 1933 to Matthew's death in 1975, and Marion's life and work from 1975 until her death in 2001. The majority of the documentation relates to the investigation of the Olmec culture in Mexico by the Stirlings, including the discoveries of eight colossal Olmec heads. In addition, the collection documents their work in Panama, Ecuador, and Costa Rica, looking for connections between Mesoamerica and South America. Materials include field notes, journals, correspondence, photographs, writings, clippings, ephemera, articles, and scrapbooks.

Series 1. Field work, 1921-1998 (bulk 1921-1975) and undated, documents the archaeological expeditions undertaken by Matthew and Marion Stirling over a span of 40 years. This includes expeditions Matthew undertook prior to his marriage and collaboration with Marion to Papua New Guinea, Ecuador, and Florida, and extensive documentation of expeditions they embarked on together to Mexico, Panama, Ecuador, and Costa Rica.

Series 2. Other travels, 1946-1972 is comprised of materials documenting trips the Stirlings took that, for the most part, did not include field work. This includes trips for both business and personal travel, however it was common for the two to overlap.

Series 3. Administrative files, 1924-1980 and undated is partly comprised of materials the Stirlings compiled and organized into an alphabetical filing structure and also of materials that are administrative in nature and did not directly relate to other categories outlined in this finding aid.

Series 4 Writings and lectures, 1925-1990 and undated, consists of articles, papers, drafts, and notes primarily written by Matthew Stirling, with some materials co-written by Marion, and documentation relating to presentations the Stirlings gave regarding their field work and other professional matters. Also included is material relating to films that were made about the Stirling's work.

Series 5. Personal and family materials, 1880-1996 and undated, consists of documents, photographs, and ephemera that are personal in nature. This includes items relating to Matthew Stirling's young life and family history, photographs, correspondence, and clippings relating to his extended family, and photographs of and correspondence from Matt and Marion's children.

Series 6. Anthropological journals, 1876-1959, consists of collections of anthropological journals collected and categorized for reference and research purposes.

Series 7. Marion Stirling Pugh, 1924-2004 (bulk 1948-2002) and undated, consists of materials relating to endeavors Marion undertook without Matthew, primarily relating to her participation in the Society of Women Geographers from 1948-2000 and her life after Matthew died in 1975 until her death in 2001.

Arrangement:

This collection is arranged in 7 series: 1) Field work, 1921-1998 (bulk 1921-1975), undated; 2) Other travels, 1946-1972; 3) Administrative files, 1924-1980, undated; 4) Writings and lectures, 1925-1990, undated; 5) Personal and family materials, 1880-1996, undated; 6) Anthropological journals, 1876-1959; 7) Marion Stirling Pugh, 1924-2004 (bulk 1948-2002), undated.

Biographical note:

MATTHEW WILLIAMS STIRLING:

Matthew Williams Stirling, archaeologist and Director of the Bureau of American Ethnology (1928-1957), was born on August 28, 1896 in Salinas, California. After serving as an Ensign in the Navy from 1917-1919, he graduated with a B.A. in Anthropology in 1920 from the University of California, Berkeley studying under T.T. Waterman, Alfred L. Kroeber, and E.W. Gifford. From 1920-1921 he worked as a teaching fellow at the university, where he taught William Duncan Strong. Stirling's first tenure at the Smithsonian (then the U.S. National Museum (USNM)) was from 1921-1924, first as a museum aide, then as an Assistant Curator of Ethnology. While in the position he took night classes at George Washington University and received his M.A. in 1922. He received an honorary Sc.D. from Tampa University in 1943. In 1924, Stirling resigned his position at the museum and embarked on a journey to South American with his friend Perry Patton. From 1925-1927 he embarked on the Smithsonian sponsored American-Dutch Expedition to Papua New Guinea to explore the previously unknown interior region of Dutch New Guinea. Stirling was appointed Chief of the Bureau of American Ethnology at the Smithsonian Institution in 1928 and married Marion Illig in 1933. They worked together for the next 40 years studying Olmec culture and the connection to greater Mesoamerica and South America. They had two children (Matthew W. Stirling Jr. in 1938 and Ariana Stirling in 1942). Stirling retired as Director of the B.A.E. on December 31, 1957. He died January 23, 1975 in Washington, D.C.

Sources consulted:

Collins, Henry B. "Matthew Williams Stirling, 1896-1975." American Anthropologist, New Series, 78, no. 4 (1976): 886-88.

Coe, Michael D. "Matthew Williams Stirling, 1896-1975." American Antiquity 41, no. 1 (1976): 67-73.

MARION STIRLING PUGH:

Marion Stirling Pugh (nee Illig) was born in Middletown, New York on May 12, 1911. She graduated from Rider College in 1930 and came to Washington D.C. in 1931 where she took a job as a secretary to the Chief of the Bureau of American Ethnology, Matthew Stirling. She attended night school at George Washington University from 1931-1933 where she studied anthropology, geology, and Russian. Marion and Matthew were married on December 11, 1933 and promptly embarked on a honeymoon expedition to Florida where Matthew was in charge of Works Progress Administration (WPA) projects. They worked together for the next 40 years studying Olmec culture and the connection to greater Mesoamerica and South America. They had two children (Matthew W. Stirling Jr. in 1938 and Ariana Stirling in 1942).

Marion was an active member of the Society of Women Geographers and was elected to the executive board in 1954. She served as president of the society from 1960-1963 and 1969-1972. She had a long-time association with the Textile Museum in Washington D.C. and in the 1970s established what would become the Latin American Research Fund to secure Latin American ethnographic textiles for the museum.

After Matthew's death in 1975, Marion married General John Ramsey Pugh in 1977. Pugh died in 1994. Marion continued to travel the world, including making a trip to Antarctica in her 80s, until her death on April 24, 2001 in Tucson, Arizona.

Sources consulted:

"Marion Stirling Pugh, 89." The Washington Post. May 11, 2001. https://www.washingtonpost.com/archive/local/2001/05/11/marion-stirling-pugh-89/01329ba8-f32b-4d66-83fb-9f3c311aaefb/?utm_term=.ab20f25e060b (accessed May 16, 2019).

Conroy, Sarah Booth. "Archaeologist Marion Pugh, Digging Up Memories." The Washington Post. July 8, 1996. https://www.washingtonpost.com/archive/lifestyle/1996/07/08/archaeologist-marion-pugh-digging-up-memories/09f465e7-5900-455e-bcd5-b81828a502d5/?utm_term=.703ff0e84313 (accessed May 16, 2019).

Matthew Williams Stirling and Marion Stirling Pugh Chronology

1896 August 28 -- Matthew Williams Stirling born in Salinas, California to Ariana and John Williams Stirling

1911 May 12 -- Marion Illig born in Middletown, New York

1914-1920 -- Matthew Stirling attended the University of California, Berkeley, receiving his B.A. in Anthropology in 1920. He studied under A.L. Kroeber, T.T. Waterman, and E.W. Gifford.

1917-1919 -- Matthew Stirling served as an ensign in the U.S. Navy during World War I

1920 -- Matthew Stirling's travels to Europe with his parents

1920-1921 -- Matthew Stirling worked as teaching fellow at the University of California, Berkeley and taught William Duncan Strong

1921-1924 -- Matthew Stirling worked at the United States National Museum (USNM), first as a Museum Aide and then as an Assistant Curator of Ethnology

1922 -- Matthew Stirling received Master of Arts degree from George Washington University, studying under Truman Michelson Matthew Stirling went on a trip to the cave country of France and Spain with friend Perry J. Patton

1923 Winter -- Matthew Stirling sent by J. Walter Fewkes to excavate at Weedon (or Weeden) Island, Florida

1924 Spring -- Matthew Stirling resigned from his Smithsonian USNM post

1924 Summer -- Matthew Stirling conducted excavations in Mobridge, South Dakota

1924 July -- Matthew Stirling went on a trip to South America with friend, Perry J. Patton

1924 Winter -- Matthew Stirling continued excavations in Weedon Island, FL

1924-1925 -- Matthew Stirling sold real estate on Weedon Island, Florida to fund the expedition to Papua New Guinea in the winters of 1924 and 1925

1925-1927 -- Matthew Stirling organized and led the American-Dutch Expedition (or Smithsonian Institution-Dutch Colonial Government expedition) to Papua New Guinea

1928 -- Matthew Stirling named Chief of the Bureau of American Ethnology (BAE) at the Smithsonian Institution

1929 March-April -- Matthew Stirling surveyed mounds in Tampa Bay and Calusa areas of Florida

1930s -- Matthew Stirling conducted various archaeological excavations in Georgia and Florida under the Works Progress Administration (WPA)

1930 -- Marion Illig received a Bachelor of Science degree from Rider College From February through April, Mathew Stirling conducted more work on Tampa Bay mounds in Florida In July, Matthew Stirling went to Marfa, Texas to examine pictographs in caves and also went to Deeth, Nevada

1931 September-1932 March -- Matthew Stirling a member of the Latin American Expedition to South and Central America. He studied the Tule/Kuna Indians in Panama and the Jivaro in Ecuador

1931-1933 -- Marion Illig moved to Washington D.C. to attend George Washington University and worked at the BAE as a secretary for Matthew Stirling

1933 December 11 -- Matthew and Marion Stirling married

1933 December-1934 May 5 -- Matthew Stirling supervised Federal Civil Works Administration (or Federal Emergency Relief Administration) projects in Florida, also called Florida Federal Relief (Bradenton, Perico Island, Canaveral Island, and Belle Glade) and BAE excavations in Macon, Georgia

1934 October -- Conducted archaeological work in King, Queen, and Halifax counties in Virginia and Granville City, North Carolina

1935 -- Matthew Stirling acted as the president of the Anthropological Society of Washington Expedition to Guatemala, Honduras, and Yucatan Peninsula to study the Maya and the Quché (or Quiche) Indians from January to February 15, 1935

1935-1936 -- Matthew Stirling acted as the vice president of the American Anthropological Association

1936 -- Matthew Stirling and WPA workers conducted archaeological surveys in southern Florida in July 1936 Matthew and Marion Stirling visited an excavation in Macon, Georgia in Fall 1936 Matthew Stirling supervised archaeological projects in Hillsborough and Dade Counties in Florida

1938 January-March -- Matthew and Marion Stirling take first field trip to Mexico, visiting Tres Zapotes

1938 December 24-1939 April 15 -- First Smithsonian Institution/National Geographic Society Expedition to Mexico with C.W. Weiant. Excavated Tres Zapotes and discovered lower portion of Stela C

1939 -- Matthew Stirling received his first Franklyn L. Burr Award from the National Geographic Society

1939 December 26-1940 April 20 -- Second Smithsonian Institution/National Geographic Society Expedition to Mexico with Dr. Philip Drucker. Excavated Cerro de las Mesas and La Venta

1940 December 29-1941 April 30 -- Third Smithsonian Institution/National Geographic Society Expedition to Mexico with Dr. Philip Drucker. Excavated Cerro de las Mesas and Izapa

1941 -- Matthew and Marion Stirling received the Franklyn L. Burr Award from the National Geographic Society (shared with Richard Hewitt Stewart)

1942 April -- Matthew Stirling visited Dr. Philip Drucker at La Venta

1942 April-June -- Fourth Smithsonian Institution/National Geographic Society Expedition to Mexico. Visited Tuxtla Gutierrez, Zoque, Tzotzil and Chamula Indians, and Palenque

1943 -- Fifth Smithsonian Institution/National Geographic Society Expedition to Mexico with Dr. Waldo R. Wedel. Excavated La Venta Matthew Stirling awarded honorary Doctor of Science from Tampa University

1944 January 28-May -- Sixth Smithsonian Institution/National Geographic Society Expedition to Mexico. Visited Michoacán, Jalisco, Uruapan, Tlaquepaque, and Tarascan Indians from Lake Pátzcuaro and conducted archaeological surveys in Southern Veracruz, Tabasco, and Campeche

1945 January 22-May 31 -- Seventh Smithsonian Institution/National Geographic Society Expedition to Mexico. Excavated La Venta, San Lorenzo, Piedra Parada, and Tapachula

1946 January 26-April -- Eighth Smithsonian Institution/National Geographic Society Expedition to Mexico with Dr. Philip Drucker. Excavated San Lorenzo

1947 -- Matthew Stirling becomes Director of the Bureau of American Ethnology (title changed from "Chief")

1947 December-1948 -- First Smithsonian Institution/ National Geographic Society Expeditions to Panama including Cocle, Balboa, Chitre, Parita (Sixto Pinilla Place), Monagrillo, and El Hatillo

1949 -- Second Smithsonian Institution/ National Geographic Society Expedition to Panama

1951 -- Third Smithsonian Institution/ National Geographic Society Expedition to Panama

1953 -- Fourth Smithsonian Institution/ National Geographic Society Expedition to Panama

1954 -- Marion Stirling elected to the executive board of the Society of Women Geographers

1955 -- "Pan Am" (or Inter-American Highway) Road Trip

1956-1957 -- Smithsonian Institution/ National Geographic Society Expedition to Ecuador. Excavated in the ManabÍ Province

1957 December 31 -- Matthew Stirling retired as Director of the Bureau of American Ethnology

1958 -- Matthew Stirling received his third Franklyn L. Burr Award from the National Geographic Society

1960-1963 -- Marion Stirling acted as president for the Society of Women Geographers for the first time

1960-1975 -- Matthew Stirling's membership in the National Geographic Society Committee on Research and Exploration

1961 -- Trip to Mexico Marion Stirling's trip to Peru Matthew Stirling collaborated with Dr. L.S.B. Leakey through the NGS Committee on Research and Exploration

1963 -- Trip to Nicaragua

1964 -- Expedition to Costa Rica Trip to Asia

1967 -- International Tuna Match, Bahamas

1968 -- Trip to New Guinea Attended the Cultural Olympics in Mexico City

1969 -- Trip to Turkey, Bali, Etc.

1969-1972 -- Marion Stirling acted as president for the Society of Women Geographers for the second time

1972 -- Trip to Peru, Ecuador, Galapagos Islands Farmer finds upper portion of Stela C, confirming Matthew Stirling's original date as 31 B.C.

1972-1973 -- Trip to Yucatan Peninsula, Mexico

1974 -- Marion Stirling established the Mexican Research Fund (now the Latin American Research fund) for the Textile Museum

1975 January 23 -- Matthew Williams Stirling died in Washington D.C.

1977 -- Marion Stirling married Major General John Ramsey Pugh

1985 -- Marion Stirling Pugh received the Distinguished Service Medal from the Peruvian Embassy

1994 -- Death of Major General John Ramsey Pugh Marion Stirling Pugh's trip to Spain, Portugal, and Morocco

1995 -- Marion Stirling Pugh's trip to Antarctica and the Falkland Islands

1996 -- Marion Stirling Pugh's trip to China, and separately to Belize and Honduras

2001 April 24 -- Marion Stirling Pugh died in Tucson, Arizona

Separated Materials:

Film materials were transferred to the Human Studies Film Archive (HSFA).

Provenance:

The bulk of these papers were donated to the National Anthropological Archives in 2016 by Matthew and Marion Stirling's grandchildren, Jessica Gronberg and Jeremy Withers.

Restrictions:

The Matthew Williams Stirling and Marion Stirling Pugh papers are open for research.

The scrapbooks listed in Series 1.7 are restricted due to preservation concerns. Please contact the reference archivist for more information.

Access to the Matthew Williams Stirling and Marion Stirling Pugh papers requires an appointment.

Rights:

Contact the repository for terms of use.

Occupation:

Women archaeologists  Search this

Topic:

Archaeology  Search this

Excavations (Archaeology)  Search this

Genre/Form:

Field notes

Photographs

Correspondence

Citation:

Matthew Williams Stirling and Marion Stirling Pugh papers, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.2016-24

See more items in:

Matthew Williams Stirling and Marion Stirling Pugh papers

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw31131a350-b4ba-421a-bc30-0ecfb99820e9

EDAN-URL:

ead_collection:sova-naa-2016-24

Creator:

Kihn, W. Langdon  Search this

Names:

National Geographic Society (U.S.)  Search this

Artzybasheff, Boris, 1899-1965  Search this

Barbeau, Marius, 1883-1969  Search this

Dale, Chester, b. 1883  Search this

Dale, Maud, 1875-1953  Search this

Dixon, Maynard, 1875-1946  Search this

Downs, Olin  Search this

Fisher, Franklin L.  Search this

Kihn, Alfred  Search this

Kihn, Helen Butler  Search this

Laubin, Gladys  Search this

Laubin, Reginald  Search this

Lecomte du Noüy, Marie  Search this

Lecomte du Noüy, Pierre, 1883-1947  Search this

Oakley, Thorton, 1881-1953  Search this

Skinner, Constance Lindsay, 1882-1939  Search this

Stirling, Matthew Williams, 1896-1975  Search this

Wellcome, Henry S., Sir (Henry Solomon), 1853-1936  Search this

Wiggins, Guy C. (Guy Carleton), 1883-1962  Search this

Extent:

8.5 Linear feet

Type:

Collection descriptions

Archival materials

Sketchbooks

Diaries

Sketches

Photographs

Poetry

Writings

Date:

1904-1990

bulk 1904-1957

Summary:

The papers of painter and illustrator W. Langdon Kihn measure approximately 8.5 linear feet and date from 1904-1990, with the bulk of the materials dating from 1904-1957. Papers document Kihn's career and travels associated with his interests in documenting the native American tribal nations of the United States and Canada in portraiture and writings. Found here are biographical materials, voluminous correspondence, memoirs and writings, one travel diary, printed material, financial records, three sketchbooks, sketches, and photographs.

Scope and Content Note:

The papers of painter and illustrator W. Langdon Kihn measure approximately 8.5 linear feet and date from 1904-1990, with the bulk of the materials dating from 1904-1957. Papers document Kihn's career and travels associated with his interests in documenting the native American tribal nations of the United States and Canada in portraiture and writings. Found here are biographical material, voluminous correspondence, memoirs and writings, one travel diary, printed material, financial records, three sketchbooks, sketches, and photographs.

Biographical materials include address books, membership cards, exhibition and price lists, legal and travel documents, as well as biographical notes. Additional biographical sketches are found in the Writings and Notes series.

Correspondence is the largest series in the collection, almost half of the papers. In addition to letters to W. Langdon Kihn, this series include both originals and drafts of his outgoing letters; letters to his wife Helen from friends; third party business correspondence between his father, Alfred Kihn, and various parties undertaken on his son's behalf; and third party correspondence addressed to his friend and colleague, the Canadian ethnographer, Marius Barbeau. In addition to Barbeau, significant correspondents include Constance Lindsay Skinner, Chester and Maud Dale, Sir Henry Wellcome, Pierre and Marie "May" Lecompte du Noüy, and Reginald and Gladys Laubin. Although there is little correspondence with other artists, those represented with cards and letters in this collection include Boris Artzybasheff, Maynard Dixon, Olin Dows, Thornton Oakley, and Kihn's summer art school partner, Gus Wiggins. Correspondence with Franklin L. Fisher, Chief of National Geographic Magazine's Illustrated Division and Matthew W. Striling, Chief of the Bureau of American Ethnology at the Smithsonian Institution dominate the period spanning from 1935 - 1952, the years of Kihn's close association with the National Geographic Society.

Writings and notes includes manuscripts and typescripts of articles, poems, lectures, memoirs, and other writings by Kihn and others. There is one travel diary dated circa 1924-1925, and numerous writings about Kihn's travels and documentation of native American Indians.

Printed materials include exhibition catalogs, travel brochures, and magazine and newspaper clippings. Also found here are copies of Kihn's illustrations for books by other authors, including Beaver, Kings and Cabins, by Constance Lindsay Skinner, as well as proofs from the National Geographic series on American Indians arranged by geographic location. Financial records consist of invoices and receipts related to Kihn's artwork, traveling, and exhibitions.

Three sketchbooks and loose sketches include illustrated field notes and other drawings that document Kihn's travels and of native Americans. Photographs are of Kihn, and of Kihn at work. There are also photographs of Kihn's artwork.

Arrangement:

The collection is arranged into 7 series:

Missing Title

Series 1: Biographical Material, circa 1916-1957 (Box 1; 0.4 linear feet)

Series 2: Correspondence, circa 1904-1959 (Boxes 1-5; 4.0 linear feet)

Series 3: Writings and Notes, circa 1920-1990 (Box 5-6; 1.0 linear feet)

Series 4: Printed Material, circa 1920-1957 (Boxes 6-8, OV 10; 2.2 linear feet)

Series 5: Financial Records, 1920-1955 (Box 8; 0.3 linear feet)

Series 6: Sketchbooks and Sketches, circa 1922-1955 (Boxes 8-9, OV 10; 0.5 linear feet)

Series 7: Photographs, circa 1920-1955 (Box 9; 5 folders)

Biographical Note:

Born in Brooklyn, New York, W. (Wilfred) Langdon Kihn (1898-1959) is best known for his portraits of American Indians and illustrations of their history, culture and rapidly disappearing way of life. In 1919, Kihn joined his art teacher Winold Reiss on a trip to the Blackfeet Reservation in Montana where he completed his first series of portraits. This marked the beginning of his lifelong career of documenting the tribal nations of the United States and Canada. Through commissions from Canadian and American Railroad companies, Kihn spent much of the 1920s traversing both the United States and Northwest Canada where he had the opportunity to record the members and lives of various tribes. During this period, his paintings also traveled the country in a one man exhibition of his American Indian portraits, which was arranged by the Brooklyn Museum, and traveled to about 40 institutions in the United States. However his largest and best known commission was a project to research and paint North American Indians for serial publication in National Geographic. Kihn received the commission in 1935 and his association with the organization spanned two decades, culminating in the 1955 exhibition of his work at the National Geographic Museum, Washington, D.C, and the publication Indians of the Americas, with copius illustrations derived from Kihn's paintings and drawings.

In addition to his travels and work in North America, Kihn enjoyed a brief stint between 1929-1932 painting in France and Spain. Upon his return he focused upon obtaining commercial work and enjoyed success as an illustrator, whose work was featured in Beaver, Kings and Cabins (1933) and Flat Tail (1935), among other books. Kihn also wrote articles about his travels; amateur painters, whom he specialized in teaching; and American Indian legends and tribal cultures. Between 1948-1951 he was a partner in the Guy Wiggins-W. Langdon Kihn Art School in Essex, Connecticut. He married Helen Butler in 1920 and in between their travels the couple eventually settled in East Haddam, Connecticut. W. Langdon Kihn died in 1957.

Provenance:

Helen Kihn, W. Langdon Kihn's widow, donated the bulk of the collection in 1959. In 1994 Phyllis Kihn, the artist's daughter, donated pages 1-8 of Kihn's original manuscript of his memoirs and a transcript of the complete memoirs.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- Connecticut  Search this

Topic:

Book illustrators -- Connecticut  Search this

Indians of North America -- Pictorial works  Search this

Genre/Form:

Sketchbooks

Diaries

Sketches

Photographs

Poetry

Writings

Citation:

W. Langdon Kihn papers, 1904-1990, bulk 1904-1957. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.kihnwlan

See more items in:

W. Langdon Kihn papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw93f008482-8b83-4adf-8682-b122de614058

EDAN-URL:

ead_collection:sova-aaa-kihnwlan

Collection Creator:

Kihn, W. Langdon  Search this

Extent:

(Boxes 6-8, OV 10; 2.2 linear feet)

Type:

Archival materials

Date:

circa 1920-1957

Scope and Contents note:

Items in this series document Kihn's life and work though exhibition announcements, catalogs, invitations, annual reports, course lists, book covers, publication announcements, brochures, travel related materials, ephemera, newspaper clippings, and magazines that contain articles about Kihn or examples of his work. There are also extensive examples of Kihn's work as an illustrator including proofs of his illustrations for the books Beaver, Kings, and Cabins (1933) by Constance Lindsay Skinner and Dawn Boy of the Pueblos (1935) by Laura Becker Scott, among others. Additionally there are proofs of plates, engraved after Kihn's original paintings and drawings, for the National Geographic magazines ongoing series on North American Indian life and history.

Arrangement note:

Printed materials are arranged by format type.

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

W. Langdon Kihn papers, 1904-1990, bulk 1904-1957. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.kihnwlan, Series 4

See more items in:

W. Langdon Kihn papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9695dff13-d4ac-4784-bf0b-ca61c1799d10

EDAN-URL:

ead_component:sova-aaa-kihnwlan-ref255

Collection Creator:

Kihn, W. Langdon  Search this

Type:

Archival materials

Date:

circa 1917-1959

Scope and Contents note:

Found in this subseries are letters to and from Kihn that document his career as an artist, illustrator, teacher, and writer. Scattered through out are personal correspondence, including letters addressed to his wife Helen from their mutual friends. There is also a cache of third party correspondence addressed to Marius Barbeau, a Canadian ethnologist who was a colleague and friend of Kihn's.

The earliest correspondence includes letters from his parents, particularly his father Alfred Kihn, who also trained as an artist and founded a steel engraving firm with his brother that specialized in bank note engraving. Kihn senior not only wrote proffering career advice, but also corresponded with his son's business and personal associates while Langdon Kihn was on extended trips. There are also letters from W. Langdon Kihn to his parents describing his trips, including his impressions of San Francisco, Glacier Park, experiences painting Indian portraits, as well as his 1929-1932 sojourn painting in Paris and Spain. These early letters also record exhibitions, primarily a traveling exhibition of his portraits of members of the Blackfeet Indian tribe, which was organized by the Brooklyn Museum of Art and traveled to over 40 institutions in the United States.

Letters to and from authors, publishers, advertisers, and collectors comprise a large amount of correspondence from late 1920s to the mid 1930s, which document his efforts at securing commissions for commercial work. During this time he also began to submit articles about his work and travels. Correspondents include the author Constance Lindsay Skinner; publishers Macmillan and Company; Little, Brown, and Company; Harcourt Brace and Company; and magazines including, Fortune and Story Parade.

The bulk of the chronological correspondence records his association with the National Geographic magazine, spanning from 1935-1955. The National Geographic Society commissioned Kihn to paint historical and contemporary scenes of the lives of over 35 tribal nations from the continental United States, Alaska, and the Northwest Territories. Engraved illustrations of his paintings were published in the magazine's ongoing series on American Indians between 1937 and 1949. Most of the related correspondence was between Kihn, Franklin L. Fisher, Chief of National Geographic's Illustrated Division and Matthew W. Striling, Chief of the Bureau of American Ethnology at the Smithsonian Institution, who also played an important role in this project.

See Appendix for a list of selected indivuduals, institutions, and organizations found in Series 2.2.

Arrangement note:

Letters have been arranged in folders in chronological order. However, there are examples of early correspondence in which the original letter and the later response letter have been glued together. No attempt has been made to separate them and in some cases they may disrupt the chronological arrangement.

Appendix: Selected Indivuduals, Institutions, and Organizations found in Series 2.2:

Ament, Robert S.

American Museum of Natural History, New York, N.Y.

American Federation of Arts, Washington, D.C.

Artzybasheff, Boris

Barbeau, Marius

Bill, Edward Lyman

Blassingame, Lurton

Bowles, Chester

Brooklyn Museum

Bye, George T.

Canadian Pacific Railway Company, Montreal

Cross, Wilbur L.

Dixon, Maynard

Eaton, Earle Hooker

Eggers, G. W.

Ennis, Howard

Explorers Club, New York, N.Y.

Fisher, Franklin

Gallup, Anna Billings

Great Northern Railroad Company, St. Paul, Minn.

Grosvenor, Gilbert

Halseth, Odd S.

Kihn, Alfred

Kihn, Helen

Kihn, W. Langdon

Kirk, Ruth

Laubin, Reginald and Gladys

Lecompte du Noüy, Marie (May)

Lecompte du Noüy, Pierre

Leechman, Douglas

Lummis Charles, F.

Macmillan Company

Museum of the American Indian

Niven, Frederick

Oakley, Thornton

Paisano, Ulysses

Reid, Russell

Schultz, Hart (Lone Wolf)

Skinner, Constance Lindsay

Standard, Paul

Steele, Captain Russell V.

Stefansson, Vilhjalmur

Stirling, Matthew W.

Watson, Elmo Scott

Wellcome, Sir Henry

White, D. Fedotoff

Wiggins, Guy

Ziegler, John

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

W. Langdon Kihn papers, 1904-1990, bulk 1904-1957. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.kihnwlan, Subseries 2.2

See more items in:

W. Langdon Kihn papers

W. Langdon Kihn papers / Series 2: Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9d13b087a-f919-4b26-846c-225725565fde

EDAN-URL:

ead_component:sova-aaa-kihnwlan-ref69

Collection Creator:

Pierce, Harold Fisher, 1889-1963  Search this

Container:

Box 3, Folder 18

Type:

Archival materials

Date:

October 1934

Collection Restrictions:

No restrictions on access

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

Collection Citation:

Harold F. Pierce Aviation Medicine Collection, Acc. 2014.0044, National Air and Space Museum, Smithsonian Institution.

See more items in:

Harold F. Pierce Aviation Medicine Collection

Harold F. Pierce Aviation Medicine Collection / Series 1: Professional Materials

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2f7bce97f-8c11-42a9-84d6-73d58c0822a0

EDAN-URL:

ead_component:sova-nasm-2014-0044-ref68