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Architectural League of New York records

Creator:
Architectural League of New York  Search this
Names:
American Institute of Architects  Search this
National Sculpture Society (U.S.)  Search this
Gilbert, Cass, 1859-1934  Search this
Extent:
114.9 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Annual reports
Photographs
Minutes
Lantern slides
Date:
1880s-1974
Summary:
The records of the Architectural League of New York measure 114.9 linear feet and date from 1880s-1974 (bulk 1927-1968). The League's mission "to advance the art of architecture" is documented through administrative and business records, committee records and officers' files, exhibition files, records of functions and events, correspondence, publicity files, photographs, lantern slides, and 16 scrapbooks.
Scope and Content Note:
The records of the Architectural League of New York measure 114.9 linear feet and date from 1880s-1974 (bulk 1927-1968). The League's mission "to advance the art of architecture" is documented through administrative and business records, committee records and officers' files, exhibition files, records of functions and events, correspondence, publicity files, photographs, lantern slides, and scrapbooks.

League records prior to 1927 are limited in the collection and are mostly found among Administrative Files. The administrative files include a nearly complete collection of annual reports from 1889-1932 and various meetings minutes from 1889 through the mid-20th century. Also found is a history of the League written by founding member Cass Gilbert, documentation of the changes of the League Constitution and By-Laws during the first half of the 20th century, and other administrative records.

Over a third of the collection are records from committees, including voluminous records of the Executive Committee, Current Work Committee, House Committee, Finance Committee, Membership Committee, and Scholarships and Special Awards Committee. In addition, there are scattered records for minor committees. Materials include correspondence, meeting minutes, election ballots, financial records, membership records, documents related to awarding scholarships and awards, and other administrative and organizational committee records. Found is the original 1889 agreement between the Architectural League, the Art Students League, and the Society of American Artists to build the American Fine Arts Society building. Throughout the collection, but especially in the Membership Committee subseries, the records provide a glimpse into the struggles the League faced during the Depression through World War II to maintain dues-paying members.

Officers' Files includes collated records of the League Executive Secretary and Secretary, as well as correspondence of the League President and Treasurer. Materials found here are not comprehensive; similar materials can be found throughout the collection.

Financial records such as bank statements, correspondence, and ledgers; insurance correspondence and policies; and legal correspondence, are found in the Business Records series. This series does not include records prior to 1926.

Exhibition files provide detailed documentation of the exhibitions sponsored by, or held at, the League primarily from the 1930s to the early 1970s. Records related to the League Annual Exhibition, the National Gold Medal Exhibitions, and the 1939 World's Fair in New York are found here, as well as exhibition files arranged chronologically by exhibition date and miscellaneous administrative files. Materials include administrative files, applications, correspondence, printed materials, publicity files, and other records related to organizing and managing exhibitions. The files of the Exhibition Committee are also found here.

Other series which document activities held by, or held at, the League include Functions and Events series and Publicity Files series. Found is correspondence, printed materials, press releases, schedules, and other administrative documents created in organizing events such as dinners, lectures, receptions, balls, and outings. The Records of Other Organizations includes records relating to organizations that had business with the League, often regarding events, meetings, and exhibitions held at the League. Represented here are some records of the American Institute of Architects (A.I.A.) and the National Sculpture Society (N.S.S.).

Correspondence includes miscellaneous correspondence arranged alphabetically by subject or name, and collated correspondence arranged chronologically. Most of the chronological correspondence appears to be Secretaries' files. The materials in the Miscellaneous series seem to have been separated from their original files, or were never filed properly. Therefore, materials and contents are similar to those found in other series, such as correspondence, administrative records, some financial records, and handwritten notes.

Black and white photographs, a handful of colored photographs, nearly 350 lantern slides, and negatives of exhibitions, buildings, events, and portraits are found in the Photographic Materials series.

Sixteen scrapbooks include eight scrapbooks of clippings from 1880s-1960s, and seven scrapbooks of notices and printed materials from 1925-1930. Also found is a scrapbook of signatures of event attendees, a clippings scrapbook compiled by Hamilton M. Wright, and a scrapbook of the Archeological Institute of America.
Arrangement:
The collection is arranged as 12 series:

Series 1: Administrative Files, 1889-1969 (Boxes 1-10, OV 116; 9.7 linear feet)

Series 2: Committee Records, 1887-1974 (Boxes 10-54, 110, 114, OV 116; 44.7 linear feet)

Series 3: Officers' Files, 1900, 1923-1970 (Boxes 54-58; 3.9 linear feet)

Series 4: Business Records, circa 1926-1972 (Boxes 58-62, BVs 129-144; 7.35 linear feet)

Series 5: Exhibitions, 1887-1972, bulk 1930s-1960s (Boxes 62-83, 111, OVs 117-119; 21.85 linear feet)

Series 6: Functions and Events, 1909, 1931-1973 (Boxes 84-93, OV 120; 9.35 linear feet)

Series 7: Publicity Files, 1922-1972 (Boxes 93-95, 111; 2.5 linear feet)

Series 8: Records Relating to Organizations, 1908-1968, bulk 1930s-1960s (Boxes 95-101; 6.1 linear feet)

Series 9: Correspondence, 1929-1970 (Boxes 101-103, OV 120; 1.85 linear feet)

Series 10: Miscellaneous, circa 1936-1968 (Boxes 103-104; 1.3 linear feet)

Series 11: Photographic Materials, 1896-1960s (Boxes 105-108, 112, OVs 121-128; 4.3 linear feet)

Series 12: Scrapbooks, 1880s-1960s (Boxes 108-109, 113-115, BVs 145-148; 2.2 linear feet)

There are frequently similar and related materials in multiple series, as is indicated in the series' descriptions. The records may originally have been arranged by file owner (committees, secretary, etc.), then by League season (roughly May - April). Most series include a handful of folders in which the original folder title indicates the file owner and League season (i.e. Secretary 1938-1939).
Historical Note:
Modeling the organization's name after the Art Students League of New York, the Architectural League of New York was founded in New York City in 1881 by a group of architects who wished to gather and discuss architecture and its relationship to the arts. The group elected D.W. Willard as the first President of the League and they began gathering regularly to discuss and critique each other's sketches and hold competitions. The organization grew quickly and soon the League rented a room in a building on 14th Street between University Place and Fifth Avenue.

However, by the mid-1880s the founders and more active League members left New York, and membership began to falter. The League was reorganized in 1886, expanding membership beyond professional architects, and incorporated in 1888 with 166 members. In 1889, the League joined with the Art Students League of New York and the Society of American Artists to form the American Fine Arts Society. Thus, in 1892 the three organizations were able to erect a building at 215 West 57th Street where the League remained until 1927 when it moved to 115 East 40th Street.

The League was run by the Executive Committee and its officers, elected every two years. The beginning of each League season kicked off with an annual dinner in the spring. The League also formed numerous committees to organize activities and manage administrative tasks. Noteworthy committees include the Current Work Committee, House Committee, Finance Committee, Exhibition Committee, Membership Committee, and Scholarships and Special Awards Committee.

The League's interdisciplinary approach to architecture and the arts was expressed through sponsored forums and discussions with architects and artists. From the League's beginning, the Current Work Committee was established to organize educational forums for members. Recognition of achievement was awarded by an Annual Exhibition from the late 1880s until 1938. In 1950, the League began awarding the annual National Gold Medal Exhibition in various fields, including landscape architecture, engineering, and sculpture. Additionally, the League awarded numerous other scholarships each year. Architects, artists, and arts-related organizations could also rent space in the League building to hold meetings, discussions, and exhibitions.

The League admitted its first female member in 1934. Notable members of the League included Arnold W. Brunner (President, 1903-1905), Cass Gilbert (President, 1913-1915), Philip Johnson, Robert A.M. Stern, and Russell Sturgis (President, 1889-1893).

The Architectural League of New York continues to provide educational opportunities and scholarships to students and professionals.

Background information was gathered from a written history of the League by Cass Gilbert found in this collection and the Architectural League of New York website (http://archleague.org/category/archive/history-archive/).
Related Material:
Among the holdings of the Archives of American Art are several collections that contain Architectural League of New York records. The American Federation of Arts records, 1895-1993, include a significant amount of League records related to national awards programs and lantern slides from the "New Horizons in America" lecture series.
Provenance:
The Architectural League of New York records were donated in several installments from 1967-1980 by the Architectural League of New York.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Architectural League of New York records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Architecture  Search this
Associations, institutions, etc.  Search this
Genre/Form:
Scrapbooks
Annual reports
Photographs
Minutes
Lantern slides
Citation:
Architectural League of New York records, 1880s-1974, bulk 1927-1968. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.archleag
See more items in:
Architectural League of New York records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-archleag
Online Media:

Adolph A. Weinman papers, 1890-1959

Creator:
Weinman, Adolph A. (Adolph Alexander), 1870-1952  Search this
Subject:
National Sculpture Society (U.S.)  Search this
National Academy of Design (U.S.)  Search this
Type:
Drawings
Sketchbooks
Photographs
Sketches
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Sculpture, American  Search this
Record number:
(DSI-AAA_CollID)9338
(DSI-AAA_SIRISBib)211534
AAA_collcode_weinadol
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211534
Online Media:

Robert A. Weinman papers, 1935-1971

Creator:
Weinman, Robert A., 1915-  Search this
Subject:
National Sculpture Society (U.S.)  Search this
Topic:
Sculpture, American  Search this
Medals  Search this
Record number:
(DSI-AAA_CollID)9339
(DSI-AAA_SIRISBib)211535
AAA_collcode_weinrobe
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211535

National Sculpture Society records, 1883-1962

Creator:
National Sculpture Society (U.S.)  Search this
Subject:
Bitter, Karl Theodore Francis  Search this
Ward, John Quincy Adams  Search this
Architectural League of New York  Search this
Type:
Scrapbooks
Place:
New York N.Y. -- Photographs
Topic:
Art -- Societies, etc.  Search this
Sculpture, Modern -- 19th century -- United States  Search this
Sculpture, Modern -- 20th century -- United States  Search this
War memorials -- United States  Search this
Record number:
(DSI-AAA_CollID)9082
(DSI-AAA_SIRISBib)211275
AAA_collcode_natiscul
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211275

Richard McDermott Miller papers, 1962-2001

Creator:
Miller, Richard McDermott, 1922-2004  Search this
Subject:
Pollack, Louis  Search this
National Sculpture Society (U.S.)  Search this
Peridot Gallery (New York, N.Y.)  Search this
Sculptors Guild (New York, N.Y.)  Search this
National Academy of Design (U.S.)  Search this
Topic:
Art -- Study and teaching  Search this
Sculptors -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)11088
(DSI-AAA_SIRISBib)226695
AAA_collcode_millrimc
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_226695
Online Media:

Leo Friedlander papers, 1900-1990

Creator:
Friedlander, Leo, 1890-1966  Search this
Subject:
Ewing, Upton Clary  Search this
Keally, Francis  Search this
Montana, Pietro  Search this
Warneke, Heinz (Heinrich)  Search this
DeFrancisci, Anthony  Search this
Pope, Arthur Upham  Search this
National Sculpture Society (U.S.)  Search this
Topic:
Sculpture, American -- New York (State) -- New York  Search this
Decoration and ornament, Architectural  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)7189
(DSI-AAA_SIRISBib)209326
AAA_collcode_frieleo
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209326

Vincent Glinsky papers, 1927-1982

Creator:
Glinsky, Vincent, 1895-1975  Search this
Subject:
Levi, Julian E. (Julian Edwin)  Search this
Architectural League of New York  Search this
Federal Art Project (N.Y.)  Search this
National Academy of Design (U.S.)  Search this
National Sculpture Society (U.S.)  Search this
Topic:
Sculpture, American -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)7269
(DSI-AAA_SIRISBib)209420
AAA_collcode_glinvinc
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209420

Karl Gruppe papers, 1900-1978

Creator:
Gruppe, Karl, b. 1893  Search this
Subject:
Bitter, Karl Theodore Francis  Search this
American Artists Professional League  Search this
Fine Arts Federation of New York  Search this
National Academy of Design (U.S.)  Search this
National Sculpture Society (U.S.)  Search this
Public Works of Art Project  Search this
World's Columbian Exposition  Search this
Topic:
Monuments -- New York (State) -- New York  Search this
Monuments -- Conservation and restoration  Search this
Sculpture, American  Search this
Sculpture -- Conservation and restoration -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Medals  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)8994
(DSI-AAA_SIRISBib)211182
AAA_collcode_grupkarl
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211182

Domenico Facci papers, 1914-1995

Creator:
Facci, Domenico Aurelio, 1916-1994  Search this
Subject:
United States  Search this
Olympic Games  Search this
American Society of Contemporary Artists (New York, N.Y.)  Search this
National Sculpture Society (U.S.)  Search this
Artists Equity Association  Search this
Audubon Artists (New York, N.Y.)  Search this
Type:
Photographs
Blueprints
Sketchbooks
Awards
Place:
Brooklyn Bridge (New York, N.Y.)
BuschGardens (Williamsburg, Va.)
Topic:
Artists' studios  Search this
Art -- Economic aspects  Search this
Sculptors -- New York (State) -- New York  Search this
Medalists -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)15773
(DSI-AAA_SIRISBib)287736
AAA_collcode_faccdome
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_287736
Online Media:

Chester Beach papers, 1846-1999, bulk 1895-1999

Creator:
Beach, Chester, 1881-1956  Search this
Subject:
Winter, Ezra  Search this
Olmsted, Frederick Law  Search this
MacMonnies, Frederick William  Search this
Allen, Mary Jester  Search this
Beach, Eleanor Murdock  Search this
Piexotto, Jessica B.  Search this
Couper, William  Search this
Käsebier, Gertrude  Search this
Carrington, Fitz Roy  Search this
Blumenschein, Ernest Leonard  Search this
Greacen, Edmund W.  Search this
Fitchen, Eleanor Beach  Search this
French, Daniel Chester  Search this
Kuhn, Brenda  Search this
Jackson, Hazel Brill  Search this
Jennewein, Carl Paul  Search this
Hancock, Walker Kirtland  Search this
Mora, F. Luis (Francis Luis)  Search this
Leibig, Bonnie  Search this
Nelson, Laurence  Search this
Nisbet, Robert H.  Search this
Kuhn, Walt  Search this
Salmagundi Club  Search this
American Academy in Rome  Search this
National Academy of Design (U.S.)  Search this
Frontier Art Colony  Search this
Architectural League of New York  Search this
Cleveland Museum of Art  Search this
Salon d'automne  Search this
Ecole nationale supérieure des beaux-arts (France)  Search this
Panama-Pacific International Exposition (1915: San Francisco, Calif.)  Search this
Mark Hopkins Institute of Art  Search this
National Sculpture Society (U.S.)  Search this
Type:
Scrapbooks
Sketches
Christmas cards
Drawings
Photographs
Prints
Sketchbooks
Topic:
Sculptors, American -- New York (State) -- New York  Search this
Eclecticism in architecture  Search this
Sculptors -- New York (State) -- New York  Search this
Sculpture -- Technique  Search this
Sculpture -- Equipment and supplies  Search this
Artists' studios  Search this
Sculpture -- Economic aspects  Search this
Record number:
(DSI-AAA_CollID)8873
(DSI-AAA_SIRISBib)211058
AAA_collcode_beacches
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211058
Online Media:

Architectural League of New York records, 1880s-1974

Creator:
Architectural League of New York  Search this
Subject:
Gilbert, Cass  Search this
American Institute of Architects  Search this
National Sculpture Society (U.S.)  Search this
Type:
Scrapbooks
Annual reports
Photographs
Minutes
Lantern slides
Topic:
Architecture  Search this
Associations, institutions, etc.  Search this
Record number:
(DSI-AAA_CollID)7617
(DSI-AAA_SIRISBib)209780
AAA_collcode_archleag
Theme:
Ephemera, Miscellany, and General Art Related
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209780
Online Media:

Chester Beach papers

Creator:
Beach, Chester, 1881-1956  Search this
Names:
American Academy in Rome  Search this
Architectural League of New York  Search this
Cleveland Museum of Art  Search this
Ecole nationale supérieure des beaux-arts (France)  Search this
Frontier Art Colony  Search this
Mark Hopkins Institute of Art  Search this
National Academy of Design (U.S.)  Search this
National Sculpture Society (U.S.)  Search this
Panama-Pacific International Exposition (1915: San Francisco, Calif.)  Search this
Salmagundi Club  Search this
Salon d'automne  Search this
Allen, Mary Jester  Search this
Beach, Eleanor Murdock  Search this
Blumenschein, Ernest Leonard, 1874-1960  Search this
Carrington, Fitz Roy, 1869-1954  Search this
Couper, William, 1853-1942  Search this
Fitchen, Eleanor Beach  Search this
French, Daniel Chester, 1850-1931  Search this
Greacen, Edmund W., 1876-1949  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Jackson, Hazel Brill  Search this
Jennewein, Carl Paul, 1890-  Search this
Kuhn, Brenda, 1911-  Search this
Kuhn, Walt, 1877-1949  Search this
Käsebier, Gertrude, 1852-1934  Search this
Leibig, Bonnie  Search this
MacMonnies, Frederick William, 1863-1937  Search this
Mora, F. Luis (Francis Luis), 1874-1940  Search this
Nelson, Laurence, 1887-1978  Search this
Nisbet, Robert H., 1879-1961  Search this
Olmsted, Frederick Law, 1822-1903  Search this
Piexotto, Jessica B.  Search this
Winter, Ezra, 1886-1949  Search this
Extent:
7.32 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketches
Christmas cards
Drawings
Photographs
Prints
Sketchbooks
Date:
1846-1999
bulk 1895-1999
Summary:
The Chester Beach papers measure 7.32 linear feet and date from 1846 to 1999, with the bulk ot the material dating from circa 1900 to 1999. The work and professional activities of Beaux Arts sculptor Chester Beach (1881-1956) and his family's efforts to exhibit and sell work from the estate are documented by project files, business records, correspondence, scrapbooks, printed material, and photographs. The papers also include many artist-designed Christmas cards sent and received by the Beach family, and artwork by Chester Beach and others.
Scope and Contents:
The Chester Beach papers measure 7.32 linear feet and date from 1846 to 1999, with the bulk ot the material dating from circa 1900 to 1999. The work and professional activities of Beaux Arts sculptor Chester Beach (1881-1956) and his family's efforts to exhibit and sell work from the estate are documented by project files, business records, correspondence, scrapbooks, printed material, and photographs. The papers also include many artist-designed Christmas cards sent and received by the Beach family, and artwork by Chester Beach and others.

Biographical material consists of biographical notes, identification cards, and a membership certificate.

Project files contain correspondence, financial records, notes, drawings and plans, research materials, printed matter, and photographs that document commissions for sculpture, medals and coins, monuments, and Beach's own projects. Among the most thoroughly documented projects are a fountain sculpture for the grounds of the Cleveland Museum of Art (Sun, Earth, Fountain of the Waters, and Zodiac) and the Edward W. Bok Memorial in Mountain Lake, Florida; both commissions were executed in conjunction with the firm of Frederick Law Olmsted.

Business records include Chester Beach's general business correspondence and correspondence concerning consignments. An address book records names, addresses, and occasionally indicates prices of services and supplies used by the sculptor. Other record books detail expenses and income of the studio building Beach owned, with a list of the effects of the former owner, sculptor William Couper; bronzes cast; sales, with titles, prices, and buyers; names and addresses of clients, dealers, and suppliers; and instructions for cleaning and bronzing plaster.

Family correspondence consists mainly of letters, many mentioning Chester Beach, and addressed to Mrs. Chester Beach and daughter Eleanor Beach Fitchen. Estate correspondence and related documents concern efforts to exhibit, sell, and research Beach's remaining work. These records, for the most part, were created by Mrs. Fitchen who acted as sales agent, ran the Chester Beach Memorial Studio, and maintained the Beach archive. Of particular interest is a series of letters from Brenda Kuhn that relate what she learned from handling the estate of her father, Walt Kuhn; in addition, she offered ideas and advice about exhibitions, the Memorial Studio, and the Beach Centennial.

Beach designed his family's annual Christmas cards, most of which incorporate images of their three daughters. A complete set, preserved in an album, includes a few later cards that reproduce artwork by his widow. Many of the cards received - some with original artwork - are from artist friends, among them: Ernest Blumenschein, Edward W. Greacen, Hazel Brill Jackson, Paul Jennewein, Bonnie Leibig, F. Luis Mora, Robert Nisbet, and Ezra Winter. Also of note are a card from Walker Hancock bearing a photograph of his studio; a painting of Beach's Sylvan at Brookgreen Gardens, reproduced on Anna Hyatt Huntington's card; and a card from Beach patron Mary Jester Allen containing a brief note about the Frontier Art Colony she had established near Cody, Wyoming.

Among the drawings and sketches by Chester Beach are student work, designs for some of his Christmas cards, and a sketchbook containing drawings of sculpture. Work by other artists consists of prints, including one by Ezra Winter.

Three scrapbooks, largely comprised of newspaper clippings and other printed material, contain a variety of other items, including: letters from the American Academy in Rome, Architectural League of New York, Ecole des Beaux Arts, Daniel Chester French, Hazel Brill Jackson, Frederick MacMonnies, National Academy of Design, National Sculpture Society, Jessica B. Piexotto, and Salon d'Autome. There are also awards and certificates from the National Academy of Design, Panama-Pacific International Exposition; bookplates and a place card Beach etched for Mr. and Mrs. George Davison; and an unfinished poem by FitzRoy Carrington. Photographs within the scrapbooks are of a night school class Beach attended at the Mark Hopkins Art Institute in San Francisco, Beach at work in his studio, and a portrait of him painted by G. Laurance Nelson.

Printed material includes Panama-Pacific International Exposition guide books, brochures about the Chester Beach Memorial Studio in Brewster, New York, and catalogs for solo and group exhibitions.

Photographs and glass plate negatives of artwork are mainly of Chester Beach's sculpture and include views of work in progress. Also found are photographs of drawings and sculpture from his student years in California and Paris. Pictures of work by other artists are portraits of Chester Beach painted by G. Laurance Nelson and by his daughter, Natalie Beach McLaury. Among the photographs of Chester Beach are several by Gertrude Kasebier, circa 1910. Other pictures show Beach in his studio, Beach with family and friends, and a "Dinner tendered to Edmund W. Greacen by Samuel T. Shaw, Salmagundi Club, March 2, 1922." Places documented are Beach's boyhood home in San Francisco, the interiors of his studios, and Brookgreen Gardens. Miscellaneous subjects are nude models.
Arrangement:
The collection is arranged as 10 series. Glass plate negatives are housed separately and closed to researchers.

Series 1: Biographical Material, 1910-1947 (4 folders; Box 1)

Series 2: Project Files, 1846-1999 (1.6 linear feet; Boxes 1-2, 11, OV 12-13)

Series 3: Business Records, circa 1900-1958 (0.4 linear feet; Boxes 2-3)

Series 4: Writings, 1913-1935 (2 folders; Box 3)

Series 5: Correspondence, 1875, 1933-1996 (0.5 linear feet; Box 3)

Series 6: Christmas Cards, 1909-1961 (0.7 linear feet; Boxes 3-4)

Series 7: Artwork, circa 1900-1955 (0.3 linear feet; Boxes 4, 11)

Series 8: Scrapbooks, 1903-1972 (0.3 linear feet; Box 10)

Series 9: Printed Material, 1910-1997 (0.4 linear feet; Box 4)

Series 10: Photographs, circa 1885-circa 1960s (3.1 linear feet; Boxes 4-9, 11, 14)
Biographical / Historical:
Sculptor Chester Beach (1881-1956) was known for portrait busts, allegorical and mythological figures, coins and medallic art in the Beaux-Arts tradition. He lived and worked in New York City and Brewster, New York.

Chester Beach, son of Chilion Beach and Elizabeth Ferris Beach, was born in San Francisco on May 23, 1881. Beach initially studied at the California School of Mechanical Arts in 1899. He remained in San Francisco and between 1900 and 1902 continued his art training at the Mark Hopkins Institute of Art while working as a jewelry designer. To further his career and exposure to artistic trends, Beach moved to New York City in 1903. The following year, he went to Paris, enrolled at the Ecole des Beaux-Arts, and also studied with Raoul Verlet at the Académie Julian.

Upon his return to New York in 1907, Beach established a studio on Tenth Street. He won the National Academy of Design's Barnett Prize for sculpture in 1907 and the Academy elected him an Associate Artist the following year. His increased stature resulted in numerous portrait commissions and eventually led to commissions for monuments and architectural sculpture. In 1910, Chester Beach married Eleanor Hollis Murdock, a painter he met when both were art students in Paris. The couple spent the next two years in Rome; for several years after returning, Beach continued to spend time in Italy and maintained a studio in Rome.

Solo exhibitions of Beach's work were presented at Macbeth Gallery (1912), Pratt Institute (1913), Cincinnati Art Museum (1916), John Herron Art Institute (1916), and Memorial Art Gallery, Rochester (1917). In addition to frequent participation in annual exhibitions at the National Academy of Design and the Pennsylvania Academy of the Fine Arts, Beach was represented in the Panama-Pacific International Exposition (1915), and in group shows at venues including: Art Institute of Chicago, Boston Art Club, California Palace of the Legion of Honor, and National Arts Club.

The gold medal presented by Académie Julian (1905), Beach's first award, was followed by many other prizes, among them: American Numismatic Society prize for a medal commemorating the Peace of Versailles (1919) and its Saltus Medal for distinguished medallic art (1946); Architectural League of New York gold medal (1924); National Academy of Design Barnett Prize (1907) and Watrous gold medal (1926); National Arts Club medal and prizes (1923, 1926, 1932); and the Panama-Pacific International Exposition silver medal (1915).

Beach was an Academician of the National Academy of Design, a member of the American Numismatic Society, Architectural League of New York, National Arts Club, National Institute of Arts and Letters, and the National Sculpture Society (President, 1927-1928).

For more than 40 years, Beach lived and worked at 207 East 17th Street. The brownstone, purchased in 1913, was large enough for the family's home, his studio, and additional studios that were rented to other artists. Through barter, Beach acquired land in Brewster, New York, and in 1917 hired Italian stonemasons to build a studio. Later, they erected a summer house for the family. Many old stone walls on the site provided material for both buildings and Beach named the property Oldwalls.

After a long illness, Chester Beach died at Oldwalls on August 6, 1956. The funeral service was held at his Brewster, New York, studio and he is buried in Cold Spring Cemetery, Cold Spring, New York.
Separated Materials:
Also in the Archives of American Art is microfilm of papers lent for microfilming (reels N727-N729 and N68-11) including passports, genealogical materials, photograph albums, travel sketches, travel diaries of Mrs. Beach, and business and family correspondence. While the obituary letters on reel N68-11 are referenced in a scrapbook in Series 8, all other loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Chester Beach's daughter, Eleanor Beach Fitchen, lent materials for microfilming in 1967 and 1967. Subsequent papers were donated in 2009 by the estate of Eleanor Beach Fitchen, through her grandson and executor, John Fitchen.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Glass plate negatives are housed separately and closed to researchers.
Rights:
The Chester Beach papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Sculptors, American -- New York (State) -- New York  Search this
Eclecticism in architecture  Search this
Sculptors -- New York (State) -- New York  Search this
Sculpture -- Technique  Search this
Sculpture -- Equipment and supplies  Search this
Artists' studios  Search this
Sculpture -- Economic aspects  Search this
Genre/Form:
Scrapbooks
Sketches
Christmas cards
Drawings
Photographs
Prints
Sketchbooks
Citation:
Chester Beach papers, 1846-1999, bulk circa 1900-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.beacches
See more items in:
Chester Beach papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-beacches
Online Media:

Leo Friedlander papers

Creator:
Friedlander, Leo, 1890-1966  Search this
Names:
National Sculpture Society (U.S.)  Search this
DeFrancisci, Anthony, 1887-1964  Search this
Ewing, Upton Clary  Search this
Keally, Francis, 1889-1978  Search this
Montana, Pietro, 1890-1978  Search this
Pope, Arthur Upham, 1881-1969  Search this
Warneke, Heinz (Heinrich), 1895-1983  Search this
Extent:
20.9 Linear feet ((partially microfilmed on 2 reels))
9 Items (rolled docs)
Type:
Collection descriptions
Archival materials
Date:
1900-1990
Scope and Contents:
Correspondence, photographs, writings, printed material, and motion picture film.
REEL 145: Ca. 40 letters to Friedlander, mostly about his work, and his interests as president of the National Sculpture Society, including letters from Francis Keally, Pietro Montana, Heinz Warneke, Anthony de Francisci, Arthur Upham Pope, and Upton Clary Ewing. Also included are photographs of Friedlander's sculptures; biographical notes; writings; a speech; and miscellaneous printed material.
REEL 3890: Biographical material; writings by Friedlander; reproductions of drawings by Friedlander; miscellaneous printed material; photographs of Friedlander, and of his works of art.
UNMICROFILMED: A resume; correspondence; scrapbooks, 3 short home movie film reels, drafts and final copies of his articles and speeches; published articles by Friedlander; reproductions of his work; photographs and negatives of art work, glass plate negatives, copper plates, and drawings, greeting cards, blueprints, and miscellaneous personal papers (ca. 1930-1950).
Biographical / Historical:
Sculptor; New York, N.Y.
Provenance:
Material on reel 145 donated 1971 by Friedlander's widow. Material on reel 3890 donated 1984 by Syracuse University. The bulk of the papers were donated in 1996 material by Gordon Friedlander, Friedlander's son, and a small portion were transferred from the National Collection of Fine Arts, 1979.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Sculpture, American -- New York (State) -- New York  Search this
Decoration and ornament, Architectural  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Identifier:
AAA.frieleo
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-frieleo

Karl Gruppe papers

Creator:
Gruppe, Karl, b. 1893  Search this
Names:
American Artists Professional League  Search this
Fine Arts Federation of New York  Search this
National Academy of Design (U.S.)  Search this
National Sculpture Society (U.S.)  Search this
Public Works of Art Project  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Bitter, Karl Theodore Francis, 1867-1915  Search this
Extent:
3.2 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1900-1978
Scope and Contents:
Correspondence, writings, art work, photographs, subject files, and printed material, relating to Gruppe's career as a sculptor, his involvement with the Public Works of Art Project, and his teacher Karl Bitter.
REEL 104: A list of monuments and fountains in New York City surveyed for renovation by Gruppe under the PWAP from 1934-1937. Each survey includes a general description, sometimes a photograph, a statement of its condition, repairs needed and renovation costs.
REEL N70-35: Correspondence, clippings, catalogs, 1920-1970, including items about the controversy over New York City's sculpture. Correspondents include Robert Moses, Edmond R. Amateis, Mary W. Harriman, Reginald Marsh, and Henry Wolf.
UNMICROFILMED: Biographies and resumes; correspondence, 1930-1976, concerning commissions and organizations; letters from Karl Bitter and family, 1905-1966; 21 sketches of designs for medals and coins; writings, including a report by Gruppe to the heads of the Pan-American Exposition, 1901, and "Art and the Church" by Lee Lawrie; and files (1.5 feet) on commissions, organizations, memorials, and other projects, containing printed material, business records, correspondence, writings and photographs. File headings include Alben W. Barkley Competition, American Federation of Arts, Architectural League, Art Commission Associates, Karl Bitter, Century Association, Commmittee on Government and Art, Competitions, Ecclesiastical Competion, Fine Arts Federation of N.Y.,
First Art Film Festival in America, Fort Clinton, Fund Raising, Henry Hudson Memorial, Outdoor Sculpture Exhibition, Medallic Art Company, Medals & Memorials, Monumental Restoration Project, National Academy of Design, National Sculpture Society, Plaster Casts for Museums, Society of Medalists, U.S. Dept. of State, War Memorials, and William Rufus King Memorial.
Also included are a book, THE DREAM CITY, A PORTFOLIO OF PHOTOGRAPHIC VIEWS OF THE WORLDS COLUMBIAN EXPOSITION, 1893, [cover inscribed THE MAGIC CITY]; clippings, 1949-1978; photographs (0.5 ft.) of Gruppe, his family, and friends, including Laura Gardin (Fraser), Anthony de Francisci, Karl Bitter and the Bitter family, and of art works by Gruppe, Bitter, Daniel Chester French and others.
Biographical / Historical:
Sculptor, medalist; New York, N.Y. Studied at the Royal Academy, Antwerp, Belgium and at the Art Students League of New York with Karl Bitter. Served as president of the National Sculpture Society, 1950-1951. He worked on the Monument Restoration Project, New York City Department of Parks, for the Public Works of Art Project from 1934-1937.
Provenance:
Material on reel N70-35 lent for microfilming by Gruppe, 1970; remainder donated by Gruppe 1970-1973, and by his daughter Elizabeth Gruppe Stover, 1986.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Medalists -- New York (State) -- New York  Search this
Topic:
Monuments -- New York (State) -- New York  Search this
Monuments -- Conservation and restoration  Search this
Sculpture, American  Search this
Sculpture -- Conservation and restoration -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Medals  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Function:
Film festivals
Identifier:
AAA.grupkarl
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-grupkarl

Vincent Glinsky papers

Creator:
Glinsky, Vincent, 1895-1975  Search this
Names:
Architectural League of New York  Search this
Federal Art Project (N.Y.)  Search this
National Academy of Design (U.S.)  Search this
National Sculpture Society (U.S.)  Search this
Levi, Julian E. (Julian Edwin), 1900-1982  Search this
Extent:
0.5 Linear feet ((on 3 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1927-1982
Scope and Contents:
Biographical material; correspondence; printed material; financial papers; sketches; and photographs.
REEL 74: Correspondence, mostly letters received, 1946-1963 relating to Glinsky's artwork, including a letter from Julian Levi. Additional material includes minutes from committee mmetings of the Architectural League of New York, exhibition catalogs, and clippings.
REEL 3959: Biographical material, 1943-1945, including a resume and Navy Department papers; correspondence, 1929-1975; notes and writings, 1940-1971; financial material, 1939-1967, includes cost estimates for the National Academy of Design and National Sculpture Society Joint Exhibition, 1950; sketches of Glinsky's studio and "Shop Drawing Method of Installation"; printed material consists of clippings, 1931-1972, and exhibition catalogs, 1929-1972; photographs of Glinsky at work and of 2 works of art, undated and 1938-1969.
REEL 3961: Correspondence, 1930-1980, includes letters with the U.S. Treasury Department concerning the U.S. Naval Expeditionary medal; 6 sketches; printed material, 1933-1975; photographs, 1938-1939, of Glinsky, his artwork, military personnel, and of the Union City, Pennsylvania post office dedication ceremony.
Biographical / Historical:
Sculptor, etcher, lithographer, painter, teacher; New York, N.Y. Born in Russia. Member of the National Sculpture Society, and the American Artist Congress. Served as an artist for the WPA-FAP in New York City. Exhibited at the National Academy of Design, Architectural League, Museum of Modern Art, Salon des Tuileries, Paris, and the Brooklyn Museum. Was a teacher at Brooklyn College, Brooklyn, N.Y.
Related Materials:
Vincent Glinsky papers also at Syracuse University.
Provenance:
Material on reels 74 and 3959 donated by Vincent Glinsky, 1966 and 1972. Material on reel 3961 donated by Cleo Hartwig, wife of Vincent Glinsky, 1981.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Sculpture, American -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Identifier:
AAA.glinvinc
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-glinvinc

Richard McDermott Miller papers

Creator:
Miller, Richard McDermott, 1922-  Search this
Names:
National Academy of Design (U.S.)  Search this
National Sculpture Society (U.S.)  Search this
Peridot Gallery (New York, N.Y.)  Search this
Sculptors Guild (New York, N.Y.)  Search this
Pollack, Louis  Search this
Extent:
3.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1962-2001
Summary:
The papers of sculptor Richard McDermott Miller measure 3.4 linear feet and date from 1962 to 2001. The papers document his work as an artist and teacher in New York City through biographical material, financial and business records, writings, subject files, and correspondence. His personal records about the National Academy of Design, of which he was an active member and president, are included.
Scope and Content Note:
The papers of sculptor Richard McDermott Miller measure 3.4 linear feet and date from 1962 to 2001. The papers document his work as an artist and teacher in New York City through biographical material, financial and business records, writings, subject files, and correspondence. His personal records about the National Academy of Design, of which he was an active member and president, are included.

Biographical material consists of a resume and exhibition history, as well as notes and correspondence not involving Miller's vocation. Financial and Business records contain account books of income and expenses, records of his bronzes and a register of his work. Writings include speeches Miller prepared as he practiced for his teaching career. Also found are miscellaneous texts and drafts of unknown purpose, and musings on art. Artwork consists of one ink drawing.

Subject files reflect Miller's activities in New York City. Of particular interest is his pursuit of gallery representation, which led him to friendship and affiliation with Louis Pollack and the Peridot Gallery. There are also files relating to the Sculptors' Guild and the National Sculpture Society. Correspondence is mainly with other artists, patrons and collectors.

A significant portion of Richard McDermott Miller's papers relates to the National Academy of Design. Included are financial and legal records, correspondence, and minutes stemming from his involvement with the Academy. This series is especially rich for the period of his presidency, 1989-1992.

The small number of photographs found in this collection are mainly promotional in nature, and some are annotated.
Arrangement:
The collection is arranged into 9 series:

Series 1: Biographical Material, 1969-1997 (Box 1; 2 folders)

Series 2: Financial and Business Records, 1962-circa 2000 (Box 1: 0.4 linear ft.)

Series 3: Writings, 1968-1969 (Box 1; 2 folders)

Series 4: Artwork, 1985 (Box 1; 1 folder)

Series 5: Subject Files, 1962-2001 (Boxes 1-2; 1.2 linear ft.)

Series 6: Correspondence, 1963-2001 (Boxes 2-3; 0.8 linear ft.)

Series 7: National Academy of Design Files, 1972-2001 (Boxes 3-4; 1.0 linear ft.)

Series 8: Photographs, circa 1981 (Box 4; 1 folder)
Biographical Note:
Richard McDermott Miller (1922-2004) was a sculptor and educator in New York, NY. Miller was born Richard Alan Miller in 1922. After studying at the Cleveland Institute of Art in the 1940s, Miller returned to his home town of New Philadelphia, Ohio, to work in the family plaque business.

At the age of 40, he and his wife, Gloria Bley Miller, moved to New York City. This transition is the focus of Miller's posthumously published autobiography, Heading for New York: A Sculptor's Journey. Upon arriving in New York, Miller began using McDermott (his mother's maiden name) as his middle name.

Countering prevailing tastes, Miller abandoned the popular abstract style to explore the human form. In addition to executing portraits and medals, his primary focus was the nude female figure. He worked with live models, creating sculpture in clay or wax, often casting in bronze. Because of his dedication to naturalistic work, Miller became known as the "Figure Sculptor of SoHo." Miller completed several large-scale commissions for public spaces across the country. He taught sculpture at Queens College, and, with his wife, wrote the textbook Figure Sculpture in Wax and Plaster.

In New York, Miller was a prominent presence among the city's sculpture organizations, writing many letters to newspapers demanding proper recognition for sculptors. He was active in the Sculptors' Guild, and active member and president (1989-1992) of the National Academy of Design, and president (1997-2000) of the National Sculpture Society. Upon his death in 2004, he bequeathed his SoHo building to the National Sculpture Society.
Related Material:
The holdings of the Archives of American Art include additional photographs of Miller among the Louise Finklestein papers, circa 1944-2000, and sound tapes and partial transcripts of the Alliance of Figurative Artists lectures and panel discussions, 1969-1970, in which Miller participated.
Provenance:
The papers were donated by Richard McDermott Miller to the Archives of American Art in 2001.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Richard McDermott Miller papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Study and teaching  Search this
Sculptors -- New York (State) -- New York  Search this
Citation:
Richard McDermott Miller papers, 1962-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.millrimc
See more items in:
Richard McDermott Miller papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-millrimc

Domenico Facci papers

Creator:
Facci, Domenico, 1916-1994  Search this
Names:
American Society of Contemporary Artists (New York, N.Y.)  Search this
Artists Equity Association  Search this
Audubon Artists (New York, N.Y.)  Search this
National Sculpture Society (U.S.)  Search this
Olympic Games (24th : 1988 : Seoul, Korea)  Search this
United States. Department of the Treasury  Search this
Extent:
1.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Blueprints
Sketchbooks
Awards
Place:
Brooklyn Bridge (New York, N.Y.)
BuschGardens (Williamsburg, Va.)
Date:
1914-1995
Summary:
The Domenico Facci papers are dated 1914 to 1995, with the bulk falling between the years 1950 and 1984. They measure 1.2 linear feet and consist of biographical material, correspondence, artwork relating to sculpture projects, printed material, and photographs. Among the well-documented aspects of Facci's professional career are: his leadership roles in several arts organizations based in New York City, including Audubon Artists, National Sculpture Society, and Artists Equity Association; his work on the United States Treasury's 1988 Olympic Games commemorative coin competition, Brooklyn Bridge 100th Anniversary reliefs, Endangered Species Medal, and Neptune Fountain at Busch Gardens in Williamsburg, VA.
Scope and Content Note:
The Domenico Facci papers are dated 1914 to 1995, with the bulk falling between the years 1950 and 1984. They measure 1.2 linear feet and consist of biographical material, correspondence, artwork relating to sculpture projects, printed material, and photographs. Among the well-documented aspects of Facci's professional career are: his leadership rolses in several arts organizations based in New York City, including Audubon Artists, National Sculpture Society, and Artists Equity Association; his work on the United States Treasury's 1988 Olympic Games commemorative coin competition, Brooklyn Bridge 100th Anniversary reliefs, Endangered Species Medal, and Neptune Fountain at Busch Gardens in Williamsburg, VA.

Biographical material consists of artist's statements; marriage, academic, and military service records; awards; and membership cards and certificates. Correspondence consists mainly of incoming letters related to Facci's activities with arts organizations, among them Audubon Artists, American Society of Contemporary Artists, the Village Art Center, Artists Equity Association, the National Sculpture Society, and Nippon Museum.

Artwork includes two sketchbooks - one for the 1988 Olympic Games commemorative coin competition, and another concerning the Endangered Species Medal. Also found are anatomical study drawings, blueprint plans for the Neptune Fountain project, and miscellaneous sketches.

Printed materials are newspaper clippings, newsletters, exhibition catalogs, programs, press releases, announcements, and brochures. The bulk of this series is comprised of exhibition catalogs from the Audubon Artists, Painters and Sculptors Society of New Jersey, National Arts Club, and National Sculpture Society.

Photographs are of Facci and his work, including completed pieces, the artist at work in his studio and presenting sculpture demonstrations.
Arrangement:
The collection is arranged as 6 series:

Series 1: Biographical Material, 1914-1998 (Box 1; 0.1 linear ft.)

Series 2. Correspondence, 1954-1988 (Box 1; 0.3 linear ft.)

Series 3. Artwork, circa 1930-1985 (Box 1; OV 2-3; 0.3 linear ft.)

Series 4. Printed Material, 1933-1988 (Box 1; 0.3 linear ft.)

Series 5. Scrapbook, circa 1940-1985 (Box 1; 1 folder)

Series 6. Photographs, circa 1940-1985 (Box 1; 0.2 linear ft.)
Biographical Note:
Domenico Facci (1914-1994) worked in New York City and was known primarily for commissioned portraits and public sculpture, and for holding leadership positions in several arts organizations based in New York City.

Domenico (Aurelio) Facci was born to Antonio and Grace Facci in Hooversville, Pennsylvana. on February 2, 1916, where his father, Antonio, was a coal miner. His mother was Grace Facci. When he was 10, the family relocated to Brooklyn, New York.

Facci won a scholarship to Roerich Academy (Master Institute of United Arts) where he studied under Pietro Montana and Louis Slobodkin and graduated in 1936. In 1937 he opened his first studio on Fifth Avenue at 15th Street and was immediately commissioned to do several large pieces for the 1939 World's Fair.

Many public and private commissions were executed by Facci in the New York City area, among them: carvings on the tower façade of St. Thomas's church, St. Rita sculpture in Long Island City, lobby for American Express building, 100 feet of plaques on the Brooklyn Bridge walkway, and bronze sculptures for PS 147 in the Bronx. Facci was also awarded portrait commissions of eminent public figures including: Winston Churchill, Albert Einstein, Bob Hope, Lowell Thomas, James Kilpatrick, and Lynn Redgrave, some of which were executed on live television and at other events. Some important commissions in other locations were: a cartouche for bronze doors for St Peter's Cathedral, Philadelphia, PA; exterior bronze for the Court of Appeals Building, Annapolis, MD; St. Paul sculpture, Fredericksburg, MD; Eagle War Monument, Rome, NY; and St. John Divine in Sewanee, TN.

Facci was the recipient of numerous important awards, including the Proctor Award from the National Academy of Design, the Richards Award from the Allied Artists, and the Liskin Award from the Knickerbocker Artists. He was also elected a fellow of the National Sculpture Society. Solo exhibitions of Facci's work were presented at the Silvermine Guild of Artists and the Village Art Center. He participated in group shows at the Whitney Museum of American Art and the National Academy of Design, Jersey City. Facci exhibited annually at numerous New York artists organization, including the Village Art Center, Knickerbocker Artists, and at the Silvermine Guild.

Facci's work is included in the permanent collections of the Florida Southern College, in Lakeland, FL, the Norfolk Museum, VA, and the Polk Museum, FL.

As an active member of numerous professional artists organizations, Facci served as the president of the Village Art Center for a decade, president of the Audubon Artists for 11 years, and president of the American Society of Contemporary Artists. In addition, he was an officer in other organizations, including: Knickerbocker Artists, Allied Artists, New Jersey Painters and Sculptors, National Sculpture Society, Silvermine Guild of Artists, New York Artists' Equity Association, Sculptors League, Salmagundi Club, National Academy of Design, and the American Society of Contemporary Artists.

In addition to his work as a sculptor, Facci was also a teacher. Between 1939 and 1972, he served on the faculty of City College of New York, the Academy of Art at Florida Southern College, Ridgewood Village Art School in New Jersey, and the Craft Student League in New York.

Domenico Facci was married to Penelope (Felicia/Penny) Facci and they had a son, Robert. Domenico Facci died on November 6, 1994.
Provenance:
Gift of Debby Friedman, 2010.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Domenico Facci papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists' studios  Search this
Art -- Economic aspects  Search this
Sculptors -- New York (State) -- New York  Search this
Medalists -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Blueprints
Sketchbooks
Awards
Citation:
Domenico Facci papers, 1914-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.faccdome
See more items in:
Domenico Facci papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-faccdome

Robert A. Weinman papers

Creator:
Weinman, Robert A., 1915-  Search this
Names:
National Sculpture Society (U.S.)  Search this
Extent:
0.4 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1935-1971
Scope and Contents:
Correspondence; photographs; sketches; notes; catalogs and announcements; and clippings.
REEL 100: Correspondence; photographs; sketches; and material relating to Weinman's work as a member and officer of the National Sculpture Society, and to commissions, such as the Missouri Sesquicentennial; Tulsa Tribune (air terminal statue); General Dynamics (IGA trophy); U.S. Military Academy, West Point; International Nickel Co.; the Peoria, Ill., county court house; Brittania Commemorative Society Medal; Paramount International Coin Corp. (Max J. Humbert); Boys Town; American Institute of Architects; Archangel College, N.J.; Society of Medalists; Manhattanville College, Purchase, N.Y.; and L. G. Balfour Co.
UNMICROFILMED: Correspondence, some related to the National Sculpture Society; notes for articles; sketches for medals and medallions; catalogs and announcements; and clippings.
Biographical / Historical:
Sculptor; Bedford, New York. Member and president of the National Sculpture Society, 1973-1976. Son of sculptor Adolph Weinman.
Provenance:
Material on reel 100 lent for microfilming 1971 and unmicrofilmed material donated 1976 by Robert Weinman.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Sculptors -- New York (State) -- Bedford  Search this
Topic:
Sculpture, American  Search this
Medals  Search this
Identifier:
AAA.weinrobe
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-weinrobe

Adolph A. Weinman papers

Creator:
Weinman, Adolph A. (Adolph Alexander), 1870-1952  Search this
Names:
National Academy of Design (U.S.)  Search this
National Sculpture Society (U.S.)  Search this
Extent:
10.3 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Photographs
Sketches
Date:
1890-1959
Summary:
The collection measures 10.3 linear feet, dates from 1890 to 1959, and documents the career of early twentieth century sculptor Adolph A. Weinman. Found within the papers are scattered biographical materials; project files for Weinman's sculpture and commissions; correspondence with colleagues, friends and family, and letterpress books containing copies of letters concerning specific sculpture commissions; files concerning Weinman's membership in the National Sculpture Society and the National Academy of Design; records concerning works of art held by dealers and in exhibitions and other miscellaneous financial materials; notes and a notebook; writings and speeches by Weinman; sketches and sketchbooks; printed materials; photographs and glass negatives. This material not only reflects the diversity of projects executed by this prolific sculptor, but illustrates the process of creation for many of his more important works.
Scope and Content Note:
The papers of American sculptor Adolph Weinman measure 10.3 linear feet and date from 1890 to 1959. Found within the collection are scattered biographical materials; project files for Weinman's sculpture and commissions; correspondence with colleagues, friends and family, and letterpress books containing copies of letters concerning specific sculpture commissions; a substantial body of files concerning Weinman's membership in the National Sculpture Society and the National Academy of Design; records concerning works of art held by dealers and in exhibitions and other miscellaneous financial materials; notes and a notebook; writings and speeches by Weinman; sketches and sketchbooks; printed materials; photographs and glass negatives. This material not only reflects the diversity of projects executed by this prolific sculptor, but illustrates the process of creation for many of his more important works.

Much of the collection (6.0 linear feet) consists of project files documenting many of Weinman's sculpture and commissioned public and architectural pieces through correspondence, contracts, financial records, notes, drawings, printed material, and photographs. A complete list of each project or sculpture file is found in the Container Listing. Also found are scattered biographical materials, general correspondence, files relating to Weinman's membership in the National Sculpture Society and the National Academy of Design, scattered financial files, notes and writings, art work, printed materials, and photographs.
Arrangement:
Most materials have been arranged in chronological order, except for artwork and photographs which are arranged primarily according to subject matter. Glass plate negatives from the Project Files Series and Photographs Series have been removed and housed separately in Boxes 10-13 and are so noted in the Series Description/Container Listing Section at the appropriate folder title. Oversized material from various series has been housed in Box 14 and OV folders 15-22 and are listed with each appropriate series.

The collection has been arranged into 10 series:

Series 1: Biographical Material, 1890-1950 (Boxes 1, 14, OVs 15, 22; Reel 5884; 4 folders)

Series 2: General Correspondence, 1897-1954 (Boxes 1-2, OV 15; Reels 5884-5886; 1.4 linear feet)

Series 3: Organization Files, 1916-1952 (Boxes 2-3; Reels 5886-5887; 0.9 linear feet)

Series 4: Financial Material, 1910-1953 (Box 3; Reel 5887; 3 folders)

Series 5: Notes, 1918-1952 (Box 3; Reel 5887; 14 folders)

Series 6: Writings, 1929-1952 (Box 3; Reel 5887; 14 folders)

Series 7: Artwork, 1892-1933 (Boxes 3, 14, OVs 16-19; Reels 5887-5888; 0.4 linear feet)

Series 8: Project Files, 1896-1955 (Boxes 3-8, 10-14, OVs 15-22; Reels 5888-5891; 6.0 linear feet)

Series 9: Printed Material, 1891-1959 (Box 8, OV 21; Reel 5892; 0.4 linear feet)

Series 10: Photographs, 1903-1950 (Boxes 9, 13, OV 21; Reel 5892; 0.2 linear feet)
Biographical Note:
American sculptor, Adolph Alexander Weinman was born on December 11, 1870 in Germany and came to New York City in 1880. At the age of fifteen, he attended evening classes at Cooper Union. He later studied at the Art Students League. When he was twenty years old, he entered the studio of Philip Martiny and later worked with Olin Warner, Augustus Saint-Gaudens, Charles Henry Niehaus, and Daniel Chester French. In 1904, Weinman opened his own studio, and in the same year created the Destiny of the Red Man for the St. Louis Exposition. In 1923, he moved his studio to Forest Hills, New York, where he lived until his death.

Among Weinman's more notable sculpture commissions are the General Alexander Macomb Memorial in Detroit, Michigan, Alexander Johnston Cassatt and Samuel Rea for the Pennsylvania Railroad Terminal in New York City, the Seated Lincoln for Hodgenville, Kentucky, and sculptural group Riders of the Dawn at Brookgreen Gardens, South Carolina. In 1915, he designed The Rising Sun and Descending Night fountains for the Panama-Pacific Exposition in San Francisco. In the following year he designed the "Mercury" dime and "Walking Liberty" half dollar for the U. S. Mint. Weinman also created friezes for the U. S. Supreme Court building, and pediments for the National Archives building, the U. S. Post Office Department Building, and for the Jefferson Memorial, all in Washington, D. C.

Weinman was a member of many organizations, including the National Sculpture Society, of which he was president from 1927 to 1930, the American Academy of Arts and Letters, the National Institute of Arts and Letters, the National Academy of Design, and the New York City Art Commission.

Adolph A. Weinman died on August 8, 1952, in Port Chester, New York.
Separated Material:
The Archives of American Art also holds microfilm of materials lent for microfilming. Reel 283 contains biographical materials, a contract, correspondence, photographs, scrapbooks, and miscellaneous materials, dating 1888-1952. Reel 414 includes correspondence exchanged between Weinman and the Corcoran Gallery of Art and the Medallic Art Company between 1930 and 1952. Lent materials were returned to the lenders and are not described in the collection container inventory.
Provenance:
In 1971 and 1972, Adolph Weinman's sons, Howard and Robert A. Weinman, lent the Archives of American Art material for microfilming. Howard Weinman also donated material in 1972 and Robert A. Weinman gave papers in 1976.
Restrictions:
A digitized version of the microfilm of this collection is available online via the Archives of American Art website.
Rights:
The Adolph A. Weinman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Sculpture, American  Search this
Genre/Form:
Drawings
Sketchbooks
Photographs
Sketches
Citation:
Adolph A. Weinman papers, 1890-1959. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.weinadol
See more items in:
Adolph A. Weinman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-weinadol
Online Media:

National Sculpture Society records

Creator:
National Sculpture Society (U.S.)  Search this
Names:
Architectural League of New York  Search this
Bitter, Karl Theodore Francis, 1867-1915  Search this
Ward, John Quincy Adams, 1830-1910  Search this
Extent:
20.3 Linear feet ( (partially microfilmed on 10 reels))
Type:
Collection descriptions
Archival materials
Scrapbooks
Place:
New York N.Y. -- Photographs
Date:
1883-1962
Scope and Contents:
Photographs, scrapbooks, printed material, correspondence and business records.
UNMICROFILMED MATERIAL: 4 photograph albums, glass negatives and photographs of works of art by society members; exhibition records; bank records and check stubs; scrapbooks and clippings on the New York Architectural League; and books on Karl Bitter and John Quincy Adams Ward.
REEL D132: 414 photographs and reproductions of sculpture by society members. Information on the back of photographs includes artist, title, location, dimensions, date, price and material.
REEL NJ1: Complete run of National Sculpture Review, the quarterly publication put out by the National Sculpture Society from Dec. 1951 to Spring 1962.
REELS 488-494: Financial and general correspondence; financial records, ledgers, cash books, tax records and check books; a catalog distribution book; publications and clippings; War Memorials Project material; a constitution, membership lists, minutes and an exhibitors' roster.
REEL 3097: Lantern slides of the work of 262 sculptors and views of New York City.
REEL 3161: Mimeographed copies of minutes of the Council of the National Sculpture Society, 1951-1952, kept by Katherine Lane Weems, Chairman of the Library and Research Committee, 1951, and Recording Secretary, 1952.
Biographical / Historical:
Founded in 1893 The society works with architects, art councils, and sponsoring committees in selecting sculptors to execute new works. Assists governmemt art councils with advice on rules for competitions and in preparing exhibitions. Conducts research, maintains an archives and library, and sponsors exhibitions and competitions.
Provenance:
Material on reel D132 lent for microfilming by the National Sculpture Society, 1964. All other material was donated by the society, 1964-1972.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Sculptors -- United States  Search this
Topic:
Art -- Societies, etc.  Search this
Sculpture, Modern -- 19th century -- United States  Search this
Sculpture, Modern -- 20th century -- United States  Search this
War memorials -- United States  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.natiscul
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-natiscul

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