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Department of Anthropology photograph collection of anthropological exhibits

Creator:
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Names:
American Museum of Natural History  Search this
Field Museum of Natural History  Search this
United States National Museum  Search this
Ward, Herbert, 1863-1919  Search this
Photographer:
Beckwith, Paul E.  Search this
Ellis, Harry C., b. 1857  Search this
Extent:
14 Prints (silver gelatin)
7 Prints (albumen)
Culture:
Indians of North America -- Great Basin  Search this
Apache Indians  Search this
Zulu (African people)  Search this
Ainu  Search this
Samoans  Search this
Indians of North America -- Southwest, New  Search this
Paiute Indians  Search this
Type:
Collection descriptions
Archival materials
Prints
Photographs
Place:
Washington (D.C.) -- Rock Creek Park
Date:
circa 1890-1910
Scope and Contents note:
The collection consists of images of exhibits of anthropological material. These include Oceanic and African implements and artifacts exhibited at the Field Columbian Museum; a William Henry Holmes-designed diorama in Piney Branch (1895); costumed mannequins and busts at the United States National Museum; the Smithsonian Exhibit at the World Columbian Exposition in Chicago (1891); dioramas at the American Museum of Natural History; African artifacts in Herbert Ward's studio in Paris; and exhibit halls in the Smithsonian Arts and Industries building (1891). The photographers represented in the collection include Paul Edmond Beckwith, Henry E. Sorgersen & Co., and Harry C. Ellis.
Local Call Number(s):
NAA Photo Lot 4
Location of Other Archival Materials:
Photographs of exhibits at the Pan-American Exposition, previously filed in Photo Lot 4, have been relocated to National Anthropological Archives Photo Lot 87-2L.
Additional Harry C. Ellis photographs of Herbert Ward's studio held in National Anthropological Archives Photo Lot 75-52.
Additional images of United States National Museum collections held in National Anthropological Archives Photo Lot 99-41.
See others in:
Department of Anthropology photograph collection of anthropological exhibits, 1890-1910
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Exhibitions  Search this
Genre/Form:
Photographs
Citation:
Photo lot 4, Department of Anthropology photograph collection of anthropological exhibits, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.4
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-4

Adrienne DeArmas photographs of Tlingit village in Klukwan, Alaska

Creator:
DeArmas, Adrienne  Search this
Names:
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Extent:
111 Color slides
Culture:
Indians of North America -- Northwest Coast of North America  Search this
Tlingit Indians  Search this
Type:
Collection descriptions
Archival materials
Color slides
Place:
Klukwan (Alaska)
Date:
1993
Scope and Contents note:
Images of streets, houses, and other buildings in Klukwan, a Tlingit village in Alaska, made on August 6, 1993. According to a description by photographer Adrienne DeArmas, the images form "a panoramic view of the Tlingit Village in Klukwan, Alaska, U.S.A. . . .The slides begin on the left-hand side of the road which divides the community into the riverside and the mountain side, and progress to the end of the community and back up the road on the right-hand side. The river is to the left and the mountains to the right."
Biographical/Historical note:
In 1993, National Museum of Natural History staff traveled to Juneau and Klukwan, Alaska, to present their plan for the museum's renovated North American Hall to the board members of the Sealaska Corporation and to the community of Klukwan. During the trip, permission was obtained to photograph the community for the archives, the village, and the Sealaska Corporation.
Local Call Number(s):
NAA Photo Lot 94-19
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Citation:
Photo Lot 94-19, Adrienne DeArmas photographs of Tlingit village in Klukwan, Alaska, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.94-19
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-94-19

Smithsonian Institution Office of Printing and Photographic Services photographs of reception for repatriation of Henry Lookout's manuscripts

Creator:
Smithsonian Institution. Office of Printing and Photographic Services  Search this
Names:
National Museum of American History (U.S.)  Search this
National Museum of Natural History (U.S.)  Search this
Evelyn, Douglas E., 1941-  Search this
Glenn, James R.  Search this
Goddard, Ives, 1941-  Search this
Smith, Bruce D. (Bruce David), 1946-  Search this
Zeder, Melinda A.  Search this
Extent:
33 Contact prints (33 contact prints (contact sheets))
Culture:
Osage Indians  Search this
Indians of North America -- Great Plains  Search this
Type:
Collection descriptions
Archival materials
Contact prints
Photographs
Date:
1990
Scope and Contents note:
Photographs documenting presentation of Henry Lookout's manuscripts to his descendants, made in the Director's office of the National Museum of Natural History on September 27, 1990. Depicted individuals include George Big Eagle, Olivia Mashunkashey Bristow (daughter of Henry Lookout), Tom E. Fugate, Michele Easley, Anita West, Frank Talbot, Ives Goddard, Douglas Evelyn (Deputy Director, NMAH), Peggy Anderson (Talbot's assistant), Melinda Zeder (Deputy Chairman, Anthropology), James R. Glenn (National Anthropological Archives), Cory Gilliland (Numismatics, NMAH), Elvira Stefanelli (Director, National Numismatics Center), and Bruce Smith (Acting Chairman, Anthropology).
Biographical/Historical note:
Henry Lookout, an Osage Indian, made an indefinite loan of documents (NAA MS 4405 and 4406) and a Jefferson Peace Medal (NAA MS 4407) to the Bureau of American Ethnology in 1952. His descendents later requested the return of the material and all items except the peace medal were repatriated in the Director's office of the National Museum of Natural History on September 27, 1990. The medal was purchased by the National Museum of American History and remains in its collection.
Local Call Number(s):
NAA Photo Lot 93-9
Location of Other Archival Materials:
A photograph of Lookout holding Jefferson Peace Medal held in National Anthropological Archives Photo Lot 24.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Cultural property -- Repatriation  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 93-9, Smithsonian Institution Office of Printing and Photographic Services photographs of reception for repatriation of Henry Lookout's manuscripts, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.93-9
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-93-9

Smithsonian Institution Office of Printing and Photographic Services photographs of Henry Bascom Collins and St. Lawrence Island dancers

Creator:
Smithsonian Institution. Office of Printing and Photographic Services  Search this
Names:
National Museum of Natural History (U.S.)  Search this
Collins, Henry B. (Henry Bascom), 1899-1987  Search this
Extent:
4 Prints (silver gelatin)
5 Negatives (acetate, 35 mm)
Culture:
Arctic peoples  Search this
Eskimos  Search this
Type:
Collection descriptions
Archival materials
Prints
Negatives
Date:
1982
Scope and Contents note:
Group portraits of Henry Bascom Collins and a St. Lawrence Island dance group, made by a Smithsonian photographer on June 22, 1982. The photographs were taken at the opening of the "Inua: Spirit World of the Bering Sea Eskimo" exhibit at the National Museum of Natural History.
Biographical/Historical note:
Henry B. Collins began his career in anthropology as an assistant on Neil M. Judd's 1922-1924 expeditions to Pueblo Bonito in New Mexico. In 1924, he became an aid in the United States National Museum Division of Ethnology, and later was appointed to assistant curator, associate curator, and archeologist emeritus. He was also a senior ethnologist and later acting director for the Bureau of American Ethnology. Between 1927 and 1936, Collins did field work in the Bering Sea area and the Arctic coasts of Alaska, studying influences of Eskimo culture. From 1948-1955, his field work expanded eastward to Baffin, Cornwallis, and Southampton islands.
Local Call Number(s):
NAA Photo Lot 94-33
Location of Other Archival Materials:
The National Anthropological Archives holds the Henry Bascom Collins, Jr. Papers and a recording of his tour of Eskimo collections on exhibit (MS 2011-36).
Photographs of the "Inua" exhibit opening held in National Anthropological Archives Photo Lot 83-29.
Footage of Yupik Eskimo Life, made by Collins, can be found in the Human Studies Film Archives in HSFA 82.6.1.
Photographs of Collins in the Arctic held in National Anthropological Archives Photo Lot 8, Photo Lot 24, Photo Lot 82-23, and Photo Lot 86-59.
The Smithsonian Institution Archives holds audio recordings of oral history interviews with Collins (SIA RU009528) and images of Collins in the Arctic.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Citation:
Photo Lot 94-33, Smithsonian Institution Office of Printing and Photographic Services photographs of Henry Bascom Collins and St. Lawrence Island dancers, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.94-33
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-94-33

William W. Fitzhugh photograph collection of opening of "Inua" exhibit

Collector:
Fitzhugh, William W., 1943-  Search this
Names:
National Museum of Natural History (U.S.) -- Exhibitions.  Search this
Photographer:
Smithsonian Institution. Office of Printing and Photographic Services  Search this
Chambers, Moreau Browne Congleton  Search this
Extent:
8 Prints (silver gelatin)
7 Color prints
Culture:
Eskimos  Search this
Arctic peoples  Search this
Type:
Collection descriptions
Archival materials
Prints
Color prints
Date:
1982
Scope and Contents note:
Photographs documenting a reception following the opening of the "Inua" exhibit at the National Museum of Natural History. They include images of performers, Smithsonian staff and visitors viewing the new exhibit and socializing. There are also images of Eskimo dancers from Gambell on St. Lawrence Island, who formed a part of the exhibit. Color prints were made by Moreau Browne Congleton Chambers, while the black and white prints were made by Smithsonian photographers.
Biographical/Historical note:
The "Inua: Spirit World of the Bering Sea Eskimo" exhibit, which opened in June 1982 at the National Museum of Natural History, was organized by William W. Fitzhugh and Susan Kaplan and made use of the Edward William Nelson collection of Eskimo materials. Moreau Chambers, a visitor to the exhibit opening, was a former field crew member of Henry Bascom Collins's 1931 expedition to Saint Lawrence Island, Alaska.
Local Call Number(s):
NAA Photo Lot 83-29
Location of Other Archival Materials:
The Smithsonian Institution Archives holds a picture of William Fitzhugh and Susan Kaplan with parts of the Edward William Nelson Collection (SIA 2003-19575).
Correspondence and writings from Moreau Chambers can be found in the National Anthropological Archives in MS 4173, MS 7406, MS 7525, the Cooperative Ethnological Investigations file, Frank Maryl Setzler's papers, and Henry Bascom Collins's papers.
Photographs of Eskimos by Edward William Nelson can be found in the National Anthropological Archives in Photo Lot 24 and the BAE historical negatives.
Nelson's collection of Eskimo materials can be found in the Department of Anthropology.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Eskimo dance  Search this
Citation:
Photo lot 83-29, William W. Fitzhugh photograph collection of opening of "Inua: Spirit World of the Bering Sea Eskimo" exhibit, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.83-29
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-83-29

MS 7099 Correspondence and other documents relating to the Zimmerman collection of archaeological specimens and its transfer to the University of Alaska Museum

Creator:
National Museum of Natural History (U.S.). Department of Botany  Search this
Correspondent:
Fitzhugh, William W., 1943-  Search this
Dixon, E. James  Search this
Names:
University of Alaska Museum  Search this
Zimmerman Collection  Search this
Extent:
71 Pages
Culture:
Eskimos  Search this
Arctic peoples  Search this
Indians of North America -- Subarctic  Search this
Type:
Collection descriptions
Archival materials
Pages
Date:
May 1976-1978
Scope and Contents:
Includes correspondence between the NMNH Department of Anthropology and the University of Alaska, principals being William W. Fitzhugh and E. James Dixon, together with Dixon's "Current Archeological Concerns of the University of Alaska Museum." Also includes a copy of a catalog of the Zimmerman collection.
Local Numbers:
NAA MS 7099
Topic:
Anthropology, history of  Search this
Citation:
Manuscript 7099, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS7099
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms7099

MS 2011-26 Tour of Eskimo collections on exhibit at National Museum of Natural History

Creator:
Collins, Henry B. (Henry Bascom), 1899-1987  Search this
Names:
National Museum of Natural History (U.S.)  Search this
Extent:
1 Sound cassette (analog)
Culture:
Eskimos  Search this
Arctic peoples  Search this
Indians of North America -- Subarctic  Search this
Type:
Collection descriptions
Archival materials
Sound cassettes
Sound recordings
Date:
1975 September
Scope and Contents:
Recording of Henry B. Collins, at the time archaeologist emeritus at the Smithsonian Institution, leading a tour of the Eskimo collections on exhibit at the National Museum of Natural History in September, 1975.
Local Numbers:
NAA MS 2011-36
Other Archival Materials:
See also Henry Bascom Collins, Jr. Papers
Topic:
Exhibitions  Search this
Genre/Form:
Sound recordings
Citation:
Manuscript 2011-36, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.MS2011-36
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms2011-36

John Canfield Ewers Papers

Correspondent:
Hanson, James A.  Search this
Conner, Stuart W.  Search this
Dempsey, Hugh A.  Search this
Brasser, Ted J.  Search this
DeMallie, Raymond  Search this
Schaeffer, Claude E.  Search this
Taylor, Colin F.  Search this
Creator:
Ewers, John C. (John Canfield), 1909-1997  Search this
Names:
National Museum of American History (U.S.)  Search this
National Museum of Natural History (U.S.)  Search this
Smithsonian Institution  Search this
United States. National Park Service  Search this
Catlin, George, 1796-1872  Search this
Denig, Edwin Thompson, 1812-1858  Search this
Taylor, James E. ((Artist))  Search this
Extent:
97 Linear feet
Culture:
Anishinaabe (Chippewa/Ojibwa)  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Northeast  Search this
Cree  Search this
Ojibwa Indians  Search this
Assiniboine (Stoney)  Search this
Kiowa Indians  Search this
Indians of North America -- Subarctic  Search this
Niitsitapii (Blackfoot/Blackfeet)  Search this
Type:
Collection descriptions
Archival materials
Date:
1945-1993
Scope and Contents:
The John Canfield Ewers Papers document his wide ranging anthropological interests from early White depictions of Native Americans to the material culture of the Plains tribes through correspondence, exhibit catalogs, field notes, illustrations, lectures, maps, photocopies of archival materials, photographs, and writings. The collection includes materials relating to his numerous research projects and publications such as his books on plains sculpture and Jean Louis Berlandier as well as his field research among the Assiniboin and Blackfoot tribes. Ewers' career as an ethnologist based in a museum is amply documented through correspondence, exhibit plans and scripts, notes, and reports showcasing his work for the National Park Service and his fifty plus years at the Smithsonian. The voluminous correspondence file highlights his close collaboration with individuals such as Stu Conner, Hugh Dempsey, Claude Schaeffer, and Colin Taylor. Ewers' graduate studies and his family are featured in Series XI. One special category of materials in this collection is Series XIV, the card files. Ewers pulled information from his field notes and other sources, classified them, and typed or wrote them up on 3x5 or 5x7 inch index cards. He then organized these files alphabetically by subject within large categories such as "Collecting Alpha by Collectors Name" or "Fur Trade and Trade Goods." The card files include correspondence and photographs and closely relate to materials throughout the rest of the collection. Though Ewers' papers are primarily textual in nature, there are graphic materials throughout his files. Series XIII features the graphic materials that Ewers kept separate from his files such as the contents of his slide cabinets. There is overlap within this series as Ewers kept multiple copies of his slides in various locations. This series also includes audiotapes of conferences and symposia at which Ewers spoke and three scrapbooks. Of note are original pencil and ink drawings from his book, The Horse in Blackfoot Culture, in Series XV. Transcripts of oral history interviews with John Canfield Ewers are also available at the Smithsonian Institution Archives.
Arrangement note:
This collection was organized into 15 series - Correspondence, Research & Subject Files, Research Projects, Trips and Presentations, Artists of the Old West, North American Indian Art, Plains Sculpture Book, Berlandier Project, Smithsonian Institution, National Park Service, Personal, Writings by Ewers, Audiovisual Materials, Card Files, and Art Work.
Biographical/Historical note:
John Canfield Ewers (1909-1997) earned a B.A. from Dartmouth College in 1931 and an M.A. in Anthropology from Yale University in 1934. Ewers began his career in museums as a Field Curator for the National Park Service. He helped design exhibits at Vicksburg National Battlefield and Ocmulgee National Monument among others. In 1941, the Bureau of Indian Affairs hired Ewers to design and establish the Museum of the Plains Indian in Browning, Montana. After a short stint in the Navy during World War II, Ewers joined the Department of Anthropology at the Smithsonian Institution. He worked at the Smithsonian for over fifty years in numerous capacities including Director of the National Museum of History and Technology (now called the National Museum of American History). Ewers' research dealt with the Plains Indians and the Blackfoot tribe in particular. Ewers wrote several books on a wide variety of topics including White artists depictions of Native Americans, Plains Indian sculpture, and the horse in Blackfoot Indian culture.
Restrictions:
The John Canfield Ewers papers are open for research.
Rights:
Contact repository for terms of use.
Topic:
Ethnohistory  Search this
Carving  Search this
American Indians -- Plains  Search this
Artists -- United States -- West -- Biography  Search this
American Indians -- Clothing  Search this
American Indians -- arts and crafts  Search this
Museums -- History -- Exhibitions  Search this
Museums -- Collection management  Search this
Museum exhibits  Search this
Repatriation  Search this
Artists  Search this
Citation:
John Canfield Ewers papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.1998-35
See more items in:
John Canfield Ewers Papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-1998-35

Productions, 1967, 1976, 1982, 1988, 1991, 1994-1995, 1998, 2001, undated

Creator:
Smithsonian Productions  Search this
Uniform title:
As They Really Are (Video recording : 1991)  Search this
Bengal Tiger (Documentary film: 1976)  Search this
Big Cats and How They Came to Be (Motion picture : 1976)  Search this
Changes: The Story of Evolution and Speciation (Motion picture : circa 1979)  Search this
Enormous Egg (Television program : 1967)  Search this
First Look at Kumari (Video recording)  Search this
National Zoo: Think Tank (Video recording : 1995)  Search this
National Zoo: Think Tank (Video recording : 2001)  Search this
Subject:
Council on International Nontheatrical Events  Search this
Film Polski  Search this
Friends of the National Zoo (U.S.)  Search this
National Broadcasting Company  Search this
National Museum of Natural History (U.S.)  Search this
National Zoological Park (U.S.) Office of Education  Search this
National Zoological Park (U.S.)  Search this
National Zoological Park (U.S.) Think Tank  Search this
Human Attitudes Toward Animals (Exhibition) (1991: Washington, D.C.)  Search this
Physical description:
1.5 cu. ft. (1 record storage box) (1 document box)
Type:
Motion pictures (visual works)
Collection descriptions
Videotapes
Date:
1994
1994-1995
1967, 1976, 1982, 1988, 1991, 1994-1995, 1998, 2001, undated
Topic:
Endangered species  Search this
Evolution  Search this
Pandas  Search this
Panthera  Search this
Tigers  Search this
Wildlife conservation  Search this
Zoo animals  Search this
Zoos--Educational aspects  Search this
Zoos  Search this
Kumari (Elephant)  Search this
Species  Search this
Elephants  Search this
Museum exhibits  Search this
Local number:
SIA Acc. 09-082
Restrictions & Rights:
Restrictions pertaining to the use of these materials may apply (based on contracts/copyright). Access restrictions may also apply if viewing copies are not currently available. Viewing copies can be made for a fee. Contact reference staff for details
See more items in:
Productions 1938-2009 and undated [Smithsonian Productions]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_282591

Native American Public Programs photograph collection of American Indian artists and art

Collector:
National Museum of Natural History (U.S.). Native American Public Programs  Search this
Ringlero, Aleta Pima  Search this
Photographer:
Smithsonian Institution. Office of Printing and Photographic Services  Search this
Clark, Chip, 1947-2010  Search this
Hansen, Carl C.  Search this
Hart, Alan  Search this
Long, Eric  Search this
Minor-Penland, Laurie  Search this
Penland, Dane  Search this
Strauss, Richard  Search this
Taccone, Christina  Search this
Vargas, Rick  Search this
Names:
Lewis, Lucy M.  Search this
Extent:
5,750 Prints (circa, silver gelatin (including contact prints))
12 Color transparencies
10 Color negatives
3,500 Color slides (circa)
67 Color prints
4 Negatives (acetate)
Culture:
Indians of North America -- California  Search this
Paiute Indians  Search this
Jemez Indians  Search this
Miwok Indians  Search this
Yurok Indians  Search this
Cherokee  Search this
Tewa Indians  Search this
Indians of North America -- Southern States  Search this
Tlingit Indians  Search this
A:shiwi (Zuni)  Search this
Assiniboine (Stoney)  Search this
Oglala Indians  Search this
Kwakiutl Indians  Search this
Delaware Indians  Search this
Indians of North America -- Great Plains  Search this
Tohono O'Odham Indians  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Indians of North America -- Great Basin  Search this
Akimel O'odham (Pima)  Search this
Hopi Indians  Search this
Indians of North America -- Southwest, New  Search this
Onondaga Indians  Search this
Muskogee (Creek)  Search this
Mono Indians  Search this
Pomo Indians  Search this
Laguna Indians  Search this
Makah Indians  Search this
White Mountain Apache  Search this
Seneca Indians  Search this
Miniconjou Indians  Search this
Dakota Indians  Search this
Mandan Indians  Search this
Pueblo Indians  Search this
Indians of North America -- Northwest Coast of North America  Search this
Hidatsa Indians  Search this
Navajo Indians  Search this
Kiowa Indians  Search this
Apsáalooke (Crow/Absaroke)  Search this
Indians of North America -- Plateau  Search this
Nez Percé Indians  Search this
Cayuse  Search this
Acoma Pueblo  Search this
Luiseño Indians  Search this
Indians of North America -- Northeast  Search this
Hunkpapa Indians  Search this
Mohawk Indians  Search this
Type:
Collection descriptions
Archival materials
Prints
Color transparencies
Color negatives
Color slides
Color prints
Negatives
Date:
1989-1993
Scope and Contents note:
Photographs documenting Native American Public Programs events, including images of American Indian artists and examples of their work during demonstrations and lectures at the National Museum of Natural History. Photographs were mostly made by Smithsonian photographers, including Carl C. Hansen, Richard Strauss, Chip Clark, Laurie Minor-Penland, Eric Long, Alan Hart, Rick Vargas, Dane Penland, and Christina Taccone. Included are a large number of photographs of Don Tenoso (Hunkpapa), an artist-in-residence at the National Museum of Natural History, and performances by James Luna (Luiseno/Digueno), Guillermo Gomez-Pena (Chicano), and Coco Fusco. Crafts and arts depicted include beadwork, basket weaving, dollmaking, peyote fanmaking, weaving, hand games, quilting, clothing making, leatherwork, woodcarving, saddlemaking, sculpture, painting, story-telling, and performance art. There are also images of Dolores Lewis Garcia and Emma Lewis Garcia (daughters of Acoma potter Lucy M. Lewis) and their pottery, Joallyn Archambault with artists, and the 1990 American Indian Theater Company reception.

Other depicted artists include Maynard White Owl Lavadour (Cayuse/Nez Perce), Evangeline Talshaftewa (Hopi), Lisa Fritzler (Crow), Marian Hanssen, Vanessa Morgan (Kiowa/Pima), Marty Good Bear (Mandan/Hidatsa), Katie Henio and Sarah Adeky (Navajo), Geneva Lofton and Lee Dixon (Luiseno), Chris Devers (Luiseno), Mary Good Bear (Mandan), Robert and Alice Little Man (Kiowa), Lisa Watt (Seneca), Jay McGirt (Creek), Bill Crouse (Seneca), Kevin Johnny-John (Onondaga), Rose Anderson (Pomo), Francys Sherman and Margaret Hill (Mono), Thelene Albert and Annie Bourke (White Mountain Apache), Bob Tenequer (Laguna), Jimmy Abeyeta (Navajo), Lou Ann Reed (Acoma), Melissa Peterson (Makah), Jennifer and Kallie Keams Musial (Navajo), Joyce Growing Thunder-Fogarty and Juanita Fogarty (Assiniboine/Sioux), David Neel (Kwakiutal), Mervin Ringlero (Pima), Jhon Goes-In-Center (Oglala), D. Montour (Delaware/Mohawk), Rikki Francisco (Pima), Annie Antone (Papago), Angie Reano-Owen (Santo Domingo Pueblo), Carol Vigil (Jemez), Gregg Baurland (Miniconjou), Greg Colfax (Makah), Lydia Whirlwind-Soldier (Sicangu Dakota), Martin Red Bear (Oglala), Michael Rogers (Paiute), Alta Rogers (Yurok/Paiute), Dorothy Stanley (Miwok), Lisa Little Chief (Dakota), Tom Haukaas (Sicangu Dakota), Nora Navanjo-Morsie (Santa Clara Tewa), Seneca Women's Singing Society, Molly Blankenship and Martha Ross (Eastern Cherokee), Julia Parker (Miwok/Pomo), Candy and Claudia Cellicion (Zuni), Sally and Lorraine Black (Navajo), Carmen Quinto-Plunkett (Tlingit), Ina McNeil (Hunkpapa), and Ellen and Faye Quandelancy (Zuni), and Rikki Francisco (Pima).
Biographical/Historical note:
Native American Public Programs was founded in 1989 as a part of the Department of Education in the National Museum of Natural History. Under the directorship of Aleta Ringlero, its main activity was the arranging of demonstrations by American Indian artists and craftsmen in the exhibition areas of the museum.
Local Call Number(s):
NAA Photo Lot 91-26
Location of Other Archival Materials:
Audio of James Luna's lecture for the Native American Public Programs office held in National Anthropological Archives in MS 7514.
Dolls made by Don Tenoso for the Native American Public Programs office held in Department of Anthropology collections in accession 390905.
Additional photographs of Tenoso held in the Smithsonian Institution Archives in SIA2009-2222 and 90-13726.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Art  Search this
Handicraft  Search this
Citation:
Photo Lot 91-26, Native American Public Programs photograph collection of American Indian artists and art, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.91-26
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-91-26

Division of Physical Anthropology photographs of Albert Attocknie and other American Indians

Collector:
National Museum of Natural History (U.S.). Division of Physical Anthropology  Search this
Fletcher, Alice C. (Alice Cunningham), 1838-1923  Search this
Names:
Foch, Ferdinand, 1851-1929  Search this
Plenty Coups Chief of the Crows, 1848-1932  Search this
Photographer:
Gill, De Lancey, 1859-1940  Search this
Extent:
12 Copy prints
Culture:
Indians of North America -- Great Plains  Search this
French  Search this
Indians of North America -- Plateau  Search this
Umatilla Indians  Search this
Apsáalooke (Crow/Absaroke)  Search this
Niuam (Comanche)  Search this
Type:
Collection descriptions
Archival materials
Copy prints
Photographs
Date:
circa 1920-1929
Scope and Contents note:
Mostly portraits of Albert Attocknie (Lone Tipi) and William H. Egberts made by De Lancey Gill and collected by Alice Cunningham Fletcher. The collection also includes a photograph depicting Smithsonian employee Paul C. Natta measuring Indians, a portrait of Charlie Saplish (Doctor or Chief Whirlwind), and another photograph of French Marshal Ferdinand Foch with Plenty Coups in 1921.
Local Call Number(s):
NAA Photo Lot 81-7
Location of Other Archival Materials:
Additional photographs collected by the Division of Physical Anthropology can be found in the National Anthropological Archives in the Division of Physical Anthropology Photograph Collection 1850s-1960s (Photo Lot 8).
Additional photographs of Attocknie and Egberts made by Gill, including original negatives, can be found in the National Anthropological Archives in Photo Lot 24 and the BAE historical negatives.
Additional photographs of Charlie Saplish can be found in the National Anthropological Archives in Photo Lot 24.
Additional photographs of Plenty Coups can be found in the National Anthropological Archives in MS 4423, Photo Lot 78-41, Photo Lot 86-46, Photo Lot 87-2, Photo Lot 90-1, and Photo Lot 89-8.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Physical anthropology  Search this
anthropometry  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 81-7, Division of Physical Anthropology photographs of Albert Attocknie and other American Indians, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.81-7
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-81-7

Joseph C. Farber photographs of American Indian life

Creator:
Farber, Joseph C., 1903-  Search this
Names:
National Museum of Natural History (U.S.) -- Exhibitions.  Search this
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Gorman, R. C. (Rudolph Carl), 1932-  Search this
Extent:
6,000 Contact prints (circa 6000 contact prints (proof sheets))
6,000 Acetate negatives (circa)
8 Color transparencies
1,000 Items (circa 1000 enlarged prints: silver gelatin (some mounted for exhibition))
Culture:
Arctic peoples  Search this
Pikuni Blackfeet (Piegan)  Search this
Onondaga Indians  Search this
Taos Indians  Search this
Quinault Indians  Search this
Tlingit Indians  Search this
Akimel O'odham (Pima)  Search this
Tewa Indians  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Southwest, New  Search this
Ojibwa Indians  Search this
Navajo Indians  Search this
Eskimos  Search this
Dakota Indians  Search this
Lummi Indians  Search this
Haida Indians  Search this
Indians of North America -- Plateau  Search this
Kootenai Indians  Search this
Kiowa Indians  Search this
Mohave Indians  Search this
Mikasuki Indians  Search this
Indians of North America -- Northwest Coast of North America  Search this
Indians of North America -- Northeast  Search this
Niitsitapii (Blackfoot/Blackfeet)  Search this
Chehalis  Search this
Apache Indians  Search this
Athapascan Indians  Search this
Cocopa  Search this
Niuam (Comanche)  Search this
Cherokee  Search this
Indians of North America -- Southern States  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Pueblo Indians  Search this
Acoma Pueblo  Search this
Type:
Collection descriptions
Archival materials
Contact prints
Acetate negatives
Color transparencies
Photographs
Place:
North Carolina
New York
New Mexico
Montana
South Dakota
Oklahoma
Arizona
California
Florida
Minnesota
Alaska
Alberta
Washington (State)
Barrow, Point (Alaska)
Yuma County (Ariz.)
Taos (N.M.)
Date:
circa 1970-1975
Scope and Contents note:
Photographs made as part of Joseph C. Farber's project to document modern American Indian everyday life. Represented tribes include the Acoma, Apache, Blackfoot, Chehalis, Cherokee, Cheyenne, Chippewa, Cocopa, Dakota, Eskimo, Haida, Kiowa, Kutenai, Lummi, Mohave, Mohawk, Navaho, Northern Athabascan, Onandaga, Pima, Pueblo, Quinalt, Seminole, Taos, Tlingit, and Zuni. Subject coverage is broad and varies from tribe to tribe. Included are portraits, as well as totem poles, carving, weaving, pottery, painitng, landscapes, boats and canoes, ceremonial regalia, camps, classes and vocational training, homes and traditional dwellings, construction projects, rodeos and powwows, dances, industries (including lumber), herding and ranching, agriculture, stores and storefronts, cliff dwellings, parades, crab cleaning, fishing, games, health care, legal processes, music, office work, sewing, vending, and a funeral. There are also photographs of R. C. Gorman (and a letter from Gorman to Farber) and Fritz Shoulder (some in color).

Farber's travels included Alaska (Point Barrow, Dead Horse, Glacier Bay, Haines, Hoona, Hydaberg, Ketchikan, Mount McKinley, Prudhoe Bay, Saxman, and Sitka); Alberta (Blackfeet Reservation); Arizona (Canyon de Chelly, Cocopa Reservation, Flagstaff, Kayenta, Monument Valley, Pima Reservation, Quechan Reservation, Mojave Reservation, and Yuma); California (Alcatraz, Oakland, and San Francisco); Florida (Big Cypress Reservation; Miccosukee Reservation); Minnesota (Minneapolis and Nett Lake); Montana (Northern Cheyenne Reservation); New Mexico (Acoma, Gallup, Navajo Forest, Picuris, Puye, San Ildefonso, Santa Clara, Santa Fe, Taos, San Ildefonso, Santa Clara, and Tesuque); New York (New York City and Onandaga Reservation); North Carolina (Cherokee Reservation); Oklahoma (Anadarko, Apache, Lawton, Stilwell, and Tahlequah); South Dakota (Rosebud and Wounded Knee); and Washington (Lummi Reservation, Nisqually River, Puyallup River, and Quinalt Reservation).
Biographical/Historical note:
Joseph C. Farber (1903-1994) was a successful New York businessman and professional photographer. He studied with Edward Steichen at the New York Camera Club in the 1920s. The prints in this collection resulted from a five-year project that involved travelling to Indian communities throughout the United States to document modern American Indian life. The project resulted in a book, Native Americans: 500 Years After (1975), as well as exhibits, including one in the National Museum of Natural History in 1976-1977.
Local Call Number(s):
NAA Photo Lot 78-1, NAA ACC 95-3
Location of Other Archival Materials:
Farber's photographs, previously located in Photo Lot 95-3 have been relocated and merged with Photo Lot 78-1. These photographs were also made by Joseph C. Farber and form part of this collection.
The National Museum of American History Archives Center holds the Joseph Farber Papers and Photographs, circa 1962-1990.
See others in:
Joseph C. Farber photographs of American Indian life, circa 1970-1974
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Photographs published in Farber's books still under copyright. Reproduction permission from artist's estate.
Topic:
Dwellings  Search this
Vocational education  Search this
Canoes and canoeing  Search this
Boats and boating  Search this
Dance  Search this
Powwows  Search this
Rodeos  Search this
Building  Search this
handicrafts  Search this
Totem poles  Search this
Agriculture  Search this
Livestock  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 78-1, Joseph C. Farber photographs of American Indian life, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.78-1
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-78-1

Department of Anthropology photographs of specimens and exhibits

Creator:
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Names:
National Museum of Natural History (U.S.) -- Exhibitions.  Search this
River Basin Surveys  Search this
Smithsonian Institution. Bureau of American Ethnology  Search this
Krieger, Herbert W. (Herbert William), 1889-1970  Search this
Phebus, George E.  Search this
Solecki, Ralph S.  Search this
Washakie, approximately 1804-1900  Search this
Extent:
400 Prints (circa, silver gelatin (including contact prints))
Culture:
Yanktonai Indians  Search this
Indians of North America -- Great Basin  Search this
Indians of North America -- Great Plains  Search this
Shoshoni Indians  Search this
Type:
Collection descriptions
Archival materials
Prints
Place:
United States -- Antiquities
Date:
undated
Scope and Contents note:
The collection largely consists of photographs of specimens and artifacts, some of which were once in the collections of the Department of Anthropology, as well as images of anthropological exhibits in the National Museum of Natural History, circa 1950s and 1960s. Specimens and artifacts that are depicted include the Waverly Tablet from Waverly, Ohio; Richardson Tablet from near Wilmington, Ohio; Grave Creek Tablet from West Virginia; and Cincinnati Tablet from Cincinnati, Ohio; a Tuxtla statuette; artifacts from the Cascades area of Oregon and Washington collected by Herbert W. Krieger and George E. Phebus; bone and stone artifacts from River Basin Survey and BAE archeological sites in the Great Plains; and artifacts from Bluestone Reservoir, West Virginia, recovered by Ralph Solecki in 1948 together with a manuscript on the Round Bottom site.

The collection also includes images of items not in the department's collections but used for BAE or Smithsonian publications and those sent to the Smithsonian for examination. These include a copy of the winter count of the Yanktonai Long Dog; a war record by Shoshoni Chief Washakie; Folsom-like points from various parts of the United States, and various Hebrew, Italian, and other manuscripts.
Local Call Number(s):
NAA Photo Lot 88-35, NAA Photo Lot 88-18
Location of Other Archival Materials:
Photo Lot 88-18 has been relocated and merged with Photo Lot 88-35. These are also Processing Lab photographs of artifacts and form part of this collection.
The Department of Anthropology holds many of the artifacts shown in these images.
The National Anthropological Archives holds the River Basin Surveys records and Herbert William Krieger papers.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Folsom points  Search this
Citation:
Photo Lot 88-35, Department of Anthropology photographs of specimens and exhibits, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.88-35
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-88-35

MS 7514 Lecture by James Luna: "Important works from the last five years"

Creator:
Luna, James  Search this
National Museum of Natural History (U.S.). Native American Public Programs  Search this
Culture:
Luiseno/Diegueno  Search this
Type:
Collection descriptions
Archival materials
Date:
November 13, 1992
Scope and Contents:
The tape is of a lecture given at Baird Auditorium in the National History Building at the Smithsonian Institution. A pamphlet about Luna is included. Related photographs are in NAA Photographic lot 91-26.
Biographical / Historical:
James Luna is a performance artist who won the Bessie Creator Award of the New York Dance and Theater Workshop in 1991. He is a consultant to the Institute of American Indian Art, Santa Fe, and his works have been exhibited at the National Gallery of Canada, Whitney Museum of American Art, and many other placed in the United States. He was brought to Washington in 1992 as part of the American Indian Public Programs of the National Museum of Natural History.
Local Numbers:
NAA MS 7514
Local Note:
Cassette tape
Topic:
Performance art  Search this
Language and languages -- Documentation  Search this
Citation:
Manuscript 7514, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS7514
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms7514

MS 2006-16 Documentation of Korean ethnological specimens collected by Paul Dredge for Department of Anthropology, 1973-1974

Creator:
Dredge, Paul  Search this
Correspondent:
Knez, Eugene I. (Eugene Irving), 1916-2010  Search this
Names:
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Extent:
1 Folder
Culture:
Korea  Search this
Type:
Collection descriptions
Archival materials
Accession records
Correspondence
Photographs
Date:
undated
Scope and Contents:
Documentation of Accession #323959, Korean household goods collected by Paul Dredge in Seoul and nearby areas, for the Smithsonian's Department of Anthropology. Includes correspondence between Dredge and Eugene Knez, Curator of Asian Anthropology; notes; and photographs of specimens.
Local Numbers:
NAA MS 2006-16
Topic:
Museums -- Acquisitions  Search this
Genre/Form:
Accession records
Correspondence
Photographs
Citation:
Manuscript 2006-16, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS2006-16
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms2006-16

Department of Anthropology records

Creator:
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Smithsonian Institution. Department of Anthropology  Search this
Smithsonian Institution. United States National Museum. Department of Anthropology  Search this
Extent:
330.25 Linear feet (519 boxes)
Note:
Some materials are held off-site; this will be indicated at the series or sub-series level. Advanced notice must be given to view these portions of the collection.
Type:
Collection descriptions
Archival materials
Date:
1840s-circa 2015
Summary:
The Department of Anthropology records contain administrative and research materials produced by the department and its members from the time of the Smithsonian Institution's foundation until today.
Scope and Contents:
The Department of Anthropology records contain correspondence, manuscripts, photographs, memoranda, invoices, meeting minutes, fiscal records, annual reports, grant applications, personnel records, receipts, and forms. The topics covered in the materials include collections, exhibits, staff, conservation, acquisitions, loans, storage and office space, administration, operations, research, budgets, security, office procedures, and funding. The materials were created by members of the Section of Ethnology of the Smithsonian Institution, the Division of Anthropology of the United States National Museum, the Office of Anthropology of the National Museum of Natural History, and the Department of Anthropology of the National Museum of Natural History and range in date from before the founding of the Smithsonian Institution to today. The Department of Anthropology records also contain some materials related to the Bureau of American Ethnology, such as documents from the River Basin Surveys.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
This collection is arranged in 28 series: (1) Correspondence, 1902-1908, 1961-1992; (2) Alpha-Subject File, 1828-1963; (3) Alpha-Subject File, 1961-1975; (4) Smithsonian Office of Anthropology Subject Files, 1967-1968; (5) River Basin Survey Files, 1965-1969; (6) Research Statements, Proposals, and Awards, 1961-1977 (bulk 1966-1973); (7) Publication File, 1960-1975; (8) Memoranda and Lists Concerning Condemnations, 1910-1965; (9) Notebook on Special Exhibits, 1951-1952 (10) Section on Animal Industry; (11) Administrative Records, 1891-1974; (12) Administrative Records, 1965-1994 (bulk 1975-1988); (13) Fiscal Records, 1904-1986; (14) Annual Reports, 1920-1983; (15) Chairman's Office Files, 1987-1993; (16) Division of Archaeology, 1828-1965; (17) Division of Ethnology, 1840s, 1860-1972, 1997; (18) Division of Physical Anthropology; (19) Division of Cultural Anthropology, 1920-1968; (20) Records of the Anthropological Laboratory/Anthropology Conservation and Restoration Laboratory, 1939-1973; (21) Collections Management, 1965-1985; (22) Photographs of Specimens and Other Subjects (Processing Laboratory Photographs), 1880s-1950s; (23) Exhibit Labels, Specimen Labels, Catalog Cards, and Miscellaneous Documents, circa 1870-1950; (24) Antiquities Act Permits, 1904-1986; (25) Ancient Technology Program, circa 1966-1981; (26) Urgent Anthropology; (27) Records of the Handbook of North American Indians; (28) Personnel; (29) Repatriation Office, 1991-1994
Administrative History.:
The Smithsonian Institution was founded in 1846. Although there was no department of anthropology until the creation of the Section of Ethnology in 1879, anthropological materials were part of the Smithsonian's collection from its foundation. The Section of Ethnology was created to care for the rapidly growing collection. In 1881, the United States National Museum was established. Soon thereafter, in 1883, it was broken up into divisions, including the Division of Anthropology. In 1904, Physical Anthropology was added to the Division.

The Bureau of American Ethnology (BAE) was created in 1879 as a research unit of the Smithsonian, separating research from collections care. However, during the 1950s, research became a higher priority for the Department of Anthropology and, in 1965, the BAE was merged with the Department of Anthropology to create the Office of Anthropology, and the BAE's archives became the National Anthropological Archives (NAA).

In 1967, the United States National Museum was broken up into three separate museums: the Musuem of History and Technology (now the National Museum of American History), the National Museum of American Art, and the National Museum of Natural History (NMNH). The Office of Anthropology was included in NMNH and was renamed the Department of Anthropology in 1968.

New divisions were added to the Department, including the Human Studies Film Archives (HSFA) in 1981, the Research Institute on Immigration and Ethnic Studies (RIIES) in 1982, and the Repatriation Office in 1993. In 1983, the Smithsonian opened the Museum Support Center (MSC) in Suitland, Maryland, as offsite housing for collections with specialized storage facilities and conservation labs.

The Department of Anthropology is currently the largest department within NMNH. It has three curatorial divisions (Ethnology, Archaeology, and Biological Anthropology) and its staff includes curators, research assistants, program staff, collections specialists, archivists, repatriation tribal liaisons, and administrative specialists. It has a number of outreach and research arms, including the Repatriation Office, Recovering Voices, Human Origins, and the Arctic Studies Center.

The Museum is home to one of the world's largest anthropology collections, with over three million specimens in archaeology, ethnology, and human skeletal biology. The NAA is the Smithsonian's oldest archival repository, with materials that reflect over 150 years of anthropological collecting and fieldwork. The HSFA is the only North American archive devoted exclusively to the collection and preservation of anthropological film and video.

Sources Consulted

National Museum of Natural History. "Department of Anthropology: About" Accessed April 13, 2020. https://naturalhistory.si.edu/research/anthropology/about

National Museum of Natural History. "History of Anthropology at the Smithsonian." Accessed April 13, 2020. https://naturalhistory.si.edu/sites/default/files/media/file/history-anthropology-si.pdf

National Museum of Natural History. "History of the Smithsonian Catalog." Accessed April 13, 2020 https://siris-sihistory.si.edu/ipac20/ipac.jsp?profile=sicall

Chronology

1846 -- The Smithsonian Institution is founded

1879 -- George Catlin bequeaths his collection to the Smithsonian The Section of Ethnology is established to oversee ethnological and archaeological collections The Bureau of Ethnology is established by Congress as a research unit of the Smithsonian

1881 -- The U.S. National Museum (USNM) is established as a separate entity within the Smithsonian Institution

1883 -- The staff and collections of the USNM are reorganized into divisions, including a Division of Anthropology

1897 -- The United States National Museum is reorganized into three departments: Anthropology headed by W. H. Holmes; Biology with F. W. True as head; and Geology with G. P. Merrill in charge The Bureau of Ethnology is renamed the Bureau of American Ethnology (BAE) to emphasize the geographic limit of its interests

1903 -- The Division of Physical Anthropology established

1904 -- The Division of Physical Anthropology is incorporated into the Division of Anthropology

1910 -- The USNM moves into the new Natural History Building

1965 -- The Smithsonian Office of Anthropology is created on February 1 The BAE is eliminated and merged with the Office of Anthropology

1968 -- The Smithsonian Office of Anthropology (SOA) of the National Museum of Natural History is retitled the Department of Anthropology on October 29

1973 -- The Research Institute on Immigration and Ethnic Studies (RIIES) is established at the National Museum of Natural History's (NMNH) Center for the Study of Man (CSM) to study the waves of immigration to the United States and its overseas outposts that began in the 1960's

1975 -- The National Anthropological Film Center is established

1981 -- The National Anthropological Film Center is incorporated into the Department of Anthropology

1982 -- The RIIES, part of the CSM at the NMNH, is transferred to the Department of Anthropology

1991 -- NMNH establishes a Repatriation Office

1993 -- The Repatriation Office is incorporated into the Department of Anthropology

Head Curators and Department Chairs

1897-1902 -- William Henry Holmes

1902-1903 -- Otis T. Mason (acting)

1904-1908 -- Otis T. Mason

1908-1909 -- Walter Hough (acting)

1910-1920 -- William Henry Holmes

1920-1923 -- Walter Hough (acting)

1923-1935 -- Walter Hough

1935-1960 -- Frank M. Setzler

1960-1962 -- T. Dale Stewart

1963-1965 -- Waldo R. Wedel

1965-1967 -- Richard Woodbury

1967-1970 -- Saul H. Riesenberg

1970-1975 -- Clifford Evans

1975-1980 -- William W. Fitzhugh

1980-1985 -- Douglas H. Ubelaker

1985-1988 -- Adrienne L. Kaeppler

1988-1992 -- Donald J. Ortner

1992-1999 -- Dennis Stanford

1999-2002 -- Carolyn L. Rose

2002-2005 -- William W. Fitzhugh

2005-2010 -- J. Daniel Rogers

2010-2014 -- Mary Jo Arnoldi

2014-2018 -- Torbin Rick

2018- -- Igor Krupnik
Related Materials:
The NAA holds collections of former head curators and department chairs, including the papers of Otis Tufton Mason, Walter Hough, T. Dale Stewart, Waldo Rudolph and Mildred Mott Wedel, Saul H. Riesenberg, Clifford Evans, and Donald J. Ortner; the photographs of Frank Maryl Setzler; and the Richard B. Woodbury collection of drawings of human and animal figures.

Other related collections at the NAA include the papers of Gordon D. Gibson, Eugene I. Knez, and Betty J. Meggers and Clifford Evans; and the records of the Bureau of American Ethnology, the Center for the Study of Man, and the River Basin Surveys.
Provenance:
This collection was transferred to the National Anthropological Archives (NAA) by the National Museum of Natural History's Department of Anthropology in multiple accessions.
Restrictions:
Some materials are restricted.

Access to the Department of Anthropology records requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Anthropology  Search this
Ethnology  Search this
Archaeology  Search this
Citation:
Department of Anthropology Records, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.XXXX.0311
See more items in:
Department of Anthropology records
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-xxxx-0311

S.I. Fellows

Collection Creator:
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Smithsonian Institution. Department of Anthropology  Search this
Smithsonian Institution. United States National Museum. Department of Anthropology  Search this
Type:
Archival materials
Series Restrictions:
RESTRICTED
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Department of Anthropology Records, National Anthropological Archives, Smithsonian Institution
See more items in:
Department of Anthropology records
Department of Anthropology records / Series 28: Personnel / 28.4: SI Fellows, Research Associates, Student Trainees, and Visiting Scientists
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-xxxx-0311-ref14994

Researchers, Fellows, Student Trainees, Visiting Scientists

Collection Creator:
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Smithsonian Institution. Department of Anthropology  Search this
Smithsonian Institution. United States National Museum. Department of Anthropology  Search this
Type:
Archival materials
Series Restrictions:
RESTRICTED
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Department of Anthropology Records, National Anthropological Archives, Smithsonian Institution
See more items in:
Department of Anthropology records
Department of Anthropology records / Series 28: Personnel / 28.4: SI Fellows, Research Associates, Student Trainees, and Visiting Scientists
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-xxxx-0311-ref14995

2011-16 Accretion

Collection Creator:
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Smithsonian Institution. Department of Anthropology  Search this
Smithsonian Institution. United States National Museum. Department of Anthropology  Search this
Type:
Archival materials
Series Restrictions:
RESTRICTED
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Department of Anthropology Records, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.XXXX.0311, Subseries 28.5
See more items in:
Department of Anthropology records
Department of Anthropology records / Series 28: Personnel
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-xxxx-0311-ref4608

Repatriation Office

Collection Creator:
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Smithsonian Institution. Department of Anthropology  Search this
Smithsonian Institution. United States National Museum. Department of Anthropology  Search this
Type:
Archival materials
Date:
1991-1994
Collection Restrictions:
Some materials are restricted.

Access to the Department of Anthropology records requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Department of Anthropology Records, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.XXXX.0311, Series 29
See more items in:
Department of Anthropology records
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-xxxx-0311-ref4609

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