National Museum of American History (U.S.). Division of Cultural History Search this
Extent:
1 Cubic foot
18 Videocassettes (VHS)
15 Cassette tapes
38 Videocassettes (Video 8)
Type:
Collection descriptions
Archival materials
Videocassettes (vhs)
Cassette tapes
Videocassettes (video 8)
Videotapes
Oral history
Interviews
Audiotapes
Date:
1992-1993
Summary:
An oral history project that grew out of the exhibit "Go Forth and Serve" which commemorated the 100th anniversary of the drafting of the second Morrill Act, which provided funds for the founding of land grant schools of higher education for black students.
Scope and Contents:
Oral history interviews, on film and audio, on the subject of African American land grant colleges, conducted in conjunction with the exhibition "Go Forth and Serve" at the National Museum of American History in 1990.
Arrangement:
The collection is organized into one series. It is organized alphabetically by the name of college or university that is the subject of the interview.
Biographical / Historical:
"Go Forth and Serve", an exhibition curated by Lonnie Bunch and Spencer Crew, opened in March 1990 at the National Museum of American History to commemorate the 100th anniversary of the drafting of the second Morrill Act, which provided funds for the founding of land grant schools of higher education for black students. The exhibition was co-sponsored by the Department of Agriculture and the National Association of State Universities and Land-Grant Colleges. There was a subsequent newsletter, and oral interviews were conducted.
Provenance:
Collection made by the Smithsonian Institution Division of Cultural History, National Museum of American History.
Restrictions:
Collection is open for research. Reference copies must be used. Access and use of audiovisual materials available in the Archives Center reading room.
Rights:
Reproduction may be limited due to intellectual property rights. No releases exist.
Go Forth and Serve: African American Land Grant Colleges Audiovisual Collection, 1992-1993, Archives Center, National Museum of American History, Smithsonian Institution.
National Museum of American History (U.S.). Division of Cultural History Search this
Extent:
1 Cubic foot
Type:
Collection descriptions
Archival materials
Photographs
Catalogs
Legal records
Date:
1985-2008, undated
Summary:
Accoutrements and Archie McPhee product catalogs dating from 1983-2008.
Scope and Contents note:
Collection consists of almost a complete run of Accoutrements and Archie McPhee product catalogs dating from 1985-2008. It documents the advertising and promotion of the wide range of products during that period. Materials reflect the interests of the consumer market and what was paid for novelty and gift items. Collection is arranged into two series. Series 1, Catalogs, 1985-2008 and Series 2: Other Materials, undated.
Arrangement:
Collection is arranged into two series.
Series 1, Catalogs, 1985-2008
Series 2: Other Materials, undated
Biographical/Historical note:
Accoutrements began as a mail order business in Los Angles, California in the 1970s. The company's creator, Mark Pahlow, started the business from his home offering rubber lizards and other collectible items for sale. In 1983, Pahlow moved his business to Seattle, Washington and established it as the retail outlet, Archie McPhee, named after his wife's great-uncle. Pahlow hired two employees and expanded the product line to include rubber chickens and a host of other novelty items. In 2018, Archie McPhee opened the Rubber Chicken Museum inside its Seattle store. The business currently offers retail, wholesale, and online services.
Source: archiemcpheeseattle.com
Related Materials:
Materials in the Archives Center, National Museum of American History
Warshaw Collection of Business Americana NMAH.AC.0060
Collection is open for research and access on site by appointment.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs of numerous and popular actors of the 19th century.
Scope and Contents:
Cigar/cigarette cards and cabinet photographs portraying actors (male and female) from the late 19th century. The photographs are predominantly American actors but some English and French performers are also included. Some of the more prominent persons represented are Lulu Glaser, Francis Wilson, and Georgia Cayvan, plus others listed below.
Arrangement:
Divided into 3 series: Series 1: Cigar/Cigarette Cards, undated; Series 2: Cabinet Photographs, 1878-1897,and Miscellaneous, 1868-1892.
Biographical / Historical:
The cult of celebrity is not a 20th century phenomenon. In the latter part of the 19th century innovations in the use of photography as advertising spurned a new avenue of celebrity likeness-based souvenirs. Portraits of personalities from the stage who were previously portrayed in engravings and traditional portraiture were now available to an interested public in a more realistic and affordable form – the cigar/cigarette card included as an incentive in the purchase of a smoking product and cabinet photographs sold as souvenirs by theatrical promoters. These photographs depicted celebrities as well as scenes from plays in which they performed. They were avidly collected by a public interested in the personalities of minstrelsy, vaudeville and the legitimate theatre.
This collection was created, or acquired, by Daisy Templin (1874?-1956) of Alton, Illinois. Templin was an avid collector of Victoriana and filled the home (1605 Washington Avenue) of she and her brother, Roger P. Templin (1872?-?), with furniture, ceramics, bric-a-brac and all types of predominately Victorian ephemera. She wrote that ". . . whatever interested me I bought." Her brother was a former wholesale grocery salesman in St. Louis, MO. By the time of her death, Templin had contemplated donating much of her collection to the Smithsonian Institution. Her collection was willed to her brother who donated a sizable portion of the collection (over 1,000 items) to the museum in 1958. The home she and her brother shared was demolished to make way for a shopping center in 1961.
Provenance:
The collection was donated by Roger P. Templin in memory of his sister Daisy Templin in October 1958.
National Museum of American History (U.S.). Division of Cultural History Search this
Extent:
3.66 Cubic feet (11 boxes)
Type:
Collection descriptions
Archival materials
Account books
Business records
Place:
Pennsylvania -- 18th century
Pennsylvania -- 19th century
Date:
1755-1904
Scope and Contents:
Thirty-nine account books of farmers, store owners, and artisans living in Pennsylvania, 1755-1904. The books mainly record daily transactions with customers or suppliers and are handwritten in varying conditions of legibility and preservation.
Arrangement:
Divided into nine series, each related to a Pennsylvania county.
Series 1: Berks County
Series 2: Bucks County
Series 3: Chester County
Series 4: Chichester County
Series 5: Clinton County
Series 6: Lancaster County
Series 7: Lehigh County
Series 8: Montgomery County
Series 9: Northhampton County
Provenance:
Collection donated by Roy C. Kulp.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Pan-American Exposition (1901: Buffalo, N.Y.) Search this
Panama-California Exposition (1915 : San Diego, Calif.) Search this
Panama-Pacific International Exposition (1915 : San Francisco, Calif.) Search this
Scottish National Exposition (Edinburgh, Scotland: 1908) Search this
Sesqui-Centennial International Exposition (1926 : Philadelphia, Pa.) Search this
Sydney International Exhibition (Sydney, Australia: 1879) Search this
Texas Centennial Central Exposition (Dallas, Texas: 1936) Search this
Universal Exhibition (1873 : Vienna, Austria) Search this
Western Pennsylvania Exposition (1915 : Pittsburgh, Pennsylvania) Search this
World's Columbian Exposition (1893 : Chicago, Ill.) Search this
World's Industrial and Cotton Centennial Exposition (1884-1885 : New Orleans, La.) Search this
Extent:
46 Cubic feet (123 boxes and 150 map-folders)
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Postcards
Greeting cards
Stationery
Panoramas
Sheet music
Posters
Shopping bags
Photographs
Stereographs
Menus
Place:
Disneyland (California)
Date:
1841-1988
Scope and Contents:
Memorabilia of fairs and World's Fairs throughout history, both in the United States and abroad, including photographs, stereographs, panoramas and slides; printed materials; postcards; sheet music; philatelic material; stationery and greeting cards; menus and food service items; posters; shopping bags; motion picture films; and other items.
Arrangement:
The collection is divided into three series.
Series 1: World's Fair Materials, 1841-1988
Series 2: Reference and Miscellaneous Materials
Series 3: Larry Zim Materials
Series 4: Oversize Materials, 1909-1968
Biographical / Historical:
Larry Zim, whose actual name was Larry Zimmerman, was an industrial designer, a historian of World's Fairs who wrote extensively on the subject, and a collector of World's Fair memorabilia.
Provenance:
Collection by bequest of Larry Zim.
Restrictions:
Collection is open for research but two oversize folders are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Crystal Palace -- (New York, New York) Search this
National Museum of American History (U.S.). Division of Cultural History Search this
Extent:
1 Cubic foot (3 boxes, 1 oversize folder)
Type:
Collection descriptions
Archival materials
Newsletters
Photographs
Patents
Auction catalogs
Clippings
Cyanotypes
Design drawings
Price lists
Trade catalogs
Date:
1925-1994.
Scope and Contents note:
A diverse collection of papers relating to amusement parks and playgrounds, with most of the papers relating to carousels. Contents include correspondence, photographs (including one cyanotype), exhibition catalogs, trade literature and trade catalogs, price lists, articles and clippings, newsletters, and patents (photocopies) for carousel animals. One series, that relating to the woodcarver Salvatore Cernigliaro, contains his sketchbook for carousel animal designs.
Arrangement:
Divided into 7 series, arranged by donor.
Related Materials:
Materials at the Archives Center, National Museum of American History
Industry on Parade (NMAH.AC.0507)
Reel #191, Craftsmen of the Carousel, 1954. Manufacturing merry-go-rounds for amusement reports. Arrow Development Co., Mountain View, California.
Provenance:
Collection donated by multiple donors.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
National Museum of American History (U.S.). Division of Cultural History Search this
Extent:
2 Cubic feet (6 boxes)
Type:
Collection descriptions
Archival materials
Letters (correspondence)
Advertisements
Design drawings
Clippings
Stereographs
Scrapbooks
Photographs
Date:
1879-1956
Scope and Contents:
Miscellaneous documents, catalogs, scrapbooks, photographs and printed material relating to the carousels and other amusement park rides of the Allan Herschell Company (which earlier in its existence was called the Herschell-Spillman Company and the Spillman Engineerng Corporation).
Arrangement:
1 series.
Biographical / Historical:
Employee of the Allan Herschell Company, which manufactured amusement park rides.
Provenance:
Donated by Francis Misklea in 1974.
Restrictions:
Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Letters, envelopes and other business records relating to the cutlery business of J & D Miller, Bronx, New York.
Scope and Contents:
The collection is divided into three series. The first series consists of personal documents relating to Joseph Miller's life and his family history. The second series consists of business records from the cutlery shop; this series contains four subseries, including purchase orders from the United States, purchase orders from foreign countries, photographs, and miscellaneous business records. The third series contains materials relating to the collection itself and how it came to the Smithsonian Institution.
Arrangement:
Collection is divided into 4 series.
Series 1: Personal, circa 1885-1971
Series 2: Business, circa 1950-1992
Biographical / Historical:
Joseph Miller (1885-1971) was born in Russia, a second son in a Jewish family of seven children. All nine Millers emigrated to the United States in the early twentieth century, bringing with them the family cutlery business. Joseph became a naturalized U.S. citizen in 1912, and in 1917, he joined his brother David in business, forming J & D Miller. The shop specialized in fashioning circumcision knives and kosher knives, like the schochet, for rabbis and mohels. In addition, the company also made knives for surgeons, circus performers, and industrial uses, sold sharpening stones, and accepted dull or broken knives for repair. The company of J & D Miller, communicating in English and Yiddish, shipped its merchandise all over the United States and to foreign countries as remote as Afghanistan, Argentina, and Algeria.
Joseph had two children, Irving and Irene, by his first wife, Essie. In 1961, Joseph lost an adult son, possibly a child from his second marriage, to Gertie. Although Joseph retired from J & D Miller in 1955 at the age of 70, he continued fashioning knives in a basement workshop of his Laurelton home. At his death at 86, Joseph was still receiving international requests for his knives. Joseph was committed to keeping the Miller clan together in America; his poems and family correspondence reveal a man devoted to his family.
Separated Materials:
The Division of Work and Industry holds a knifemakers shop sign in Yiddish. See accession 1992.0391.
This 1920s free-standing, wood–framed oilcloth window sign from the knife shop of Russian–immigrants Joseph and David Miller in the Lower East Side of New York City uses four implements and a legend in Yiddish to advertise their commercial offerings.
The sign reads:Do iz Millers a brentsh [Here are Miller's forgings]Di Miller halafim un mohel messer [The Miller ritual slaughter blades and circumcision knives]zaynen di beste un sheynste [are the best and most beautiful]in der gantser velt [in the whole world]garantirt keyn mol nit tsu rosten [Guaranteed never to rust]
The Miller shop, at 25 Canal Street, made ritual Jewish cutlery for the shochet (butcher) and for the mohel (circumcisionist), using extreme care in the hand fabrication of each instrument. The large rectangular knife (gasos halef) on the sign was used to slaughter cattle, the small rectangular knife (ofos halef) was for poultry; the curved implement is a circumcision clamp (mohel mashinke); and the double sided knife is a circumcision knife (mohel messer). In compliance with Jewish tradition, great emphasis is placed upon cleanliness, speed, efficiency, and the minimization of pain in the use of these instruments.
Provenance:
Donated by Irene Galdston in 1992.
Restrictions:
Collection is ope for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Appalachian Exposition. (Knoxville, Tennessee: 1911) Search this
California-Pacific International Exposition (San Diego, California: 1935-1936) Search this
Centennial Exhibition (1876 : Philadelphia, Pa.) Search this
Exposition universelle de 1867 à Paris Search this
International Exhibition of 1862 (London, England) Search this
Louisiana Purchase Exposition (1904: Saint Louis, Mo.) Search this
World's Columbian Exposition (1893 : Chicago, Ill.) Search this
Former owner:
National Museum of American History (U.S.). Division of Cultural History Search this
Extent:
2 Cubic feet (9 boxes)
Type:
Collection descriptions
Archival materials
Stereographs
Place:
Sturbridge (Mass.)
Date:
circa 1862-1920
Summary:
Hundreds of stereographs and other photographic imagery, especially a large number of the 1876 Centennial Exhibition in Philadelphia; other subjects include: the World's Columbian Exhibition (1893); the Louisiana Purchase Exposition, the Great Sanitary Fair; a large number on Massachusetts, including a set of images from Old Sturbridge; buildings and scenery; miscellaneous other subjects.
Scope and Contents note:
The collection is composed largely of photographs related to world's fairs, especially the Philadelphia Centennial Exposition, particularly in the form of stereographs. Other photographs document Williamsburg, Old Sturbridge, Mass., and other locations.
Arrangement:
Collection is arranged into one series. Arranged geographically and topically.
Historical:
Stereographs were employed to document and popularize the great world's
fairs of the second half of the nineteenth century and the early years of the twentieth century in the United States and Europe. The Centennial Photographic Company, in particular, was formed essentially to disseminate information about the 1876 fair and to profit from its "educational" products. More generally, the three-dimensional photographic medium was considered an ideal way to provide views of regional attractions in the United States. This collection contains both subjects.
Provenance:
Collection donated by Susan Myers.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Rights situation uncertain. Probably in public domain, applicable copyrights expired.
National Museum of American History (U.S.). Division of Cultural History Search this
Extent:
0.15 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Paintings
Watercolors
Date:
1888-1896
Scope and Contents:
Collection consists of 172 Russian egg patterns, a popular craft among immigrants from Russia and the Ukraine. The egg patterns are drawn in ink on 3 2" x 5" paper with color combinations of red, green, yellow, black, purple, brown, blue, and burnt orange. The collection is arranged into one series by pattern numbers from 1 to 172.
Arrangement:
Collection is arranged into one series.
Biographical / Historical:
Egg painting was a popular craft for immigrants from Russia and Ukraine, and is still popular among people of Russian descent.
Provenance:
Immediate source of acquisition unknown.
Restrictions:
Collection is open for researchand access on site by appointment.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
National Museum of American History (U.S.). Division of Cultural History Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1888-1896
Collection Restrictions:
Collection is open for researchand access on site by appointment.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Russian Easter Egg Patterns, 1888-1896, Archives Center, National Museum of American History.
National Museum of American History (U.S.). Division of Cultural History Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Date:
1888-1896
Collection Restrictions:
Collection is open for researchand access on site by appointment.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Russian Easter Egg Patterns, 1888-1896, Archives Center, National Museum of American History.
National Museum of American History (U.S.). Division of Cultural History Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Date:
1888-1896
Collection Restrictions:
Collection is open for researchand access on site by appointment.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Russian Easter Egg Patterns, 1888-1896, Archives Center, National Museum of American History.
National Museum of American History (U.S.). Division of Cultural History Search this
Extent:
1 Cubic foot (5 boxes)
Type:
Collection descriptions
Archival materials
Fans (costume accessories)
Date:
20th century.
Summary:
Consists of late nineteenth century/early twentieth century advertising hand fans. Most of the fans feature a vignette on one side and an advertisement on the reverse. The fans advertise various establishments and products, including funeral parlors, patent medicines, and food products.
Scope and Contents:
The collection contains forty-seven fans, originating from a wide variety of states and dating from late nineteenth century/early twentieth century to the early twenty-first century. Many of these fans display artwork or other contemporary images related to the advertising message of the fan's producer, while the reverse side typically offers more detailed textual information about the product, service, event, or organization featured. In several instances, the collection houses multiple fans issuing from the same creator over a span of time. While the fans in the collection primarily focus on advertising, a few feature a more commemorative intent.
The fans were acquired and received from many sources, including curatorial units, the public and Smithsonian staff. The initial fans were donated, along with numerous grocery store-related objects, to the Museum's Division of Cultural History.
The collection is arranged into five series. Series one consists of fans created by funeral homes. The fans in series two are from companies providing food products and services. Series three consist of fans from beverage companies. Fans in series four were created by businesses engaged in home products and services. Series five represents cultural products, services, events, and organizations. Materials are arranged in alphabetical order.
Arrangement:
The collection is divided into five series.
Series 1: Funeral Homes, 1944-2000; undated
Series 2: Food Products and Services, undated
Series 3: Beverages, undated
Series 4: Home Products and Services, undated
Series 5: Cultural Products, Events, Services and Organizations, 1921-2002; undated
Historical:
By the twentieth century, hand fans had largely evolved from the expensive, ornamental and uniquely crafted forms which characterized them in preceding centuries. Increasingly, they became souvenirs commemorating events or journeys and vehicles for mass advertising. Experts date the large-scale emergence of such fans to Philadelphia's 1876 Centennial Exposition, when a commemorative fan was sold to exhibition visitors, and another fan appeared advertising a local merchant's store. As fans assumed advertising and commemorative functions, certain industries found them particularly appropriate and useful and adopted them widely. Beverage and food manufacturers, retailers and funeral homes and mortuaries were among the businesses that prominently embraced the advertising fan. While many people now seek to acquire such fans for personal collections, they also provide scholars a window on past products and services, and the social group to which their manufacturers marketed them.
Related Materials:
Materials in the Archives Center, National Museum of American History
Borden Company, 1939 NMAH.AC.1063
New York World's Fair Collection NMAH.AC.00134
Warshaw Collection of Business Americana NMAH.AC.0060
S. Watson Dunn Advertising Ephemera Collection NMAH.AC.0366
Lou Newman Collection of Baseball Memorabilia NMAH.AC.0696
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection NMAH.AC.1146
Joan E. Biren Queer Film Museum Collection NMAH.AC.1216
The initial fans were donated by Jerome Rudy to the Division of Cultural History, now known as the Division of Culture and the Arts.
Restrictions:
Unrestricted research access on site by appointment.
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
1 Item (Silver gelatin on paper, mounted on card., 3-1/2" x 7".)
Container:
Box 15
Type:
Archival materials
Stereographs
Photographs
Topographical views
Aerial photographs
Place:
Mexico
Date:
[ca. 1900-1910]
Scope and Contents:
Undated aerial view of the city.
Local Numbers:
AC0945-0000002.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "Americans Experience Mexico," Sept. 1-Nov. 30, 1910; Craig Orr, curator.
Restrictions:
Unrestricted research access on site by appointment. Gloves required with unprotected photographs.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Reproduction permission from Archives Center: reproduction fees may apply.
1 Item (Silver gelatin on paper, mounted on card., 3-1/2" x 7".)
Container:
Box 15
Type:
Archival materials
Stereographs
Photographs
Place:
Mexico
Scope and Contents:
Thatched huts with figures outside, including women cooking. Undated.
Local Numbers:
AC0945-0000003.tif (AC Scan No.)
Restrictions:
Unrestricted research access on site by appointment. Gloves required with unprotected photographs.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Reproduction permission from Archives Center: reproduction fees may apply.
Materials less than 15 years old Restricted. Records may contain personally identifiable information (PII) that is permanently restricted. Contact reference staff for details
Division of Social and Cultural History Cinema Posters Collection
Creator:
National Museum of American History (U.S.). Division of Cultural History Search this
Extent:
1,000 Posters (1 box, 109 map folders)
Type:
Collection descriptions
Archival materials
Posters
Date:
1932-1958, undated
Summary:
A collection of 1000 cinema advertising posters from the early to mid-20th century.
Scope and Contents:
Movie posters mostly from the early to mid-20th century, representing a wide range of popular films from the Golden-Age of Hollywood (1930s-1950s), including both adult and children's films, live action and animated, and studio and independently made films. Some posters document independent or "poverty row" releases as well.
Arrangement:
The collection is arranged into one series.
Series 1: Cinema Posters, 1932-1958, undated.
This series contains 1000 cinema posters from the early to mid-20th century housed in 109 folders. The posters are arranged in alphabetical order by motion picture title within groups housed in folders. This collection maintains the order as arranged by the Division of Social and Cultural History.
Biographical / Historical:
This collection was donated to the Division of Social and Cultural History in 1983. There is a companion collection of cinema lobby cards that compliment the motion picture titles in this collection.
Provenance:
A transfer from the Division of Cultural History, National Museum of American History, Smithsonian Institution, 1998. Oringinally acquired by the Divison of Social and Cultural History, 1983 (1983.0072, .0001 thru .1000)
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
National Museum of American History (U.S.). Division of Cultural History Search this
Container:
Box 1
Type:
Archival materials
Date:
undated
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Division of Social and Cultural History Cinema Poster Collection, Archives Center, National Museum of American History, Smithsonian Institution.
National Museum of American History (U.S.). Division of Cultural History Search this
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Division of Social and Cultural History Cinema Poster Collection, Archives Center, National Museum of American History, Smithsonian Institution.
