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Art history lesson Ann Fessler

Author:
Fessler, Ann  Search this
Author:
National Museum of American Art (U.S.)  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Physical description:
[16] pages illustrations 25 cm
Type:
Books
Artists' books (books).)
Artists' books
Cloth case bindings
Specimens
Place:
Maryland
Date:
1991
Topic:
Artists' books  Search this
Call number:
N40.1.F4128 N2 1991
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_459718

Correspondence and Memoranda, 1999-2000, 2012-2018

Creator:
Smithsonian American Art Museum Office of the Deputy Director  Search this
Subject:
Robertson, Charles (Charles J.)  Search this
Allen, Rachel M  Search this
National Museum of American Art (U.S.)  Search this
National Museum of American Art (U.S.) Office of the Deputy Director  Search this
Physical description:
0.25 cu. ft. unprocessed holdings
Type:
Manuscripts
Electronic records
Electronic mail
Date:
1999
1999-2018
1999-2000, 2012-2018
Topic:
Art museums  Search this
Museums--Administration  Search this
Local number:
SIA RS00710
Restrictions & Rights:
Materials less than 15 years old Restricted. Records may contain personally identifiable information (PII) that is permanently restricted. Contact reference staff for details
See more items in:
Correspondence and Memoranda 1999-2000, 2012-2018 [Smithsonian American Art Museum Office of the Deputy Director]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_252388

Robert Rosenblum Papers

Creator:
Rosenblum, Robert  Search this
Names:
Columbia University -- Faculty  Search this
Harry N. Abrams, Inc.  Search this
Los Angeles County Museum of Art  Search this
Musée d'Orsay  Search this
National Museum of American Art (U.S.)  Search this
New York University -- Faculty  Search this
Princeton University -- Faculty  Search this
Solomon R. Guggenheim Museum  Search this
University of Michigan -- Faculty  Search this
Yale University -- Faculty  Search this
Becraft, Melvin E.  Search this
Ingres, Jean-Auguste-Dominique, 1780-1867  Search this
Kramer, Hilton  Search this
Rockwell, Norman, 1894-1978  Search this
Rosenquist, James, 1933-  Search this
Extent:
38.3 Linear feet
1.17 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Video recordings
Collages
Sound recordings
Sketches
Interviews
Transcripts
Date:
circa 1927-2009
bulk 1950-2006
Summary:
The papers of art historian, curator, and professor Robert Rosenblum measure 38.3 linear feet and 1.17 GB and date from circa 1927 to 2009, with the bulk dating from 1950 to 2006. They include biographical material, extensive personal and professional correspondence; lectures, writings, and writing project files by Rosenblum and others; exhibition files; research reference files; teaching files; personal business records; printed and digital material; photographs; and artwork.
Scope and Contents:
The papers of art historian, curator, and professor Robert Rosenblum measure 38.3 linear feet and 1.17 GB and date from circa 1927 to 2009, with the bulk dating from 1950 to 2006. They include biographical material, extensive personal and professional correspondence; lectures, writings, and writing project files by Rosenblum and others; exhibition files; research reference files; teaching files; personal business records; printed and digital material; photographs; and artwork.

Biographical materials include Rosenblum's bibliography and resume materials, various school related ephemera and diplomas, a transcript of an interview with Amy Newman for Artforum, and a digital video recording of a Josef Levi interview. Extensive personal and professional correspondence is with friends, family, colleagues, publishers, museums, and others. Some of the correspondents include Melvin Becraft, the Guggenheim, Harry Abrams, Inc., Hilton Kramer, the Los Angeles County Museum of Art, and the National Museum of American Art. Also found are numerous postcards.

Lectures, writings, and writing project files document Rosenblum's prolific writing and speaking career, and include notes, copies, and manuscript drafts of lectures, articles, catalog essays, and books, as well as additional materials related to the writings and the publication of books, such as as correspondence, editing feedback, photographs, and lists of photographs. There are manuscript, notes, and other materials related to many of Rosenblum's notable books, including Transformations in Late Eighteenth-Century Art, Paintings in the Musee D'Orsay, 19th-Century Art, The Dog in Art, Ingres, Modern Painting and the Northern Tradition, and others. Also found are Rosenblum's dissertation and other student writings. There is also a series containing writings by or about others, such as students and colleagues.

Rosenblum planned and facilitated numerous exhibitions that are well-documented within the exhibition files, including French Painting, 1774-1830: The Age of Revolution (1974), 1900: Art at the Crossroads (2000), Norman Rockwell: Pictures for the American People (2001), Best in Show: Dogs in Art from the Renaissance to the Present (2006), and Citizens and Kings: Portraits in the Age of Revolution, 1760-1830 (2007), among many others. Contents of each exhibition file vary considerably but often include correspondence, lists of artwork, proposals, notes, catalog drafts and outlines (see also series 3), and printed materials. There are a few sound cassettes, including a recorded interview with James Rosenquist with transcripts. Also included are digital photographs of Norman and Irma Braman Collection exhibition.

Research reference files cover a wide variety of art related topics, but are arranged within a separate series because they are not related to specific named projects as are the files in Series 3. These files contain research notes, bibliographies, and syllabi kept by Rosenblum presumably for a variety of publications, research interests, and teaching references.

Teaching files and class notes document Rosenblum's professorial career at Columbia University, New York University, Princeton University, University of Michigan, Yale College, and Yale University, and include a variety of course materials.

Personal business records consist of various financial and legal documents, expense and income records, publishing and speaking contracts, and royalties received.

The papers also include a variety of printed materials, photographs, student sketches by Rosenblum, and an unidentified collage.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, 1927-2006 (0.5 linear feet; Box 1, 1.00 GB; ER02)

Series 2: Correspondence, circa 1927-2006 (4.5 linear feet; Boxes 1-5)

Series 3: Lectures, Writings, and Writing Project Files, 1940-2006 (13.5 linear feet; Boxes 5-16, OV 39-41, 0.063 GB; ER01)

Series 4: Writings by Others, circa 1954-2006 (2.9 linear feet; Boxes 16-19)

Series 5: Exhibition Files, circa 1965-circa 2006 (5.2 linear feet; Boxes 19-24, 0.109 GB; ER03)

Series 6: Research Files, circa 1927-2006 (2.9 linear feet; Boxes 24-27)

Series 7: Teaching Files and Class Notes, 1955-2006 (4.3 linear feet; Boxes 27-31)

Series 8: Personal Business Records, 1951-2009 (4.4 linear feet; Boxes 31-36)

Series 9: Printed Material, 1927-2009 (2.4 linear feet; Boxes 36-38)

Series 10: Photographs, circa 1950s-circa 2000 (0.3 linear feet; Box 38, OV 41)

Series 11: Artwork, circa 1940s-circa 1980s (0.1 linear feet; Box 38)
Biographical / Historical:
Robert Rosenblum (1927-2006) was an art historian, curator, and professor who worked primarily in New York City.

Rosenblum received his B.A. from Queens College, his M.A. from Yale, and his Ph.D. from the Institute of Fine Art at New York University in 1956. He spent a year teaching art at the University of Michigan before becoming an associate professor at Princeton, ultimately accepting a Professor of Fine Arts position at NYU in 1966, where he spent the rest of his professorial career interspersed with visiting professorships at Oxford University and Yale University. Rosenblum was named Henry Ittleson, Jr. Professor of Modern European Art at NYU in 1976, and received the Frank Jewett Mather Award for Distinction in Art Criticism in 1981. After being appointed Stephen and Nan Swid Curator of 20th-Century Art at the Solomon R. Guggenheim Museum in 1996, Rosenblum went on to curate such exhibitions as 1900: Art at the Crossroads (2000) and Norman Rockwell: Pictures for the American People (2001). Prior to this appointment, he was one of the organizers of the Metropolitan Museum of Art's French Painting, 1774-1830: The Age of Revolution (1974). He received a Distinguished Teaching Award from NYU in 2005, and continued to curate, lecture, teach, and write.

Rosenblum was a prolific author, and his seminal works include: Cubism and Twentieth-Century Art (1959), Transformations in Late Eighteenth-Century Art (1967), Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko (1975), and 19th-Century Art (co-authored with H.W. Janson, 1984).

Rosenblum married Jane Kaplowitz in 1978. He died in New York City in 2006.
Provenance:
The papers were donated in multiple accessions by Robert Rosenblum between 1986 and 2003, and by his widow, Jane Kaplowitz between 2010 and 2013.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Art museum curators  Search this
Topic:
Art -- Study and teaching  Search this
Art -- 19th century  Search this
Art -- 18th century  Search this
Painting, Modern  Search this
Portraits  Search this
Dogs in art  Search this
Painting, French  Search this
Photographs  Search this
Educators -- New York (State) -- New York  Search this
Genre/Form:
Video recordings
Collages
Sound recordings
Sketches
Interviews
Transcripts
Citation:
Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.roserobe
See more items in:
Robert Rosenblum Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-roserobe
Online Media:

Lynda Roscoe Hartigan research material on Perkins Harnly

Creator:
Hartigan, Lynda Roscoe  Search this
Names:
Index of American Design  Search this
National Museum of American Art (U.S.) -- Exhibitions  Search this
Harnly, Perkins, 1901-1986  Search this
Extent:
200 Items ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Interviews
Date:
1979-1984
Scope and Contents:
In his correspondence with Hartigan (1979-1984), Harnly discusses Cornell, the Levy Gallery, the Index of American Design, his own career, and other artists such as Howard Taft Lorenz. Hartigan's correspondence concerning the exhibition includes letters from Harnly's friend Henry Warshaw. Hartigan's research materials on Harnly include her typed interview questions with Harnly's written responses, newspaper and magazine articles, exhibition catalogs and announcements, copies of the Index of American Design data sheets for Harnly's watercolors, an exhibition history and chronology, Harnly's undated autobiographical notes, two photographs of Harnly, and photographs of works of art by Harnly not included in the NMAA exhibition.
Biographical / Historical:
Lynda Hartigan is an art historian and museum curator; Washington, D.C. Perkins Harnly is best known for his imaginative watercolor renderings of Victorian interiors for the Index of American Design. Harnly grew up in Nebraska. From childhood he was fascinated by the decorative and popular arts, especially by late Victorian design and domestic architecture. Through travel and self-education, he broadened his knowledge of design and developed his skill as a watercolorist. The Index of American Design commissioned him to compose watercolor renderings of American interiors decorated and furnished in the Victorian style. After the dissolution of the Federal Project in 1943, he worked as a sketch artist for the Metro-Goldwyn-Mayer studio in Hollywood.
Provenance:
Collected by Lynda Hartigan for the exhibition PERKINS HARNLY: FROM THE INDEX OF AMERICAN DESIGN, which she co-curated with Virginia Mecklenberg, at the National Museum of American Art (1981-1982). Hartigan initially became interested in Harnly because he had exhibited in a three-man show at the Julien Levy Gallery with Joseph Cornell in the early 1930s. After some searching, she found Harnly living in a hotel in Culver City, California, and began a detailed correspondence with him.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Museum curators -- Washington (D.C.)  Search this
Watercolorists -- United States  Search this
Topic:
Interior decoration  Search this
Genre/Form:
Interviews
Identifier:
AAA.hartlynd
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hartlynd

Paul Manship estate papers

Creator:
Manship, Paul, 1885-1966  Search this
Names:
National Museum of American Art (U.S.)  Search this
Extent:
0.01 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1966
Summary:
The estate papers of sculptor Paul Manship measure 0.01 linear feet and consists of 132 items from 1966. The collection consists of correspondence and legal documents regarding the final distribution of art works in the estate of Paul Manship, 1966, and an inventory and appraisal of art objects in Manship's New York studio at 901 Broadway and his summer home at Lanesville near Glousester, Massachusetts. Checkmarks in the inventory indicate works selected by the Smithsonian Institution for the National Museum of American Art.
Scope and Contents:
The estate papers of sculptor Paul Manship measure 0.01 linear feet and consists of 132 items from 1966. The collection consists of correspondence and legal documents regarding the final distribution of art works in the estate of Paul Manship, 1966, and an inventory and appraisal of art objects in Manship's New York studio at 901 Broadway and his summer home at Lanesville near Glousester, Massachusetts. Checkmarks in the inventory indicate works selected by the Smithsonian Institution for the National Museum of American Art.
Arrangement:
Due to the small size of this collection, the papers are arranged as one series.
Biographical / Historical:
Paul Manship (1885-1966) was a sculptor who was mostly based in New York City, though he also had a summer home at Lanesville near Glousester, Massachusetts. He is most known for his public art commissions which were done in the Art Deco style.
Related Materials:
Also found in the Archives of American Art are the Paul Manship papers, 1863-1965, and an oral history interview with Paul Manship conducted by the Columbia University Oral History Research Office, New York City, in October 9-31, 1956.
Provenance:
The Paul Manship estate records were transferred to the Archives of American Art in 1986 from the National Museum of American Art through the Smithsonian Institution Archives.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Citation:
Paul Manship estate papers, 1966. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.manspaep
See more items in:
Paul Manship estate papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-manspaep

Herbert Waide Hemphill papers

Creator:
Hemphill, Herbert Waide  Search this
Names:
Abby Aldrich Rockefeller Folk Art Center  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Exposition Universelle de Paris (1878 : Paris, France)  Search this
Folk Art Society of America  Search this
Museum of International Folk Art (N.M.)  Search this
National Museum of American Art (U.S.)  Search this
Aiken, Gayleen  Search this
Bogun, Maceptaw, Rev.  Search this
Borkowski, Mary  Search this
Brice, Bruce  Search this
Carpenter, Miles B. (Miles Burkholder), 1889-  Search this
Coins, Raymond  Search this
Crittenden, Varick A.  Search this
Dinsmoor, Samuel Perry, 1843-1932  Search this
Donovan, Carrie  Search this
Fancher, John W.  Search this
Finster, Howard, 1916-2001  Search this
Flanagan, Thos. J. (Thomas Jefferson), b. 1890  Search this
Fowler, Tim  Search this
Gatto, Victor Joseph, 1893-1965  Search this
Ghostley, Alice, 1926-2007  Search this
Goins, Vernon  Search this
Hall, Michael D., 1941-  Search this
Hamblett, Theora, 1895-1977  Search this
Hartigan, Lynda Roscoe  Search this
Harvey, Bessie, 1929-  Search this
Hawkins, William Lawrence, 1895-1990  Search this
Hicks, Tiny  Search this
Holley, Lonnie  Search this
Hunter, Clementine  Search this
James, A. Everette (Alton Everette), 1938-  Search this
Jennings, James Harold  Search this
Jones, S. L. (Shields Landon), 1901-  Search this
Jordan, John  Search this
Josephson, Nancy, 1955-  Search this
Klumpp, Gustave, 1902-1974  Search this
Lisk, Charles  Search this
Little, Roy  Search this
Lopez, George  Search this
Maldonado, Alexander Aramburo, 1901-1989  Search this
McCarthy, Justin, 1891-1977  Search this
Merrill, James Ingram  Search this
Morgan, Gertrude  Search this
Mr. Imagination, 1948-  Search this
Nathaniel, Inez  Search this
O'Kelley, Mattie Lou  Search this
Orth, Kevin, 1961-  Search this
Patterson, Clayton  Search this
Prince, Daniel C.  Search this
Prince, Neal A.  Search this
Robertson, Royal  Search this
Rowe, Nellie Mae, 1900-1982  Search this
Smith, Fred, 1886-1975  Search this
Smith, Robert E., 1926-  Search this
Smither, John  Search this
Smither, Stephanie  Search this
Spies, Jim  Search this
St. EOM, 1908-1986  Search this
Terrillion, Veronica  Search this
Tolliver, Mose, 1920-  Search this
Tolson, Edgar, 1904-1984  Search this
Walters, Hubert  Search this
Weissman, Julia  Search this
Young, Purvis, 1943-  Search this
Zeldis, Malcah  Search this
Extent:
26.7 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Watercolors
Sketchbooks
Sound recordings
Photographs
Drawings
Poems
Reports
Prints
Interviews
Date:
1776-1998
bulk 1876-1998
Summary:
The papers of folk art collector and museum curator Herbert Waide Hemphill date from 1776-1998, bulk 1876-1998, and measure 26.7 linear feet. Found within the papers are biographical materials, personal business records, files documenting his collecting, writings, art work, minutes of meetings, a scrapbook, printed material including exhibition and auction announcements and catalogs, and miscellaneous artifacts. The collection also contains numerous photographs of Hemphill, family members, his residences, friends and colleagues, exhibitions, travel, and art work. Sound and video recordings include interviews of Hemphill.
Scope and Content Note:
The papers of folk art collector and museum curator Herbert Waide Hemphill date from 1776-1998, bulk 1876-1998, and measure 26.7 linear feet. Found within the papers are biographical materials, personal business records, files documenting his collecting, writings, art work, minutes of meetings, a scrapbook, printed material including exhibition and auction announcements and catalogs, and miscellaneous artifacts. The collection also contains numerous photographs of Hemphill, family members, his residences, friends and colleagues, exhibitions, travel, and art work. Sound and video recordings include interviews of Hemphill.

Biographical material includes photocopies of Hemphill's birth certificate and passport, social security cards, and international health card, genealogical notes, an evaluation of his school work, membership cards, award certificates, address books, and an engagement calendar containing very brief annotations of his activities.

Correspondence documents Hemphill's affairs with miscellaneous museums and art institutions, discussing his presentation of lectures, exhibitions, and loans from his collection to organizations including the Abby Aldrich Rockefeller Folk Art Collection, the Folk Art Society of America, the Museum of International Folk Art, and the Smithsonian Institution's American Art Museum.

Hemphill's correspondence with friends and colleagues discuss collecting activities and pursuit of newly discovered folk art and artists. Many of the letters are from artists. Correspondents include Varick A. Crittenden, Michael D. Hall, A. Everette James, Daniel C. Prince, Neal A. Prince, and artists Rev. Maceptaw Bogun, Mary Borkowski, Tim Fowler, Joseph Victor Gatto, S. L. Jones, Gustav Klumpp, Roy Little, George Lopez, Kevin Orth, and Malcah Zeldis. There are also scattered letters from artists Miles Burkholder Carpenter, John W. Fancher, Rev. Howard Finster, William Hawkins, Sister Gertrude Morgan, Mr. Imagination, Mattie Lou O'Kelley, Clayton Patterson, St. EOM, and Mose Tolliver. One letter from Stephanie and John Smither is etched on a bone.

Personal business records include both legal and financial documents. There are wills for Hemphill, his mother, and for his friend Neal A. Prince. The records also include leases, insurance records, contracts, grant proposals, loan agreements, deeds of gift, price lists, consignment records, tax records, and miscellaneous receipts. Cancelled checks relate to Hemphill's collecting interests and activities, and include payments to artists for their work. There are court papers documenting a lawsuit by Hemphill's landlord who was attempting to evict him.

Art work consists of a sketchbook by Roy Little, a set of hand-cut Japanese mask designs, a collage of Polaroid photographs taped to glass created by Rev. Howard Finster, a hand-made book by Nancy Josephson, and miscellaneous drawings, watercolors, and prints by various artists including Justin McCarthy, Inez Nathaniel, and Nellie Mae Rowe.

Notes and writings include card files of artists, extensive bibliographic card files, and scattered notes on artists including Miles Carpenter, Raymond Coins, Rev. Howard Finster, Mattie Lou O'Kelley, Royal Robertson, Veronica Terrillion, Mose Tolliver, and Bill Traylor. Also found are lists of artists, patrons, and art work, miscellaneous notes, and minutes of meetings. Writings by Hemphill and others including Michael D. Hall, Lynda Roscoe Hartigan, A. Everett James, and Julia Weissman, consist of reports, typescripts, and poems concerning a wide range of art-related topics and travel.

A scrapbook consists of unbound pages of clippings and newsletters about Hemphill, his collection, and exhibitions of folk art.

There is extensive additional printed material illustrating Hemphill's many interests. This series primarily consists of clippings and exhibition announcements and catalogs for mainstream artists as well as folk artists. Also included are auction announcements and catalogs, announcements for festivals, press releases, and calendars of events. Numerous booklets, brochures, programs, menus, business cards, and novelty postcards concern a variety of topics including worldwide travel, the sale of art work, miscellaneous galleries, museums, organizations, conferences, schools, lectures, antiques and craft shops, films, publications, restaurants, household items, historical topics, and miscellaneous artists including Miles Carpenter, S. P. Dinsmoor, Lonnie Holley, Clementine Hunter, and Veronica Terrillion. There are also autographed copies of booklets The Black Swan and Other Poems by James Merrill, and The Blood of Jesus by Thomas Jefferson Flanagan. Novelty postcards range from photographs of Elvis Presley to cards with amusing captions or cartoon jokes. There is also sheet music by Charles Trenet. Miscellaneous printed material includes several eighteenth-century newspapers and a 1776 thirty shilling note from New Jersey.

Photographs are of Hemphill, family members, his residences, friends and colleagues including style editor Carrie Donovan, artist Rev. Howard Finster dancing at an exhibition opening, actress Alice Ghostley, Michael D. Hall, circus performers Vernon Goins and Tiny Hicks, Smithsonian curator Lynda Roscoe Hartigan, Neal A. Prince, and Jim Spies. Photographs of exhibitions include stereographic views of the International Exhibition in Philadelphia and the Exposition Universelle in Paris, and photographs of Hemphill's donation of his collection and its subsequent exhibition at the Smithsonian's American Art Museum. Travel photographs include views of South Dakota, Texas, the American West, Japan, Mexico, and The Netherlands.

Numerous photographs of art work sometimes include images of the artists with their work including Bruce Brice, Raymond Coins, John W. Fancher, Rev. Howard Finster, Theora Hamblett, Bessie Harvey, William Hawkins, James Harold Jennings, John Jordan, Charles Lisk, Alexander Maldonado, St. EOM, Fred Smith, Edgar Tolson, Hubert Walters, and Purvis Young. Some photographs of unattributed art work has been arranged by the state in which it is located and includes a Mardi Gras parade in Louisiana, a Mummer's parade in Pennsylvania, Lucy the Elephant-shaped building in New Jersey, and Holy Ghost Park in Wisconsin. Other photographs of unattributed art work include works on paper, paintings, sculpture, signs, collages, needlework, glass, ceramics, and architecture.

Sound and video recordings include a cassette from Hemphill's phone answering machine that contains only Hemphill's message to callers, cassette recordings of interviews with and concerning Hemphill, artist St. EOM, painter Robert E. Smith discussing his work, and the tour narration for a Smithsonian exhibition Made With Passion. There are videotapes about Hemphill and about artists Gayleen Aiken, Miller and Bryant, and Malcah Zeldis, and miscellaneous African American artists. There is also a videotape of an American Museum of Natural History tour group arriving in a succession of villages in Melanesia and Papua New Guinea where they are greeted by the native people and given the opportunity to purchase their art work.

Artifacts consist of a scattered assemblage of three-dimensional objects including three wooden "fringe" pieces from cigar store figures, ceramic fragments from a sword handle, a lock of horse hair, and a hand-painted View Master viewer souvenir from the opening of the American Visionary Art Museum in Baltimore. The View Master contains a disc of photographs of artists with their work including Vollis Simpson and Mary Frances Whitfield. Also included is a teacher's kit Little Adventures in Art containing four phonograph albums and four short film strips of slides showing art work in animal and bird forms.
Arrangement:
The collection is arranged as 10 series; all series are arranged chronologically:

Series 1: Biographical Material, 1916-1997 (Box 1, 28; 12 folders)

Series 2: Correspondence, 1901-1998 (Boxes 1-5, 27- 28, OV 31; 4.0 linear feet)

Series 3: Personal Business Records, 1817-1997 (Box 5-7, 28; 2.0 linear feet)

Series 4: Art Work, 1911-1997 (Box 7, 32; 0.4 linear feet)

Series 5: Notes and Writings, 1938-1996 (Box 7-10, 28; 2.5 linear feet)

Series 6: Scrapbook, 1965-1976 (Box 10; 1 folder)

Series 7: Printed Material, 1776-1998 (Box 10-19, 28-29, OV 31; 9.5 linear feet)

Series 8: Photographs, 1876-1997 (Box 19-24, 29; 5.5 linear feet)

Series 9: Sound and Video Recordings, 1986-1991 (Box 25-26; 13 folders)

Series 10: Artifacts, 1968-1995 (Box 26, 30; 0.7 linear feet)
Biographical Note:
Herbert Waide Hemphill, Jr., (1929-1998) lived in New York city and was a prominent curator, historian, and collector of American folk art. Hemphill was one of the founding members of the Museum of American Folk Art, organized several large exhibitions of folk art, and co-authored Twentieth Century American Folk Art and Artist.

Hemphill was born on January 21, 1929 in Atlantic City, New Jersey, the son of businessman Herbert Waide Hemphill, Sr., and Emma Bryan Bradley Hemphill whose uncle, William Clark Bradley, was one of the owners of the Coca-Cola Company.

Hemphill was reared in his mother's home town of Columbus, Georgia, and attended Wynnton School. At the Lawrenceville School in New Jersey and the Solebury School in New Hope, Pennsylvania, Hemphill's principle interests were in art and theater. In 1948, he spent a year studying fine arts at Bard College under Stefan Hirsch, a painter and folk art collector.

Hemphill developed his interest in collecting while accompanying his mother on her shopping forays searching for Dresden china. His first acquisition was a wooden duck decoy purchased when he was seven years old. His early collections were of glass bottles, marbles, stamps, and puzzle jugs. In 1949, Hemphill moved to Manhattan and began to focus on modern European and American art and African sculpture, but after 1956 he concentrated exclusively on 19th and early 20th century American folk art. He often discovered artists during his extensive travels, especially in the American South.

In 1961, Hemphill became one of the six founding trustees of the Museum of Early American Folk Art, later named the Museum of American Folk Art, in New York City. Between 1964 and 1973, he was the museum's first curator and curated many exhibitions, helping to promote awareness of work created by self-taught or visionary artists. He later served as Trustee Emeritus for many years.

Between 1974 and 1988, Hemphill loaned portions of his extensive personal collection to 24 museums nationwide and in 1976, the American Bicentennial Commission selected works from his collection for a goodwill tour of Japan. He was named guest curator at the Brooklyn Museum in 1976 and at the Abby Aldrich Folk Art Collection in 1980, and often appeared as guest lecturer at various universities, the Smithsonian Institution, and at the Library of Congress. In 1986, Hemphill donated more than 400 folk art works to the Smithsonian Institution's American Art Museum, resulting in a landmark exhibition Made with Passion: The Hemphill Folk Art Collection of the National Museum of American Art.

Hemphill's publications include books Twentieth Century American Folk Art and Artists, co-authored with Julia Weissman in 1974, Folk Sculpture USA for the Brooklyn Museum in 1976, and Found in New York's North Country: The Folk Art of a Region, co-authored with Varick A. Chittenden in 1982 for the Munson-Williams-Proctor Institute.

Herbert Waide Hemphill, Jr. died on May 8, 1998 in New York City.
Provenance:
Herbert Waide Hemphill donated his papers in 5 installments between 1988 and 1996.
Restrictions:
Use of original papers requires an appointment. Use of audiovisual materials with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Collectors and collecting  Search this
Folk art -- Collectors and collecting  Search this
Curators -- New York (State) -- New York  Search this
Art -- Economic aspects  Search this
Genre/Form:
Video recordings
Watercolors
Sketchbooks
Sound recordings
Photographs
Drawings
Poems
Reports
Prints
Interviews
Citation:
Herbert Waide Hemphill papers, 1776-1998, bulk 1876-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hempherb
See more items in:
Herbert Waide Hemphill papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hempherb
Online Media:

Correspondence with Herzl Emanuel

Creator:
Gurney, George  Search this
Names:
National Museum of American Art (U.S.)  Search this
Emanuel, Herzl, ca. 1915-  Search this
Emanuel, Herzl, ca. 1915-  Search this
Zadkine, Ossip  Search this
Extent:
5 Items
Type:
Collection descriptions
Archival materials
Date:
1994
Scope and Contents:
Correspondence concerning Gurney's planned exhibition regarding approaches to carving sculpture, and in particular, Emanuel's work owned by the Museum, "Head of a Prophet." Emanuel provides a brief history of the work, responds to Gurney's questions regarding carving, and encloses a 5 p. typescript, "Recollections of Zadkine," (1975) in which he writes of the period he worked under Ossip Zadkine in Paris (and made "Head of a Prophet"), Zadkine's residence in New York during WW II, and their reunion in 1962 in Zadkine's Paris studio.
Biographical / Historical:
Gurney is Curator of Sculpture, National Museum of American Art, Smithsonian Institution. Emanuel is a sculptor known for his cubist style who lived in Rome, and later Westport, Ct.
Provenance:
Photocopies donated by George Gurney, 1994. Photocopies discarded after microfilming.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Sculptors -- France -- Paris  Search this
Topic:
Sculpture, Modern -- 20th century -- Technique  Search this
Identifier:
AAA.gurngeor
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gurngeor

Joshua Charles Taylor papers

Creator:
Taylor, Joshua C. (Joshua Charles), 1917-1981  Search this
Names:
National Collection of Fine Arts (U.S.)  Search this
National Museum of American Art (U.S.)  Search this
Extent:
20.3 Items (linear ft. (partially microfilmed))
Type:
Collection descriptions
Archival materials
Date:
1931-1982
Scope and Contents:
The papers of museum director and art historian Joshua Charles Taylor, measure 20.3 linear feet and date from 1931-1982 and include biographical information, correspondence, writings, works of art, a scrpabook, photographs, teaching material and printed material. Biographical information consists of curriculum vitae, bibliographies, and a military honorable discharge certificate. Correspondence is with students and others. Writings include journals 1967, 1969, 1978-1981. Works of art consist of 12 sketchbooks and sketches by Taylor and others. A scrapbook contains programs, photographs, and clippings concerning puppet shows, musical reviews, symphony concerts, and plays, 1933, 1935-1941. Writings include notes, manuscripts, and typescripts for forewords, publications and lectures. photographs and slides are of Taylor, others and artwork. Taylor;s teaching material regards the University of Chicago and includes minutes of meetings, class lists and course outlines, and students' papers.
Biographical / Historical:
Museum director, art historian; Washington, D.C. Taylor was born in Oregon and received his B.A. from Reed College in 1939. He taught theater and served in World War II before completing his M.F.A. and Ph.D. in Art History at Princeton. For more than twenty years he was professor of art history and humanities at the University of Chicago. In 1970 he became the director of the National Museum of American Art (then the National Collection of Fine Arts) a position he held until his death in 1981.
Provenance:
Material on reels 2228-2232 and 14 feet of unmicrofilmed material donated 1981 by Mrs. Stanley Johnson and Mrs. William Wuorinen, sisters of Joshua C. Taylor. Additional 2 feet of additional material was transferred from the National Museum of American Art, 1982-1984.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art historians  Search this
Art museum directors  Search this
Topic:
Art, American -- Study and teaching -- Illinois -- Chicago  Search this
Function:
Art museums -- Washington (D.C.)
Identifier:
AAA.tayljosh
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tayljosh

Barbara Shissler Nosanow materials relating to Howard Finster

Creator:
Nosanow, Barbara Shissler  Search this
Names:
National Museum of American Art (U.S.)  Search this
Finster, Howard, 1916-2001  Search this
Extent:
18 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
[ca. 1981]
Scope and Contents:
A letter from Finster to Barbara Shissler Nosanow at the National Museum of American Art, discussing his upcoming visit to Washington, D.C. The letter is illustrated in pencil with sketches of Abraham Lincoln, Thomas Jefferson, William Henry Harrison, Andrew Jackson and William Shakespeare. Finster writes: "I am excited to be coming to Washington where these great men once had our future responsibility upon them I feel so unworthy to live in a world of luxery (sic) and these great men paved our way..." Also included are several handmade cards and leaflets, enclosed in a note to Nosanow: "I was going to demastrat (sic) how I make these card in the show but we ran out of time."
Biographical / Historical:
Barbara Shissler Nosanow was the curator of an exhibit titled "More than land or sky: art from Appalachia," which ran at the National Museum of American Art from October 30, 1981 to January 3, 1982, and featured works by self-taught artist Howard Finster.
Provenance:
Transferred 1993 from the National Museum of American Art, which received the materials from Howard Finster.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Self-taught artists -- Georgia  Search this
Identifier:
AAA.nosabarb
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nosabarb

Research material on Martha Jackson

Creator:
Rand, Harry  Search this
Names:
Martha Jackson Gallery  Search this
National Museum of American Art (U.S.) -- Exhibitions  Search this
Breeskin, Adelyn Dohme, 1896-1986  Search this
Brooks, James, 1906-1992  Search this
Calcagno, Lawrence, 1913-  Search this
Diebenkorn, Richard, 1922-1993  Search this
Dine, Jim, 1935-  Search this
Falkenstein, Claire, 1908-1997  Search this
Gilhooly, David  Search this
Hartigan, Grace  Search this
Hultberg, John, 1922-  Search this
Jackson, Martha Kellogg  Search this
Jenkins, Paul, 1923-2012  Search this
Katz, Alex, 1927-  Search this
Nevelson, Louise, 1899-1988  Search this
Stanczak, Julian, 1928-2017  Search this
Wayne, June, 1918-2011  Search this
Extent:
0.4 Linear feet ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1953-1984
Scope and Contents:
Research material for an exhibition THE MARTHA JACKSON MEMORIAL COLLECTION held at the National Museum of American Art, June 21-September 15, 1985, and a catalog (Smithsonian Institution Press, 1985). Included are clippings and press releases, 1953-1975, and letters, 1979-1984, from artists and Jackson's colleagues and employees including Herb Aach, Garo Antreasian, Amy Baker, Dorothy Beskind, Dennis Bing, Norman Bluhm, Naomi Blum, Grace Borgegenicht, Mrs. Toni Borgzinner, Keith Boyle, Charles Brady, Adelyn Breeskin, James Brooks, Fritz Bultman, Lawrence Calcagno, Christo Capralos, Vardea Chryssa, Christopher Colt, Richard Diebenkorn, Jim Dine, Hisao Domoto, Seymour Drumlevitch, Frank Duncan, Claire Falkenstein, David Gilhooly, Ives Goucher, Clement Greenberg, Grace Hartigan, Gottfried Honegger, John Hultberg,
Harry Jackson, Paul Jenkins, Alfred Jenson, Lester Johnson, Alex Katz, Lillian Kiesler, Kenneth Koch, Lee Krasner, Elaine Kurtz, Bruce Lowney, Alexandra Luke, Ed McGowin, Carlos Merida, Sadamasa Motonaga,Louise Nevelson, Tom Parish, Jackson Pollock (Betty Parsons Gallery concerning Pollock),Israel Rosen, John Salt, Peter Spinelli, Julian Stanczak, Francisco Toledo, June Wayne, and Edward Weiss. Several of the correspondents wrote brief memoirs of their relationships with Jackson.
Biographical / Historical:
Art historian, curator; National Museum of American Art, Washington, D.C. Jackson (1907-1969) was an art collector, dealer, and painter. She operated the Martha Jackson Gallery, New York City. Her collection was given to the National Museum of American Art in 1981 by her estate.
Provenance:
Lent for microfilming 1988 by Harry Rand. The Martha Jackson memorial collection was donated to the National Museum of American Art in 1981 by Jackson's estate.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art historians  Search this
Museum curators  Search this
Identifier:
AAA.randharr
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-randharr

Interviews relating to the Container Corporation of America

Creator:
National Museum of American Art (U.S.)  Search this
Interviewer:
Norelli, Martina Roudabush  Search this
Names:
Container Corporation of America -- Art collections  Search this
N. W. Ayer and Son  Search this
Coiner, Charles T., 1897-  Search this
Denes, Agnes  Search this
Lionni, Leo, 1910-  Search this
Massey, John, 1931-  Search this
Paepcke, Elizabeth, 1902-1994  Search this
Paepcke, Walter Paul, 1896-1960  Search this
Warwick, Edward  Search this
Extent:
9 Items (sound cassettes (partially transcribed))
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1984-1985
Scope and Contents:
Interviews of Charles Coiner, Agnes Denes, Leo Leonni, John Vincent Massey, Elizabeth Paepcke (wife of Container President Walter Paepcke), and Edward Warwick, regarding the Container Corporation of America's advertising campaigns and the development of the art collection. Also discussed is the role of the advertising agency N. W. Ayer and Son to the Container Corporation of America. The interviews were conducted by Martina Norelli, associate curator of graphic arts of the National Museum of American Art, in preparation for the exhibition and catalog "Art, Design, and the Modern Corporation," held October 24, 1985-January 19, 1986.
Provenance:
Donated 1991 by the National Museum of American Art.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Denes and Paepcke interviews are transcribed.
Occupation:
Designers -- United States  Search this
Topic:
Art and industry  Search this
Designers -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.natiaaiv
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-natiaaiv

Dada and Surrealism in America : a symposium in honor of Man Ray, symposium records

Creator:
National Museum of American Art (U.S.)  Search this
Names:
Ray, Man, 1890-1976  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Sound recordings
Date:
1988
Scope and Contents:
An audiotape recording (3 cassettes) of "Dada and Surrealism in America: A Symposium in honor of Man Ray," sponsored by the National Museum of American Art, December 3, 1988, in conjunction with the exhibition, "Perpetual Motif: The Art of Man Ray." Also included is a videotape (VHS 118 min.) of the afternoon session of the symposium, a list of speakers and brief summaries of the papers; and printed material concerning the symposium.
Papers were delivered by Dawn Ades, Professor of Art History and Theory, University of Essex, England; Michel Sanouillet, Director, Centre du Vingtieme Siecle, University de Nice, France; and Dickran Tashjian, Chair, Dept. of Comparative Culture, University of California at Irvine. Panel discussion participants included Merry Foresta, Curator of the exhibition; John Baldessari, artist; Walter Hopps, Director, The Menil Collection, Houston, Texas; Jean-Hubert Martin, Director, Musee Nationale d'Art Moderne, Paris; Roberta Smith, critic; Lucien Treillard, personal ass't to Man Ray, 1960-1976; and William Wegman, artist.
Provenance:
Transferred from the National Museum of American Art in 1989.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Genre/Form:
Video recordings
Sound recordings
Identifier:
AAA.natiaasy
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-natiaasy

Werner Drewes interviews

Creator:
Drewes, Werner, 1899-1985  Search this
Interviewer:
Norelli, Martina Roudabush  Search this
Names:
National Museum of American Art (U.S.)  Search this
Extent:
4 Items (sound cassettes 132 p. transcript)
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1983 Dec. 9-1984 Mar. 16
Scope and Contents:
Interview of Werner Drewes conducted by Martina Norelli for the National Museum of American Art.
Biographical / Historical:
Painter, printmaker; Reston, Va. Died 1985.
Provenance:
Donated 1984 by the National Museum of American Art. An exhibition of "Werner Drewes: Sixty-Five Years of Printmaking," was held at the museum, Oct. 5, 1984-Jan. 1, 1985.
Occupation:
Painters -- Virginia -- Interviews  Search this
Topic:
Art, American  Search this
Printmakers -- Virginia -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.drewweri
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-drewweri

Agency history, 1983-

Creator:
Smithsonian American Art Museum Office of the Deputy Director  Search this
Subject:
Robertson, Charles (Charles J.)  Search this
Lowe, Harry 1922-  Search this
Allen, Rachel M  Search this
Voyles, David  Search this
National Museum of American Art (U.S.) Office of the Deputy Director  Search this
National Collection of Fine Arts (U.S.) Office of the Deputy Director  Search this
Type:
Mixed archival materials
Date:
1983
1983-
Topic:
Museums--Administration  Search this
Art museums  Search this
Local number:
SIA AH00149
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_221197

Lynda Roscoe Hartigan research material on Perkins Harnly, 1979-1984

Creator:
Hartigan, Lynda Roscoe  Search this
Subject:
Harnly, Perkins  Search this
Index of American Design  Search this
National Museum of American Art (U.S.)  Search this
Type:
Interviews
Topic:
Interior decoration  Search this
Record number:
(DSI-AAA_CollID)9825
(DSI-AAA_SIRISBib)212285
AAA_collcode_hartlynd
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212285

Photographs and video of self-taught artists

Creator:
Kirwin, Liza  Search this
Names:
Archives of American Art  Search this
Hemphill Folk Art Collection  Search this
National Museum of American Art (U.S.)  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Date:
1985-1989
Scope and Contents:
Photographs, slides, and video of self-taught artist taken by Liza Kirwin, Southeast Regional Collector, Archives of American Art, when traveling for the Archives.
Subjects include Howard Finster, Vollis Simpson, Clyde Jones, Dilmus Hall, Mary Smith, David Butler, Royal Robertson, Horacio Valdez, Eddie Owens Martin, Burgess Dulaney, Joseph Fury, Sam Doyle, James "Money Man" McClain, and William C. Rice. Many photographs include images of works of art. Two video recordings taken by Kirwin are of Horacio Valdez at his home in Dixon, New Mexico, in conversation with Andrew L. Connors, Associate Curator, National Museum of American Art (NMAA), and Tonia L. Horton, October 20, 1987, on a research trip in preparation for the exhibition, "Made with Passion: The Hemphill Folk Art Collection in the National Museum of American Art," 1990.
Also found are contact sheets and slides of Finster taken by Smithsonian photographer Richard Strauss on the occasion of filming of "The Living Smithsonian" for Smithsonian World (public television) at Finster's Paradise Garden in Penville, Georgia, January 1988.
Biographical / Historical:
Liza Kirwin is a curator, arts administrator and author, and Deputy Director and former Southeast Regional Collector, Archives of American Art, Smithsonian Institution.
Provenance:
Donated 2015 by Liza Kirwin.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Arts administrators -- Washington (D.C.)  Search this
Self-taught artists  Search this
Genre/Form:
Video recordings
Identifier:
AAA.kirwliza
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kirwliza

Smithsonian American Art Museum [electronic resource]

Title:
American Art Museum
Author:
National Museum of American Art (U.S.)  Search this
Renwick Gallery  Search this
Subject:
National Museum of American Art (U.S.)  Search this
Renwick Gallery  Search this
Type:
Electronic resources
Place:
Washington (D.C.)
Date:
1994
1994-
Topic:
Art museums  Search this
Art  Search this
Art, American  Search this
Call number:
N857
Electronic Resource N857
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_596784

Wanderlust : work by eight contemporary photographers from the Hallmark photographic collection / Keith F. Davis

Author:
Hallmark Cards, Inc  Search this
Davis, Keith F. 1952-  Search this
National Museum of American Art (U.S.)  Search this
Subject:
Hallmark Cards, Inc Photograph collections Exhibitions  Search this
Physical description:
91 p. : chiefly ill. (some col.) ; 23 x 31 cm
Type:
Books
Pictorial works
Place:
Asia
Date:
1987
C1987
Call number:
TR654 .H19 1987
TR654.H19 1987
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_325607

Correspondence with Herzl Emanuel, 1994

Creator:
Gurney, George  Search this
Subject:
Emanuel, Herzl  Search this
Zadkine, Ossip  Search this
Emanuel, Herzl  Search this
National Museum of American Art (U.S.)  Search this
Topic:
Sculpture, Modern -- 20th century -- Technique  Search this
Record number:
(DSI-AAA_CollID)6491
(DSI-AAA_SIRISBib)215696
AAA_collcode_gurngeor
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215696

Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006

Creator:
Rosenblum, Robert, 1927-2006  Search this
Subject:
Rosenquist, James  Search this
Rockwell, Norman  Search this
Kramer, Hilton  Search this
Ingres, Jean-Auguste-Dominique  Search this
Becraft, Melvin E.  Search this
Harry N. Abrams, Inc.  Search this
Los Angeles County Museum of Art  Search this
Yale University  Search this
Solomon R. Guggenheim Museum  Search this
Princeton University  Search this
Musée d'Orsay  Search this
Columbia University  Search this
University of Michigan  Search this
National Museum of American Art (U.S.)  Search this
New York University  Search this
Type:
Video recordings
Collages
Sound recordings
Sketches
Interviews
Transcripts
Topic:
Art -- Study and teaching  Search this
Art -- 19th century  Search this
Art -- 18th century  Search this
Painting, Modern  Search this
Portraits  Search this
Dogs in art  Search this
Painting, French  Search this
Photographs  Search this
Educators -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)8191
(DSI-AAA_SIRISBib)210362
AAA_collcode_roserobe
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210362
Online Media:

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