Search Results

Book artist:

Crawley, IBe' Bulinda H  Search this

Author:

Smithsonian Libraries Artists' Books DSI  Search this

Publisher:

Women's Studio Workshop  Search this

Physical description:

1 volume (20 unnumbered pages) illustrations 29 cm + clay figure + pamphlet folder (36 cm)

Type:

Sources

Specimens

Artists' books (books).)

Artists' books

History

Kozo fibers (Paper)

Abaca fibers (Paper)

Authors' autographs (Provenance)

Livres d'artistes

Place:

Virginia

Virginie

New York (State)

Rosendale

Date:

2022

20th century

20e siècle

Topic:

African American prisoners--History  Search this

Women prisoners  Search this

Female offenders  Search this

Children of women prisoners  Search this

African American families--Effect of imprisonment on  Search this

Pregnant women--Effect of imprisonment on  Search this

Women prisoners--Family relationships  Search this

African American women--Social conditions  Search this

Prison administration--History  Search this

Women prisoners in art  Search this

Pregnant women in art  Search this

Artists' books  Search this

Maternal and infant welfare  Search this

Reproductive rights  Search this

Prison administration  Search this

Prisonnières  Search this

Criminelles  Search this

Protection maternelle et infantile  Search this

Droits génésiques  Search this

Prisonnières--Relations familiales  Search this

Noires américaines--Conditions sociales  Search this

Prisons--Administration  Search this

Prisonniers noirs américains--Histoire  Search this

Enfants de prisonnières  Search this

Familles noires américaines--Effets de l'emprisonnement sur  Search this

Femmes enceintes--Effets de l'emprisonnement sur  Search this

Prisons--Administration--Histoire  Search this

Prisonnières dans l'art  Search this

Femmes enceintes dans l'art  Search this

African American prisoners  Search this

Families  Search this

Book sculpture  Search this

African American women prisoners--Imprisoned mothers--1920s  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1164402

Creator:

Holt, Nancy, 1938-2014  Search this

Subject:

Smithson, Robert  Search this

John Weber Gallery  Search this

James Cohan Gallery  Search this

Type:

Interviews

Diaries

Sound recordings

Video recordings

Drawings

Citation:

Nancy Holt Estate records, circa 1900-2014. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women sculptors  Search this

Earthworks (Art)  Search this

Women photographers  Search this

Women filmmakers  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)22063

AAA_collcode_holtnanc

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_22063

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

Blog posts

Smithsonian staff publications

Interviews

Blog posts

Published Date:

Wed, 27 Sep 2023 01:49:00 GMT

Topic:

Cultural property  Search this

See more posts:

Festival Blog

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

EDAN-URL:

edanmdm:posts_c7582b3758332ecfbc577330b16ccc16

Creator:

Holt, Nancy, 1938-2014  Search this

Names:

James Cohan Gallery  Search this

John Weber Gallery  Search this

Smithson, Robert  Search this

Extent:

circa 42 Linear feet

Type:

Collection descriptions

Archival materials

Interviews

Diaries

Sound recordings

Video recordings

Drawings

Date:

circa 1900-2014

Summary:

The Nancy Holt Estate records measure circa 42 linear feet and date from circa 1900-2014, with the bulk of the material dating from 1960-2000. The records include financial records, notebooks, project files including unrealized proposals, correspondence, calendars, and 9 linear feet of Holt's annotated library. Also included are the John Weber Gallery records concerning Robert Smithson that consist of the gallery's inventory and slide records of Robert Smithson's drawings and sculptures, including earthworks, and incorporate some slides from the James Cohan Gallery. James Cohan worked for John Weber before establishing his own gallery in 2001.

Scope and Contents:

The Nancy Holt Estate records measure circa 42 linear feet and date from circa 1900-2014, with the bulk of the material dating from 1960-2000. The records include financial records, notebooks, project files including unrealized proposals, correspondence, calendars, and 9 linear feet of Holt's annotated library. Also included are the John Weber Gallery records concerning Robert Smithson that consist of the gallery's inventory and slide records of Robert Smithson's drawings and sculptures, including earthworks. The records incorporate some slides from the James Cohan Gallery (1999-), an art gallery in Manhattan, New York, which represents the estate of Robert Smithson.

Arrangement:

The Nancy Holt Estate records are arranged as 4 series.

Series 1: Project Files, circa 1900-2014, bulk 1970-2000 (12.8 linear feet; Boxes 3-10, OVs 11-31, RDs 32-39)

Series 2: Calendars and Notebooks, circa 1970s-2013 (2 linear feet; Boxes 40-42, OVs 43-44)

Series 3: John Weber Gallery Records Concerning Robert Smithson, circa 1960-circa 2001 (2 linear feet; Boxes 1-2)

Series 4: Unprocessed Papers, circa 1960s-circa 2014 (25.2 linear feet; Boxes 45-69, OVs 70-71)

Biographical / Historical:

Nancy Holt (1938-2014) was an environmental and installation artist, sculptor, filmmaker, and photographer, based in New York, New York. She was best known for her large-scale public land art installations including her seminal work Sun Tunnels (1973-1976) located in the Great Basin Desert, Utah. Her work engaged with the natural environment and the celestial realm, tracing the rotation of the earth and the movement of the sun and stars. Holt was also fascinated by mechanical systems such as those used for heating, drainage, and ventilation, and her functional sculptural installations explored the relationship between architecture and the built environment.

Holt was born in Worcester, Massachusetts, grew up in New Jersey, and graduated from Tufts University in 1960 with a degree in biology. She moved to New York City later that year where she met the artist Robert Smithson, to whom she was married from 1963 until Smithson's death in 1973.

Holt's landmark work Sun Tunnels was executed in 1973-1976 in Utah's Great Basin Desert, where Holt and Smithson had purchased surrounding land specifically to ensure an unimpeded view of the horizon. Holt went on to produce many site-specific outdoor works including 30 Below (1980), Dark Star Park (1984), Solar Rotary (1995), and Up and Under (1998). Her exploration of what she termed Systems Works included Catch Basin (1982), Flow Ace Heating (1985), and Spinwinder (1991).

Holt's photography was essential in the development of her ideas. In Missouri Ranch Locators: Vision Encompassed (1972) she used photography in her development of "seeing devices," creating eye-level steel pipes to direct viewers to a specific site in the surrounding landscape, and developing a concept that was central to Sun Tunnels and other works. Her book Ransacked, Aunt Ethel: An Ending (1980) documented through text and photographs the abuse and theft her aunt was subjected to at the end of her life. In Time Outs (1985) Holt used photographs of football games taken from a television screen to create a book born out of her childhood love of TV sporting events.

Holt's work can be found in the collections of major institutions including the Museum of Modern Art and the Whitney Museum of American Art in New York, the Utah Museum of Fine Arts, and the Museum für Gegenswartkunst, Germany. Her permanent installations can be found at public institutions including Miami University Art Museum, Southern Connecticut State University, University of Massachusetts, Dartmouth, Western Washington University, and University of South Florida.

In 2012 Nancy Holt was made a Chevalier of the of the Ordre des Arts et des Lettres by the French Government. In 2013 she was presented with a Lifetime Achievement Award by the International Sculpture Center in New York. Holt received five National Endowment for the Arts Fellowships, two New York Creative Artist Fellowships, a Guggenheim Fellowship, and an Honorary Doctorate from the University of South Florida, Tampa.

Holt lived in Galisteo, New Mexico, from 1995-2013. She died in New York City in 2014.

Related Materials:

The Archives of American Art also holds the Robert Smithson and Nancy Holt papers, an interview with Nancy Holt conducted 1992 July 6 by Scott Gutterman for the Archives of American Art, and an interview with Nancy Holt conducted 1993 August 3 by Joyce Pomeroy Schwartz for the Archives of American Art.

Provenance:

Bequest of Nancy Holt, 2014.

Restrictions:

Portions of the collection are open for research. Series 4: Unprocessed Papers is currently closed for processing. Financial files, and Nancy Holt's annotated library of books are currently closed to researchers.

Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Items created by Nancy Holt and Robert Smithson copyright held by Holt/Smithson Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY. Requests for permission to reproduce should be submitted to ARS.

Occupation:

Sculptors -- New York (State) -- New York  Search this

Filmmakers -- New York (State) -- New York  Search this

Environmental artists -- New York (State) -- New York  Search this

Installation artists -- New York (State) -- New York  Search this

Photographers -- New York (State) -- New York  Search this

Sculptors -- New Mexico -- Galisteo  Search this

Installation artists -- New Mexico -- Galisteo  Search this

Environmental artists -- New Mexico -- Galisteo  Search this

Photographers -- New Mexico -- Galisteo  Search this

Filmmakers -- New Mexico -- Galisteo  Search this

Topic:

Women artists  Search this

Women sculptors  Search this

Earthworks (Art)  Search this

Women photographers  Search this

Women filmmakers  Search this

Genre/Form:

Interviews

Diaries

Sound recordings

Video recordings

Drawings

Citation:

Nancy Holt Estate records, circa 1900-2014. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.holtnanc

See more items in:

Nancy Holt Estate records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw95e0b7a8b-3fdb-4cd3-91fb-a6bec00cc668

EDAN-URL:

ead_collection:sova-aaa-holtnanc

Creator:

Williams, Claude, 1908-2004  Search this

Fouse-Williams, Blanche Y.  Search this

Extent:

1 Electronic discs (CD)

13 Cassette tapes

4.66 Cubic feet (14 boxes, 3 map- folders)

Container:

Map-folder 1

Map-folder 3

Type:

Collection descriptions

Archival materials

Electronic discs (cd)

Cassette tapes

Letters (correspondence)

Photographs

Programs

Posters

Scrapbooks

Financial records

Awards

Business records

Audiotapes

Articles

Manuscripts

Date:

1920-2005

Summary:

Business and personal papers, photographs, and audio recordings of Claude "Fiddler" Williams, an award-winning jazz fiddler. Although Williams played music for almost a century the materials in this collection date largely from 1970 to 2005.

Scope and Contents:

This collection documents the later life and career of jazz violinist Claude "Fiddler" Williams. Materials include correspondence, photographs, unpublished writings, awards, business records, financial records, programs and a few music manuscripts. There is one scrapbook and several audio recordings. There are also an autographed poster from 1997 honoring five inductees to the Oklahoma Music Hall of Fame, including Claude Williams, Merle Haggard, Patti Page, Woody Guthrie and Eddie Burris. While there are some materials from Williams's youth, the vast majority of the collection dates from 1970. Williams's second wife, Blanche Y. Fouse-Williams, was vigilant about saving his papers. She also managed his career for the last few years of his life. This accounts for the increased volume of materials documenting his later years. Materials generally are arranged in chronological order within series and subseries.

Series 1, Business Records, 1973-2005, undated, is divided into seven subseries and includes business records, information relating to tours and performances, awards and certificates, business and personal correspondence, financial papers, articles and newspaper clippings, and biographical information.

Subseries 1, Events, 1977-2004, undated, includes contracts, copies of newspaper clippings, performance programs, brochures, ticket stubs, travel itineraries, travel receipts, correspondence, materials regarding his work as a fiddle teacher, advertisements for performances, a certificate of recognition, and napkins saved from a Washington Education Television Association (WETA) performance at the White House in 1998. Materials are arranged in chronological order.

Subseries 2, Itineraries, 1990-2001, includes lists and correspondence detailing locations, musicians, travel and lodging plans, and financial compensation for William's performances. Materials are arranged in chronological order.

Subseries 3, Awards and Certificates, 1978-2002, contains awards and certificates of appreciation from the Steamboat Delta Queen, Annual Black Musicians Conference, Kansas City Chapter of the International Association of Jazz Record Collectors, and the Manhattan School of Music, as well as an invitation to a reception honoring Kansas City Jazz musicians from the Consul General of Japan. Materials are arranged in chronological order.

Subseries 4, Correspondence, 1975-2004, consists of information relating to travel arrangements, tours, remuneration, music recordings, press kits, contracts, public television performances, involvement with the National Endowment for the Arts and the National Endowment for the Humanities, as well as Williams's Smithsonian Folkways recording. Materials are arranged in chronological order.

Subseries 5, Financial Papers, 1990-2005, includes information about travel and payment, hotel bills and receipts, invoices for performances, music recordings sales, royalty statements and copies of checks. Materials are arranged in chronological order.

Subseries 6, Press, 1973--005, undated, includes magazines, newspaper clippings and articles, about Williams's performances and music, appearances and jazz festivals, as well as the Kansas City Jazz scene. Magazine titles include Kansas City Magazine , Missouri Alumnus , The Masters Traditional Arts Apprenticeship Program , Jazz Ambassador Magazine , Kansas City Ambassador to Jazz , The Mississippi Rag , Fiddler Magazine , Jazz News , Jazz Times , Living Blues , Blues Access , and Kansas City . Materials are arranged by type and then in chronological order.

Subseries 7, Music, 1989-1995, undated, contains thirteen audio tape recordings, one CD, sheet music and set lists of music performed by Williams. There is an audio recording of Black and Blue: A Musical Revue , a Folk Master performance at Carnegie Hall. Williams's work with James Chirillo, an appearance on Birdflight , as well as recordings of live and studio performances are also included among these materials. There is a copy of Williams's CD Swingtime in New York and an interview from1992. Materials are arranged in chronological order.

Series 2, Personal Papers, 1978--005, undated, is divided into two subseries and contains letters, cards, postcards, invitations, copies of email, and requests for information and interviews. Most of the correspondence was addressed to Williams but there are materials that were sent to Blanche Williams. The correspondence is generally from fans, friends and family.

Subseries 1, Correspondence, 1978-2005, undated, consists of birthday cards from school age children, postcards, copies of newspaper clippings, White House and other government correspondence, congratulations or birthday wishes, as well as personal correspondence from friends inquiring about Williams's health and well-being. Also included is a draft for a chapter in a book on Claude Williams's contributions to jazz. Requests relating to research about Williams are also included. Materials are arranged in chronological order. Materials are arranged first by type followed by general correspondence in chronological order.

Subseries 2, Miscellaneous, undated, contains ephemera, autographs, affiliates list, well-wishes to Blanche Williams, a funeral program, mailing lists, lists of affiliated organizations, and a Count Bassie autograph.

Series 3, Photographs, 1977-2004, undated, includes personal and professional photographic prints and negatives of Williams. Subjects include performances and festivals, headshots and publicity, images of other musicians, family, friends, and posters with photographs created for his funeral. The majority of these photographs are of performances. Materials are arranged by subject.

Arrangement:

The collection is arranged into three series.

Series 1, Business Records, 1973-2005, undated

Subseries 1.1, Events, 1977-2004, undated

Subseries 1.2, Itineraries, 1990-2001

Subseries 1.3, Awards and Certificates, 1978-2002

Subseries 1.4, Correspondence, 1975-2004

Subseries 1.5, Financial Papers, 1990-2005

Subseries 1.6, Press, 1973-2005, undated

Subseries 1.7, Music; 1989-1995, undated

Series 2, Personal Papers, 1978-2005, undated

Subseries 2.1, Correspondence, 1978-2005, undated

Subseries 2.2, Miscellaneous, undated

Series 3, Photographs, 1977-2004, undated

Biographical / Historical:

Claude "Fiddler" Williams, 1908-2004, was born in Muskogee, Oklahoma, the son of a blacksmith. His musical gifts developed at a very early age, and he quickly became adept at the guitar, banjo, mandolin and cello, learning mostly by ear, without formal training. After hearing the jazz violinist Joe Venuti, the violin became his instrument of choice, and it remained so for the rest of his life. He migrated to Kansas City in 1927 and toured with several territory bands. Additionally Williams toured with the Twelve Clouds of Joy and the Cole Brothers, and in 1936, joined Count Basie's band as the first guitarist. After he was fired from Count Basie's band because John Hammond thought Williams's guitar solos were taking too much attention away from Basie, he went back to the violin (or "fiddle" as he preferred to call it) and focused exclusively on it for the rest of his life. Later he started his own band and toured with several jazz groups working for a short time with the Works Progress Administration (WPA). His band appeared at the Monterey Jazz Festival, the Nice Jazz Festival, and the Smithsonian Institution's Festival of American Folk Life. Williams received numerous honors and awards, including induction into the Oklahoma Jazz Hall of Fame, a proclamation from the city of Kansas City, and a 1998 National Heritage Fellowship which included a $10,000 award. President Bill Clinton invited him to perform at one of the parties celebrating his first inauguration. Williams continued to tour and perform until well into his nineties. He also gave instruction at Mark O'Connor's annual fiddle camp to young violinists. Mr. Williams died in April 2004.

Separated Materials:

Artifacts donated to the Museum's Division of Culture and the Arts (now Division of Cultural and Community Life) include a suit and violin. See accession numbers: 2005.3105 and 2007.3020.

Provenance:

This collection was donated by Claude Williams's widow, Blanche Y. Fouse-Williams, in 2005.

Restrictions:

The collection is open for research use.

Physical Access: Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Technical Access: Do not use original materials when available on reference audio tapes.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Music -- 20th century -- United States  Search this

Jazz -- 20th century -- United States  Search this

Jazz musicians -- United States  Search this

Violinists  Search this

Musicians -- United States  Search this

Genre/Form:

Letters (correspondence) -- 20th century.

Photographs -- 2000-2010

Programs

Posters -- 1950-2000

Scrapbooks

Financial records

Awards

Business records -- 20th century

Audiotapes

Articles

Photographs -- 20th century

Manuscripts -- Music -- 20th century

Citation:

Claude Williams Papers, Archives Center, National Museum of American History

Identifier:

NMAH.AC.0909

See more items in:

Claude Williams Papers

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep82736f8a2-824b-43e6-96c8-6449a163c087

EDAN-URL:

ead_collection:sova-nmah-ac-0909

Creator:

D'Rivera, Paquito, 1948-  Search this

Extent:

0.3 Cubic feet (1 box)

Type:

Collection descriptions

Archival materials

Photographs

Manuscripts

Date:

1988-2000

Summary:

Collection consists of three music manuscripts created by Cuban-born musician and composer Paquito D'Rivera and a photograph.

Scope and Contents:

The collection consists of three music manuscripts created by D'Rivera including A Song of Peace commissioned by the New York Festival of Songs for its annual concert series in 2000. Annie Colina wrote the lyrics for this song. There are also two other music manuscripts including I Remember Diz written by D'Rivera for Dizzy Gillespie shortly after his death. In addition, there is a photograph of D'Rivera's birthday celebration with Dizzy Gillespie in 1988. The materials are arranged in chronological order.

Arrangement:

The collection is arranged in three folders.

Biographical / Historical:

Paquito D'Rivera, born in 1948, is a Cuban musician and composer of both jazz and classical music. He plays both the clarinet and the alto saxophone. In his teen years, D'Rivera became a founding member of the Orquesta Cubana de Musica Moderna, directing the group for two years. At the same time, he played both the clarinet and saxophone with the Cuban National Symphony Orchestra. D'Rivera was also a founding member and co-director of the musical group Irakere, a band that played a mixture of jazz, rock, classical and traditional Cuban music. In 1980, he sought asylum in Spain at the United States Embassy. He moved to New York and played with Dizzy Gillespie's last big band. D'Rivera has won several Grammy awards, including Best Latin Jazz Album in 2003 and 2008 and best classical album at the Latin Grammy awards in 2003 and 2005. In addition, D'Rivera was nominated for Grammy awards in 1979 and 1980. He received the National Medal for the Arts in 2005 and was named one of the 2005 National Endowment for the Arts Jazz Masters.

D'Rivera is also a composer of music. In 2007, he received a John Simon Guggenheim Fellowship in Music Composition. He also received the 2007-2008 appointment as Composer-in-Residence at the Caramoor Center for Music and the Arts. D'Rivera's compositions reflect his widespread musical interests combining Afro-Cuban rhythms and melodies with classical origins.

Related Materials:

Archives Center, National Museum of American History

Tito Puente Papers (AC0894)

Chico O'Farrill Papers (AC0892)

Mongo Santamaria Papers (AC0893)

Smithsonian Jazz Oral History Program Collection (AC0808)

Charismic Production Records of Dizzy Gillespie (AC0979)

Separated Materials:

The Museum's Division of Culture and the Arts (now Division of Cultural and Community Life) holds artifacts related to this collection including a Panama hat, white tuxedo, and D'Rivera's first clarinet. See accession number: 2005.3048.

Provenance:

Paquito D'Rivera donated the collection to the Archives Center in 2005.

Restrictions:

The collection is open for research use.

Physical Access: Researchers must handle unprotected photographs with gloves.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Jazz musicians -- United States  Search this

Jazz  Search this

Music -- 20th century  Search this

Musicians -- United States  Search this

Genre/Form:

Photographs -- Black-and-white photoprints -- Silver gelatin -- 1980-2000

Manuscripts -- Music -- 20th century

Citation:

Paquito D'Rivera Music Manuscripts and Photograph, Archives Center, National Museum of American History

Identifier:

NMAH.AC.0891

See more items in:

Paquito D'Rivera Papers

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8f5b82ece-a10d-4907-a9f7-d39b5ab1484c

EDAN-URL:

ead_collection:sova-nmah-ac-0891

Artist:

Larry Fink, born New York City 1941-died Martins Creek, PA 2023  Search this

Medium:

gelatin silver print

Dimensions:

image: 8 7/8 x 8 7/8 in. (22.4x 22.6 cm.)

Type:

Photography-Photoprint

Date:

1980

Topic:

Figure group\male  Search this

Occupation\industry\lumber  Search this

Landscape\Washington  Search this

Credit Line:

Smithsonian American Art Museum, Transfer from the National Endowment for the Arts

Copyright:

©, Larry Fink

Object number:

1983.63.494

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7a02a074c-94b8-491d-97fb-58e797aab5d2

EDAN-URL:

edanmdm:saam_1983.63.494

Artist:

Larry Fink, born New York City 1941-died Martins Creek, PA 2023  Search this

Medium:

gelatin silver print

Dimensions:

image: 8 7/8 x 8 7/8 in. (22.5 x 22.7 cm.)

Type:

Photography-Photoprint

Date:

1980

Topic:

Landscape\tree  Search this

Occupation\industry\lumber  Search this

Figure male\knee length  Search this

Landscape\Washington  Search this

Credit Line:

Smithsonian American Art Museum, Transfer from the National Endowment for the Arts

Copyright:

©, Larry Fink

Object number:

1983.63.495

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk70960879c-57a8-4ff2-b62d-b555ea33788e

EDAN-URL:

edanmdm:saam_1983.63.495

Artist:

Larry Fink, born New York City 1941-died Martins Creek, PA 2023  Search this

Medium:

gelatin silver print

Dimensions:

image: 8 1/8 x 13 in. (20.6 x 33.0 cm.)

Type:

Photography-Photoprint

Date:

1980

Topic:

Figure group\male  Search this

Recreation\leisure\eating and drinking  Search this

Credit Line:

Smithsonian American Art Museum, Transfer from the National Endowment for the Arts

Copyright:

©, Larry Fink

Object number:

1983.63.496

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7ae31511f-0c80-46a8-b47a-173d887fdde6

EDAN-URL:

edanmdm:saam_1983.63.496

Artist:

Larry Fink, born New York City 1941-died Martins Creek, PA 2023  Search this

Medium:

gelatin silver print

Dimensions:

image: 8 7/8 x 8 7/8 in. (22.5 x 22.7 cm.)

Type:

Photography-Photoprint

Date:

1980

Topic:

Figure male  Search this

Occupation\industry\lumber  Search this

Animal\dog  Search this

Landscape\Washington  Search this

Credit Line:

Smithsonian American Art Museum, Transfer from the National Endowment for the Arts

Copyright:

©, Larry Fink

Object number:

1983.63.497

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7fd476cef-3e7f-4118-a2f1-5b495933bfe8

EDAN-URL:

edanmdm:saam_1983.63.497

Artist:

Larry Fink, born New York City 1941-died Martins Creek, PA 2023  Search this

Medium:

gelatin silver print

Dimensions:

image: 8 1/8 x 12 in. (20.6 x 30.5 cm.)

Type:

Photography-Photoprint

Date:

1980

Topic:

Figure male  Search this

Occupation\industry\lumber  Search this

Landscape\Washington  Search this

Architecture\machine\bulldozer  Search this

Credit Line:

Smithsonian American Art Museum, Transfer from the National Endowment for the Arts

Copyright:

©, Larry Fink

Object number:

1983.63.498

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk70a5fec2e-fa35-4f81-8ae9-297aeabe216a

EDAN-URL:

edanmdm:saam_1983.63.498

Artist:

Larry Fink, born New York City 1941-died Martins Creek, PA 2023  Search this

Medium:

gelatin silver print

Dimensions:

image: 8 7/8 x 8 7/8 in. (22.5 x 22.7 cm.)

Type:

Photography-Photoprint

Date:

1980

Topic:

Landscape\tree\evergreen tree  Search this

Landscape\Washington  Search this

Credit Line:

Smithsonian American Art Museum, Transfer from the National Endowment for the Arts

Copyright:

© 1980, Larry Fink

Object number:

1983.63.499

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk76d4daacd-cd1c-481d-99b5-b2fdeddfa6f0

EDAN-URL:

edanmdm:saam_1983.63.499

Artist:

Larry Fink, born New York City 1941-died Martins Creek, PA 2023  Search this

Medium:

gelatin silver print

Dimensions:

image: 8 7/8 x 9 in. (22.5 x 22.7 cm.)

Type:

Photography-Photoprint

Date:

1980

Topic:

Figure group\male  Search this

Occupation\industry\lumber  Search this

Landscape\Washington  Search this

Credit Line:

Smithsonian American Art Museum, Transfer from the National Endowment for the Arts

Copyright:

©, Larry Fink

Object number:

1983.63.500

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk726567afd-f615-4f14-9841-05225b4756bd

EDAN-URL:

edanmdm:saam_1983.63.500

Artist:

Larry Fink, born New York City 1941-died Martins Creek, PA 2023  Search this

Medium:

gelatin silver print

Dimensions:

image: 8 7/8 x 8 7/8 in. (22.5 x 22.7 cm)

Type:

Photography-Photoprint

Date:

1980

Topic:

Landscape\mountain  Search this

Occupation\industry\lumber  Search this

Figure male\full length  Search this

Landscape\Washington  Search this

Object\tool\axe  Search this

Credit Line:

Smithsonian American Art Museum, Transfer from the National Endowment for the Arts

Copyright:

©, Larry Fink

Object number:

1983.63.501

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7755c6c48-cb63-45d8-8657-b4236381af18

EDAN-URL:

edanmdm:saam_1983.63.501

Artist:

Larry Fink, born New York City 1941-died Martins Creek, PA 2023  Search this

Medium:

gelatin silver print

Dimensions:

image: 8 1/8 x 12 in. (20.6 x 30.5 cm.)

Type:

Photography-Photoprint

Date:

1980

Topic:

Figure male  Search this

Occupation\industry\lumber  Search this

Architecture\machine\bulldozer  Search this

Credit Line:

Smithsonian American Art Museum, Transfer from the National Endowment for the Arts

Copyright:

©, Larry Fink

Object number:

1983.63.502

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7d43aafb3-ab3f-4f26-996b-ddfbb268d19c

EDAN-URL:

edanmdm:saam_1983.63.502

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2016-11-14T21:09:19.000Z

YouTube Category:

Travel & Events  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolklife

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolklife

EDAN-URL:

edanmdm:yt_AySQO8xOfZ4

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2017-08-21T20:22:42.000Z

YouTube Category:

Travel & Events  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolklife

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolklife

EDAN-URL:

edanmdm:yt_CobrNMNTJc0

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2016-07-19T22:25:18.000Z

YouTube Category:

Travel & Events  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolklife

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolklife

EDAN-URL:

edanmdm:yt_XQlvyxq4VJY

Creator:

Smithsonian American Art Museum  Search this

Type:

Interviews

YouTube Videos

Uploaded:

2012-12-04T15:01:42.000Z

YouTube Category:

Education  Search this

Topic:

Art, American  Search this

See more by:

americanartmuseum

Data Source:

Smithsonian American Art Museum

YouTube Channel:

americanartmuseum

EDAN-URL:

edanmdm:yt_IPCq8r52B4Y

Creator:

Smithsonian American Art Museum  Search this

Type:

YouTube Videos

Uploaded:

2021-07-14T15:15:22.000Z

YouTube Category:

Education  Search this

Topic:

Art, American  Search this

See more by:

americanartmuseum

Data Source:

Smithsonian American Art Museum

YouTube Channel:

americanartmuseum

EDAN-URL:

edanmdm:yt_pMBUjy4PTF4