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Audio Log Sheets

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
See more items in:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife
Smithsonian Folklife Festival records: 1988 Festival of American Folklife / Series 2: American Folklore Society Centennial / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5603c05dc-94c1-46e0-9b6d-2ef2cafc6f3a
EDAN-URL:
ead_component:sova-cfch-sff-1988-ref2018
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Collection Creator:
Parsons, Betty  Search this
Container:
Box 22, Folder 27
Type:
Archival materials
Date:
1952-1977
Scope and Contents note:
Nassau Galleries

National Council for United States Art, Inc.

National Council for Jewish Women

National Council on the Arts and Government

National Endowment for the Arts

Nationalgalerie

National Institute of Arts and Letters

National Sculpture Society

New Arts Gallery

New Haven Festival of Arts

New Jersey State Museum

New School Art Center

Newspace, Los Angeles

The Newspaper Comics Council

New York Cultural Center

New York State Fair

New York Studio School of Drawing, Painting, and Sculpture

Nigel Greenwood Inc., Ltd.

Nordness Gallery

Norfolk Museum

North Carolina Museum of Art

Northern Westchester Art Exhibition

Northwestern University
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Betty Parsons Gallery records and personal papers
Betty Parsons Gallery records and personal papers / Series 3: Correspondence Files / 3.1: Institutions and Dealers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a5749201-f543-42a4-b4c4-b5f77219024e
EDAN-URL:
ead_component:sova-aaa-parsbett-ref870

General Correspondence

Collection Creator:
McCoy, Esther  Search this
Type:
Archival materials
Date:
1922-1989
Scope and Contents note:
This subseries primarily contains letters concerning McCoy's career in architectural history and criticism. Her career in fiction writing is covered to a lesser degree. Among the correspondents are researchers, writers, professors, architects, art professionals, publishers, and professional associations. Topics covered include research and writing projects, Los Angeles area preservation and restoration projects, and grant projects.

Major correspondents in this series include the American Institute of Architects, the Graham Foundation, City of Los Angeles Cultural Heritage Board, Domus Magazine, Los Angeles Times, editor Monica Pidgeon, architectural critics Reyner Banham, David Gebhard, William Jordy, Robin Middleton, Allan Temko, and Nathan Shapira, and architects J. R. Davidson, Craig Ellwood, Joseph Giovannini, Hans Hollein, A. Quincy Jones, and Bruno Zevi. Also found is extensive correspondence with the University of California, Berkeley, Santa Barbara, and Santa Cruz. Correspondence for 1959 contains a letter from Albert Camus requesting McCoy's assistance with helping Spanish refugees, and correspondence for 1989 contains photographs of Esther McCoy and others at the Athenaeum at Caltech for the third annual gala of the Historical Society of Southern California.

See Appendix for a list of selected correspondents from Series 2.3.
Arrangement note:
Material is arranged chronologically. The bulk of McCoy's correspondence with architects is arranged in Series 6: Architect Files. Additional correspondence pertaining to specific projects can be found in Series 4: Architectural Writings and in Series 5: Project Files. Correspondence in this series complements the files found in these other series and they should be consulted together for a better understanding of McCoy's career.
Appendix: Selected Correspondents from Series 2.3:
Abbot, Mary Squire (McIntosh and Otis, Inc.), 1949, 1950, 1953, 1957

Adahura, Yuki, 1942

Adams, Christopher, 1962

Albinson, Don, 1989

Alexander, Christopher, 1965

Allen, Albert, 1968

Amantea, Kirjah, 1982

Ambre, Reuth, 1986

American Academy in Rome, 1970

American Federation of Arts, 1966

American Film Institute, 1975

American Institute of Architects, 1959, 1967, 1968, 1969, 1972, 1973, 1977, 1978, 1979, 1980, 1981, 1982, 1983, 1984, 1985, 1987, 1988, 1989

American Institute of Interior Designers, 1974

Anderson, Sherwood, undated

Andrews, Wayne, 1983

Architecture -- , 1985

Architecture in Australia, 1974

Architectural Forum -- , 1965, 1966, 1968

Architectural History Foundation, Inc., 1982, 1983, 1984

Architectural Publishing Co., 1967

Architectural Record -- , 1959

Archive of Women in Architecture, 1975

Archives of American Art, 1984, 1985, 1986, 1987, 1989

Arizona Quarterly -- , 1949

Arizona State University, 1969

Arts in Society -- , 1964

Ashton, Raymond J., 1948

Ashton, Ruth (KNX Radio), 1964

Atkinson, Janet Irene, 1980, 1985

Author and Journalist, 1951

Bailey, Van Evera, 1953

Baldauf, Lisa, 1989

Balint, Dr. D. P., 1963

Banham, Reyner (Peter) and Mary, 1964, 1966, 1967, 1969, 1970, 1971, 1973, 1979, 1982, 1983, 1988, 1989, undated

Barnette-Stratford, Mrs. Lou, 1968

Barsocchini, Michael, 1970

Beach, John, 1984

Beebe, Tina, 1989

Behrman, S. N., 1960

Belluschi, Pietro, 1949

Beltram Carla, 1966

Bendixson, T. M. P., 1961

Bennett, Janey, 1986

Berkeley, Ellen Perry, 1975, 1987, 1988, undated

Bicknell, Catherine, 1985

Birkmeyer, Karl, 1968

Blanton, John, 1988

Blau, Milton, 1947

Boaz, Joseph N., 1949

Bowlby, Bob, 1983, 1989

Boyer, John, 1982

Brant, Sandra, 1975

Brooks, Allen, 1975

"The Bradbury Girls," 1972

Brunati, Mario, 1963, 1965, 1966

California Coastal Commission, 1977, 1978

California Council of Architects, 1957

California Department of Parks and Recreation, 1973

California Historical Society, 1979

California Magazine -- , 1985, 1986

California Polytechnic State University, 1978, 1984

California State Office for Historic Preservation, 1978

Camus, Albert, 1959

Carrott, Richard, 1973

Carson, Sam, 1969

Casabella (Gian Antonio Bernasconi), 1965

Charles Scribner's Sons, 1930

Chang, Ching Yu, 1977, undated

Chase, John, undated

Chermayeff, Serge, undated

Choate, Forrest, 1986

Christian Science Monitor -- , 1987

City Attorney, Santa Monica, California, 1968

City of Beverly Hills, 1982, 1983, 1984

City of Los Angeles, Cultural Heritage Board, 1963, 1966, 1967, 1969, 1973, 1974, 1982, 1983, 1987, 1988

Clark, Alson, 1984, undated

Cochran, Victor E., 1953

Cohen, Elaine Lustig, 1985

Cohen, Stuart, 1979

Colgan, Susan, 1979

Collier's -- , 1953

Columbia Broadcasting System, Inc., 1947, 1948

Columbia University, 1972, 1973

Communication Dynamics, 1963

Compagnia Nazionale Artigiana, 1956, 1960

Contini, Edgardo, 1963

Correa, Frederico, 1975

Craft and Folk Art Museum, 1983

Cragar, Robert, 1949, 1950

Craig, Mary, 1945

Crosbie, Michael, 1985, 1987, 1988, 1989

Cross, Paula, 1981

Culot, Maurice, 1972, 1973

Curtis, William, 1982, 1985, 1987, 1989

Dailey, Gardner A., 1948

Dale, John R., 1989

Davidson, Barnaby, 1984

Davidson, Carlos, 1984

Davidson, Erica, 1983, undated

Davidson, J. R. and Greta, 1973, 1974, 1976, 1977, 1978, undated

Davidson, Tom, 1981, undated

Day, Peter, 1985

De Bretteville, Peter and Sheila (The Woman's Building), 1975, 1976, 1977, 1978

De Long, James, 1947

Dearborn-Massar, 1961

Delano, Leonard H., 1949

Design Quarterly -- , 1975, 1987

Dictionary of American Biography -- , 1975

Dictionary of Art -- , 1986

Diefenbach, John, 1973

Dimster, Frank, 1966

Dixon, John Morris, 1979

Domus -- (Lisa Licitra Ponti), 1970, 1971, 1972, 1973, 1974, 1975, 1981, 1982

Donohoe, Victoria, 1965, undated

Dorman, Richard, 1970

Dougherty, Carole, 1989, undated

Downing, Holly, 1974

Dudley, George, 1984, 1988, undated

Dukeminier, Jesse, Jr., 1967

Dyson, Arthur, 1985, 1987

Easton, Bob, 1977

Eckbo, Gerrett, 1977, 1982

Eder, Richard, 1987, 1988

Edilizia Moderna, 1965

Eisner, Richard K., undated

Elliott, James, 1986

Ellwood, Craig, 1967, 1968, 1971, 1984, 1988

Elwyn, Adolph, 1946

Emanuel, Muriel, 1979

Emmons, Donn, 1975

E. P. Dutton and Co., 1975

Favro, Diane, 1987

Fetherson, Kate, 1979, 1980, 1981, 1988

Feiss, Carl, 1948, 1949

Field, Ellen, 1964

Filler, Martin, 1986

Fisher, Shirley, 1978

Flack, Peter, 1975

Fonda-Bonardi, Mario, 1989

Ford, Edward R., 1986

Foreign Service of the United States of America, 1959, 1962

Forsyth, Robert J., 1961, 1962

Fortune -- , 1936

Francis, Marcia, 1979

Franks, Milton, 1962

Franzen, Ulrich, 1968, 1969

Frey, Albert, 1988

Friends of Cast Iron Architecture, 1972, 1974, 1977, undated

Friends of Kebyar, 1984

Fulton, Weldon, undated

Gebhard, David, 1963, 1964, 1965, 1966, 1967, 1968, 1969, 1970, 1972, 1973, 1974, 1975, 1977, 1979, 1980, 1981, 1982, 1983, 1984, 1985, 1986, 1987, 1988, undated

Geddes, Robert L., 1977

General Services Administration, 1973

Giella, Alfonso and Bobbi, 1967, 1974, 1982

Gill, Dorothy, 1985

Giovannini, Joseph (Gio), 1979, 1981, 1986, 1988, 1989, undated

Goldberger, Paul, 1972, 1973, 1975

Goldman, Shifra M., 1979, undated

Goldstein, Barbara, 1981, 1982, 1985, 1989, undated

Gordon, Don, 1980, undated

Gould, Jean, 1965

Graham Foundation for Studies in the Fine Arts (Carter Manny), 1964, 1965, 1966, 1968, 1969, 1970, 1971, 1974, 1975, 1978, 1979, 1981, 1983, 1984, 1985, 1986, 1987, undated

Granger, Kathleen, 1981

Gray, Paul, 1977

Greenbaum, Katherine, 1980

Greene, Herb, 1971, 1972, 1976, undated

Greenhill, Nigel, 1973

Gregory, Dan, 1982, 1984, 1986, 1987

Guss, Jack, 1961

Hall, Milly, 1970, 1976, 1977

Hanks, David, 1986

Harnish, John, 1960

Harper and Row, 1979

Harper's Bazaar -- , 1951, 1952, 1961

Harris, Robert, 1981, 1982

Harvard Architecture Review -- , 1977, 1979

Harvey, Harold E., 1972, 1973

Haupt, Peter, 1967

Hayden, Dolores, 1984, undated

Helene Wurlitzer Foundation of New Mexico, 1967, 1969

Hernandez, Diana, 1976, undated

Herron, Ron, 1969

Hess, Alan, 1985

Hillyer, Elinor, 1949

Hinerfeld, Susan and Robert, 1984

Hines, Tom, 1971, 1975

Historical Society of Southern California, 1988, 1989

Hitchcock, H. R., 1956

Hite, Garron S., 1972

Hoag, Paul Sterling, 1981

Hollein, Hans, 1960, 1963, 1964, 1965, 1966, 1972, 1976, 1984, undated

Hollywood Revitalization Committee, 1979

Holt, Rinehart and Winston, 1977

Houvener, Robert, 1969

Howe, John H., 1980

Howe, Sanora Babb, 1980, 1982, 1989

Humanities West -- , 1984, 1985

Huxley, Aldus, 1960

Ingalls, David K., 1987

Interiors -- , 1984, 1985

Istituto Nazionale per il Commercio Estero, 1970

Jansen, Virginia, 1978

Japan Architect -- , 1968

Jarrico, Paul, 1971

Johnson, Mark R., 1981

Jokl, Magda, 1978

Jonas, Susan, 1963

Jones, A. Quincy and Elaine, 1968, 1969, 1970, 1971, 1974, 1975, 1979, 1981, 1984, 1986, 1987, 1988, undated

Jordy, William H., 1959, 1961, 1967, 1972, 1973, 1974, 1977, 1978, 1979, 1984

Jourdan, Erven, 1951

Jurney, David, 1957

Kahn, Louis, 1960

Kamerling, Bruce, 1980, 1985

Kappe, Raymond and Shelly, 1970, 1973

Kazin, Alfred, 1961, 1984

KCRW 89.9 FM, 1989

Kennedy, Jacqueline (letter to and reply from secretary), 1964

Kershner, Irvin, 1960

Khoury, E. M., 1960, 1963

Killingsworth, Edward, 1989

King, Jean, 1975, 1977, 1987, undated

King, Robert I., 1963

Kirsch, Jonathan, 1977

Koeper, Fred, 1980

Kotas, Jerry, 1971, 1973, undated

Kripacz, Francisco, 1985

Kultermann, Udo, 1967

Lagorio, Elena, 1975

La Jolla Museum of Contemporary Art, 1977, 1986

Lamb, Paul, 1982

Landau, Sarah B., 1971

Langer, Elinor, 1975, 1983

Lawson, John Howard (Jack), 1947

Lebovich, William, 1979

Lee, Joyce, 1975

Leedy, Walter, 1970, 1971, 1972, 1973, 1976, undated

Legorreta, Ricardo, 1971

Lehman, John, 1948

Le Veque, Ann, 1980

Library of Congress, 1983

Lindauer, Theodore, 1983

Lingeman, Richard, 1986, 1987

Longstreth, Richard, 1982

Lorman, William, 1954

Los Angeles Conservancy, 1984, 1986

Los Angeles County Museum of Art, 1966, 1967, 1982

Los Angeles Times, 1957, 1959, 1960, 1966, 1968, 1969, 1971, 1976, 1977, 1978, 1980, 1981, 1983, 1985

Lovell, Gary, 1968, 1978

Lovell, Leah, 1960

Lovell, Philip, 1968, 1972

Lowenkopf, Anne, 1975

Lumsden, Anthony, 1969, 1974

Luna, Fernando, 1971, 1974

Lyman, Frederic, 1974, 1989

Lyndon, Maynard, 1983, 1984, undated

MacDowell Colony Fellows, 1988

Mangiarotti, Angelo, 1970

Manson, Grant, 1974

Massachusetts Institute of Technology, 1984

Maston, Carl, 1969, 1970, 1972

May, Cliff, 1983, 1985

McCoy, John, 1954, 1976, 1977, 1979, 1981, 1986, 1987, 1988

McCoy, Tori, 1974

McCulloch, Peter, 1962

McWilliams, Carey, 1980

Mendelsohn, Mrs. Eric, 1974, 1975

Meyer, Kurt, 1969

Middleton, Robin, 1971, 1972, 1973, 1974, 1975, 1976, 1977, 1978, 1979, 1980, 1981, 1982, 1983, 1984, 1986, 1987, 1988

Mies Van Der Rohe Centennial Project, 1984

Miller, R. Craig, 1973

Miller, Donald M., 1986

Minister, Chancery of Pakistan, 1965

Moholy-Nagy, Sibyl, 1966, 1969

Mouton, Pierre, 1986, 1988, 1989

Muller, Louis, 1988

Murphy, William (Bill), 1969, 1970, 1982, 1983, 1984, 1985, 1986, 1987, 1988, 1989, undated

Museum of Contemporary Art, Los Angeles, 1984, 1985, 1986, 1987, 1989

Museum of Fine Arts, Houston, 1976

Museum of Modern Art, 1961, 1964, 1976

Mutlow, John, 1982

Nakamura, Toshio, 1981, 1982, 1984, 1985

National Building Museum, 1981

National Committee for the Defense of Political Prisoners, 1933

National Endowment for the Arts, 1971, 1975, 1980, 1981, 1982

National Trust for Historic Preservation, 1970, 1971, 1972, 1973, 1977

Nelson, June Kompass, 1985

Nelson, Sara, 1974

New West -- , 1976

New Yorker -- , 1953, 1962, 1968, 1974, 1975, 1876, undated

Nichols, Henry L., 1982, 1987

Nishimoto, Kenneth, 1959, 1968

Nixon, Peg and Chuck, 1976, 1989, undated

North Carolina State University, 1983

Novotny, Norbert, 1973

Nunis, Doyce, Jr., 1989

Oakley, Susan H., 1974

O'Gorman, Brit and Peter, 1983

O'Gorman, James F., 1973, 1984

Ohannesian, Paul B., 1978, 1979

On Site -- , 1975

Owen, Tom, 1963, undated

Pacific Design Center, 1985

Palazzo Dell'Edilizia, 1963, 1964

Pan American World Airways System, 1955, 1956

Pardee, Clark, 1989

Park, Donald, 1986

Park, Helen, 1979

Paul, Stella, 1988

Peregrine Press, 1971, 1977, 1986, 1989

Perspecta (Jeff Limerick), 1961, 1975, 1976, undated

Pflueger, Donald, 1989

Pidgeon, Monica, 1973, 1974, 1980, 1982, 1986

Plantin Press, Ltd., 1984

Praeger Publishers, Inc., 1972

Price, Joe D., 1969

Price, Martin, 1964

Prinsloo, Ivor, 1988

Producer-Writers Guild of America Pension Plan, 1960

Pyne Press, 1974

Rand, Marvin, 1989

Read, Gardner, 1968

Reinhold Book Division, 1968

Reinhold Publishing Division, 1960, 1970

Rhode Island Historical Society, 1977

Rhode Island School of Design, 1977

Ricasoli, Bettino, 1960

Ricci, Leonardo, 1966

Rice Design Alliance, 1976

Richardson, Betty, 1982

Richardson, Sara, 1987

Riggs, Lutah Maria, 1978

Rinehart, Arley, 1977, 1978

Roark, I. L., Jr., 1948

Robertson, A. G., 1954

Robinson, Sidney, 1973

Roche, Kevin, 1968

Rosa, Joseph, 1987, 1988

Rose, Ronald, 1984

Rosenberg, George, 1952

Rosenstone, Robert, 1973, 1974

Ross, Michael Franklin, 1979

Ross, William D., 1952

Roth, Leland, 1978

Rouillard, Dominique, 1985

Rucker, Karen Conan, 1985, 1986

Ruff, Carl, 1977

Ruocco, Ilse, 1946

Russell, Julia, 1982

Rydell, Roy, 1974, 1976

Sadler, H. G., 1973

San Diego City Council, 1984

San Diego Museum of Art, 1979

San Francisco State College, 1968

Sanders, Terry, 1965

Sanguinetti, Vittorio, 1963, 1964

Santa Monica Landmarks Commission, 1981

Santini, Pier Carlo, 1964

Saturday Evening Post -- , 1959, 1960

Sauer, Louis, 1968

Sawelson-Gorse, Naomi, 1989

Secrest, Meryle, 1988

Serulnic, Mrs. George, 1967

Sewell, Elaine K., 1966

Shapira, Nathan, 1966, 1967, 1968, 1969, 1979, 1983, undated

Shaw, Lawrence C., 1948

Shultz, Susan, 1969

Simo, Melanie, 1987, 1988

Simon and Schuster, Inc., 1963

Smith, C. Ray, 1972

Smith, Frank Folsom, 1967

Smith, Kathryn, 1979, 1987, 1988, undated

Smith, Robert, 1972

Smith, Whitney, 1970

Smithson, Alison, 1983, 1985

Snow, C. P., 1960, 1961

Solomon, Barbara Probst, 1984

Southern California Institute of Architecture, 1989

Southwest Review -- , 1952

Space Design -- , 1984

Speiss, Fred, 1977, undated

Stahlberg, Arlen, 1976

Stanfield, Cecil E., 1949

Stegner, Wallace, 1947, 1951

Steinbrueck, Victor, 1964

Stern, Robert and Lynn, 1965, 1966, 1973

Sterner, Carl John, 1974

Stickney, Charles, 1964, 1967

Stone Magazine -- , 1965

Strand, Janann, undated

Straub, Calvin, 1970

Sunset Magazine -- , 1981

Sussman, Deborah, 1987, 1989, undated

Super, Rob, 1974

Taylor, Crombie, 1967

Tazewell, E. Bradford, Jr., 1967

Temko, Allan, 1957, 1966, 1970, 1988, 1989

The Modern Quarterly -- , 1948

The Pacific Spectator -- , 1947

Thiry, Paul, 1949

Tigerman, Stanley, 1965, 1977

Toland, James, 1955, 1957

Travers, David, 1963, 1964, 1966, 1967, 1968, 1972, 1977, 1987, undated

Tulane University, 1982, 1983, undated

Turner, George P., 1960

Underhill, Anna A., 1941

University of California, Berkeley, 1974, 1978

University of California Extension, 1974

University of California, Santa Barbara, 1966, 1969, 1972, 1982, 1987

University of California, Santa Cruz, 1972, 1973, 1974, 1978, 1979

University of Cambridge, Department of Architecture, 1975

University of Oklahoma, 1949, 1985

University of Pennsylvania, 1984

University of Southern California, 1970

University Press of Kentucky, 1974

University Prints, 1957

University Women's Club, 1972, 1975, 1983

Vaccarino, Donna, 1989

Van Doren, Phyllis, 1984

Veret, Jean-Louis, 1960

Ventre, Francis T., 1985

Veronesi, Giulia, 1966, 1974

Via -- , 1976

Victor Gruen Foundation for Environmental Planning, 1972

Victor, Michael, 1983

Voelcker, John, 1968

Von Breton, Harriette, 1969

Von Eckardt, Wolf, 1981, 1983, 1984

Vreeland, Thomas, 1965, 1969, 1974, 1984

W. W. Norton and Co., 1966

Walker Art Center, 1975

Walker, Derek, 1982

Walker, Sam, 1985

Walton, Billy, 1986

Ward, Robert and Sandra Williams Photography of Architecture, 1977, 1978

Ward, Robertson, 1981

Wasserman, Steve, 1984, 1985, 1986

Waugh, Arthur B., 1959

Wayne, June, 1981, 1985

Weirick, James, 1970, 1974

Weiss, Peggy, 1982, 1984

Wemple, Emmet L., 1974, undated

Western Association of Art Museums, 1967

Wicks, Ebba L., 1949

Wight, Frederick S., 1966

Wilk, Christopher, 1987

William Morris Agency, 1957

William Morrow and Company, Inc., 1950

Williams, Alexander Kruse, 1985

Williams, Wayne R., 1952, 1953, 1972

Wills, David, 1969

Wilson, Forrest, 1972, 1975, 1983,1987

Wilson, Richard Guy, 1981

Winslow, Carleton Monroe, 1969, undated

Winter, Bob, 1964, 1975, 1976, undated

Woman's Building, 1987

Woman's Day -- , 1957

Women's Architectural League, 1981

Wood, Donna, 1981

Woodbridge, Sally, 1977, 1982

Woollen, Evans, 1983, 1984

Wright, Eric Lloyd, 1984

Writers Guild of America, West, 1967, 1969

Wurster, William, 1964

Zevi, Bruno, 1959, 1960, 1963, 1965, 1974
Collection Restrictions:
Use of original papers requires an appointment. Use of audiovisual recordings without access copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mccoesth, Subseries 2.3
See more items in:
Esther McCoy papers
Esther McCoy papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw959b6b072-2801-4a48-897a-dbdaff4b6fde
EDAN-URL:
ead_component:sova-aaa-mccoesth-ref115

National Endowment for the Arts Fellowship

Collection Creator:
McCoy, Esther  Search this
Container:
Box 24, Folder 65
Type:
Archival materials
Date:
1978-1979
Collection Restrictions:
Use of original papers requires an appointment. Use of audiovisual recordings without access copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Esther McCoy papers
Esther McCoy papers / Series 5: Projects / 5.2: Grants
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ce0e3ba3-fe48-4298-b8d8-8f5e76830755
EDAN-URL:
ead_component:sova-aaa-mccoesth-ref830

Festival of American Folklife

Collection Creator:
Rinzler, Ralph  Search this
Container:
Box 2 (Series 3)
Type:
Archival materials
Date:
undated
1965, 1967, 1972, 1976, 1979, 1980, 1983
Scope and Contents note:
File consists of handwritten notes, photograph catalog from the Bureau of American Ethnology, National Endowment for the Arts proposal, speech, festival debriefing, articles authored by Ralph Rinzler. Materials reference the Festival of American Folklife.
Collection Restrictions:
Large portions of this collection are digitized, and while these materials are being prepared for public access through this finding aid, researchers can request digital copies by contacting the Rinzler Archives at rinzlerarchives@si.edu or (202) 633-7322.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, File RINZ_03_002_020
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 3: Correspondence
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk52b6e42c2-bca3-4a7a-9e87-a53d1bb84ad1
EDAN-URL:
ead_component:sova-cfch-rinz-ref1257

National Endowment for the Arts 1- Music Advisory Panel

Collection Creator:
Rinzler, Ralph  Search this
Container:
Box 6 (Series 6)
Type:
Archival materials
Date:
undated
1973-1976
Scope and Contents note:
File consists of correspondence, meeting related materials, Jazz/Folk/Ethnic Music Program (American Music Heritage Program) guidelines, blank grant application forms, Music Policy Conference report, handwritten notes, grant problem solving from Mike Seeger, guidelines for fellowship grants to composers/librettists/translators, National Foundation on the Arts and the Humanities Act of 1965, Additional correspondence relates to: Milt Hinton, grant application review. Materials relate to Rinzler's role on the Music Advisory Panel Jazz/Folk/Ethnic Section.
Collection Restrictions:
Large portions of this collection are digitized, and while these materials are being prepared for public access through this finding aid, researchers can request digital copies by contacting the Rinzler Archives at rinzlerarchives@si.edu or (202) 633-7322.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, File RINZ_06_006_014
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 6: Meetings and Organizations / 6.1: General Meetings and Organizations
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk53fbb99e4-ab6a-41ab-8db6-70330c7709dd
EDAN-URL:
ead_component:sova-cfch-rinz-ref3201

National Endowment for the Arts 2- Festival of American Folklife

Collection Creator:
Rinzler, Ralph  Search this
Container:
Box 6 (Series 6)
Type:
Archival materials
Date:
1976
Scope and Contents note:
File consists of materials relating to Festival of American Folklife 1976: plan to balance costs, correspondence regarding festival stage, cumulative committment report. Materials were originally housed with National Endowment for the Arts 1.
Collection Restrictions:
Large portions of this collection are digitized, and while these materials are being prepared for public access through this finding aid, researchers can request digital copies by contacting the Rinzler Archives at rinzlerarchives@si.edu or (202) 633-7322.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, File RINZ_06_006_015
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 6: Meetings and Organizations / 6.1: General Meetings and Organizations
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5b6335067-cfff-4f5b-8ef5-c632d43e6142
EDAN-URL:
ead_component:sova-cfch-rinz-ref3203

National Endowment for the Arts 3- Policy Meeting

Collection Creator:
Rinzler, Ralph  Search this
Container:
Box 6 (Series 6)
Type:
Archival materials
Date:
1977
Scope and Contents note:
File consists of materials related to jazz/folk/ethnic policy meeting.
Collection Restrictions:
Large portions of this collection are digitized, and while these materials are being prepared for public access through this finding aid, researchers can request digital copies by contacting the Rinzler Archives at rinzlerarchives@si.edu or (202) 633-7322.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, File RINZ_06_006_016
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 6: Meetings and Organizations / 6.1: General Meetings and Organizations
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5d0a71e3d-a747-499d-9bf7-70b7bd2c62b4
EDAN-URL:
ead_component:sova-cfch-rinz-ref3205

National Endowment for the Arts 4 - California Heartlands Tapes

Collection Creator:
Rinzler, Ralph  Search this
Container:
Box 6 (Series 6)
Type:
Archival materials
Date:
1977
undated
Scope and Contents note:
File consists of cover letter and report on California Heartland Tapes from John Bishop.
Collection Restrictions:
Large portions of this collection are digitized, and while these materials are being prepared for public access through this finding aid, researchers can request digital copies by contacting the Rinzler Archives at rinzlerarchives@si.edu or (202) 633-7322.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, File RINZ_06_006_017
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 6: Meetings and Organizations / 6.1: General Meetings and Organizations
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5e9c7cda0-4185-4505-9fcc-29cd73330bbb
EDAN-URL:
ead_component:sova-cfch-rinz-ref3207

National Endowment for the Arts 5 - Alan Jabbour

Collection Creator:
Rinzler, Ralph  Search this
Container:
Box 6 (Series 6)
Type:
Archival materials
Date:
1974
Scope and Contents note:
File consists of press release announcing Alan Jabbour as the Director of Folk Art at the NEA.
Collection Restrictions:
Large portions of this collection are digitized, and while these materials are being prepared for public access through this finding aid, researchers can request digital copies by contacting the Rinzler Archives at rinzlerarchives@si.edu or (202) 633-7322.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, File RINZ_06_006_018
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 6: Meetings and Organizations / 6.1: General Meetings and Organizations
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5849a405b-f4b2-4a2a-8864-0be661674e89
EDAN-URL:
ead_component:sova-cfch-rinz-ref3209

National Endowment for the Arts 6 - International Projects Initiative

Collection Creator:
Rinzler, Ralph  Search this
Container:
Box 6 (Series 6)
Type:
Archival materials
Date:
1991
Scope and Contents note:
File consists of draft report for Discretionary Grants Program for Private Nonprofit Organizations in Support of International Cultural Activities.
Collection Restrictions:
Large portions of this collection are digitized, and while these materials are being prepared for public access through this finding aid, researchers can request digital copies by contacting the Rinzler Archives at rinzlerarchives@si.edu or (202) 633-7322.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, File RINZ_06_006_019
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 6: Meetings and Organizations / 6.1: General Meetings and Organizations
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5759fe524-1e2f-4f33-8043-3c646020665f
EDAN-URL:
ead_component:sova-cfch-rinz-ref3211

Cultural Policy 5

Collection Creator:
Rinzler, Ralph  Search this
Container:
Box 13 (Series 6)
Type:
Archival materials
Date:
1978-1979, 1982
undated
Scope and Contents note:
File consists of three groups of materials related to: "Statement of the National Council on the Arts on Goals and Basic Policy of the National Endowment for the Arts", UNESCO World Conference on Cultural Policies in Mexico City, Committee of Governmental Experts on the Safeguarding of Folklore.

"Statement of the National Council on the Arts on Goals and Basic Policy of the National Endowment for the Arts" (two copies), correspondence with Livingston L. Biddle, Jr. regarding statement.

Telegram regarding Adrienne Kaeppler organizing exhibit of Oceanian culture, final report from the Regional Conference of Ministers of Education and Economic Planning Latin America and the Caribbean, telegram listing Unites States delegates, agendas, draft declaration of Mexico City, correspondence, UNESCO cultural development newsletter 1982, hotel reservation request.

General meeting information, provisional agenda, provisional rules, draft definitions of folklore, proposals, recommendations in English and French, project report in French, correspondence from Rinzler to Ambassador Gerard, reflective report in Spanish on Venezuela's experience in safeguarding folklore, statement on high culture from Dietrich Schiller.
Collection Restrictions:
Large portions of this collection are digitized, and while these materials are being prepared for public access through this finding aid, researchers can request digital copies by contacting the Rinzler Archives at rinzlerarchives@si.edu or (202) 633-7322.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, File RINZ_06_013_005
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 6: Meetings and Organizations / 6.4: UNESCO
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk50674ae56-46da-47e8-ad4d-cc65f418f53d
EDAN-URL:
ead_component:sova-cfch-rinz-ref3606

Appearances and Speeches

Collection Creator:
Rinzler, Ralph  Search this
Container:
Box 1 (Series 2)
Type:
Archival materials
Date:
1972, 1975, 1977, 1979
undated
Scope and Contents note:
File consists of speech to AFS Bicentennial Session, Nov. 1972; Smithsonian Associate (Volume 5, Number 7, March 1977); list of lectures, including Rinzler's talk on "Regional Traditions in Folk Arts and Crafts"; speech transcript with attached letter with header from the National Endowment For the Arts; signed agreement with letter for an appearance at the 1979 Festival of American Folklife; flier for Ralph's appearance at the George A. Miller Lecture Series on Folk Art Survival in the Appalachians.
Collection Restrictions:
Large portions of this collection are digitized, and while these materials are being prepared for public access through this finding aid, researchers can request digital copies by contacting the Rinzler Archives at rinzlerarchives@si.edu or (202) 633-7322.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, File RINZ_02_001_014
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 2: Collected Texts
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5874724eb-1301-4254-8895-0386dea40591
EDAN-URL:
ead_component:sova-cfch-rinz-ref494

New Beehive Songster, Vol. 1: Early Recordings of Pioneer Folk Music

Performer:
Murphy, Otho  Search this
Anderson, Pete, 1939-  Search this
Carmack, Effie Marquess, 1885-1974  Search this
Kartchner, Kenner Casteel, 1886-1970  Search this
Boyle, Margaret  Search this
Watkins, Joseph H.  Search this
Crandall, Myron R.  Search this
Jones, Lewis  Search this
Busby, John  Search this
Busby, Abraham  Search this
Thompson, George  Search this
Seegmiller, Ella J.  Search this
Jepson, James  Search this
Taggart, George  Search this
Somerville, Andrew  Search this
Lee, Buck  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Mormons  Search this
Type:
Archival materials
Phonograph records
Place:
Utah
United States
Moab (Utah)
Nephi (Utah)
California
Atascadero (Calif.)
Arizona
Snowflake (Ariz.)
Salt Lake City (Utah)
Brigham City (Utah)
Ogden (Utah)
Monroe (Utah)
Tucson (Ariz.)
Saint George (Utah)
Hurricane (Utah)
Clearfield (Utah)
Date:
1975
Track Information:
101 The Double Tragedy / Otho Murphy.

102 Watermelon Smilin' on the Vine / Pete Anderson.

103 Gay Paree / Effie Marquess Carmack.

104 The Black Hills Waltz / Kenner Casteel Kartchner.

105 The Handcart Song / Margaret Boyle.

106 Tittery Irie-Aye / Joseph H. Watkins.

107 This is the Place / Myron R. Crandall.

201 Brigham, Brigham Young / Lewis Jones.

202 No One Can Preach the Gospel Like the Mormons Do / John Busby, Abraham Busby.

203 Once I Lived in Cottonwood / George Thompson.

204 All Are Talking of Utah / Ella J. Seegmiller.

205 Rattlesnake / Kenner Casteel Kartchner.

206 The Bull Whackers / James Jepson.

207 The Days of '49 / George Taggart.

208 The Strawberry Roan / Andrew Somerville.

209 The Gol Darn Wheel / Buck Lee.
Local Numbers:
FP-RINZ-LP-0635

Okehdokee.0874801753
Publication, Distribution, Etc. (Imprint):
Utah Okehdokee 1975
General:
Principally unacc. folk songs. "The selections presented here have been drawn from early, noncommercial field recordings (1943-1951) of the folk music found in the Mormon culture region"--Program notes, p. 1. Program notes (18 p. : ill), including label no. and texts of the songs, bound in container. Credits: The material on v. 1 is based on music recorded and collected by Austin and Alta Fife, Lester A. Hubbard and others ; v. 2, by Hal Cannon and others, made possible by a grant from the University of Utah Bicentennial Committee and the Folk Arts Division of the National Endowment for the Arts.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Topic:
Folk songs -- United States  Search this
Cowboys -- Songs and music  Search this
Gold mines and mining  Search this
Frontier & pioneer life  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-0635
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk53245b974-971a-4aff-bfe9-d7bb51de2260
EDAN-URL:
ead_component:sova-cfch-rinz-ref6272

National Endowment for the Arts Applications

Collection Creator:
Finkel, Bruria, 1932-  Search this
Container:
Box 7, Folder 18-19
Type:
Archival materials
Date:
1980-1994
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Bruria Finkel papers, 1953-2021. Archives of American Art, Smithsonian Institution.
See more items in:
Bruria Finkel papers
Bruria Finkel papers / Series 5: Professional Records / 5.2: Other Professional Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91dcaa797-ebed-4157-bfc8-decc7ab27528
EDAN-URL:
ead_component:sova-aaa-finkbrur-ref200

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
WLIB, American, founded 1941  Search this
National Association for Equal Opportunity in Higher Education, American, founded 1969  Search this
American Bridge Association, American, founded 1932  Search this
National Association of Black Social Workers, American, founded 1968  Search this
Interracial Council for Business Opportunity, American, founded 1963  Search this
One Hundred Black Men, Inc., American, founded 1963  Search this
National Association of Market Developers, American, founded 1953  Search this
Vulcan Society, American, founded 1940  Search this
National Urban League, American, founded 1910  Search this
Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this
Prince Hall Freemasonry, founded 1784  Search this
National Urban Coalition, American, founded 1967  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Top Ladies of Distinction, Inc., American, founded 1964  Search this
The Links, Incorporated, American, founded 1946  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
Carats, Inc., American, founded 1959  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
National Medical Association, American, founded 1895  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Vernon Jordan, American, born 1935  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
Zeta Phi Beta Sorority, American, founded 1920  Search this
National Dental Association, American, founded 1913  Search this
National Funeral Directors and Morticians Association, Inc., American, founded 1924  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
Connectional Lay Council, American, founded 1948  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
Shriners International, American, founded 1870  Search this
Daughters of Isis, American, founded 1910  Search this
Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
Congressional Black Caucus, American, founded 1971  Search this
Morehouse Alumni Association, American, founded 1900  Search this
Morris Brown College, American, founded 1881  Search this
Dr. Ralph Bunche, American, 1903 - 1971  Search this
Lionel Hampton, American, 1908 - 2002  Search this
National Urban League Guild, American, founded 1946  Search this
Young Men's Christian Association (YMCA), International, founded 1844  Search this
Alliance for Women in Media, American, founded 1951  Search this
Eleanor Holmes Norton, American, born 1937  Search this
Vernon Jordan, American, born 1935  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 1/2 in. (27.5 × 21.4 × 1.3 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Atlanta, Fulton County, Georgia, United States, North and Central America
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Date:
1981
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religious groups  Search this
Social life and customs  Search this
Sororities  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Women's organizations  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.15
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5af48a13c-8c71-4105-9526-479c0bc3bb3e
EDAN-URL:
edanmdm:nmaahc_2012.167.15
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National Endowment for the Arts

Collection Creator:
Tacha, Athena, 1936-  Search this
Container:
Box 21, Folder 15-16
Type:
Archival materials
Date:
circa 1980
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Athena Tacha papers, 1959-2019. Archives of American Art, Smithsonian Institution.
See more items in:
Athena Tacha papers
Athena Tacha papers / Series 7: Professional Activity and Organization Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93ebe1c00-d657-404a-bec1-302da30fe89b
EDAN-URL:
ead_component:sova-aaa-tachathe-ref216

Starr Ockenga collection

Extent:
5.5 Cubic feet (photographic images; files)
Type:
Collection descriptions
Archival materials
Date:
1995-2001
Summary:
The Starr Ockenga Collection includes materials generated or compiled by Ockenga for the writing of her books, 'Earth on Her Hands: The American Woman in Her Garden' (1998, Clarkson Potter) and 'Eden on Their Minds: American Gardeners with Bold Visions" (2001, Clarkson Potter).' Both books feature several individual chapters, each describing a garden owner and their garden.
Scope and Contents Note:
The Starr Ockenga Collection includes photographic images, notes, correspondence, questionnaires, garden plans, planting lists, releases and drafts generated or compiled by Ockenga for the writing and illustrating of her books, 'Earth on Her Hands: The American Woman in Her Garden' (1998, Clarkson Potter) and 'Eden on Their Minds: American Gardeners with Bold Visions' (2001, Clarkson Potter). Both books consist of several individual chapters, each describing a garden owner and their garden and featuring a portrait of the garden owner in their garden. The 40 gardens included in the collection are located across the United States. In addition to the hundreds of images published in 'Eden' and 'Earth,' the Ockenga Collection includes thousands of additional images that, together with the research notes and garden descriptions in the books, provide a rich source of documentation. A number of the images show panoramic garden views.
Arrangement Note:
The collection was organized into two major components by Starr Ockenga, representing materials generated for two books she authored and illustrated, 'Earth on Her Hands: The American Woman in Her Garden' and 'Eden on Their Minds: American Gardeners with Bold Visions.' Within each of the two divisions, the garden files and book chapters, garden images, and garden owner portraits are arranged according to specific garden.
Biographical Note:
Starr Ockenga is a writer, photographer, and lecturer. Her photographs have been exhibited in museums and galleries and are included in both public and private collections. Her images and writings have appeared in numerous publications including Life, Esquire, Camera, and Horticulture. She is the author of several books including 'Earth on Her Hands: The American Woman in Her Garden,' 'Eden on Their Minds: American Gardeners with Bold Visions,' and 'Amaryllis.' Earth on Her Hands received the American Horticultural Society's Annual Book Award in 1999. Ockenga received her Master's degree in photography from the Rhode Island School of Design and has been awarded fellowships from the National Endowment for the Arts and the Massachusetts Artists Foundation. She is a former associate professor of photography at the Massachusetts Institute of Technology. Her studio is located in New York City.
Provenance:
Collection of photographic images and garden files generated by Starr Ockenga during the course of writing and illustrating her books, 'Earth on Her Hands: The American Woman in Her Garden' and 'Eden on Their Minds: American Gardeners with Bold Visions,' donated by Ockenga to the Archives of American Gardens in 2014.
Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Citation:
Smithsonian Institution, Archives of American Gardens, Starr Ockenga Collection.
Identifier:
AAG.OCK
See more items in:
Starr Ockenga collection
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6d6656e74-b23d-4ab9-8821-86e0af4500fd
EDAN-URL:
ead_collection:sova-aag-ock

Lucy R. Lippard papers

Creator:
Lippard, Lucy R.  Search this
Names:
Addison Gallery of American Art  Search this
Alliance for Cultural Democracy  Search this
Art Workers Coalition  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Political Art Documentation/Distribution (Organization)  Search this
Printed Matter, Inc.  Search this
Studio International (Firm)  Search this
University of Colorado -- Faculty  Search this
Women's Caucus for Art  Search this
Andre, Carl, 1935-  Search this
Chicago, Judy, 1939-  Search this
Darboven, Hanne  Search this
Edelson, Mary Beth  Search this
Hammond, Harmony  Search this
Henes, Donna  Search this
Johnson, Ray, 1927-  Search this
Judd, Donald, 1928-  Search this
LeWitt, Sol, 1928-2007  Search this
Pearson, Henry, 1914-2006  Search this
Stevens, May  Search this
Extent:
70.5 Linear feet
0.454 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Interviews
Photographs
Date:
1930s-2010
bulk 1960-1990
Summary:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.
Scope and Contents:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

A small amount of biographical material comprises resumes and an address book.

Correspondence files document all aspects of Lippard's professional life including her relationships with artists such as Carl Andre, Judy Chicago, Hanne Darboven, Ray Johnson, Sol LeWitt, and Henry Pearson; feminist artists including Mary Beth Edelson, Harmony Hammond, Donna Henes, and May Stevens; political and art-related activist groups such as Alliance for Cultural Democracy, Art Workers Coalition, Political Art Documentation/Distribution, Printed Matter, and Women's Caucus for Art; galleries and museums including Addison Gallery of American Art and the Museum of Modern Art, and publishers including Art International and Art Forum. The series also traces the development of Lippard's involvement in activist causes including censorship and the rights of artists, Central America and the impact of U.S. policy on the region, and equality and reproductive rights for women, as well as her interest in conceptual and minimalist art. The series includes scattered artwork and photographs of artists.

Writings are primarily by Lippard and include correspondence, manuscript drafts, extensive notes, and publication records for some of her best-known books such as The Graphic Work of Philip Evergood (1966), Six Years: The Dematerialization of the Art Object (1973), Eva Hesse (1976), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990), as well as essays for publications such as Art Forum and Studio International and contributions to exhibition catalogs. Also found are edited transcripts from conferences, symposia and interviews conducted by and of Lippard, some audio recordings of interviews and symposia, including an interview with Donald Judd, and notes and typescripts for lectures and speeches.

A small number of files document Lippard's teaching work during the 1970s and 1980s, primarily at the University of Colorado, Boulder where she taught several courses and seminars.

Exhibition files document Lippard's involvement with exhibitions she helped to organize or curate such as A Different War: Vietnam in Art (1989-1991) 557,087 and 955,000 (1969, 1970), 2,972, 453 (1971) c.7,500 (1973-1974) and those for which she wrote catalog contributions.

Printed material includes a collection of articles written by Lippard and a small amount of material concerning events, such as speaking engagements, in which Lippard was involved. Other printed material reflects Lippard's wide range of artistic, political and activist interests and documents exhibitions and performances and the activities of art-related and political groups. Material includes many exhibition catalogs, announcements, invitations, printed posters, news clippings, journal articles, brochures, pamphlets and other publications.

Artwork includes sixteen items by unidentified artists, including two by children. Photographs consist primarily of photographs of works of art in addition to a small number of photos of exhibition installations.

There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.
Arrangement:
The collection is arranged as nine series:

Missing Title

Series 1: Biographical Material, circa 1960s-circa 1980s (Box 1; 2 folders)

Series 2: Correspondence, 1950s-2006 (Boxes 1-28, 51, OVs 54-63; 28.8 linear feet)

Series 3: Writings, 1930s-1990s (Boxes 28-41, 51-52, OVs 64-66; 13.24 linear feet, ER01; 0.454 GB)

Series 4: Teaching Files, 1966-1993 (Boxes 41, 52; 0.76 linear feet)

Series 5: Exhibitions, 1960s-1990s (Boxes 42-45, 52, OVs 67-68; 4.2 linear feet)

Series 6: Printed Material, 1940s-2007 (Boxes 45-49, 52, OVs 69-77; 5.3 linear feet)

Series 7: Artwork and Ephemera, circa 1960s-circa 1990s (Boxes 50, 53; 4 folders)

Series 8: Photographs, 1950s-circa 1990s (Boxes 50, 53, OV 71; 1.0 linear foot)

Series 9: Unprocessed Addition, circa 1965-2010, (Boxes 78-94; 17.0 linear feet)
Biographical / Historical:
New York and New Mexico writer and art critic, Lucy R. Lippard, is the curator of numerous exhibitions and the author of over twenty-four books and other writings that trace the emergence of minimalist and conceptual art and document Lippard's commitment to feminism and political activism.

Born in New York City in 1937, Lippard earned a B.A. from Smith College in 1958 and an M.A. in 1962 from New York University's Institute of Fine Arts. In the 1960s she began writing art criticism for the journals Art International and Artforum. In 1966 she curated the landmark exhibition Eccentric Abstraction at the Fischbach Gallery in New York City. Lippard then curated the first of four defining conceptual art exhibitions that became known as her "numbers" shows, each titled after the populations of the cities in which they took place, with catalogs in the form of a set of 10 x 15 cm index cards. Opening at the Seattle Art Museum in 1969, 557,087 was followed by 955,000 in Vancouver, Canada, a few months later. 2,972,453 was held at the Centro de Arte y Comunicacíon in Buenos Aires in 1971 and c.7500 opened in Valencia, California, in 1973-1974 before traveling to several other venues in the United States and Europe.

Lippard's first book, The Graphic Work of Philip Evergood was published in 1966, followed by Pop Art the same year, and a collection of her early essays, Changing, in 1971. Six Years: The Dematerialization of the Art Object (1973) and From the Center: Feminist Essays on Women's Art (1976) documented the emergence of conceptual art and the early years of feminist art respectively. In 1976 Lippard published her seminal book on the life and work of Eva Hesse.

Between 1977 and 1978 Lippard lived on a farm in Devon, England, and worked on a novel, The First Stone, about the role of politics in the lives of three generations of women. During her walks across the English countryside she became interested in landscape art and conceived of her book Overlay: Contemporary Art and the Art of Prehistory which was subsequently published in 1983. Other books include Get the Message?: A Decade Of Art For Social Change (1984), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990). Lippard has also written regular columns on art and politics for the Village Voice, In These Times and Z Magazine, and has been a contributing editor of Art in America.

Lippard was radicalized during a trip to Argentina in 1968 when she was invited to be a juror at the Museo Nacional de Bellas Artes in Buenos Aires. On her return to the United States she became heavily involved in anti-war activities and the Art Workers Coalition. She is a co-founder of several feminist and artist organizations including the feminist collective Heresies, which produced Heresies: A Feminist Journal on Art and Politics from 1977-1992, Ad Hoc Women Artists, Alliance for Cultural Democracy, Artists Call Against U.S. Intervention in Central America, Women's Action Coalition, and Women's Art Registry. In 1976 she was a founder of Printed Matter, a New York nonprofit dedicated to producing artists' publications. She also worked closely with Franklin Furnace, an artist-run space devoted to the promotion of artists' books, installation art, and video and performance art, and served on the organization's International Committee.

Lippard has been a visiting professor at the School of Visual Arts, the University of Colorado, Boulder, and the University of Queensland, Australia, and was Eminent Artist in Residence at the University of Wyoming Department of Art in 2015. She has received honorary doctorates in fine arts from Maine College of Art, the Massachusetts College of Art, Moore College of Art, San Francisco Art Institute, and others, and awards including a Guggenheim Fellowship, two National Endowment for the Arts grants in criticism, the Smith College Medal, the ArtTable Award for Distinguished Service to the Visual Arts, and the Bard College Center for Curatorial Studies Award for Excellence.

Lippard has lived in New Mexico since 1992 and works as a freelance writer and speaker.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Lucy Lippard conducted in 2011 March 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, funded by a grant from the A G Foundation.
Provenance:
Lucy R. Lippard donated her papers in several increments between 1972-1995, 2006, 2015 and 2021.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Curators -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Artists -- Political activity  Search this
Art criticism  Search this
Feminism and art  Search this
Women authors  Search this
Women art critics  Search this
Art, Modern -- 20th century  Search this
Conceptual art  Search this
Minimal art  Search this
Genre/Form:
Sound recordings
Interviews
Photographs
Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipplucy
See more items in:
Lucy R. Lippard papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9101c6a69-dde9-42ed-94cc-d03650c249ed
EDAN-URL:
ead_collection:sova-aaa-lipplucy
Online Media:

Ukeles, Mierle Laderman

Collection Creator:
Lippard, Lucy R.  Search this
Container:
Box 19, Folder 5
Type:
Archival materials
Date:
1977-1988
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
See more items in:
Lucy R. Lippard papers
Lucy R. Lippard papers / Series 2: Correspondence / 2.1: Correspondence by Name
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95f02fe06-c71b-4dc4-a46a-d4790ab69956
EDAN-URL:
ead_component:sova-aaa-lipplucy-ref2036
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