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Chester Beach papers

Creator:
Beach, Chester, 1881-1956  Search this
Names:
American Academy in Rome  Search this
Architectural League of New York  Search this
Cleveland Museum of Art  Search this
Ecole nationale supérieure des beaux-arts (France)  Search this
Frontier Art Colony  Search this
Mark Hopkins Institute of Art  Search this
National Academy of Design (U.S.)  Search this
National Sculpture Society (U.S.)  Search this
Panama-Pacific International Exposition (1915: San Francisco, Calif.)  Search this
Salmagundi Club  Search this
Salon d'automne  Search this
Allen, Mary Jester  Search this
Beach, Eleanor Murdock  Search this
Blumenschein, Ernest Leonard, 1874-1960  Search this
Carrington, Fitz Roy, 1869-1954  Search this
Couper, William, 1853-1942  Search this
Fitchen, Eleanor Beach  Search this
French, Daniel Chester, 1850-1931  Search this
Greacen, Edmund W., 1876-1949  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Jackson, Hazel Brill  Search this
Jennewein, Carl Paul, 1890-  Search this
Kuhn, Brenda, 1911-  Search this
Kuhn, Walt, 1877-1949  Search this
Käsebier, Gertrude, 1852-1934  Search this
Leibig, Bonnie  Search this
MacMonnies, Frederick William, 1863-1937  Search this
Mora, F. Luis (Francis Luis), 1874-1940  Search this
Nelson, Laurence, 1887-1978  Search this
Nisbet, Robert H., 1879-1961  Search this
Olmsted, Frederick Law, 1822-1903  Search this
Piexotto, Jessica B.  Search this
Winter, Ezra, 1886-1949  Search this
Extent:
7.32 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketches
Christmas cards
Drawings
Photographs
Prints
Sketchbooks
Date:
1846-1999
bulk 1895-1999
Summary:
The Chester Beach papers measure 7.32 linear feet and date from 1846 to 1999, with the bulk ot the material dating from circa 1900 to 1999. The work and professional activities of Beaux Arts sculptor Chester Beach (1881-1956) and his family's efforts to exhibit and sell work from the estate are documented by project files, business records, correspondence, scrapbooks, printed material, and photographs. The papers also include many artist-designed Christmas cards sent and received by the Beach family, and artwork by Chester Beach and others.
Scope and Contents:
The Chester Beach papers measure 7.32 linear feet and date from 1846 to 1999, with the bulk ot the material dating from circa 1900 to 1999. The work and professional activities of Beaux Arts sculptor Chester Beach (1881-1956) and his family's efforts to exhibit and sell work from the estate are documented by project files, business records, correspondence, scrapbooks, printed material, and photographs. The papers also include many artist-designed Christmas cards sent and received by the Beach family, and artwork by Chester Beach and others.

Biographical material consists of biographical notes, identification cards, and a membership certificate.

Project files contain correspondence, financial records, notes, drawings and plans, research materials, printed matter, and photographs that document commissions for sculpture, medals and coins, monuments, and Beach's own projects. Among the most thoroughly documented projects are a fountain sculpture for the grounds of the Cleveland Museum of Art (Sun, Earth, Fountain of the Waters, and Zodiac) and the Edward W. Bok Memorial in Mountain Lake, Florida; both commissions were executed in conjunction with the firm of Frederick Law Olmsted.

Business records include Chester Beach's general business correspondence and correspondence concerning consignments. An address book records names, addresses, and occasionally indicates prices of services and supplies used by the sculptor. Other record books detail expenses and income of the studio building Beach owned, with a list of the effects of the former owner, sculptor William Couper; bronzes cast; sales, with titles, prices, and buyers; names and addresses of clients, dealers, and suppliers; and instructions for cleaning and bronzing plaster.

Family correspondence consists mainly of letters, many mentioning Chester Beach, and addressed to Mrs. Chester Beach and daughter Eleanor Beach Fitchen. Estate correspondence and related documents concern efforts to exhibit, sell, and research Beach's remaining work. These records, for the most part, were created by Mrs. Fitchen who acted as sales agent, ran the Chester Beach Memorial Studio, and maintained the Beach archive. Of particular interest is a series of letters from Brenda Kuhn that relate what she learned from handling the estate of her father, Walt Kuhn; in addition, she offered ideas and advice about exhibitions, the Memorial Studio, and the Beach Centennial.

Beach designed his family's annual Christmas cards, most of which incorporate images of their three daughters. A complete set, preserved in an album, includes a few later cards that reproduce artwork by his widow. Many of the cards received - some with original artwork - are from artist friends, among them: Ernest Blumenschein, Edward W. Greacen, Hazel Brill Jackson, Paul Jennewein, Bonnie Leibig, F. Luis Mora, Robert Nisbet, and Ezra Winter. Also of note are a card from Walker Hancock bearing a photograph of his studio; a painting of Beach's Sylvan at Brookgreen Gardens, reproduced on Anna Hyatt Huntington's card; and a card from Beach patron Mary Jester Allen containing a brief note about the Frontier Art Colony she had established near Cody, Wyoming.

Among the drawings and sketches by Chester Beach are student work, designs for some of his Christmas cards, and a sketchbook containing drawings of sculpture. Work by other artists consists of prints, including one by Ezra Winter.

Three scrapbooks, largely comprised of newspaper clippings and other printed material, contain a variety of other items, including: letters from the American Academy in Rome, Architectural League of New York, Ecole des Beaux Arts, Daniel Chester French, Hazel Brill Jackson, Frederick MacMonnies, National Academy of Design, National Sculpture Society, Jessica B. Piexotto, and Salon d'Autome. There are also awards and certificates from the National Academy of Design, Panama-Pacific International Exposition; bookplates and a place card Beach etched for Mr. and Mrs. George Davison; and an unfinished poem by FitzRoy Carrington. Photographs within the scrapbooks are of a night school class Beach attended at the Mark Hopkins Art Institute in San Francisco, Beach at work in his studio, and a portrait of him painted by G. Laurance Nelson.

Printed material includes Panama-Pacific International Exposition guide books, brochures about the Chester Beach Memorial Studio in Brewster, New York, and catalogs for solo and group exhibitions.

Photographs and glass plate negatives of artwork are mainly of Chester Beach's sculpture and include views of work in progress. Also found are photographs of drawings and sculpture from his student years in California and Paris. Pictures of work by other artists are portraits of Chester Beach painted by G. Laurance Nelson and by his daughter, Natalie Beach McLaury. Among the photographs of Chester Beach are several by Gertrude Kasebier, circa 1910. Other pictures show Beach in his studio, Beach with family and friends, and a "Dinner tendered to Edmund W. Greacen by Samuel T. Shaw, Salmagundi Club, March 2, 1922." Places documented are Beach's boyhood home in San Francisco, the interiors of his studios, and Brookgreen Gardens. Miscellaneous subjects are nude models.
Arrangement:
The collection is arranged as 10 series. Glass plate negatives are housed separately and closed to researchers.

Series 1: Biographical Material, 1910-1947 (4 folders; Box 1)

Series 2: Project Files, 1846-1999 (1.6 linear feet; Boxes 1-2, 11, OV 12-13)

Series 3: Business Records, circa 1900-1958 (0.4 linear feet; Boxes 2-3)

Series 4: Writings, 1913-1935 (2 folders; Box 3)

Series 5: Correspondence, 1875, 1933-1996 (0.5 linear feet; Box 3)

Series 6: Christmas Cards, 1909-1961 (0.7 linear feet; Boxes 3-4)

Series 7: Artwork, circa 1900-1955 (0.3 linear feet; Boxes 4, 11)

Series 8: Scrapbooks, 1903-1972 (0.3 linear feet; Box 10)

Series 9: Printed Material, 1910-1997 (0.4 linear feet; Box 4)

Series 10: Photographs, circa 1885-circa 1960s (3.1 linear feet; Boxes 4-9, 11, 14)
Biographical / Historical:
Sculptor Chester Beach (1881-1956) was known for portrait busts, allegorical and mythological figures, coins and medallic art in the Beaux-Arts tradition. He lived and worked in New York City and Brewster, New York.

Chester Beach, son of Chilion Beach and Elizabeth Ferris Beach, was born in San Francisco on May 23, 1881. Beach initially studied at the California School of Mechanical Arts in 1899. He remained in San Francisco and between 1900 and 1902 continued his art training at the Mark Hopkins Institute of Art while working as a jewelry designer. To further his career and exposure to artistic trends, Beach moved to New York City in 1903. The following year, he went to Paris, enrolled at the Ecole des Beaux-Arts, and also studied with Raoul Verlet at the Académie Julian.

Upon his return to New York in 1907, Beach established a studio on Tenth Street. He won the National Academy of Design's Barnett Prize for sculpture in 1907 and the Academy elected him an Associate Artist the following year. His increased stature resulted in numerous portrait commissions and eventually led to commissions for monuments and architectural sculpture. In 1910, Chester Beach married Eleanor Hollis Murdock, a painter he met when both were art students in Paris. The couple spent the next two years in Rome; for several years after returning, Beach continued to spend time in Italy and maintained a studio in Rome.

Solo exhibitions of Beach's work were presented at Macbeth Gallery (1912), Pratt Institute (1913), Cincinnati Art Museum (1916), John Herron Art Institute (1916), and Memorial Art Gallery, Rochester (1917). In addition to frequent participation in annual exhibitions at the National Academy of Design and the Pennsylvania Academy of the Fine Arts, Beach was represented in the Panama-Pacific International Exposition (1915), and in group shows at venues including: Art Institute of Chicago, Boston Art Club, California Palace of the Legion of Honor, and National Arts Club.

The gold medal presented by Académie Julian (1905), Beach's first award, was followed by many other prizes, among them: American Numismatic Society prize for a medal commemorating the Peace of Versailles (1919) and its Saltus Medal for distinguished medallic art (1946); Architectural League of New York gold medal (1924); National Academy of Design Barnett Prize (1907) and Watrous gold medal (1926); National Arts Club medal and prizes (1923, 1926, 1932); and the Panama-Pacific International Exposition silver medal (1915).

Beach was an Academician of the National Academy of Design, a member of the American Numismatic Society, Architectural League of New York, National Arts Club, National Institute of Arts and Letters, and the National Sculpture Society (President, 1927-1928).

For more than 40 years, Beach lived and worked at 207 East 17th Street. The brownstone, purchased in 1913, was large enough for the family's home, his studio, and additional studios that were rented to other artists. Through barter, Beach acquired land in Brewster, New York, and in 1917 hired Italian stonemasons to build a studio. Later, they erected a summer house for the family. Many old stone walls on the site provided material for both buildings and Beach named the property Oldwalls.

After a long illness, Chester Beach died at Oldwalls on August 6, 1956. The funeral service was held at his Brewster, New York, studio and he is buried in Cold Spring Cemetery, Cold Spring, New York.
Separated Materials:
Also in the Archives of American Art is microfilm of papers lent for microfilming (reels N727-N729 and N68-11) including passports, genealogical materials, photograph albums, travel sketches, travel diaries of Mrs. Beach, and business and family correspondence. While the obituary letters on reel N68-11 are referenced in a scrapbook in Series 8, all other loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Chester Beach's daughter, Eleanor Beach Fitchen, lent materials for microfilming in 1967 and 1967. Subsequent papers were donated in 2009 by the estate of Eleanor Beach Fitchen, through her grandson and executor, John Fitchen.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Glass plate negatives are housed separately and closed to researchers.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Sculptors, American -- New York (State) -- New York  Search this
Eclecticism in architecture  Search this
Sculptors -- New York (State) -- New York  Search this
Sculpture -- Technique  Search this
Sculpture -- Equipment and supplies  Search this
Artists' studios  Search this
Sculpture -- Economic aspects  Search this
Genre/Form:
Scrapbooks
Sketches
Christmas cards
Drawings
Photographs
Prints
Sketchbooks
Citation:
Chester Beach papers, 1846-1999, bulk circa 1900-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.beacches
See more items in:
Chester Beach papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-beacches
Online Media:

Design Talk | Karl Fritsch: Jewelry on the Edge

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2019-12-18T19:55:23.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_lmflIlAeUZk

Correspondence

Collection Creator:
Spencer, Lilly Martin, 1822-1902  Search this
Container:
Box 2, Folder 5
Type:
Archival materials
Date:
1890-1899
Scope and Contents:
Includes letters from Robert Green Ingersoll; and from Spencer to the National Academy of Design with a description of three pictures she's submitting, including Blind Faith
Collection Restrictions:
This collection is temporarily closed to researchers due to archival processing and digitization. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lilly Martin Spencer papers, 1828-1966. Archives of American Art, Smithsonian Institution.
See more items in:
Lilly Martin Spencer papers
Lilly Martin Spencer papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-spenlill-ref71

Sol Wilson papers, 1919-1975

Creator:
Wilson, Sol, 1896-1974  Search this
Subject:
Hopper, Edward  Search this
Bouché, Louis  Search this
Burliuk, David  Search this
Evergood, Philip  Search this
Babcock Galleries  Search this
Topic:
Painting, American  Search this
Record number:
(DSI-AAA_CollID)9380
(DSI-AAA_SIRISBib)211577
AAA_collcode_wilssol
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211577

Columbus

Maker:
Childs & Inman  Search this
Original artist:
Hillman, Richard S.  Search this
Measurements:
image: 10 1/2 in x 13 in; 26.67 cm x 33.02 cm
Object Name:
lithograph
Object Type:
Lithograph
Place made:
United States: Pennsylvania, Philadelphia
Date made:
n.d.
Subject:
Horses  Search this
Credit Line:
Harry T. Peters "America on Stone" Lithography Collection
ID Number:
DL.60.3602
Catalog number:
60.3602
See more items in:
Cultural and Community Life: Domestic Life
Clothing & Accessories
Domestic Furnishings
Art
Horses
Peters Prints
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a1-2dbe-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_325817

Untitled (Horse Portrait)

Maker:
Childs & Inman  Search this
Original artist:
Woodside, John Archibald  Search this
Measurements:
image: 12 in x 15 in; 30.48 cm x 38.1 cm
Object Name:
lithograph
Object Type:
Lithograph
Place made:
United States: Pennsylvania, Philadelphia
Date made:
nd.
n.d.
Subject:
Horses  Search this
Credit Line:
Harry T. Peters "America on Stone" Lithography Collection
ID Number:
DL.60.3610
Catalog number:
60.3610
See more items in:
Cultural and Community Life: Domestic Life
Domestic Furnishings
Art
Horses
Peters Prints
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b4-fea8-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_325836

Paestum and the Doric Revival, 1750-1830 : essential outlines of an approach : New York, National Academy of Design, February 19-March 30, 1986 / edited by Joselita Raspi Serra

Author:
Raspi Serra, Joselita  Search this
Physical description:
187 p. : ill. ; 27 cm
Type:
Exhibitions
Place:
Paestum (Extinct city)
Date:
1986
C1986
Topic:
Architecture, Greek  Search this
Columns, Doric  Search this
Greek revival (Architecture)  Search this
Call number:
NA285.P3 R12 1986
NA285.P3R12 1986
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_304674

Roy Moyer papers

Creator:
Moyer, Roy, 1921-2007  Search this
Names:
American Federation of Arts  Search this
UNICEF  Search this
Lunde, Karl  Search this
Extent:
2.8 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Photographs
Date:
1923-2013
bulk 1950-2000
Summary:
The papers of artist and arts administrator Roy Moyer measure 2.8 linear feet and date from 1923 to 2013, with the bulk of the materials dating from 1950 to 2000. The materials also concern to a limited degree Moyer's life partner, artist and art historian, Karl Lunde. Moyer's career is documented by writings, photographs of his artwork and exhibiton installations, as well as printed materials concerning exhibitions and his participation in cutural and community activities. There is limited correspondence or material of a personal nature.
Scope and Contents:
The papers of artist and arts administrator Roy Moyer measure 2.8 linear feet and date from 1923 to 2013, with the bulk of the materials dating from 1950 to 2000. The materials also conern to a limited degree Moyer's life partner, artist and art historian, Karl Lunde. Moyer's career is documented by writings, photographs of his artwork and exhibiton installations, as well as printed materials concerning exhibitions and his participation in cultural and community activities. There is limited correspondence or material of a personal nature.

Biographical materials consist of biographical sketches of Moyer, hand written lists of sold paintings and purchasers, Moyer's diploma from Columbia University (M.A.,1947), and a 1977 award from the National Academy of Design in New York. Scattered letters concern Moyer's exhibited paintings and his participation at art related conferences.

Subject files include multiple exhibitions at galleries, materials concerning Karl Lunde, Moyer's employment at the American Federation of Arts and UNICEF, and his contributions to book projects. Writings include an essay, short articles, and student papers.

Printed materials document Moyer's exhibition history and his participation as speaker or panelist at cultural events in the capacity of art critic or art historian. Some items mention Moyer as director of the American Federation of Arts in an endorsement capacity.

Original artwork by Moyer includes pencil drawings and a small sketchbook, including figures and still lifes in color. There are two drawings of unknown origin, one of Moyer and one which appears to be Moyer and Lunde together.

Photographs are of Moyer, Moyer with Lunde, their apartment, and Moyer with colleagues. Also found are photographs of Moyer's artwork and exhibition installations.
Arrangement:
The collection is arranged in 7 series.

Series 1: Biographical Material, 1947-2008 (Box 1; 1 folder)

Series 2: Letters, circa 1960s-1998 (Box 1; 1 folder)

Series 3: Writings, 1950-2007 (Box 1; 0.4 linear feet)

Series 4: Subject Files, 1950-2013 (Boxes 1-2; OV 5; 1.2 linear feet)

Series 5: Printed Material, 1959-2010 (Box 2; OV 5; 0.3 linear feet)

Series 6: Artwork, 1950s-1970s (Box 2; 0.1 linear feet)

Series 7: Photographs, 1923-2000 (Boxes 2-4; OV 5; 0.7 linear feet)
Biographical / Historical:
Artist and arts administrator Roy Moyer (1921-2007) and his life partner, artist and art historian Karl Lunde (1931-2009), lived and worked in the New York City area.

Moyer worked as the director of the American Federation of Arts for nine years, curating traveling art exhibitions, including the noted 50th anniversary re-creation of the 1913 New York Armory Show. During this period he also worked with art theorist Rudolph Arnheim on films relating to visual perception. Moyer then served as chief of art and design at UNICEF until 1986. He later devoted his time to painting and continued to exhibit until his death in 2007 following a hear attack.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Roy Moyer conducted by Paul Cummings in 1975.
Provenance:
The papers were donated to the Archives of American Art in 2011 by Karl Lunde.
Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- New York (State) -- New York  Search this
Arts administrators -- New York (State) -- New York  Search this
Art historians -- New York (State) -- New York  Search this
Genre/Form:
Drawings
Photographs
Citation:
Roy Moyer papers, 1923-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.moyeroy
See more items in:
Roy Moyer papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-moyeroy

Henry Mosler papers

Creator:
Mosler, Henry, 1841-1920  Search this
Names:
Beard, James Henry, 1812-1893  Search this
Dupré, Julien, 1851-1910  Search this
Ferrier, Gabriel, 1847-1914  Search this
Flameng, François, 1856-1923  Search this
Howe, William Henry, 1846-1929  Search this
Hébert, Ernest, 1817-1908  Search this
Partridge, William Ordway, 1861-1930  Search this
Pelouse, L. G., 1838-1891  Search this
Read, Thomas Buchanan, 1822-1872  Search this
Extent:
4.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Diaries
Sketchbooks
Illustrated notebooks
Drawings
Sketches
Place:
United States -- History -- Civil War, 1861-1865 -- Personal narratives
United States -- History -- Civil War, 1861-1865 -- Journalists
Date:
1856-1929
Summary:
The papers of painter Henry Mosler (1841-1920), who began his career in Cincinnati, Ohio, lived in Germany and Paris for at least 2 decades, and finally settled in New York, measure 4.8 linear feet and date from 1856-1929. The collection documents Mosler's life and career through biographical material, personal and professional letters from members of the military, museums, family, friends and colleagues, writings including an 1862 Civil War diary, personal business records, printed material, artwork and sketchbooks, and photographs of Mosler, his family, colleagues and artwork.
Scope and Content Note:
The papers of painter Henry Mosler (1841-1920), who began his career in Cincinnati, Ohio, lived in Germany and Paris for at least 2 decades, and finally settled in New York, measure 4.8 linear feet and date from 1856-1929. The collection documents Mosler's life and career through biographical material, personal and professional letters from members of the military, museums, family, friends and colleagues, writings including an 1862 Civil War diary, personal business records, printed material, artwork and sketchbooks, and photographs of Mosler, his family, colleagues and artwork.

Biographical material includes passports for Mosler's travel during the Civil War and to the American West in 1875-1876, as well as identification cards and awards from Mosler's years in Germany and Paris, including the Ordre National Légion d'Honneur awarded to him in 1892.

Letters record Mosler's service as an aide-de-camp for the Army of Ohio and his activities as an artist correspondent for Harper's Weekly from 1861-1863 in the Western Theater of the Civil War. However, the bulk of the letters document Mosler's career from the 1880s onward. Found are letters from museums, art associations, government agencies including the Minsistere de l'Instruction Publique et des Beaux-Arts, and colleagues in Europe and the United States including artists James Henry Beard, Julien Dupré, Gabrier Ferrier, Ernest Hébert, William Henry Howe, William Ordway Partridge, and Leon Germain Pelouse, among others. There are also scattered letters from Mosler.

Writings and notes include an 1862 Civil War diary and two illustrated notebooks from 1862 and 1863 containing sketches, and travel and financial notes. Also found are two biographical accounts of Mosler's career and poems by various authors, many inspired by Mosler's paintings.

Personal business records include an account book documenting Mosler's income and expenses from 1869-1878 and 1886-1892, and Library of Congress copyright certificates for four of Mosler's pictures.

Printed material documents Mosler's career in the United States and Europe through news clippings, a brochure, and an exhibition catalog for an 1897 exhibition of his paintings at Galleries of Pape Bros.

Artwork and sketchbooks include six sketches and an engraving by Mosler, and two books containing sketches by Mosler and other artists including James Henry Beard. The series also contains one ink drawing each by Leon Germain Pelouse and E. Hillery.

Photographic material includes albums and individual photographs of Mosler in his studio and with others including his immediate and extended family, and students. Also found are photos of artists including Gabriel Ferrier, Ernest Hébert and Thomas Buchanan Read, Brigadier General R. W. Johnson and opera singers Emma Nevada Palmer and Renée Richards. Photographs of artwork are primarily found in 2 oversized albums dedicated by Mosler to his children, Edith Mosler and Gustave Henry Mosler respectively.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Material, 1863-1892, 1921 (Box 1, OV 10; 4 folders)

Series 2: Letters,1861-circa 1920 (Boxes 1-2; 1.3 linear feet)

Series 3: Writings and Notes, circa 1860-circa 1900 (Boxes 2-3, 6; 0.4 linear feet)

Series 4: Personal Business Records, 1869-1905 (Box 3; 4 folders)

Series 5: Printed Material, circa 1860s-1929 (Box 3; 10 folders)

Series 6: Artwork and Sketchbooks, 1856-1917 (Box 4, OVs 10-11; 0.5 linear feet)

Series 7: Photographic Material, 1860-circa 1910 (Boxes 5-9, BV 12; 2.0 linear feet)
Biographical Note:
Henry Mosler (1841-1920) worked primarily in Ohio, New York City, and Europe as a painter of portraits and scenes of rural life in Europe. Mosler served as an artist correspondent for Harper's Weekly during the Civil War.

Born in Silesia (Poland) in 1841, Henry Mosler immigrated to New York City with his family in 1849. In the early 1850s the family moved to Cincinnati, Ohio, where Mosler received art instruction from James Henry Beard, becoming an accomplished portrait painter and an active participant in the Cincinnati art scene.

Following the outbreak of the Civil War in 1861, Mosler became an artist correspondent for Harper's Weekly, documenting the Western Theater in Kentucky and Tennessee. He served as a volunteer aide-de-camp with the army of Ohio from 1861-1863 and was present at the engagement at Green River, and "present and under fire" at the battles of Shiloh and Perryville.

Immediately thereafter, Mosler relocated to Dusseldorf for two years and attended the Royal Academy, followed by six months in Paris where he studied with painter Ernest Hébert. In 1866 Mosler returned to Cincinnatti where his portraits and genre scenes enjoyed growing popularity.

In 1875 Mosler traveled to Munich and two years later settled in Paris from where he enjoyed critical and financial success both in Europe and in the United States. Mosler was known for his genre paintings of peasant life in rural Brittany and he became a regular participant in Salon exhibitions and won honorable mention in the Salon of 1879, when his painting Le Retour, became the first work by an American artist to be purchased by the French government. In 1888 he won the gold medal at the Paris Salon and in 1892 he was made chevalier de la Legion d'Honneur and officier de l'Académie.

Mosler returned to the United States temporarily during this period, including a trip in 1885-1886 to visit the West and collect material for paintings of Native American life.

In 1894 Mosler returned to the United States and settled in New York, where he became a popular teacher and an active participant in the New York art scene. In 1895 he was made an associate member of the National Academy of Design, and in his last decades took up landscape painting during summers in the Catskill mountains, and produced genre paintings depicting scenes from colonial and rural life. Mosler continued to enjoy widespread popularity until his death in 1920.
Provenance:
The bulk of the collection was donated to the Archives of American Art by J. F. McCrindle, a great-grandson of Mosler, in 1976 and 1977, having been previously lent to AAA for microfilming. A photograph album was donated in 1993 by Paul M. Hertzmann, a dealer who acquired it through purchase. Additional materials were donated in 2008 and 2009 by McCrindle via John T. Rowe, president and CEO of the Joseph F. McCrindle Foundation.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists' studios -- Photographs  Search this
Expatriate painters -- France -- Paris  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Diaries
Sketchbooks
Illustrated notebooks
Drawings
Sketches
Citation:
Henry Mosler papers, 1856-1929. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.moslhenr
See more items in:
Henry Mosler papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-moslhenr
Online Media:

Edward Wales Root letters from Louis Eilshemius, [ca. 1930]

Creator:
Root, Edward Wales, 1884-1956  Search this
Subject:
Eilshemius, Louis M. (Louis Michel)  Search this
Topic:
Art -- Collectors and collecting -- United States  Search this
Record number:
(DSI-AAA_CollID)5681
(DSI-AAA_SIRISBib)208516
AAA_collcode_rootedwa
Theme:
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208516

Maurice Sievan papers, 1934-1983

Creator:
Sievan, Maurice, 1898-1981  Search this
Subject:
Avery, Milton  Search this
Gross, Sidney  Search this
Lannan, J. Patrick  Search this
Raemisch, Waldemere  Search this
Schnitzler, Max  Search this
Trajan, Turku  Search this
Walkowitz, Abraham  Search this
Winter, Andrew  Search this
Sievan, Lee  Search this
Piper, Raymond  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)6720
(DSI-AAA_SIRISBib)208845
AAA_collcode_sievmaur
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208845

Minutes of the New-York gallery of the fine arts records, 1844-1858

Creator:
New York Gallery of the Fine Arts  Search this
New-York Historical Society  Search this
Subject:
Reed, Luman  Search this
Topic:
Art collections -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)8091
(DSI-AAA_SIRISBib)210262
AAA_collcode_nygalfam
Theme:
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210262

Catalogue of the Society of American Fakirs, 1891-1914?

Creator:
Society of American Fakirs  Search this
Subject:
Society of American Fakirs  Search this
Topic:
Parody in art  Search this
Record number:
(DSI-AAA_CollID)21786
(DSI-AAA_SIRISBib)305685
AAA_collcode_sociamfa
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_305685

Paul Lantz papers, [ca. 1920-1979]

Creator:
Lantz, Paul Valentine, 1908-2000  Search this
Subject:
Teale, Edwin Way  Search this
Topic:
Painting, American -- New Mexico  Search this
Record number:
(DSI-AAA_CollID)5670
(DSI-AAA_SIRISBib)208504
AAA_collcode_lantpaul
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208504

Herbert Kallem papers, 1938-1978

Creator:
Kallem, Herbert, 1909-1994  Search this
Topic:
Sculpture, American -- 20th century  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)7647
(DSI-AAA_SIRISBib)209810
AAA_collcode_kallherb
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209810

Adele McGinnis Herter and Albert Herter papers, 1882-1946

Creator:
Herter, Adele McGinnis, 1869-1946  Search this
Herter, Albert, 1871-  Search this
Topic:
Women painters  Search this
Muralists  Search this
Record number:
(DSI-AAA_CollID)7749
(DSI-AAA_SIRISBib)209914
AAA_collcode_hertadel
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209914

Papers relating to George Franklin Heuston and his antecedents Franklin and George Zell Heuston, 1943-1978

Creator:
Heuston, George F. (George Franklin), 1906-1992  Search this
Subject:
Heuston, George Zell  Search this
Heuston, Franklin Zell  Search this
Record number:
(DSI-AAA_CollID)7751
(DSI-AAA_SIRISBib)209916
AAA_collcode_heusgeor
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209916

Irving G. Lehman papers, 1942-1980

Creator:
Lehman, Irving G. (Irving George), 1900-1983  Search this
Type:
Scrapbooks
Sketchbooks
Topic:
Painting -- New York (State)  Search this
Prints -- Technique  Search this
Record number:
(DSI-AAA_CollID)7877
(DSI-AAA_SIRISBib)210044
AAA_collcode_lehmirvi
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210044

Leo Manso papers, 1947-1982

Creator:
Manso, Leo, 1914-1993  Search this
Type:
Sound recordings
Topic:
Art, American  Search this
Record number:
(DSI-AAA_CollID)7989
(DSI-AAA_SIRISBib)210158
AAA_collcode_mansleo
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210158

Mabel Hatt papers, 1944-1965

Creator:
Hatt, Mabel K., 1885?-1971-1971  Search this
Type:
Scrapbooks
Topic:
Women painters  Search this
Record number:
(DSI-AAA_CollID)9006
(DSI-AAA_SIRISBib)211195
AAA_collcode_hattmabe
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211195

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