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International Battle of the Bands Records

Creator:
Free, Jerry D.  Search this
International Battle of the Bands, Inc.  Search this
Extent:
32 Cubic feet (88 boxes)
Type:
Collection descriptions
Archival materials
Audiotapes
Audiovisual materials
Business records
Certificates
Music videos
Scrapbooks
Photographs
Videotapes
Place:
Nashville (Tenn.) -- Music -- 20th century
Date:
1981-1998.
Summary:
Business records, scrapbooks, audio disks, videotape, audio tape, and photographs documenting the business and entertainment activities at the International Battle of the Bands.
Scope and Contents note:
The International Battle of the Bands Records, 1981 - 1998, consists of a varied compilation of business records, advertising materials, scrapbooks, photographs, original video footage, and audio recordings. The Battle of the Bands Records document all aspects related to the production, advertising, and promotion of the regional, final, and future competitions
Arrangement:
The collection is divided into seven series.

Series 1.1: International Battle of the Bands, 1981

Series 1.2: International Battle of the Bands, 1982

Series 1.3: International Battle of the Bands, 1983

Series 1.4: International Battle of the Bands, 1984

Series 1.5: International Battle of the Bands, 1985

Series 1.6: International Battle of the Bands, 1986

Series 1.7: International Battle of the Bands, 1987-1988

Series 1.8: International Battle of the Bands, 1989

Series 2.1: International Battle of the Bands Publishing, 1981

Series 2.2: International Battle of the Bands Publishing, 1982

Series 2.3: International Battle of the Bands Publishing, 1983

Series 2.4: International Battle of the Bands Publishing, 1984

Series 2.1: International Battle of the Bands Publishing, 1985

Series 3.1: International Battle of the Bands Recording, 1981-1986

Series 3.2: International Battle of the Bands Recording, 45s,

Series 3.3: International Battle of the Bands Recording, LPs, 1982-1986

Series 3.4: International Battle of the Bands Recording, Reel to Reel, 1981-1986

Series 3.5: International Battle of the Bands Recording, Cassettes, 1981-1986 Series 4: Photographs and Negatives, 1981-1986

Series 5: Videos, 1981-1993

Series 6: Card Files, 1981-1987

Series 7: Awards and Certificates, 1982-1990
Biographical/Historical note:
The International Battle of the Bands Corporation (IBB) was a Nashville-based promotion founded in 1975 by Mr. Jerry Free. Free, an Ohio native born in 1939, is currently Vice President and General manager of United Gunite Construction, where he began working in 1972. Before he founded the International Battle of the Bands, Free began his professional career as a door-to-door salesman for Look magazine. He remained at Look for 13 years, working his way up to a position on the board of directors in 1968.

Free's battle of the bands concept was not a new idea. Staged competitions between bands had been part of American popular music for most of the 20th century. The purpose of these competitions was to draw audiences to the theaters and music halls where bands would perform during the late afternoons and evenings. These events were a common occurrence in the swing era of the 1930s, as well as in Rhythm and Blues and Jazz in the 1940s and 50s. In the early days of Rock & Roll, fledgling music groups often achieved recognition by winning these types of contests. This local exposure sometimes led to regional and even national recognition. The idea of bringing attention to local artists served as the basis for the International Battle of the Bands. It was referred to by Free as the Agreatest search for new talent. Introducing the band competition into the age of televised coverage and corporate sponsorship enabled Free to take an old idea and transform it into a national enterprise.

With the backing of Seagram=s Seven the International Battle of the Bands Contest got its formal start in 1981. In association with the publishing and recording division of the IBB corporation, the International Battle of the Bands contest was developed with the purpose of discovering and promoting new country music talent. The contest was structured with a series of local and regional competitions, leading up to the Grand Finals held each year, with the exception of 1988, in Nashville, Tennessee. The 1988 finals that were held in Panama City Beach, Florida.

Local auditions were held in IBB affiliated clubs in 50 select cities throughout the United States. Winners of local contests moved on to regional competitions with hopes of reaching the Grand Finals and a chance of a recording contract with IBB records and a one year booking contract with Buddy Lee attractions. While remaining relatively low key in its early years, the IBB Grand Finals were broadcast to a national television audience in a 90 minute program hosted by Sammy Davis, Jr. and Louise Mandrell in 1986.
Provenance:
Collection donated by Jerry D. Free, December 16, 1998.
Restrictions:
Collection is open for research. Some materials are restricted until 2050.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Music-halls -- 1980-2000  Search this
Music -- 20th century -- United States  Search this
Music -- Performance  Search this
Music -- Publishing  Search this
Genre/Form:
Audiotapes -- 1980-1990
Audiovisual materials
Business records -- 1950-2000
Certificates
Music videos
Scrapbooks -- 20th century
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1950-2000
Videotapes
Citation:
International Battle of the Bands Records, 1981-1998, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0677
See more items in:
International Battle of the Bands Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0677

Half as much [music]

Composer:
Williams, Curley  Search this
Collection Collector:
Musical History, Division of (NMAH, SI)  Search this
Collection Creator:
Ellington, Duke, 1899-1974  Search this
Extent:
1 Item (conductor score and/or parts (Published sheet music), 31 cm.)
1 Item (manuscript, 32 cm.)
1 Item (copy score, 32 cm.)
Container:
Box 138, Folder 2
Type:
Archival materials
Conductor scores
Copy scores
Music
Parts (musical)
Piano vocal scores
Manuscripts
Sheet music
Date:
1951
Scope and Contents:
1 part and an indefinite number of scores
Half as much is contained in one folder consisting of 1 published two-page piano vocal score in D Major concert, and 1 two-page conductor score and 1 part in Bb Major concert -- in ink and pencil -- in unidentified hand (Whaley?).
Piano vocal score lyrics begin "If you loved me half as much as I love you ...". Conductor score indicates parts for 8 reeds - sax 1, sax 2, sax 3, sax 4, sax 5, alto, tenor, baritone; 2 trumpets - 1, 2; bass (2). Part for voice. Part for 2nd chorus section. Lyrics begin "Half as much, half as much ...". -- from the Duke Ellington Library.
General:
Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, and Dr. Mark Tucker.
Publication:
Nashville, Tenn., Acuff-Rose Publications., 1951
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Topic:
Music -- United States -- 20th century  Search this
Genre/Form:
Conductor scores
Copy scores
Music
Parts (musical)
Piano vocal scores
Manuscripts -- Music -- 20th century
Sheet music -- 20th century
Collection Citation:
Duke Ellington Collection, Archives Center, National Museum of American History
See more items in:
Duke Ellington Collection
Duke Ellington Collection / Series 1: Music Manuscripts / 1.1: Music Manuscripts / 1.1.9: H
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0301-ref40250

Country soul : making music and making race in the American South / Charles L. Hughes

Author:
Hughes, Charles L. 1982-  Search this
Physical description:
264 pages : illustrations ; 24 cm
Type:
Books
Criticism, interpretation, etc
Place:
Alabama
Muscle Shoals
Tennessee
Memphis
Nashville
Southern States
Muscle Shoals (Ala.)
Memphis (Tenn.)
Nashville (Tenn.)
Date:
2015
1961-1970
1971-1980
20th century
Topic:
Popular music--History and criticism  Search this
Soul music--History and criticism  Search this
Country music--History and criticism  Search this
Music and race  Search this
Music  Search this
History and criticism  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1080117

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