Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Ruth Law Collection, Acc. NASM.XXXX.0387, National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Thomas DeWitt Milling Collection, NASM.XXXX.0133, National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Thomas DeWitt Milling Collection, NASM.XXXX.0133, National Air and Space Museum, Smithsonian Institution.
Gorrell, Edgar S. (Edgar Staley), 1891-1945 Search this
Container:
Box 5, Folder 2
Type:
Archival materials
Text
Date:
1936-1939
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Edgar S. Gorrell Collection, Acc. XXXX-0057, National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Benjamin O. Davis, Jr. Collection, Acc. 1992.0023, National Air and Space Museum, Smithsonian Institution.
Massachusetts Institute of Technology, vol. 32, no. 8, July 1930; vol. 63, no. 7, May 1961; and vol. 64, no. 1, November 1961.
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Arthur Raymond Brooks Collection, NASM.1989.0104, National Air and Space Museum, Smithsonian Institution.
Woman's Building (Los Angeles, Calif.) Search this
Container:
Box 7, Folder 3
Type:
Archival materials
Date:
1976-1980
Collection Citation:
Woman's Building records, 1970-1992. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Getty Foundation. Funding for the digitization of this collection was provided by The Walton Family Foundation and Joyce F. Menschel, Vital Projects Fund, Inc.
The photographs contain a wide variety of images representing all aspects of Western Union and the telegraph industry.
Subseries 1 has photos of Western Union buildings from all over the world, dating from the nineteenth century until 1965. Buildings which are identified include those in North Sydney, Nova Scotia, New York City, Key West, FL, Rochester, N.Y., Hamilton, Ohio, Morristown, N.J., Sacramento, CA, Cumberland, Md., and Sandesville, GA, among others. Unfortunately, most of the photoprints are not captioned.
Poleyards and Construction, contains two folders of photoprints of telegraph poleyards, where poles are prepared for service. There are also photoprints of the locations where the finished poles were used. Some of the locations represented are: Minneapolis, Minn.; Chattanooga, Tenn.; Nashua, N.H.; Slidell, La.; Rutherford, N.J.; Tacoma, Wash.; Miami, Fla.; and Elizabethtown, N.J. Folder three contains specifications and photoprints for pole line construction.
Western Union put many photographs into albums. The albums themselves have been taken apart, but the order has been preserved. These albums cover a wide variety of subjects, including antiquated telegraph instruments; Telefax switching systems; switchboard, plugs, and jacks; office interiors; tickers; "Western Union Automatic Telegraph"; and miscellaneous equipment.
The cable station photographs, 1917-1961, are arranged alphabetically by location and include Western Union stations in the United States, Europe, and Caribbean. Also included in this subseries are negatives of the cable stations. The cable ships photographs include Western Union ships-Robert C. Clowry, C.S. Colonia, C.S. Cyrus Field, C.S. Lord Kelvin, C.S. Neptune, C.S. Dellwood, C.S. Silverado-and other unidentified ships.
Telegraph equipment includes: early telegraph tickers, 1866; the Western Union cable boat Robert C. Clowry, 1903; switching systems; "Multifax," c. 1940; equipment from World War II; Varioplex equipment; Carrier systems; Mono Pulse Printing Telegraphic Sets; and Deep-Sea Cable exhibit material. There is also a great deal of unidentified miscellaneous equipment which is not identified.
Western Union "People" consists mostly of messengers and many individuals are not identified. Photographs of Western Union presidents are found in the subseries, including J.L.Egan, John W. Mackay, William Orton, Norvin Green, R.C. Clowry, Newcomb Carlton. Additionally, there are several images of Samuel F.B. Morse. There is a photoprint of a group of telegraphers present at the Battle of Gettysburg, commemorating the fiftieth anniversary of that battle. There is also a folder of photos of drawings of Pony Express riders.
The Samuel F.B. Morse photographs consists of Morse Family images and some correspondence.
Cable Photographs, contain many news images transmitted via the facsimile process in the 1920s through the 1940s. These news photos can be found throughout the subseries. There are also many other photos, some in albums, that were transmitted by facsimile, but were not for newspaper use. The majority of facsimile photographs are from Europe and many of the subjects concern World War II such as the bombings in London, the British Royal Family, Adolph Hitler, Prime Minister Winston Churchill, and other military and political leaders.
The oversized photographs cover a wide range of topics from portraits to equipment to interior building views. There are some architectural drawings in this subseries for Western Union storefronts and advertisements.
Arrangement:
The series is divided into thirteen subseries:
1. Western Union Buildings, 1900-1965
2. Poleyards and Construction, 1901-1939
3. Western Union Albums (numbered), 1856-1953
4. Cable Station Albums, 1917-1961
5. Cable Ship Albums, 1924-1954
6. Miscellaneous Albums, 1912-1954?
7. Equipment, 1866-1957
8. People, 1869-1940s
9. Samuel F.B. Morse, 1840s, undated
10. Cable Photographs, 1925-1942 (facsimile)
11. Wire Photographs, 1922-1936
12. Slides, undated
13. Oversized Photographs, 1870-1962
Collection Restrictions:
Collection is open for research but Series 11 and films are stored off-site. Special arrangements must be made to view some of the audiovisual materials. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Western Union Telegraph Company Records, Archives Center, National Museum of American History
Nashua (N.H.) Cornet Band, ca. 1870. Spaulding, photog. Small orange mount. Band appears in front of large crowd gathered near large house. Negative #87-14114. (ST 15)
Unrestricted research use on site. Researchers must handle unprotected photographs with gloves.
Collection Rights:
Archives Center cost-recovery and use fees may apply when requesting reproductions.Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Hazen Collection of Band Photographs and Ephemera, ca. 1818-1931, Archives Center, National Museum of American History.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
An interview with Margueritte Kimball conducted 1993 Mar. 10-Apr. 13, by Robert Brown, for the Archives of American Art, regarding her years at the Cranbrook Academy of Art.
Kimball discusses her childhood in Clinton, Mass. and Nashua, N.H. in the family of a railroad employee; death of her father and move, in 1926, to Cambridge, Mass. where her mother worked as a milliner and opened a dressmaking business; training in bookkeeping; classes at Copley Society, Boston; enrollment at Cranbrook Academy of Art, 1942, and working as financial secretary there until 1968; and her friendship with Carl and Olga Milles. She recalls Eliel and Loja Saarinen, Harry Bertoia, Zoltan Sepeshy, and many other teachers and students, and comments on students who attended via the G.I. Bill and on teacher-student relationship and administration of the Academy.
Biographical / Historical:
Margueritte Eleanor Kimball (1906-1995) was a financial secretary at Cranbrook Academy of Art, in Bloomfield Hills, Mich.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Art -- Study and teaching -- United States Search this
Handicraft -- Study and teaching -- United States Search this
Design -- Study and teaching -- United States Search this
Function:
Art Schools -- United States
Genre/Form:
Sound recordings
Interviews
Sponsor:
Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
101 Fish Stories / Arnold, Jr. Graton, Fred Kretchman, Paul Doherty.
102 Images of Community / Andre Belanger, Dorothy Towle, Steve Allman.
Local Numbers:
FP-1999-CT-0130-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 23, 1999.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Ethnic Heritage / Dona Larsen, Gerard Brunelle, Kung Tai Tsay.
102 Great Outdoors / Claire Long, David Price, George Lemerise.
103 Franco-American Heritage / Andre Belanger, Fabienne Cote, Julien Olivier.
Local Numbers:
FP-1999-CT-0131-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 23, 1999.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Guilds and Leagues / Fred Dolan, Omar Clairmont, Russell Pope.
102 Take a Hike / Claire Long, George Lemerise, Peter, III Limmer.
103 Historic Renovation / Arnold Graton, David Adams, Stephen Roy.
104 Heritage Crafts / Dona Larsen, Galina Tregubov, Kung Tai Tsay.
Local Numbers:
FP-1999-CT-0138-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1999.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
