United States of America -- Connecticut -- Fairfield County -- Weston
Scope and Contents:
The folder includes worksheets, a copy of an article about the garden with photographs by Molly Adams and a complete plant list, and other information.
General:
This Japanese-style garden was designed by landscape architect Ethelbert E. Furlong for artist Walter Miles and his wife, Jessie, to complement their home, which in turn had been designed by noted architect and woodworker George Nakashima. Because Walter Miles wanted to install and maintain the garden himself, with as little help as possible, he modified Furlong's plan to some degree, while retaining the spirit of the design. Dry stream beds, a pavilion, a bamboo-roofed gatehouse, and irregularly shaped stones were some of the many features of the garden. Although Asian plant material was used extensively, non-Japanese plants such as as Blue Atlas cedar and a flowering dogwood (Cornus florida) were also selected. After leaving this house in 1971, Walter Miles built a second Japanese-style house and garden in Washington, Connecticut, where he lived until 1983.
Persons associated with the property include Ethelbert E. Furlong (landscape architect, ca. 1960); George Nakashima (architect, ca. 1950); and Walter and Jessie Miles (former owners, 1950-1971).
Related Materials:
Miles Garden related holdings consist of 1 folder (18 safety film negatives; 9 photographic prints)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
An interview of Joyce Anderson conducted 2002 September 18-19, by Donna Gold, in Morristown, New Jersey, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Anderson describes her training in economics at New York University, and her interrupted career in that field; her childhood, "a good bringing-up," and her family; dating Edgar Anderson in high school, and marrying him after World War II; and on the early years of their partnership and her own self-education as a woodworker; the design and construction of their home, the influence of Frank Lloyd Wright, and living briefly in Wright's Robie House in Chicago; Scandanavian furniture as an important early influence on their work, as well as the enduring influence of the local environment; the general spirit of the early period, infused with a sense of "breaking tradition"; the New Jersey Designer Craftsmen, and friends such as George Nakashima and Wharton Esherick; on her status as a woman in the movement, which was "never" problematic; projects executed for institutional clients, including furniture designed for public libraries, churches, and synagogues; private clients, and their relationships with clients; her design approach, which differs greatly from her husband's, as well as shared attitudes towards applied decoration and problem solving; her inclusion in the exhibition "Women Designers in the USA 1900-2000: Diversity and Difference," at the Bard Graduate Center for Studies; the difficulties of the spousal partnership, on her own health which was compromised by sawdust, and on the future of the house which is being donated to a preservation trust; large parties they hosted at the house, which included children in elaborate performances. She also recalls Tom Tibbs, Lou and Sandy Grotta, Sam Maloof, Hugh Wiley, Zelda Strecker, Emil Milan, Gustav Stickley, Bob Stocksdale, and others.
Biographical / Historical:
Joyce Anderson (1925- ) is a woodworker from Morristown, New Jersey.
General:
Originally recorded 3 sound discs. Reformatted in 2010 as 16 digital wav files. Duration is 2 hr., 50 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
The papers of architect, craftsman, woodworker, and furniture designer George Nakashima measure 1.0 linear foot and date from 1950 to 1991. The collection is comprised of biographical material, correspondence, writings, subject files, and printed material that mostly relate to Nakashima's work in furniture design.
Scope and Contents:
The papers of architect, craftsman, woodworker, and furniture designer George Nakashima measure 1.0 linear foot and date from 1950 to 1991. The collection is comprised of biographical material, correspondence, writings, subject files, and printed material that mostly relate to Nakashima's work in furniture design.
Biographical materials consist of a curriculum vitae and obituaries. Correspondence is with clients, colleagues, and friends in the United Staes, Japan, and the Sri Aurobindo community. Writings by and about Nakashima include articles, essays, and a speech about his design processes. Subject files are on Alfred Caldwell, flush toilet systems, trademark, and wood and tree services. Printed material includes art reproductions, booklets, catalogs, clippings, and publicity material.
Arrangement:
The collection is arranged as five series.
Series 1: Biographical Material, 1990 (Box 1; 1 folder)
Series 2: Correspondence, 1950-1990 (Box 1; 0.7 linear feet)
Series 3: Writings, 1953-1989 (Box 1, 2 folders)
Series 4: Subject Files, 1957-1980s (Box 1, 4 folders)
Series 5: Printed Material, 1954-1991 (Box 1, 0.2 linear feet)
Biographical / Historical:
George Nakashima (1905-1990) was a Japanese American architect, craftsman, woodworker, and furniture designer in New Hope, Pennsylvania. He was born in Spokane, Washington and received a bachelor's degree in architecture from the University of Washington in 1929. He also earned a master's degree from Massachusetts Institute of Technology in 1930.
After his studies, Nakashima traveled around the world by steamship. He spent time in France, North Africa, and Japan. While in Japan, he began working under architect Antonin Raymond. When Raymond's architecture company was commissioned to build for the Sri Aurobindo ashram in Puducherry, India, Nakashima became the onsite architect as well as a devotee of Sri Aurobindo. When World War II began, Nakashima returned to the U.S. with his wife, Marion, whom he met in Japan. George, Marion, and their infant daughter Mira were sent to a Japanese internment camp in Idaho in 1942. The Nakashimas were able to leave the camp after Raymond sponsored their release in 1943. Nakashima began working on Raymond's farm in Bucks County, Pennsylvania, where he eventually built his workshop. Nakashima's son Kevin was born after the family relocated to Pennsylvania.
Nakashima's design work includes furniture lines for the Widdicomb Furniture Company and Knoll Furniture, and 200 pieces of furniture commissioned by Nelson Rockefeller. He also wrote a book titled The Soul of a Tree: A Master Woodworker's Reflections.
Nakashima died in 1990.
Provenance:
The papers were donated by Marion Nakashima, widow of George Nakashima, in 1991.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
An interview of Betty Cooke conducted 2004 July 1-2, by Jan Yager, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Baltimore, Maryland.
Cooke speaks of her family and growing up in Baltimore, Maryland; taking art classes in high school; attending the Maryland Institute, College of Art; apprenticing in a jeweler's studio; teaching design at the Maryland Institute; buying a house and setting up a studio and shop in it; showing her work in the MoMA "Good Design" Exhibition; marrying fellow artist Bill Steinmetz; working as a design consultant; designing interiors for bowling alleys and restaurants; early jewelry designs; studying one summer at Cranbrook Academy of Art; selling works in various galleries; her interest in folk art; using wood and stones in her pieces; creating a wall mural for a school; working with the Rouse Company; opening The Store Ltd. at Cross Keys and designing the modern interior; her trademark designs; making jewelry on commission; and showing her work in exhibitions. Cooke also speaks of her current studio space and routine; sketching designs; documenting her work; traveling to Mexico, China, Morocco, and London; her current involvement with the Maryland Institute, College of Art; renovating a barn for a new studio; the function and wearability of her jewelry; having a retrospective show in 1995; designing for Geoffrey Beene; her interest in painting and sculpture; defining design versus craft; the market for jewelry; how her work has changed over time; sources of inspiration; collecting objects; deciding to go into retail; choosing metals and tools; masculine and feminine jewelry; and being a female artist. Cooke also recalls Margaret De Patta, Harry Bertoia, Philip Morton, George Nakashima, and others.
Biographical / Historical:
Betty Cooke (1924- ) is a jeweler and metalsmith of Baltimore, Maryland. Jan Yager is a jeweler from Philadelphia, Pennsylvania.
General:
Originally recorded on 5 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 6 hr., 2 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
