Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Main Image: Three animal like figures of Mussolini, Hitler, and Tajo
Local numbers:
Princeton Poster# 3319
General:
Issued by: Seagram Distillers Corp.
Artist(s): Essargee [Henry Sharp Goff Jr.]
Series:
7
Locale:
New York
Printing Info:
Property of Princeton [...] Received MAY 3 1943
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
World War, 1939-1945 -- Posters -- United States Search this
Genre/Form:
Posters
Posters -- World War, 1939-1945 -- United States
Collection Citation:
Princeton University Posters Collection, Archives Center, National Museum of American History.
Sponsor:
Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.
The majority of the photographs were made by Thomas B. Card during World War II and the postwar years in Japan, South America, the Caribbean, Europe, and the Middle East. He documented people, architecture, and scenery, as well as military bases and personnel in Okinawa, Japan. Additionally, there are images of Mexican archeological sites, Camp Claiborne in Louisiana (made in 1944), the 1932 Amur River flood, and Benito Mussolini's execution.
The collection also includes photographs taken by Paul W. Card in China before World War II, including images of the Yangtze River, historical architecture and art, people, shrines, and cities.
Biographical/Historical note:
Thomas B. Card was an engineer and Army officer during World War II. After completing his freshman year at Worcester Polytechnic Institute (September 1916-October 1917), he joined the signal corps in World War I, later transferrimg to become a pilot in the air service. Returning to school, he graduated from the Masssachusetts Institute of Technology in 1921 and received a Masters in Business Administration from Harvard Graduate School in 1930. During World War II, he supervised the construction of bases in the Caribbean and Japan, and served as commanding officer of the 601st Engineers Base Depot on Okinawa. He was promoted to Colonel, CE, in 1945. In 1947, he led a group of engineers working on the Bechtel International Modernization Project in Saudi Arabia, as well as other post-war work in Argentina and Trinidad.
Paul W. Card, Thomas B. Card's brother, graduated from the Naval Academy in 1927 and was assigned to work in China's Yangtze River region until 1938. He spent most of his time protecting the United States Legation in Nanjing and gathered intelligence as a "Naval observer."
Local Call Number(s):
NAA Photo Lot 2000-02, NAA Photo Lot 97-43
Location of Other Archival Materials:
Photographs made by Thomas B. Card, previously filed in Photo Lot 97-43, have been relocated and merged with Photo Lot 2000-02.
Restrictions:
Original nitrate negatives are in cold storage and require advanced notice for viewing.
Photo Lot 2000-02, Thomas B. Card and Paul W. Card photographs of world travels and World War II, National Anthropological Archives, Smithsonian Institution.
Letters received by Olga Milles, primarily from her family, the Granners, in Graz, Steiermark, Austria (1933-1951). Other correspondents include Kurt Messner (from prisoner of war camp), his father Adolf Messner (1944-1946), Carl Milles (1944-1951), his sister Ruth Milles (1940), and Signe Rutenskold (1944-1946). Three letters were written to Carl by Olga (1939). Other materials consist of a one-page essay on "Youth" by Frank Crane and 3 photographs, of Benito Mussolini (1936), relatives (1950), and a work of art.
Biographical / Historical:
Carl Milles was a sculptor. His wife, Olga, was also an artist. Milles was born in Lagga, Sweden, the son of Major Emil ("Mille") Andersson. He derived his name from the inversion of his father's nickname "Milles (Mille's) Carl". He was apprenticed to a cabinetmaker and studied for 3 years at the Technical School in Stockholm, during which time he befriended sculptor John Borjeson. Between 1897 and 1900, Milles studied at the Ecole des Beaux Arts. While in Paris, he met artist Olga Granner, whom he married in 1905. In 1902, Milles gained recognition in Sweden with his design for the Sten Sture monument. Milles also studied at the Cranbrook Academy of Art in Michigan and became a citizen of the United States in 1945.
Provenance:
The donor, Margueritte E. Kimball, was charged with clearing out and photographing the Milles' house and studio at Cranbrook in the early 1950s.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Printed caption on recto reads: "Eritrea - Portatrici di fieno."
Printed caption on verso reads: "'Abbiamo dei vecchi e dei nuovi conti da regolare: li regoleremo.' (Cagliari - VIII Giugno XIII) Mussolini / 'Solo Iddio può piegare la volontà Fascista; gli uomini e le cose, mai.' Mussolini."
Additional printed text on verso reads: "Prop. Ris. C. Sq. C. Lombardi - 142 Comp. M. P. Va Divisione C.C. N.N. 'I⁰ Febbraio'."
Local Numbers:
EEPA EA-01-02
General:
Title source: Postcard caption.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Printed caption on recto reads: "Chiesa Copta di Addi Mai Laam con campane di pietra."
Artist's signature in recto image: "C. Sq. C. Lombardi."
Printed caption on verso reads: "'Abbiamo dei vecchi e dei nuovi conti da regolare: li regoleremo.' (Cagliari - VIII Giugno XIII) Mussolini / 'Solo Iddio può piegare la volontà Fascista; gli uomini e le cose, mai.' Mussolini."
Additional printed text on verso reads: "Prop. Ris. C. Sq. C. Lombardi - 142 Comp. M. P. Va Divisione C.C. N.N. 'I⁰ Febbraio'."
Local Numbers:
EEPA ET-22-10
General:
Title source: Postcard caption.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Printed caption on recto reads: "Il Duce Premia I Valorosi Combattenti Reduci Dell'A.O."
Printed text on verso reads: "Rizzoli E C. - Milano - 1936-xv."
Local Numbers:
EEPA ET-38-10
General:
Title source: Postcard caption.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Printed caption on recto reads: "Alla Memoria Dell'Eroico Padre Giuliani."
Printed text on verso reads: "Rizzoli E C. - Milano - 1936-xv."
Local Numbers:
EEPA ET-38-11
General:
Title source: Postcard caption.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"The White Elephant: 'She goes her Imperial Way...' - Signor Gayda Writing of Italy" [Political cartoon depicting Mussolini riding an elephant labeled 'Abyssinia']
Drawn by Bernard Partridge; Published in Punch, or The London Charivari.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Collection Citation:
Thomas Ofcansky Collection, EEPA 2015-012, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
1 Engraving (black and white; mounted, 10.5 x 8 inches (with mount); 14 x 11.25 inches (with mount))
Container:
Map-case 3, Folder 16
Type:
Archival materials
Prints
Engravings
Date:
1936 September 30
General:
Drawn by Bernard Partridge; Published in Punch, or The London Charivari
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Collection Citation:
Thomas Ofcansky Collection, EEPA 2015-012, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
1 Photographic print (black and white, 9 x 7 inches)
Container:
Map-case 3, Folder 29
Type:
Archival materials
Photographs
Photographic prints
Date:
1938 April 9
General:
Photo by Associated Press. Caption on verso reads: "Princely Guest from Ethiopia: Premier Mussolini is shown with the Sultan of Gimma, ruler of a Mohammedan Region of the newly-annexed potion of the Italian Empire. The sultan attended many functions and displays, dressed in these picturesque robes, in his official visit at Rome. Here he gives the fascist salute at a parade of cadets, April 9. He was keenly interested in the wonders of the city. Associated Press photo ZT 1145A 4-19-38"
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Collection Citation:
Thomas Ofcansky Collection, EEPA 2015-012, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Collection Citation:
Thomas Ofcansky Collection, EEPA 2015-012, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
L'asse nel pensiero dei due popoli = Die Achse im Denken der beiden Völker / herau[s]gegeben unter leitung Paolo Orano ; [Übersetzung in das deutsch und in das italienische von Ernesto Nocker]
