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Racial Masquerade in American Art & Culture (Part 3 of 3)

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2016-12-12T15:32:07.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt__mCRHEgpMVs

Freedomways Vol. 12 No. 1

Published by:
Freedomways Associates, Inc., American, 1961 - 1985  Search this
Edited by:
John Henrik Clarke, American, 1915 - 1998  Search this
Ernest D. Kaiser, American, born 1916  Search this
Jack O'Dell, American, 1923 - 2019  Search this
Esther Cooper Jackson, American, born 1917  Search this
John Devine  Search this
Written by:
Harry Belafonte Jr., American, 1927 - 2023  Search this
Nicolás Guillén, Cuban, 1902 - 1989  Search this
Audre Lorde, American, 1934 - 1992  Search this
Calvin H. Sinnette, Trinidadian, born 1924  Search this
Ron Dellums, American, born 1935  Search this
J. K. Obatala  Search this
Illustrated by:
Charles White, American, 1918 - 1979  Search this
Subject of:
Dr. Martin Luther King Jr., American, 1929 - 1968  Search this
W.E.B. Du Bois, American, 1868 - 1963  Search this
Dick Gregory, American, 1932 - 2017  Search this
Countee Cullen, American, 1903 - 1946  Search this
President Richard M. Nixon, American, 1913 - 1994  Search this
Medium:
ink on paper with metal
Dimensions:
H x W x D: 8 15/16 × 6 × 1/4 in. (22.7 × 15.3 × 0.7 cm)
Type:
magazines (periodicals)
Place printed:
New York City, New York, United States, North and Central America
Place depicted:
Africa
West Indies, Caribbean, Latin America
Date:
1972
Topic:
African American  Search this
Activism  Search this
Africa  Search this
Black Press  Search this
Civil Rights  Search this
International affairs  Search this
Literature  Search this
Poetry  Search this
Politics  Search this
U.S. History, 1969-2001  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Dr. Maurice Jackson
Object number:
2021.20.9
Restrictions & Rights:
Unknown – Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd583ce4aab-99a8-41a9-b33e-74ef6f86440a
EDAN-URL:
edanmdm:nmaahc_2021.20.9
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Author Talk: Patti Smith

Producer:
National Portrait Gallery, Smithsonian Institution  Search this
Sitter:
Patti Smith, born 30 Dec 1946  Search this
Robert Mapplethorpe, 04 Nov 1946 - 09 Mar 1989  Search this
Medium:
Video recording
Dimensions:
Duration (1): 54 min., 13 sec.
Duration (2): 53 min., 44 sec.
Duration (3): 55 min., 33 sec.
Type:
Time-Based Media
Date:
December 11, 2010
Topic:
Robert Mapplethorpe: Male  Search this
Robert Mapplethorpe: Visual Arts\Artist\Photographer  Search this
Robert Mapplethorpe: Society and Social Change\Philanthropist  Search this
Patti Smith: Female  Search this
Patti Smith: Literature\Writer  Search this
Patti Smith: Performing Arts\Performer\Musician\Singer  Search this
Patti Smith: Awards  Search this
Patti Smith: National Book Award  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution: Audio/Visual Special Collection
Object number:
AV.2011.EDU.40
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Location:
Currently not on view
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4bed07e6a-cb96-43b3-91d7-6df3b2e1ae39
EDAN-URL:
edanmdm:npg_AV.2011.EDU.40
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Lisa Chickering and Jeanne Porterfield collection

Director:
Porterfield, Jeanne  Search this
Chickering, Lisa  Search this
Extent:
38 Film reels
7 Sound tape reels
5 Electronic discs (DVD)
1 Videocassettes (U-matic)
5 Videocassettes (Digital Betacam)
67.86 Linear feet
18 Sound discs (vinyl)
4 Cassette tapes
Type:
Collection descriptions
Archival materials
Film reels
Sound tape reels
Electronic discs (dvd)
Videocassettes (u-matic)
Videocassettes (digital betacam)
Sound discs (vinyl)
Cassette tapes
Date:
1954-2015, undated
Summary:
The Lisa Chickering and Jeanne Porterfield collection documents their work as travel filmmakers, photographers, and writers from 1954-2015. Their films are an example of the travel lecture film, a genre which combined silent travelogue films with live narration. Chickering and Porterfield presented their films throughout the United States and Canada in the 1960s and 1970s before turning to freelance still photography and travel writing in the early 1980s. The audiovisual and photography collection begins with their first joint travels in the 1950s and covers a range of their professional activities through the early 2000s, mainly encompassing original travel footage, edited travelogues, and travel still photography. Supporting documentation includes film scripts, lecture recordings, personal and professional manuscripts, financial and professional records, and a substantial amount of newspaper and magazine articles which serve as a record of the press generated by and about Chickering and Porterfield.
Scope and Contents:
The Lisa Chickering and Jeanne Porterfield collection documents their work as travel filmmakers, photographers, and writers from 1954-2015. The audiovisual and photography collection begins with their first joint travels in the 1950s and covers a range of their professional activities through the early 2000s, mainly encompassing original travel footage, edited travelogues, and travel still photography. Supporting documentation includes film scripts, lecture recordings, personal and professional manuscripts, financial and professional records, and a substantial amount of newspaper and magazine articles which serve as a record of the press generated by and about Chickering and Porterfield.

Records pertaining to Chickering and Porterfield's film career include full lecture scripts for their five major silent travel films: Austria à la Carte (1960), Caribbean Dutch Treat (1963), Bravo Portugal! (1965), Europe's Mini-Countries (1968), and Winter in Mexico (1973). Chickering and Porterfield delivered these scripts at venues throughout the United States in front of live audiences while the (silent) travelogues were screened behind them, essentially acting as live narrators. Silent access copies are available for each of these films except for Austria à la Carte; audio recordings of their live lectures are available for Austria à la Carte, Caribbean Dutch Treat, Winter in Mexico. Reference video is also available for Chickering and Porterfield's two shorter sound films: Four Seasons of Austria (1962) and Portugal with Pleasure (1968). Other film material includes several sets of lecture tour records listing dates, locations, topics, and fees, as well as a large amount of advertising material.

Also included in this collection are a large number of published and unpublished manuscripts, including both personal projects and assignment travel writing. Several personal narrative essays and more complete memoir drafts give insight into Chickering and Porterfield's filmmaking process, industry tips, and travel methods, as well as anecdotes from the field. Assignment travel writing ranges geographically, with a focus on cruise ships.

Other materials in the collection include extensive inventories of still photography, personal and professional correspondence, and a substantial amount of printed material which was retained as a central resource for press generated by and about Chickering and Porterfield.
Arrangement:
This collection is arranged in 9 series: Series 1. Film documentation, 1959-1986, undated; Series 2. Still photography documentation, 1958-2004, undated; Series 3. Writings, 1954-1997, undated; Series 4. Printed material, 1959-2002, undated; Series 5. Other professional materials, 1987-2000, undated; Series 6. Correspondence, 1957-1992, 2000, 2015, undated; Series 7. Films and film-related sound recordings, circa 1960-2015; Series 8. Other audiovisual material, 1957, 1966, 1981, undated; Series 9. Photographs, 1956-2001, undated.
Biographical / Historical:
Lisa Chickering (1922-) and Jeanne Porterfield (1923-2010) were travel filmmakers, photographers, and writers in New York City whose professional output spanned from the 1960s through the early 2000s. Chickering and Porterfield first met in Chicago, where they were childhood friends and neighbors. Porterfield attended the University of Chicago and eventually earned a master's in musicology from the American Conservatory of Music, after which she trained under Uta Hagen to pursue stage and television acting; Chickering trained as an opera singer and pianist before turning to work as a stage and cabaret singer, as well as a model at the John Robert Powers Agency. The pair's filmmaking career began in 1954, when they traveled to Paris for a singing engagement Chickering had booked. When they arrived, they found the engagement had fallen through. Porterfield began to act as Chickering's agent, and the two cobbled together a three-year international tour, which they documented on an 8mm camera. Upon returning to New York in 1958, they incorporated a production company, Viewpoints, Inc., and returned to Europe to film their first professional project.

Viewpoints, Inc. released five full-length (70-80 minute) silent travelogues through the 1960s and early 1970s, set in Western European and North American tourist destinations: Austria à la Carte (1960), Caribbean Dutch Treat (1963), Bravo Portugal! (1965), Europe's Mini-Countries (1968), and Winter in Mexico (1973). Chickering and Porterfield acted as directors, producers, cinematographers, and editors on each film. The pair also presented these films on the travel lecture film circuit at venues in the United States and Canada ranging from Kiwanis clubs to major concert halls, narrating their silent footage onstage in front of live audiences.

Viewpoints, Inc. also released two shorter 30-minute public relations sound films sponsored by Volkswagen of America: Four Seasons of Austria (1962, which used footage from Austria à la Carte) and Portugal with Pleasure (1968, which used footage from Bravo Portugal!). Both of these films won awards at the American Film Festival. A third public relations film, co-sponsored by KLM Royal Dutch Airlines and the Curaçao Tourism Board and titled Curaçao: The Caribbean Dutch Treat, was released in 1962 and used footage from Caribbean Dutch Treat.

Chickering and Porterfield turned to still photography in earnest in the 1980s and continued working through the early 2000s; their work was published as educational filmstrips as well as in various leading travel and lifestyle publications, including in The New York Times, Travel & Leisure, Town & Country, Glamor, Gourmet, Harper's Bazaar, and Better Homes & Gardens. The pair also authored a number of travel features to accompany their photos, with a particular emphasis on cruise ships.

Porterfield died in 2010 in New York City, where Lisa still lives.

1922 -- Lisa Chickering born December 24 in Chicago, Illinois.

1923 -- Jeanne Porterfield born February 14 in Beloit, Wisconsin.

1954 -- First joint travels abroad

1958 -- Viewpoints, Inc. (production company) incorporated

1960 -- Austria à la Carte released

circa 1962 -- Recipients, Silver Plaque of Merit in Tourism from Austrian National Tourist Office

1962 -- Recipients, American Film Festival Blue Ribbon (for Four Seasons of Austria) Four Seasons of Austria released

1962 -- Recipients, Blue Ribbon from the American Film Festival Travel Category (for Four Seasons of Austria)

1963 -- Caribbean Dutch Treat released

1965 -- Bravo Portugal! released

1968 -- Europe's Mini-Countries released

1968 -- Recipients, American Film Festival Blue Ribbon (for Portugal with Pleasure) Portugal with Pleasure released

1968 -- Recipients, Blue Ribbon from the American Film Festival Travel Category (for Portugal with Pleasure)

1972-1975 -- Educational filmstrips photographed by Chickering and Porterfield distributed by the Society for Visual Education, Inc.

1973 -- Winter in Mexico released

circa 1975 -- Began working in still photography and travel writing

1982 -- Recipient (Porterfield), Grand Prize for Black and White Photography, Society of American Travel Writers

1983 -- Recipients, First and Second Prize, Society of American Travel Writers Freelance Council Photo Contest

1987-1990 -- President (Chickering), Travel Journalists' Guild

2008 -- Recipient (Chickering), Bern Keating Award for Lifetime Service, Travel Journalists' Guild

2010 -- Died (Porterfield) January 15 in New York, New York.
Provenance:
This collection was donated to the National Anthropological Film Collection (formerly the Human Studies Film Archives) by Lisa Chickering in 2015.
Restrictions:
The Lisa Chickering and Jeanne Porterfield collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the National Anthropological Film Collection may not be played.
Rights:
Contact the repository for terms of use.
Citation:
Lisa Chickering and Jeanne Porterfield Collection, National Anthropological Film Collection, Smithsonian Institution
Identifier:
HSFA.2015.16
See more items in:
Lisa Chickering and Jeanne Porterfield collection
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9d4291899-a9ca-472c-bf1f-db63c45b5cf4
EDAN-URL:
ead_collection:sova-hsfa-2015-16
Online Media:

James Henri Howard Papers

Creator:
Howard, James H., 1925-1982 (James Henri)  Search this
Correspondent:
Woolworth, Alan R.  Search this
Weslager, C.A.  Search this
Witthoft, John, 1921-1993  Search this
Swauger, James Lee  Search this
Turnbull, Colin  Search this
Horn, Frances L.  Search this
Garcia, Louis  Search this
Fogelson, Raymond D.  Search this
Hodge, William  Search this
Hayink, J.  Search this
Feder, Norman  Search this
Ervin, Sam J. Jr  Search this
Feraca, Stephen E., 1934-  Search this
Feest, Christian F.  Search this
Cree, Charlie  Search this
Davis, Edward Mott  Search this
De Busk, Charles R.  Search this
Iadarola, Angelo  Search this
Brasser, Ted J.  Search this
Bunge, Gene  Search this
Cavendish, Richard  Search this
Clifton, James A.  Search this
DeMallie, Raymond  Search this
Blake, Leonard W.  Search this
Dean, Nora Thompson  Search this
Spier, Leslie, 1893-1961  Search this
Smith, John L.  Search this
Swanton, John Robert  Search this
Sturtevant, William C.  Search this
Peterson, John H.  Search this
Paredes, J. Anthony, 1939- (James Anthony)  Search this
Schleisser, Karl H.  Search this
Reed, Nelson A.  Search this
Medford, Claude W.  Search this
Lurie, Nancy Oestreich  Search this
Opler, Morris Edward  Search this
Nettl, Bruno, 1930-  Search this
Kraft, Herbert C.  Search this
Johnson, Michael G.  Search this
Lindsey-Levine, Victoria  Search this
Kurath, Gertrude  Search this
Adams, Richard N. (Richard Newbold), 1924-  Search this
Allen, James H.  Search this
Barksdale, Mary Lee  Search this
Battise, Jack  Search this
Names:
Lone Star Steel Company  Search this
Extent:
10.25 Linear feet
Culture:
Seminole  Search this
Sioux  Search this
Shawnee  Search this
Muskogee (Creek)  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Indians of North America -- Great Plains  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Chickasaw  Search this
Choctaw  Search this
Yanktonnai Nakota (Yankton Sioux)  Search this
Seneca  Search this
Euchee (Yuchi)  Search this
Omaha  Search this
Iroquois  Search this
Cherokee  Search this
Sahnish (Arikara)  Search this
Potawatomi  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Ponca  Search this
Mi'kmaq (Micmac)  Search this
Kickapoo  Search this
Sac and Fox (Sauk & Fox)  Search this
Menominee (Menomini)  Search this
Lenape (Delaware)  Search this
Oto  Search this
Tonkawa  Search this
Type:
Collection descriptions
Archival materials
Place:
Oklahoma -- Archeology
Date:
1824-1992
bulk 1950-1982
Summary:
To a considerable degree, the James H. Howard papers consist of manuscript copies of articles, book, speeches, and reviews that document his professional work in anthropology, ethnology, ethnohistory, archeology, linguistics, musicology, and folklore between 1950 and 1982. Among these are a few unpublished items. Notes are relatively scant, there being somewhat appreciable materials for the Chippewa, Choctaw, Creek, Dakota, Omaha, Ponca, Seminole, and Shawnee. The chief field materials represented in the collection are sound recordings and photographs, but many of the latter are yet to be unidentified. A series of color photographs of Indian artifacts in folders are mostly identified and represent the extensive American Indian Cultural collection of costumes and artifacts that Howard acquired and created. Other documents include copies of papers and other research materials of colleagues. There is very little original material related to archeological work in the collection and that which is present concerns contract work for the Lone State Steel Company.
Scope and Contents:
The James Henri Howard papers document his research and professional activities from 1949-1982 and primarily deal with his work as an anthropologist, archeologist, and ethnologist, studying Native American languages & cultures. The collection consists of Series 1 correspondence; Series 2 writings and research, which consists of subject files (language and culture research materials), manuscripts, research proposals, Indian claim case materials, Howard's publications, publications of others, and bibliographical materials; Series 3 sound recordings of Native American music and dance; Series 4 photographs; and Series 5 drawings and artwork.

Howard was also a linguist, musicologist, and folklorist, as well as an informed and able practitioner in the fields of dance and handicrafts. His notable books include Choctaw Music and Dance; Oklahoma Seminoles: Medicines, Magic, and Religion; and Shawnee! The Ceremonialism of a Native American Tribe and its Cultural Background.

Some materials are oversize, specifically these three Winter Count items: 1. a Dakota Winter Count made of cloth in 1953 at the request of James H. Howard, 2. a drawing of British Museum Winter Count on 4 sheets of paper, and 3. Photographs of a Winter Count.
Arrangement:
This collection is arranged in 5 series: Series 1. Correspondence, 1960-1982, undated; Series 2. Writings and Research, 1824-1992; Series 3. Sound Recordings, 1960-1979; Series 4. Photographs, 1879-1985; Series 5. Drawings and Artwork, 1928-1982.
Chronology:
1925 -- James Henri Howard was born on September 10 in Redfield, South Dakota.

1949 -- Received his Bachelor of Arts from the University of Nebraska.

1950 -- Received his Master of Arts from the University of Nebraska and began a prolific record of publishing.

1950-1953 -- Began his first professional employment as an archaeologist and preparator at the North Dakota State Historical Museum in Bismarck.

1955-1957 -- Was a museum lecturer at the Kansas City (Missouri) Museum.

1957 -- James H. Howard received his Ph.D. at the University of Michigan. Joined the staff of the Smithsonian's River Basin Surveys in the summer.

1957-1963 -- Taught anthropology at the University of North Dakota.

1962 -- Chief archeologist at the Fortress of Louisberg Archeological Project in Nova Scotia.

1963-1968 -- Taught anthropology at the University of South Dakota; State Archeologist of South Dakota; Director of the W. H. Over Dakota Museum.

1963-1966 -- Director of the Institute of Indian Studies, University of South Dakota.

1968-1982 -- Associate professor of anthropology at Oklahoma State University at Stillwater (became a full professor in 1971).

1979 -- Consulted for exhibitions at the Western Heritage Museum in Omaha, Nebraska.

1982 -- Died October 1 after a brief illness.
Biographical/Historical note:
James H. Howard was trained in anthropology at the University of Nebraska (B.A., 1949; M.A., 1950) and the University of Michigan (Ph.D., 1957). In 1950-1953, he served as archeologist and preparator at the North Dakota State Historical Museum; and, in 1955-1957, he was on the staff of the Kansas City (Missouri) Museum. During the summer of 1957, he joined the staff of the Smithsonian's River Basin Surveys. Between 1957 and 1963, he taught anthropology at the Universtity of North Dakota. Between 1963 and 1968, he served in several capacities with the University of South Dakota including assistant and associate professor, director of the Institute of Indian Studies (1963-1966), and Director of the W.H. Over Museum (1963-1968). In 1968, he joined the Department of Sociology at Oklahoma State University, where he achieved the rank of professor in 1970. In 1979, he was a consultant for exhibitions at the Western Heritage Museum in Omaha, Nebraska.

Howard's abiding interest were the people of North America, whom he studied both as an ethnologist and archeologist. Between 1949 and 1982, he worked with the Ponca, Omaha, Yankton and Yaktonai Dakota, Yamasee, Plains Ojibwa (or Bungi), Delaware, Seneca-Cayuga, Prairie Potatwatomi of Kansas, Mississipi and Oklahoma Choctaw, Oklahoma Seminole, and Pawnee. His interest in these people varied from group to group. With some he carried out general culture studies; with other, special studies of such phenomena as ceremonies, art, dance, and music. For some, he was interest in environmental adaptation and land use, the latter particularly for the Pawnee, Yankton Dakota, Plains Ojibwa, Turtle Mountain Chippewa, and Ponca, for which he served as consultant and expert witness in suits brought before the United Stated Indian Claims Commisssion. A long-time museum man, Howard was also interested in items of Indian dress, articles associated with ceremonies, and other artifacts. He was "a thoroughgoing participant-observer and was a member of the Ponca Hethuska Society, a sharer in ceremonial activities of many Plains tribes, and a first-rate 'powwow man'." (American Anthropologist 1986, 88:692).

As an archeologist, Howard worked at Like-a-Fishhook Village in North Dakota, Spawn Mound and other sites in South Dakota, Gavin Point in Nebraska and South Dakota, Weston and Hogshooter sites in Oklahoma, and the Fortess of Louisbourg in Nova Scotia. He also conducted surveys for the Lone Star Steel Company in Haskall, Latimer, Le Flore and Pittsburg counties in Oklahoma.
Related Materials:
Howard's American Indian Cultural Collection of Costumes and Artifacts, that he acquired and created during his lifetime, is currently located at the Milwaukee Public Museum. In Boxes 19-21 of the James Henri Howard Papers, there are photographs with accompanying captions and descriptions in binders of his American Indian Cultural Collection of Costumes and Artifacts that his widow, Elfriede Heinze Howard, created in order to sell the collection to a museum.
Provenance:
These papers were donated to the National Anthropological Archives by James Henri Howard's wife, Elfriede Heinz Howard, in 1988-1990, 1992, & 1994.
Restrictions:
The James Henri Howard papers are open for research. Access to the James Henri Howard papers requires an appointment.
Rights:
Contact repository for terms of use.
Topic:
Indians of North America -- Southern states  Search this
Indians of North America -- Northeast  Search this
Ethnology -- United States  Search this
Ethnomusicology  Search this
Folklore -- American Indian  Search this
Powwows  Search this
Citation:
James Henri Howard Papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.1994-30
See more items in:
James Henri Howard Papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw30379c657-37d6-4c9e-99c4-eb8f7be76c10
EDAN-URL:
ead_collection:sova-naa-1994-30
Online Media:

Musicology, School of, Summer Session at the American Academy in Rome

Collection Creator:
American Academy in Rome  Search this
Container:
Box 24, Folder 52
Type:
Archival materials
Date:
1947
Scope and Contents note:
(includes printed brochure, correspondence regarding admission, travel arrangements, payment of tuition)
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
American Academy in Rome records, 1855-2012. Archives of American Art, Smithsonian Institution.
See more items in:
American Academy in Rome records
American Academy in Rome records / Series 3: New York Office / 3.1: Records of Staff / Mary T. Williams (Executive Secretary)
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93cc993e8-c43d-4065-a78f-f14fe82a2cc2
EDAN-URL:
ead_component:sova-aaa-ameracar-ref1225

Music and human flourishing edited by Anna Harwell Celenza

Editor:
Celenza, Anna Harwell  Search this
Physical description:
1 online resource
Type:
Electronic resources
Date:
2023
Topic:
Music--Social aspects  Search this
Music--Psychological aspects  Search this
Society & culture: general  Search this
Music  Search this
Call number:
ML3916 .M8607 2023 (Internet)
Restrictions & Rights:
1-user
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1161949

Walking with Asafo in Ghana an ethnographic account of Kormantse Bentsir warrior music Ama Oforiwaa Aduonum ; with Kormantse Bentsir Scholars

Author:
Aduonum, Ama Oforiwaa  Search this
Physical description:
xxv, 379 pages illustrations, portraits, maps 23 cm
Type:
Books
Criticism, interpretation, etc
Music criticism and reviews
Place:
Ghana
Ghāna
Date:
2022
Topic:
Music--History and criticism  Search this
Ethnomusicology  Search this
Walking--Religious aspects  Search this
Ethnology  Search this
Musicology  Search this
Musique--Histoire et critique  Search this
Ethnomusicologie  Search this
Music  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1159566

Haydnfest, International Musicological Conference, 9-10/75

Container:
Box 14 of 20
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 07-142, National Museum of American History, Division of Music, Sports, and Entertainment, Curatorial Records
See more items in:
Curatorial Records
Curatorial Records / Box 14
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa07-142-refidd1e10672

American Musicological Society (AMS), Committee on the History of the Society, 1993-1998

Container:
Box 12 of 20
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 07-142, National Museum of American History, Division of Music, Sports, and Entertainment, Curatorial Records
See more items in:
Curatorial Records
Curatorial Records / Box 12
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa07-142-refidd1e9249

IMS (International Musicological Society) Meeting, Berkeley, 1977

Container:
Box 13 of 20
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 07-142, National Museum of American History, Division of Music, Sports, and Entertainment, Curatorial Records
See more items in:
Curatorial Records
Curatorial Records / Box 13
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa07-142-refidd1e9659

The invention of Latin American music a transnational history Pablo Palomino

Author:
Palomino, Pablo  Search this
Physical description:
1 online resource
Type:
Electronic resources
History
Place:
Latin America
Amérique latine
Date:
2020
20th century
20e siècle
Topic:
Music--Social aspects--History  Search this
Music--Political aspects--History  Search this
Regionalism  Search this
Musique--Aspect social--Histoire  Search this
Musique--Aspect politique--Histoire  Search this
Régionalisme  Search this
Music--Political aspects  Search this
Music--Social aspects  Search this
Call number:
ML3917.L27 P35 2020 (Internet)
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1160647

New York, New York, Metropolitan Museum of Art

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 120, Folder 9
Type:
Archival materials
Date:
1947-1953
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.4: Museum Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw938362fd1-2adc-485c-8d3a-239b41ac840f
EDAN-URL:
ead_component:sova-aaa-jacqself-ref11956
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New York, New York, Metropolitan Museum of Art

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 120, Folder 10
Type:
Archival materials
Date:
1954-1968
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.4: Museum Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98a19b610-a4d6-415c-ae40-4eae0d80611b
EDAN-URL:
ead_component:sova-aaa-jacqself-ref11957
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Correspondence

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 136, Folder 1
Type:
Archival materials
Date:
1942
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.5: Germain Seligman's Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e905cc9b-646d-48cd-81b9-6db4220b1310
EDAN-URL:
ead_component:sova-aaa-jacqself-ref12169
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Social (see also oversized, Box 154)

Collection Creator:
Davis, Benjamin O., Jr., 1912-  Search this
Container:
Box 11, Folder 7
Type:
Archival materials
Date:
undated
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Benjamin O. Davis, Jr. Collection, Acc. 1992.0023, National Air and Space Museum, Smithsonian Institution.
See more items in:
Benjamin O. Davis Jr. Collection
Benjamin O. Davis Jr. Collection / Series 2: Military Career / 2.3: Materials Arranged by Posting / 2.3.13: Far East Air Force (FEAF) Headquarters (Tokyo, Japan), Director of Operations and Training
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2731e337a-c5f5-49a8-9698-910b72d673b3
EDAN-URL:
ead_component:sova-nasm-1992-0023-ref1915
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Audio Log Sheets

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
See more items in:
Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival / Series 2: China: Tradition and the Art of Living / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5ab5b1868-2ba6-4cd9-81df-a8f5761996a0
EDAN-URL:
ead_component:sova-cfch-sff-2014-ref1051
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Maria Sabina sings her Mazatec mushroom velada

Title:
Maria Sabina's mushroom velada
Author:
María Sabina 1894-1985  Search this
Compiler:
Wasson, R. Gordon (Robert Gordon) 1898-1986  Search this
Translator:
Cowan, George M  Search this
Cowan, Florence  Search this
Binder:
De Stefanis, Giovanni  Search this
Photographer:
Richardson, Allan  Search this
Transcriber:
Rhodes, Willard 1901-1992  Search this
Printer:
Stamperia Valdonega  Search this
Papermaker:
Cartiere Enrico Magnani  Search this
Subject:
María Sabina 1894-1985  Search this
Physical description:
xxxiii, 281 pages illustrations (some color) 31 cm + 4 audiocassettes, in container (31 x 26 x 3 cm) + 1 score, 79 pages, in container (31 x 26 x 3 cm)
Type:
Books
Songs and music
Mazateco poetry
Musical works
Typefaces (Type evidence)
Place:
Mexico
Huautla de Jiménez
Mexique
Huautla de Jimenez
Huautla de Jiménez (Mexico)
Huautla de Jim̌nez (Mexico)
Date:
1974
Topic:
Rites and ceremonies  Search this
Mushroom ceremony  Search this
Mushrooms, Hallucinogenic--Religious aspects  Search this
Shamanism  Search this
Mazateco poetry  Search this
Agaricales  Search this
Mazatèques--Rites et cérémonies  Search this
Cérémonie des champignons  Search this
Champignons hallucinogènes--Aspect religieux  Search this
Chamanisme  Search this
Poésie mazatec  Search this
shamanism  Search this
Manners and customs  Search this
Mazatec Indians--Rites and ceremonies  Search this
Mazatèques (Indiens)--Rites et cérémonies  Search this
Social life and customs  Search this
Dante  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1117373

Archivos de las etnomusicolog̕cas

Editor:
García, Miguel A  Search this
Issuing body:
Ibero-Amerikanisches Institut (Berlin, Germany)  Search this
Physical description:
236 pages illustrations 24 cm
Type:
Books
Date:
2023
Topic:
Sound archives--Philosophy  Search this
Sound recordings in ethnomusicology--Philosophy  Search this
Sound recordings in musicology--Philosophy  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1160123

Musicological Congress

Collection Creator:
Meiss, Millard, 1904-1975  Search this
Container:
Box 12, Folder 10
Type:
Archival materials
Date:
circa 1960-circa 1961
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Millard Meiss papers, circa 1918-circa 1977, bulk 1950-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Millard Meiss Papers
Millard Meiss Papers / Series 4: Professional Files / 4.4: General Professional Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97a3fac42-f6fa-4267-9935-444493176084
EDAN-URL:
ead_component:sova-aaa-meismill-ref213

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