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Berkeley Music Collective songbook music transcriptions, Nancy Henderson ; lettering and titles, Nanvy Vogl

Author:
Berkeley Women's Music Collective  Search this
Physical description:
1 score (unpaged) illustrations 28 cm
Type:
Songs and music
Scores
Place:
United States
Date:
1975
Topic:
Women  Search this
Feminist music  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1112517

CBC Music Transcription Catalogue, 1968-1969.

Series Creator:
DeVincent, Sam, 1918-1997  Search this
Container:
Box 5, Folder D
Type:
Archival materials
Series Restrictions:
Collection is open for research.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Sam DeVincent Collection of Illustrated American Sheet Music, Series 8: Geography
Sam DeVincent Collection of Illustrated American Sheet Music, Series 8: Geography / 8.129: Ephemera / 8.57-8.115: Foreign Countries / 8.65 Canada
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8d51dbc9f-b753-403a-ba2a-8b6817e179fc
EDAN-URL:
ead_component:sova-nmah-ac-0300-s08-ref1312

MS 4250 Frances Densmore papers

Creator:
Densmore, Frances, 1867-1957  Search this
Extent:
2.71 Linear feet (4 boxes)
Culture:
American Indians -- Music  Search this
Type:
Collection descriptions
Archival materials
Manuscripts
Diaries
Date:
1893-circa 1955
Summary:
Papers include: diaries and extracts from diaries, account books, a scrapbook, letters received, lectures, reminiscences and brief manuscripts, field and work reports, notes on recording techniques and the preservation of Native American music, musical transcriptions, bibliographic notes, library items, tone photographs, a mouth organ (pitch pipe), and a slide rule.
Scope and Contents:
The Frances Densmore papers, 1893-circa 1955 include: diaries and extracts from diaries, account books, a scrapbook, letters received, lectures, reminiscences and brief manuscripts, field and work reports, notes on recording techniques and the preservation of Native American music, musical transcriptions, bibliographic notes, library items, tone photographs, a mouth organ (pitch pipe), and a slide rule.
Biographical Note:
Frances Densmore was born on May 21, 1867 in Red Wing, Minnesota. Trained in piano, organ, and harmony at the Oberlin Conservatory and in counterpoint at Harvard University, Densmore began studying American Indian music in 1893 with the encouragement of Alice Fletcher. Under the auspices of the Bureau of American Ethnology (B.A.E.) from 1907 to 1933 and from 1939 until her death, Densmore traveled around the United States recording and studying the music of various tribes. Her publications include Chippewa Music, Choctaw Music, Teton Sioux Music, and American Indians and their Music. She passed away on June 5, 1957 in Red Wing, Minnesota.
Separated Materials:
Frances Densmore's song recordings were transferred to the Library of Congress.

The numerous ethnographic manuscripts submitted to the B.A.E. at intervals by Frances Densmore are individually catalogued under the following tribal or geographic headings: Acoma, Alaska, Alibamu, British Columbia, Chippewa, Choctaw, Cuna, Dakota, Iroquois, Menominee, Omaha, Papago, Quileute, Seminole, Winnebago, Yuman, and Zunu.

Five photographic portraits of Densmore (previously Item 1) have been separated out and added to the Portraits of anthropologists collection (Photo Lot 33).

The following three photographic albums, received from the Densmore estate, circa 1962, have been filed by tribe in the Source Prints Collection under B.A.E. No. 4250 (pt.):

(1) "Photographs taken among the Northern Ute by F. Densmore," on two trips, 1914 and 1916. Includes notation by Densmore as to nature of her work and list of captions for photographs. Album, 34 pp. (Several of the photographs were published in B.A.E. Bull. 75, "Northern Ute Music".) Frances Densmore appears in group photograph, p. 23(b).

(2) "Photographs and postcards of a western trip by F. Densmore," from two trips, 1923 and 1926, among the Indians at Neah Bay, Washington. (Results of two trips presented in Nootka and Quileute Music, B.A.E. Bull. 124.) Album, 70 pp. (See pp. 55 and 61 for photgraphs of Frances Densmore.)

(3) "Photographs taken at Neah Bay, Washington, and in hop-picking camp near Chilliwack, B.C., " 1926. Includes photographs taken by Frances Densmore, by C.A. Clay (a newspaper man from Seattle, Washington), and several by Asahel Curtis. Notation by Densmore on nature of her work and various captions supplied by Densmore. (Results of trip presented in B.A.E. Bull. 124, op. cit. and B.A.E. Bull. 136, No. 27, "Music of the Indians of British Columbia.") Album, 45 pp. See page 39 for photograph of Densmore's sister Margaret and Indians).
Provenance:
Presented to the Bureau of American Ethnology (B.A.E.) by Frances Densmore at intervals, 1944-1955. Some materials received from the Densmore estate, circa 1962.
Restrictions:
The Frances Densmore papers are open for research.

Access to the Frances Densmore papers requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Language and languages -- Documentation  Search this
Ethnomusicology  Search this
Genre/Form:
Manuscripts
Diaries
Citation:
Manuscript 4250 Frances Densmore papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4250
See more items in:
MS 4250 Frances Densmore papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3d393139f-4873-47f5-acf1-4de82c173d50
EDAN-URL:
ead_collection:sova-naa-ms4250

MUSICAL TRANSCRIPTIONS:

Collection Creator:
Densmore, Frances, 1867-1957  Search this
Type:
Archival materials
Collection Restrictions:
The Frances Densmore papers are open for research.

Access to the Frances Densmore papers requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Manuscript 4250 Frances Densmore papers, National Anthropological Archives, Smithsonian Institution
See more items in:
MS 4250 Frances Densmore papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw37fba8025-6c27-4a2f-a653-be5fb1f67ff3
EDAN-URL:
ead_component:sova-naa-ms4250-ref63

"Boy Scouts Marching Songs: Words and melody by Frances Densmore, accompaniment by Carl Busch. Dedicated to Mr. Ernest Thompson Seton, Chief Scout, Boy Scouts of America"

Collection Creator:
Densmore, Frances, 1867-1957  Search this
Container:
Box 2, Item 37
Type:
Archival materials
Date:
undated
Collection Restrictions:
The Frances Densmore papers are open for research.

Access to the Frances Densmore papers requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Manuscript 4250 Frances Densmore papers, National Anthropological Archives, Smithsonian Institution
See more items in:
MS 4250 Frances Densmore papers
MS 4250 Frances Densmore papers / MUSICAL TRANSCRIPTIONS:
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw35bb1ac55-49f3-47d8-b235-f4950dcf7a61
EDAN-URL:
ead_component:sova-naa-ms4250-ref64

"Geronimo's Song. [Published in] Indian School Journal"

Collection Creator:
Densmore, Frances, 1867-1957  Search this
Container:
Box 2, Item 38
Type:
Archival materials
Date:
1906 April
Collection Restrictions:
The Frances Densmore papers are open for research.

Access to the Frances Densmore papers requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Manuscript 4250 Frances Densmore papers, National Anthropological Archives, Smithsonian Institution
See more items in:
MS 4250 Frances Densmore papers
MS 4250 Frances Densmore papers / MUSICAL TRANSCRIPTIONS:
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3a4131423-95f2-418a-8b49-e82f47c47183
EDAN-URL:
ead_component:sova-naa-ms4250-ref65

"Piano illustrations"

Collection Creator:
Densmore, Frances, 1867-1957  Search this
Container:
Box 2, Item 39
Type:
Archival materials
Date:
1913 October
Scope and Contents:
May have been used to illustrate early lecture
Collection Restrictions:
The Frances Densmore papers are open for research.

Access to the Frances Densmore papers requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Manuscript 4250 Frances Densmore papers, National Anthropological Archives, Smithsonian Institution
See more items in:
MS 4250 Frances Densmore papers
MS 4250 Frances Densmore papers / MUSICAL TRANSCRIPTIONS:
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw33780f623-cde0-447c-965f-8bff07c42da7
EDAN-URL:
ead_component:sova-naa-ms4250-ref66

George Eaton Simpson photographs

Creator:
Simpson, George Eaton, 1904-1998  Search this
Photographer:
Ramsey, Frederic, 1915-1995  Search this
Extent:
521 Prints (silver gelatin)
90 Negatives (acetate)
70 Lantern slides
347 Negatives (nitrate)
185 Color slides
4 Prints (Kodachrome color)
Culture:
Haitians  Search this
Trinidadians  Search this
Black Carib Indians  Search this
Yoruba (African people)  Search this
Jamaicans  Search this
Type:
Collection descriptions
Archival materials
Prints
Negatives
Lantern slides
Color slides
Photographs
Place:
Trinidad
Ibadan (Nigeria)
Haiti
Jamaica
Date:
1936-1987
Scope and Contents note:
The collection documents George Eaton Simpson's fieldwork in Haiti, Jamaica, Trinidad, and Nigeria from 1936-1964. There are 704 images in several formats including negatives, prints, and slides. The photographs were primarily made by Simpson, but a few were made by Frederic Ramsey, Jr. Ramsey's prints are stamped on verso with his name. Many prints and slides are annotated by Simpson.

The collection also includes a few reprints of articles based on Simpson's field work and words and musical transcription from Savalou Ricourt, a musician of Port au Prince in 1937.
Arrangement:
The collection is arranged into six series:

1. Haiti, 1936-1937

2. Jamaica, 1953, 1957

3. Trinidad, 1960

4. Nigeria, 1964

5. Lantern slides, undated

6. Publications, 1940-1987
Biographical/Historical note:
George Eaton Simpson (1904-1998) was an anthropologist whose focus was the various social aspects of Caribbean religions. He wrote over 60 articles and books, and taught sociology and anthropology at Oberlin College from 1947-1971.

Born in Knoxville, Iowa, Simpson received his B.S. from Coe College in 1926, his M.A. from the University of Missouri in 1927, and his Ph.D. from the University of Pennsylvania in 1934. In 1947 he began teaching at Oberlin College in the Department of Sociology and Anthropology. In addition to teaching classes, Simpson served on numerous committees and as department chair.

Simpson conducted fieldwork in the Caribbean, specifically Haiti, Jamaica and Trinidad, and Nigeria. He focused primarily on Caribbean religions such as Vodun in Haiti, Rastafarianism in Jamaica, and the Spiritual Baptists in Trinidad. His fieldwork has been documented in numerous articles and books, including "The Vodun Service in Northern Haiti", "The Shango Cult in Nigeria and Trinidad", and Black Religions in the New World. He occasionally collaborated on articles with fellow anthropologists Joseph G. Moore and J. Milton Yinger. He also served as a visiting professor at several leading universities.

He was the recipient of numerous honors and awards including the Wellcome Medal for Anthropological Research, the Anisfield-Wolf Award in Race Relations (with J. Milton Yinger), Doctor of Humane Letters – Oberlin College, and Doctor of Humane Letters – Coe College.
Local Call Number(s):
NAA Photo Lot 93-14
Related Materials:
Additional photographs from Simpson are held in National Anthropological Archives Photo Lot 2001-24.

The George Eaton Simpson Film Study of Plaisance, Haiti, 1937, accession No. 92.12.1 in the Smithsonian Institution Human Film Studies Archives contains silent black and white film footage of Plaisance, Haiti shot by Simpson and his colleagues. The footage contains events also depicted in the photograph collection including work coumbites, marketplace scenes, a wedding ceremony, a funeral, drumming and dancing at a social gathering, and a dancing demonstration. Included in this accession are 21 audiotapes recorded by Simpson and Joseph G. Moore during their fieldwork in Jamaica and Trinidad.

The Joseph G. Moore Collection: Jamaican Revival and Kumina, 1957-1958, accession No. 92.1.1 in the Smithsonian Institution Human Film Studies Archives contains related material to Simpson's study of Jamaican Revival Zion and Kumina. The collection contains film footage of Morant Bay and West Kingston, Jamaica shot in 1957. The footage was originally intended for the "Odyssey" program or possibly a short feature. Some of the it ended up being featured on the CBS program "Lamp Unto My Feet" which also includes interviews with Joseph G. Moore and George Eaton Simpson. There is over 10 hours of footage, and in 1992 Simpson, Smithsonian Institution Human Film Studies Archives Director John Homiak, and research associate Ken Bilby recorded approximately 10 hours of commentary about the footage. This collection also contains audio recordings made in 1993 of a discussion between Simpson, Homiak, and Bilby concerning the relation of Jamaican Revival with Rastafari.

Sound recordings by Simpson held in the Ralph Rinzler Folklife Archives and Collections in the Folkways Records Collection and the Moses and Frances Asch Collection.

Oberlin College has a manuscript collection of George Eaton Simpson's papers (RG 30/64) that document Simpson's research and academic work.
Provenance:
The collection was donated to the National Anthropoligical Archives by George E. Simpson in 1992.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.

The negatives are in cold storage and require advanced notice to access.
Rights:
Contact the repository for terms of use.
Topic:
Dwellings  Search this
Spiritual Baptist -- Trinidad and Tobago  Search this
Orisha religion  Search this
Revivals  Search this
Rastafari movement  Search this
Voodooism  Search this
Schools  Search this
Agriculture  Search this
Fishing  Search this
Markets  Search this
Dance  Search this
Medicine  Search this
Cooking  Search this
Drummers (Musicians)  Search this
Christian sects  Search this
Religion  Search this
Genre/Form:
Photographs
Lantern slides
Citation:
Photo Lot 93-14, George Eaton Simpson photographs, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.93-14
See more items in:
George Eaton Simpson photographs
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw32ecd25e2-dd4c-4949-bc7d-18089b72a92d
EDAN-URL:
ead_collection:sova-naa-photolot-93-14
Online Media:

Yokuts

Creator:
Harrington, John Peabody, 1884-1961  Search this
Laird, Carobeth, 1895-1983  Search this
Roberts, Helen H. (Helen Heffron), 1888-1985  Search this
Names:
Hewitt, J. N. B. (John Napoleon Brinton), 1859-1937  Search this
Collection Creator:
Harrington, John Peabody, 1884-1961  Search this
Extent:
20 Boxes
Culture:
Yokuts  Search this
Indians of North America -- California  Search this
Type:
Archival materials
Field notes
Vocabulary
Songs
Maps
Place:
California -- History
Date:
1914-circa 1957
Scope and Contents:
This subseries of the Northern and Central California series contains Harrington's research on the Yokuts.

Notes from his fieldwork in 1914 include references to residents who he thought might be able to assist him in his research, detailed descriptions of house construction and the fabrication of sleeping mats, and small sketches of pictographs which Harrington had seen in the region. Amidst the miscellaneous notes are lists of baskets which he purchased, notes on photographs he took and bibliographic references from C. Hart Merriam. Harrington also copied extracts of his field notes onto slipfiles, which he filed under a variety of subject headings. The Tachi file contains ethnographic notes from Roberto Bautista and Agnes Light as well as a few Tachi lexical items. The file labeled "Tule" consists of mixed linguistic and ethnographic data from Jim Alto and Mr. Edmundson at the Tule River Reservation and notes on the Tachi dialect recorded from Pacifico Archuleta.

The section of linguistic, ethnographic, historical, and biographical notes consists of raw field data collected by Harrington and Carobeth from twenty residents of Yokuts territory during the period 1916-1917. Topics include vocabulary, placenames, tribenames, myths, ceremonial regalia and dances, songs, and religion. The notes from Josefa Damian, marked "Jos. Mar.," feature extensive data on relationship terms, age and sex terms, and moieties in Chunut, Tachi, Tejonefio, and Wowol. The most extensive notes were recorded from Francisca Lola. The notes contain voluminous amounts of linguistic data (vocabulary and paradigms) in Koyeti, Yawdanchi, Choynok, and Tachi as well as equivalent forms in "R. C." (Rio Chiquito). The material is also rich in ethnographic detail, providing information on uses of plants (Tejon ranch specimens), ceremonies, fiestas, dances, and material culture accompanied by diagrams and sketches. In addition, there are biographical notes on informants, myths, and texts of songs.

A year after collecting his field data on Yokuts, Harrington made copies of his notes and arranged them into several sizable slipfiles. One major file was created for the Chunut and Tachi languages, and another for the Yawelmani, Koyeti, Yawdanchi, and Wikchamni languages. There are also small slipfiles for Choynok and Palewyami. The slipfiles are organized semantically; headings included are cosmography, plants, animals, "artifacts" (material culture), sociology, religion, tribenames, and placenames. They include information regarding plant speciments collected by Harrington at the Tejon Ranch.

An additional step that Harrington took in the analysis of his Yokuts field data was the development of an outline grammar of the Yawelmani dialect. He extracted vocabulary and linguistic notes from the semantically arranged slipfiles, marking the slips which he copied with a check mark or the notation "gr." The data which he extracted are largely Yawelmani, although vocabulary and sentences from Koyeti, Yawdanchi, Chunut, and Tachi are included for comparative purposes. Harrington also submitted multiple manuscripts of his Yawelmani grammar to the Bureau of American Ethnology (former B.A.E. Mss. 2973, 3041, 3047, 3048, and 3054).

Harrington's files relating to the Tejon Ranch Case contain correspondence dating from 1921 to 1924, legal documents, a copy of a census taken at the ranch, and documentary evidence from a variety of secondary sources including military records, newspaper accounts, and Senate documents. The major portion of the records consists of notes from interviews with about twenty Tejon residents. The content is primarily biographical, with placename references. In many cases the notes were taken down in the form of depositions. Harrington simultaneously recorded lengthy Yokuts myth texts as well as stories in English and Spanish. Information from a number of the informants was formerly cataloged as B. A. E. ms. 3046. There is also a carbon copy of a "Report on Tejon Indians, Kern County, California" submitted by Herbert V. Clotts, Acting Superintendent of Irrigation, to the Commissioner of Indian Affairs on January 15, 1918.

Records relating to sound recordings pertain to songs performed by five Yokuts speakers and two Kitanemuks. The songs were recorded on wax by Harrington in Yokuts territory during the periods 1916-1917. The cylinders were sent to ethnomusicologist Helen H. Roberts in 1921 to review. The bulk of this section contains her lengthy notes on the texts of songs, accompanied by musical transcriptions.

The final section of this subseries consists of miscellaneous notes. There are notes from interviews and correspondence with information on boat construction, a sketch map received in a 1925 letter, notes relative to a conversation with J.N.B. Hewitt in 1926, notes from an interview with Angel Sanchez and Bill Skinner, and information from Roberts on song text. There are also copies of Harrington's own field notes and notes on secondary sources.
Biographical / Historical:
John P. Harrington worked on the Yokuts language a number of times during his forty years of fieldwork in California. This study certainly matches the breadth of the data for Karok and Salinan and is surpassed in volume only by his output for Costanoan and Chumash.

Harrington's first contact with the so-called "Tulareno" people occurred in late September to early October 1914 on a two-week trip to the San Joaquin Valley. At that time he made short visits to the Santa Rosa rancheria near Lemoore, to the Tule Indian Reservation near Porterville, and to Bakersfield as part of a dialect survey. A limited amount of additional data was obtained in 1914 and 1915 during the course of his work on Salinan and Chumash. Migueleno speaker Pacifico Archuleta, whose wife, Suncion, was Yokuts, gave a limited Tachi vocabulary, and Rosario Cooper, an Obispeno speaker, also provided several words.

In November 1916 Harrington traveled to the Tejon region, ostensibly to work with Jose Juan Olivas, an inland Chumash speaker. It appears, in addition, that for a virtually uninterrupted period from that time until September 1917, Harrington (assisted by his wife, Carobeth) made an in-depth study of a number of Southern Valley and Foothills Yokuts dialects, obtaining extensive vocabularies and texts, as well as a considerable amount of ethnographic and historical data. This work took them to the valley near the Santa Rosa rancheria and to the Tule River Reservation. Harrington also made trips with informants to obtain placename data and to collect, identify, and describe botanical specimens. The observance of ceremonial rituals during that winter afforded him the opportunity of recording on wax cylinders and in writing a significant number of songs.

The flare-up of the Tejon Ranch case, which threatened to disinherit many Indians of their tribal lands, brought Harrington back to the area in February 1922. As a special temporary appointee to the Department of the Interior, he was responsible for obtaining depositions from the elderly residents of the Tejon. He simultaneously elicited additional biographical, historical, and linguistic data for his own work. The case was argued before the Supreme Court on February 28, 1924. In June of that year the court held that the Indians had abandoned the land. The decision was based on the Indians' failure to present their claim to the commission appointed under the act of March 1851 to ascertain and adjust private land claims in territory ceded by Mexico to the United States.

In the fall of 1923, he took a number of Yokuts to the Ventura County Fair to perform dances, to demonstrate house and boat building techniques, and to exhibit their crafts. He also made trips to Yokuts territory in the early 1930s and again in January 1942. These were possibly side trips made during the course of other work to follow upon the Tejon Ranch case.
Local Numbers:
Accession #1976-95
Restrictions:
No restrictions on access.
Rights:
Contact the repository for terms of use.
Topic:
Yokuts language  Search this
Language and languages -- Documentation  Search this
Linguistics  Search this
Ethnobotany  Search this
Ethnomusicology  Search this
Ethnology  Search this
Names, Geographical  Search this
Names, Ethnological  Search this
Genre/Form:
Field notes
Vocabulary
Songs
Maps
Collection Citation:
John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.

However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
Identifier:
NAA.1976-95, Subseries 2.16
See more items in:
John Peabody Harrington Papers
John Peabody Harrington Papers / Series 2: Papers Relating to the Native American history, language and culture of northern and central California
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw34367f9fc-3a4a-44fa-8d76-e8ad250f8dfe
EDAN-URL:
ead_component:sova-naa-1976-95-ref13960

Williams, Talcott

Collection Creator:
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Smithsonian Institution. Department of Anthropology  Search this
Smithsonian Institution. United States National Museum. Department of Anthropology  Search this
Extent:
(10 of 13)
Container:
Box 84
Type:
Archival materials
Scope and Contents:
Includes musical transcriptions.
Collection Restrictions:
Some materials are restricted.

Access to the Department of Anthropology records requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Department of Anthropology Records, National Anthropological Archives, Smithsonian Institution
See more items in:
Department of Anthropology records
Department of Anthropology records / Series 17: Division of Ethnology / 17.1: Manuscript and Pamphlet File
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw305ec67ca-b69e-473c-8bb6-d8c98a2d9d4a
EDAN-URL:
ead_component:sova-naa-xxxx-0311-ref15305

MS 4690 Manuscripts relating to the study of Seminole Music

Creator:
Densmore, Frances, 1867-1957  Search this
Drew, Frank  Search this
Moore-Willson, Minnie, 1859-1937  Search this
MacCauley, Clay, 1843-1925  Search this
Extent:
2 Boxes
Culture:
Seminole  Search this
Indians of North America -- Southern States  Search this
Type:
Collection descriptions
Archival materials
Newsclippings
Date:
1931-1942
Scope and Contents:
Contents include: ---- Correspondence with editor of Bureau of American Ethnology and list of illustrations used in Bureau of American Ethnology Bulletin 161. ---- "Seminole Music." 374 page carbon copy of manuscript and a few miscellaneous pages, roughs of music transcriptions, arranged music transcriptions of 243 songs as published. Submitted December 18, 1942. ---- "Seminole Music." Approximately 250 page manuscript. Incomplete manuscript submitted by Frances Densmore, May 16, 1940. This manuscript and the manuscript finally published in Bureau of American Ethnology Bulletin 161 are compilations of previous manuscripts submitted by the author, 1931-1933, 1936, 1941. (Old Number) 1787 "Seminole Hunting and Alligator Dance Songs." 22 page manuscript, 28 pages tabulated analyses of 13 songs. (Transcriptions and 10 illustrations mentioned on old catalog card are not present. See original prints file for illustrations in part.) Submitted February 1, 1932.
Submitted April 21, 1932. (Old Number) 3228 "Seminole Songs connected with Legends and Dances." 38 page manuscript including descriptive analysis of songs, tabulated analyses of 31 songs. (transcriptions of 31 songs, recorded on old catalog card, are not present.) Submitted September 30, 1932. (Old Number) 3259-a "Chitimacha, Choctaw and Seminole Music, with a comparative survey of Indian music in the Gulf States." 75 page manuscript, including descriptive analyses of 23 songs, tabulated analyses for 13 Seminole songs. (Tabulated analyses for Chitimacha and Choctaw songs, 20 pages transcriptions, 18 photos and 2 figures, recorded on old catalog card, are not present. See original print file for part of the illustrations.) Submitted main portion of the manuscript to the Bureau of American Ethnology June 17, 1933. The comparative survey part was a report submitted to the National Research Council, May 15, 1933. (Old Number) 3259-b (part) Seminole text from manuscript "Choctaw and Seminole Songs." 8 page manuscript Submitted June 14, 1939. The Choctaw material is separately filed under Choctaw, Bureau of American Ethnology Ms Number 3258 (Old Manuscript Number 3259-b, part.) (Old Number) 3260 "Dance Songs of the Seminole Indians." 19 page manuscript including descriptive analyses of 20 songs, tabulated analyses. (Transcriptions and 9 photos sent with this manuscript, recorded on old catalog card, are not present.)
(Old Number) 3197 "The Seminole Indians." 43 page manuscript including descriptive analyses of 7 songs, tabulated analyses of 8 songs. (8 transcriptions and 36 photos and 1 sketch illustration, recorded on old catalog card, are not present.) See original prints file for part of illustrations.) Submitted March 3, 1931. (Old Number) 3208 "Seminole Bird Dance and their Songs." 31 page manuscript including descriptive analyses of songs, tabulated analyses for 18 songs. (18 song transcriptions and 42 photo illustrations, recorded on old catalog card, are not present). Submitted January 18, 1932. (Old Number) 3209 "Buffalo Dance and Corn Dance." 30 page manuscript including descriptive analyses of 12 songs, 12 tabulated analyses. (12 transcriptions and 12 photo illustrations, recorded on old catalog card, are not present. See original print file for part of the photo illustrations.) Submitted December 12, 1931. (Old Number) 3211 "A comparison between the structure of Nootka and Quileute songs and that of songs previously analyzed, also a description of a Seminole flute and Seminole customs." 57 page manuscript, from which pages 4-10 were taken out by F. D. for incorporation in Nootka and Quileute Music. No Nootka and Quileute material remains in this manuscript. (17 photo illustrations, map and diagram, recorded on old catalog card, are not present. See original print file for some of the illustrations.)
Submitted November 30, 1932. (Old Number) 3262 "Caloosa and Seminole Corn Dance and Hunting Dance Songs." 28 page manuscript, including descriptive analyses of 25 songs, tabulated analyses of 25 songs. (11 pages transcriptions, 1 sketch, 13 photos, recorded on old catalog card, are not present. See original print file for some of the photos.) Submitted May 28, 1932. (Old Number) 3407 "Dance Songs of the Seminole Indians." 2 page list of Seminole transcriptions and cylinder records. (7 sheets transcriptions, recorded on old catalog card, are not present.) All these songs were recorded at Brighton, Florida, by Billie Stewart in February 1932. Submitted by F.D. March 16, 1936. (Old Number) 4083 "Songs of the Seminole in Florida." 28 page manuscript (71 transcriptions of songs, recorded on old catalog card, are not present.) Submitted by F.D. March 20, 1941.
The following Seminole material was received from the Densmore estate, ca. 1962. Three notebooks in F. Densmore's handwriting, dated: 1931, 1932 and 1933 (Brighten), and 1933. These notebooks contain material on Seminole songs and dances. Miscellaneous fieldnotes including "Last of Josie Billie" and "Discended from Osceola". Reading notes from Frank Drew, Minnie Moore-Willson, Clay McCauley, and others. 2 notebooks and several miscellaneous pages. "Annual Report, Narrative Section, 1935, Seminole Agency Dania, Fla." Prepared by J.L. Glenn, Officer in Charge. 18 page mimeo. Clippings: "Indian Buried Unmourned; Tribesmen at Paleface Rites," February 25, 1938, The Herald; photographs of Seminole Indians, page 10, April 25, 1937, The Herald, Miami, Florida, with typed note: "Do these scenes remind you of 'Days of (not so) long ago?' Chas." Various reprints re Seminole Indians: "Souvenir of the Original Musa Isle Seminole Indian Village, Miami, Fla." No date, 12 pages. Publishers announcement of Grant Forman's book, Indian Removal. "Musa Isle Seminoles and Alligators" by James Lowther Berkebile, 1929, Phoenix Printing Co., Augusta, Georgia. 35 pages and 23 illustrations of Seminole Indians.
"Seminole Indians: Survey of the Seminole Indians of Florida," presented by Mr. Fletcher, 71st Congress, 3rd Session, Doc. No. 314, GPO, 1931. 88 pages and map. Announcement of lectures W. Stanley Hanson, Secretary Seminole Indian Association, and article from The American Eagle, "Seminole Indian Association Reorganized", September, 1933.
Local Numbers:
NAA MS 4690
Other Title:
Seminole Music
Seminole Hunting and Alligator Dance Songs
The Seminole Indians
Seminole Bird Dance and their Songs
Buffalo Dance and Corn Dance
A comparison between the structure of Nootka and Quileute songs and that of songs previously analyzed, also a description of a Seminole flute and Seminole customs
Seminole Songs connected with Legends and Dances
Chitimacha, Choctaw and Seminole Music, with a comparative survey of Indian music in the Gulf States
Seminole text from manuscript "Choctaw and Seminole Songs"
Dance Songs of the Seminole Indians
Caloosa and Seminole Corn Dance and Hunting Dance Songs
Songs of the Seminole in Floria
Last of Josie Billie
Discended from Osceola
Annual Report, Narrative Section, 1935, Seminole Agency Dania, Fla.
Indian Buried Unmourned; Tribesmen at Paleface Rites
Souvenir of the Original Musa Isle Seminole Indian Village, Miami, Fla.
Musa Isle Seminoles and Alligators
Seminole Indians: Survey of the Seminole Indians of Florida
Topic:
Music -- Seminole  Search this
Language and languages -- Documentation  Search this
Genre/Form:
Newsclippings
Citation:
Manuscript 4690, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4690
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3a4d83788-6412-4081-8218-cb6e7d2bfb0a
EDAN-URL:
ead_collection:sova-naa-ms4690

FA 2022 (FP 22) Cisco Houston- Cowboy Ballads

Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Container:
Box Asch_02_002, Folder 39
Type:
Archival materials
Date:
1951-1953
Scope and Contents note:
Correspondence, liner notes (draft), music transcriptions
Collection Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at rinzlerarchives@si.edu or (202) 633-7322 for additional information.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, File Asch_02_002_039
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 2: Folkways Production / 2.1: Production Files
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk595bdc4dc-b7da-4e01-a37e-3bde53534939
EDAN-URL:
ead_component:sova-cfch-asch-ref4118

FA 2112 (FP 40-2) Artus Moser- North Carolina Ballads

Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Container:
Box Asch_02_003, Folder 16
Type:
Archival materials
Date:
1957
Scope and Contents note:
Musical transcriptions, liner notes (final)
Collection Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at rinzlerarchives@si.edu or (202) 633-7322 for additional information.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, File Asch_02_003_016
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 2: Folkways Production / 2.1: Production Files
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5226ed5ab-e559-45c8-a728-a954a70db96b
EDAN-URL:
ead_component:sova-cfch-asch-ref4178

MS 4558 Alice Cunningham Fletcher and Francis La Flesche papers

Creator:
La Flesche, Francis, 1857-1932  Search this
Fletcher, Alice C. (Alice Cunningham), 1838-1923  Search this
Correspondent:
La Flesche family  Search this
Aldrich, Charles F.  Search this
Alexander, Hartley B.  Search this
Allen, James T.  Search this
Andrews, Gleorge L.  Search this
Armstrong, S.C.  Search this
Ashley, Robert H.  Search this
Atkins, John D.C.  Search this
Boas, Franz, 1858-1942  Search this
Bowditch, Charles P. (Charles Pickering), 1842-1921  Search this
Brinton, Daniel G. (Daniel Garrison), 1837-1899  Search this
Brown, George LeRoy  Search this
Burlin, Natalie Curtis, 1875-1921  Search this
Cadman, Charles Wakefield, 1881-1946  Search this
Copley, John T.  Search this
Dall, William Healey, 1845-1927  Search this
Dawes, E.S.  Search this
Densmore, Frances, 1867-1957  Search this
Dixon, Roland Burrage, 1875-1934  Search this
Dorsey, James Owen, 1848-1895  Search this
Dunbar, John Brown, 1841-1914  Search this
Ellinwood, F.F.  Search this
Farabee, William Curtis, 1865-1925  Search this
Farley, Caryl E.  Search this
Farley, Rosalie La Flesche  Search this
Farwell, Arthur  Search this
Fellowes, R.S.  Search this
Fewkes, Jesse Walter, 1850-1930  Search this
Fillmore, John Comfort, 1843-1898  Search this
Fillmore, L.H.  Search this
Fillmore, Thomas Hill  Search this
Freire-Marreco, Barbara W. (Barbara Whitchurch), 1879-1967  Search this
Gay, E. Jane  Search this
Griffith, Elmer C.  Search this
Guthrie, William Norman  Search this
Hale, Horatio, 1817-1896  Search this
Hall, C.C.  Search this
Hall, Charles Lemon, 1847-1940  Search this
Hearst, Phoebe Apperson, 1842-1919  Search this
Heth, H.  Search this
Hewett, Edgar L. (Edgar Lee), 1865-1946  Search this
Hewitt, J. N. B. (John Napoleon Brinton), 1859-1937  Search this
Hodge, Frederick Webb, 1864-1956  Search this
Holmes, William Henry, 1846-1933  Search this
Hough, Walter, 1859-1935  Search this
Jackson, Sheldon, 1834-1909  Search this
Johnston, Catherine M.  Search this
Kincaid, William  Search this
La Flesche, Joseph  Search this
Lummis, Charles Fletcher, 1859-1928  Search this
MacCurdy, George Grant, 1863-1947  Search this
Mason, Otis T., 1838-1908  Search this
Matthews, Washington, 1843-1905  Search this
McBeth, Kate C., 1832-1915  Search this
McBeth, Sue L., -1893  Search this
McCown, S.M.  Search this
McGee, W J, 1853-1912  Search this
McGuire, Joseph D. (Joseph Deakins), 1842-1916  Search this
Mead, Frances K.  Search this
Merriam, C. Hart (Clinton Hart), 1855-1942  Search this
Merrick, Fannie  Search this
Merrick, Jessie  Search this
Moon, Karl  Search this
Moore, Homer  Search this
Morgan, Caroline S.  Search this
Morgan, John T.  Search this
Murie, James R.  Search this
Myers, John L.  Search this
Nuttal, Maria Magdalena  Search this
Pepper, George H. (George Hubbard), 1873-1924  Search this
Petter, W.H.  Search this
Pettigrew, Frederick W., 1850-1901  Search this
Picotte, Susan La Flesche  Search this
Pratt, Richard Henry, 1840-1924  Search this
Price, Hiram  Search this
Proctor, Edna Dean, 1829-1923  Search this
Putnam, F. W. (Frederic Ward), 1839-1915  Search this
Quinn, Daniel  Search this
Robertson, Alice M.  Search this
Rogers, Emily F.  Search this
Sanborn, F. B. (Franklin Benjamin), 1831-1917  Search this
Seymour, Thomas Day  Search this
Spofford, Ainsworth Rand, 1825-1908  Search this
St. Cyr, Julia  Search this
Starr, Frederick  Search this
Stuart, James  Search this
Talbot, Emily  Search this
Teller, W.J.  Search this
Thaw, William  Search this
Tozzer, Alfred M. (Alfred Marston), 1877-1954  Search this
Wallaschek, Richard  Search this
Westcott, Edith  Search this
Wilkinson, G.W.  Search this
Wilkinson, Hattie M.  Search this
Willoughby, Charles Clark  Search this
Names:
Carr, Lucien, 1829-1915  Search this
Radin, Paul, 1883-1959  Search this
Extent:
19 Linear feet (50 boxes)
Culture:
Inunaina (Arapaho)  Search this
Sioux  Search this
A:shiwi (Zuni)  Search this
Ponca  Search this
Quechua  Search this
Quapaw Indians  Search this
Ho-Chunk (Winnebago)  Search this
Mexicans  Search this
Wichita  Search this
Zapotec  Search this
Muskogee (Creek)  Search this
Apache  Search this
Cherokee  Search this
Hopi Pueblo  Search this
Indians of North America -- California  Search this
Hitchiti Seminole  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Southeast  Search this
Indians of North America -- Northeast  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Caddo  Search this
Biloxi Indians  Search this
Omaha  Search this
Osage  Search this
Oto  Search this
Indians of North America -- Southwest, New  Search this
Ajachemem (San Juan de Capistrano Luiseño)  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Type:
Collection descriptions
Archival materials
Place:
Alaska
Date:
1873-1939
Summary:
These papers reflect the professional lives of Alice Cunningham Fletcher (1838-1923), an ethnologist with the Peabody Museum of Harvard and collaborator with the Bureau of American Ethnology, and Francis La Flesche (1856-1923), an anthropologist with the Bureau of American Ethnology. Due to the close professional and personal relationship of Fletcher and La Flesche, their papers have been arranged jointly. The papers cover the period from 1874 to 1939. Included in the collection is correspondence, personal diaries, lectures, field notes and other ethnographic papers, drafts, musical transcriptions, publications by various authors, maps and photographs.
Scope and Contents:
These papers reflect the professional lives of Alice Cunningham Fletcher (1838-1923), an ethnologist with the Peabody Museum of Harvard University and collaborator with the Bureau of American Ethnology, and Francis La Flesche (1856-1923), an anthropologist with the Bureau of American Ethnology. Due to the close professional and personal relationship of Fletcher and La Flesche, their papers have been arranged jointly. The papers cover the period from 1874 to 1939. Included in the collection is correspondence, personal diaries, lectures, field notes and other ethnographic papers, drafts, musical transcriptions, publications by various authors, maps and photographs.

The papers have been divided into three general categories: the papers of Alice Cunningham Fletcher, the papers of Francis La Flesche, and the ethnographic research of Fletcher and La Flesche. The first two categories represent personal and professional materials of Fletcher and La Flesche. The third section holds the majority of the ethnographic material in the collection.

Of primary concern are Fletcher and La Flesche's ethnological investigations conducted among the Plains Indians, particularly the Omaha and Osage. Fletcher's Pawnee field research and her allotment work for the Bureau of Indian Affairs among the Omaha, Nez Perce, and Winnebago are represented in the collection. A substantial portion of the ethnographic material reflects Fletcher and La Flesche's studies of Native American music. Much of the correspondence in the papers of Fletcher and La Flesche is rich with information about the situation of Omaha peoples in the late nineteenth and early twentieth centuries.

Also included in the collection are documents related to Fletcher's work with the Archaeological Institute of America and the School for American Archaeology. Additionally, substantial amounts of Fletcher's early anthropological and historical research are found among her correspondence, lectures, anthropological notes, and early field diaries. La Flesche's literary efforts are also generously represented.
Arrangement:
The collection is divided into the following 3 series: 1) Alice Cunningham Fletcher papers, 1873-1925; 2) Francis La Flesche papers, 1881-1930; 3) Papers relating to the anthropological research of Alice Fletcher and Francis La Flesche, 1877-1939.

Series 1: Alice Cunningham Fletcher papers is divided into the following 10 subseries: 1.1) Incoming correspondence, 1874-1923 (bulk 1882-1923); 1.2) Outgoing correspondence, 1873-1921; 1.3) Correspondence on specific subjects, 1881-1925; 1.4) Correspondence between Fletcher and La Flesche, 1895-1922; 1.5) Publications, 1882-1920; 1.6) Organizational records, 1904-1921; 1.7) General anthropological notes, undated; 1.8) Lectures, circa 1878-1910; 1.9) Diaries, 1881-1922; 1.10) Biography and memorabilia, 1878-1925.

Series 2: Francis La Flesche papers is divided into the following 6 subseries: 2.11) General correspondence, 1890-1929; 2.12) Correspondence on specific subjects, 1881-1930; 2.13) Publications, 1900-1927; 2.14) Literary efforts, undated; 2.15) Personal diaries, 1883-1924; 2.16) Biography and memorabilia, 1886-1930.

Series 3: Papers relating to the anthropological research of Alice Fletcher and Francis La Flesche is divided into the following 12 subseries: 3.17) Alaska, 1886-1887; 3.18) Earth lodges, 1882, 1898-1899; 3.19) Music, 1888-1918; 3.20) Nez Perce, 1889-1909; 3.21) Omaha, 1882-1922; 3.22) Osage, 1896-1939; 3.23) Pawnee, 1897-1910; 3.24) Pipes, undated; 3.25) Sioux, 1877-1896; 3.26) Other tribes, 1882-1922; 3.27) Publications collected, 1884-1905, undated; 3.28) Photographs, undated.
Biographical / Historical:
Alice Cunningham Fletcher (1838-1923) was an ethnologist with the Peabody Museum of Harvard and collaborator with the Bureau of American Ethnology. Francis La Flesche (1856-1923) was an anthropologist with the Bureau of American Ethnology.

Chronology of the Life of Alice Cunningham Fletcher

1838 March 15 -- Born in Havana, Cuba

1873-1876 -- Secretary, American Association for Advancement of Women

1879 -- Informal student of anthropology, Peabody Museum, Harvard University

1881 -- Field trip to Omaha and Rosebud Agencies

1882 -- Assistant in ethnology, Peabody Museum, Harvard University

1882 -- Helped secure land in severalty to Omaha Indians

1882-1883 -- Begins collaboration with Francis La Flesche on the Peabody Museum's collection of Omaha and Sioux artifacts

1883-1884 -- Special Agent, Bureau of Indian Affairs, Omaha Agency

1886 -- Bureau of Education investigation of Alaskan native education

1887-1888 -- Special Disbursing Agent, Bureau of Indian Affairs, Winnebago Agency

1889-1892 -- Special Agent for allotment, Bureau of Indian Affairs, Nez Perce Agency

1890-1899 -- President, Women's Anthropological Society of America

1891-1923 -- Mary Copley Thaw Fellow, Peabody Museum, Harvard University

1892-1893 -- Department of Interior consultant, World's Columbian Exposition

1896 -- Vice-President, Section H, American Association for the Advancement of Science

1897 -- Collaborator, Bureau of American Ethnology

1899-1916 -- Editorial board, American Anthropologist

1900 -- Published Indian Story and Song from North America

1901-1902 -- Advisory committee, Anthropology Department, University of California at Berkeley

1903 -- President, Anthropological Society of Washington

1904 -- Published The Hako: A Pawnee Ceremony with James Murie

1904 -- Member, ethnology section, Louisiana Purchase Exposition

1905 -- President, American Folk-lore Society

1908-1913 -- Chair, Managing Committee of School of American Archaeology

1911 -- Honorary Vice-President, Section H, British Association for Advancement of Science

1911 -- Published The Omaha Tribe with Francis La Flesche

1913 -- Chair Emeritus, Managing Committee of School of American Archaeology

1915 -- Published Indian Games and Dances with Native Songs Arranged from American Indian Ceremonials and Sports

1923 April 6 -- Died in Washington, D.C.

Chronology of the Life of Francis La Flesche

1857 December 25 -- Born on Omaha Reservation near Macy, Nebraska

1879 -- Lecture tour, Ponca chief Standing Bear

1881 -- Interpreter, Senate Committee on Indian Affairs

1881-1910 -- Clerk, Bureau of Indian Affairs

1891 -- Informally adopted as Fletcher's son

1892 -- LL.B., National University Law School

1893 -- LL.M., National University Law School

1900 -- Published The Middle Five: Indian Boys at School

1906-1908 -- Marriage to Rosa Bourassa

1910-1929 -- Ethnologist, Bureau of American Ethnology

1911 -- Published The Omaha Tribe with Alice Fletcher

1921 -- Published The Osage Tribe, Part One

1922 -- Member, National Academy of Sciences

1922-1923 -- President, Anthropological Society of Washington

1925 -- Published The Osage Tribe, Part Two

1926 -- Honorary Doctor of Letters, University of Nebraska

1928 -- Published The Osage Tribe, Part Three

1932 -- Published Dictionary of the Osage Language

1932 September 5 -- Died in Thurston County, Nebraska

1939 -- Posthumous publication of War Ceremony and Peace Ceremony of the Osage Indians
Related Materials:
Additional material related to the professional work of Fletcher and La Flesche in the National Anthropological Archives may be found among the correspondence of the Bureau of American Ethnology (BAE) and the records of the Anthropological Society of Washington.

Sound recordings made by Fletcher and La Flesche can be found at the Library of Congress. The National Archives Records Administration hold the Records of the Bureau of Indian Affairs (BIA), including those relating to allotments in severalty for the Nez Perce by Alice Fletcher. The Nebraska Historical Society has diaries, letters and clippings regarding the La Flesche family, including correspondence of Francis La Flesche and Fletcher. The Radcliffe College Archives holds a manuscript account of Alice Fletcher's four summers with the Nez Perce (1889-1892). Correspondence between Fletcher and F. W. Putnam is also located at the Peabody Museum Archives of Harvard University.
Separated Materials:
Ethnographic photographs from the collection have been catalogued by tribe in Photo Lot 24.

Glass plate negatives from the collection have been catalogued by tribe in the BAE glass negatives collection (Negative Numbers 4439-4515).
Provenance:
The papers of Alice Cunningham Fletcher and Francis La Flesche have been received from an undocumented number of sources. Portions of Fletcher's ethnographic papers were donated to the archives by Mrs. G. David Pearlman in memory of her husband in 1959.
Restrictions:
The Alice Cunningham Fletcher and Francis La Flesche papers are open for research.

Access to the Alice Cunningham Fletcher and Francis La Flesche papers requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Pipes -- American Indian  Search this
Earth houses  Search this
Music -- American Indian  Search this
Citation:
Manuscript 4558 Alice Cunningham Fletcher and Francis La Flesche papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4558
See more items in:
MS 4558 Alice Cunningham Fletcher and Francis La Flesche papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw364f28c11-4526-4a7d-9d44-1db060dad721
EDAN-URL:
ead_collection:sova-naa-ms4558
Online Media:

Music

Collection Creator:
La Flesche, Francis, 1857-1932  Search this
Fletcher, Alice C. (Alice Cunningham), 1838-1923  Search this
Type:
Archival materials
Date:
1888-1918
Scope and Contents:
The majority of this material is musical transcriptions of native songs and ceremonies. In many cases Fletcher and La Flesche did not label the tribe or otherwise identify the sheet music. Those items not clearly related to any publications have simply been labeled as sheet music.

The Omaha and Osage tribes are most fully represented in this subseries, although a few transcriptions of other tribes (Nez Perce, Ponca, Winnebago, etc.) are included.

Fletcher acquired J. C. Fillmore and Franz Boas' musical transcriptions of non-Native American peoples from the World's Columbian Exposition in 1893. This material is located at the end of the subseries. Many composers created popular adaptations of Native American music; Fletcher's collection of these materials is located at the end of this subseries.
Arrangement:
The material is arranged by document type; by tribe and date therein. Dates are non-inclusive.
Collection Restrictions:
The Alice Cunningham Fletcher and Francis La Flesche papers are open for research.

Access to the Alice Cunningham Fletcher and Francis La Flesche papers requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Manuscript 4558 Alice Cunningham Fletcher and Francis La Flesche papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4558, Subseries 3.19
See more items in:
MS 4558 Alice Cunningham Fletcher and Francis La Flesche papers
MS 4558 Alice Cunningham Fletcher and Francis La Flesche papers / Series 3: Papers relating to the anthropological research of Alice Fletcher and Francis La Flesche
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3a63517ea-4034-4c45-9636-8d656f8c1c34
EDAN-URL:
ead_component:sova-naa-ms4558-ref263

Ken Rattenbury Collection

Composer:
Strayhorn, Billy (William Thomas), 1915-1967  Search this
Collector:
Rattenbury, Ken, 1920-  Search this
Interviewee:
Anderson, William "Cat", 1916-1981 (musician)  Search this
Ellington, Duke, 1899-1974  Search this
Extent:
0.16 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Transcriptions
Audiotapes
Theses
Date:
1967-1991
Summary:
Materials collected and created by Ken Rattenbury, professional musician and author.
Scope and Contents:
Five cassette audiotapes, master's degree thesis, and Billy Strayhorn music transcription to Duke Ellington's "Lotus Blossom.",Material documents the career and compositional techniques of Duke Ellington, and interviews with Duke Ellington and Cat Anderson.
Arrangement:
1 series. Unarranged.
Biographical / Historical:
Professional musician, author of "Duke Ellington Jazz Composer", editor of "Crescendo International", and member/organizer of the music group "Jazz Five."
Provenance:
Collection donated by Ken Rattenbury, June 15, 1991.
Restrictions:
Collection is open for research.
Rights:
Copyright restrictions. Contact staff for information.
Topic:
Musicians -- United States  Search this
Jazz musicians -- United States  Search this
Music -- 20th century -- United States  Search this
Jazz -- 20th century -- United States  Search this
Genre/Form:
Transcriptions
Audiotapes
Theses
Citation:
Ken Rattenbury Collection, 1967-1992, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0432
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep84cbcf899-d837-40af-ae29-5c11de1ca8c9
EDAN-URL:
ead_collection:sova-nmah-ac-0432

Archives Center Collection of Music Transcriptions of Duke Ellington Compositions

Creator:
Ellington, Duke, 1899-1974  Search this
Mandel, Roberta  Search this
Berger, David, 1920-1966  Search this
Strayhorn, Billy (William Thomas), 1915-1967  Search this
Schirmer, G., Inc.  Search this
Extent:
0.12 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Transcriptions
Music
Date:
undated and 1988-1989.
Summary:
Two transcriptions by Strayhorn and Ellington works by Roberta Mandel, David Berger and G. Schirmer.
Scope and Contents note:
Two transcriptions by Roberta Mandel of Billy Strayhorn's composition, "Blood Count"; five transcriptions by David Berger: "Harlem Airshaft", "Ko-Ko", "Subtle Lament", "Flaming Sword", "Mainstem", and "Jack the Bear", all composed by Duke Ellington; and two G. Schirmer transcriptions of Ellington's "Come Sunday".
Arrangement:
1 series.
Provenance:
Donated by Roberta Mandel in 1991 (part of collection only).
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Music -- 20th century -- United States  Search this
Genre/Form:
Transcriptions
Music -- Manuscripts
Citation:
Archives Center Collection of Music Transcriptions of Duke Ellington Compositions, undated and 1988-1989, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0430
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep885364356-a930-45d0-8b5c-0a9b3aceb34c
EDAN-URL:
ead_collection:sova-nmah-ac-0430

Black American Gospel Music Series, Roberta Martin and The Roberta Martin Singers: The Legacy of Music, transcript of Pearl Williams-Jones presentation

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 8, Folder 1
Type:
Archival materials
Date:
1981
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8007c01eb-9081-4f80-8552-c68f9536ff6b
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1083

The Carter Family on Border Radio

Performer:
Carter Family (Musical group)  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Phonograph records
Place:
Appalachian Region, Southern -- Songs and music
Mexico
United States
Virginia
Date:
1972
Contents:
Keep on the sunny side., When our Lord shall come again., Who's that knocking., Old ladies' home., One little word., Chinese breakdown., I wouldn't mind dying., Last letter., I cannot be your sweetheart., Honey babe., I'm sitting on top of the world., Broken engagement., There'll be joy joy joy., Cyclone of Rye Cove., Del Rio., Broken down tramp., Just a few more days., Soldier's sweetheart., Bonnie blue eyes., What would you give in exchange for your soul., Alabama gals.
Track Information:
101 Keep on the Sunnyside / Autoharp,Guitar.

101 When Our Lord Shall Come Again / Autoharp,Guitar.

102 Who's That Knocking / Autoharp,Guitar.

103 Old Ladies Home / Autoharp,Guitar.

104 One Little Word / Autoharp,Guitar.

105 Chinese Breakdown / Autoharp,Guitar.

106 I Wouldn't Mind Dying / Autoharp,Guitar.

107 The Last Letter / Autoharp,Guitar.

108 I Cannot Be Your Sweetheart / Autoharp,Guitar.

109 Honey Babe / Autoharp,Guitar.

110 Sitting on Top of the World / Autoharp,Guitar.

111 Broken Engagement / Autoharp,Guitar.

112 There'll Be Joy Joy Joy / Autoharp,Guitar.

201 Cyclone of Rye Cove / Autoharp,Guitar.

202 Why There's a Tear in My Eye / Autoharp,Guitar.

203 Goin' Back to Texas / Autoharp,Guitar.

204 Diamonds in the Rough / Autoharp,Guitar.

205 Del Rio / Autoharp,Guitar.

206 Broken Down Tramp / Autoharp,Guitar.

207 Just a Few More Days / Autoharp,Guitar.

208 Soldier's Sweetheart / Autoharp,Guitar.

209 Bonnie Blue Eyes / Autoharp,Guitar.

210 What Would You GIve in Exchange for Your Soul / Autoharp,Guitar.

611 Keep on the Sunnyside / Autoharp,Guitar.

611 Alabama Gals / Autoharp,Guitar.
Local Numbers:
FP-RINZ-LP-2109

JEMF.101
Publication, Distribution, Etc. (Imprint):
Los Angeles, California JEMF 1972
Date/Time and Place of an Event Note:
Recorded in: Mexico.
General:
Country songs. The Carter Family on Border Radio, ([58 p.]) Includes: biography, bibliography, discography, musical transcriptions, etc. enclosed.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Topic:
String band  Search this
Folk songs -- United States  Search this
Gospel music  Search this
Autoharp  Search this
Guitar  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-2109
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk57359a6d6-a2ab-4302-8e6d-45fee6bebd98
EDAN-URL:
ead_component:sova-cfch-rinz-ref7416

MS 1219-a Shoshoni and Apache Music, Collected and Arranged by W. J. Hoffman, M. D. , Late Organist First German Reformed Church, Reading, Pennsylvania

Creator:
Hoffman, Walter James, 1846-1899  Search this
Extent:
2 Pages
Culture:
Jicarilla Apache  Search this
Shoshone  Search this
Type:
Collection descriptions
Archival materials
Pages
Date:
undated
Scope and Contents:
Musical transcription of two Shoshoni songs, 1 page, and 1 Jicarilla Apache song, 1 page.
Local Numbers:
NAA MS 1219-a
Citation:
Manuscript 1219-a, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS1219A
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw34fe31eff-cecb-4e01-93d8-8d6c9b09cba3
EDAN-URL:
ead_collection:sova-naa-ms1219a

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