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A Perfect Harmony: Projection Mapping at the Freer|Sackler

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2017-10-31T18:08:18.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_UA0hkOplDYE

Designing Media: Blixa Bargeld and Erin Zhu

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2010-11-16T15:08:29.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_iKELMpKsw4g

UNESCO Collection of Traditional Music of the World records

Creator:
UNESCO  Search this
Extent:
27 Boxes
Type:
Collection descriptions
Archival materials
Business records
Audiotapes
Compact discs
Date:
circa 1961-2006
Summary:
This collection, which dates from circa 1961-2006, contains audiorecordings from the UNESCO Collection of Traditional Music of the World, as well as related business records. Includes recordings of tradition and sacred music from Benin, Cameroon, Central African Republic, Côte d'Ivoire, Ethiopia, Madagascar, Malawi, Niger, Sudan, Argentina, Bolivia, Brazil, Chile, Cuba, Peru, Afghanistan, Australia, Cambodia, China, Korea, the Solomon Islands, India, Bali, Java, Japan, Laos, Mongolia, Uzbekistan, Pakistan, Thailand, Vanuatu, Vietnam, Algeria, Bahrain, Egypt, Iraq, Morocco, Oman, Syria, and Turkey.
Biographical/Historical note:
The UNESCO Collection of Traditional Music of the World included more than a hundred pioneering audio recordings of the world's traditional music published from 1961 to 2003 on a number of different recording labels. The series was launched in 1961 in collaboration with ethnomusicologist Alain Daniélou (1907-1994) and the International Music Council (created by UNESCO in 1949). The recordings in the Collection are mostly field recordings made in situ, in their original context. Each recording is accompanied by scholarly annotations and photographs. Together, these discs are a reflection of the immense variety of music making and of the position music holds within cultures around the globe.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Sacred music  Search this
Folk music -- Europe  Search this
Folk music -- Caribbean Area  Search this
Folk music -- South America  Search this
Folk music -- Middle East  Search this
Folk music -- Asia, Central  Search this
Folk music -- Africa  Search this
Folk music -- Australia  Search this
Folk music -- Asia, Southeastern  Search this
Genre/Form:
Business records
Audiotapes
Compact discs
Citation:
UNESCO Collection of Traditional Music of the World records, Ralph Rinzler Folklikfe Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.UNES
See more items in:
UNESCO Collection of Traditional Music of the World records
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk567c3c14a-5422-48dc-bf32-27eb4e6b311b
EDAN-URL:
ead_collection:sova-cfch-unes

BMI Archives Confederate Sheet Music Collection

Collector:
Broadcast Music, Inc.  Search this
Attributed name:
Cramer, Edward M.  Search this
Extent:
1 Cubic foot (1 box)
Type:
Collection descriptions
Archival materials
Broadsides
Sheet music
Place:
United States -- History -- Civil War, 1861-1865
Date:
1860-1868
Summary:
This collection contains sheet music themed in support of the Confederacy. Many pieces were printed within the Confederate States of America during the Civil War (1861-1865). It also contains one Confederate bond and early twentieth century facsimiles of Confederate broadsides from the Chicago Historical Society.
Scope and Contents:
Originally titled the Edward M. Cramer Confederate Sheet Music Collection in honor of Cramer, president of the music rights organization BMI from 1968-1987, this collection contains sheet music produced within the Confederate States of America, before and after the Civil War.

Series 1, Sheet Music, 1860-1868, undated, contains single sheet songs arranged alphabetically by title as well as compilations. The compilations are filed alphabetically under the song title most identified with the Confederacy. For instance, the reel "Molly Gardner" is in a collection of reels entitled Jerdon's Reels but found under the title "Molly Gardner".

Series 2, Ephemera, 1863, undated, contains one Confederate States bond and twentieth century facsimiles from the Chicago Historical Society of a variety of Confederate broadsides.
Arrangement:
The collection is arranged into two series.

Series 1, Sheet Music, 1860-1868, undated

Series 2, Ephemera, 1863, undated
Biographical / Historical:
During the American Civil War (1861-1865), the South used music as propaganda and inspiration to both the Confederate forces and the civilian population. After the war the music conjured up memories of the "Lost Cause" and those unfortunate soldiers who did not return home. Subject matter for songs was wide-ranging and drew from both domestic and military themes. Even though cut off from the music publishing houses of the northern states, the South was very active in publishing music within the boundaries of the Confederacy. Nashville and Memphis, Tennessee were reported to be the most active publishing centers, with the cities of Augusta, Georgia; Columbia, South Carolina; New Orleans, Louisiana; and Mobile, Alabama also publishing sheet music. Much of this music was published on inferior grades of paper, and even though the cover engraving tended to be excellent at the beginning of the war, by war's end the covers were fairly plain and devoid of color or elaborate decoration.
Related Materials:
Materials in the Archives Center, National Museum of American History

Sam DeVincent Collection of Illustrated American Sheet Music, 1790-1980s (AC0300)
Provenance:
This collection was donated by Broadcast Music, Incorporated (BMI), 2011.
Restrictions:
This collection is open for research use.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
War Between the States, 1861-1865  Search this
Civil War, 1861-1865 -- Communications  Search this
Genre/Form:
Broadsides
Sheet music -- 19th century
Citation:
BMI Archives Confederate Sheet Music Collection, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1258
See more items in:
BMI Archives Confederate Sheet Music Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep87e23fa00-5fda-4c92-ab46-d2049795fdfb
EDAN-URL:
ead_collection:sova-nmah-ac-1258
Online Media:

Blüthner Grand Piano

Physical Description:
wood (overall material)
metal (overall material)
Measurements:
overall: 40 in x 58 in x 75 in; 101.6 cm x 147.32 cm x 190.5 cm
Object Name:
piano
Place made:
Germany: Saxony, Leipzig
Production date:
1900
Credit Line:
Gift of Fred and Diana Chaffee in loving memory of Roger G. Kennedy, Director of the National Museum of American History from 1979 to 1992
ID Number:
2014.3079.01
Nonaccession number:
2014.3079
Catalog number:
2014.3079.01
Serial number:
55501
See more items in:
Culture and the Arts: Musical Instruments
Music & Musical Instruments
Pianos
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ae-a34e-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1465533
Online Media:

Fast Folk Musical Magazine records

Creator:
Fast Folk Musical Magazine  Search this
Hardy, Jack, 1947-2011  Search this
Meyer, Richard , 1952-  Search this
Names:
Fast Folk Musical Magazine  Search this
Extent:
59.02 Cubic feet (compact discs, Audiotapes (AMPEX 467), digital audiotapes, phonograph records, Reel-to-reel audiotapes, VHS videotapes)
720 Folders (Business records)
Type:
Collection descriptions
Archival materials
Ephemera
Digital audio tapes
Videotapes
Financial records
Contracts
Correspondence
Phonograph records
Business records
Audiocassettes
Photographs
Audiotapes
Compact discs
Date:
1982-2002
bulk 1982-1995
Summary:
163 reel to reel tapes,136 VHS tapes, 188 cassette tapes, 100 DAT tapes, 20 467 tapes, 6 compact discs, 16 miscellaneous audio materials, all are mostly recordings of Fast Folk events or Fast Folk recording artists; 604 folders containing information and materials relating to magazines, recordings, events and business; objects related to the Fast Folk Musical Magazine
The Fast Folk Musical Magazine records, which date from 1982-2002, document the activities of Fast Folk Musical Magazine. The collection is comprised chiefly of audio/video materials and the paper business records of the company. Audio and video materials include phonograph records, reel-to-reel tapes, VHS videotapes, audiocassettes, digital audiotapes, compact discs and miscellaneous audio material. The paper records include press materials related to Fast Folk and Fast Folk recording artists, magazine source materials, recording agreements, lyrics, artist biographies, photographs, financial documents, correspondence, planning for events and other miscellany. Additionally, there is a Fast Folk t-shirt and a bag of Fast Folk pencils, pens and erasers.
Scope and Contents:
There are two main components of the Fast Folk Musical Magazine Collection: the audio and video materials and the paper records of the company. This finding aid is a guide to the paper records and related materials.
Biographical / Historical:
The Fast Folk Musical Magazine, previously known as The CooP, was a non-profit organization that published recordings with an accompanying magazine from 1982-1996. Fast Folk began as an outlet through which singer-songwriters could perform, as there were few venues that booked folk singers in New York City during that time period. Jack Hardy (1948-2011) headed this endeavor in the Speakeasy club, sharing space with a belly dance club and a falafel restaurant. A musician's co-op was created at the Speakeasy, meaning that everything in the club was to be done by the musicians, from booking to cleaning. The first show by the musicians' co-op at the Speakeasy was in September of 1982. It was considered the best place for a musician to get a gig if he or she did not already have a record deal.

Richard Meyer (1952-2012), who eventually became editor of Fast Folk in 1985, joined the project a couple months after its inception as a performer, writer and graphic designer for the magazine. Jack Hardy introduced himself to Meyer at a concert and invited him to sign up for the Songwriter's Exchange; another project organized by Hardy in which musicians performed songs for each other that they had recently written. Slowly, the number of people working on Fast Folk grew and Meyer trained others to do what he did. An important part of the organization was its community-oriented system; it was almost entirely run by an ever-changing group of volunteers. As the staff at Fast Folk increased, it became continuously involved in shows such as the Greenwich Village Folk Festivals which were used as fundraisers.

Fast Folk provided a good way for musicians to be able to make their own record or to be part of a record, since making a record on one's own was more difficult in that era. Many commercial recording artists such as Lyle Lovett, Tracy Chapman, Michelle Shocked, Christine Lavin, Suzanne Vega and Shawn Colvin recorded some of their first songs with Fast Folk. While some musicians eventually became commercially successful, Fast Folk consistently stressed that this was not their organization's objective. By releasing many different artists' work on each recording, Fast Folk strove to expand the collective horizons of their audience and spread the power of individual songs as opposed to individual artists. Songwriters were incorporated into an issue of Fast Folk by sending in demo tapes or by being heard by Hardy and Meyer at a Songwriters' Exchange or other performance. The Fast Folk committee also had a significant input as to who was on each album. The magazine was used as an outlet for discussing current issues of songs and songwriting across the country, as well as reviewing albums and interviewing artists. Many issues were devoted to the music of different sections of the United States such as Boston, Los Angeles and the Pioneer Valley in Massachusetts. The issues of Fast Folk were sold mostly through subscription, but also at the Speakeasy club. Around the time Richard Meyer contacted the Smithsonian, Fast Folk stopped producing records and magazines, mostly due to a lack of volunteers with enough time to devote to a business of Fast Folk's size.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
Provenance:
The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired these materials in 1999, when Fast Folk Musical Magazine donated its records to the Center for Folklife and Cultural Heritage. In 1996, Richard Meyer, on behalf of Fast Folk Musical Magazine, contacted Anthony Seeger, then Director of Smithsonian Folkways Records, offering the Fast Folk materials to the Smithsonian. After several years of correspondence, the Smithsonian received the collection. The Center for Folklife and Cultural Heritage agreed to keep the recordings available commercially and to retain the records in the archive, as well as to leave Fast Folk with the option to restart publication of the magazine.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Popular music -- Publishing and writing  Search this
Popular music -- 20th century -- United States  Search this
Folk music -- United States  Search this
Folk singers  Search this
Genre/Form:
Ephemera
Digital audio tapes
Videotapes
Financial records
Contracts
Correspondence
Phonograph records
Business records
Audiocassettes
Photographs
Audiotapes
Compact discs
Citation:
Fast Folk Musical Magazine records, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.FFMM
See more items in:
Fast Folk Musical Magazine records
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5060cea5e-a675-45e3-9a9e-17f441ffa5b8
EDAN-URL:
ead_collection:sova-cfch-ffmm

A Perfect Harmony: Full Performance

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2017-11-03T16:11:33.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_IewP3PkMbmw

Warshaw Collection of Business Americana Subject Categories: Music

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
8.45 Cubic feet (consisting of 18 boxes, 5 folders, 8 oversize folders, 1 map case folder, 1 flat box (partial).)
Type:
Collection descriptions
Archival materials
Ephemera
Business ephemera
Date:
circa 1778-1968
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Music forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
This material consists of sheet music covers, concert programs, bills, receipts, printed advertisements, import/export documents, business cards, catalogues, songbooks, journals, newsletters, information on music schools and instructors, scattered correspondence on letterhead stationary, photographs, caricatures and lithographs of individual musicians, composers and lyricists of the late 19th and early 20th century. There is material pertaining to Gilbert & Sullivan; images, concert programs, and advertisements for their operettas, including Japanese images from the Mikado. There is biographical information on the Arthur Tams Music Library with catalogues from his collection, business correspondence with G. Schirmer and others and the James Madison Americana Collection. There are unique images of musical instruments, catalogues and advertisements for their manufacturers; mechanical musical instruments, music boxes, phonographs and even a few radio and Muzak programs. This material spans a century, beginning in the 1840's. Its images chronicle the inventions of the automobile and the airplane, and the rapid industrial and life-style changes of that time period.
Arrangement:
The bulk of the material is arranged topically, the rest is organized by company name. Sheet music publishers and musical and mechanical music instrument manufacturers, dealers and importers are in Boxes 1- 7. Boxes 6-7 contain a large amount of information from one particular dealer, the Arthur W. Tams Music Library. Box 8 contains information on manufacturers and dealers of Phonographs and records. Boxes 1-8 are arranged by company name. In the remainder of Box 8 and in Boxes 9- 10, there are programs, concerts tickets and curriculum pertaining to music schools, private instructors of music and voice, music clubs, societies and unions. Boxes 10-13 contain concert programs of musical performances that are organized by their geographic location or type of performance. Under the topic heading solo performances in Boxes 12-13 are handbills , programs and ads for individual performances and music luminaries including Gilbert & Sullivan and Stephen Foster. Box 14 holds general works which consists of images of musical instruments and musicians, correspondence trade cards, patents, import/export documents and hand-written music notation. Related publications are in Boxes 15-17 and are organized by type of material. Songbooks and lyric sheets are in Box 15. Periodical publications including journals and catalogues are in Box 16. The remainder of the related publications are divided by size and grouped into books, notebooks, essays and pamphlets in Box 17.
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Music is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Ephemera
Business ephemera
Citation:
Warshaw Collection of Business Americana Subject Categories: Music, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Music
See more items in:
Warshaw Collection of Business Americana Subject Categories: Music
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8682a819c-3ef7-4d6b-b297-8aa326d574eb
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-music
Online Media:

SHEET MUSIC PUBLISHERS AND DEALERS, IMPORTERS, MANUFACTURERS AND DEALERS OF MUSICAL INSTRUMENTS, MUSIC BOXES AND OTHER MUSIC MERCHANDISE

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Type:
Archival materials
Date:
circa 1834-1947
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Music
Warshaw Collection of Business Americana Subject Categories: Music / Business Records, Marketing Material, and Other
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep89128d208-5a61-474a-99ef-b0eb586b8f2d
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-music-ref570

Accordeon- Fabrik

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Scope and Contents:
Manufacturers of Accordians

Hamburg, Germany
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Music
Warshaw Collection of Business Americana Subject Categories: Music / Business Records, Marketing Material, and Other / SHEET MUSIC PUBLISHERS AND DEALERS, IMPORTERS, MANUFACTURERS AND DEALERS OF MUSICAL INSTRUMENTS, MUSIC BOXES AND OTHER MUSIC MERCHANDISE
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep84011eb51-75e9-4c46-903d-2f080b5266c1
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-music-ref571

Adams, Blackmer, Lyon

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Scope and Contents:
Publishers of Palmer's Sabbath School Songs

Chicago, Illinois
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Music
Warshaw Collection of Business Americana Subject Categories: Music / Business Records, Marketing Material, and Other / SHEET MUSIC PUBLISHERS AND DEALERS, IMPORTERS, MANUFACTURERS AND DEALERS OF MUSICAL INSTRUMENTS, MUSIC BOXES AND OTHER MUSIC MERCHANDISE
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8fd599781-e869-4568-b566-8a629e102e65
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-music-ref572

Albright, W.F.

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Scope and Contents:
Publisher of Standard and Popular Books and Music

New York, New York
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Music
Warshaw Collection of Business Americana Subject Categories: Music / Business Records, Marketing Material, and Other / SHEET MUSIC PUBLISHERS AND DEALERS, IMPORTERS, MANUFACTURERS AND DEALERS OF MUSICAL INSTRUMENTS, MUSIC BOXES AND OTHER MUSIC MERCHANDISE
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8c59a0fcf-16e3-4635-9438-7d8def4ee393
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-music-ref573

Albert, E.J.

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Scope and Contents:
Dealer in Musical Instruments, Pianos and Musical Boxes

Philadelphia, Pennsylvania
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Music
Warshaw Collection of Business Americana Subject Categories: Music / Business Records, Marketing Material, and Other / SHEET MUSIC PUBLISHERS AND DEALERS, IMPORTERS, MANUFACTURERS AND DEALERS OF MUSICAL INSTRUMENTS, MUSIC BOXES AND OTHER MUSIC MERCHANDISE
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep83204e46e-3913-447d-8a0a-6bc317bd528d
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-music-ref574

Allen, B.F., & Company

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Scope and Contents:
Publishers of Pezzoni's Catalogue of Sheet Music

New York, New York
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Music
Warshaw Collection of Business Americana Subject Categories: Music / Business Records, Marketing Material, and Other / SHEET MUSIC PUBLISHERS AND DEALERS, IMPORTERS, MANUFACTURERS AND DEALERS OF MUSICAL INSTRUMENTS, MUSIC BOXES AND OTHER MUSIC MERCHANDISE
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep852789390-8039-485e-8d6d-806328224fbf
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-music-ref575

Allen Brothers

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Scope and Contents:
Music Publishers

Cincinnati, Ohio
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Music
Warshaw Collection of Business Americana Subject Categories: Music / Business Records, Marketing Material, and Other / SHEET MUSIC PUBLISHERS AND DEALERS, IMPORTERS, MANUFACTURERS AND DEALERS OF MUSICAL INSTRUMENTS, MUSIC BOXES AND OTHER MUSIC MERCHANDISE
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8317bba44-be08-483f-807b-111517f5228b
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-music-ref576

American Baptist Publication Society

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Scope and Contents:
Philadelphia, Pennsylvania
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Music
Warshaw Collection of Business Americana Subject Categories: Music / Business Records, Marketing Material, and Other / SHEET MUSIC PUBLISHERS AND DEALERS, IMPORTERS, MANUFACTURERS AND DEALERS OF MUSICAL INSTRUMENTS, MUSIC BOXES AND OTHER MUSIC MERCHANDISE
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep82d84f51b-56e5-4cb5-aa5c-c9ccd343cdd8
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-music-ref577

Armstrong , J.M.

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Scope and Contents:
Armstrong, J.M., Music Typographer

Philadelphia, Pennsylvania
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Music
Warshaw Collection of Business Americana Subject Categories: Music / Business Records, Marketing Material, and Other / SHEET MUSIC PUBLISHERS AND DEALERS, IMPORTERS, MANUFACTURERS AND DEALERS OF MUSICAL INSTRUMENTS, MUSIC BOXES AND OTHER MUSIC MERCHANDISE
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8c18251ba-28d9-4c28-98d2-17fa28475733
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-music-ref578

Ascher, Emil, Incorporated

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Scope and Contents:
Music Publisher

New York, New York
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Music
Warshaw Collection of Business Americana Subject Categories: Music / Business Records, Marketing Material, and Other / SHEET MUSIC PUBLISHERS AND DEALERS, IMPORTERS, MANUFACTURERS AND DEALERS OF MUSICAL INSTRUMENTS, MUSIC BOXES AND OTHER MUSIC MERCHANDISE
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8ac8b8e45-eac6-4e6f-b48a-5c10aec9fcf5
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-music-ref579

Authors and Composers Music Publishing Company

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Box 1, Folder 4
Type:
Archival materials
Scope and Contents:
New York, New York
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Music
Warshaw Collection of Business Americana Subject Categories: Music / Business Records, Marketing Material, and Other / SHEET MUSIC PUBLISHERS AND DEALERS, IMPORTERS, MANUFACTURERS AND DEALERS OF MUSICAL INSTRUMENTS, MUSIC BOXES AND OTHER MUSIC MERCHANDISE
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep806e13142-5834-4c4b-b489-060159c2c465
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-music-ref580

Autophone Company

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Box 1, Folder 4
Type:
Archival materials
Scope and Contents:
Manufacturer of Autophones and Roller Organs

Ithaca, New York
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Music
Warshaw Collection of Business Americana Subject Categories: Music / Business Records, Marketing Material, and Other / SHEET MUSIC PUBLISHERS AND DEALERS, IMPORTERS, MANUFACTURERS AND DEALERS OF MUSICAL INSTRUMENTS, MUSIC BOXES AND OTHER MUSIC MERCHANDISE
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep88528e52c-4f95-44e9-864d-edae4037d33e
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-music-ref581

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