Sun dance (1:32) -- Love song (0:57) -- Crazy Dog song (1:41) -- Buffalo dance song (1:03) -- Man's love song (0:54) -- Hand game song (1:42) -- Prisoner's song (2:20) -- World War II song (1:36) -- Warrior death song for Sitting Bull (2:00) -- Canvas dance song (1:40) -- Funeral song (1:37) -- Suguaro song (1:58) -- Peyote song : first song cycle (1:26) -- Moonlight song (2:09) -- Eagle dance (2:59) -- Butterfly dance (1:41) -- Lullaby (0:58) -- Rain dance (1:47) -- Night chant (1:43) -- Song of happiness (1:09) -- Silversmith's song (1:09) -- Corn grinding song (0:59) -- Children's songs (1:47) -- Church song (1:03) -- Devil dance, crown dance (2:57). Wolf song (2:05) -- Potlatch song (1:38) -- Hamatsa song (1:12) -- War song for marriage (1:50) -- Rabbit dance song (2:03) -- Cree dance song (2:24) -- Fiddle dance song (1:00) -- Bear hunting song (1:44) -- Inviting-in dance song (0:47) -- His first hunt (2:06) -- Hunting for musk ox (3:33) -- Corn dance (2:08) -- Stomp dance (1:57) -- Song of welcome (1:19) -- Buffalo feast song (1:06) -- Morning song (1:12) -- Song of the unfaithful woman (0:59) -- Hoot owl song (1:09) -- Oh Mary (1:01) -- Catholic hymn (0:42) -- Calusa corn dance song (1:32) -- Song of removal (1:41) -- Fortynine dance (2:00) -- Unidentified track (1:03) -- As long as the grass shall grow (6:03).
Track Information:
101 Sun Dance / Drum,Whistle.
102 Love Song.
103 Crazy Dog Song / Jack Low Horn, Jim Low Horn, Emil, Mrs. Wings. Drum,Rattle (Musical instrument).
106 Hand Game Song / William Peaychew. Sticks (Musical instrument).
104 Buffalo Dance Song / Jack V. Anquoe, Kenneth Anquoe, Nick Webster. Drum.
105 Man's Love Song / Mark Evarts.
107 Prisoner's Song / William Burn Stick. Drum.
108 World War II Song / George Nicotine. Drum. English language.
109 Warrior Death Song for Sitting Bull / Bass drum,Bells.
207 Song of Happiness / Fort Wingate (N.M.) Indian School. Drum,Harmonica. Navajo language.
208 Silversmith's Song / Ambrose Roanhorse. Anvils. Navajo language.
209 Corn Grinding Song / Basket drum. Navajo language.
110 Canvas Dance Song / Baptiste Pichette, Eneas Conko. Drum.
111 Funeral Song.
112 Suguaro Song.
113 Peyote Song: First Song Cycle / Burton John, Roy James. Drum,Rattle (Musical instrument).
201 Moonlight Song.
202 Eagle Dance / Drum.
203 Butterfly Dance / Drum.
204 Lullaby.
205 Rain Dance.
206 Night Chant / Rattle (Musical instrument). Navajo language.
210 Children's Song: Wolf Song / Irene Chalepah Poolaw. Kiowa Apache.
303 Hamatsa Song, Cedar Bark Dance / Mungo Martin.
304 War Song for Marriage / Billy Assu.
305 Rabbit Dance Song.
306 Cree Dance Song.
307 Fiddle Dance Song / Fiddle.
308 Bear Hunting Song / Sebastian McKenzie.
309 Inviting in Dance Song / Otis Ahkivigak.
310 His First Hunt / Kemukserar, Pangatkar.
311 Hunting for Musk Ox / Kemukserar, Pangatkar. Drum.
401 Corn Dance / Thomas Lewis.
402 Stomp Dance / Huron Miller.
403 Song of Welcome / Albert Yellow Thunder, Blow Snake, Winslow White Eagle.
404 Buffalo Feast Song / Albert Yellow Thunder, Blow Snake, Winslow White Eagle.
405 Morning Song / Albert Yellow Thunder, Blow Snake, Winslow White Eagle. Rattle (Musical instrument).
406 Song of the Unfaithful Woman / Albert Yellow Thunder, Blow Snake, Winslow White Eagle. Flute.
407 Hoot Owl Song / David, Oshawenimiki Kenosha.
408 Oh Mary / Fred Lacasse.
409 Catholic Hymn / Thomas Shalifoe.
410 Calusa Corn Dance Song / Billy, Gatcayehola Stewart.
411 Song of Removal / Billie Stewart, Susie Tiger.
412 Fortynine Dance / Fred Lacasse. English language.
413 The Seneca: As Long As the Grass Shall Grow / Peter La Farge.
Local Numbers:
FW-COMM-LP-04541
Folkways.4541
Publication, Distribution, Etc. (Imprint):
New York Folkways 1973
Date/Time and Place of an Event Note:
Recorded in: Florida, Michigan, Wisconsin, Onondaga Indian Reservation (N.Y.), Chesterfield (Alaska), Barrow, Point (Alaska), Alaska, Schefferville (Québec), Québec (Province), Montana, Fort Wingate (N.M.), New Mexico, Fort Qu'appelle (Sask.), Canada, Saskatchewan, New York (N.Y.), United States, New York.
General:
Commercial
Songs and dance music from many tribes including Sioux, Cree, Hopi, Zuni, Navajo, Apache, Kwakiutl-Nootka, Slavey, Iroquoian, Winnebago, Ojibwa, Seminole, and others. Compiled and edited by Michael I. Asch. Originally compiled principally from material previously released on several Folkways and Asch recordings. Program notes in English by Michael I. Asch and others, and Native American vocal texts with English translations and English vocal texts (10 p.)
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Fast Cheyenne war dance --Ponca Helushka dance --Fast Sioux war dance --Arikara war dance --My enemy, I came after your good white horse --Fast Cheyenne war dance -- Omaha Helushka --Ponca war dance --New Taos war dance song --Kiowa slow war dance --Kiowa fast war dance --Bloody knife's warrior song --Chief's honoring song -- The old glory raising on Iwo Jima --Korea memorial song -- Navajo hoop dance song --I'm in love with a Navajo boy -- Navajo dance song --Crow push dance song --Pawnee hand game song --Shawnee stomp dance --49 dance song -- The prisoner's song --Girl who is afraid of boys --The bear dance --Mountain by the sea --The Mescalero trail --Montana grass song --Apache mountain spirit song --Lightning song -- Sun dance song [2 versions] --Ute sun dance --Song of the black mountain --Song of the green rainbow --Navajo Yei-be-chai chant --Zuni buffalo dance --Hopi basket dance --Our father's thoughts are shining down --Ceremonial song.
Local Numbers:
FW-ASCH-LP-2830
Everest.3450/3
Publication, Distribution, Etc. (Imprint):
Everest 1970
General:
Recordings of various Indian tribes war dances, honor songs, social, folk and ceremonial songs and chants. Descriptive notes ([8] p.) laid in container. Performer(s): Sung and played by various native performers.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Round dance song--Kiowa round dance--Fast war dance--Warrior's song--Song of a war party--Hero's song--Song of modern warriors--Snake dance--Buffalo dance--Chief's song
Local Numbers:
FW-ASCH-7RR-1481
Publication, Distribution, Etc. (Imprint):
New York Folkways
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Pitahueray doctor dance--Kitkehanki doctor dance--Killed a man in the valley doctor dance--Sitting eagle--Name changing chant (Pawnee)--Snake dance ((Kiowa)--Buffalo dance--Ghost dance--Horse stealing song (2x)
Local Numbers:
FW-ASCH-5RR-1486
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Interview--Sailing on the ocean--In the city were the lamb is light--Where he leads I will follow--All alone--I want to be a soul winner for Jesus--Blessed Jesus
Local Numbers:
FW-ASCH-5RR-1606
FLP.46816
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Jesus how I trust him--Freely come to God--I live on--Where the soul never dies--Hold on to God's unchanging hand--Just over in gloryland--I want him to love him more--When the saints go marching in
Local Numbers:
FW-ASCH-10RR-1309
Date/Time and Place of an Event Note:
Recorded in: United States, Oklahoma.
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Duck dance (Seminole) -- Lullaby (Creek) -- Song (Potawatomi) -- War dance (Sioux) -- Rabbit dance (Sioux) --[Two] squaw dance[s] (Navaho) -- Happiness song (Navaho) -- Basket dance (Tewa) -- Round dance (Picuris pueblo) -- Buffalo dance (San Juan pueblo) -- Modern love song (Kiowa) -- Round dance (Kiowa) -- Buffalo dance (Kiowa) -- Feather dance (Kiowa) -- Two Christian hymns (Cherokee) -- Stomp dance (Cherokee) -- Three modern love songs (Cherokee) -- Paddling song (Tlingit).
Track Information:
101 Seminole Duck Dance.
102 Creek Lullaby.
103 Potawatomi Song.
104 Sioux War Song.
105 Sioux Rabbit Dance.
106 Navaho Squaw Dance.
107 Navaho Squaw Dance.
108 Navaho Song of Happiness.
109 Tewa Basket Dance.
110 Round Dance (Picuris Pueblo).
111 Buffalo Dance (San Juan Pueblo).
201 Modern Love Song.
202 Kiowa Round Dance.
203 Kiowa Buffalo Dance.
204 Feather Dance.
205 Two Cherokee Christian Hymns.
206 Stomp Dance.
207 Three Modern Love Songs.
208 Tlingit Paddling Song.
Local Numbers:
FP-RINZ-LP-2241
Library of Congress.L36
Publication, Distribution, Etc. (Imprint):
Washington, D.C. Library of Congress
General:
"From the Archive of Folk Culture" -- Program notes, t.p. "First issued on long-playing record in 1954" -- Program notes, t.p. verso. Program notes with English translations of the texts and bibliography (17 p.) in accompanying booklet.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
A woman hums songs to a child. Three old ladies sing as they pick choke-cherries or cactus buds, husk corn, or dig camas root. A woman's high-pitched lu-lu-lu-lu rises over the men's voices at the end of an honoring song for returned veterans. "Chorus girls" back up the men's lead song at the drum during a war dance. The pulsating, driving hand-drum beats and magic-making songs women sing at a stick game. The woman whose songs make the Sun Dance circle right. These are the voices of Native women. Like the drum whose heartbeat is that of a woman, these women and their songs are at the heart of Indian Country. But unlike the drum, their songs and voices are rarely heard beyond their communities.
Along with the first of two recordings made available on Smithsonian/Folkways (Heartbeat: Voices of First Nations Women, SF 40415) the two-week presentation at the 1995 Festival and its accompanying program book essay were part of an effort to present an overview of music by Native women - traditional, new, innovative, and little known. Included were traditional women's songs from tribes in the United States and Canada as well as material usually sung by men and recently taken up by women. The recording, essay, and festival program also emphasized fresh material, Native women's music that merged traditional music with many styles of popular American music.
Very little women's music is known and appreciated, even by those who value and know Native American music. People may see Native women dancing when public performances take place, whether they are on stage or in a community setting. Still, men's dancing dominates the public arena. Because much of Native women's traditional singing occurs in a private setting associated with family, clan, ceremonial, or work activities, those who are unfamiliar with these traditions rarely see or hear women sing. Thus the common perception is that women have little presence or significance in the performance and preservation of Native musical traditions. A few tribal or regional collections have included women's singing and instrumental music. Recordings by contemporary Indian women musicians like Buffy Sainte-Marie first received favorable attention in the late 1960s. Since then, the ranks of such women have grown.
In recent years, particularly in the Northern Plains, changes are also underway with respect to the place of women at the drum, previously seen by most as an exclusively male domain. Increasingly, women describe being called to the drum, to sit at the drum, to be the drumkeeper in the way that men have talked about it. Increasingly, powwow singing in the Northern Plains has brought the advent of mixed drum groups and - as demonstrated at the Festival - all-female groups.
All these ways of singing and music-making exist among Native women. Much of the old music exists today, joined by newer ways. As Festival audiences could experience at the 1995 Festival, Native women's music is vital and dynamic, very much a part of the process through which Native peoples are preserving and revitalizing Native life and culture.
Rayna Green and Howard Bass were Curators, and Arlene Reiniger was Program Coordinator.
Heartbeat: The Voices of First Nations Women was produced in collaboration with the Division of Cultural History at the National Museum of American History, with support from The Recording Industries Music Performance Trust Funds, the Smithsonian Educational Outreach Fund, the American Encounters Project, the National Museum of the American Indian, the National Museum of American History, the John Hammond Fund for the Performance of American Music, and the Smithsonian Institution Special Exhibition Fund.
Presenters:
Barry Bergey, Olivia Cadaval, Harold Closter, Judith Gray, Orin Hatton, Charlotte Heth, Marjorie Hunt, Phil Minthorn, Betsy Peterson, Alice Sadongei, Gwen Shunatona, Tom Vennum, Jr.
Participants:
ASSINIBOINE-NAKOTA SINGER-SONGWRITER
Georgia Wettlin-Larsen, vocals, hand drum, rattles, River Falls, Wisconsin
IROQUOIS WOMEN'S SOCIAL DANCE
SIX NATIONS WOMEN SINGERS -- SIX NATIONS WOMEN SINGERSSadie Buck, vocals, water drum, Six Nations Reserve, Ontario, CanadaCharlene Bomberry, vocals, rattles, Six Nations Reserve, Ontario, CanadaBetsy Buck, vocals, rattles, Six Nations Reserve, Ontario, CanadaPat Hess, vocals, rattles, Six Nations Reserve, Ontario, CanadaJanice Martin, vocals, rattles, Six Nations Reserve, Ontario, CanadaMary Monture, vocals, rattles, Six Nations Reserve, Ontario, Canada
KIOWA SINGERS
Mary Ann Anquoe, 1931-2002, vocals, Tulsa, Oklahoma
Dorothy Whitehorse DeLaune, vocals, hand drum, Anadarko, Oklahoma
Anita Anquoe George, vocals, hand drum, Sapulpa, Oklahoma
Gigi Horse, vocals, Washington, D. C.
MAKAH SONGS & DANCE
Melissa Peterson, vocals, hand drum, rattles, Makah Reservation, Neah Bay, Washington
Samantha Della, vocals, dance, Makah Reservation, Neah Bay, Washington
MALISEET-PASSAMAQUODDY DRUM
THE WABUNOAG SINGERS -- THE WABUNOAG SINGERSMargaret Paul, Fredericton, New Brunswick, CanadaAlma Brooks, Fredericton, New Brunswick, CanadaConnie LaPorte, Fredericton, New Brunswick, CanadaJoan Milliea-Caravantes, Fredericton, New Brunswick, CanadaAlice Claire Tomah, Fredericton, New Brunswick, Canada
MOHAWK SINGER-SONGWRITER
ElizaBeth Hill, vocals, guitar, Ohsweken, Canada
NAVAJO SINGER-SONGWRITERS
Geraldine Barney, vocals, flute, guitar, Tohatchi, New Mexico
Sharon Burch, vocals, guitar, Fairfield, California
CRYING WOMAN SINGERS -- CRYING WOMAN SINGERSCelina Jones, Fort Belknap Reservation, MontanaJackie Blackbird, Fort Belknap Reservation, MontanaToni Blue Shield, Fort Belknap Reservation, MontanaCora Chandler, Fort Belknap Reservation, MontanaChristina Jones, Fort Belknap Reservation, MontanaRamona Smith, Fort Belknap Reservation, MontanaGarrett Snell, Fort Belknap Reservation, MontanaRochelle Strike, Fort Belknap Reservation, MontanaSandra Wuttunee, Fort Belknap Reservation, Montana
RED EAGLE SINGERS, WIND RIVER RESERVATION, WYOMING -- RED EAGLE SINGERS, WIND RIVER RESERVATION, WYOMINGColleen Shoyo, Wind River Reservation, WyomingClaudenise Hurtado, Wind River Reservation, WyomingChardell Shoyo, Wind River Reservation, WyomingEvalita Shoyo, Wind River Reservation, WyomingLaMelia Shoyo, Wind River Reservation, WyomingBernadine Stacey, Wind River Reservation, Wyoming
PLAINS BIG DRUM
LITTLE RIVER SINGERS -- LITTLE RIVER SINGERSJohn Fitzpatrick, Washington, D.C.Bernard Covers Up, Washington, D.C.Gene Elm, Washington, D.C.Jerry Gipp, Washington, D.C.Roger Iron Cloud, Washington, D.C.
POMO SONG TRADITIONS
Bernice Torres, vocals, hand drum, rattles, Sebastopol, California
SEMINOLE SINGER AND STORYTELLER
Betty Mae Jumper, 1923-, vocals, Hollywood, Florida
SOUTHERN PLAINS SONGS
Gwen Shunatona, Pawnee-Otoe, vocals, Washington, D. C.
TRADITION-BASED CONTEMPORARY SONGS
ULALI -- ULALIPura Fe, Cherokee-Tuscarora, vocals, rattles, hand drum, Philadelphia, PennsylvaniaJennifer Kreisberg, Cherokee-Tuscarora, vocals, rattles, hand drum, Hartford, ConnecticutSoni Moreno-Primeau, Aztec-Maya, vocals, rattles, hand drum, Staten Island, New York
WARM SPRINGS AND WASCO SONG TRADITIONS
Mary Ann Meanus, vocals, hand drum, Warm Springs, Oregon
YUPIK SONG TRADITIONS
Elena Charles, 1918-, vocals, hand drum, Bethel, Alaska
Mary Stachelrodt, vocals, hand drum, Bethel, Alaska
ZUNI CEREMONIAL DANCE AND SONG
OLLA MAIDENS -- OLLA MAIDENSCornelia Bowannie, vocals, hand drum, frog box, Zuni Reserve, Zuni, New MexicoLoretta Beyuka, dance, Zuni Reserve, Zuni, New MexicoJoy Edaakie, dance, Zuni Reserve, Zuni, New MexicoArliss Luna, vocals, hand drum, frog box, Zuni Reserve, Zuni, New Mexico
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1995 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
101 Called to the Drum / Alma Brooks, Celina Jones, Margaret Paul. Drum.
102 Good Time Music / Bernice Torres, Dorothy Whitehorse DeLaune, Lillian Ashley. Drum.
Local Numbers:
FP-1995-CT-0479
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 23, 1995.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Good Time Music / Bernice Torres, Dorothy Whitehorse DeLaune, Lillian Ashley. Drum.
102 Ways of Our Grandmothers / Bernice Torres, Elena Charles, Sharon Burch. Hand drums.
103 Festival Encounters: Mothers and Daughters: Transmission of Music / Eva Porubova, Eva Stiková, Mary Stachelrodt. Hand drums.
Local Numbers:
FP-1995-CT-0480
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 23, 1995.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Called to the Drum / Crying Woman Singers, Wabunoag Singers, Gwen Shunatona. Drum.
102 Recording Indian Women's Music / Charlotte Heth, Judith Gray, Thomas Vennum.
103 Good Time Music / Bernice Torres, Dorothy Whitehorse DeLaune, Mary Stachelrodt.
Local Numbers:
FP-1995-CT-0483
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 24, 1995.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Good Time Music / Bernice Torres, Dorothy Whitehorse DeLaune, Elena Charles.
102 Ways of Our Grandmothers / Crying Woman Singers, Wabunoag Singers, Elizabeth Hill.
103 Navajo Singers / Sweethearts of Navajoland, Sharon Burch. Guitar.
Local Numbers:
FP-1995-CT-0484
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 24, 1995.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
102 Ways of Our Grandmothers / Bernice Torres, Gwen Shunatona. Hand drums,Rattle (Musical instrument).
Local Numbers:
FP-1995-CT-0486
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1995.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Indian Christian Songs / Betty Mae Jumper, Dorothy Whitehorse DeLaune. Hand drums.
102 Making Our Own Songs / Celina Jones, Geraldine Barney, Lillian Ashley. Water-drum,Guitar.
Local Numbers:
FP-1995-CT-0490
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1995.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Making Our Own Songs / Geraldine Barney, Lillian Ashley, Sandra Wuttunee. Water-drum,Guitar.
102 Ways of Our Grandmothers / Bernice Torres, Betty Mae Jumper, Dorothy Whitehorse DeLaune.
103 Contemporary Singer/Songwriters / Geraldine Barney, Elizabeth Hill. Guitar.
Local Numbers:
FP-1995-CT-0491
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1995.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
103 Ways of Our Grandmothers / Betty Mae Jumper, Dorothy Whitehorse DeLaune, Elena Charles.
Local Numbers:
FP-1995-CT-0494
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 27, 1995.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Recorded in: Washington (D.C.), United States, June 30, 1995.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
102 Powwow Songs / Anita Anquoe George, Bernadine Stacey, Mary Ann Anquoe.
Local Numbers:
FP-1995-CT-0498
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 30, 1995.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Called to the Drum / Red Eagle Singers, Anita Anquoe George.
102 Making Our Own Songs / Ulali (Musical group), Betsy Buck, Geraldine Barney.
103 Ways of Our Grandmothers / Mary Ann Meanus.
Local Numbers:
FP-1995-CT-0500
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 1, 1995.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
