This finding aid is intended as a historical document of the event, July 1-4, 1967 and the participants in this festival. Not all of the individuals listed below were recorded or photographed. The documentation of this festival was minimal so there is not a wealth of material still existing or accessible from this event for study. What exists is listed later in this document. Contains parts of several boxes of paper records. 7 reel to reel audiotapes, photographs.
Scope and Content note:
The collection includes the paper records that resulted from the production of the program. The collection includes audiovisual documentation during the festival itself including audio recordings and photographs. For specific information about the materials in each series, please refer to the series description. For additional information about the 1967 Festival of American Folklife, one should consult the central Smithsonian Institution Archives and the papers of the Division of Performing Arts.
Historical note:
In 1967, the Smithsonian held its first ever Festival of American Folklife. Then Smithsonian Secretary S. Dillon Ripley was interested in getting the museum out to the people. He assigned the task of creating a festival to James Morris, head of what was then the Smithsonian Division of Performing Arts. Ralph Rinzler was hired as the folklore consultant. Rinzler had been one of the chief talent scouts for the Newport Folk festival and had done extensive fieldwork on American folk traditions. Rinzler had also been involved in the creation of the "festival workshop" concept which incorporates narratives and audience interaction with musical performance. He also felt strongly that craft and food traditions were equally important and also a major part of the folklife of a traditional community.
This four day event set the pattern for what became a yearly event. It featured craft traditions as well as musical performances by some of the well known traditional musicians of the 20th century, many of whom had previously appeared at the Newport Folk Festival.
List of Festival Participants:
Crafts
Louise Jones, Coil basket making, South Carolina
Margaret Coochwytewa, Coil and Yucca leaves, Hopi basket maker, Arizona
Joseph Grismayer, Willow, basket maker, Pennsylvania
Bea Hensley, blacksmith, North Carolina
Homer Miracle, Hand-hewn bowls, carver, Kentucky
Charles Mayac, Ivory carver, Alaska
Leo J. Meyer, scrimshaw carver, Maryland
Edd Presnell, Dulcimer maker, North Carolina
Willard Watson, Toy maker, North Carolina
Dewey Harmon, Whittler, North Carolina
Herman Benton, Scoop maker, New York
Robert Keith, Chair maker, North Carolina
Mrs. Robert Keith, Chair maker, North Carolina
Clifford Lucas, Indian dolls, New Mexico
Hazel Miracle, Apple face, corn shuck dolls, Kentucky
Mildred Cleghorn, Indian cloth dolls, Oklahoma
Alice Merryman, Corn shuck dolls, Arkansas
Lila Marshall, Corn shuck dolls, North Carolina
Ann Mitchell, Corn shuck dolls, Maryland
Maisy Coburn, Apple face and Corncob dolls, Arkansas
Mary Bowers, Seminole patchwork, needlework, Florida
Wade Ward and the Buck Mountain Band, mountain sting band, Virginia
Ed Young and family, African American fife and drum group, Mississippi
Bessie Jones and the Georgia Sea Island Singers, shouts, jubilees, spirituals, and ring games, Georgia
The Moving Star Hall Singers, shouts, jubilees, spirituals, and ring games, South Carolina
Yomo Toro Band, Puerto Rican music, New York
Billie and De De Pierce and the Preservation Hall Jazz Band, New Orleans jazz, Louisiana
Jimmie Driftwood, Ozark ballad singer, Arkansas
John Papakee, Mesquakie Indian music, Iowa
Grace Papakee, Mesquakie Indian music, Iowa
Almeda Riddle, Ozark ballad singer, Arkansas
Vinice Lejeune Group, Cajun band, Louisiana
John Jackson, Songster and blues singer, Virginia
Libba Cotten, Country guitarist, North Carolina, Washington, D.C.
The Baca Family Band, Czech-American polka music, Texas
Norman Kennedy, Scots ballad singer, Massachusetts
The McGee Brothers with Sid Harkreader, String band, Tennessee
Glenn Ohrlin, Cowboy singer, Arkansas
Young People's Chorus from the Scripture of Church of Christ, gospel, Virginia
Dance
Blue Ridge Mountain Dancers, cloggers, North Carolina
St. Andrews Society Group, Scottish dancing, Washington, D.C.
Glinka Dancers, Russian dance group, New Jersey
McNeff Dancers, Irish dancing with Ceilidh band, New York
Chinese Lion Group, Washington, D.C.
Jochim Koyuk, King Island Eskimo dancer, Alaska
Mrs. Jochim Koyuk, King Island Eskimo dancer, Alaska
Los Gallegos d'Espana, Galician dance, New York
Henry Paterick, square dance caller, Virginia
Maurice Flowers, square dance caller, Maryland
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.
Related Publications:
The following publications exist in the archive library and can be studied on-site.
Eaton, Allen H., Handicrafts of the Southern Highlands, New York: Russell Sage Foundation, 1937
Jones, Bessie and Bess Lomax Hawes, Step it Down: Games, Plays, Songs, and Stories from the Afro-American Heritage, New York: Harper and Row, 1972.
Kirlin, Katherine S., and Thomas M. Kirlin, Smithsonian Folklife Cookbook, Washington, D.C.: Smithsonian Press, 1991
Kurin, Richard, Reflections of a Culture Broker: A View from the Smithsonian, Washington, D.C.: Smithsonian Press, 1997
Kurin, Richard, Smithsonian Folklife Festival: Culture Of, By, and For the People, Washington, D.C.: Smithsonian Institution. Center for Folklife Programs and Cultural Studies, 1998
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Citation:
Smithsonian Folklife Festival Documentation Collection, Ralph Rinzler Folklife Archive and Collection, Smithsonian Institution.
Taos: Moonlight song ; Gambling song --San Ildefonso: Eagle dance --Zuni: Rain dance --Hopi: Butterfly dance -- Navajo: Night chant ; Enemy way song --Western Apache: Devil dance ; Sunrise song --Yuma: Birds song cycle -- Papagao: Saguaro song --Walapai: Funeral song ; Havasupai: Stick game song.
Local Numbers:
FW-ASCH-78-2464
Folkways.1491
Publication, Distribution, Etc. (Imprint):
New York Folkways 1951
Date/Time and Place of an Event Note:
Recorded in: Arizona, New Mexico, United States.
General:
Program notes by Harry Tschopik, Jr. and W. Rhodes with the cooperation of the United States Office of Indian Affairs. "Recorded in Indian communities by Willard Rhodes with the cooperation of the United States Office of Indian Affairs." Title on container: American Indians of the Southwest. Performer(s): Sung and performed by Apache, Havasupai, Hopi, Papagao, San Ildefonso, Taos, Walapai, Yuma, and Zuni Indians.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Sun dance (1:32) -- Love song (0:57) -- Crazy Dog song (1:41) -- Buffalo dance song (1:03) -- Man's love song (0:54) -- Hand game song (1:42) -- Prisoner's song (2:20) -- World War II song (1:36) -- Warrior death song for Sitting Bull (2:00) -- Canvas dance song (1:40) -- Funeral song (1:37) -- Suguaro song (1:58) -- Peyote song : first song cycle (1:26) -- Moonlight song (2:09) -- Eagle dance (2:59) -- Butterfly dance (1:41) -- Lullaby (0:58) -- Rain dance (1:47) -- Night chant (1:43) -- Song of happiness (1:09) -- Silversmith's song (1:09) -- Corn grinding song (0:59) -- Children's songs (1:47) -- Church song (1:03) -- Devil dance, crown dance (2:57). Wolf song (2:05) -- Potlatch song (1:38) -- Hamatsa song (1:12) -- War song for marriage (1:50) -- Rabbit dance song (2:03) -- Cree dance song (2:24) -- Fiddle dance song (1:00) -- Bear hunting song (1:44) -- Inviting-in dance song (0:47) -- His first hunt (2:06) -- Hunting for musk ox (3:33) -- Corn dance (2:08) -- Stomp dance (1:57) -- Song of welcome (1:19) -- Buffalo feast song (1:06) -- Morning song (1:12) -- Song of the unfaithful woman (0:59) -- Hoot owl song (1:09) -- Oh Mary (1:01) -- Catholic hymn (0:42) -- Calusa corn dance song (1:32) -- Song of removal (1:41) -- Fortynine dance (2:00) -- Unidentified track (1:03) -- As long as the grass shall grow (6:03).
Track Information:
101 Sun Dance / Drum,Whistle.
102 Love Song.
103 Crazy Dog Song / Jack Low Horn, Jim Low Horn, Emil, Mrs. Wings. Drum,Rattle (Musical instrument).
106 Hand Game Song / William Peaychew. Sticks (Musical instrument).
104 Buffalo Dance Song / Jack V. Anquoe, Kenneth Anquoe, Nick Webster. Drum.
105 Man's Love Song / Mark Evarts.
107 Prisoner's Song / William Burn Stick. Drum.
108 World War II Song / George Nicotine. Drum. English language.
109 Warrior Death Song for Sitting Bull / Bass drum,Bells.
207 Song of Happiness / Fort Wingate (N.M.) Indian School. Drum,Harmonica. Navajo language.
208 Silversmith's Song / Ambrose Roanhorse. Anvils. Navajo language.
209 Corn Grinding Song / Basket drum. Navajo language.
110 Canvas Dance Song / Baptiste Pichette, Eneas Conko. Drum.
111 Funeral Song.
112 Suguaro Song.
113 Peyote Song: First Song Cycle / Burton John, Roy James. Drum,Rattle (Musical instrument).
201 Moonlight Song.
202 Eagle Dance / Drum.
203 Butterfly Dance / Drum.
204 Lullaby.
205 Rain Dance.
206 Night Chant / Rattle (Musical instrument). Navajo language.
210 Children's Song: Wolf Song / Irene Chalepah Poolaw. Kiowa Apache.
303 Hamatsa Song, Cedar Bark Dance / Mungo Martin.
304 War Song for Marriage / Billy Assu.
305 Rabbit Dance Song.
306 Cree Dance Song.
307 Fiddle Dance Song / Fiddle.
308 Bear Hunting Song / Sebastian McKenzie.
309 Inviting in Dance Song / Otis Ahkivigak.
310 His First Hunt / Kemukserar, Pangatkar.
311 Hunting for Musk Ox / Kemukserar, Pangatkar. Drum.
401 Corn Dance / Thomas Lewis.
402 Stomp Dance / Huron Miller.
403 Song of Welcome / Albert Yellow Thunder, Blow Snake, Winslow White Eagle.
404 Buffalo Feast Song / Albert Yellow Thunder, Blow Snake, Winslow White Eagle.
405 Morning Song / Albert Yellow Thunder, Blow Snake, Winslow White Eagle. Rattle (Musical instrument).
406 Song of the Unfaithful Woman / Albert Yellow Thunder, Blow Snake, Winslow White Eagle. Flute.
407 Hoot Owl Song / David, Oshawenimiki Kenosha.
408 Oh Mary / Fred Lacasse.
409 Catholic Hymn / Thomas Shalifoe.
410 Calusa Corn Dance Song / Billy, Gatcayehola Stewart.
411 Song of Removal / Billie Stewart, Susie Tiger.
412 Fortynine Dance / Fred Lacasse. English language.
413 The Seneca: As Long As the Grass Shall Grow / Peter La Farge.
Local Numbers:
FW-COMM-LP-04541
Folkways.4541
Publication, Distribution, Etc. (Imprint):
New York Folkways 1973
Date/Time and Place of an Event Note:
Recorded in: Florida, Michigan, Wisconsin, Onondaga Indian Reservation (N.Y.), Chesterfield (Alaska), Barrow, Point (Alaska), Alaska, Schefferville (Québec), Québec (Province), Montana, Fort Wingate (N.M.), New Mexico, Fort Qu'appelle (Sask.), Canada, Saskatchewan, New York (N.Y.), United States, New York.
General:
Commercial
Songs and dance music from many tribes including Sioux, Cree, Hopi, Zuni, Navajo, Apache, Kwakiutl-Nootka, Slavey, Iroquoian, Winnebago, Ojibwa, Seminole, and others. Compiled and edited by Michael I. Asch. Originally compiled principally from material previously released on several Folkways and Asch recordings. Program notes in English by Michael I. Asch and others, and Native American vocal texts with English translations and English vocal texts (10 p.)
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.