The records of the National Arts Club measure 32.1 linear feet and date from 1898 to 1960. The collection documents the founding of the club, and it's governance, administration, exhibitions, and social activities
Scope and Content Note:
Records of the National Arts Club, spanning the period 1898 to 1960, document the founding of the organization, and its governance, administration, finances, exhibitions, and social activities. There are large gaps in the records and many of those surviving are incomplete, which can be explained by a 1932 resolution of the Board of Governors that "old files and letters and bills in the storeroom prior to 1922 may be destroyed at the discretion of the Secretary and Treasurer."
Minutes and reports of the Board of Governors and Executive Committee are fairly complete through 1949, but sparse thereafter. Records do not exist for all standing and special committees, and those remaining tend to be concentrated in the early twentieth century.
Correspondence of the officers, for the most part, is routine and relates to administrative matters. Financial records cover the period 1917 to 1950, with a large number of gaps.
A small number of records of the Arts Realty Co. (later known as 15 Gramercy Park, Inc.) are extant. These include lists of stockholders, correspondence concerning mortgage bonds, and minutes.
Membership records, arranged alphabetically, are available for the years 1931 to 1959, and there are rosters arranged by membership category, 1940-1952; in addition, printed membership lists were issued circa 1900-1951.
More than four hundred exhibitions are known to have been held in the galleries of the National Arts Club between 1899 and 1960. Catalogs for 124 National Arts Club exhibitions are available at the Archives of American Art; 69 titles are to be found among the Club's records and an additional 55 were microfilmed previously as parts of other collections. Other exhibition documentation includes printed matter such as invitations, entry blanks, publicity, and photographs (see Appendix A). For some exhibitions, supporting documentation such as correspondence with exhibitors and collectors, sales and consignment records, and shipping receipts have survived. These files are mainly confined to Books of the Year exhibitions, Arts and Crafts/Decorative Arts exhibitions, and a smaller number of exhibitions of Living American Etchers, 1928-1957.
General social events, activities sponsored by Arts Club committees, and special commemorative occasions are documented by invitations, programs, publicity, calendars of events, and photographs. The majority of this material is contained in seventeen scrapbooks, 1898-1940. Programs of the Men's Open Table, 1915-1950, are particularly well documented by the Chairman's correspondence and three volumes containing meeting notices with signatures of members in attendance.
In addition to printed matter relating to exhibitions and events, scrapbooks, 1898-1940, contain general publicity, clippings concerning members, and samples of National Arts Club printed matter such as form letters to the general membership, brochures, ballots, house rules, published membership lists, year books, and the like. Loose printed matter augments that preserved in the scrapbooks. These sources combined provide a fairly complete set of the Bulletin, but the number of year books is small, and there are catalogs of only slightly more than a third of the exhibitions identified.
Photographs, in addition to those recording exhibitions and events, include portraits of governors, officers, distinguished visitors, speakers, and performers; views of Gramercy Park and the interior and exterior of the clubhouse; and works of art in the permanent collection.
Miscellaneous material includes information on the National Arts Club's first home on West 34th Street, and the Tilden Mansion, its current clubhouse on Gramercy Park; histories of the organization; unpublished speeches presented at Club occasions; and copies of legal documents, including the Club's charter and act of incorporation.
See Appendix A for an annotated list of National Arts Club exhibitions, 1899-1960
The records are arranged into the following series:
Series 1: Board of Governors, 1898-1960, undated
Series 2: Administration, 1898-1960, undated
Series 3: Financial Records, 1917-1952
Series 4: Membership, circa 1900-1962
Series 5: Arts Realty Co., 1909-1913, 1945-1956, undated
Series 6: Miscellaneous, 1890-1961, undated
Series 7: Photographs, 1899-1957, undated
Series 8: Printed Matter, 1893-1960, undated
Series 9: Scrapbooks, 1898-1940
The National Arts Club was founded by Charles de Kay, literary and art critic for the New York Times who believed there was a need for a club uniting all of the arts. In March of 1898, de Kay called together a number of civic leaders and men prominent in the art world who supported the idea, elected the first officers and incorporated the Club in 1899.
As stated in a circular issued by the Club, its specified purposes were: to promote the mutual acquaintance of art lovers and art workers in the United States; to stimulate and guide toward practical and artistic expression the artistic sense of the American people; to maintain in the City of New York a Club House...for social purposes in connection with the arts; to provide proper exhibition facilities for such lines of art, especially applied and industrial art, as shall not be otherwise adequately provided for in the same City; and to encourage the publication and circulation of news, suggestions and discussions relating to the fine arts.
During its initial months, the National Arts Club operated from a temporary office at 156 Fifth Avenue. In the search for a permanent site, considerable care was taken to select an auspicious location and accommodations, and in 1899 the first clubhouse was opened at 37 West 34th Street in leased quarters renovated expressly for the Club. Within a year, the gallery and restaurant required additional space, and there was a desire to provide overnight quarters for members visiting from out of town. In 1901 the Club created a corporation, Arts Realty Co., which issued shares to members and other investors for the purpose of raising funds to purchase the adjacent property (39 West 34th Street). This end was accomplished, and when it was decided to move the Club to another location, proceeds from the sale of the lease on 37 West 34th Street and the lot next door, augmented by additional funds subscribed by members, enabled Arts Realty Co. to acquire the Tilden Mansion at 15 Gramercy Park in 1905. Construction was begun immediately on a connecting studio tower to the rear (119-121 East 19th Street), designed by architect and Club President George B. Post. Upon completion, the Club bought the property from Arts Realty Co., issuing both First and Second Mortgage Bonds to individual subscribers. The Gramercy Park property has been occupied by the Club since 1906.
A show of American gold and silver work in October 1899 was the first exhibition held at the National Arts Club. Decorative arts, crafts, and industrial arts figured prominently in early exhibitions, as did designs for civic improvements. The monthly exhibition schedule emphasized contemporary American art, but also included some historical shows. Members of the public were admitted without charge to the galleries, where they could view such innovative and important exhibitions as Pictorial Photographs presented by the Photo-Secession (1902) and a group exhibition featuring the works of Robert Henri, William Glackens, George Luks, Arthur B. Davies, and Maurice Prendergast (1904). After about 1907, exhibitions grew more conservative, probably reflecting the personal tastes of Art Committee members rather than a formal opposition of the Club to nonrepresentational art. Increasingly, the exhibition schedule was filled by shows of members' work, the Club's permanent collection (mainly works by artist members, usually given in payment for life membership), the Annual Arts and Crafts exhibitions, Books of the Year exhibitions, and shows organized by various art societies.
In addition to exhibitions, the National Arts Club regularly featured a variety of cultural programs such as concerts, lectures, and dramatic presentations for members and guests. Parties, dinner, dances, and other social activities drew members to the Club, too. During its first years, some artist members expressed dissatisfaction with the high priority given social functions; by 1905, J. Carroll Beckwith, Walter Shirlaw, and Stanford White were among those who had resigned for this reason.
Within the National Arts Club there have been some smaller societies. The earliest of these were The Discus, a short lived dining and debating club, and The Vagabonds, a lunch group of writers, editors, printers and illustrators. The Men's Open Table, founded in 1910, met weekly for more than forty years for dinner followed by a talk, given by a fellow member or an outside, often professional, lecturer. A wide range of topics, not necessarily on the arts, were presented and discussed at the Men's Open Table. The American Institute of Graphic Arts is one of the organizations said to have developed from associations formed and discussions held at the Men's Open Table. A Women's Open Table, patterned after the men's, was established later.
The National Arts Club, unlike many other private clubs founded during the same era, admitted women members from its inception. Throughout its history, the Club's membership has been comprised of artists, musicians, writers, and performers, as well as collectors and supporters of the arts drawn from all parts of the country. Membership peaked at around 1,800 in 1920, declining throughout the Depression and again in the mid-1950s, and remaining at about 600 for the next two decades.
1898 -- Founding; occupied temporary office at 156 Fifth Ave.
1899 -- Incorporation; leased clubhouse at 37 West 34th St.; opened first exhibition, American Gold and Silver Work
1900 -- Constitution adopted
1901 -- First donations to permanent collection; Arts Realty Co. formed for the purpose of acquiring and financing the adjacent property (39 West 34th St.)
1905 -- Arts Realty Co. purchased Gramercy Park property (Tilden Mansion) on behalf of NAC; remodeling of clubhouse and construction of studio tower begun
1906 -- Plan for financing new clubhouse approved; second Mortgage Bonds issued; clubhouse and studio tower occupied; First Annual Books of the Year Exhibition
1907 -- Annual Members' Exhibition initiated; Bulletin began publication
1910 -- First meeting of Men's Open Table (established 1909)
1914 -- Essay contest, "A Critical Estimate of the Altman Collection"
1917 -- American Artists War Emergency Fund Committee issues art stamp
1923 -- Junior Artist membership category created
1930-1931 -- Essay contest, "Soul of America"
1940 -- Works by deceased artist life members deaccessioned from permanent collection; fund for refugee artists established
1962 -- Clubhouse designated New York City Landmark
1976 -- Clubhouse designated National Historic Landmark
1987 -- NAC records donated to Archives of American Art
Appendix A: Annotated List of National Arts Club Exhibitions, 1899-1960:
* = photographs included with records of NAC (See pp. 22-23 for reel and frame numbers)
+ = photograph in NAC album (See pp. 24 for reel and frame numbers)
x = catalog, checklist, or printed announcement included with NAC printed matter
s = copy of catalog in NAC scrapbook (volume number noted, see pp. 27-32 for reel and frame numbers of each volume)
Microfilm reel and frame numbers (e.g.: N134:416-419) are cited below for NAC catalogs appearing in other collections within the Archives of American Art.
DateExhibitionOct. 30 *, 1899 -- House Warming, Exhibition of American Gold and Silver Work
Nov. 13-18, 1899 -- Tenth Exhibition of the Woman's Art Club; Reception to Miss Cecilia Beaux (N134:416-419)
Nov. 27-Dec. 10, 1899 -- Art Pottery, American, Oriental, and European (N134:407-415)
Dec. 23-Jan. 8, 1899 -- Exhibition of Small Bronzes (N134:437-443)
Jan. 13, 1900 -- Exhibition of Photographs, works by members of the Society of Mural Painters
Jan. 29, 1900 -- Design for Street Refuge, shown by New York Municipal Art Society
Feb. 5-22, 1900 -- Exhibition of Embroideries and Native Rugs (N134:420-425)
Feb. 24-Mar. 10, 1900 -- John Leslie Breck Memorial Exhibition (N443:703-708; N551:719-724)
Mar. 24-Apr. 14, 1900 -- Pastel Exhibition, American Work
Apr., 1900 -- Old and Modern Japanese Prints
Apr. 14-21, 1900 -- Ernest Tarleton Memorial Exhibition
Apr. 21-May 3, 1900 -- Exhibition of Color Reproductions, American and European
May 10-21, 1900 -- American Art Leatherwork (N134:432-426)
May 24-30, 1900 -- Small Exhibition of Japanese Water Colors
May 31-June 14, 1900 -- William Hamilton Gibson Memorial Exhibition
June, 1900 -- New York Municipal Art Society Competition
Nov. 28-Dec. 19 x, 1900 -- Arts and Crafts (N134:421-431)
Jan., 1901 -- Birds and Beasts in Art
Feb., 1901 -- Art Leatherwork and Objects Relating to the Hearth
Mar., 1901 -- Works by the Society of Mural Painters
Apr., 1901 -- Books and Bookmaking
Apr., 1901 -- Howard Walter, Water Colors Taken in Europe
May, 1901 -- Glass in the Arts
May, 1901 -- Memorial to John A. Fraser, His Paintings
May-Nov., 1901 -- Arts and Crafts in the Liberal Arts Building, Pan-American Pacific Exhibition, Buffalo, N.Y.
June-Sept., 1901 -- Sculpture, Oil Paintings, Pastels, Water Colors, and Objects of Industrial Art by Members of the Club
Oct., 1901 -- Memorial Window for the Ames Family by John La Farge
Nov., 1901 -- Annual Exhibition of Paintings and Sculpture by the Woman's Art Club
Dec., 1901 -- Objects Shown at the Pan-American Pacific Exposition
Jan., 1902 -- Ecclesiastical Art
Feb., 1902 -- Art Objects Relating to Civic Art, under the auspices of the Municipal Art Society
Mar., 1902 -- American Pictorial Photographs, shown by the Photo-Secession
Mar. 26-Apr. 21, 1902 -- Fourth Annual Exhibition of the National Sculpture Society (N551:725-729; N134:446-451)
May, 1902 -- Pictures of "Womanhood"
May, 1902 -- Memorial Window for Baltimore by D. Maitland Armstrong; Memorial Window for Wells College by Mrs. Ella Condie Lamb June Window in Stained Glass, Memorial to Julia Doane, Chicago, by John La Farge
Oct., 1902 -- Collection of Objects in Metal; Artistic Bird Cages lent by A. W. Drake, Esq.
Nov., 1902 -- Annual Exhibition by the Woman's Art Club
Nov., 1902 -- Paintings by Four Western Artists, Messrs. Duveneck, Steele, Meakin and Sharp, through the courtesy of the Cincinnati Museum Association
Dec., 1902 -- Designs Submitted for Competition for the Emblem of the Louisiana Purchase Exposition
Jan. s, 1903 -- Portraits of Napoleon, lent by John Leonard Dudley, Jr., Esq. (volume 4)
Jan., 1903 -- "Autumn," Stained Glass Window for the country residence of William C. Whitney, by John La Farge
Feb., 1903 -- Eskimo and Arctic Objects, with Paintings from the Arctic and Antarctic Circles by Frank Wilbert Stokes
Mar., 1903 -- Objects of Municipal Art
Apr., 1903 -- Examples of Ideal Art by American Artists
May, 1903 -- Sculptures by Rodin, Roche, and Rivere, belonging to Miss Lois Fuller
May, 1903 -- Portraits and other Paintings by American Artists of the Colonial and Early Periods
June-Oct., 1903 -- Summer Exhibition of Paintings, Water Colors, and Sculpture by Members of the Club
Nov., 1903 -- Jewelry and Precious Stones, Modern, Old and Oriental
Dec. 1-14, 1903 -- Thirteenth Annual Exhibition of the Woman's Art Club (N134:452-456)
Dec., 1903 -- Stained Glass Window, designed by Miss Mary E. Tillinghast
Dec., 1903 -- Sketches for the Sculpture at the Louisiana Purchase Exposition, shown by the National Sculpture Society
Jan. 5-16 s, 1904 -- Loan Exhibition of Pictures by Eminent American Painters (N134:426-464, and volume 4)
Jan. 5-16 s, 1904 -- Loan Exhibition of Pictures by Robert Henri, William Glackens, George Luks, Arthur B. Davies, and Maurice Prendergast (volume 4)
Feb., 1904 -- Pictures by Contemporary American Artists
Mar. 2-15, 1904 -- Loan Exhibition of Pictures by American Figure Painters (N50:471-472; N134:460-461)
Mar., 1904 -- Annual Exhibition of Objects of Municipal Art
Apr. 5-15 s, 1904 -- Loan Exhibition of Pictures by Some Boston Artists (N443:713-715, and volume 4)
Apr. 19-30 s, 1904 -- Loan Exhibition of Pictures by Old Masters, lent by the Messrs. Durand-Ruel (N443:711-712; N134:462-464, and volume 4)
May 3-14 s, 1904 -- Oil Paintings, Water Colors, and Drawings by John La Farge, N.A. (volume 4)
May, 1904 -- Photographs of Paintings by Old Italian Masters, under the auspices of the Library Committee
Oct., 1904 -- Work of Holders of the Lazarus and Reinhart Scholarships executed while at the American Academy in Rome
Nov., 1904 -- "The Moral and Divine Law," painting by John La Farge
Nov., 1904 -- Exhibition by Members of the Nippon-Bijitsuin (Japanese Art Academy)
Jan., 1905 -- Exhibition by the Lyme Group of Painters
Feb., 1905 -- "Old Masters" and Aphrodite
Feb., 1905 -- Pictures by Some Boston Artists
Mar., 1905 -- Annual Exhibition of the Municipal Art Society of New York
Apr., 1905 -- Artistic and Commercial Posters, under the Auspices of the Municipal Art Society
Apr., 1905 -- Textiles and Ceramics
Oct., 1905 -- "Out of Doors" as Seen by Various Artists
Nov., 1905 -- Color Prints by S. Arlent-Edwards
Dec., 1905 -- American Indians as Seen by the Artist and the Artist Photographer
Jan., 1906 -- Birds and Beasts in Art
Feb., 1906 -- Miniatures
Mar., 1906 -- Fifth Annual Exhibition of the Municipal Art Society
Mar., 1906 -- Exhibition by the Alumni of Cooper Institute
Apr. 2-14 s, 1906 -- Municipal Art Society Exhibit of Poster Designs (volume 4)
Apr.-May, 1906 -- Exhibition by the Women's Art Club of New York
Nov. 8-18 s, 1906 -- Opening Exhibition [first exhibition in new quarters]: American Paintings from the Collection of Mr. William T. Evans (D45:29-34, and volume 4)
Dec., 1906 -- Books of the Year
Dec. 8-Jan. 1 s, 1906 -- Pictures by Some American Painters (volume 4)
Jan. 12-Feb. 1 s, 1907 -- Modern German Paintings from the Collection of Mr. Hugo Reisinger (N443:716-717, and volume 4)
Feb. s, 1907 -- Exhibition of Wood Engravings by Timothy Cole made for Century Magazine
Feb., 1907 -- Longfellow Memorial
Mar. 13-31, 1907 -- Sixth Annual Exhibition of the Municipal Art Society of New York
Apr., 1907 -- New York Society of Ceramic Artists
Apr., 1907 -- Paintings and Sculpture by Members
May s, 1907 -- Exhibition of Artists' Preliminary Sketches
May-Nov., 1907 -- Sketches by Members
Oct. 16-Nov. 16 s, 1907 -- Fall Exhibition of Sketches by Members (volume 4)
Nov. 20-Dec. 11, 1907 -- Arts and Crafts Exhibition (N29:1001-1026)
Dec., 1907 -- Second Annual Exhibition of the New Books of the Year
Jan. 4-25 s, 1908 -- Contemporary Art (N443:744-746, and volume 5)
Feb., 1908 -- First Annual Exhibition of Advertising Art
Nov., 1927 -- Twenty-second Annual Exhibition of Books of the Year
Dec. 7-24 +, 1927 -- Fifth Annual Exhibition of Works of Living American Etchers (N552:13-18)
Jan., 1928 -- Members' Annual Exhibition of Painting and Sculpture
Feb. 8-29 +, 1928 -- Small Paintings
Mar. 8-31 x, 1928 -- Exhibition of Decorative Arts
Apr. 4-20 +, 1928 -- Exhibition by Junior Artist Members of the Club
Nov., 1928 -- Twenty-third Annual Exhibition of Books of the Year
Dec., 1928 -- Small Paintings
Jan. 8-Feb. 8 + -- Members' Annual Exhibition of Painting and Sculpture
Feb. 13-Mar. 8 -- Sixth Annual Exhibition by Living American Etchers
Mar. + -- Richard M. Hurd Loan Exhibition of Italian Primitives
Apr. 3-26 + -- Exhibition by Junior Artist Members of the Club
May 1-Oct. 1 + -- Summer Exhibition by Painter Life Members
Nov. -- Twenty-fourth Annual Exhibition of Books of the Year
Dec. 4-26 * + -- Exhibition of the Decorative Arts
Jan. 8-Feb. 1 +, 1930 -- Members' Annual Exhibition of Painting and Sculpture
Feb. 5-28 x +, 1930 -- Seventh Annual Exhibition of Living American Etchers
Mar. 5-28 +, 1930 -- Junior Artist Members' Exhibition
Apr. 16-Sept. 30 +, 1930 -- Members' Exhibition of Small Paintings (N134:484-490)
Nov., 1930 -- Silver Anniversary Exhibition of Books of the Year
Dec. 3-26 * +, 1930 -- Eighth Annual Exhibition by Living American Etchers
Jan. 7-Feb. 6 +, 1931 -- Members' Annual Exhibition of Painting and Sculpture
Mar. 4-27 +, 1931 -- Exhibition by the Junior Artist Members
Mar. 13-Apr. 15 x, 1931 -- Auction Exhibition and Sale by Artist Members
Apr. 1-25 +, 1931 -- Members' Work of the New York Water Color Club
May 2-24 +, 1931 -- The Story of Gramercy Park in Portraits and Historical Objects of the Period, in connection with Gramercy Park Centenary Celebration
June 3-Oct. 1 +, 1931 -- Members' Exhibition of Small Paintings
Oct. 21-Nov. 20, 1931 -- Twenty-sixth Annual Exhibition of Books of the Year
Nov. 26-Dec. 26, 1931 -- Sixteenth Annual Exhibition by the Society of American Etchers (formerly The Brooklyn Society of Etchers)
Jan. 6-13 +, 1932 -- Members' Annual Exhibition of Painting and Sculpture
Feb. 3-27 +, 1932 -- Exhibition of Drawings by Artist Members
Mar. 2-26 +, 1932 -- Paintings by Junior Artist Members
Mar. 13-Apr. 15 +, 1932 -- Auction Exhibition and Sale by Artist Members
Apr. 20-30 +, 1932 -- Exhibition by a Group of New York Art Schools
May 4-Oct. 1 +, 1932 -- Members' Annual Exhibition of Small Paintings
Jan. 4-27 +, 1933 -- Members' Annual Exhibition of Painting and Sculpture
Mar. 1-31 +, 1933 -- Junior Artist Members
Apr. 5-22 +, 1933 -- Society of Illustrators
May 3-Oct. 1 +, 1933 -- Members' Exhibition of Small Paintings and Sculpture
Jan. 3-27 +, 1934 -- Members' Annual Exhibition
Jan. 31-Mar. 2 +, 1934 -- Memorial Exhibition of a Group of Former Painter and Sculptor Members: Max Bohm, Emil Carlsen, Charles Hawthorne, Robert Henri, Karl Bitter, Solon Borglum, Daniel Chester French, Edmund Quinn
Mar. 7-29 +, 1934 -- Junior Artist Members
Apr. 4-27 +, 1934 -- Society of Illustrators, Thirty-second Annual Exhibition
May 2-June 28 +, 1934 -- Members' Exhibition of Small Paintings and Sculpture (N552:69-71; N134:491-494)
Nov.-Dec., 1934 -- Seventeenth Annual Exhibition of the Society of American Etchers (formerly The Brooklyn Society of Etchers) (N552:49-65)
undated -- Twenty-ninth Annual Exhibition of Fifty Books of the Year
Apr. 24-May 3 +, 1940 -- Flower and Still Life Paintings
May 8-June 1, 1940 -- Special Exhibition of Water Colors, Architectural Renderings, Type Compositions, and Color Reproductions by Edwin Hooper Denby, A.I.A., S.A.D.G. (N443:779-780; N134:509-510)
Dec. +, 1940 -- Twenty-fifth Annual Exhibition of the Society of American Etchers
Feb. 4-Mar. 1, 1942 -- Exhibition of Paintings by Artists of the United Nations (N134:512-518)
June 12-Sept. 30, 1942 -- Members' Summer Exhibition (N134:519)
Dec. 16-Jan. 22, 1942 -- Exhibition of Chinese and Indian Art (N134:520)
Mar. 31-, 1943 -- Exhibition of Junior Members (N134:521)
July 1-Sept. 30, 1943 -- Summer Exhibition of Smaller Paintings by Members (N134:522)
Feb. 17-Mar. 15, 1944 -- Exhibition of Studies by American Masters (N134:523)
Oct. 5-27, 1944 -- Exhibition of Enlarged Photographs of American Patriots as Seen in Sculpture (N134:523)
Jan. 10-Feb. 9 x, 1945 -- Members' Annual Exhibition of Painting and Sculpture
Dec. 22-Jan. 4, 1945 -- Seventh Annual Exhibition of the American Veterans Society of Artists, Inc. (N134:527-540)
May 21-30, 1946 -- The Traphagen School Exhibition of Costume Design, Illustrating the Development of American Fashion (N134:526)
Feb. 20-Mar. 7, 1947 -- Exhibition of Contemporary Chinese Paintings (N134:541)
Apr. 20-May 2, 1947 -- Junior Members' Exhibition
Dec. 10-24, 1947 -- Ninth Annual Exhibition of American Veterans Society of Artists, Inc. (N121:721-733)
Feb. 23-Mar. 6, 1948 -- Forty-seventh Annual Exhibition of the New York Society of Ceramic Arts (N134:543)
Mar. 9-21, 1948 -- Annual Exhibition of Junior Members (N134:543)
Apr. 8-May 30, 1948 -- Fiftieth Anniversary Exhibition of Painting and Sculpture by Members, Past and Present (N134:543)
June 10-Sept., 1948 -- Members' Summer Exhibition (N134:544)
Jan. 19-Feb. 9, 1949 -- Fifty-first Annual Exhibition of Painting and Sculpture by Members and Guest Artists (N134:544)
Mar. 14-31, 1949 -- Exhibition by Members of the Federation of Modern Painters and Sculptors (N134:545)
May 5-Sept. 15, 1949 -- Members' Summer Exhibition (N134:546)
Oct. 15-Nov. 4, 1949 -- Fourth Annual Exhibition of the Photo-Engravers Society
Jan. 4-Feb. 1, 1950 -- Fifty-second Annual Exhibition of Paintings and Sculpture by Members and Guest Artists (N134:546-548 and 550)
Jan. 28-Feb. 19, 1950 -- Eighty-third Annual Exhibition of the American Water Color Society (N134:549)
Feb. 8-23, 1950 -- Exhibition of Creative Art Associates (N134:549)
Mar. 16-Apr. 2, 1950 -- Exhibition of Room Interiors Especially Designed by Members of the American Institute of Decorators, in collaboration with Members of the National Society of Mural Painters (N134:551)
May 7-28, 1950 -- Active Members' Exhibition (N134:551-554)
June 28-Sept. 15, 1950 -- Members' Summer Exhibition (N134:555)
Feb. 26-Mar. 17 x, 1951 -- Paul Mommen
Mar. 24-Apr. 19, 1951 -- Exhibition of Paintings by Non-Members (N134:558-559)
May 5-31, 1951 -- Spring Water Color Exhibition (N134:560)
June 6-, 1951 -- Group Exhibition by Distinguished Artist Members: Gifford Beal, Louis Betts, Charles Clapman, Walter Farndon, Albert Groll, Eugene Higgins, Leon Kroll, Van Dearing Perrine, Keith Shaw Williams
Jan. 6-30, 1952 -- Fifty-fourth Annual Exhibition of Paintings and Sculpture by Members and Guest Artists (D176:917-919; N134:561)
Feb. 9-28, 1952 -- Annual Water Color Exhibition (N134:562)
Mar. 9-27, 1952 -- Exhibition of Oil Paintings by Distinguished American Artists (N134:572)
Jan. 4-18, 1953 -- Fifty-fifth Annual Exhibition by Painter and Sculptor Members and Guest Artists (N134:563)
Jan. 25-Feb. 8, 1953 -- Annual Water Color Exhibition (N134:564)
Feb. 15-Mar. 1, 1953 -- Open Exhibition of Oil Paintings (N134:565-568)
Mar. *, 1953 -- Art of Indonesia
May 3-24, 1953 -- Members' Exhibition of Smaller Paintings in Oil (N134:569-571)
Nov. 1-14, 1954 -- The American Artists Professional League, American Art Week (N121:258-259)
Oct. 2-19, 1955 -- Open Water Color Exhibition
Jan. 8-22 x, 1956 -- Fifty-eighth Annual Exhibition by Painter and Sculptor Members and Guest Artists (N134:573-575)
June 17-Sept. 7 x, 1956 -- Members' Summer Exhibition
Sept. 24-Oct. 8 x, 1956 -- James H. Walsh
Oct. 28-Nov. 10 x, 1956 -- Small Picture Exhibition by Members and Guests
Nov. 16-30 x, 1956 -- August Benziger
Dec. 5-22 *, 1956 -- Fiftieth Anniversary Exhibition of Books of the Year
Jan. 6-27, 1957 -- Fifty-ninth Annual Exhibition of Painting and Sculpture by Members and Guest Artists
Feb. 1-15, 1957 -- Catherine Lorillard Wolfe Art Club Sixtieth Annual Exhibition (N134:576-577)
Sept. * x, 1957 -- International Exhibition of Painting and Sculpture
Jan. 10-24 x, 1958 -- Sixtieth Annual Exhibition of Painting and Sculpture by Members and Guest Artists
May 21-31 x, 1958 -- Water Color and Graphic Arts Exhibition by Members and Non-Members
Oct. 17-31 x, 1958 -- Twelfth Annual Exhibition of the Photo-Engravers Society
Nov. 22-Dec. 3 x, 1958 -- Metropolitan Young Artists Show
Jan. 11-26 x, 1959 -- Sixty-first Annual Exhibition of Painting and Sculpture by Members and Guest Artists
Dec. 9-Jan. 7 x, 1959 -- Metropolitan Young Artists Show
Jan. 15-28 x, 1960 -- Sixty-second Annual Exhibition of Painting and Sculpture by Members and Guest Artists
Apr. 18-May 1, 1960 -- Catherine Lorillard Wolfe Art Club Flower Painting Exhibition and Sale (D176:1128-1129)
June 8-29 x, 1960 -- Summer Exhibition of Painting and Sculpture by Members
undated -- * Arts and Crafts Exhibitions
undated -- * x Annual Exhibitions of Books of the Year
undated -- * Ceramic Art Exhibition
undated -- x Water-Oils by Charles S. Chapman, N.A.
undated -- x Fine Art of the Caribbean
undated -- x Painters of the United States, 1720-1920, from the Permanent Collection of the Fine Arts Department, International Business Machines Corp.
undated -- * Pottery Exhibition
undated -- * Traveling Exhibition of Enlarged Photographs of Sculpture and Spring Exhibition of Small Sculpture by Members of the National Sculpture Society
undated -- * Exhibition of Small Sculpture
undated -- x Modern Tapestries from Vienna
undated -- x Annual Open Water Color Exhibition
undated -- x Catherine Lorillard Wolfe Art Club, Flower Paintings Exhibition and Sale
These citations were compiled from Art Index, 1929-1960; The New York Times Index, 1898-1960; Poole's Index to Periodical Literature, 1898-1906; Nineteenth Century Readers' Guide to Periodical Literature, 1898-1899; and Readers' Guide to Periodical Literature, 1900-1960, using the format employed in Art Index. Citations are presented in chronological order, as it is anticipated that most researchers consulting the National Arts Club Records will be interested in a specific event or era in the Club's history, or are apt to be researching artists whose National Arts Club affiliation or exhibition activities were confined to a particular period.
National Art Club. -- Harpers Weekly -- 42:329, April 2.
Club to advance art industries. -- Critic -- 34:349-51, April.
National Arts Club organized. -- New York Times -- (7-2), 29-288-2, April 26.
Position as a factor in the encouragement of the fine arts. G. Teall. -- Craftsman -- 15:604-13, February.
Club officials rule a member may take a process server into club as a guest to serve papers on fellow member, case of R.S. Perrin vs. D. Whipple. -- New York Times -- 7:3, June 29.
Lecture of Prof. Eucken on Art and Morality. -- New York Times -- 9:3, March 1.
Offers prize to member who writes best manuscript on "A Critical Estimate of the Altman Collection." -- New York Times -- 12:7, November 8.
Annual exhibition of Books of the Year; organization of American Institute of Graphic Arts planned. -- New -- York Times 9:3, November 13.
Alexander de Yourevitch has visited Russian political exiles as agent from the Czar; arranges for Russian trade exhibit in New York; National Arts Club has agreed to cooperate. -- New York Times -- 20:2, March 27.
Dinner in honor of Shakespeare celebration, address by Henry Clews. -- New York Times -- 13:2, April 24.
Farewell dinner to Karl Vollmoeller and George Sylvester Viereck at National Arts Club by Alfred Rau. -- New York Times -- III, 7:3, May 7.
Exhibition of Books of the Year (editorial). -- New York Times -- VI, 514:2, November 22.
Awards announced. -- New York Times -- 10:1, January 7.
Paintings exhibition. -- New York Times -- V, 11:13, January 10.
Poster exhibition. -- New York Times -- III, 2:5, March 28.
Thanksgiving dinner to east side waifs. -- New York Times -- 11:1, November 26.
Annual exhibition; Gold Medal and $1000 prize awarded to Ben Foster. -- New York Times -- 10:6, January 4.
Memorial services for W.B. Howland. -- New York Times -- 7:3, March 3.
Offers prizes for best patriotic medal, poem, and song. -- New York Times -- 9:14, April 6.
Offers prizes to promote expression of American patriotism in art. -- New York Times -- IV, 13:2, April 15.
H.A.W. Wood speaks at distribution of prizes. -- New York Times -- 11:3, May 31.
"Road to France," $500 prize offered for appropriate music. -- New York Times -- 13:2, June 9.
American Artists' War Emergency Fund Committee announces that art stamp will be sold to aid artists reduced in circumstances through the war. -- New York Times -- 13:6, July 10.
Offers prize of $500 for best musical setting for D.M. Henderson's "The Road to France." -- New York Times -- VIII, 9:3, August 12.
Prize for music for war song by D.M. Henderson is awarded to Signe Lund. -- New York Times -- 13:3, November 1.
Annual books exhibition. -- New York Times -- VIII, 686:1, November 23.
Comment on suggestion by G. Bellows that proposed members should possess some work by living American artist. -- New York Times -- III, 20:3, February 6.
Elects governors. -- New York Times -- 9:2, April 13.
Awards Agar prize to Christine Herter. -- New York Times -- 16:7, April 7.
Address by Ann Martin. -- New York Times -- 4:3, August 3.
Annual exhibition of books; I. Zangwill speaks; protest by member. -- New York Times -- 6:1, November 8.
Prize winners of annual exhibition. -- New York Times -- 4:15, January 10.
Honors J.G. Agar at dinner. -- New York Times -- 6:2, February 26.
Mural panels of Old NY used for New Year's fete to be put on exhibition. -- New York Times -- 29:1, January 4.
Announces prize winners at Members' Annual Exhibition. -- New York Times -- VIII, 11:2, January 18.
Murals depicting history of NYC, painted for New Years' ball, to be given to Museum of the City of New York. -- New York Times -- 25:4, February 3.
Exhibition of lithographs, woodcuts, and linoleum prints. -- New York Times -- VIII, 11:13, April 12.
Exhibition. -- New York Times -- 4:5, January 14.
Exhibition. -- New York Times -- 17:3, April 8.
Exhibition of photographs of recent buildings. -- New York Times -- VIII, 12:6, April 18.
15th century books brought from Germany by Dr. Otto H.F. Vollbehr on exhibition at the National Arts Club. -- New York Times -- 6:6, August 24.
15th century Book of Hours, worth $15,000, stolen from exhibition at National Arts Club. -- New York Times -- 1:2, August 26.
Feature article on exhibition. -- New York Times -- IV, 15:1, August 29.
Book of Hours mysteriously returned to Vollbehr by E.M. Garlock, attorney, acting for unnamed client who claims to have bought book from stranger. -- New York Times -- 19:1, September 12.
Editorial on return of book. -- New York Times -- 20:4, September 13.
21st annual book exhibit; addresses. -- New York Times -- 28:3, November 4.
History in connection with 20th anniversary celebration. -- New York Times -- VIII,18:6, November 7.
New Year's Eve costume ball. -- New York Times -- 15:3, January 1.
Exhibition of American paintings. -- New York Times -- 25:5, March 3.
Exhibition of etchings. -- New York Times -- IX, 10:4, December 11.
Exhibits. -- New York Times -- 30:2, January 12; -- New York Times -- IX, 13:2, January 29.
Awards in small painting exhibition. -- New York Times -- 27:2, February 10.
Exhibit. -- New York Times -- VIII, 15:3, February 12.
First exhibition of decorative arts. -- New York Times -- 28:4, March 15; -- New York Times -- IX, 15:4, March 18.
Exhibition. -- New York Times -- IX, 15:2, April 15.
J. Lie, P. Manship, and C. Beach win prizes. -- New York Times -- 25:3, January 11.
Annual members' exhibition. -- New York Times -- X, 18:4, January 27.
Exhibition of crafts. -- New York Times -- X, 15:6, December 8.
Prize awarded to D.C. Nisbet. -- New York Times -- 23:5, December 29.
Arts Club prizes announced. -- Art News -- 28:21, January 4.
Annual exhibition of painting and sculpture. -- New York Times -- VIII, 13:3, January 19.
Seventh annual exhibition. -- New York Times -- VIII, 13:1, February 16.
Annual junior art show. -- New York Times -- 3:5, March 15; -- New York Times -- X, 19:3, March 16.
Exhibition of prints by living American etchers. -- New York Times -- X, 18:1, December 14.
New York season; Living American Etchers. -- Art Digest -- 5:14, January 1.
M. Gregg Memorial Prize awarded to I.G. Olinsky; medal to H.W. Watrous. -- New York Times -- 34:6, January 10.
Exhibitions. -- New York Times -- VIII, 12:7, February 22.
Exhibition of Junior Artist Members. -- New York Times -- IX, 13:4, March 15.
Hold exhibition of portraits and other objects relating to history of Gramercy Park. -- New York Times -- II, 1:7 and 18:4, May 3.
Annual exhibition of paintings by members. -- New York Times -- 30:6, June 4.
Awards to R.D. Bowden $3000 prize, offered by J.G. Agar for best book on "The Soul of America." -- New York Times -- 20:6, June 8.
Annual exhibition of work by painter and sculptor members; prizes announced. -- New York Times -- 27:7, January 7.
Art Club prizes. -- Art Digest -- 6:10, January 15.
Forum on development of art talent in young artists. -- New York Times -- 13:8, January 18.
Arts Club prizes. -- Art News -- 30:20, January 23.
Opening. -- New York Times -- 16:7, February 4.
Prizes awarded to junior artists. -- New York Times -- 19:2, March 8.
Art auction totals $600. -- New York Times -- 19:5, April 14.
Members' exhibition of small paintings. -- New York Times -- 16:6, May 5.
National Arts Club book exhibition. E. Yost. -- Publishers Weekly -- 122:2382-3, December 31.
R. Nickerson, new member, wins medal at annual painting and sculpture show; other awards. -- New York Times -- 18:2, January 5.
Annual members' exhibition. -- New York Times -- 13:2, January 13; -- New York Times -- IX, 12:6, January 15.
National Arts club prizes. -- Art Digest -- 7:15, January 15; -- Art News -- 31:7, January 28 Celebrates 119th birthday of S.J. Tilden. -- New York Times -- 17:6, February 8.
Exhibition by junior artist members. -- New York Times -- 15:2, March 2.
Prizes for annual members' show announced. -- New York Times -- IX, 12:3, January 14.
Annual dinner. -- New York Times -- 17:4, January 18.
Prizes. -- Art Digest -- February 1, 8:19; -- Art Digest -- 8:13, May 15.
Memorial exhibition of eight of its deceased painter and sculptor members. -- New York Times -- IX, 12:6, February 4.
Junior members exhibit. -- New York Times -- 17:1, March 8; -- New York Times -- IX, 9:7, March 18; Prizes awarded. -- New York Times -- 22:8, March 22.
Annual members' show. -- New York Times -- 17:2, May 3; Awards, -- New York Times -- 21:1, May 8; -- New York Times -- IX, 7:7, May 13.
Awards given by Arts Club. -- Art News -- 32:4, June 2.
Rare book exhibition planned. -- New York Times -- 19:4, September 18; Exhibition. -- New York Times -- 17:1, September 19.
Annual exhibition of members' work opened. -- New York Times -- 17:5, January 10; -- New York Times -- 9:3, January 14.
Annual dinner; awards. -- New York Times -- 20:7, January 17.
Stag dinner; portrait of Victoria replaces painting of nude. -- New York Times -- 23:4, February 1.
Prizes, annual exhibition of painting and sculpture. -- Art Digest -- 9:21, February 1.
Members' annual exhibition. -- New York Times -- 18:2, February 8; -- New York Times -- VIII, 9:6, February 17.
Annual exhibition by junior artists. -- New York Times -- 18:5, March 9.
Arts Club plans a large bazaar. -- Art News -- 33:10, August 17.
Series of articles on traditions of club being written. -- New York Times -- II, 7:1, October 6.
Plans for annual book week. -- New York Times -- II and III, 8:5, October 13; exhibitors to be entertained by J.R. Gregg, president. -- New York Times -- 19:2, October 30.
To award two trips to Europe for mural decoration. New -- York Times -- 26:7, November 1; -- New York Times -- 19:5, November 14.
To hold "At Home" tea. -- New York Times -- II, 8:2, December 8.
Dinner. -- New York Times -- 14:8, December 11.
Annual members' exhibition. -- New York Times -- 19:6, January 9; -- New York Times -- 13:8, January 11; -- New York Times -- IX, 10:1, January 19.
Exhibition of modern textbooks. -- New York Times -- 17:7, February 6.
Announces winners of trips to Europe. -- New York Times -- 21:2, February 11.
Exhibition by neighboring organizations. -- New York Times -- IX, 8:1, April 12.
Summer exhibit from permanent collection. -- New York Times -- IX, 7:4, June 21.
Exhibition of contemporary books; authors' night. -- New York Times -- VI, 9:2, November 8.
Plans for children's matinee at annual book exhibition. -- New York Times -- VI, 7:2, November 8.
Women's open table plans dinner. -- New York Times -- 16:4, November 23.
Exhibition of Society of American Etchers. -- New York Times -- XII, 9:2, November 29.
Awards at members' exhibit. -- New York Times -- 24:3, January 27.
Exhibitions sponsored by Society of American Etchers. -- New York Times -- 21:3, February 3; -- New York Times -- X, 9:7, February 7.
Women's committee holds drama dinner. -- New York Times -- 13:1, February 15.
R.D. Kohn speaks, -- New York Times -- 25:7, March 11.
Jr. artists group exhibit. -- New York Times -- IX, 10:1, March 14; Awards. -- New York Times -- 23:6, March 25.
Photographic exhibition. -- New York Times -- X, 10:2, May 16.
Officers elected. -- New York Times -- 19:1, May 20.
H. Hamilton exhibit. -- New York Times -- IX, 6:7, September 26.
Book of the year exhibit. -- New York Times -- 23:6, November 4; -- New York Times -- VI, 4:3, November 28.
Mr. H.P. Crine elected life member. -- New York Times -- 9:1, November 28.
Members' exhibit. -- New York Times -- 28:3, December 9.
Women's Open Table plans. -- New York Times -- 11:2, January 17.
Members' annual exhibit. -- New York Times -- , January 18 26:2; -- New York Times -- IX,9:3, January 23; Awards. -- New York Times -- 22:2, January 27.
Members studio receptions planned. -- New York Times -- VI, 2:7, January 30.
Dinner honoring Dr. W. Damrosch. -- New York Times -- 12:5, March 7.
Exhibit by art groups near NYC. -- New York Times -- 20:8, March 28.
Group show. -- New York Times -- X, 8:2, April 17.
Viennese ball. -- New York Times -- 22:6, April 21.
J.F. Talcott elected president; D.E. Waid executive committee chairman. -- New York Times -- 21:6, November 19.
Victorian ball. -- New York Times -- 18:1, December 17.
Members' memorial exhibit. -- New York Times -- 15:1, January 13; -- New York Times -- IX, 9:2, January 22.
Members' painting and sculpture exhibit. -- New York Times -- IX, 9:2, February 5.
Jr. Members' lecture. -- New York Times -- 10:2, February 6.
Painting exhibit. -- New York Times -- 18:1, March 1; -- New York Times -- X, 10:2, March 5.
Jr. Members party planned. -- New York Times -- 50:3, March 5.
Exhibit of neighboring art organizations. -- New York Times -- 13:2, April 17.
Wild West party planned to benefit Jr. Members Scholarship Fund; to close 40th anniversary celebration. -- New York Times -- II, 2:8, April 23; -- New York Times -- II, 3:1, April 30.
Jr. Members plan New Year's Eve Olympian Ball. -- New York Times -- 30:2, December 19; -- New York Times -- II, 1:2, December 31.
Art by deceased life members to be sold. -- New York Times -- 17:2, January 5.
Group show; awards. -- New York Times -- 21:2, January 11.
Group show. -- New York Times -- 24:2, January 24; -- New York Times -- IX, 9:2, January 28.
Non-members exhibition. -- Art News -- 38:15, February 3.
Exhibits: ceramics. -- New York Times -- 17:4, February 16; Ceramics and flowers. -- New York Times -- 15:5, February 19; Ceramics. -- New York Times -- II, 5:2, February 25; Exhibits: Jr. members. -- New York Times -- IX, 10:2, April 14; Group show awards. -- New York Times -- 21: 5, April 25.
Pan-American Ball held. -- New York Times -- 21:5, April 20.
Fund campaign for refugee artists started. -- New York Times -- 8:2, July 31.
Establishes artist refugee fund. -- New York Times -- 19:1, August 1.
Benefit exhibit plans. -- New York Times -- 20:8, October 2; Exhibit. -- New York Times -- IX, 5:4, October 6.
County fair planned. -- New York Times -- II, 3:3, October 6.
Refugee artists show their work. -- Art News -- 39:10, October 12.
Annual book exhibit opens. -- New York Times -- 3:5, November 3.
Testimonial luncheon for foreign authors in U.S. -- New York Times -- 45:2, November 10.
National Arts Club dramatizes books at the 35th annual new books of the year exhibition. -- Publishers Weekly -- 138:2046, November 30.
Annual members' exhibit. -- New York Times -- 24:8, January 10; Comment. -- New York Times -- IX, 9:2, January 12; Awards. -- New York Times -- 24:6, January 23.
Annual prizes. -- Art Digest -- 15:13, February 1.
Benefits concerts planned. -- New York Times -- 39:1, February 23; -- New York Times -- 20:7, March 28.
Annual exhibit awards. -- New York Times -- 28:3, March 11; Comment. -- New York Times -- I, 10:3, March 16.
Group shows. -- New York Times -- IX, 10:1, March 30; -- New York Times -- IX, 8:2, May 25; -- New York Times -- X, 13:5, May 25; -- New York Times -- IX, 7:5, June 15.
Book exhibit. -- New York Times -- 1:6,November 9.
Group show. -- New York Times -- X, 10:1, January 18.
Group show. -- New York Times -- 14:4, February 4; Private preview. -- New York Times -- 15:4, February 5; Comment. -- New York Times -- IX, 9:6, February 8.
Jr. members to honor servicemen at Hallowe'en party. -- New York Times -- 16:3, October 30.
37th annual show of new books. -- Publishers Weekly -- 142:2044, November 14.
To sponsor Chinese and Indian art exhibit in NYC. -- New York Times -- VIII, 9:1, December 13; Exhibit. -- New York Times -- 42:5, December 17.
Holds Xmas fair. -- New York Times -- 13:3, November 16.
Contemporary American painting exhibit planned. -- New York Times -- 23:6, February 20.
Jr. members and young non-members exhibition. -- Art News -- 45:67, May.
Annual book show plans. -- New York Times -- 21:2, November 1; Show, W.L. Laurence speaks. -- New York Times -- 13:1, November 12.
Annual book show. -- Publishers Weekly -- 150:2731, 2718, November 9.
Packaging the book. P. Boswell. -- Art Digest -- 21:3, November 15.
Choosing best book jackets, 41st annual book show. -- Art News -- 45:8, December.
Preview exhibit. -- New York Times -- 21:5, January 9.
Forming symphony orchestra. -- New York Times -- 27:1, September 19.
Ninth annual exhibition of American Veterans Society of Artists. -- Art Digest -- 22:19, January 1.
Conservatives score at the 50th annual exhibition of painting and sculpture. -- Art Digest -- 22:17, February 1.
Fiftieth annual exhibition. -- Art News -- 47:49, March.
Book fair opens in NYC. -- New York Times -- 30:7, December 9.
Summer annual. -- Art Digest -- 23:14, August.
Dinner honors Mrs. F.D. Roosevelt. -- New York Times -- 39:5, October 11.
Fifty-second annual exhibition of oils and sculptures. -- Art Digest -- 24:12, January 15.
Members' summer exhibition. -- Art Digest -- 24:18, August.
Fair plans. -- New York Times -- 44:8, November 1.
Members-guests annual. -- New York Times -- II, 19:1, January 14.
53rd Annual Exhibition. -- Art Digest -- 25:18, January 15; -- Art News -- 49:47, February.
Non-members annual. -- New York Times -- 21:5, March 30.
Open competition for non-members. -- Art Digest -- 25:18, April 15.
Summer painting exhibition series opens. -- New York Times -- 42:8, June 7.
Members work. -- New York Times -- II, 6:4, June 17.
Summer exhibition. -- Art Digest -- 25:19, July.
Fifty-fourth annual exhibition. -- Art Digest -- 26:19, January 15; -- Art News -- 49:47, February.
Members and guests annual. -- New York Times -- 59:2, January 6; Awards. -- New York Times -- 16:2, January 17.
Watercolor annual; awards. -- New York Times -- 14:4, February 8; -- Art News -- 51:56, March.
Non-members painting annual; awards. -- New York Times -- 16:5, March 10; -- New York Times -- 27:3, March 13.
Small pictures by members; awards. -- New York Times -- 25:5, April 9.
Exhibition of small oils. -- Art Digest -- 26:18-19, April 15; -- Art News -- 49:47, February.
Theatre in an art gallery. A. Scheff. -- Theatre Arts -- 37:92, January.
Members-guests annual; awards. -- New York Times -- II, 11:2, January 11.
Non-members painting annual; awards. -- New York Times -- 21:5., February 19.
Members work; awards. -- New York Times -- II, 13:2, May 10; -- New York Times -- II, 8:5, June 21.
Painting and sculpture annual by members and guests. -- New York Times -- 25:5, January 26.
Fifty-sixth annual exhibition. -- Arts Digest -- 28:17, February 1.
Members and non-members annual; contemporary watercolors; awards. -- New York Times -- 27:5, February 11; Review. -- New York Times -- II, 14:2, February 14.
Grand national annual members' competition. -- Art News -- 53:63, May.
Painting and sculpture annual; awards. -- New York Times -- 23:1, January 12.
Fifty-sixth annual exhibition. -- Arts Digest -- 28:17, February 1.
Paintings annual; awards. -- New York Times -- 18:4, March 1.
Annual exhibition of American oil paintings. -- Art Digest -- 29:26, March 15.
Poet P. MacKaye honored on 80th birthday. -- New York Times -- 28:2, March 16.
Arts Club honors Neuman; WNYC. C. Durgin. -- Musical America -- 77:12, April.
Art Clubs of America. -- Artist -- 53:67, June.
At founding [sixtieth anniversary]. -- New York Times -- 49:2, November 27.
First annual metropolitan young artists show; awards. -- New York Times -- 49:2, November 27
Stadium Concerts founder Mrs. C.S. Guggenheimer gets scroll from Mayor Wagner and National Arts Club medal. -- New York Times -- 9:2, March 12.
Tenor competition awards. -- New York Times -- 47:8, November 15.
The National Arts Club donated its records to the Archives of American Art in 1987. Although a limited amount of printed matter was available at various libraries and on microfilm through the Archives of American Art, scholars have not had access to unpublished records of the Club until this time.
In November 2017 an addition to the Officers' Correspondence was donated by Elizabeth G. Knudsen, granddaughter of Edmund Greacen, former Arts Committee Chair.
The collection is open for research. Patrons must use microfilm copy.
This collection is comprised of thirteen (13) original recordings of American Indian songs and dances, recorded on two-minute Edison Blanks wax cylinders. Eight of the cylinders are in pristine condition. Two are cracked and cannot be played. Contents are marked on individual cylinders in pencil or black ink: 1) The last Owl Dance; 2) Two flute songs; 3) Sioux flute 2 loves; 4) Sioux love song; 5) Kiowa love songs; 6) Sirecha Dance; 7) Flute love lullaby; 8) Flute on the bridge; 9) War dance; 10) Buffalo dance; 11) Song before fight; 12) Indian flute. a love song, played by Turkey Leggs. (Cheyene); 13) Owl Dance song.
NAA MS 2008-14
Indians of North America -- Songs and music Search this
Cylinders (sound recordings)
MS 2008-14, National Anthropological Archives, Smithsonian Institution
Images of United States National Museum anthropological exhibits at the Louisiana Purchase Exposition, also called the St. Louis World's Fair. Images of the Department of Anthropology's exhibits include those of photographs and models of Mayan and Mesoamerican temples; antiquities from Mexico, Mesoamerica, and the West Indies; and American Indian, Mexican, and Mesoamerican sculptures, ceramics, tools, textiles, masks, and baskets. Photographs also document the Bureau of American Ethnology's exhibits, including "symbolic art," drawings and paintings on artifacts from tribes of the New Southwest, Plains, and Northwest Coast. The collection also includes a photograph of carved designs on a structure at Xochicales, possibly used in the exhibition or as part of its design.
The National Museum's Department of Anthropology and the Bureau of American Ethnology exhibits at the Louisiana Purchase Exposition were highly integrated, and both were designed by then chief of the Bureau of American Ethnology and former head curator of the Department of Anthropology, William Henry Holmes. The exhibits were intended to illustrate "the culture of the Native American peoples as shown in their arts and industries." The exhibit featured examples of architecture, sculpture, ceramics, metal work, water craft, musical instruments, pipes, and ceremonial objects and included models of Aztec ruins based on plans by De Lancey W. Gill.
Local Call Number(s):
NAA Photo Lot 82-31
Location of Other Archival Materials:
Papers, photographs, and records relating to exhibitions at the Louisiana Purchase Exposition can be found in the National Anthropological Archives in MS 4689, MS 7571, MS 7208, Photo Lot 24, and Bureau of American Ethnology Letters Received 1888-1906.
The Smithsonian Institution Archives holds Exposition Records of the Smithsonian Institution and the United States National Museum, 1867-1940 (SIA RU000070) as well as photographs of the exhibits.
Additional photographs of the Louisiana Purchase Exposition can be found in the National Anthropological Archives in Photo Lot 107, Photo Lot 89-8, and Photo Lot 90-1.
These papers reflect the professional lives of Alice Cunningham Fletcher (1838-1923), an ethnologist with the Peabody Museum of Harvard and collaborator with the Bureau of American Ethnology, and Francis La Flesche (1856-1923), an anthropologist with the Bureau of American Ethnology. Due to the close professional and personal relationship of Fletcher and La Flesche, their papers have been arranged jointly. The papers cover the period from 1874 to 1939. Included in the collection is correspondence, personal diaries, lectures, field notes and other ethnographic papers, drafts, musical transcriptions, publications by various authors, maps and photographs.
Scope and Contents:
These papers reflect the professional lives of Alice Cunningham Fletcher (1838-1923), an ethnologist with the Peabody Museum of Harvard University and collaborator with the Bureau of American Ethnology, and Francis La Flesche (1856-1923), an anthropologist with the Bureau of American Ethnology. Due to the close professional and personal relationship of Fletcher and La Flesche, their papers have been arranged jointly. The papers cover the period from 1874 to 1939. Included in the collection is correspondence, personal diaries, lectures, field notes and other ethnographic papers, drafts, musical transcriptions, publications by various authors, maps and photographs.
The papers have been divided into three general categories: the papers of Alice Cunningham Fletcher, the papers of Francis La Flesche, and the ethnographic research of Fletcher and La Flesche. The first two categories represent personal and professional materials of Fletcher and La Flesche. The third section holds the majority of the ethnographic material in the collection.
Of primary concern are Fletcher and La Flesche's ethnological investigations conducted among the Plains Indians, particularly the Omaha and Osage. Fletcher's Pawnee field research and her allotment work for the Bureau of Indian Affairs among the Omaha, Nez Perce, and Winnebago are represented in the collection. A substantial portion of the ethnographic material reflects Fletcher and La Flesche's studies of Native American music. Much of the correspondence in the papers of Fletcher and La Flesche is rich with information about the situation of Omaha peoples in the late nineteenth and early twentieth centuries.
Also included in the collection are documents related to Fletcher's work with the Archaeological Institute of America and the School for American Archaeology. Additionally, substantial amounts of Fletcher's early anthropological and historical research are found among her correspondence, lectures, anthropological notes, and early field diaries. La Flesche's literary efforts are also generously represented.
The collection is divided into the following 3 series: 1) Alice Cunningham Fletcher papers, 1873-1925; 2) Francis La Flesche papers, 1881-1930; 3) Papers relating to the anthropological research of Alice Fletcher and Francis La Flesche, 1877-1939.
Series 1: Alice Cunningham Fletcher papers is divided into the following 10 subseries: 1.1) Incoming correspondence, 1874-1923 (bulk 1882-1923); 1.2) Outgoing correspondence, 1873-1921; 1.3) Correspondence on specific subjects, 1881-1925; 1.4) Correspondence between Fletcher and La Flesche, 1895-1922; 1.5) Publications, 1882-1920; 1.6) Organizational records, 1904-1921; 1.7) General anthropological notes, undated; 1.8) Lectures, circa 1878-1910; 1.9) Diaries, 1881-1922; 1.10) Biography and memorabilia, 1878-1925.
Series 2: Francis La Flesche papers is divided into the following 6 subseries: 2.11) General correspondence, 1890-1929; 2.12) Correspondence on specific subjects, 1881-1930; 2.13) Publications, 1900-1927; 2.14) Literary efforts, undated; 2.15) Personal diaries, 1883-1924; 2.16) Biography and memorabilia, 1886-1930.
Series 3: Papers relating to the anthropological research of Alice Fletcher and Francis La Flesche is divided into the following 12 subseries: 3.17) Alaska, 1886-1887; 3.18) Earth lodges, 1882, 1898-1899; 3.19) Music, 1888-1918; 3.20) Nez Perce, 1889-1909; 3.21) Omaha, 1882-1922; 3.22) Osage, 1896-1939; 3.23) Pawnee, 1897-1910; 3.24) Pipes, undated; 3.25) Sioux, 1877-1896; 3.26) Other tribes, 1882-1922; 3.27) Publications collected, 1884-1905, undated; 3.28) Photographs, undated.
Biographical / Historical:
Alice Cunningham Fletcher (1838-1923) was an ethnologist with the Peabody Museum of Harvard and collaborator with the Bureau of American Ethnology. Francis La Flesche (1856-1923) was an anthropologist with the Bureau of American Ethnology.
Chronology of the Life of Alice Cunningham Fletcher
1838 March 15 -- Born in Havana, Cuba
1873-1876 -- Secretary, American Association for Advancement of Women
1879 -- Informal student of anthropology, Peabody Museum, Harvard University
1881 -- Field trip to Omaha and Rosebud Agencies
1882 -- Assistant in ethnology, Peabody Museum, Harvard University
1882 -- Helped secure land in severalty to Omaha Indians
1882-1883 -- Begins collaboration with Francis La Flesche on the Peabody Museum's collection of Omaha and Sioux artifacts
1883-1884 -- Special Agent, Bureau of Indian Affairs, Omaha Agency
1886 -- Bureau of Education investigation of Alaskan native education
1887-1888 -- Special Disbursing Agent, Bureau of Indian Affairs, Winnebago Agency
1889-1892 -- Special Agent for allotment, Bureau of Indian Affairs, Nez Perce Agency
1890-1899 -- President, Women's Anthropological Society of America
1891-1923 -- Mary Copley Thaw Fellow, Peabody Museum, Harvard University
1892-1893 -- Department of Interior consultant, World's Columbian Exposition
1896 -- Vice-President, Section H, American Association for the Advancement of Science
1897 -- Collaborator, Bureau of American Ethnology
1899-1916 -- Editorial board, American Anthropologist
1900 -- Published Indian Story and Song from North America
1901-1902 -- Advisory committee, Anthropology Department, University of California at Berkeley
1903 -- President, Anthropological Society of Washington
1904 -- Published The Hako: A Pawnee Ceremony with James Murie
1908-1913 -- Chair, Managing Committee of School of American Archaeology
1911 -- Honorary Vice-President, Section H, British Association for Advancement of Science
1911 -- Published The Omaha Tribe with Francis La Flesche
1913 -- Chair Emeritus, Managing Committee of School of American Archaeology
1915 -- Published Indian Games and Dances with Native Songs Arranged from American Indian Ceremonials and Sports
1923 April 6 -- Died in Washington, D.C.
Chronology of the Life of Francis La Flesche
1857 December 25 -- Born on Omaha Reservation near Macy, Nebraska
1879 -- Lecture tour, Ponca chief Standing Bear
1881 -- Interpreter, Senate Committee on Indian Affairs
1881-1910 -- Clerk, Bureau of Indian Affairs
1891 -- Informally adopted as Fletcher's son
1892 -- LL.B., National University Law School
1893 -- LL.M., National University Law School
1900 -- Published The Middle Five: Indian Boys at School
1906-1908 -- Marriage to Rosa Bourassa
1910-1929 -- Ethnologist, Bureau of American Ethnology
1911 -- Published The Omaha Tribe with Alice Fletcher
1921 -- Published The Osage Tribe, Part One
1922 -- Member, National Academy of Sciences
1922-1923 -- President, Anthropological Society of Washington
1925 -- Published The Osage Tribe, Part Two
1926 -- Honorary Doctor of Letters, University of Nebraska
1928 -- Published The Osage Tribe, Part Three
1932 -- Published Dictionary of the Osage Language
1932 September 5 -- Died in Thurston County, Nebraska
1939 -- Posthumous publication of War Ceremony and Peace Ceremony of the Osage Indians
Additional material related to the professional work of Fletcher and La Flesche in the National Anthropological Archives may be found among the correspondence of the Bureau of American Ethnology (BAE) and the records of the Anthropological Society of Washington.
Sound recordings made by Fletcher and La Flesche can be found at the Library of Congress. The National Archives Records Administration hold the Records of the Bureau of Indian Affairs (BIA), including those relating to allotments in severalty for the Nez Perce by Alice Fletcher. The Nebraska Historical Society has diaries, letters and clippings regarding the La Flesche family, including correspondence of Francis La Flesche and Fletcher. The Radcliffe College Archives holds a manuscript account of Alice Fletcher's four summers with the Nez Perce (1889-1892). Correspondence between Fletcher and F. W. Putnam is also located at the Peabody Museum Archives of Harvard University.
Ethnographic photographs from the collection have been catalogued by tribe in Photo Lot 24.
Glass plate negatives from the collection have been catalogued by tribe in the BAE glass negatives collection (Negative Numbers 4439-4515).
The papers of Alice Cunningham Fletcher and Francis La Flesche have been received from an undocumented number of sources. Portions of Fletcher's ethnographic papers were donated to the archives by Mrs. G. David Pearlman in memory of her husband in 1959.
The Alice Cunningham Fletcher and Francis La Flesche papers are open for research.
Access to the Alice Cunningham Fletcher and Francis La Flesche papers requires an appointment.
29 drawings and 34 pages of typed explanatory text, formerly bound together, now disbound, plus an identifying title page handwritten by Albert Gatschet and one drawing on ruled paper. The explanatory text was transcribed from Gatschet's notebook, No. 2016-b, with corrections by Gatschet. T.p. inscribed: "Crayon Pictures of Cheyenne Ceremonial Customs and Implements. Drawn by Wuxpais or Daniel Littlechief, son of the present headchief of the Cheyenne Indians of South Dakota, at the Pine Ridge Agency. Explained by notes obtained from the same Indian by Albert S. Gatschet." The last drawing in the volume is signed "T.D. Little Chief," but cannot be identified as a drawing by Daniel Little Chief. Subjects include ceremonial items, name glyphs, painted tipis, and illustrations of Cheyenne customs. A nearly identical set of drawings by Daniel Little Chief is located at the Newberry Library in Chicago. Information provided by Candace Greene.
Biographical / Historical:
Daniel Little Chief, a.k.a. Wuxpais (?-1906), was a Northern Cheyenne warrior whose band of Cheyenne were sent south to the Cheyenne-Arapaho Reservation in Indian Territory after their surrender, traveling there between 1878-1879. In 1881 this band moved north to the Pine Ridge Agency in South Dakota. In 1891 Daniel Littlechief inherited the role of head chief from his father and remained in South Dakota until his death in 1906. For more information see "American Indian Painters: A Biographical Dictionary" by Jeanne Snodgrass 1968, New York: Museum of the American Indian.
Albert S. Gatschet (1832-1907) was educated in his native Switzerland and in Germany (University of Bern [Ph.D., 1892]); University of Berlin. Early in his career, he pursued antiquarian research in European museums and wrote scientific articles. Among his interests was the etymology of Swiss place names. After coming to the United States in 1869, he worked on the American Indian vocabularies collected by Oscar Loew, of the United States Geological Survey West of the 100th Meridian (Wheeler Survey). Eventually John Wesley Powell employed him as an ethnologist with the United States Geographical and Geological Survey of the Rocky Mountain Regions. When it was founded in 1879, he joined the staff of the Bureau of American Ethnology and continued there until he retired in 1905. For the Powell Survey, Gatschet researched the ethnography of the Klamath in Oregon and the Modoc in Oklahoma. He also collected Native American material objects and investigated special problems for Powell's classification of the American Indian languages north of Mexico, working on languages of the Southeast, including groups forcibly settled in the southern Plains. He not only visited well known tribes but also searched out small groups, including the Biloxi and Tunica. He also worked with the Natchez, Tonkawa, Chitimacha, and Atakapa in the United States and Comecrudo and several other small groups in northern Mexico. Through library research, he studied the Timucua, Karankara, and the Beothuk. During the later part of his career, Gatschet was assigned comparative work on all the Algonquian languages. Although the project was never completed, he collected much about many of the languages, especially Peoria, Miami, and Shawnee. In addition, he worked with members of diverse tribes of the eastern United States. For more information, see NAA finding aid located at http://www.nmnh.si.edu/naa/guide/_g1.htm#jrg575
NAA MS 2016-a
Varying Form of Title:
Crayon pictures of Cheyenne ceremonial customs and implements / drawn by Wuxpais or Daniel Littlechief ... ; explained by notes from the same Indian by Albert S. Gatschet
United States South Dakota Pine Ridge Agency.
United States South Dakota Pine Ridge Indian Reservation.
To a considerable degree, the James H. Howard papers consist of manuscript copies of articles, book, speeches, and reviews that document his professional work in anthropology, ethnology, ethnohistory, archeology, linguistics, musicology, and folklore between 1950 and 1982. Among these are a few unpublished items. Notes are relatively scant, there being somewhat appreciable materials for the Chippewa, Choctaw, Creek, Dakota, Omaha, Ponca, Seminole, and Shawnee. The chief field materials represented in the collection are sound recordings and photographs, but many of the latter are yet to be unidentified. A series of color photographs of Indian artifacts in folders are mostly identified and represent the extensive American Indian Cultural collection of costumes and artifacts that Howard acquired and created. Other documents include copies of papers and other research materials of colleagues. There is very little original material related to archeological work in the collection and that which is present concerns contract work for the Lone State Steel Company.
Scope and Contents:
The James Henri Howard papers document his research and professional activities from 1949-1982 and primarily deal with his work as an anthropologist, archeologist, and ethnologist, studying Native American languages & cultures. The collection consists of Series 1 correspondence; Series 2 writings and research, which consists of subject files (language and culture research materials), manuscripts, research proposals, Indian claim case materials, Howard's publications, publications of others, and bibliographical materials; Series 3 sound recordings of Native American music and dance; Series 4 photographs; and Series 5 drawings and artwork.
Howard was also a linguist, musicologist, and folklorist, as well as an informed and able practitioner in the fields of dance and handicrafts. His notable books include Choctaw Music and Dance; Oklahoma Seminoles: Medicines, Magic, and Religion; and Shawnee! The Ceremonialism of a Native American Tribe and its Cultural Backround.
Some materials are oversize, specifcially these three Winter Count items: 1. a Dakota Winter Count made of cloth in 1953 at the request of James H. Howard, 2. a drawing of British Museum Winter Count on 4 sheets of paper, and 3. Photographs of a Winter Count.
This collection is arranged in 5 series: Series 1. Correspondence, 1960-1982, undated; Series 2. Writings and Research, 1824-1992; Series 3. Sound Recordings, 1960-1979; Series 4. Photographs, 1879-1985; Series 5. Drawings and Artwork, 1928-1982.
1925 -- James Henri Howard was born on September 10 in Redfield, South Dakota.
1949 -- Received his Bachelor of Arts from the University of Nebraska.
1950 -- Received his Master of Arts from the University of Nebraska and began a prolific record of publishing.
1950-1953 -- Began his first professional employment as an archaeologist and preparator at the North Dakota State Historical Museum in Bismarck.
1955-1957 -- Was a museum lecturer at the Kansas City (Missouri) Museum.
1957 -- James H. Howard received his Ph.D. at the University of Michigan. Joined the staff of the Smithsonian's River Basin Surveys in the summer.
1957-1963 -- Taught anthropology at the University of North Dakota.
1962 -- Chief archeologist at the Fortress of Louisberg Archeological Project in Nova Scotia.
1963-1968 -- Taught anthropology at the University of South Dakota; State Archeologist of South Dakota; Director of the W. H. Over Dakota Museum.
1963-1966 -- Director of the Institute of Indian Studies, University of South Dakota.
1968-1982 -- Associate professor of anthropology at Oklahoma State University at Stillwater (became a full professor in 1971).
1979 -- Consulted for exhibitions at the Western Heritage Museum in Omaha, Nebraska.
1982 -- Died October 1 after a brief illness.
James H. Howard was trained in anthropology at the University of Nebraska (B.A., 1949; M.A., 1950) and the University of Michigan (Ph.D., 1957). In 1950-1953, he served as archeologist and preparator at the North Dakota State Historical Museum; and, in 1955-1957, he was on the staff of the Kansas City (Missouri) Museum. During the summer of 1957, he joined the staff of the Smithsonian's River Basin Surveys. Between 1957 and 1963, he taught anthropology at the Universtity of North Dakota. Between 1963 and 1968, he served in several capacities with the University of South Dakota including assistant and associate professor, director of the Institute of Indian Studies (1963-1966), and Director of the W.H. Over Museum (1963-1968). In 1968, he joined the Department of Sociology at Oklahoma State University, where he achieved the rank of professor in 1970. In 1979, he was a consultant for exhibitions at the Western Heritage Museum in Omaha, Nebraska.
Howard's abiding interest were the people of North America, whom he studied both as an ethnologist and archeologist. Between 1949 and 1982, he worked with the Ponca, Omaha, Yankton and Yaktonai Dakota, Yamasee, Plains Ojibwa (or Bungi), Delaware, Seneca-Cayuga, Prairie Potatwatomi of Kansas, Mississipi and Oklahoma Choctaw, Oklahoma Seminole, and Pawnee. His interest in these people varied from group to group. With some he carried out general culture studies; with other, special studies of such phenomena as ceremonies, art, dance, and music. For some, he was interest in environmental adaptation and land use, the latter particularly for the Pawnee, Yankton Dakota, Plains Ojibwa, Turtle Mountain Chippewa, and Ponca, for which he served as consultant and expert witness in suits brought before the United Stated Indian Claims Commisssion. A long-time museum man, Howard was also interested in items of Indian dress, articles associated with ceremonies, and other artifacts. He was "a thoroughgoing participant-observer and was a member of the Ponca Hethuska Society, a sharer in ceremonial activities of many Plains tribes, and a first-rate 'powwow man'." (American Anthropologist 1986, 88:692).
As an archeologist, Howard worked at Like-a-Fishhook Village in North Dakota, Spawn Mound and other sites in South Dakota, Gavin Point in Nebraska and South Dakota, Weston and Hogshooter sites in Oklahoma, and the Fortess of Louisbourg in Nova Scotia. He also conducted surveys for the Lone Star Steel Company in Haskall, Latimer, Le Flore and Pittsburg counties in Oklahoma.
Howard's American Indian Cultural Collection of Costumes and Artifacts, that he acquired and created during his lifetime, is currently located at the Milwaukee Public Museum. In Boxes 19-21 of the James Henri Howard Papers, there are photographs with accompanying captions and descriptions in binders of his American Indian Cultural Collection of Costumes and Artifacts that his widow, Elfriede Heinze Howard, created in order to sell the collection to a museum.
These papers were donated to the National Anthropological Archives by James Henri Howard's wife,
Elfriede Heinz Howard, in 1988-1990, 1992, & 1994.
The James Henri Howard papers are open for research.
Access to the James Henri Howard papers requires an appointment.
Many shots of Western mountains and scenery, American Indians, Tijuana Mexico. B/W snapshots and mailing envelope. (91 items)
Collection is open for research.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Paul Cadwell Banjo Collection, 1883-1980, Archives Center, National Museum of American History.