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Communicating and connecting with all your audiences

Author:
Wallace, Margot A. 1941-  Search this
Physical description:
1 online resource (ix, 285 pages) illustrations (chiefly color)
Type:
Electronic resources
Date:
2022
Topic:
Communication in museums  Search this
Museums--Public relations  Search this
Museums--Social aspects  Search this
Museums--Educational aspects  Search this
Museum visitors  Search this
Authorship  Search this
Rhetoric  Search this
Call number:
AM125 .W35 2022 (Internet)
Restrictions & Rights:
1-user
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1163031

The art of video games : from Pac-Man to mass effect / Chris Melissinos & Patrick O'Rourke

Author:
Melissinos, Chris  Search this
O'Rourke, Patrick  Search this
Physical description:
215 pages : color illustrations ; 27 cm
Type:
Exhibitions
Date:
2012
Topic:
Video games--History  Search this
Video games--Social aspects  Search this
Video games  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_981350

Backyard oasis : the swimming pool in Southern California photography, 1945-1982 / edited by Daniell Cornell ; research team essays, Daniell Cornell ... [et al.] ; with a contribution by Robert Atkins

Author:
Cornell, Daniell  Search this
Atkins, Robert  Search this
Palm Springs Art Museum  Search this
Pacific Standard Time (Exhibition)  Search this
Physical description:
256 p. : chiefly ill. (some col.) ; 29 cm
Type:
Exhibitions
Pictorial works
Place:
California
United States
Date:
2012
Topic:
Architectural photography  Search this
Landscape photography  Search this
Portrait photography  Search this
Swimming pools  Search this
Swimming pools--Social aspects  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_981927

Speaking with light contemporary Indigenous photography John Rohrbach, Will Wilson

Curator:
Rohrbach, John  Search this
Wilson, Will (Photographer)  Search this
Author:
Amon Carter Museum of American Art  Search this
Denver Art Museum  Search this
Physical description:
217 pages illustrations (some color), portraits 32 x 27 cm
Type:
Exhibitions
Portraits
Exhibition catalogs
Date:
2022
Topic:
Indian photographers  Search this
Indigenous art  Search this
Indigenous peoples  Search this
Photography--Social aspects  Search this
Photography, Artistic  Search this
Portrait photography  Search this
ART / Indigenous Art of the Americas  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1161606

Hybrid heads a decoding method to design open narratives and dynamic identities Daniela Dossi

Title:
Decoding method to design open narratives and dynamic identities
Author:
Dossi, Daniela  Search this
Host institution:
Design Museum Gent  Search this
Physical description:
1 volume (unpaged) illustrations (chiefly color) 30 cm + 31 cards (color illustrations, portraits ; 15 cm)
Type:
Exhibitions
Exhibition catalogs
Date:
2019
21st century
Topic:
Headdresses  Search this
Fashion--Social aspects  Search this
Fashion--Political aspects  Search this
Clothing and dress--Social aspects  Search this
Clothing and dress--Political aspects  Search this
Art, Modern  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1155131

Rethinking fashion globalization edited by Sarah Cheang, Erica de Greef and Takagi Yoko

Editor:
Cheang, Sarah  Search this
Greef, Erica de  Search this
Takagi, Yōko 1944-  Search this
Physical description:
xvii, 277 pages illustrations, maps 25 cm
Type:
Books
Date:
2021
Topic:
Fashion and globalization  Search this
Fashion--Social aspects  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1158057

Alabama Mining Institute Photographs

Creator:
Alabama Mining Institute  Search this
Names:
Alabama Fuel and Iron Company, Overton, Alabama  Search this
Central Iron and Coal Company, Kellerman, Albama  Search this
DeBardeleben Coal Company (Sipsey, Alabama)  Search this
Gulf States Steel Company (Sayre, Alabama)  Search this
Imperial Coal and Coke Company (Bradford, Alabama)  Search this
New Castle Coal and Coke Company (New Castle, Alabama)  Search this
Railway Fuel Company (Parrish, Alabama)  Search this
Republic Iron and Steel Company (Republic, Alabama)  Search this
Republic Iron and Steel Company (Sayreton, Albama)  Search this
Roden Coal Co. (Marvel, Alabama)  Search this
Southern Coal and Coke Company (Boothton, Alabama)  Search this
Woodward Iron Company (Woodward, Alabama)  Search this
Former owner:
National Museum of American History (U.S.). Division of Extractive Industries  Search this
National Museum of American History (U.S.). Division of Work and Industry  Search this
Extent:
1 Cubic foot (3 boxes)
Type:
Collection descriptions
Archival materials
Negatives
Photographs
Date:
1920s
Summary:
Collection consists of photographs and negatives that depict aspects of social life mining company towns in Alabama during the 1920s.
Scope and Contents note:
Photographs depict social aspects of company town life by documenting primarily exterior views of buildings, such as miner's homes, company stores, dance halls, schools, churches and movie theaters. The interior views include doctor's offices, first aid stations, company stores, dairies and butcher shops. The typed descriptions define which structures intended for use by Black or White people. There are no photographs documenting mines or mining equipment.
Arrangement:
Collectio is arranged into three series.

Series 1: Volume 1, Alabama Mining Institute Photograph Album, 1920s

Series 2: Volume 2, Alabama Mining Institute Photograph Album, 1920s

Series 3: Negatives, 1984
Biographical/Historical note:
The Alabama Mining Institute is a consortium of underground and surface mining operators, dating back to the 1920s.
Provenance:
Originally collected for the Division of Extractive Industries. Immediate source of acquisition unknown.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Company towns  Search this
Dwellings -- Alabama  Search this
Mining corporations  Search this
Mining and minerals industry  Search this
Segregation  Search this
Segregation in education  Search this
Genre/Form:
Negatives
Photographs -- Black-and-white negatives -- Acetate film -- 1900-1950
Citation:
Alabama Mining Institute Photographs, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1004
See more items in:
Alabama Mining Institute Photographs
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8ef14fe61-4a53-4620-84f6-f590d5dcb419
EDAN-URL:
ead_collection:sova-nmah-ac-1004

American journal of play

Author:
Strong National Museum of Play  Search this
Strong (History Museum)  Search this
Type:
Periodicals
History
Date:
2008
Topic:
Play--Psychological aspects  Search this
Play--History  Search this
Play  Search this
Play--Social aspects  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_929965

Reinventing the Museum Relevance, Inclusion, and Global Responsibilities

Author:
Anderson, Gail  Search this
Physical description:
1 online resource (397 pages)
Type:
Electronic resources
Electronic books
Date:
2023
Topic:
Museums--Philosophy  Search this
Museums--Social aspects  Search this
Cultural property--Protection  Search this
Call number:
AM7 .A534 2023 (Internet)
Restrictions & Rights:
1-user
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1163142

A kiss across the ocean transatlantic intimacies of British post-punk and US Latinidad Richard T. Rodríguez

Title:
Transatlantic intimacies of British post punk and United States Latinidad
Author:
Rodríguez, Richard T. 1971-  Search this
Physical description:
1 online resource (xv, 243 pages) illustrations
Type:
Cross-cultural studies
Études transculturelles
Place:
United States
Great Britain
États-Unis
Grande-Bretagne
Date:
2022
20th century
20e siècle
Topic:
Hispanic American gays--Social life and customs  Search this
Hispanic American youth--Social life and customs  Search this
Popular music--Social aspects  Search this
Popular music--Latin American influences  Search this
Post-punk music  Search this
Youth--Social life and customs  Search this
Homosexuels américains d'origine latino-américaine--Mœurs et coutumes  Search this
Jeunesse américaine d'origine latino-américaine--Mœurs et coutumes  Search this
Musique populaire--Aspect social  Search this
Musique populaire--Influence latino-américaine  Search this
Post-punk (Musique)  Search this
Social Science / Ethnic Studies / American / Hispanic American Studies  Search this
SOCIAL SCIENCE / LGBTQ Studies / General  Search this
Call number:
E184.S75 R6736 2022 (Internet)
Restrictions & Rights:
1-user
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1163001

Musical migrations transnationalism and cultural hybridity in Latin/o America. Volume 1 edited by Frances R. Aparicio and Cándida F. Jáquez ; with María Elena Cepeda

Editor:
Aparicio, Frances R  Search this
Jáquez, Cándida Frances 1966-  Search this
Translator:
Cepeda, María Elena  Search this
Physical description:
1 online resource (216 pages) illustrations, music
Type:
Electronic resources
Place:
Latin America
United States
Amérique latine
États-Unis
The Americas
Date:
2003
Topic:
Popular music--Social aspects  Search this
Hispanic Americans--Music--Social aspects  Search this
Cultural fusion  Search this
Musique populaire--Aspect social  Search this
Américains d'origine latino-américaine--Musique--Aspect social  Search this
Double appartenance (Sciences sociales)  Search this
Music: styles & genres  Search this
Ethnic minorities & multicultural studies  Search this
Music  Search this
Call number:
ML3918.P67 M87 2003 (Internet)
Restrictions & Rights:
1-user
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1163004

Rudy Cuellar Lowrider Posters

Donor:
Cuellar, Rudy  Search this
Creator:
Royal Chicano Air Force  Search this
Extent:
.25 Cubic feet (4 map folders)
Culture:
Latinos -- California  Search this
Type:
Collection descriptions
Archival materials
Screen prints
Date:
1975-2016
Summary:
Collection consists of posters featuring lowrider imagery.
Content Description:
Posters for fundraisers, social actions, and community events for the Latino community of Northern California; all prominently feature lowrider imagery.
Arrangement:
The collection is arranged into one series.

Series 1: Posters, 1975-2016
Biographical:
Rudolfo "Rudy" Ojeda Cuellar was born and raised in Roseville, California. Rudy graduated from Roseville High School where he learned about screen printing, linoleum block printing and a deeper understanding of what being an artist was about. He enrolled at Sierra College, three miles from his hometown, where he was exposed to ceramics and cultural sculptural images. A friend helped him transfer to Sacramento State University where he met professors Jose Montoya and Esteban Villa and many other members of the Royal Chicano Artist group. At Sacramento State, he learned mask making, mold making, and silversmithing. From 1971 to 1979 he worked for Centro de Artistas Chicanos teaching at risk kids from the local school district screen printing skills, art and design and how to get along with one another. While working at the Centro de Artistas he taught and helped the other Royal Chicano Art Front members with the silk-screening process, and creating prints, signs and posters for other community events.

In 1980 Cuellar started Centro Screen Print & Associates with Louie "the Foot" Gonzalez (another founding member of RCAF). Rudy taught silk screening at Folsom State Prison and Louie became a rural mail carrier. His work as printer and as artist has been in numerous exhibits and publications such as Triumph of our Communities, Posada's Mexico 1979, CARA Chicano Art: Resistance and Affirmation, 1965-1985 Wight Art Gallery – University of California, Los Angeles. Design in California and Mexico 1915 – 1985 and Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now. Cuellar was deeply influenced by his trips to Mexico and especially art teachers, counselors, and friends such as George Lem and Mr. Otis, John Adams, Juan Cervantes, and Stephan Kaltenbach that each taught him to never put boundaries on his quest to create Mexican and pre-Colombian images.
Historical:
The Rebel Chicano Art Front was created in 1969 by art professors José Montoya and Esteban Villa along with many other artists, activists, community organizers, poets, and teachers while at California State University, Sacramento. As artists and art students, they often loosely worked to support community events with creative endeavors. The group eventually came together under Joe Serna and was managed by Ricardo Favela in 1972 to form the Centro de Artistas Chicanos, an organization that provided much needed community space and support for after school arts programs, a library and bookstore, training programs, family and child programs such as Día de Los Muertos festivals, acting classes, and even an auto body repair training program. As part of the after-school arts program (and print shop), RCAF artists came together to teach community children about history and culture through art.

To supplement the meager city and private funds for the Centro, the artists organized art and gallery shows, art auctions, and sale of prints in the bookstore. As this collective of artists started having art shows, they would shorten their name to the "RCAF," often being confused with the Royal Canadian Air Force. Being a creative bunch, they changed their name from the Rebel Chicano Art Front to the Royal Chicano Air Force. They embraced this new identity/confusion, getting Army surplus clothing, and creating "ranks" of general or "creative mechanicos comsimcos" [cosmic mechanics] for everyone. They created a mythical origin story that states that they flew here from the mythical homeland of Aztlán in adobe airplanes. This playfulness broke down many social barriers in the barrio as well as within the larger Sacramento community and helped them tackle serious subjects through their programs and art.

The 1960's and 70's ushered in a wave of political and social awareness for communities of color. Community organizations around the country began advocating and organizing for more political and social empowerment as a counter to the discrimination, oppression, and neglect that many Chicanos (and other Latino communities) encountered. The GI Bill sent many Chicanos to college, opening young Chicano eyes to new ways to fight injustice. Many young social reformers started to take advantage of funds from the War on Poverty programs to establish community service organizations. Chicano and Latino artists were very aware of neglect and lack of representation in mainstream galleries and art institutions and started to rethink and reinvent cultural spaces. The RCAF was formed as a way to creatively instill pride, dignity, and respect for the Chicano community of Sacramento (Los Angeles Times, July 22, 1979 "Chicano Air Force Flies High").

In addition to the RCAF, other Latino groups and organizations formed during the late 1960's and 1970's in the Bay area such as the Mexican American Liberation Art Front, La Raza Graphics Center, and Artist Sies that cultivated artist collectives and artist support networks. Galleria de La Raza, the first Mexican American "museum" in the Bay area opened to encourage Chicano and Latino art within their own community. Throughout the country, Latinx artists and activists formed organizations and galleries such as Self-Help Graphics in Los Angeles. The East coast also saw their share of organizations develop such the Taller Puertorriqueño in Philadelphia in 1972. In New York, the Taller Boriqua and El Museo de Barrio saw the Puerto Rican activist community grow and build their own galleries, arts spaces, and educational spaces to reach Latino communities in ways that traditional art and cultural centers did not.

Art, and the inexpensive silk screen process, became one of the fronts in the fight for community self-empowerment and advocacy. The traditions of mural and poster art in California were already very strong by the time RCAF was formed. In the 1930's, 40's, and 50's, African American and labor organizations had formed art workshops developing poster woodcut technique both as an art form and a way to advance political awareness. Art schools and colleges in California (and New York) organized artistic workshops to help combine art with social movements. The RCAF members also drew artistic and activist inspiration from a long tradition of printmaking in Mexico such as political and cultural artist José Posada in the 1890's and the Taller Grafica Popular in the 1930's. The reliance on silk screen poster art created a whole new movement and vocabulary of artistic forms, colors, and representations that drew from Mexican heritage but was also quick and easy to replicate. Artists like Montoya and Favela used these posters as their canvas to create a body of work that was bought and sold like other traditional art pieces, but was inexpensive to create and could relate and engage with the community not accustomed to gallery shows.

The silk screen process was eventually replaced by the screen print process, a technologic change that cut reliance on harmful chemicals, but still retained the "look and feel" of a DIY silk screen. However, what was crucial among RCAF were all the commissioned pieces, like these lowrider posters, that showcased how the artistic forms melded with community activism and documentation. While some of the artworks were bought and sold and made for art spaces, most art was primarily displayed in storefronts, restaurants, and community centers. The community and street space became the gallery that advertised United Farm Worker events, social justice gatherings, health initiatives, etc. The Chicano Civil rights movement succeeded and was sustained in part, by posters like these. The poster "transcended" the advertisement of events into a production of art. More importantly, these posters help document the Chicano movement, bridging community activism, art, advertisement, and social formation.

Source

Historical content note courtesy, Steve Velasquez, Curator, Division of Cultural and Community Life, National Museum of American History, August 13, 2020.
Related Materials:
Materials at the Smithsonian Institution

Archives of American Art

Roberto Sifuentes papers, circa 1988-2006, bulk 1993-2000. The papers document Chicano performance artist and educator Roberto Sifuentes.

Philip Brookman Papers, 1977-1993. The collection documents Brookman's exhibition, writing, and filmmaking projects in the form of artist files, exhibition files, professional files, and subject and research files. Much of the material concerns the production and distribution of Brookman's 1988 video documentary about Chicano art in California, Mi Otro Yo (My Other Self), that grew out of the exhibition and conference "Califas: An Exhibition of Chicano Art and Culture in California," held at University of California, Santa Cruz in 1981 and 1982.

National Museum of American History

Tomas Ybarra-Frausto Calendar Collection, NMAH.AC.0660

Lowrider "Dave's Dream," 1982. See accession: 1990.0567.

Smithsonian Institution Archives

Exhibition Records, circa 1983-1994 and undated. Accession 00-002. INcludes records for the exhibition American Encounters

Exhibition Records, 1970-1995. Accession 01-097. INcludes documentation for American Encounters Lowriders, 1992.

Productions, 1991-1994, 1997-1998. Accession 02-123. Includes Smithsonian Productions video program entitled, ""Spreading Beauty Wherever I Go," on the lowrider cars of New Mexico, 1992.

Productions, 1987, 1989, 1991-1993, 1997. Accession 02-202. Includes video footage for "Spreading Beauty Wherever I Go," on the "lowrider" cars of New Mexico.

Productions, 1991-2000. Accession 05-231. Includes video footage from the exhibit American Encounters Lowrider show, 1978 from the Museum of Fine Arts.

Materials at Other Organizations

Division of Rare and Manuscript Collections, Cornell University Library

Lowrider collection, 1977-1982. Collection Number: 8098

University of San Diego, San Diego Lowriders Archival Project

The San Diego Lowrider Archival Project documents the history of lowriding in San Diego and the surrounding borderlands, from the 1950s through today. The project includes photographs, car club documents and memorabilia, official records, meeting minutes, dance posters and lowrider art.

University of Southern California, Boeckmann Center for Iberian and Latin American Studies

Lowrider magazine collection 0589

A collection of 56 issues of Lowrider magazine, along with three issues of Q-VO: A National Lowrider's Magazine -- all spanning from 1977 to 2003

UC Santa Barbara, Special Research Collections

Royal Chicano Air Force Archives, CEMA 8

Extensive collection of slides and silkscreen prints, along with administrative records, news clippings, correspondence, exhibition descriptions and flyers, photographs, creative writings, and miscellaneous publications of the Sacramento-based artists collective. Founding members of the RCAF include José Montoya, Esteban Villa, Juanishi V. Orosco, Ricardo Favela, and Rudy Cuellar.

UCLA Chicano Research Center

Alturas Films Records, CSRC.2018.009

Alturas Films is a film production company based in Emeryville, Californis. Founded by Rick Tejada-Flores, it specializes in documentaries that focus on overlooked topics in Latino and Latin American culture, many of which were broadcast on public television. Among its films are Low 'n Slow, Rivera in America, and Elvia.
Provenance:
Fifteen posters were purchased from Rudy Cuellar in 2021.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Graphic artists -- California  Search this
Topic:
Automobiles -- Social aspects -- United States  Search this
Hispanic American artists  Search this
Lowriders  Search this
Posters  Search this
Popular culture  Search this
Genre/Form:
Screen prints
Citation:
Rudy Cuellar Lowrider Posters, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1514
See more items in:
Rudy Cuellar Lowrider Posters
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep87d79ef1c-d62a-4a0a-9dc4-dd464a344dbd
EDAN-URL:
ead_collection:sova-nmah-ac-1514
Online Media:

Chasing dreams baseball and becoming American edited by Josh Perelman

Title:
Baseball and becoming American
Curator:
Perelman, Josh  Search this
Sponsoring body:
National Museum of American Jewish History (Philadelphia, Pa.)  Search this
Physical description:
256 pages illustrations, some of which are in color, facsimiles 29 cm
Type:
Exhibitions
Expositions
Biography
Exhibition catalogs
History
Place:
United States
États-Unis
Date:
2014
20th century
20e siècle
Topic:
Baseball--Social aspects  Search this
Baseball--History  Search this
Jewish baseball players  Search this
Jews--Cultural assimilation  Search this
Baseball--Religious aspects--Judaism  Search this
African American baseball players  Search this
African Americans--Relations with Jews--History  Search this
Minorities in baseball--History  Search this
Racism in sports--History  Search this
Base-ball--Aspect social  Search this
Joueurs de base-ball juifs  Search this
Juifs--Acculturation  Search this
Base-ball--Aspect religieux--Judaïsme  Search this
Joueurs de base-ball noirs américains  Search this
Noirs américains--Relations avec les Juifs--Histoire  Search this
Racisme dans les sports--Histoire  Search this
African Americans--Relations with Jews  Search this
Baseball  Search this
Ethnic relations  Search this
Minorities in baseball  Search this
Racism in sports  Search this
Jews--Social conditions  Search this
Jews--Identity  Search this
Relations interethniques  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1159194

Latino identity and political attitudes why are Latinos not Republican? Angel Saavedra Cisneros

Author:
Saavedra Cisneros, Angel  Search this
Physical description:
1 online resource (285 pages)
Type:
Electronic resources
Electronic books
Place:
United States
États-Unis
Date:
2017
1989-
Topic:
Hispanic Americans--Politics and government  Search this
Political participation  Search this
Hispanic Americans--Social conditions  Search this
Ethnicity--Political aspects  Search this
Participation politique  Search this
Américains d'origine latino-américaine--Conditions sociales  Search this
Ethnicité--Aspect politique  Search this
Politics & government  Search this
Public administration  Search this
Ethnic studies  Search this
Sociology  Search this
The self, ego, identity, personality  Search this
Elections & referenda  Search this
POLITICAL SCIENCE--Political Freedom & Security--Civil Rights  Search this
POLITICAL SCIENCE--Political Freedom & Security--Human Rights  Search this
Ethnic relations--Political aspects  Search this
Politics and government  Search this
Race relations--Political aspects  Search this
Race relations  Search this
Political aspects  Search this
Ethnic relations  Search this
Politique et gouvernement  Search this
Relations raciales  Search this
Aspect politique  Search this
Relations interethniques  Search this
Call number:
E184.S75 S22 2017 (Internet)
Restrictions & Rights:
1-user
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1162425

Learning to be Latino how colleges shape identity politics Daisy Verduzco Reyes

Author:
Reyes, Daisy Verduzco 1983-  Search this
Physical description:
1 online resource
Type:
Electronic resources
Electronic books
Date:
2018
Topic:
Hispanic Americans--Education (Higher)--Social aspects  Search this
Hispanic American college students--Social conditions  Search this
Hispanic Americans--Ethnic identity  Search this
Étudiants américains d'origine latino-américaine--Conditions sociales  Search this
SOCIAL SCIENCE--General  Search this
Call number:
LC2670.6 .R49 2018 (Internet)
Restrictions & Rights:
1-user
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1162427

Racial migrations New York City and the revolutionary politics of the Spanish Caribbean, 1850-1902 Jesse E. Hoffnung-Garskof

Author:
Hoffnung-Garskof, Jesse 1971-  Search this
Physical description:
1 online resource (xv, 369 pages, 10 pages of plates) illustrations, maps, portraits
Type:
Electronic resources
History
Place:
New York (State)
New York
New York (État)
United States
New York (N.Y.)
Date:
2019
19th century
19th Century
19e siècle
Topic:
Immigrants--History  Search this
Immigrants--Intellectual life  Search this
Latin Americans  Search this
Latino-Américains  Search this
HISTORY--State & Local--General  Search this
HISTORY--State & Local--Middle Atlantic (DC, DE, MD, NJ, NY, PA)  Search this
HISTORY--State & Local--New England (CT, MA, ME, NH, RI, VT)  Search this
HISTORY  Search this
Emigration and immigration--Social aspects  Search this
Immigrants  Search this
Race relations  Search this
Emigration and immigration  Search this
Social aspects  Search this
History  Search this
Histoire  Search this
Call number:
F128.9.A1 H64 2019 (Internet)
Restrictions & Rights:
1-user
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1162438

Threshold emergency responders on the US-Mexico border Ieva Jusionyte

Author:
Jusionyte, Ieva 1983-  Search this
Physical description:
1 online resource (285 pages, 16 unnumbered pages of plates) illustrations
Type:
Electronic resources
Place:
Mexican-American Border Region
Région frontalière mexicano-américaine
Mexico
United States
North America
Date:
2018
Topic:
Emergency medical services  Search this
Rescue work  Search this
Emergency Responders  Search this
Emergency Medical Services  Search this
Rescue Work  Search this
Emigration and Immigration  Search this
Services des urgences médicales  Search this
Sauvetage  Search this
emergency medical centers  Search this
POLITICAL SCIENCE--Public Policy--Social Security  Search this
POLITICAL SCIENCE--Public Policy--Social Services & Welfare  Search this
SOCIAL SCIENCE--Anthropology--General  Search this
Emigration and immigration--Social aspects  Search this
Emigration and immigration  Search this
Social aspects  Search this
Émigration et immigration  Search this
Aspect social  Search this
Call number:
RA645.7.M58 J87 2018 (Internet)
Restrictions & Rights:
1-user
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1162447

Transborder Los Angeles an unknown transpacific history of Japanese-Mexican relations Yu Tokunaga

Author:
Tokunaga, Yū 1982-  Search this
Physical description:
1 online resource illustrations
Type:
Electronic resources
Place:
California
Los Angeles
United States
États-Unis
Date:
2022
20th century
20e siècle
Topic:
Immigrants  Search this
Japanese  Search this
Mexicans  Search this
Agriculture--Social aspects  Search this
Japonais  Search this
HISTORY / United States / 20th Century  Search this
Call number:
JV6926.L67 T65 2022 (Internet)
Restrictions & Rights:
1-user
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1162448

Phoenix, AZ: Speeches

Collection Creator:
National Congress of American Indians  Search this
Container:
Box 4, Folder 11
Type:
Archival materials
Date:
1953
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
National Congress of American Indians records
National Congress of American Indians records / Series 1: NCAI Conventions and Mid-year Conferences
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv41a652faf-983f-47f3-b14b-c137da04cf2b
EDAN-URL:
ead_component:sova-nmai-ac-010-ref76
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Phoenix, AZ: Speeches digital asset number 1

Cosmonaut a cultural history Cathleen S. Lewis

Author:
Lewis, Cathleen S. 1958-  Search this
Physical description:
xvii, 301 pages illustrations 23 cm
Type:
Books
History
Place:
Russia (Federation)
Soviet Union
Date:
2023
Topic:
Astronautics--History  Search this
Astronautics--Social aspects  Search this
Astronauts--History  Search this
SOCIAL SCIENCE / Popular Culture  Search this
SOCIAL SCIENCE / Media Studies  Search this
Astronautics  Search this
Astronauts  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1160566

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