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Actions by sculptors for the home audience exhibition announcement

Creator:
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Subject:
Museum of Conceptual Art  Search this
Type:
Printed Materials
Date:
1974 Feb. 15
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)10411
See more items in:
Lucy R. Lippard papers, 1930s-2007, bulk 1960-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10411
Online Media:

Oral history interview with Jean Milant

Interviewee:
Milant, Jean, 1943-  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Names:
Cirrus Editions  Search this
Cirrus Gallery  Search this
Los Angeles Institute of Contemporary Art  Search this
Los Angeles Visual Arts (Organization)  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Tamarind Institute  Search this
University of New Mexico -- Student  Search this
University of Wisconsin  Search this
Antreasian, Garo Z., 1922-2018  Search this
Auder, Michel  Search this
Baldessari, John, 1931-  Search this
Blum, Irving, 1930-  Search this
Burden, Chris, 1946-  Search this
Card, Greg S., 1945-  Search this
Carson, Karen, 1943-  Search this
Cointet, Guy de, 1934-1983  Search this
Egelston, Robert  Search this
Francis, Sam, 1923-1994  Search this
Gehry, Frank O., 1929-  Search this
Goodman, Marian  Search this
Harrison, Newton, 1932-  Search this
Hill, Charles Christopher  Search this
Inch, Terry  Search this
Irwin, Robert, 1928-  Search this
Kanemitsu, Matsumi  Search this
Kauffman, Craig, 1932-2010  Search this
Leiber, Steven  Search this
Marron, Donald B.  Search this
Mizuno, Riko  Search this
Moses, Ed, 1926-  Search this
Nauman, Bruce, 1941-  Search this
Overby, Robert, 1935-1993  Search this
Price, Kenneth, 1935-2012  Search this
Rivière, Alain, 1958-  Search this
Rosen, Gerry  Search this
Ruscha, Edward  Search this
Sturman, Eugene  Search this
Trowbridge, David, 1945-  Search this
Tyler, Kenneth E.  Search this
Viva, 1938-  Search this
Wayne, June, 1918-2011  Search this
Wood, Jonas, 1977-  Search this
de Beauvau-Craon, Minnie  Search this
Extent:
4 Items (Sound recording: 4 sound files (3 hr., 7 min.), digital, wav)
102 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Europe -- description and travel
France -- description and travel
New York (N.Y.) -- Description and Travel
Date:
2015 July 20
Scope and Contents:
An interview of Jean Milant, conducted 2015 July 20, by Hunter Drohojowska-Philp, for the Archives of American Art at Milant's home in Los Angeles, California.
Jean Milant discusses growing up in Milwaukee, Wisconsin and his French and German heritage; his introduction to art instruction in high school and further studies at the University of Wisconsin; his trips to Europe and New York City as an undergraduate art student; his time as a graduate student at the University of New Mexico, and his work at the Tamarind Institute printmaking program and his introduction to Los Angeles; his work at Tamarind with Ed Ruscha, Sam Francis, Ed Moses, and Ken Price, among others; the beginnings of Cirrus Gallery and Cirrus Editions and his search for backers for the two endeavors; his partnership with Terry Inch as a backer for Cirrus. Mr. Milant also describes the decision to move his gallery and printmaking shop to downtown Los Angeles in 1979; the support of Robert Egelston and the collector Donald Marron and other collectors who first subscribed to his print editions; his experiences in France with Minnie de Beauvau-Craon; the gallery and museum scene in Los Angeles in the early '70s and '80s; his efforts to promote Los Angeles as a vibrant center of art, including trips to Europe in the early '70s to show his artists; the creation of Ed Ruscha's prints using food; working with Bruce Nauman and John Baldessari to create prints; the creation of the Los Angeles Visual Arts group of L.A. art dealers; his involvement with the creation of the Los Angeles Institute of Contemporary Art in 1974; his work with the artist Guy de Cointet and Mr. Cointet's early performances at Cirrus Gallery; the opening of MOCA in 1984; his desire to create a think-tank institute to help create a viable future for art. Mr. Milant also recalls Garo Antreasian, Newton Harrison, June Wayne, Frank Gehry, Robert Irwin, Eugene Sturman, Matsumi Kanemitsu, Ken Tyler, Riko Mizuno, Irving Blum, Gerry Rosen, Robert Overby, David Trowbridge as well as Chris Burden, Greg Card, Karen Carson, Craig Kauffman, Marian Goodman, Alain Rivière, Charles Christopher Hill, Steven Leiber, Viva, Michel Auder, and Jonas Wood, among others.
Biographical / Historical:
Jean Robert Milant (1943- ) is an art dealer and publisher in Los Angeles, California. Hunter Drohojowska-Philp is an art critic and writer from Beverly Hills, California.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art dealers -- California -- Los Angeles  Search this
Publishers -- California -- Los Angeles  Search this
Topic:
Art -- Study and teaching  Search this
Prints -- Technique  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.milant15
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-milant15

Sonnier, Keith - Museum of Contemporary Art, Los Angeles, Calif.

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 56, Folder 76
Type:
Archival materials
Date:
1991
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 3: Exhibition Files / 3.6: Solo Shows, Other Galleries
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-leocast-ref11096

The museum and its public: scholarship or spectacle : panel discussion

Creator:
Archives of American Art  Search this
Middlekauff, Robert  Search this
Koshalek, Richard  Search this
Powell, Earl A.  Search this
Karlstrom, Paul J.  Search this
Names:
Henry E. Huntington Library and Art Gallery  Search this
Los Angeles County Museum of Art  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Collection Creator:
Archives of American Art  Search this
Extent:
1 Sound cassette
Container:
Item aaaoh010
Type:
Archival materials
Audio [31027000729877]
Sound cassettes
Sound recordings
Interviews
Date:
1986 February 13
Scope and Contents:
A panel discussion sponsored by the Archives of American Art at the Founders Luncheon and Museum Panel, held at the Beverly Hills Hotel, 1986 February 13. The participants were Richard Koshalek, director of the Museum of Contemporary Art; Earl A. Powell, Director of the Los Angeles County Museum of Art; Robert Middlekauff, Director of the Henry E. Huntington Library and Art Gallery. Paul Karlstrom is moderator.
Moderator Paul Karlstrom introduces the topic and panelists; identifies differences between the three institutions, the appeal of blockbuster shows, and with references to an article by Mortibello of the Metropolitan Museum of Art, questions whether a museum can successfully balance scholarship and interpretation; the high cost of research and programming; and the shift to temporary exhibitions.
Koshalek discusses how MOCA continues to look for a balance as a new organization and their decision to start with temporary exhibits to build an audience and collection. Middlekauff discusses the Huntington as a research institution and its policy to not loan books and papers and the impact then on hosting only temporary exhibits, and the parallel to problems universities face in funding programming. Powell discusses the benefits of blockbuster exhibits, the need to integrate scholarship, and the problems in corporate sponsorships.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hrs., 3 min.
Funding note:
Funding for the digital preservation of this recording was provided by a grant from the Save America's Treasures Program of the National Park Service.
Collection Restrictions:
Use requires an appointment.
Occupation:
Art critics -- California, Southern  Search this
Art historians -- California, Southern  Search this
Educators -- California, Southern  Search this
Museum directors -- California, Southern  Search this
Topic:
Art, American -- California, Southern  Search this
Function:
Art museums
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.archiv57, Item AAA
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-archiv57-ref12

Oral history interview with Giuseppe Panza

Interviewee:
Panza, Giuseppe  Search this
Interviewer:
Knight, Christopher, 1950-  Search this
Names:
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Panza, Giuseppe -- Art collections  Search this
Extent:
114 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1985 Apr. 2-4
Scope and Contents:
An interview of Giuseppe Panza conducted 1985 Apr. 2-4, by Christopher Knight, for the Archives of American Art, in Los Angeles, Calif.
Panza speaks of his background and education; the development of his collecting interest; his shift of interest from European to American art; his appreciation of conceptual art; the collecting of environmental artwork; philosophical ideals and goals which influenced his collecting; and the acquisition of the Panza collection by the Museum of Contemporary Art, Los Angeles.
Biographical / Historical:
Giuseppe Panza (1904-1988) was an art collector from Milan, Italy.
General:
Originally recorded on 8 sound cassettes. Reformatted in 2010 as 15 digital wav files. Duration is 7 hrs., 40 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art -- Collectors and collecting  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.panza85
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-panza85

Museum of Contemporary Art records

Creator:
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Names:
Dever, Joyce  Search this
Valentine, De Wain, 1936-  Search this
Extent:
2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1979-1986
Scope and Contents:
Correspondence; photos of committee members, and minutes and position papers of the Artists Advisory Committee during the development that led to Museum of Contemporary Art (MOCA) in Los Angeles. The minutes were taken by Joyce Dever and her handwritten notes are included. Also included are newspaper and magazine articles about the development of the museum.
Biographical / Historical:
Art museum; Los Angeles, Calif. MOCA was opened in 1983 following planning by an Artists Advisory Committee and others who wished to establish an alternative, contemporary art museum. Planning sessions were held in late 1979 through 1982 in various artist committee members' studios or homes. DeWain Valentine was a key figure in the Museum's early development.
Provenance:
Donated 2000 by DeWain Valentine and the Artists Advisory Committee at MOCA, via Joyce Dever, a former MOCA administrator.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Artists -- California -- Los Angeles  Search this
Topic:
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Function:
Art museums -- California -- Los Angeles
Identifier:
AAA.musecala
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-musecala

Richard Artschwager papers

Creator:
Artschwager, Richard, 1923-  Search this
Names:
Adair Margo Gallery  Search this
Carpenter Center for the Visual Arts  Search this
Cornell University.  Search this
Gagosian Gallery  Search this
Galerie Franck + Schulte  Search this
Harvard University  Search this
Herbert F. Johnson Museum of Art  Search this
Leo Castelli Gallery  Search this
Lorence-Monk Gallery (New York, N.Y.)  Search this
Museum Ludwig  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Museum of Fine Arts, Boston  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Skowhegan School of Painting and Sculpture  Search this
University of Wisconsin  Search this
Whitney Museum of American Art  Search this
Alloway, Lawrence, 1926-1990  Search this
Castelli, Leo  Search this
Copley, William Nelson, 1919-1996  Search this
Fischl, Eric, 1948-  Search this
Johnson, Ray, 1927-  Search this
Karp, Ivan C., 1926-2012  Search this
Katz, Alex, 1927-  Search this
Kimmelman, Michael  Search this
Lawler, Louise  Search this
LeWitt, Sol, 1928-2007  Search this
Murray, Elizabeth, 1940-  Search this
Namuth, Hans  Search this
Neuendorf, Hans  Search this
Ruscha, Edward  Search this
Schaffner, Ingrid  Search this
Schjeldahl, Peter  Search this
Waters, John, 1946-  Search this
Woodman, Betty, 1930-  Search this
Extent:
5.6 Linear feet
Type:
Collection descriptions
Archival materials
Illustrated letters
Transcripts
Sketches
Photographs
Sound recordings
Video recordings
Date:
1959-2013
Summary:
The papers of New York painter and sculptor Richard Artschwager measure 5.6 linear feet and date from 1959-2013. The papers include extensive correspondence, recorded talks and a lecture, exhibition files, printed material, and photographs.
Scope and Contents:
The papers of New York painter and sculptor Richard Artschwager measure 5.6 linear feet and date from 1959-2013. The papers include extensive correspondence, recorded talks and a lecture, exhibition files, printed material, and photographs.

Artschwager's correspondence is with museums, galleries, artists, art historians, academic institutions, and publishers and concerns exhibitions, speaking engagements, and teaching. Frequent correspondents include Lawrence Alloway, Leo Castelli Gallery, Gagosian Gallery, Galerie Franck + Schulte, Herbert F. Johnson Museum, Ivan Karp, Museum Ludwig, Museum of Contemporary Art, Los Angeles, Ingrid Schaffner, and the Whitney Museum of American Art. Also found are letters from fellow artists, including William Copley, Eric Fischl, Ray Johnson, Louise Lawler, Sol Lewitt, Ed Ruscha, John Waters, and Betty Woodman. Some letters are annotated or illustrated with sketches by Artschwager.

The collection includes a lecture and recorded talks by Richard Artschwager held at the University of Wisconsin, Madison, Skowhegan School of Painting & Sculpture, and the Carpenter Center of the Visual Arts, Harvard University, and other venues. One of the recordings is from the "Conversations with Contemporary Artists" series of the Museum of Modern Art. Also included in this series is a recorded discussion with artists Alex Katz and Elizabeth Murray and art critics Michael Kimmelman and Peter Schjeldahl.

Exhibition files are found for exhibitions held at Adair Margo Gallery, Lorence Monk Gallery, Museum of Fine Arts, Boston, Cornell University, and numerous others, including many in Europe. Files typically contain correspondence, price lists, announcements, printed material, photographs, and a few sound and video recordings.

Printed material includes invitations and announcements as well as posters, reproductions, and brochures, mostly related to Richard Artschwager's exhibitions. Newspaper and magazine clippings document exhibition openings and the critical reception of his work.

There are also a few photographs including images of Leo Castelli by Hans Namuth used by Artschwager in preparing for his portrait of Castelli.
Arrangement:
The collection is arranged as 5 series.

Series 1: Correspondence, circa 1970-2013 (Boxes 1-3; 3.0 linear feet)

Series 2: Talks and Lecture, 1985-2009 (Box 4; 0.8 linear feet)

Series 3: Exhibition Files, 1973-2007 (Boxes 4-5; 1.0 linear feet)

Series 4: Printed Material, 1959-2012 (Boxes 5-6, OV 7; 0.6 linear feet)

Series 5: Photographs, circa 1973, 2007 (Box 6, OV 8; 0.1 linear feet)
Biographical / Historical:
Richard Artschwager (1923-2013) lived and worked in New York City and Hudson, New York and was known primarily for his paintings and sculptures. Artschwager was born in Washington, D.C. and grew up in New Mexico. As a youth, Artschwager showed a talent for drawing. He studied chemistry and mathematics at Cornell University. In 1944, Artschwager interrupted his studies to enlist in the U.S. Army. After the war, he returned to Cornell to complete his Bachelor of Arts degree in 1948. Encouraged by his first wife, Elfriede Wejmelka to develop his interest in art, Artschwager moved to New York to study at the Studio School of Amédée Ozenfant. His paintings and drawings from this period were featured in two group shows at the Terrain Gallery in 1957 and at the Art Directions Gallery on Madison Avenue in 1959, where they were recognized by Donald Judd.

In the 1950s, in order to support his family, Artschwager turned to designing and manufacturing modern furniture. His woodworking skills inspired him to create sculptures from utilitarian objects such as tables, chairs, and mirrors. He is best known for the use of building materials Celotex and Formica in his work and for inventing an abstract form he called "blps" reliefs, stencils or decals that were installed randomly in museum, gallery and public spaces. From the mid-1980s to late 1990s, Artschwager designed large scale projects, though he continued to incorporate everyday domestic objects in his sculptures and paintings.

In 1965, Artschwager was given his first one-man exhibition at the Castelli Gallery and he remained with the Gallery for thirty years. He was also represented by Mary Boone, David Nolan, and the Gagosian Gallery. In the 1980s, Artschwager served on the Visual Arts Policy Committee at the National Endowment of the Arts. He was elected to the American Academy of Arts in 1992. He was a visiting artist at New Mexico State University, Soka University, Skowhegan School of Painting and Sculpture, and the University of Arizona. Artschwager's work was the subject of a major surveys, including the Kunstmuseum Winterthur, Neues Museum, and Serpentine Gallery. He participated in numerous international group shows including the Venice Biennale and Documenta in Kassel, Germany. The Whitney Museum of American Art honored Artschwager with two travelling retrospective exhibitions in 1988 and 2012. In late 2012, Artschwager had one-man shows at the Gagosian Gallery and David Nolan Gallery.

Richard Artschwager died at the age of 89 years in 2013. He is survived by his wife, Ann Sebring Artschwager and three children from previous marriages.
Related Materials:
Also found among the resources at the Archives of American Art is an oral history interview with Artschwager, March 3-28, 1972, conducted by Paul Cummings.
Provenance:
The collection was donated by Richard Artschwager and his wife Ann Artschwager in 2013.
Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics  Search this
Topic:
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Art, Modern -- 20th century  Search this
Sculptors -- New York (State) -- New York  Search this
Genre/Form:
Illustrated letters
Transcripts
Sketches
Photographs
Sound recordings
Video recordings
Citation:
Richard Artschwager papers, 1959-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artsrich
See more items in:
Richard Artschwager papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-artsrich
Online Media:

Audio tour of The Case Study House Program exhibition

Creator:
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Names:
De Noriega, Taina Rikala  Search this
Karlstrom, Paul J.  Search this
Ratner, Joanne  Search this
Shulman, Julius  Search this
Wilson, Barbara  Search this
Extent:
1 Sound cassette (Audio)
Type:
Collection descriptions
Archival materials
Sound cassettes
Sound recordings
Date:
1990
Scope and Contents:
One sound cassette of a tour, narrated by photographer Julius Shulman, of the exhibition, "The Case Study House Program," at the Musuem of Contemporary Art, Los Angeles, California, January 3, 1990. People present include Paul Karlstrom, Joanne Ratner, Barbara Wilson, and Taina Rikala De Noriega.
Biographical / Historical:
The Museum of Contemporary Art is an art museum in Los Angeles, California.
Provenance:
Provenance unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Genre/Form:
Sound recordings
Identifier:
AAA.musecona
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-musecona

Out of actions : between performance and the object, 1949-1979 / organized by Paul Schimmel ; with essays by Kristine Stiles ... [et al.]

Author:
Schimmel, Paul  Search this
Stiles, Kristine  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Physical description:
407 p. : ill. (some col.) ; 31 cm
Type:
Exhibitions
Date:
1998
20th century
Topic:
Performance art--Themes, motives  Search this
Performance art--Influence  Search this
Action in art  Search this
Arts, Modern  Search this
Call number:
NX456.5.P38 S35 1998X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_545866

Judy Fiskin some more art

Title:
Some more art
Author:
Fiskin, Judy  Search this
Author:
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Subject:
Fiskin, Judy  Search this
Physical description:
1 volume (unpaged) illustrations 23 cm
Type:
Books
Exhibitions
Artists' books (books).)
Artists' books
Exhibition catalogs
Date:
1992
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_787814

A living man declared dead, and other chapters I-XVIII Taryn Simon

Author:
Simon, Taryn 1975-  Search this
Author:
Batchen, Geoffrey  Search this
Bhaba, Homi K 1949-  Search this
Gagosian Gallery  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Neue Nationalgalerie (Germany)  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Tate Modern (Gallery)  Search this
Wilson Center for Photography  Search this
Subject:
Simon, Taryn 1975-  Search this
Physical description:
773 pages chiefly color illustrations 35 cm
Type:
Exhibitions
Artists' books (books).)
Artists' books
Exhibition catalogs
Date:
2012
Topic:
Photography, Artistic  Search this
Portrait photography  Search this
Survival in art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_989245

John Woodall tools of performance : [exhibition] the Museum of Contemporary Art, Los Angeles, December 13, 1988-February 26, 1989

Title:
Tools of performance
Author:
Woodall, John  Search this
Author:
Lazar, Julie  Search this
Moss, Karen  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Subject:
Woodall, John  Search this
Physical description:
1 volume (accordian fold with metal plate on each end) illustrations 18 cm
Type:
Exhibitions
Artists' books (books).)
Artists' books
Exhibition catalogs
Place:
United States
Tennessee
Nashville
Date:
1988
Topic:
Performance art  Search this
Artists' books  Search this
Call number:
N40.1.W8786 L4 1988
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_459667

Rolywholyover a circus John Cage ; [editor, Russell Ferguson]

Author:
Cage, John  Search this
Author:
Ferguson, Russell  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Subject:
Cage, John  Search this
Cage, John Friends and associates  Search this
Cage, John (1912-1992) Catalogues d'exposition  Search this
Physical description:
1 box (circa 50 pieces) illustrations (some color), music 26 x 30 x 3 cm
Type:
Books
Exhibitions
Artists' books
Exhibition catalogues
Artists' books (books).)
Exhibition catalogs
Metal boxes (containers)
Place:
United States
Date:
1993
20th century
Topic:
Artists' books  Search this
Friendship  Search this
Call number:
N40.1.C127 L4 1993
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_497524

Nancy Spero The Museum of Contemporary Art, Los Angeles

Author:
Spero, Nancy 1926-2009  Search this
Author:
Jenkins, Susan L  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Subject:
Spero, Nancy 1926-2009  Search this
Spero, Nancy 1926-2009  Search this
Physical description:
1 sheet (folded) ill 29 cm. + 1 sheet (folded) : all illustrations ; 31 cm
Type:
Books
Exhibitions
Interviews
Artists' books (books).)
Artists' books
Exhibition catalogs
Date:
1988
Topic:
Artists' books  Search this
Call number:
N6537.S648 A4 1988
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_675295

Men's group, the video Ben Jones ; contributions by Joe Bradley [and others] ; edited by Dan Nadel

Title:
Video
Author:
Jones, Ben 1942-  Search this
Nadel, Dan  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Physical description:
1 volume (unpaged) illustrations (some color) 31 cm
Type:
Catalogs
Exhibitions
Exhibition catalogs
Date:
2013
Topic:
Masculinity in art  Search this
Visual perception in art  Search this
Call number:
N6537.J76 A4 2013
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1110744

Lucian Freud / William Feaver

Author:
Feaver, William  Search this
Freud, Lucian  Search this
Auerbach, Frank 1931-  Search this
Tate Britain (Gallery)  Search this
Fundació "La Caixa."  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Subject:
Freud, Lucian  Search this
Freud, Lucian Criticism and interpretation  Search this
Freud, Lucian Critique et interprétation  Search this
Freud, Lucian  Search this
Freud, Lucian  Search this
Freud, Lucian (OCoLC)fst00008419  Search this
Freud, Lucian  Search this
Physical description:
240 pages : illustrations (chiefly color) ; 31 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Place:
INGLESES
Date:
2002
©2002
20e siècle
Topic:
Figurative art, British  Search this
Peinture anglaise  Search this
Portraits anglais  Search this
Schilderijen  Search this
PINTORES  Search this
Call number:
N6797.F77 A4 2002
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_684154

Sam Francis : paintings, 1947-1990 / William C. Agee

Author:
Agee, William C  Search this
Francis, Sam 1923-1994  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Subject:
Francis, Sam 1923-1994  Search this
Physical description:
164 p. : ill. (some col.) ; 31 cm
Type:
Exhibitions
Date:
1999
C1999
Topic:
Color in art  Search this
Call number:
N40.1.F815 A4 1999
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_565908

Louise Bourgeois / edited by Frances Morris ; with essays by Paulo Herkenhoff [and others] ; contributions by Marie-Laure Bernadac [and others]

Writer of added commentary:
Morris, Frances  Search this
Storr, Robert  Search this
Lebovici, E (Elisabeth)  Search this
Nochlin, Linda  Search this
Nixon. Mignon  Search this
Kristeva, Julia  Search this
Potts, Alex  Search this
Kuspit, Donald  Search this
Herkenhoff, Paulo  Search this
Contributor:
Bernadac, Marie-Laure  Search this
Author:
Tate Modern (Gallery)  Search this
Musée national d'art moderne (France)  Search this
Solomon R. Guggenheim Museum  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Subject:
Bourgeois, Louise 1911-2010  Search this
Physical description:
320 pages : illustrations (some color), portraits (some color) ; 27 cm
Type:
Books
Exhibitions
Exhibition catalogs
Date:
2007
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_947883

A dialogue about recent American and European photography / exhibition organized by Jean-Franc̜ois Chevrier and Ann Goldstein ; [artists] Dan Graham ... [et al.]

Author:
Chevrier, Jean-François  Search this
Graham, Dan 1942-  Search this
Goldstein, Ann  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Physical description:
46 p. : ill. (some col.) ; 23 x 26 cm
Type:
Exhibitions
Place:
United States
Europe
Date:
1991
C1991
Topic:
Photography  Search this
Call number:
TR645.L72 M873 1991X
TR645.L72M873 1991X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_414776

Douglas Gordon / organized by Russell Ferguson ; essays by Michael Darling [and others]. ; interview by David Sylvester

Author:
Gordon, Douglas 1966-  Search this
Ferguson, Russell  Search this
Darling, Michael  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Solomon R. Guggenheim Museum  Search this
Public Art Fund (New York, N.Y.)  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Subject:
Gordon, Douglas 1966-  Search this
Physical description:
183 pages : illustrations (some color) ; 31 cm
Type:
Exhibitions
Exhibition catalogs
Place:
Scotland
Date:
2001
©2001
Topic:
Video art  Search this
Installations (Art)  Search this
Photography, Artistic  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_662244

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