The collection is open for research. Patrons must use microfilm copy. Use of the unmicrofilmed portion requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The donor has retained all intellectual property rights, including copyright, that they may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Erwin Panofsky papers, 1904-1990 (bulk dates 1920-1968). Archives of American Art, Smithsonian Institution.
Castelli, Leo (see: Judson, Bill and Leo Castelli)
Cavanagh, John P.
Center for International Studies
Charles Apfelbaum Books
Charles P. Wood III, Antiquarian Bookseller
Charlesmith [?], Sarah
Christie's (London)
Chrysler Museum
Cialdella, Gary
Clatworthy Colorvues
Clergue, Lucien
Clift, William
Clough, Charlie
Cohain, Yossaif
Collectors' Center
Complete Book of Photographers
Conniff, Gregory
Cooper-Hewitt Museum
Cooper, Thomas Joshua
Copland, Aaron
Cox, Henry
Cratsley, Bruce
Imogen Cunningham Trust (see also: Friends of Imogen Cunningham)
Curtis Art Project
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Samuel J. Wagstaff papers, circa 1932-1985. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of this collection was provided by the Terra Foundation for American Art
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Smithsonian Institution. Art Collections Information System Committee Search this
Extent:
1 cu. ft. (1 record storage box)
Type:
Collection descriptions
Archival materials
Manuscripts
Date:
1987, 1993-2010
Descriptive Entry:
The ArtCIS Committee was originally created as a joint effort between the six Smithsonian Institution art museums to research and select a common Collections Information
System (CIS) to purchase and implement. The committee has grown to include the additional museums who have selected the same CIS. The committee is now comprised of ten museums,
including history and science museums. The name ArtCIS, while no longer representative of the committee was kept for consistency within the Smithsonian Institution.
The ArtCIS Committee is a collaboration between the Office of the Chief Information Officer (OCIO) and Smithsonian museums that use a common commercial software product
as their CIS. The purpose of ArtCIS is to pool together expertise, efforts and resources in order to further the CIS goals of member museums efficiently and cost-effectively.
Primarily documented in the collection are the six original ArtCIS member museums: Cooper-Hewitt, National Design Museum; Freer Gallery of Art and Arthur M. Sackler Gallery;
Hirshhorn Museum and Sculpture Garden; National Museum of African Art; National Portrait Gallery; and the Smithsonian American Art Museum.
People represented in the collection include Rachel M. Allen, Deputy Director, Smithsonian American Art Museum; Mary Ellen Guerra, Collections Database Administrator, Smithsonian
American Art Museum; Patricia L. Fiske, Assistant Director for Administration, National Museum of African Art; and Jeffrey Smith, Assistant Registrar, Freer and Sackler Galleries.
Materials include correspondence; memoranda; grant proposals; meeting agendas, minutes, and notes; system requirements; reports; and survey records.
