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Lloyd Raymond Ney papers

Creator:
Ney, Lloyd Raymond, 1893-1964 or 5  Search this
Names:
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Rattner, Abraham  Search this
Rebay, Hilla, 1890-1967  Search this
Extent:
1.1 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1902-1987
Scope and Contents:
Biographical material; correspondence; a diary; writings; art work; subject files; photographs; printed material; and two scrapbooks.
Biographical accounts; a passport; a list of paintings in collections; a grant application; personal correspondence, including letters from Abraham Rattner from Paris describing the Parisian art scene; professional correspondence regarding the controversy ove Ney's mural for the New London, Ohio post office and letters from Hilla Rebay of the Solomon R. Guggenheim Museum, N.Y.C.; a diary, 1918, chronicling Ney's army experience in France; a subject file containing preliminary drawings, clippings, and photographs of the New London mural; a sketchbook of mural studies; photographs of Ney's art works, portraits of Ney, and exhibition installations; clippings; exhibition catalogs and announcements; unpublished manuscripts; two typescripts by Hilla Rebay and James W. Riley; two scrapbooks containing photographs, printed material, and letters relating to Ney's studies at the Pennsylvania Academy of Fine Arts; a drawing, "The Declaration of France," by Joseph Mielziner; miscellaneous printed material.
Biographical / Historical:
Lloyd Raymond Ney (1893-1964 or 5) was a Non-objective painter from New Hope, Pennsylvania and New York, N.Y. Known also as Bill Ney. Born in Friedenburg, Pennsylvania and studied at the Pennsylvania Museum School of Industrial Art and at the Pennsylvania Academy of the Fine Arts. Won a Cresson travelling scholarship in 1917 and upon completing his WWI tour in Europe, travelled to France with Abraham Rattner. Ney was commissioned to paint the post office in New London, Ohio by the Section of Fine Arts of the Department of Treasury which became a controversial issue. He was one of Hilla Rebay's favored non-objective painters.
Provenance:
Donated by Gretchen Ney Laugier, Ney's daughter. Microfilmed in 1989 as part of AAA's Philadelphia Arts Documentation Project.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters  Search this
Topic:
Mural painting and decoration -- Ohio -- New London  Search this
Painting, Abstract -- Pennsylvania -- New Hope  Search this
Federal aid to the arts  Search this
Muralists  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.neylloyr
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96e54cb06-bd73-43cd-a25d-195a434fb605
EDAN-URL:
ead_collection:sova-aaa-neylloyr

Oral history interview with Charles Searles

Interviewee:
Searles, Charles Robert, 1937-2004  Search this
Interviewer:
Veloric, Cynthia  Search this
Names:
Sande Webster Gallery  Search this
Extent:
149 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1991 June 13
Scope and Contents:
An interview of Charles Searles conducted 1991 June 13, by Cynthia Veloric, for the Archives of American Art Philadelphia Project.
Searles discusses his early life in Philadelphia; military service; discovering African sculpture; attending the Pennsylvania Academy of the Fine Arts; being included in the 1969 exhibit "New Black Artists"; traveling to Europe and Africa on a Cresson Fellowship from the PAFA; his experiences in Nigeria; exhibiting and teaching in Philadelphia, moving to New York City; his work in various media; subject matter; interest in dance and music; participating in Recherché; and being represented by the Sande Webster Gallery in Philadelphia.
Biographical / Historical:
Charles Robert Searles (1937-2004) was a sculptor, painter and muralist in Philadelphia, Pennsylvania and New York, N.Y.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 3 hr., 52 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Sculptors -- Pennsylvania -- Philadelphia  Search this
Painters -- New York (State) -- New York  Search this
Painters -- Pennsylvania -- Philadelphia  Search this
Muralists -- New York (State) -- New York  Search this
Muralists -- Pennsylvania -- Philadelphia  Search this
Topic:
African American art -- African influences  Search this
Recherché (Group)  Search this
African American artists  Search this
African American military personnel  Search this
African American sculptors  Search this
African American painters  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.searle91
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fd27f6d5-0130-4f99-bbb0-4f1276bf4d9a
EDAN-URL:
ead_collection:sova-aaa-searle91
Online Media:

Charles Searles papers

Creator:
Searles, Charles Robert, 1937-2004  Search this
Names:
Edmonds, Walt  Search this
Gordon, Russell Talbert, 1936-  Search this
Spicer, Kathleen  Search this
Extent:
3.9 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Transcripts
Sketches
Date:
1953-2010
Summary:
The papers of African American sculptor and painter Charles Searles measure 3.9 linear feet and date from 1953 to 2010. The collection documents his career through scattered biographical material, correspondence, personal business records, printed material, artwork, photographs, and a scrapbook.
Scope and Contents:
The papers of sculptor and painter Charles Searles measure 3.9 linear feet and date from 1953 to 2010. The collection documents his career through scattered biographical material, correspondence, personal business records, printed material, artwork, photographs, and a scrapbook.

Scattered biographical material includes legal papers, address books, transcripts, and awards. Correspondence includes correspondence with galleries, museums, and organizations. Personal business records consist of Searles' files on commissions, exhibitions, workshops and programs, and employment contracts. Printed material includes exhibition announcements, exhibition catalogs, as well as printed material of interest to Searles, but not directly documenting his career. Artwork consists of sketches, designs, flyers, a portrait of Kathleen Spicer by Russell Gordon, and a portrait of Searles by K. Spicer. Photographs depict Searles, Searles' artwork, and artist Walt Edmonds. Scrapbooks consist of news clippings and loose material that was originally inserted in between the pages in no particular order.
Arrangement:
This collection is arranged as 7 series.

Missing Title

Series 1: Biographical Material, 1963-2004 (0.5 linear ft.; Boxes 1, 6)

Series 2: Correspondence, 1956-2004 (5 folders; Box 1)

Series 3: Personal Business Records, 1969-2007 (1.2 linear feet; Boxes 1-2,6)

Series 4: Printed Material, 1953-2010 (1.4 linear feet; Boxes 3-4, 6)

Series 5: Artwork, circa 1980s-2000 (9 folders; Box 5)

Series 6: Photographs, circa 1964-2000 (3 folders; Box 5)

Series 7: Scrapbooks, circa 1970s-2005 (0.3 linear ft.; Box 6)
Biographical / Historical:
Charles Robert Searles (1937-2004) was an African American sculptor, painter and muralist in Philadelphia, Pa. and New York, N.Y. Searles attended the University of Pennsylvania and graduated from the Pennsylvania Academy of Fine Arts in 1972. He was influenced by African art after traveling to Nigeria on the Ware Memorial Traveling Scholarship during his studies at the Pennsylvania Academy of Fine Arts. During his career he participated in over 100 exhibitions in Denmark, Nigeria, and throughout the United States.

Searles taught art at several institutions including the Pratt Institute, the University of the Arts (Philadelphia College of Art), and the Philadephia Museum of Art. He also completed commission work for Newark Station, PATCO (Port Authority Transit Corporation), and MTA (Metropolitan Transportation Authority).

Searles moved to New York, NY in 1978 where he spent most of his career. He was married to artist Kathleen Spicer until his death on November 27, 2004.
Related Materials:
Also at the Archives of American Art is an interview with Charles Searles conducted on June 13, 1991, by Cynthia Veloric, for the Archives of American Art Philadelphia Project.
Provenance:
Donated in 2012 by Kathleen Spicer Searles, Charles Searles' widow.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Muralists -- Pennsylvania -- Philadelphia  Search this
Sculptors -- New York (State) -- New York  Search this
Sculptors -- Pennsylvania -- Philadelphia  Search this
Muralists -- New York (State) -- New York  Search this
Painters -- Pennsylvania -- Philadelphia  Search this
Painters -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
African American painters  Search this
African American sculptors  Search this
African American art -- African influences  Search this
Genre/Form:
Photographs
Scrapbooks
Transcripts
Sketches
Citation:
Charles Searles papers, 1953-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.searchar
See more items in:
Charles Searles papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw978434f4f-8299-45ce-8514-59eb3064e490
EDAN-URL:
ead_collection:sova-aaa-searchar

Gabrielle de Veaux Clements papers, 1860-1948

Creator:
Clements, Gabrielle de Veaux, 1858-1948  Search this
Subject:
Hale, Ellen Day  Search this
Cornell University  Search this
Type:
Prints
Photographs
Diaries
Sketchbooks
Sketches
Place:
Egypt -- description and travel
Citation:
Gabrielle de Veaux Clements papers, 1860-1948. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Women educators  Search this
Etching -- Technique  Search this
Art -- History  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7161
(DSI-AAA_SIRISBib)209296
AAA_collcode_clemgabr
Theme:
Diaries
Sketches & Sketchbooks
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209296
Online Media:

Glenna Latimer papers, 1887-1956

Creator:
Latimer, Glenna M. (Montague), 1898-1980  Search this
American Artists Professional League  Search this
Subject:
Taylor, Bertha Fanning  Search this
Davis, Varina  Search this
Garber, Daniel  Search this
Norfolk Art Corner (Norfolk, Va.)  Search this
Tidewater Artists (Norfolk, Va.)  Search this
Type:
Scrapbooks
Citation:
Glenna Latimer papers, 1887-1956. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Mural painting and decoration  Search this
Women muralists  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7868
(DSI-AAA_SIRISBib)210035
AAA_collcode_latiglen
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210035

John White Alexander papers, 1775-1968, bulk 1870-1915

Creator:
Alexander, John White, 1856-1915  Search this
Subject:
Abbey, Edwin Austin  Search this
Alexander, Elizabeth A.  Search this
Carnegie, Andrew  Search this
Chase, William Merritt  Search this
La Farge, John  Search this
James, Henry  Search this
Levy, Florence N. (Florence Nightingale)  Search this
Remington, Frederic  Search this
Millet, Francis Davis  Search this
Stevenson, Robert Louis  Search this
Whistler, James McNeill  Search this
Gibson, Charles Dana  Search this
MacDowell Club of New York  Search this
Type:
Awards
Interviews
Photographs
Sketchbooks
Scrapbooks
Medals
Citation:
John White Alexander papers, 1775-1968, bulk 1870-1915. Archives of American Art, Smithsonian Institution.
Topic:
Muralists -- New York (State) -- New York  Search this
Portrait painters -- New York (State) -- New York  Search this
Works of art  Search this
Portrait painting -- 20th century  Search this
Portrait painting -- 19th century  Search this
Illustrators -- New York (State) -- New York  Search this
Portrait painting, American  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8637
(DSI-AAA_SIRISBib)210817
AAA_collcode_alexjohn
Theme:
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210817
Online Media:

Franklin C. Watkins papers, 1909-1973

Creator:
Watkins, Franklin Chenault, 1894-1972  Search this
Citation:
Franklin C. Watkins papers, 1909-1973. Archives of American Art, Smithsonian Institution.
Topic:
Painting, American -- Pennsylvania -- Philadelphia  Search this
Painting, Modern -- 20th century -- United States  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9324
(DSI-AAA_SIRISBib)211520
AAA_collcode_watkfran
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211520

Violet Oakley papers, 1841-1981

Creator:
Oakley, Violet, 1874-  Search this
Subject:
Pennsylvania State Capitol (Harrisburg, Pa.)  Search this
Type:
Photographs
Diaries
Glass plate negatives
Renderings
Scrapbooks
Sketchbooks
Visitors' books
Sketches
Citation:
Violet Oakley papers, 1841-1981. Archives of American Art, Smithsonian Institution.
Topic:
Artists' materials  Search this
Artists' studios -- Photographs  Search this
Mural painting and decoration -- United States  Search this
Painters -- Pennsylvania -- Philadelphia  Search this
Women artists  Search this
Women painters  Search this
Women muralists  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9580
(DSI-AAA_SIRISBib)211781
AAA_collcode_oaklviol
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211781
Online Media:

Lloyd Raymond Ney papers, 1902-1987

Creator:
Ney, Lloyd Raymond, 1893-1964 or 5  Search this
Subject:
Rebay, Hilla  Search this
Rattner, Abraham  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Type:
Scrapbooks
Citation:
Lloyd Raymond Ney papers, 1902-1987. Archives of American Art, Smithsonian Institution.
Topic:
Mural painting and decoration -- Ohio -- New London  Search this
Painting, Abstract -- Pennsylvania -- New Hope  Search this
Federal aid to the arts  Search this
Muralists  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9690
(DSI-AAA_SIRISBib)211909
AAA_collcode_neylloyr
Theme:
Diaries
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211909

Morris Blackburn papers, 1926-1986

Creator:
Blackburn, Morris, 1902-1979  Search this
Subject:
Watkins, Franklin Chenault  Search this
Rist, Luigi  Search this
Pennsylvania Academy of the Fine Arts  Search this
Public Works of Art Project  Search this
Citation:
Morris Blackburn papers, 1926-1986. Archives of American Art, Smithsonian Institution.
Theme:
Diaries  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10152
(DSI-AAA_SIRISBib)213123
AAA_collcode_blacmorr
Theme:
Diaries
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213123

Edith Emerson papers, 1839-1981, bulk 1894-1971

Creator:
Emerson, Edith, 1888-1981  Search this
Type:
Photographs
Sketchbooks
Citation:
Edith Emerson papers, 1839-1981, bulk 1894-1971. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Women museum curators  Search this
Women muralists  Search this
Theme:
Sketches & Sketchbooks  Search this
Women  Search this
New Deal  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10293
(DSI-AAA_SIRISBib)213481
AAA_collcode_emeredit
Theme:
Sketches & Sketchbooks
Women
New Deal
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213481
Online Media:

James Daugherty papers, 1904-1978

Creator:
Daugherty, James Henry, 1889-1974  Search this
Type:
Sketchbooks
Citation:
James Daugherty papers, 1904-1978. Archives of American Art, Smithsonian Institution.
Theme:
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6372
(DSI-AAA_SIRISBib)215234
AAA_collcode_daugjame
Theme:
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215234

Walter Inglis Anderson papers, circa 1915-1960

Creator:
Anderson, Walter Inglis, 1903-1965  Search this
Subject:
Pennsylvania Academy of the Fine Arts  Search this
Type:
Sketchbooks
Drawings
Place:
Chandeleur Islands (La.) -- Description and travel
Horn Island (Miss.) -- Description and travel
Hong Kong -- description and travel
Citation:
Walter Inglis Anderson papers, circa 1915-1960. Archives of American Art, Smithsonian Institution.
Topic:
Painting, American -- Mississippi  Search this
Theme:
Diaries  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6436
(DSI-AAA_SIRISBib)215571
AAA_collcode_andewalt
Theme:
Diaries
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215571

Charles Searles papers, 1953-2010

Creator:
Searles, Charles Robert, 1937-2004  Search this
Subject:
Spicer, Kathleen  Search this
Gordon, Russell Talbert  Search this
Edmonds, Walt  Search this
Type:
Photographs
Scrapbooks
Transcripts
Sketches
Citation:
Charles Searles papers, 1953-2010. Archives of American Art, Smithsonian Institution.
Topic:
African American artists  Search this
African American painters  Search this
African American sculptors  Search this
African American art -- African influences  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)16053
(DSI-AAA_SIRISBib)310299
AAA_collcode_searchar
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_310299
Online Media:

Glenna Latimer papers

Creator:
Latimer, Glenna M. (Glenna Montague), 1898-1980  Search this
American Artists Professional League  Search this
Names:
Norfolk Art Corner (Norfolk, Va.)  Search this
Tidewater Artists (Norfolk, Va.)  Search this
Davis, Varina, 1826-1906  Search this
Garber, Daniel, 1880-  Search this
Taylor, Bertha Fanning, 1883 or 8-1980  Search this
Extent:
25 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1887-1956
Scope and Contents:
Scrapbook containing: clippings, letters from Varina Jefferson Davis, Daniel Garber, and others; photographs of Latimer, her family, and her works; and source material for her paintings. Also, included are records of the Norfolk Art Corner and Tidewater Artists, with letters to Tidewater Artists president, Bertha Fanning Taylor, and a scrapbook kept by Taylor on "Art Week."
Biographical / Historical:
Glenna Latimer (1898-1980) was a painter in Norfolk, Va. Latimer was best known for her definitive portraits, but worked in landscapes and mural painting as well. A scholarship for her work enabled her to attend the Pennsylvania Academy of Fine Arts in Philadelphia for four years. She was the first president of the Norfolk Art Corner.
Provenance:
The lender, Davies, is Latimer's husband.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- Virginia -- Norfolk  Search this
Portrait painters -- Virginia  Search this
Landscape painters -- Virginia  Search this
Muralists -- Virginia  Search this
Topic:
Women artists  Search this
Women painters  Search this
Mural painting and decoration  Search this
Women muralists  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.latiglen
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96950dc91-65ba-4ce2-9ace-3032b2a0abfd
EDAN-URL:
ead_collection:sova-aaa-latiglen

Oral history interview with Thomas Adrian Fransioli, 1981 April 21

Interviewee:
Fransioli, Thomas Adrian, 1906-1997  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Brown, Margaret E.  Search this
Eggers, O. R. (Otto Reinhold)  Search this
Feiss, Carl  Search this
Finley, David E. (David Edward)  Search this
Pope, John Russell  Search this
Klauder, Charles Z. (Charles Zeller)  Search this
Walker, John  Search this
Art Students League (New York, N.Y.)  Search this
National Gallery of Art (U.S.)  Search this
University of Pennsylvania  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Thomas Adrian Fransioli, 1981 April 21. Archives of American Art, Smithsonian Institution.
Topic:
Architects -- Massachusetts -- Interviews  Search this
Architecture -- Study and teaching  Search this
Interior decorators -- Massachusetts -- Interviews  Search this
Painters -- Massachusetts -- Interviews  Search this
World War, 1939-1945 -- Japan -- Hiroshima  Search this
World War, 1939-1945 -- Photography  Search this
Record number:
(DSI-AAA_CollID)13152
(DSI-AAA_SIRISBib)212087
AAA_collcode_fransi81
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212087
Online Media:

Oral history interview with Franklin Watkins, 1971 August 18

Interviewee:
Watkins, Franklin Chenault, 1894-1972  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Franklin Watkins, 1971 August 18. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Painters -- Pennsylvania -- Philadelphia -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12430
(DSI-AAA_SIRISBib)213758
AAA_collcode_watkin71
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213758

Oral history interview with Charles Searles, 1991 June 13

Interviewee:
Searles, Charles Robert, 1937-2004  Search this
Interviewer:
Veloric, Cynthia  Search this
Subject:
Sande Webster Gallery  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Charles Searles, 1991 June 13. Archives of American Art, Smithsonian Institution.
Topic:
African American art -- African influences  Search this
Recherché (Group)  Search this
African American artists  Search this
African American military personnel  Search this
African American sculptors  Search this
African American painters  Search this
Theme:
African American  Search this
Record number:
(DSI-AAA_CollID)11495
(DSI-AAA_SIRISBib)214622
AAA_collcode_searle91
Theme:
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214622

Gabrielle de Veaux Clements papers

Creator:
Clements, Gabrielle de Veaux, 1858-1948  Search this
Names:
Cornell University -- Students  Search this
Hale, Ellen Day, 1855-1940  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Prints
Photographs
Diaries
Sketchbooks
Sketches
Place:
Egypt -- description and travel
Date:
1860-1948
Summary:
The papers of painter, etcher, printer, muralist, and art teacher Gabrielle de Veaux Clements measure 1 linear foot and date from 1860 to 1948. Found within the papers are biographical material; personal and professional correspondence, including extensive correspondence from Clements to her mother; writings, including notes and essays on art history and etching techniques; printed material; artwork; eight sketchbooks; and photographs of Clements, her family and friends, and her work.
Scope and Contents:
The papers of painter, etcher, printer, muralist, and art teacher Gabrielle de Veaux Clements measure 1 linear foot and date from 1860 to 1948. Found within the papers are biographical material; personal and professional correspondence, including extensive correspondence from Clements to her mother; writings, including notes and essays on art history and etching techniques; printed material; artwork; 8 sketchbooks; and photographs of Clements, her family and friends, and her work.

Biographical material consists of an address book, artwork sales and price lists, and autobiographical notes.

Correspondence is primarily with Clements' family, friends, and business associates. The series includes significant correspondence from Clements to her mother during her college years at Cornell University.

Writings include notes and essays on art history and etching techniques, 2 notebooks of poetry, and a travel diary chronicling a trip to Egypt with Ellen Day Hale.

Printed material includes clippings, exhibition catalogs, a map of the artists' colony at Rockport, Folly Cove in Massachusetts, and a copy of the book Suggestions for Illuminating by W. Randle Harrison.

Artwork consists of sketches and original etchings by Clements and artwork by others.

There are 8 sketchbooks consisting primarily of cityscapes, landscapes, and figure and portrait studies.

Photographs are of Clements, her family and friends, artists models, and work by Clements and others.
Arrangement:
The collection is arranged as 7 series.

Missing Title

Series 1: Biographical materials, circa 1920-1944 (3 folders; Box 1)

Series 2: Correspondence, circa 1875-1945 (0.3 linear feet; Box 1)

Series 3: Writings, circa 1885-1940 (8 folders; Box 1)

Series 4: Printed material, circa 1860-1948 (5 folders; Box 1)

Series 5: Artwork, circa 1895-1940 (3 folders; Box 1)

Series 6: Sketchbooks, circa 1884-1940 (0.3 linear feet; Box 1)

Series 7: Photographs, circa 1875-1940 (0.2 linear feet; Box 1)
Biographical / Historical:
Painter, printer, and art teacher Gabrielle de Veaux Clements (1858-1948) lived and worked in Philadelphia, Pennsylvania; Baltimore, Maryland; and Folly Cove near Gloucester, Massachusetts. She was known for her etchings and her commissioned murals for the cities of Baltimore and Washington, D.C.

Clements was born in Philadelphia, Pennsylvania to physician Richard Clements and his wife, Gabrielle De Vaux. Her interest in art was supported by her family and, at the age of seventeen, she began studying lithography with the designer Charles Page at the Philadelphia School of Design for Women. After graduating in 1880 from Cornell University, where she had produced a number of scientific drawings and lithographs, Clements studied with painter Thomas Eakins at the Pennsylvania Academy of Fine Arts and won the school's Toppan Prize. In 1883, Clements was introduced to etching techniques by the artist Stephen Parrish and began exhibiting and printing her works professionally.

In 1884, Clements traveled abroad to Paris to study at the Academie Julian where she was joined in 1885 by fellow painter and future lifelong companion Ellen Day Hale. Upon returning to her Philadelphia studio in 1885, Clements taught other female artists, including Margaret Bush-Brown, and exhibited in numerous institutions, including the National Academy of Design and the Boston Museum of Fine Arts. In 1895, Clements moved to Baltimore to teach art at the newly established Bryn Mawr School, where she remained until 1908. During her tenure in Baltimore, she was commissioned by the Bendann Galleries to etch nine views of Baltimore and also painted five church murals in Washington, D.C., which led to subsequent murals in Detroit, Philadelphia, and Chicago.

Clements and Hale frequently traveled abroad, visiting France, Italy, Egypt, Syria, and Palestine, and spent summers at "The Thickets," the house they purchased in the artists' colony at Folly Cove. During World War I, they wintered in Charleston, South Carolina where they opened their studios to young female artists and taught innovative etching, painting, and color printmaking techniques. After the war, they again opened their studios in Folly Cove to young artists and continued to teach and experiment with soft-ground etching and aquatints in color. This work was highlighted in special exhibitions at the J.B. Speed Art Museum and the Smithsonian Institution. Clements died in Rockport, Massachusetts in 1948.
Provenance:
The Gabrielle de Veaux Clements papers were donated by Mrs. Harlan Starr, Jr. in 1983.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Muralists -- Massachusetts  Search this
Printmakers -- Massachusetts  Search this
Etchers -- Massachusetts  Search this
Art teachers -- Massachusetts  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Women educators  Search this
Etching -- Technique  Search this
Art -- History  Search this
Genre/Form:
Prints
Photographs
Diaries
Sketchbooks
Sketches
Citation:
Gabrielle de Veaux Clements papers, 1860-1948. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.clemgabr
See more items in:
Gabrielle de Veaux Clements papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw953de79c7-7bd3-41f1-832a-e2e9b1c03b9f
EDAN-URL:
ead_collection:sova-aaa-clemgabr
Online Media:

Carlo Ciampaglia papers

Creator:
Ciampaglia, Carlo Alberto, 1891-1975  Search this
Extent:
5.6 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Sketchbooks
Photographs
Business records
Date:
1909-1978
Summary:
The collection measures 5.6 linear feet, dates from 1909-1978, and documents the career of mural painter and interior designer Carlo Ciampaglia. Found within the papers are biographical material, correspondence, business records, notes and writings, art work, interior decorating and mural project files, printed material, and photographs.
Scope and Content Note:
The papers of mural painter and interior designer Carlo Ciampaglia measure 5.6 linear feet and date from 1909 to 1978. Found within the papers are biographical material; correspondence primarily with colleagues discussing projects and the American Academy in Rome Alumni Association's George Washington Bicentennial Exhibition in Washington, D.C.; scattered personal business records including estate documents for various family members and financial material; notes and writings concerning a variety of topics including the Stations of the Cross, decorative encaustic painting, and a typescript about James Whistler; art work including sketchbooks and sketches; printed material including clippings and exhibition catalogs; and photographs of Ciampaglia, family members, and miscellaneous art work. Also found are project files containing correspondence, contracts, financial records, art work, printed material and photographs for fifteen of Ciampaglia's most important commissions.
Arrangement:
All series are arranged chronologically. Glass plate negatives have been housed separately in Boxes 6 and 7, and are closed to researchers. Oversized material from various series has been housed in Boxes 8, 9, 10, and OV 11, and is noted in the Series Descriptions/Container Listing section at the appropriate folder title with see also/see references. The collection is arranged as 8 series:

Missing Title

Series 1: Biographical Material, 1912-1969, undated (Box 1; 8 folders)

Series 2: Correspondence, 1912-1978, undated (Box 1; 45 folders)

Series 3: Business Records, 1923-1961, undated (Box 1; 11 folders)

Series 4: Notes and Writings, 1927, undated (Box 1; 2 folders)

Series 5: Art Work, 1920, undated (Boxes 1, 8; 6 folders)

Series 6: Project Files, 1924-1961, undated (Boxes 1-2, 6-8, OV 11; 2.5 linear feet)

Series 7: Printed Material, 1913-1975, undated (Boxes 3, 8; 32 folders)

Series 8: Photographs, 1909-1960, undated (Boxes 3-5, 7, 9-10; 1.4 linear feet)
Biographical Note:
Carlo Ciampaglia was born March 8, 1891 in Roccaraso, Italy, the son of Natale and Benelde Delmonico Ciampaglia. He came to the United States with his family before his first birthday and became a naturalized citizen in 1919. After attending public schools in Hoboken, New Jersey, Ciampaglia began studying drawing at Cooper Union in 1909, and painting at the National Academy of Design, receiving his diploma in 1917.

In 1920, Ciampaglia married Annette Paltrinieri, and in the same year, he was awarded the Prix de Rome. This prize entitled him to study at the American Academy in Rome, Italy, for the next three years. During this time, he also traveled to other European countries.

Shortly after returning to New York in 1923, Ciampaglia executed a commission for Philadelphia architect Harry Sternfeld to decorate the house of Mr. Frank Potter of Rome, New York. Other commissions included designs for the ceilings of the Chicago Tribune Building, decorations in the chapel of the Fairmount Mausoleum, Newark, and decoration for the niches and ceilings at the First Slovak Girls' Academy, Danville, Pennsylvania.

In 1936, Ciampaglia was commissioned to undertake a major mural project for the Texas Centennial Exposition, for which he completed murals for the transportation, foods, agriculture, and livestock buildings. Three years later, he completed murals for the foods building at the 1939 New York World's Fair.

Ciampaglia lived on his estate, "Woodpeckers' Point," in Middle Valley, New Jersey and maintained a studio on Broadway in New York City. He was also an instructor at Cooper Union and at the Traphagen School of Fashion in New York. He was a member of the Mural Painters Society of America, the Architectural League, and the Allied Artists of America, and was elected an Associate Member of the National Academy of Design.

Carlo Alberto Ciampaglia died in 1975.
Provenance:
The Carlo Ciampaglia papers were donated in 1978 by Rosalie Ciampaglia, the artist's widow.
Restrictions:
The collection is open for research. Use requires an appointment. Glass plate negatives are housed separately and not served to researchers.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Interior decorators -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Genre/Form:
Sketches
Sketchbooks
Photographs
Business records
Citation:
Carlo Ciampaglia papers, 1909-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ciamcarl
See more items in:
Carlo Ciampaglia papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9154420b5-076c-48b2-9e3a-c5d5bacc14a6
EDAN-URL:
ead_collection:sova-aaa-ciamcarl
Online Media:

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