Skip to main content Smithsonian Institution

Search Results

Collections Search Center
200 documents - page 1 of 10

Meet Luis Jimenez

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2009-01-16T14:38:25.000Z
YouTube Category:
People & Blogs  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_f-7AKv9xqxk

Painting

Culture/People:
Taos Pueblo  Search this
Artist/Maker:
Eva Mirabal (Eva Mirabel/Eah Ha Wa), Taos Pueblo, 1920-1968  Search this
Collector:
Stuyvesant Van Veen, Non-Indian, 1910-1988  Search this
Previous owner:
Stuyvesant Van Veen, Non-Indian, 1910-1988  Search this
Frances Van Veen (Frances Swing/Mrs. Stuyvesant Van Veen), Non-Indian, 1904-1959  Search this
Donor:
Stuyvesant Van Veen, Non-Indian, 1910-1988  Search this
Felicia Geffen Van Veen (Mrs. Stuyvesant Van Veen), Non-Indian, 1903-1994  Search this
Object Name:
Painting
Media/Materials:
Cotton canvas, wood, casein paint
Techniques:
Painted
Dimensions:
155 x 175 cm
Object Type:
Painting/Drawing/Print
Place:
Taos Pueblo, Taos Reservation; Taos County; New Mexico; USA
Date created:
1944
Catalog Number:
24/6895
Barcode:
246895.000
See related items:
Taos Pueblo
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws68e0ef4d6-59a4-466a-a0b2-6a9ac506ad40
EDAN-URL:
edanmdm:NMAI_262605
Online Media:

José Gómez-Sicre and José Clemente Orozco

Artist:
José Gómez-Sicre, 6 Jul 1916 - 22 July 1991  Search this
Sitter:
José Gómez-Sicre, 6 Jul 1916 - 22 July 1991  Search this
José Clemente Orozco, 23 Nov 1883 - 7 Sep 1949  Search this
Medium:
Gelatin silver print
Dimensions:
Image: 11.5 × 16.8 cm (4 1/2 × 6 5/8")
Type:
Photograph
Place:
México\Jalisco\Guadalajara
Date:
1941
Topic:
Costume\Dress Accessory\Eyeglasses  Search this
Artwork\Painting  Search this
Art implements  Search this
Interior\Studio  Search this
Art implements\Easel  Search this
José Clemente Orozco: Visual Arts\Artist  Search this
José Clemente Orozco: Male  Search this
José Clemente Orozco: Visual Arts\Artist\Painter\Muralist  Search this
José Gómez-Sicre: Male  Search this
José Gómez-Sicre: Law and Crime\Lawyer  Search this
José Gómez-Sicre: Visual Arts\Art critic  Search this
José Gómez-Sicre: Literature\Writer\Art writer  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Dr. Alejandro Anreus and Debra Blehart in memory of Juan. J. Mathé
Object number:
NPG.2014.51
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Location:
Currently not on view
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm47cda0176-b95e-48d6-a380-e3072014c28b
EDAN-URL:
edanmdm:npg_NPG.2014.51
Online Media:

Millard Sheets papers

Creator:
Sheets, Millard, 1907-1989  Search this
Names:
Dalzell Hatfield Galleries  Search this
Millard Sheets & Associates Designs  Search this
Sheets, Mary Baskerville  Search this
Extent:
27.6 Linear feet
Type:
Collection descriptions
Archival materials
Slides (photographs)
Photographs
Date:
circa 1907-2000
Summary:
The Millard Sheets papers comprise 27.6 linear feet of material dating from circa 1907 to 2000 with bulk dates spanning 1956 to 1981. The collection documents Sheets's career as a designer, painter, and muralist, and his personal and professional interests through correspondence, writings, lectures, printed material, drawings, slides, photographs, and ephemera. A small addition donated 2018 by Carolyn Owen-Toole, Sheet's daughter. There is a 4.6 linear foot unprocessed addition to this collection donated 2018 that includes writings; sketchbooks and sketches; photographs and negatives of works of art, images of Millard Sheets and others including family; printed material, including two scrapbooks; and scattered correspondence regarding Sheet's projects.
Scope and Content Note:
The personal papers of Millard Sheets (1907-1990) measure 27.6 linear feet and date from circa 1907-2000, with bulk dates of 1956-1981. The collection reflects Sheets's career as a designer, painter, and muralist, as well as his other personal and professional interests, through correspondence, writings, lectures, clippings, blueprints, drawings, slides, photographs, and ephemera.

The Project Files comprise the largest group of materials in the collection and document design work undertaken by Sheets through his company Millard Sheets & Associates Designs. Sheets and his associates produced concept drawings and blueprints and supervised the construction for a wide range of design projects that ranged in scale from architectural plans for private residences to bid proposals for shopping malls and financial institutions located in California and the Southwest.

Sheets designed interior and exterior plans for over forty Home Savings and Loan bank branches in California. The distinctive modular design which Sheets created and then customized by integrating interior and exterior art elements that highlighted local historical events or natural features became synonymous with the image of Home Savings and Loan. Sheets also teamed up with the architect Edward Durrell Stone to produce a proposal for the Capitol Mall Project, an urban renewal project for the Redevelopment Agency of the City of Sacramento. Researchers will find correspondence, job costs and billing statements, and notes that trace the development of these and other building construction projects. In some instances the documents are supplemented by blueprints, photographs, and/or drawings of the project, but in many cases, visual documentation is missing.

The Project Files also document work done by Millard Sheets on public projects such as the Family of Man mural in the Los Angeles City Hall Annex, a mosaic dome in the National Shrine of the Immaculate Conception, Washington, D.C., and the Word of Life mural at the University of Notre Dame, Ind., along with numerous other murals and mosaics created for private individuals and corporations.

The Correspondence Series primarily reflects the interaction between Sheets and his clients, colleagues, and personal acquaintances. These files will prove valuable to researchers who are interested in the way that Sheets's beliefs about the role of art in everyday life impacted the way he conducted business and managed both large and small design projects. The correspondence also reflects Sheets's interest in popular American culture, travel, political issues of the day, and art collecting.

The Membership Files document the wide variety of interests that Sheets maintained through active membership in associations and organizations. The material in this series consists primarily of correspondence, minutes of meetings, and notes which Sheets created or used as he served as a board member or trustee on a number of organizational boards, such as the California Institute of the Arts, the Claremont Colleges, Virginia Steele Scott Foundation, Webb School of California, and Goodwill Industries of Southern California.

Also found in this series is material that documents his interest and participation in various recreational and professional organizations. Sheets maintained a long association with the Economic Roundtable, a group of businessmen who met regularly to give presentations and share discussion on contemporary political and social issues. Sheets was a frequent speaker and his talks given at the Economic Roundtables can be found in Lectures and Speeches, a subseries of the Writings Series.

Included in the Millard Sheets & Associates Designs, Inc. series are records that reflect the day-to-day operations of Sheets's design firm. Found here are chronological copies of correspondence that were sent out, files Sheets maintained on various independent contractors that the design firm frequently used, resumes and letters of recommendation that Sheets received regarding potential employees, as well as records relating to the cost and maintenance of Sheets's office building.

The Teaching and Workshop Files document the instructional activities undertaken by Sheets throughout his career in the arts. Although Sheets became pivotal in establishing a regionally recognized art department at Scripps College in Claremont, California, the files that reflect his academic position there are limited in scope and depth. Researchers will find more substantive the files that he maintained on the numerous art demonstrations and paintings workshops that he conducted privately throughout his career. Sheets traveled extensively around the world through his teaching activities and the files in this series track his path.

Closely related to the Teaching and Workshop Files is the Painting Trips series. The material in these files document Sheets's service as an American Specialist in the Bureau of Educational and Cultural Affairs of the USIS, Department of State. Sheets served two times as a cultural arts representative in Turkey in 1960 and in the former USSR in 1961. Sheets also made numerous trips to South East Asia, which had proved an area of fascination for him since his experiences as a war correspondent in Burma and India in World War II. The files in this series document his painting trips to Tahiti, the Pacific Ocean Rim, and Hawaii. Also found are files that detail his painting activities in Mexico.

The Exhibition Files reflect the records that Sheets maintained regarding his participation in art exhibitions, as well as his files on art shows that he personally directed or organized for public or private groups or organizations. Although Sheets exhibited his work predominantly in the West and Southwest, the files in this series demonstrate that he exhibited both nationally and internationally as well.

Also found within the records for this series are files relating to Sheets's representation of his artwork through established galleries and art agents. The Dalziel Hatfield Galleries of Los Angeles, California, served as his primary agent for most of his painting career. Correspondence between Sheets and the Hatfields provide insight into Sheets's development into a regionally and nationally significant watercolorist and painter. The files relating to the Kennedy Galleries in New York and the Circle Gallery in Chicago reflect Sheets's efforts to maintain a national presence in the arts community.

The Jury Files document Sheets's involvement as a juror in regional, as well, as national shows. The files reveal the great variety of professional watercolor and painting exhibitions in which Sheets participated as either a jury panelist or solo judge.

The Writings Files provide an excellent source for researchers interested in Sheets's philosophical beliefs about the relationship between art and everyday life. His articles, lectures, and speeches predominantly address the role of the artist, the relationships that exist between artists and the community, and the role that art can play in making a fuller, more productive life. Also found in the files of this series are articles written by others about Sheets.

The Biographical Material series provides a short introduction to Millard Sheets. The files consist of the calendars maintained by Sheets and his wife and staff, which were used to coordinate his many commitments and appointments. Also found in the files of this series are family chronologies that were created by Mary Baskerville Sheets. Medical records and resumes provide personal information about Sheets's background and health. A small file of military memorabilia provides information about Sheets's contributions to the war effort in World War II.

The Printed Matter series documents family activities and personalities through publicity clippings. Also found are exhibition catalogs and announcements that Sheets saved regarding other artists. Miscellaneous interests and activities of Sheets are found through magazine articles, brochures, and flyers.

The Photographs series includes photographic documentation for Sheets's artwork, horses, and major projects. A small group of photographs of Sheets are also in this series.

The files in the Artwork series include original drawings by Mary Baskerville Sheets and Millard Sheets.

There is a 4.6 linear foot unprocessed addition to this collection donated 2018 that includes writings; sketchbooks and sketches; photographs and negatives of works of art, images of Millard Sheets and others including family; printed material, including two scrapbooks; and scattered correspondence regarding Sheet's projects.
Arrangement:
The collection is arranged into fifteen series. Small series, such as Biographical Material are generally based on type of document. Larger series, such as Correspondence or Project Files, are arranged alphabetically by name of correspondent or project. General correspondence has been made into its own series, but other series or subseries may also contain some correspondence. Within particular series, materials have been further divided into subseries which represent particular aspects of the project or event. For example, the Writings Series is further divided into subseries of books and articles, eulogies, and lectures and speeches. An outline listing series and subseries titles and dates follows.

Missing Title

Series 1: Biographical Material, 1907-1982, undated (boxes 1-2; 1.25 linear ft.)

Series 2: Correspondence, 1929-1990, undated (boxes 2-4; 2.75 linear ft.)

Series 3: Personal Business Records, 1933-1980, undated (boxes 5-6; 1.25 linear ft.)

Series 4: Membership Files, 1946-1982, undated (boxes 6-8; 2.5 linear ft.)

Series 5: Millard Sheets & Associates Designs, 1934-1982, undated (boxes 8-9; 1.0 linear ft.)

Series 6: Project Files, 1956-1981, undated (boxes 9-18; 8.25 linear ft.)

Series 7: Teaching and Workshop Files, 1932-1982 (box 18; 0.5 linear ft.)

Series 8: Painting Trips, 1959-1980, undated (box 18; 16 folders)

Series 9: Exhibition Files, 1932-1937, 1951-1988, undated (box 19; 0.75 linear ft.)

Series 10: Jury Files, 1941-1982 (boxes 19-20; 42 folders)

Series 11: Writings, 1936-1988, undated (boxes 20-22; 2.5 linear ft.)

Series 12: Printed Matter, 1936-1922, undated (boxes 22-23; 20 folders)

Series 13: Photographs, 1934-1983, undated (box 23; 17 folders)

Series 14: Artwork, circa 1929, undated (box 23; 2 folders)

Series 15: Unprocessed Addition, circa 1930-2000 (boxes 24, 26-30, OV25: 4.6 linear ft.)
Biographical Note:
"Your painting is a measure of your mind"-Millard Sheets

Millard Sheets, as one of the founding members of the "California Scene Painters," exerted a lasting influence upon subsequent generations of Western painters. He and the small group of painters who worked in California during the 1930s and 1940s, developed a new style of watercolor painting that was at the forefront of the American watercolor movement of the time, and that later gave rise to a subsequent generation of painters who became known as the California Regionalist school.

Sheets was born in Pomona, California on June 24, 1907. His mother died in childbirth, and his father, John Sheets, unprepared to raise a baby alone, sent Millard to Pomona, California to be raised by his maternal grandparents, Lewis and Emma Owen. Sheets's grandfather proved to be a guiding force in his life, and when Sheets's father remarried and offered Millard the opportunity to return to the Sheets household, Millard chose instead to remain with his grandparents.

Sheets's love of horses can be directly traced back to his childhood years spent living at his grandfather's horse ranch. Millard rode his first horse when he was three years old. Throughout his life, Sheets returned to the theme of horses in his paintings, as well as maintaining a private stable of horses, and raising and breeding racehorses.

His interest in art also began in childhood. When he was still a young boy, his two maternal aunts encouraged him to play with crayons and pencils. Sheets took his first painting lesson from a neighbor at the age of seven, and by 1919 he had already submitted artwork to the copy division of the Los Angeles County Fair fine arts show competition. He submitted a drawing he had copied of a tinted photograph of Lake KIlarney, California. Sheets won first prize in his division.

It was through this competition that Millard met Theodore B. Modra, a Polish artist who had retired to the Pomona area. After giving Sheets a lecture on the evils of copying art, Modra offered to give him art lessons.

Sheets continued to pursue his interest in art and enrolled in the Choinard School of Art in Los Angeles, California. By the time that he graduated in 1929, Sheets had also managed to come to the attention of Dalzell and Ruth Hatfield of the Dalzell Hatfield Galleries in Los Angeles, California. The Hatfields were one of the most influential art dealers in Southern California, and that same year, they sponsored Sheets in his first one-man exhibition in 1929. The exhibition brought Sheets to the attention of Western Coast art critics and launched Sheets on his painting career.

In 1929 Sheets also learned that he had won second place in the annual Edgar B. Davis art competition held in San Antonio, Texas. The award came with a cash prize and Sheets made plans to travel to Europe to study and paint. Shortly before his departure, however, he met an art student, Mary Baskerville, and they began a whirlwind romance. With Baskerville's enthusiastic support for European plans, and with her promise that she would wait for him, Sheets departed for New York and then Europe.

While overseas during 1929 and 1930, Sheets studied under Dorfinant, a master printer in Paris. Through his work at this studio workshop, he met Henri Matisse.

Five months after Millard returned to the California in 1930, Sheets and Mary Baskerville married. Sheets worked as the director of the Fine Arts Exhibition of the Los Angeles County Fair. In 1932 Sheets returned to school to study art and humanities at Scripps College in Claremont, California. After graduating from Scripps, school officials approached Sheets with an offer to set up a separate fine arts program and asked him to chair the new department. This was the beginning of a twenty year association with the school. In 1938, he also became the Director of Art at Claremont Graduate School.

Sheets left the school during the years of World War II to serve as a war-time artist and journalist for Life magazine, and from 1943-1944 was stationed on the Burma-India Front. His experiences in Asia appeared to affect him deeply. In contrast to his earlier works which featured backgrounds with neutral tones and brilliant shades that highlighted and punctuated the compositions, the paintings from the wartime featured somber tones. Sheets remarked of this time:

During the fighting and the time I spent in the C-B-1 theater, I was too shaken and intellectually stunned to do any complete paintings. I made many, many sketches, though, as well as a real effort to remember each scene that particularly affected me. Then, once I returned to America, I painted frantically, for months, exorcising demons. [Lovoos, Janice and Edmund F. Penney, Millard Sheets: One-Man Renaissance, Northland Press, Flagstaff, AZ, 1984]

Sheets returned from the war in 1944 and resumed his position at Scripps College until 1955 when he was approached by the Los Angeles County Board of Supervisors and asked to overhaul the fledgling Los Angeles County Art Institute. Sheets accepted the position and spent the next five years reshaping the mission and format of the school, renaming it the Otis Art Institute. In the years after Sheets left the directorship, the school eventually became part of the Parson's School of Design on the West Coast.

In 1953 Sheets founded the Millard Sheets Designs company. He hired between twenty-five and thirty artisans for large projects, with Susan Hertel, a former student of his, serving as his assistant in all the operations of the design studio. The working staff included engineers, registered architects, draftsmen, and artists, and the projects that the firm produced included murals, mosaics, stained glass, and sculpture for private homes and public and commercial businesses.

The design studio completed several major architectural projects throughout the late 1950s through the mid 1970s, including the design and construction of Cal Aero, a flight training school for the US Air Force, the National American Insurance Company offices for the California financier, Howard Ahmanson, Ahmanson Bank and Trust Company in Beverly Hills, many Home Savings and Loan Association Buildings, private residences, and the Scottish Rite Memorial Temples in Los Angeles and San Francisco, among many other projects.

Sheets also designed and completed mural and mosiac work for numerous public buildings in the Los Angeles area, as well as across the nation. Many of the murals and mosiacs were for those buildings designed by his firm while others were done as independent commissions.

In 1968 Sheets first proposed the murals he designed for the Los Angeles City Hall. His design was approved and he was awarded a commission to complete The Family of Man murals over the two main entrances to the Los Angeles City Hall. The murals were completed in 1971 and installed in 1972. Sheets also designed mosiacs and murals for the Mayo Clinic in Minnesota, the Library at Notre Dame University, the Scottish Rite Masonic Temple in Los Angeles, several Home Savings and Loan Association buildings in the Los Angeles area, the Detroit Public Library, and the Dome of the National Shrine of the Immaculate Conception in Washington, DC.

During the early 1960s Sheets participated in the American Specialist Program of the US Department of State. His first assignment was to Turkey in 1960, where he served as a visiting artist. The following year he went to the USSR in the same capacity.

During the early to mid 1950s Sheets became involved with Columbia Pictures and was technical advisor and production designer for a few years.

Millard Sheets was a member of the National Watercolor Society, the American Watercolor Society, the National Academy of Design, the Society of Motion Picture Art Directors, and the Century Association. Sheets actively promoted his own work and was a businessman, an active and prolific artist, instructor, and designer. Millard Sheets died on March 31, 1989 in Gualala, California.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reels LA 10) including a biographical sketch, career resume, and a list of sheets' work prepared in 1964. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Millard Sheets lent material for microfilming in 1965. Mary B. Sheets, Millard's widow, donated the papers to the Archives of American Art in 1992. Carolyn Owen-Toole, Sheet's daughter, gave a small addition of material in 2018.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Study and teaching  Search this
Art -- California  Search this
Art and society  Search this
Horses -- Breeding  Search this
Watercolorists -- California  Search this
Muralists -- California  Search this
Art -- Philosophy  Search this
Designers -- California  Search this
Genre/Form:
Slides (photographs)
Photographs
Citation:
Millard Sheets papers, circa 1907-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sheemill
See more items in:
Millard Sheets papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw978141c20-c1e5-41ff-aa5d-6603f62f526f
EDAN-URL:
ead_collection:sova-aaa-sheemill
Online Media:

Self-Portrait

Artist:
Carl Teofil Gustavsson Lotave, 1872 - 1924  Search this
Sitter:
Carl Teofil Gustavsson Lotave, 1872 - 1924  Search this
Medium:
Oil on canvas
Dimensions:
Sight: 75.2cm x 54.5cm (29 5/8" x 21 7/16"), Accurate
Type:
Painting
Date:
1897-1920
Topic:
Interior  Search this
Self-portrait  Search this
Carl Teofil Gustavsson Lotave: Male  Search this
Carl Teofil Gustavsson Lotave: Visual Arts\Artist\Painter  Search this
Carl Teofil Gustavsson Lotave: Visual Arts\Artist\Portraitist  Search this
Carl Teofil Gustavsson Lotave: Visual Arts\Artist\Illustrator  Search this
Carl Teofil Gustavsson Lotave: Visual Arts\Art instructor  Search this
Carl Teofil Gustavsson Lotave: Visual Arts\Artist\Painter\Muralist  Search this
Portrait  Search this
Credit Line:
Owner: Museum of Fine Arts (Museum of New Mexico)
Object number:
1204 MFANM
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm40afba9b2-abee-4138-9c65-dd281efeb63a
EDAN-URL:
edanmdm:npg_1204_MFANM

Man in a Mask (Rabbit Ears) (Self-Portrait)

Artist:
Carlos Almaraz, 5 Oct 1941 - 11 Dec 1989  Search this
Sitter:
Carlos Almaraz, 5 Oct 1941 - 11 Dec 1989  Search this
Medium:
Acrylic paint on paper
Dimensions:
Frame: 76.2 × 66 cm (30 × 26")
Image/Sheet: 54.6 × 43.2 cm (21 1/2 × 17")
Type:
Painting
Place:
United States\California\Los Angeles\Los Angeles
Date:
c. 1974
Topic:
Costume\Dress Accessory\Mask  Search this
Decorative  Search this
Self-portrait  Search this
Carlos Almaraz: Male  Search this
Carlos Almaraz: Visual Arts\Artist\Painter  Search this
Carlos Almaraz: Visual Arts\Artist\Painter\Muralist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Monroe Price and Aimée Brown Price in memory of their dear friend Carlos Almaraz
Object number:
NPG.2022.15
Restrictions & Rights:
Usage conditions apply
Copyright:
© Estate of Carlos Almaraz
See more items in:
National Portrait Gallery Collection
Exhibition:
The Struggle for Justice Refresh
On View:
NPG, West Gallery 220
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4aa1c4517-da8d-4815-9533-2be804072fcd
EDAN-URL:
edanmdm:npg_NPG.2022.15

Autorretrato

Title:
Self-portrait
Artist:
José Clemente Orozco, 23 Nov 1883 - 7 Sep 1949  Search this
Sitter:
José Clemente Orozco, 23 Nov 1883 - 7 Sep 1949  Search this
Medium:
Tempera on canvas
Dimensions:
56 x 46.5cm (22 1/16 x 18 5/16")
Type:
Painting
Date:
1946
Topic:
Self-portrait  Search this
José Clemente Orozco: Visual Arts\Artist  Search this
José Clemente Orozco: Male  Search this
José Clemente Orozco: Visual Arts\Artist\Painter\Muralist  Search this
Portrait  Search this
Credit Line:
Owner: Museo de Arte Moderno, Mexico
Object number:
R-169 N-4
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4ec00da06-314d-4a81-bda7-96ba90afb8bb
EDAN-URL:
edanmdm:npg_R-169_N-4

Barry Faulkner papers, circa 1858-1973

Creator:
Faulkner, Barry, 1881-1966  Search this
Subject:
Tonetti, Mary Lawrence  Search this
White, Lawrence Grant  Search this
Twain, Mark  Search this
Beal, Gifford  Search this
Saint-Gaudens, Augustus  Search this
Sweeney, James Johnson  Search this
Smith, Joseph Lindon  Search this
Platt, Charles A. (Charles Adams)  Search this
Parrish, Maxfield  Search this
Redfield, Edward Willis  Search this
Powers, Hiram  Search this
Kroll, Leon  Search this
Brush, George de Forest  Search this
Kent, Rockwell  Search this
Saint-Gaudens, Homer  Search this
Manship, Paul  Search this
Gibran, Kahlil  Search this
Thayer, Abbott Handerson  Search this
Grimes, Frances  Search this
Gugler, Eric  Search this
Hosmer, Harriet Goodhue  Search this
Bynner, Witter  Search this
Fraser, James Earle  Search this
Young, Mahonri Sharp  Search this
MacDowell Colony  Search this
Type:
Sketchbooks
Diaries
Scrapbooks
Sketches
Writings
Photographs
Travel diaries
Photograph albums
Place:
New Hampshire
Citation:
Barry Faulkner papers, circa 1858-1973. Archives of American Art, Smithsonian Institution.
Topic:
World War, 1914-1918  Search this
Artist colonies -- New Hampshire -- Peterborough  Search this
Artists' studios in art  Search this
Educators -- New Hampshire  Search this
Artists' studios -- New Hampshire  Search this
Painting, Modern -- 20th century -- New Hampshire -- Keene  Search this
Muralists -- New Hampshire -- Keene  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Artists -- New Hampshire  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8105
(DSI-AAA_SIRISBib)210276
AAA_collcode_faulbarr
Theme:
Diaries
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210276
Online Media:

Olive Rush papers, 1879-1967

Creator:
Rush, Olive, 1873-1966  Search this
Subject:
United States. Department of the Treasury. Section of Fine Arts  Search this
Type:
Sketches
Diaries
Photographs
Citation:
Olive Rush papers, 1879-1967. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- New Mexico -- Santa Fe  Search this
American Indians in art  Search this
Art and state  Search this
Mural painting and decoration -- 20th century -- New Mexico -- Santa Fe  Search this
Muralists -- New Mexico -- Santa Fe  Search this
Illustrators -- New Mexico -- Santa Fe  Search this
Women artists  Search this
Women painters  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9223
(DSI-AAA_SIRISBib)211418
AAA_collcode_rusholiv
Theme:
Diaries
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211418
Online Media:

Emmy Lou Packard Papers, 1900-1990

Creator:
Packard, Emmy Lou, 1914-1998  Search this
Subject:
Covarrubias, Miguel  Search this
Edmunds, John  Search this
Rivera, Diego  Search this
Reynolds, Malvina  Search this
Refregier, Anton  Search this
Lange, Dorothea  Search this
Kahlo, Frida  Search this
O'Higgins, Pablo  Search this
O'Gorman, Juan  Search this
American Civil Liberties Union  Search this
Public Works of Art Project  Search this
Type:
Scrapbooks
Sketches
Photographs
Interviews
Diaries
Citation:
Emmy Lou Packard Papers, 1900-1990. Archives of American Art, Smithsonian Institution.
Topic:
Printmakers -- California -- San Francisco  Search this
Mural painting and decoration, American  Search this
Mural painting and decoration, Mexican  Search this
Latino and Latin American artists  Search this
Women artists  Search this
Women muralists  Search this
Women printmakers  Search this
Women painters  Search this
Women sculptors  Search this
Theme:
Latino and Latin American  Search this
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5519
(DSI-AAA_SIRISBib)211816
AAA_collcode_packemmy
Theme:
Latino and Latin American
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211816
Online Media:

About Lippard

Collection Creator:
Lippard, Lucy R.  Search this
Container:
Box 45, Folder 38
Type:
Archival materials
Date:
circa 1950s-circa 1990s
Scope and Contents:
Oversized material housed in Box 52, Folder 5
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
See more items in:
Lucy R. Lippard papers
Lucy R. Lippard papers / Series 6: Printed Material / 6.1: Lippard Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9155f6f2b-1299-4add-8241-be9c27f5863f
EDAN-URL:
ead_component:sova-aaa-lipplucy-ref2954
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View About Lippard digital asset number 1

New Mexico

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
Before the people there was the land. High mountains in northern New Mexico fork southward, forming arms. One curls westward to embrace the high mesa and plateau land, while the other thrusts directly south to separate the dry grasslands of the east from the fertile valley carved by the Rio Grande. Stories tell that the First People found this land when they emerged onto its surface, born from the womb of Mother Earth.

The Spanish and later the Mexicans also found this land, as they wound their way north on horseback or in carretas, following the course of the long, wild river, and establishing a permanent connection - the Camino Real - between northern New Mexico and Mexico. Then, from Texas, California, Oklahoma, came still others, determined to transform the land and tame the river. And today people still come, on family odysseys that began in Italy, Lebanon, Iran, Czechoslovakia, India, Poland, Japan, or Germany. In one short stretch, the Rio Grande recounts this history as it passes near old communities like San Juan Pueblo and Embudo, then the new atomic city, Los Alamos, and then Albuquerque, a city of a half-million people.

Five hundred years after Columbus, the complex engagement between Europe and America, which his voyage has come to symbolize, continued to produce patterns of accommodation and resistance that were presented in the 1992 Festival program. Conflicting uses and meanings for the same land seem inevitable in New Mexico, where more than 70% of the land is managed by the state or federal government, and where a significant percentage of local income is derived from tourism. Cultural traditions of New Mexico's diverse communities were not seen, at the Festival, as immutable heirlooms passed down from one generation to the next. Rather, visitors could see how today's New Mexicans shape traditions by the conflicted choices they make today, weaving a design that can never be wholly foreseen.

José Griego and Andrew Wiget were Curators, with Philippa Jackson as Research & Program Coordinator and Francesca McLean as Program Assistant.

The New Mexico program was made possible with the support of the State of New Mexico, Bruce King, Governor; with the collaboration of the Department of Tourism, the Office of Cultural Affairs, the New Mexico Arts Division, and the Museum of International Folk Art; and with the assistance of the Tourism Association of New Mexico.
Fieldworkers and consultants:
Fieldworkers

Tomás Atencio, Charles Carillo, Beaumont Chrisner, Patricia D'Andrea, Tobias Duran, Judith Goldberg, José Griego, Jim Harris, Stanley Hordes, Theodore Jojola, Kenneth Keppeler, Gina L'Acqua; Enrique Lamadrid, Katherine Liden, Jack Loeffler, Felix Lopez, Helen Lucero, Gwendolyn Mintz, Lynn Moncus, Stephan Moore, Pat Music, A. Rudy Padilla, Patricia Ruiz, Marilee Schmit, Glenda Sours, Elizabeth Taliman, Soge Track, Sandra Turner, Maria Varela, Marta Wiegle, Peter White

Consultants

Olivia Cadaval, Richard Kennedy
Presenters:
Charles Carrillo, Andrew Connors, José Griego, Kenneth Keppeler, Enrique Lamadrid, Felix Lopez, Tessie Naranjo, Gilbert Sanchez, Maria Varela, Andrew Wiget
Participants:
New Mexico Crafts

Charles Carrillo, santero, Santa Fe, New Mexico

Cordelia Coronado, 1933-, weaver, Medanales, New Mexico

Frances Naranjo Dennis, 1949-, potter, Santa Clara Pueblo, New Mexico

Austin "Slim" Green, saddle maker, Tesuque, New Mexico

Sam Leyba, 1950-, muralist, Santa Fe, New Mexico

Felix Lopez, 1942-, santero, Santa Fe, New Mexico

Irene E. Lopez, 1949-, weaver, Española, New Mexico

José Benjamin Lopez, 1947-, santero, Española, New Mexico

Jerome Lujan, santero, Santa Fe, New Mexico

Deana McGuffin, 1950-, bootmaker, Clovis, New Mexico

Wilberto Miera, adobe worker, furniture maker, Santa Fe, New Mexico

Patricio Mora, 1937-, -- paño -- artist, Albuquerque, New Mexico

Madelyn Naranjo, 1915-, potter, Santa Clara Pueblo, New Mexico

Felipe Ortega, potter, cook, La Madera, New Mexico

Alberto Parra, 1954-, adobe worker, Albuquerque, New Mexico

Carolina Paz, potter, -- quiote -- maker, Tortugas, New Mexico

Lydia Pesata, 1942-, basket maker, storyteller, Dulce, New Mexico

Eliseo Rodriguez, 1915-, straw applique, Santa Fe, New Mexico

Paula Rodriguez, 1915-, straw applique, Santa Fe, New Mexico

Timothy P. Roybal, 1947-, furniture maker, Española, New Mexico

Bonifacio Sandoval, 1922-, tin worker, Santa Fe, New Mexico

Thelma Sheche, 1928-, fetish carver, Zuni Pueblo, New Mexico

Ada Suina, potter, Cochiti Pueblo, New Mexico

Elizabeth Taliman, 1953-, bead worker, cook, Santa Fe, New Mexico

Carmen Romero Velarde, 1928-, adobe worker, cook, Ranchos de Taos, New Mexico

Priscilla Vigil, 1919-2001, potter, cook, storyteller, Tesuque, New Mexico

Maria Vergara Wilson, -- colcha -- embroiderer, La Madera, New Mexico

Home and Garden

Paulette Atencio, 1947-, storyteller, Chama, New Mexico

Alice Hoppes, 1939-2003, cook, Albuquerque, New Mexico

Edward Kretek, 1927-1997, cook, Deming, New Mexico

Geraldine Kretek, 1929-, cook, Deming, New Mexico

Gertrude Kretek, cook, Deming, New Mexico

Consuela Martinez, 1948-, curandera, Mora, New Mexico

Elizabeth Taliman, cook, bead worker, Santa Fe, New Mexico

Maclovia Zamora, 1931-, cook, Albuquerque, New Mexico

Range

Ganados del Valle -- Ganados del ValleEstafanita Martinez, 1968-, weaver, Tiera Amarilla, New MexicoNorma Martinez, 1963-, weaver, Chama, New MexicoSophie Martinez, 1959-, weaver, Tierra Amarilla, New MexicoNena Russan, 1964-, weaver, Chama, New Mexico

Ramah Navajo Sheep Camp -- Ramah Navajo Sheep CampKatie C. Henio, Ramah, New MexicoSamuel Henio, 1952-, Pine Hill, New MexicoAnnie L. Pino, 1925-2006, Ramah, New MexicoLorraine Wayne, Ramah, New Mexico

Mountain Spirit Dancers -- Mountain Spirit DancersFreddy Apache, 1963-, dancer, Mescalero, New MexicoAbraham Chee, 1959-, dancer, drum maker, Mescalero, New MexicoNathaniel Chee, Sr., 1936-2004, drummer, singer, Mescalero, New MexicoNathaniel Chee, Jr., dancer, Mescalero, New MexicoSamuel Chee, 1970-, dancer, drum maker, Mescalero, New MexicoJoseph Geronimo, 1949-, drummer, singer, drum maker, Mescalero, New Mexico

Philip Pike, dancer, Mescalero, New Mexico

Jose Castro, charro, La Mesa, New Mexico

Thelma Castro, charro, La Mesa, New Mexico

Banjo Garcia, camp cook, Continental Divide, , New Mexico

Cindy Jo Gainer Graham, 1959-, ranch skills, Tatum, New Mexico

R.W. Hampton, 1957-, ranch skills, guitarist, vocalist, Sedan, New Mexico

James Keith, farrier, blacksmith, Tucumcari, New Mexico

Pete Lewis, 1938-, ranch skills, fiddler, Dell City, New Mexico

Musicians

Antonia Apodaca, 1923-, accordion, vocals, Rociada, New Mexico

Fernando Cellicion, flute, Zuni Pueblo, New Mexico

Vodra Dorn, 1957-, vocals, Albuquerque, New Mexico

William Dorn, 1952-, vocals, sermon traditions, Albuquerque, New Mexico

Juan Manuel Flores, guitar, Las Cruces, New Mexico

J.P. Lewis, 1950-, guitar, Dell City, New Mexico

Charla Nettleton, 1955-, bass, Mesilla Park, New Mexico

Cleofes Ortiz, fiddle, Albuquerque, New Mexico

Buster Payne, 1915-, fiddle, Eunice, New Mexico

Floyd Trujillo, 1934-, vocals, bone carver, Abiquiu, New Mexico

Gretchen Van Houton, 1963-, fiddle, Albuquerque, New Mexico

Cipriano Vigil, 1941-, guitar, fiddle, vocals, Tesuque Pueblo, New Mexico

Johnny Whelan, 1946-, guitar, poetry, Las Cruces, New Mexico

Luther Whelan, 1975-, harmonica, bass, poetry, Las Cruces, New Mexico

Los Alegres -- Los AlegresFrank Jaramillo, 1950-, bass, Ranchos de Taos, New MexicoJulia Jaramillo, 1922-, mandolin, Ranchos de Taos, New MexicoPablo Trujillo, 1916-, bass, Ranchos de Taos, New Mexico

Los Reyes de Albuquerque -- Los Reyes de AlbuquerqueMiguel Archibeque, 1938-, guitar, vocals, Albuquerque, New MexicoIsidro Chavez, 1921-, guitar, Albuquerque, New MexicoRay Flores, trumpet, Albuquerque, New MexicoLorenzo Martinez, violin, Albuquerque, New MexicoRoberto Martinez, 1929-, vihuela, guitar, vocals, Albuquerque, New MexicoAngela Perez, 1970-, violin, Albuquerque, New Mexico

Plaza Dancers

Los Bernalillo Matachines -- Los Bernalillo MatachinesTheresa Acosta, 1952-, dancer, Bernalillo, New MexicoCharles J. Aguilar, 1946-, violin, Bernalillo, New MexicoRalph Chavez, dancer, Bernalillo, New MexicoJohn Crespin, 1952-, dancer, Bernalillo, New MexicoJocelyn Duran, dancer, Bernalillo, New MexicoJoseph R. Garcia, 1950-, dancer, Bernalillo, New MexicoEddie D. Gutierrez, dancer, Bernalillo, New MexicoLeroy J. Lovato, 1955-, dancer, Bernalillo, New MexicoLaurence Lucero, 1966-, dancer, Bernalillo, New MexicoPhillip Montano, 1961-, dancer, Albuquerque, New MexicoLeonard Prairie, dancer, Bernalillo, New MexicoMelanie Wiggins, dancer, Bernalillo, New Mexico

Los Comanches de la Serna -- Los Comanches de la SernaDavid Antonio Gonzales, 1965-, dancer, Ranchos de Taos, New MexicoFrancisco Gonzales, 1941-, singer, dancer, Ranchos de Taos, New MexicoMoises Romero, dancer, Ranchos de Taos, New MexicoJulian Struck, dancer, Ranchos de Taos, New Mexico

Concha Dancers -- Concha DancersAdeline Concha, 1973-, dancer, bead worker, Taos Pueblo, New MexicoBenito Concha, 1965-, drummer, flautist, dancer, Taos Pueblo, New MexicoCelestina Concha, 1937-, dancer, bead worker, Taos Pueblo, New MexicoJodie Concha, dancer, bead worker, Taos Pueblo, New MexicoMichelle Concha, dancer, bead worker, Taos Pueblo, New MexicoMike Concha, 1932-, vocals, drummer, dancer, Taos Pueblo, New MexicoNicolas Concha, dancer, Taos Pueblo, New MexicoDonna Sandoval, 1964-, dancer, bead worker, Taos Pueblo, New MexicoSonny Spruce, dancer, Taos Pueblo, New MexicoBransen Velarde, dancer, Taos Pueblo, New Mexico
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Series 4
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5ae5a762a-85e4-4dcf-bfd0-a37ac001006a
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref34

Festival Recordings: Learning Center/Camp Fire: Coloring Tradition; Santeros, Potters, Muralists & Weavers

Creator:
Smithsonian Institution. Festival of American Folklife. New Mexico Program 1992 Washington, D.C.  Search this
Walker, Tracy (recorder)  Search this
Fortescue, Susan (recorder)  Search this
Performer:
Ortega, Felipe V.  Search this
Henio, Samuel, 1952-  Search this
Leyba, Samuel, 1950-  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Americans  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
New Mexico
Date:
1992 June 29
Local Numbers:
FP-1992-CT-0147
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 29, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Oral history  Search this
Weaving  Search this
Santeros  Search this
Colcha embroidery  Search this
Mural painting and decoration  Search this
Pottery  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0147
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 4: New Mexico / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk58d2b62d1-53bb-456b-be4f-fd2ea2a2e4eb
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref695

34c Frida Kahlo single

Title:
Scott Catalogue USA 3509
Depicts:
Frida Kahlo, Mexican, 1910 - 1954  Search this
Medium:
paper; ink (multicolored); adhesive / lithography
Type:
Postage Stamps
Place:
United States of America
Date:
June 21, 2001
Topic:
Art & Photography  Search this
Contemporary (1990-present)  Search this
Hispanic Heritage  Search this
Women's Heritage  Search this
U.S. Stamps  Search this
Credit line:
Copyright United States Postal Service. All rights reserved.
Object number:
2002.2007.482
See more items in:
National Postal Museum Collection
Data Source:
National Postal Museum
GUID:
http://n2t.net/ark:/65665/hm8cdbc92bb-acd9-4d7c-81ab-3385cafa30b1
EDAN-URL:
edanmdm:npm_2002.2007.482

41c Mendez v. Westminster single

Title:
Scott Catalogue USA 4201
Medium:
paper; ink(multicolored)
Type:
Postage Stamps
Place:
United States of America
Date:
September 14, 2007
Topic:
Hispanic Heritage  Search this
Education & Teaching  Search this
U.S. Stamps  Search this
Credit line:
Copyright United States Postal Service. All rights reserved.
Object number:
2007.2025.1
See more items in:
National Postal Museum Collection
Data Source:
National Postal Museum
GUID:
http://n2t.net/ark:/65665/hm861c6eb41-6def-4492-9547-3b8537b25232
EDAN-URL:
edanmdm:npm_2007.2025.1

Photograph of Diego Rivera, Frida Kahlo, and Helena Rubinstein in San Angel studio

Creator:
Charmante Studio, Inc.  Search this
Subject:
Kahlo, Frida  Search this
Rivera, Diego  Search this
Rubinstein, Helena  Search this
Type:
Photographs
Date:
1943
Citation:
Charmante Studio, Inc. Photograph of Diego Rivera, Frida Kahlo, and Helena Rubinstein in San Angel studio, 1943. Bernhard H. Berntsen papers, 1931-1987. Archives of American Art, Smithsonian Institution.
Topic:
Muralists  Search this
Women painters  Search this
Record number:
(DSI-AAA)19800
See more items in:
Bernhard H. Berntsen papers, 1931-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19800
Online Media:

Diego Rivera

Artist:
Diego Rivera, 8 Dec 1886 - 24 Nov 1957  Search this
Sitter:
Diego Rivera, 8 Dec 1886 - 24 Nov 1957  Search this
Medium:
Lithograph on paper
Dimensions:
Sheet: 46.7 × 35.7 cm (18 3/8 × 14 1/16")
Type:
Print
Date:
1930
Topic:
Diego Rivera: Visual Arts\Artist  Search this
Diego Rivera: Male  Search this
Diego Rivera: Visual Arts\Artist\Painter  Search this
Diego Rivera: Visual Arts\Artist\Painter\Muralist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; The Abraham and Virginia Weiss Charitable Trust, Amy and Marc Meadows, in honor of Wendy Wick Reaves
Object number:
NPG.2016.75
Restrictions & Rights:
Usage conditions apply
Copyright:
© Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights
Society (ARS), New York
See more items in:
National Portrait Gallery Collection
Location:
Currently not on view
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm488192a11-dc2d-435c-a806-3dffca4b50fb
EDAN-URL:
edanmdm:npg_NPG.2016.75

Diego Rivera

Artist:
Guillermo Zamora, 1915 - 2002  Search this
Sitter:
Diego Rivera, 8 Dec 1886 - 24 Nov 1957  Search this
Medium:
Gelatin silver print
Dimensions:
Image/Sheet: 48.3 × 38.5 cm (19 × 15 3/16")
Mount: 53.4 × 42.7 cm (21 × 16 13/16")
Mat: 71.2 × 46 cm (28 1/16 × 18 1/8")
Type:
Photograph
Date:
c. 1949
Topic:
Interior  Search this
Nature & Environment\Plant\Flower\Flowers  Search this
Costume\Dress Accessory\Neckwear\Tie\Necktie  Search this
Diego Rivera: Visual Arts\Artist  Search this
Diego Rivera: Male  Search this
Diego Rivera: Visual Arts\Artist\Painter  Search this
Diego Rivera: Visual Arts\Artist\Painter\Muralist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.2018.38
Restrictions & Rights:
Usage conditions apply
Copyright:
© Guillermo Zamora Estate
See more items in:
National Portrait Gallery Collection
Location:
Currently not on view
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4e3388591-3b8b-4a4e-bd97-e9f68f982f75
EDAN-URL:
edanmdm:npg_NPG.2018.38

David Alfaro Siqueiros

Artist:
Rupert García, born 29 Sep 1941  Search this
Sitter:
David Alfaro Siqueiros, 29 Dec 1896 - 6 Jan 1974  Search this
Medium:
Screenprint on paper
Dimensions:
Image (overall): 45.7 × 47.9 cm (18 × 18 7/8")
Sheet (overall): 50.5 × 55.9 cm (19 7/8 × 22")
Frame (overall): 64.3 × 69.4 × 5.1 cm (25 5/16 × 27 5/16 × 2")
Type:
Print
Date:
1974
Topic:
Poster  Search this
David Alfaro Siqueiros: Male  Search this
David Alfaro Siqueiros: Visual Arts\Artist\Painter  Search this
David Alfaro Siqueiros: Visual Arts\Artist\Painter\Muralist  Search this
David Alfaro Siqueiros: Society and Social Change\Reformer\Activist\Political activist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift from the Trustees of the Corcoran Gallery of Art (Museum Purchase, Gift of Richard Rodriguez) The Corcoran Gallery of Art, one of the country’s first private museums, was established in 1869 to promote art and American genius. In 2014 the Works from the Corcoran Collection were distributed to institutions in Washington, D.C.
Object number:
NPG.2019.80
Restrictions & Rights:
Usage conditions apply
Copyright:
© Rupert García
See more items in:
National Portrait Gallery Collection
Location:
Currently not on view
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4fc6efa1b-0656-47a6-95fc-abe73911b0ec
EDAN-URL:
edanmdm:npg_NPG.2019.80

José Clemente Orozco

Artist:
Aline Fruhauf, 1907 - 1978  Search this
Sitter:
José Clemente Orozco, 23 Nov 1883 - 7 Sep 1949  Search this
Medium:
India ink on paper
Dimensions:
Image: 11.6 × 11.7cm (4 9/16 × 4 5/8")
Sheet: 25.6 × 19.3cm (10 1/16 × 7 5/8")
Type:
Drawing
Date:
1933
Topic:
Costume\Dress Accessory\Eyeglasses  Search this
Caricature  Search this
José Clemente Orozco: Visual Arts\Artist  Search this
José Clemente Orozco: Male  Search this
José Clemente Orozco: Visual Arts\Artist\Painter\Muralist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Erwin Vollmer
Object number:
NPG.83.267
Restrictions & Rights:
Usage conditions apply
Copyright:
© Estate of Aline Fruhauf
See more items in:
National Portrait Gallery Collection
Location:
Currently not on view
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4b0de30d5-e8c4-4530-8cd1-11d1f2200a3c
EDAN-URL:
edanmdm:npg_NPG.83.267

Modify Your Search







or


Narrow By