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Oral history interview with Dong Kingman, 1965 Jan. 12

Interviewee:
Kingman, Dong, 1911-2000  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this
Subject:
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Mural painting and decoration  Search this
Asian American art  Search this
Asian American artists -- Interviews  Search this
Educators -- New York (State) -- New York -- Interviews  Search this
Illustrators -- New York (State) -- New York -- Interviews  Search this
Painters -- New York (State) -- Interviews  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American painters  Search this
Chinese American painters  Search this
Asian American illustrators  Search this
Chinese American illustrators  Search this
Record number:
(DSI-AAA_CollID)12912
(DSI-AAA_SIRISBib)213605
AAA_collcode_kingma65
Theme:
Asian American
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213605

Oral history interview with José and Malaquias Montoya

Interviewee:
Montoya, José  Search this
Creator:
Hernandez, Eduardo  Search this
Montoya, Malaquias, 1938-  Search this
Names:
Royal Chicano Air Force  Search this
Montoya, Malaquias, 1938-  Search this
Extent:
7 Sound cassettes (Sound recording, master (ca. 11 hrs.), analog)
7 Cassettes (Sound recording, duplicate)
373 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Cassettes
Pages
Sound recordings
Interviews
Date:
1988 Feb. 28-June 2
Scope and Contents:
Interviews of brothers José and Malaquias Montoya conducted 1988 Feb. 28-June 2, by Eduardo Hernandez, for the Archives of American Art.
The Montoya's recall growing up as Mexican-Americans in a rural town in Colorado; moving to urban areas in California; their early education and development of their political awareness; and their artistic experiences, including their founding of the Royal Chicano Air Force, a group working primarily as muralists.
Biographical / Historical:
José Montoya (1932-2013) was a Mexican-American poet and artist in Sacramento, Calif. Malaquias Montoya (1938- ) is a Mexican-American artist in Oakland, Calif. He and his brother José founded Royal Chicano Air Force, a group working primarily as muralists
Occupation:
Muralists -- California  Search this
Topic:
Mexican American artists -- California -- Interviews  Search this
Mexican American art  Search this
Mural painting and decoration, American  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Hispanic American artists -- Interviews  Search this
Painters -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.montoy88
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-montoy88

National Society of Mural Painters records

Creator:
National Society of Mural Painters (New York, N.Y.)  Search this
Names:
American Federation of Arts  Search this
Federal Art Project  Search this
Fine Arts Federation of New York  Search this
Municipal Art Society of New York  Search this
Red Cross  Search this
United States Capitol Historical Society  Search this
Baskerville, Charles, 1896-  Search this
Covey, Arthur Sinclair, 1877-1960  Search this
Cox, Allyn, 1896-1982  Search this
Fausett, Dean, 1913-  Search this
Fortel, Ruth  Search this
Lanning, Edward P.  Search this
Millet, Francis Davis, 1846-1912  Search this
Molinari, Everett  Search this
Stewart, Jack, 1926-2005  Search this
Treadwell, Helen, 1902-  Search this
Williams, J. Scott (John Scott), b. 1877  Search this
Extent:
13.1 Linear feet
Type:
Collection descriptions
Archival materials
Lantern slides
Photographs
Scrapbooks
Date:
1895 - circa 2007
Summary:
The records of the National Society of Mural Painters measure 13.1 linear feet and date from 1895 to circa 2007. The activities of the society are documented through administrative files, membership files, correspondence, committee files, exhibition and competition files, artist files, financial and legal records, printed material, a scrapbook, and photographic materials.
Scope and Contents:
The records of the National Society of Mural Painters measure 13.1 linear feet and date from 1895 to circa 2007. The activities of the society are documented through administrative files, membership files, correspondence, committee files, exhibition and competition files, artist files, financial and legal records, printed material, a scrapbook, and photographic materials.

Administrative files include meeting minutes and agendas, historical information, and newsletter drafts, and the organization's constitution and by-laws. Membership files contain correspondence with members about their applications and acceptance or denial of membership, member voting ballots, and lists of members. General correspondence is with artists, members, organizations, universities, and federal commissions, and documents a wide varity of NSMP activities; additional correspondence is scattered throughout other series. Correspondence is with Charles Baskerville, Arthur Covey, Allyn Cox, Dean Fausett, Ruth Fortel, Edward Lanning, Everett Molinari, Jack Stewart, and Helen Tredwell, as well as with the American Federation of Arts, the Commission of Fine Arts on War Memorials, Fine Arts Federation, and the U. S. Capitol Historical Society.

Committee files document the work of various NSMP standing and ad hoc committees. Exhibition and competition files include correspondence, photographs, catalogs, itineraries, and printed materials for the NSMP's 1976 U.S. Bicentennial celebration projects, including the "Freedom Murals," "Caravan of Freedom," and "Momentous Events in American History." Additional files document the Red Cross Canteen Project, Federal Art Project, the Municipal Art Society exhibition in 1940, New York City subway murals, and other competitions and public art mural projects.

Artist files primarily date from the 1960s through the 1990s and often include biographies, resumes, correspondence, and photographs of works of art. Financial and legal records include the NSMP treasurer's files, ledgers, and miscellany. Also found in the records are printed materials; a mixed media scrapbook dating from 1923-1935; photographs of meetings, events, exhibitions, and works of art; photo collages of members with examples of their works of art. There are also lantern slides of Francis D. Millet in his studio and with his murals, and of J. Scott Williams with his art work.
Arrangement:
The collection is arranged as 10 series reflecting the original order of the records.

Series 1: Administrative Files, 1895-circa 2007 (2.2 linear feet; Boxes 1-3)

Series 2: Membership Files, 1915-2001 (1.1 linear feet; Boxes 3-4)

Series 3: Correspondence, 1912-2001 (1.0 linear feet; Boxes 4-5)

Series 4: Committee Files, 1909-1960s (0.3 linear feet; Box 5)

Series 5: Exhibition and Competition Files, 1917-1998 (2.0 linear feet; Boxes 5-7)

Series 6: Artist Files, 1915-1990s (1.3 linear feet; Boxes 7-8, 18)

Series 7: Financial and Legal Records, 1895-1996 (1.5 linear feet; Boxes 8-10)

Series 8: Printed Material, 1915-2000 (0.9 linear feet; Boxes 10-11)

Series 9: Scrapbook, 1923-1935 (0.2 linear feet; Box 11)

Series 10: Photographic Material, circa 1900-1997 (2.5 linear feet; Boxes 12-18)
Biographical / Historical:
Originally named The Mural Painters, the National Society of Mural Painters (NSMP) was founded in 1895 in New York City by a group of artists, including John W. Alexander, Kenyon Cox, Edwin Blashfield, and John LaFarge, who were concerned with the design and execution of mural art for architecture in the United States. The organization's first president was Frederic Crowninshield. For well over one hundred years members of NSMP have created significant and monumental works of art across the country. Many significant American artists have been members and served as past presidents, such as George Biddle, Hildreth Meiére, Arthur S. Covey, Allyn Cox, Helen Treadwell, and Xavier Gonzales, among many others.

Since its founding, the NSMP has collaborated with the Fine Arts Section of the Treasury Department, the federal WPA Arts Project, and the design boards of several World's Fairs. As a member of Artists for Victory, NSMP coordinated the execution of murals for barracks and camps, as well as many triptych alterpieces.

NSMP organizes exhibitions and conductes competitions. In celebration of its one hundredth anniversary, a centennial exhibition was held in October 1995 at the Art Students League. Society members work with other organizations, actively sponsoring legislation for the development and commission of public works of art. Still active today, the current president is Jeff Greene.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reel NSM1) including 83 photographs of mural paintings and mural studies, and 25 exhibition boards showing sculptures, mosaics, and mural paintings with the artist's name, medium, title, and location listed. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
The National Society of Mural Painters lent materials for microfilming in 1963 and donated records in 1965-1966. The National Society of Mural Painters, via President Jeff Greene, gave papers in 2009.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Muralists -- United States  Search this
Topic:
Subways -- New York (N.Y.)  Search this
American Revolution Bicentennial, 1776-1976  Search this
Artists' studios -- Photographs  Search this
Art -- Study and teaching  Search this
Mural painting and decoration -- 19th century -- United States  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Genre/Form:
Lantern slides
Photographs
Scrapbooks
Citation:
National Society of Mural Painters records, 1895 - circa 2007. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.natimurp
See more items in:
National Society of Mural Painters records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-natimurp

Boris Deutsch papers

Creator:
Deutsch, Boris, 1892 or 5-1978  Search this
Names:
United States. Public Buildings Administration. Section of Fine Arts  Search this
Photographer:
Cormellsa, Will  Search this
Genthe, Arnold, 1869-1942  Search this
Rothstein, Arthur, 1915-1985  Search this
Extent:
3.3 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1925-1977
Scope and Contents:
Correspondence; an autobiography; resumes; writings and notes; sketchbook; 2 scrapbooks; inventory of paintings; bank statements and records of stock market transactions; photographs; and printed material.
REEL LA 2: Clippings and exhibition catalogs, ca. 1941-1946.
UNMICROFILMED: A brief autobiography; resumes; personal and business correspondence; unpublished writings and notes including a report on Deutsch's murals done for the Public Buildings Administration Section of Fine Arts at the U.S. Post Office Terminal in Los Angeles, California, ca. 1940; a sketchbook, 1934; 2 scrapbooks; a handwritten inventory of paintings; bank statements and records of stock market transactions; 500 photos of Deutsch, his wife, his paintings and other subjects, including some taken by Will Cormellsa, Arnold Genthe, and a Resettlement Administration photo by Arthur Rothstein; exhibition catalogs and announcements; clippings; and printed material.
Biographical / Historical:
Painter; Los Angeles, California.
Provenance:
Material on reel LA 2 lent for microfilming 1964 by Betty Hoag. Unmicrofmiled material donated 1980 by the estate of Boris Deutsch.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Occupation:
Painters -- California -- Los Angeles  Search this
Topic:
Mural painting and decoration -- 20th century -- United States  Search this
Function:
Post office buildings -- California -- Los Angeles
Identifier:
AAA.deutbori
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-deutbori

Barry Faulkner papers

Creator:
Faulkner, Barry, 1881-1966  Search this
Names:
MacDowell Colony  Search this
Beal, Gifford, 1879-1956  Search this
Brush, George de Forest, 1855-1941  Search this
Bynner, Witter, 1881-1968  Search this
Fraser, James Earle, 1876-1953  Search this
Gibran, Kahlil, 1922-  Search this
Grimes, Frances, 1869-1963  Search this
Gugler, Eric, 1889-1974  Search this
Hosmer, Harriet Goodhue, 1830-1908  Search this
Kent, Rockwell, 1882-1971  Search this
Kroll, Leon, 1884-1974  Search this
Manship, Paul, 1885-1966  Search this
Parrish, Maxfield, 1870-1966  Search this
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Powers, Hiram, 1805-1873  Search this
Redfield, Edward Willis, 1869-1965  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Smith, Joseph Lindon, 1863-1950  Search this
Sweeney, James Johnson, 1900-  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Tonetti, Mary Lawrence  Search this
Twain, Mark, 1835-1910  Search this
White, Lawrence Grant  Search this
Young, Mahonri Sharp, 1911-1996  Search this
Extent:
2.82 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Diaries
Scrapbooks
Sketches
Writings
Photographs
Travel diaries
Photograph albums
Place:
New Hampshire
Date:
circa 1858-1973
Summary:
The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, two photograph albums and photographs, and one scrapbook. Correspondents include family members, Witter Bynner, Ann and Eric Gugler, Leon Kroll, Isabel Manship, James Johnson Sweeney, Maxfield Parrish and others. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.
Scope and Content Note:
The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, photograph albums and photographs, and one scrapbook. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.

Biographical materials include biographical sketches, awards, and records documenting Faulkner's military service. Also found are a list of medications, a list of Faulkner's writings, party guest lists, an address book, a calendar, and materials related to the posthumous publication of Sketches From an Artist's Life. Of special interest are oversized architectural drawings by Eric Gugler for Faulkner's Keene, New Hampshire house.

Correspondence includes letters from Faulkner's friends, family, fellow artists, and art organizations and institutions. Faulkner's correspondence with his parents document his 1900-1901 trip to Italy with the Thayer family. Of special interest is his correspondence with writer Witter Bynner about Faulkner's daily life in New Hampshire, his travels through Europe, his artistic practice and career, Bynner's writings, his opinions on artistic and literary works, and his service in World War One. Many of the letters to Bynner include sketches by Faulkner of Abbott Handerson Thayer, Rockwell Kent, Augustus Saint-Gaudens, Homer Saint-Gaudens, George de Forest Brush, Kahlil Gibran, and Mark Twain. Additional correspondents include sculptor Frances Grimes, architect Eric Gugler, painter Leon Kroll, and museum director James Johnson Sweeney.

Faulkner's writings are about art, artists, and the New Hampshire art community. Found are essays on Gifford Beal, George de Forest Brush, James Earle Fraser, Harriet Hosmer, Paul Manship, Charles Adams Platt, Hiram Powers, Edward Willis Redfield, Joseph Lindon Smith, Mary Lawrence Tonetti, Mark Twain, Lawrence Grant White, and Mahonri Young. Other writings discuss Faulkner's mural commissions, various aspects of New Hampshire history, and the history of the Dublin and Cornish art colonies whose inhabitants included George de Forest Brush, Augustus Saint-Gaudens, and Abbott Handerson Thayer. Of special interest is a manuscript for Faulkner's posthumously published memoir Sketches From an Artist's Life, and an unpublished manuscript titled A Neighborhood of Artists about the history and culture of the Connecticut River Valley.

Four sketchbooks by Faulkner contain drawings of landscapes, city scenes, architecture, people, nature, and studies of artwork by others. Also found are two loose sketches.

Five diaries document Faulkner's 1922-1924 trip through Europe, Africa, and Asia including stops in France, Italy, Egypt, and Turkey. Diaries record Faulkner's thoughts on architecture, tourist sites, and travel amenities. Found is one diary from 1956 that discusses social events, the Saint-Gaudens Memorial, the MacDowell Colony of artists, and various artists including Gifford Beal, Maxfield Parrish, Paul Manship, and Eric Gugler.

The bulk of printed material consists of clippings which document published writings by Faulkner, obituaries and published rememberances of Faulkner, local events in Keene, New Hampshire, and reproductions of Faulkner's artwork. Also found are exhibition catalogs of other artists, an announcement of Faulklner's death from the American Academy of Arts and Letters, and a publication illustrated with reproductions of Faulkner's murals for the National Archives.

Photographs include formal and informal images of Faulkner throughout his life, and photographs of his family and friends, his studio, and reproductions of his artwork. Also included are two photograph albums, one of which contains photographs of Faulkner during his youth and one that contains photographs primarily from the 1930s of Faulkner's Keene, New Hampshire house, himself, and his friends and family.

The collection also includes a scrapbook prepared for Faulkner's seventieth birthday containing photographs, cards, telegrams, and placecards with hand drawn illustrations which show the "taste and characteristics" of Faulkner.
Arrangement:
The collection is arranged into 8 series:

Series 1: Biographical Materials, 1914-1971 (Box 1, 3, RD1; 13 folders)

Series 2: Correspondence, 1900-1973 (Box 1; 0.5 linear feet)

Series 3: Writings, 1912-1966 (Boxes 1-2; 1.0 linear foot)

Series 4: Sketchbooks and Sketches, circa 1910s-1930s (Boxes 2-3; 8 folders)

Series 5: Diaries, 1922-1956 (Box 2; 6 folders)

Series 6: Printed Materials, circa 1858-1966 (Boxes 2-3; 8 folders)

Series 7: Photographs, 1892-1960s (Boxes 2-3; 15 folders)

Series 8: Scrapbook, 1951 (Box 3; 2 folders)
Biographical Note:
Francis Barrett Faulkner was born on July 12, 1881 in Keene, New Hampshire. He attended Phillips Exeter Academy and went on to study at Harvard College. Around this same time, Faulkner began an apprenticeship with his cousin and painter Abbott Handerson Thayer and painter George de Forest Brush. He also met sculptors James Earle Fraser and Augustus Saint-Gaudens, both of whom became Faulkner's lifelong friends.

In 1901, Faulkner traveled to Italy for the first time with Thayer and his family. He returned to New York in 1902 and studied at the Art Students League and Chase School. He also completed illustration work for Century magazine.

In 1907, Faulkner won the Rome Prize Fellowship from the American Academy in Rome. shortly thereafter, he left to study in Italy for three years, studying with George de Forest Brush and befriending sculptor Paul Manship. Upon his return in 1910, he started working on his first mural, commissioned by the wife of railroad executive E.H. Harriman. Having found his niche, Faulkner continued taking mural commissions until his career was interrupted by World War I and his service in the camouflage section of the army. Shortly after the war, he completed a mural for the marine headquarters in Quantico, Virginia.

Between 1923-1924, Faulkner worked in collaboration with Eric Gugler and Paul Manship to create the American Academy in Rome war memorial. Also following the war, Faulkner completed murals for the Eastman School of Music in 1922, the Rockefeller Center in 1932, and the National Archives in 1936. That same year, Faulkner bought and refurbished a house named "The Bounty" in Keene, New Hampshire, and built a studio nearby. In 1930, he was elected as a trustee of the American Academy in Rome.

During the 1940s, Faulkner created murals for numerous public buildings and sites around New Hampshire including the Senate Chambers in Concord, the Elliot Community Hospital, Keene National Bank, and the Cheshire County Savings Bank in Keene. During his final decades, Faulkner wrote an unpublished manuscript on the history of art in the Connecticut River Valley entitled A Neighborhood of Artists, and his posthumously published memoirs, Sketches of an Artist's Life. Faulkner died in 1966, in Keene, New Hampshire.
Related Material:
Found in the Nancy Douglas Bowditch papers at the Archives of American Art is correspondence, photographs, and printed materials related to Barry Faulkner. The Library of Congress, Manuscript Division also holds a small collection of Barry Faulkner's papers. Additional correspondence from Faulkner is found in the papers of Witter Bynner at the University of New Mexico and at Harvard University.
Provenance:
The collection was donated by Francis Faulkner, Barry Faulkner's nephew, in 1974. An addition to the collection was donated by Jocelyn Faulkner Bolle in 2014.
Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New Hampshire -- Keene  Search this
Topic:
World War, 1914-1918  Search this
Artist colonies -- New Hampshire -- Peterborough  Search this
Artists' studios in art  Search this
Artist colonies -- New Hampshire -- Dublin  Search this
Educators -- New Hampshire  Search this
Artists' studios -- New Hampshire  Search this
Artist colonies -- New Hampshire -- Cornish  Search this
Painting, Modern -- 20th century -- New Hampshire -- Keene  Search this
Muralists -- New Hampshire -- Keene  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Artists -- New Hampshire  Search this
Genre/Form:
Sketchbooks
Diaries
Scrapbooks
Sketches
Writings
Photographs
Travel diaries
Photograph albums
Citation:
Barry Faulkner papers, circa 1858-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.faulbarr
See more items in:
Barry Faulkner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-faulbarr
Online Media:

Daniel Putnam Brinley and Kathrine Sanger Brinley papers

Creator:
Brinley, Putnam  Search this
Names:
Blashfield, Edwin Howland, 1848-1936  Search this
Brinley, Kathrine Sanger  Search this
Bruce, Edward, 1879-1943  Search this
Coffin, William A. (William Anderson), 1855-1925  Search this
Davis, Charles H. (Charles Harold), 1856-1933  Search this
Erskine, John, 1879-1951  Search this
Euwer, Anthony  Search this
Gabay, Esperanza  Search this
Henri, Robert, 1865-1929  Search this
Meiere, M. Hildreth, d. 1961  Search this
Peixotto, Ernest, b. 1869  Search this
Troy, Hugh  Search this
Extent:
14.3 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Sketches
Diaries
Photographs
Writings
Poetry
Date:
1879-1984
Summary:
The papers of painter and muralist Daniel Putnam Brinley and his wife, linguist and writer Kathrine Sanger Brinley, date from 1879 to 1984 and measure 14.3 linear feet. The Brinleys' careers and lives are documented in biographical materials, as well as extensive correspondence with one another, family, friends, art galleries, organizations, publishers, and others. Also found within the papers are writings by both, including 16 diaries (1 by Daniel Putnam Brinley and the rest by Kathrine), essays, manuscripts, typescripts, notes and notebooks, poetry, and various other writings. There are mural commission files, files for organizations of which the Brinleys were members, financial and legal records, exhibition catalogs, news clippings, and other printed material. Also found are photographs of the Brinleys, family, friends, travels, and artwork, and six sketchbooks and original artwork by Daniel Putnam Brinley.
Scope and Content Note:
The papers of painter and muralist Daniel Putnam Brinley and his wife, linguist and writer Kathrine Sanger Brinley, date from 1879 to 1984 and measure 14.3 linear feet. The Brinleys' careers and lives are documented in biographical materials, as well as extensive correspondence with one another, family, friends, art galleries, organizations, publishers, and others. Also found within the papers are writings by both, including 16 diaries (1 by Daniel Putnam Brinley and the rest by Kathrine), essays, manuscripts, typescripts, notes and notebooks, poetry, and various other writings. There are mural commission files, files for organizations of which the Brinleys were members, financial and legal records, exhibition catalogs, news clippings, and other printed material. Also found are photographs of the Brinleys, family, friends, travels, and artwork, and six sketchbooks and original artwork by Daniel Putnam Brinley.

Biographical material consists of biographical sketches and professional summaries for both Daniel Putnam Brinley and Kathrine Sanger Brinley, passports, personal mementos, award certificates, two radio interview transcripts, and military records documenting Daniel Putnam Brinley's service in the American Expeditionary Forces and the Camouflage Corps.

The papers contain extensive correspondence (4.6 linear feet) divided into family correspondence and general correspondence. Family correspondence includes letters between Daniel Putnam Brinley and Kathrine Sanger Brinley and with their parents and siblings. General correspondence primarily includes the Brinley's personal correspondence with friends and extended family. These letters discuss travel, mutual acquaintances, social events, and general news. Also found is professional correspondence regarding the exhibition and commission of artwork by Daniel Putnam Brinley and the publication of writings by Kathrine Sanger Brinley. Also discussed in the letters are the Brinleys' participation in art, social, and religious organizations. Correspondence of note is with Edwin Blashfield, Edward Bruce, William A. Coffin, Charles H. Davis, John Erskine, Anthony Euwer, Esperanza Gabay, Robert Henri, Hildreth Meiere, Ernest Peixotto, and Hugh Troy.

Writings and notes are by Daniel Putnam Brinley and Kathrine Sanger Brinley. Included among their writings are one diary by Daniel Putnam Brinley, 15 diaries by Kathrine Sanger Brinley, essays, notebooks and notes, manuscripts, and typescripts. Subjects of their writings include essays about religion, poetry, and autobiographical and travel essays. Also found among Daniel Putnam Brinley's writing are lecture notes, fictional stories and plays, essays about art, and historical research for his mural projects.

Mural commission files include correspondence, lists, contracts, financial agreements, notes, plans, sketches, and photographs for specific murals. There is extensive documentation on murals Brinley completed for the Metropolitan Life Insurance Company in New York and the Liberty War Memorial in Kansas City Missouri. Organization files document the Brinleys' participation in art and social organizations.

Scattered financial and legal records include receipts, account books, leases, estate and power of attorney documents, and records regarding their house and property in New Canaan, Connecticut. Printed material consists of published items documenting the careers, social activities and personal interest of the Brinleys, and includes books, exhibition catalogs and announcements, news clippings, newsletters, and items from their travels abroad.

Photographs depict Daniel Putnam Brinley and Kathrine Sanger Brinley, individually and with family and friends, and include photographs of Daniel Putnam Brinley working on mural commissions. Also found are photographs of their travels, their homes, Daniel Putnam Brinley's artwork, and reference photographs for his murals. Artwork in this collection includes six of Daniel Putnam Brinley's sketchbooks, primarily from his travels in Europe and Canada, loose drawings and mural studies, drawings by Albert Sterner and Reinhold Palenske, and a lithograph by John Steuart Curry.
Arrangement:
The collection is arranged into 9 series:

Series 1: Biographical Material, 1879-1970s (Box 1, OV 16; 0.8 linear feet)

Series 2: Correspondence, 1879-1984 (Box 1-6; 4.6 linear feet)

Series 3: Writings and Notes, circa 1895-1964 (Box 6-9; 3.3 linear feet)

Series 4: Commission Files, 1920-1979 (Box 9-10; 0.8 linear feet)

Series 5: Organization Files, 1909-1964 (Box 10-11; 0.9 linear feet)

Series 6: Financial and Legal Records, 1896-1965 (Box 11; 0.4 linear feet)

Series 7: Printed Material, 1895-1979 (Box 11-13, OV 16-17; 1.8 linear feet)

Series 8: Photographs, 1881-1971 (Box 13-14, OV 22; 0.8 linear feet)

Series 9: Artwork, 1891-1950s (Box 14-15, OVs 18-21; 0.9 linear feet)
Biographical Note:
Daniel Putnam Brinley (1879-1963) was a muralist and painter in New York City and New Canaan, Connecticut. Brinley was born in Newport, Rhode Island, and studied from 1900 to 1902 at the Art Student's League under Kenyon Cox and John Henry Twachtman. Influenced by Twachtman, he became an impressionist landscape painter for a time. In 1904, he married his childhood friend, writer Kathrine Gordon Sanger (1877-1966). For the next four years they traveled throughout Europe and lived in Paris, where Brinley studied art independently and became a member of the modernist circle of painters.

In 1908 the Brinleys returned to the United States and Daniel established a studio in New York City. During this period his work was heavily influenced by the modernist movement, with flattened forms and a deeper hued palette. Brinley had his first one-man show at Madison Avenue Galleries in 1910, exhibited at Alfred Stieglitz's gallery at 291, and helped organized the 1913 Armory Show. He was also a founding member of the Association of American Painters and Sculptors and the Grand Central Art Galleries. In 1914 the Brinleys built a home, Datchet House, in New Canaan, Connecticut, and spent part of each year there for the remainder of their lives.

In 1917 Daniel Putnam Brinley trained with the American Expeditionary Forces and went to France as the Director of Decoration for the Foyers Du Soldat (YMCA), remaining there until 1919. After returning to the United States he became a mural painter and received numerous commissions for memorials, office buildings, churches, and public spaces over the next forty years. Perhaps most notable of these commissions was the Liberty War Memorial in Kansas City, Missouri, for which Brinley painted 24 decorative maps showing the history of World War I. He remained active in the art community as a member of the Architectural League of New York, the National Academy of Design, and the Silvermine Guild of Artists, among others.

Kathrine Sanger Brinley was a writer and linguist who worked in Europe, New York City, and Connecticut. She lived in Europe from 1904 to 1908 where she studied the arts and crafts of the middle ages and became an expert on English writing and language of the 14th century. She published articles and books on these subjects and during the 1920s had a successful career touring as a dramatic recitalist of the works of Geoffrey Chaucer. From 1934 to 1938 the Brinley's spent their summers traveling throughout Canada, and Kathrine published four travel books which were illustrated by Daniel Putnam Brinley. Kathrine Sanger Brinley published and wrote professionally under the name Gordon Brinley.
Related Material:
Also found in the Archives of American Art is the Elizabeth Loder research material on Daniel Putnam Brinley, 1919-1990.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming on reel 1427, including select family photographs. Loaned material was returned to the lender is not described in the collection container inventory.
Provenance:
The Daniel Putnam Brinley and Kathrine Sanger Brinley papers were lent for microfilming by their niece, Elizabeth Loder, in 1978-1979. Loder subsequently donated all but select family photographs in 1991 and additional material in 1992.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Connecticut -- New Canaan  Search this
Topic:
Muralists -- Connecticut -- New Canaan  Search this
Mural painting and decoration -- United States  Search this
Authors -- Connecticut -- New Canaan  Search this
Works of art  Search this
Genre/Form:
Sketchbooks
Sketches
Diaries
Photographs
Writings
Poetry
Citation:
Daniel Putnam Brinley and Kathrine Sanger Brinley papers, 1879-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.brindani
See more items in:
Daniel Putnam Brinley and Kathrine Sanger Brinley papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-brindani
Online Media:

Rockwell Kent papers, circa 1840-1993, bulk 1935-1961

Creator:
Kent, Rockwell, 1882-1971  Search this
Subject:
Wildenstein, Felix  Search this
Phillips, Duncan  Search this
Hays, Lee  Search this
Untermeyer, Louis  Search this
Zigrosser, Carl  Search this
Robeson, Paul  Search this
DuBois, W.E.B. (William Edward Burghardt)  Search this
Roosevelt, Franklin D. (Franklin Delano)  Search this
Ruggles, Carl  Search this
Stefansson, Vilhjalmur  Search this
Nearing, Helen  Search this
Nearing, Scott  Search this
Pach, Walter  Search this
Rasmussen, Knud  Search this
Reeves, Ruth  Search this
Seeger, Pete  Search this
Daniel, Charles  Search this
Cleland, T. M. (Thomas Maitland)  Search this
Davies, Arthur B. (Arthur Bowen)  Search this
Chamberlain, J. E.  Search this
Boyesen, Bayard  Search this
Chase, William Merritt  Search this
Freuchen, Peter  Search this
Gellert, Hugo  Search this
Gottlieb, Harry  Search this
Hartley, Marsden  Search this
Fitzgerald, James  Search this
Keller, Charles  Search this
Miller, Kenneth Hayes  Search this
Henri, Robert  Search this
Jones, Dan Burne  Search this
United American Artists  Search this
United Office and Professional Workers of America  Search this
United Scenic Artists  Search this
National Farmers' Union (U.S.)  Search this
National Maritime Union of America  Search this
American Artists' Congress  Search this
Artists' Union (New York, N.Y.)  Search this
Artists League of America  Search this
Citizens' Committee for Government Arts Projects  Search this
Farmers Union of the New York Milk Shed  Search this
Federal Art Project  Search this
Federal Writers' Project  Search this
Macbeth Gallery  Search this
International Workers Order  Search this
Type:
Poems
Sketches
Business records
Photographs
Drawings
Topic:
Designers -- New York (State)  Search this
Mural painting and decoration  Search this
Politics and culture  Search this
Authors -- New York  Search this
Art, Modern -- 20th century -- United States -- Political aspects  Search this
Dairy farms  Search this
Federal aid to the arts  Search this
Illustrators -- New York (State)  Search this
Illustration of books  Search this
Works of art  Search this
World War, 1939-1945 -- Civilian relief  Search this
Labor unions  Search this
Art and war  Search this
Commercial art  Search this
World War, 1939-1945 -- Art and the war  Search this
Record number:
(DSI-AAA_CollID)9557
(DSI-AAA_SIRISBib)211757
AAA_collcode_kentrock
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211757
Online Media:

James Penney papers, 1913-1984

Creator:
Penney, James, 1910-1982  Search this
Subject:
Bloch, Albert  Search this
Type:
Sketchbooks
Topic:
Mural painting and decoration, American  Search this
Public art -- United States  Search this
Record number:
(DSI-AAA_CollID)8362
(DSI-AAA_SIRISBib)210535
AAA_collcode_pennjame
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210535

PWAP reports by Gustave Baumann, 1934

Creator:
Public Works of Art Project (N.M.)  Search this
Subject:
Bisttram, Emil  Search this
Lea, Tom  Search this
Lockwood, Ward  Search this
Rush, Olive  Search this
Shuster, Will  Search this
Baumann, Gustave  Search this
Topic:
Federal aid to public welfare  Search this
New Deal, 1933-1939  Search this
Federal aid to the arts  Search this
Art and state -- United States  Search this
Mural painting and decoration -- 20th century -- New Mexico  Search this
Record number:
(DSI-AAA_CollID)9784
(DSI-AAA_SIRISBib)212211
AAA_collcode_publwonm
Theme:
Government Sponsorship of the Arts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212211

John Warner Norton and Norton family papers, 1893-1954

Creator:
Norton, John Warner, 1876-1934  Search this
Topic:
Artists' writings  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Painting, American -- Illinois -- Chicago  Search this
Record number:
(DSI-AAA_CollID)10080
(DSI-AAA_SIRISBib)212951
AAA_collcode_nortjohn
Theme:
Lives of American Artists
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212951

William Karp photographs, [ca.1937-1938]

Creator:
Karp, William, 1905-  Search this
Subject:
Federal Art Project (New York, N.Y.)  Search this
Public Works of Art Project  Search this
Topic:
Mural painting and decoration, American  Search this
Federal aid to the arts -- New York (State) -- New York  Search this
Muralists  Search this
Record number:
(DSI-AAA_CollID)5699
(DSI-AAA_SIRISBib)208535
AAA_collcode_karpwill
Theme:
Government Sponsorship of the Arts
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208535

[Photographs of Reuben Kadish, Philip Guston, and others], 1934-1965

Creator:
Kadish, Reuben, 1913-1992  Search this
Subject:
Guston, Philip  Search this
Langsner, Jules  Search this
United States  Search this
Topic:
Mural painting and decoration -- 20th century -- California  Search this
Record number:
(DSI-AAA_CollID)7274
(DSI-AAA_SIRISBib)209425
AAA_collcode_kadireup
Theme:
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209425

Peter Hurd papers relating to the Section of Fine Arts, 1936-1951

Creator:
Hurd, Peter, 1904-1984  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Subject:
Watson, Forbes  Search this
Rowan, Edward Beatty  Search this
Place:
United States -- Economic conditions -- 1918-1945 -- New Mexico
United States -- Social conditions -- 1933-1945 -- New Mexico
Topic:
New Deal, 1933-1939 -- New Mexico  Search this
New Deal, 1933-1939 -- Texas  Search this
Federal aid to the arts -- New Mexico  Search this
Federal aid to the arts -- Texas  Search this
Art and state -- New Mexico  Search this
Art and state -- Texas  Search this
Mural painting and decoration, American  Search this
Muralists  Search this
Record number:
(DSI-AAA_CollID)7826
(DSI-AAA_SIRISBib)209993
AAA_collcode_hurdpetp
Theme:
Government Sponsorship of the Arts
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209993

Allyn Cox papers relating to U.S. Capitol murals, 1970-1974

Creator:
Cox, Allyn, 1896-1982  Search this
Subject:
United States Capitol  Search this
Topic:
Muralists  Search this
Record number:
(DSI-AAA_CollID)7333
(DSI-AAA_SIRISBib)209486
AAA_collcode_coxallym
Theme:
Government Sponsorship of the Arts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209486

Lucienne Bloch photographs of murals, 1934-1937

Creator:
Bloch, Lucienne, 1909-1999  Search this
Subject:
Federal Art Project (New York, N.Y.)  Search this
Place:
United States -- Economic conditions -- 1918-1945 -- Photographs
United States -- Social conditions -- 1933-1945 -- Photographs
Topic:
Mural painting and decoration -- 20th century -- Photographs  Search this
Mural painting and decoration, American -- Photographs  Search this
New Deal, 1933-1939 -- Photographs  Search this
Federal aid to the arts -- Photographs  Search this
Federal aid to the public welfare -- Photographs  Search this
Art and state -- Photographs  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)6739
(DSI-AAA_SIRISBib)208864
AAA_collcode_blocluci
Theme:
Women
Government Sponsorship of the Arts
Audio - Visual
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208864

Mitchell Siporin papers

Creator:
Siporin, Mitchell, 1910-1976  Search this
Names:
Federal Art Project  Search this
Cahill, Holger, 1887-1960  Search this
Cheney, Sheldon, 1886-  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Millman, Edward, 1907-1964  Search this
Nordness, Lee  Search this
Rowan, Edward Beatty, 1898-1946  Search this
Extent:
5.3 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Date:
1913-1990
Scope and Contents:
Biographical information, correspondence, photographs, writings, research and subject files, works of art, motion picture film, interview transcripts, financial material, printed material and miscellany relating to Mitchell Siporin.
Personal photographs of Siporin, stage sets and art work by him.
Circa 1000 letters relating to his painting, his teaching, his service as a war artist during World War II and the Federal Art Project, including letters from Sheldon Cheney, Edith Halpert, Edward Rowan, Holger Cahill, Edward Millman, Max Abramowitz, Lee Nordness, and others; biographical material; notes and lectures; art history research files; sketches; price lists for his art works; expense accounts and tax records; blueprints and architectural plans; photographs, including WWII photographs and photographs of his art work; reproductions of his art work; exhibition catalogs; and clippings.
Letters from Siporin to his brother and sister-in-law, Seymour and Mary Sipporin, as well as letters to Siporin from Jack Levine and Carl Holty. Writings, including scripts for lectures, journal articles, an unfinished novel by Siporin, a journal describing his experience in North Africa during WWII as a war photographer and painter, notes taken during sabbaticals, and a eulogy written by Siporin for Henry Varnum Poor. Photographs of Siporin with friends and family, including Yasuo Kuniyoshi, Peter Pollack, Edward Millman, and Philip Guston and a portrait of Siporin by Arnold Newman, as well as Siporin's artwork. Subject files, including the Woodstock Art Conference, American Artists' Congress, the American Federation of Arts, WWII, the Army at War exhibit, Siporin's involvement in the WPA, as well material on Siporin's Haymarket drawings used for a 1934 issue of Left Front magazine. Works of art including two studies for St. Louis, Missouri, Post Office murals, and a sketch of Siporin by S.P. Kaufman.
A VHS video and DVD copy, transferred from 16mm motion picture film, showing Siporin at work on his St. Louis frescoes (b&w, 3 min., no sound). Interview transcripts of an interview with Siporin conducted by Geofrrey Swift as well as an interview with Siporin conducted by Melvyn Bragg for the BBC. Financial records, including sales contracts. Printed material, including exhibition catalogs and programs, and newspaper clippings as well as an exhibition poster from Babcock Galleries. Also included is a small amount of material relating to Jennie Siporin, Mitchell Siporin's mother.
Biographical / Historical:
Mitchell Siporin (1910-1976) was a painter and photographer from Newton, Massachusetts.
Provenance:
The collection has been donated in several installments beginning in 1978 when Siporin's widow Miriam lent materials for microfilming (reels 1328 and 1332). She also donated materials at that time and again in 1992, at which time it was also microfilmed (reels 2011-12 and 2061). In 2003, Judith Siporin, Siporin's daughter, donated the materials previously lent on reel 1332 and 16mm motion picture film. In 2005 Mary Siporin, Mitchell Siporin's sister-in law donated papers, and in 2008 Judith donated another installment.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Documentary photography  Search this
Painting, Modern -- 20th century -- United States  Search this
Mural painting and decoration -- United States  Search this
World War, 1939-1945 -- Art and the war  Search this
War in art  Search this
Genre/Form:
Video recordings
Identifier:
AAA.sipomitc
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sipomitc

Richard Murray research material regarding mural painting in the United States

Creator:
Murray, Richard N., 1942-2006  Search this
Names:
American Academy in Rome  Search this
Hotel de Ville (Paris, France)  Search this
Alexander, John White, 1856-1915  Search this
Blashfield, Edwin Howland, 1848-1936  Search this
Cox, Kenyon, 1856-1919  Search this
La Farge, John, 1835-1910  Search this
Low, Will Hicok, 1853-1932  Search this
Mowbray, H. Siddons (Harry Siddons), 1858-1928  Search this
Norton, John Warner, 1876-1934  Search this
Oakley, Violet, 1874-1961  Search this
Parrish, Maxfield, 1870-1966  Search this
Sargent, John Singer, 1856-1925  Search this
Steichen, Edward, 1879-1973  Search this
Wyeth, N. C. (Newell Convers), 1882-1945  Search this
Extent:
20.5 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1896-2006
bulk 1970-2006
Summary:
The Richard Murray research material regarding mural painting in the United States measures 20.5 linear feet and dates from 1896 to 2006 with the bulk of the material dating from 1970 to 2006. The collection is comprised of Murray's extensive research files, scattered writings, and photographic materials for his life-long research on mural painting in the United States.
Scope and Contents:
The Richard Murray research material regarding mural painting in the United States measures 20.5 linear feet and dates from 1896 to 2006 with the bulk of the material dating from 1970 to 2006. The collection is comprised of Murray's extensive research files, scattered writings, and photographic materials documenting his life-long research on mural painting in the United States.

Mural research files are organized by city, state, artist, and general mural research. The files contain photocopies of printed material, notes, photographs, and correspondence. Artists with extensive documentation include John White Alexander, Edwin Blashfield, Kenyon Cox, John LaFarge, Will H. Low, H. Siddons Mowbray, John Warner Norton, Violet Oakley, Maxfield Parrish, John Singer Sargent, Eduard Steichen, and N.C. Wyeth. Other files consist of bibliographies, a mural catalog and index, hand-drawn statistical graphs, and files on murals in Chicago, New York, and Washington, D.C.

Writings include drafts of articles "Painted Words: Murals in the Library of Congress" and "Progressive Era Murals in Chicago's Public Schools." There are also writings by others. Subject files consist of compiled notes, photographs, printed materials, and photocopies on general art related topics such as European art history and theory, art criticism, the life of an artist, the Gilded Age and Progressive Era, immigration, and decorative arts.

Photographic materials include photographs and negatives of the American Academy in Rome, the Hotel de Ville, and public and private murals throughout various cities. The series also includes two microfilm reels of the Kenyon Cox papers with an index, and a small amount of Murray's personal photographs.
Arrangement:
The collection is arranged as 4 series.

Series 1: Mural Research Files, 1896-2006 (15.2 linear feet; Boxes 1-16, OV 22)

Series 2: Writings, circa 1990s-2006 (0.4 linear feet; Box 16)

Series 3: Subject Files, 1967-2000 (1.0 linear feet; Boxes 16-17)

Series 4: Photographic Materials, 1916-2006 (3.9 linear feet; Boxes 17-21)
Biographical / Historical:
Richard Murray (1942-2006) was a curator, educator, and museum administrator in Washington, D.C.

Murray received a bachelor of arts from California State University in San Jose in 1968 and a M.A. in art history and theory from the University of Chicago in 1970. As a research fellow at the National Collection of Fine Arts (NCFA), now the Smithsonian American Art Museum, he began his dissertation research on mural paintings in the United States. Murray's research on American mural painting continued for decades. Although never officially published, the research project was titled "Hope and Memory: Mural Painting in the United States, 1876-1920." He authored numerous articles about mural painters and painting. Murray also conducted extensive research and organized exhibitions on painters Abbott Handerson Thayer and Elihu Vedder at the Smithsonian American Art Museum.

In the 1970s, Murray worked as an assistant to the NCFA director and assisted in the preparation of the seminal bicentennial exhibition entitled America as Art. From 1979 to 1983, Murray was director of the Birmingham Museum of Art in Alabama. In 1983, he returned to Washington, D.C. and served as director of the Smithsonian Institution Archives of American Art until 1987, when he accepted the position of chief curator and assistant director of the Smithsonian American Art Museum. He remained in this position until his death in 2006.
Related Materials:
Also available at the Archives of American Art is Richard Murray research material regarding Abbott Handerson Thayer, 1948-2004, bulk 1994-2001.
Separated Materials:
Research files on Abbott Handerson Thayer found within this collection were separated and filed with the AAA collection, Richard Murray research materials on Abbott Handerson Thayer, 1948-2004, bulk 1994-2001.
Provenance:
The bulk of the Richard Murray research material regarding mural painting in the United States was donated in 2006 by Murray's wife Marciela Murray. Additional files were transferred from the Smithsonian American Art Museum in 2009 and 2014 via Rachel Kase in the curatorial office.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Curators -- Washington (D.C.)  Search this
Topic:
Mural painting and decoration, American  Search this
Genre/Form:
Photographs
Citation:
Richard Murray research material regarding mural painting in the United States, 1896-2006, bulk 1970-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.murrrich
See more items in:
Richard Murray research material regarding mural painting in the United States
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-murrrich
Online Media:

Oral history interview with Helen Lundeberg

Interviewee:
Lundeberg, Helen, 1908-1999  Search this
Interviewer:
Butterfield, Jan  Search this
Names:
United States. Work Projects Administration  Search this
Feitelson, Lorser, 1898-1978  Search this
Langsner, Jules, 1911-1967  Search this
Murphy, Lawrence M., 1872-1948  Search this
Extent:
82 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1980 July 19-Aug. 29
Scope and Contents:
An interview of Helen Lundeberg conducted 1980 July 19-Aug. 29, by Jan Butterfield, for the Archives of American Art.
Lundeberg speaks of problems encountered by women artists; her youth and early interest in painting; her education; studying with Lawrence Murphy and Lorser Feitelson; painting murals for the WPA Federal Art Project; her series of small paintings; the California arts environment; her relationship with Feitelson and their influences on each other; and her working habits. She recalls the critic Jules Langsner.
Biographical / Historical:
Helen Lundeberg (1908-1999) was a painter from Los Angeles, Calif.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 3 digital wav files. Duration is 3 hrs., 50 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Painters -- California -- Los Angeles -- Interviews  Search this
Art -- Philosophy  Search this
Painting -- Technique  Search this
Mural painting and decoration  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lundeb80
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lundeb80

Oral history interview with Rockwell Kent

Interviewee:
Kent, Rockwell, 1882-1971  Search this
Interviewer:
Cummings, Paul  Search this
Names:
American Artists Group  Search this
Art Students League (New York, N.Y.)  Search this
Armitage, Merle, 1893-1975  Search this
Chase, William Merritt, 1849-1916  Search this
Henri, Robert, 1865-1929  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
1 Sound tape reel (Sound recording: (3 hours 30 min.), 7 in.)
40 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1969 Feb. 26-27
Scope and Contents:
An interview of Rockwell Kent conducted 1969 Feb. 26-27, by Paul Cummings, for the Archives of American Art. Kent speaks of his family background; his early interest and talent in art; studying painting with Robert Henri and William Merritt Chase; his early studies and work in architecture; Kenneth Hayes Miller as a teacher; experiences which influenced him and inspired him; his travels and explorations; his work in book design and illustration; mural commissions; the American Artists Group; his political life and public affairs. He recalls Merle Armitage and Carl Zigrosser.
Biographical / Historical:
In addition to being a successful painter, printmaker, illustrator, designer, and commercial artist, Kent pursued careers as a writer, professional lecturer, and dairy farmer. He travelled extensively, and was a political activist who supported the causes of organized labor, civil liberties, civil rights, anti-Fascism, and peace and friendship with the Soviet Union.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Occupation:
Book-plate designers -- New York (State) -- Interviews  Search this
Topic:
Book design  Search this
Illustration of books  Search this
Mural painting and decoration  Search this
Printmakers -- New York (State) -- Interviews  Search this
Illustrators -- New York (State) -- Interviews  Search this
Landscape painters -- New York (State) -- Interviews  Search this
Muralists -- New York (State) -- Interviews  Search this
Painters -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.kent69
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kent69

Oral history interview with Milford Zornes

Interviewee:
Zornes, James Milford, 1908-2008  Search this
Interviewer:
McGlynn, Betty Hoag  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Chamberlain, F. Tolles  Search this
Sheets, Millard, 1907-1989  Search this
Extent:
31 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 June 30
Scope and Contents:
An interview of Milford Zornes conducted 1965 June 30, by Betty Hoag, for the Archives of American Art. Zornes speaks of his childhood; never intending to become an artist until junior college in California; teaching art class; a workshop he is holding in his studio at Mt. Carmel, Utah; studying with Millard Sheets and F. Tolles Chamberlain and their influence; the murals he worked on under the Federal Art Project; being drafted into the army and working as an army artist; working an engineering job at Thule Air Base in Greenland; illustrating books; his thoughts on the Federal Art Project and his experiences with it; and how President and Mrs. Roosevelt chose his watercolors to be permanently housed in the White House. He recalls Maynard Dixon, Robert Ortley[?], Millard Sheets, Tom Craig, F. Tolles Chamberlain, Nelbert Chouinard, William Manker, David Scott, Thomas Beggs, Paul Sample, Sisqueiros, Orozco, Hartley Burr Alexander, George Biddle, and others.
Biographical / Historical:
James Milford Zornes (1908-2008) was a muralist, painter, and illustrator from Mt. Carmel, Vermont.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 4 digital wav files. Duration is 1 hrs., 46 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript is available on the Archives of American Art's website.
Topic:
Federal aid to the arts  Search this
Mural painting and decoration -- United States  Search this
Illustrators -- Vermont -- Mt. Carmel -- Interviews  Search this
Muralists -- Vermont -- Mt. Carmel -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.zornes65
Archival Repository:
Archives of American Art
EDAN-URL:
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