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Palacio Nacional: part of the "Epic of the Mexican People" murals, painted by Diego Rivera between 1929 and 1935.

Artist:
Rivera, Diego, 1886-1957  Search this
Colorist:
Van Altena, Edward  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Lantern slide (col., 3.25 x 4 in.)
Type:
Archival materials
Lantern slides
Place:
Palacio Nacional (Mexico City, Mexico)
Mexico -- history
Mexico -- Mexico City
Date:
1937 Jan.
General:
Mount reads: "Edward Van Altena, 71-79 W. 45th St., N.Y.C."
Historic plate number: "29."
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Mural painting and decoration  Search this
Genre/Form:
Lantern slides
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item MX010001
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 2: International Garden Images / Mexico / MX010: Mexico City -- Palacio Nacional
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb64677b029-3cfa-406d-aea2-de5dbad9ba74
EDAN-URL:
ead_component:sova-aag-gca-ref4368

I Love Mexico

Collection Creator:
Soule, Thayer  Search this
Extent:
2 Film reels (80 minutes, color silent; 2,893 feet, 16mm)
Type:
Archival materials
Film reels
Date:
1966
Scope and Contents:
Edited film documents travel in Mexico. Locales shown include Monterrey (Huasteca Canyon, Chipinque Mesa, and Horsetail Falls); Zimapan; Hacienda San Miguel Regla; Teotihuacan; Mexico City (Anthropology Museum, Paseo de la Reforma, zocalo, and National Cathedral); Popocatepetl; Cuernavaca (Diego Rivera murals and Borda Gardens); Acapulco; Xochimilco; Taxco; Fortin de las Flores; San Miguel de Allende; Patzcuaro Lake; and island of Janitzio. Scenes include silver and other metal work of Taxco, making serapes, golden lacquer of Patzcuaro, reed baskets of Huihuatzio, devil carvers of Tocuaro, and copper workers of Santa Clara del Cobre.

Supplementary materials: publicity materials, still photographs, sound recording of lecture

Legacy keywords: Volcanoes Mexico ; Archeology sites ; Architecture Religious ; Art, Mexican ; Mural painting and decoration ; Silver Mexico ; Handicrafts ; Lakes g Mexico ; Baskets Mexico ; Gardens Mexico
General:
Local Numbers: HSFA 1991.20.6
Collection Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Thayer Soule Travel Lecture Films collection, Human Studies Film Archives, Smithsonian Institution
See more items in:
Thayer Soule Travel Lecture Films collection
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9fea6dc59-1057-4e4e-832a-0c3e1cfc029e
EDAN-URL:
ead_component:sova-hsfa-1991-20-ref8

Photograph of Diego Rivera on studio roof

Photographer:
Arquin, Florence, 1900-1974  Search this
Subject:
Rivera, Diego  Search this
Type:
Photographs
Date:
between 1932 and 1939
Topic:
Artists' studios  Search this
Muralists  Search this
Painters  Search this
Record number:
(DSI-AAA)1216
See more items in:
Florence Arquin papers, 1923-1985
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_1216
Online Media:

Maltby Sykes papers, 1936-1992

Creator:
Sykes, Maltby, 1911-1992  Search this
Subject:
Rivera, Diego  Search this
Christ-Janer, Albert  Search this
Eichenberg, Fritz  Search this
Miller, George Charles  Search this
Type:
Drawings
Scrapbooks
Topic:
Mural painting and decoration -- Mexico -- Mexico City  Search this
Prints -- Technique  Search this
Lithography  Search this
Latino and Latin American artists  Search this
Theme:
Lives of American Artists  Search this
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)13473
(DSI-AAA_SIRISBib)208803
AAA_collcode_sykewill
Theme:
Lives of American Artists
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208803

Emmy Lou Packard Papers, 1900-1990

Creator:
Packard, Emmy Lou, 1914-1998  Search this
Subject:
Covarrubias, Miguel  Search this
Edmunds, John  Search this
Rivera, Diego  Search this
Reynolds, Malvina  Search this
Refregier, Anton  Search this
Lange, Dorothea  Search this
Kahlo, Frida  Search this
O'Higgins, Pablo  Search this
O'Gorman, Juan  Search this
American Civil Liberties Union  Search this
Public Works of Art Project  Search this
Type:
Scrapbooks
Sketches
Photographs
Interviews
Diaries
Topic:
Printmakers -- California -- San Francisco  Search this
Mural painting and decoration, American  Search this
Mural painting and decoration, Mexican  Search this
Latino and Latin American artists  Search this
Women artists  Search this
Women muralists  Search this
Women printmakers  Search this
Women painters  Search this
Women sculptors  Search this
Theme:
Latino and Latin American  Search this
Women  Search this
American Art and Artists in a Global Context  Search this
Record number:
(DSI-AAA_CollID)5519
(DSI-AAA_SIRISBib)211816
AAA_collcode_packemmy
Theme:
Latino and Latin American
Women
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211816
Online Media:

John Warner Norton and Norton family papers, 1893-1954

Creator:
Norton, John Warner, 1876-1934  Search this
Topic:
Artists' writings  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Painting, American -- Illinois -- Chicago  Search this
Theme:
Lives of American Artists  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)10080
(DSI-AAA_SIRISBib)212951
AAA_collcode_nortjohn
Theme:
Lives of American Artists
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212951

George Biddle papers, circa 1910-1970

Creator:
Biddle, George, 1885-1973  Search this
Subject:
Brooks, Van Wyck  Search this
Kuniyoshi, Yasuo  Search this
Shahn, Ben  Search this
Sterne, Maurice  Search this
Roosevelt, Franklin D. (Franklin Delano)  Search this
Pascin, Jules  Search this
Diederich, William Hunt  Search this
Poor, Henry Varnum  Search this
Poor, Anne  Search this
Pound, Ezra  Search this
Berenson, Bernard  Search this
Brewer, Bessie Marsh  Search this
Federal Art Project  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
United States. Dept. of the Treasury. Section of Painting and Sculpture  Search this
Supreme Court Building (Mexico City, Mexico)  Search this
National Library Building (Rio de Janerio, Brazil)  Search this
Justice Dept. Building (Washington, D.C.)  Search this
Type:
Diaries
Place:
United States -- Social conditions -- 1933-1945
Topic:
New Deal, 1933-1939  Search this
Federal aid to the arts  Search this
Mural painting and decoration, American  Search this
Art and state -- United States  Search this
Muralists  Search this
Theme:
Diaries  Search this
Government Sponsorship of the Arts  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)7126
(DSI-AAA_SIRISBib)209260
AAA_collcode_biddgeor
Theme:
Diaries
Government Sponsorship of the Arts
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209260
Online Media:

David McCullough at Orozco Murals

Author:
Unknown  Search this
Subject:
McCullough, David G  Search this
Smithsonian World (Television Program)  Search this
Voices of Latin America  Search this
Physical description:
Color: Black and White; Size: 8 x 10; Type of Image: Person, candid; Medium: Photographic print
Type:
Photographic print
Person, candid
Place:
Mexico
Latin America
Mexico City (Mexico)
Date:
1987
1984-1991
Topic:
Mural painting and decoration  Search this
Public programs  Search this
Smithsonian Institution--Employees  Search this
Standard number:
SIA2011-0734 and 2002-32301
Restrictions & Rights:
No restrictions
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_9011

George Biddle papers

Creator:
Biddle, George, 1885-1973  Search this
Names:
Federal Art Project  Search this
Justice Dept. Building (Washington, D.C.)  Search this
National Library Building (Rio de Janerio, Brazil)  Search this
Supreme Court Building (Mexico City, Mexico)  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
United States. Dept. of the Treasury. Section of Painting and Sculpture  Search this
Berenson, Bernard, 1865-1959  Search this
Brewer, Bessie Marsh, d. 1952  Search this
Brooks, Van Wyck, 1886-1963  Search this
Diederich, William Hunt, 1884-1953  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Pascin, Jules, 1885-1930  Search this
Poor, Anne, 1911-2011  Search this
Poor, Henry Varnum, 1887-1970  Search this
Pound, Ezra, 1885-1972  Search this
Roosevelt, Franklin D. (Franklin Delano), 1882-1945  Search this
Shahn, Ben, 1898-1969  Search this
Sterne, Maurice, 1878-1957  Search this
Extent:
0.76 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Place:
United States -- Social conditions -- 1933-1945
Date:
circa 1910-1970
Summary:
The papers of New York painter and muralist George Biddle (1885-1973), measure 0.76 linear feet and date from circa 1910-1970. The collection includes a certificate signed by President Harry Truman, transcripts of Biddle's diaries, a manuscript of a memoir about meeting President Franklin Roosevelt, three letters from William Hunt Diederich's daughter, transcripts of letters from Bernard Berenson, sketches and mural studies, and two glass plate negatives.
Scope and Contents:
The papers of New York painter and muralist George Biddle (1885-1973), measure 0.76 linear feet and date from circa 1910-1970. The collection includes a certificate signed by President Harry Truman, transcripts of Biddle's diaries, a manuscript of a memoir about meeting President Franklin Roosevelt, three letters from William Hunt Diederich's daughter, transcripts of letters from Bernard Berenson, sketches and mural studies, and two glass plate negatives.
Arrangement:
The collection is arranged as one series.

Series 1: George Biddle Papers, circa 1910-1970 (0.7 linear feet; Box 1, OVs 2-4, MGP4)
Biographical / Historical:
New York painter and muralist George Biddle (1885-1973) proposed to President Franklin Roosevelt the establishment of a federal relief program for artists during the Depression, and subsequently painted a number of government murals under the auspices of the Federal Art Project, including murals for the Department of Justice in 1935.

Biddle was born to a prominent Philadelphia family and graduated from Harvard College. He studied at the Académie Julian and the Pennsylvania Academy of Fine Arts, and served in the United States Army in World War I, before returning to New York where he had his first series of one-man shows.

In 1933 Biddle wrote to long-time friend President Franklin Roosevelt, to suggest a work relief program that supported mural painters. Although the idea initially met with opposition, Biddle persisted and the resulting art projects of the Works Progress Administration went on to support the production of thousands of paintings in government buildings throughout the country during the Depression.

In 1940 Biddle was invited by the Mexican government to create a mural for the supreme court building in Mexico City. Biddle had visited Mexico in 1928 where he had traveled and sketched with Diego Rivera, and seen firsthand the value of government sponsored art programs.

In addition to his murals, Biddle was also known for his portraits, lithographs, and paintings. His work can be found in the Metropolitan Museum of Art, the National Gallery of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Los Angeles County Museum of Art, and others. His work has been shown throughout the United States, Europe, Mexico, Japan, and India in over a hundred one-man shows and group exhibitions.
Related Materials:
Originals of the edited diary transcripts in this collection are in the Library of Congress, Manuscript Division. The unedited diary has many more entries than the edited version and includes more details about Biddle's daily life and work, versions of articles by Biddle, and lists of his works of art through 1934.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming, including one of Biddle's original diaries, 1933-1935 (reel D127), records from the Federal Art Project, personal correspondence, articles and talks relating to Artists Equity (reels P17-P18), and a photocopy of Biddle's inventory notebook listing artwork and exhibitions (reel 4909). While the inventory notebook was discarded after microfilming, all other loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
The papers on reels P12-P18 were loaned for microfilming in 1954 by the Philadelphia Museum of Art in Philadelphia, PA. George Biddle lent the material on reel D127 in 1963 and donated the rest of the collection to the Archives of American Art between 1966-1970. In 1972, Michael Biddle, George Biddle's son, gifted a photocopy of an inventory notebook that was discarded after microfilming.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
New Deal, 1933-1939  Search this
Federal aid to the arts  Search this
Mural painting and decoration, American  Search this
Art and state -- United States  Search this
Muralists  Search this
Genre/Form:
Diaries
Citation:
George Biddle papers, circa 1910-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.biddgeor
See more items in:
George Biddle papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw914a8a397-8d17-42b1-8038-b8b6e3075445
EDAN-URL:
ead_collection:sova-aaa-biddgeor
Online Media:

Aline Rhonie Papers

Creator:
Rhonie (Hofheimer), Aline  Search this
Names:
Aero Club of France  Search this
Roosevelt Field (N.Y.)  Search this
Extent:
2 Cubic feet ((4 boxes))
Type:
Collection descriptions
Archival materials
Photographs
Certificates
Correspondence
Publications
Date:
bulk 1920s-1990s
Scope and Contents:
This collection consists of 2 cubic feet of material relating to Aline Rhonie's aviation and art exploits, including her famous aviation mural, "The Pre-Lindbergh Era of Flying on Long Island", which was located in Hangar F at Roosevelt Field in Long Island, New York. There is also much material relating to Rhonie's war efforts, including material relating to her flight tour as the Aero Club of France's American representative to raise money for Allied aviators in France. The types of material included are photographs, correspondence, newspaper and magazine articles, certificates, and telegrams.
Biographical / Historical:
Aline Rhonie Hofheimer Brooks (1909 -1963) was a pioneer aviator and artist. Born in 1909 in York, Pennsylvania, to Arthur and Helen Milius Hofheimer, she grew up in the family's luxurious country estate in Washington Valley, New Jersey. She was an accomplished horsewoman and attended the Dalton School in New York City. After her divorce from first husband L. Richard Bamberger, Aline changed her name to Aline Rhonie, taking her middle name as her surname. She earned her pilot's license in 1930 after flight training with Frank Cochran in Reno, Nevada and James H. Collins at Roosevelt Field in Long Island, New York, and obtained her transport license in late 1931. Rhonie helped found the Luscombe Airplane Co. in Kansas City, Missouri in 1933. Also in 1933, Rhonie married Reginald Langhorne "Peter" Brooks (they later divorced) and they took off on an aerial honeymoon, each piloting their own plane. As part of this trip, Rhonie flew solo from New York to Mexico City and back, the first woman to do so. As a pilot she flew over 4,000 solo hours. Rhonie earned her English pilot's license in 1936 and became the first American to obtain an Irish commercial pilot's license in 1938. Rhonie was active in the Women's Auxiliary Ferrying Squadron (WAFS) before going to Europe from November 1938 to April 1940, where she flew for the British War Relief Society, drove an ambulance for the French Section Sanitaire Automobile behind the Maginot Line, and was also active in the Women's Voluntary Service in England. Upon her return to the United States, Rhonie flew her own plane on a tour as the American representative of the Aero Club of France to raise money to build canteens for Allied aviators in France as well as lecturing extensively on aviation-related issues, drawing from her experiences in Europe. Rhonie was also an accomplished artist who studied with John Sloan and Diego Rivera, from whom she learned mural painting. From 1934 to 1938, Rhonie created a very large fresco mural on a wall in Hangar F at Roosevelt Field. All the research and painting for the mural, entitled "The Pre-Lindbergh Era of Flying on Long Island," was done by Rhonie herself and the mural includes depictions of the many famous flyers including the Wright Brothers; Glenn Hammond Curtiss; Earle L. "Ovie" Ovington; Edward Anderson "Eddie" Stinson; Oakley G. Kelly; John A. MacReady; and Charles Augustus Lindbergh; as well as scenes relating to many aspects of aviation including aircraft production, World War I, barnstorming, and airmail. Aline Rhonie died in 1963.
Provenance:
Carol Roberts, Gift, 2014
Restrictions:
No restrictions on access.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Topic:
Mural painting and decoration  Search this
Aeronautics  Search this
Air pilots  Search this
Genre/Form:
Photographs
Certificates
Correspondence
Publications
Citation:
Aline Rhonie Papers, Accession 2014-0043, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.2014.0043
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg272b565a9-6d27-47d7-ab98-11b187984d1d
EDAN-URL:
ead_collection:sova-nasm-2014-0043
Online Media:

Emmy Lou Packard Papers

Creator:
Packard, Emmy Lou, 1914-1998  Search this
Names:
American Civil Liberties Union  Search this
Public Works of Art Project  Search this
Covarrubias, Miguel, 1904-1957  Search this
Edmunds, John, 1913-  Search this
Kahlo, Frida  Search this
Lange, Dorothea  Search this
O'Gorman, Juan, 1905-  Search this
O'Higgins, Pablo, 1904-  Search this
Refregier, Anton, 1905-  Search this
Reynolds, Malvina  Search this
Rivera, Diego, 1886-1957  Search this
Extent:
9.4 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketches
Photographs
Interviews
Diaries
Date:
1900-1990
Summary:
The Emmy Lou Packard papers measure 9.4 linear feet and date from 1900 to 1990, and focus on the career of painter, printmaker, muralist, and sculptor Emmy Lou Packard. Also found are extensive materials relating to Packard's personal and professional relationship with muralist Diego Rivera and painter Frida Kahlo, with whom Packard lived for one year in Mexico. Papers include correspondence, financial records, notes, writings, exhibition files, photographs, and printed material.
Scope and Contents note:
The Emmy Lou Packard papers measure 9.4 linear feet and date from 1900 to 1990, and focus on the career of painter, printmaker, muralist, and sculptor Emmy Lou Packard. Also found are extensive materials relating to Packard's personal and professional relationship with muralist Diego Rivera and painter Frida Kahlo, with whom Packard lived for one year in Mexico. Papers include correspondence, financial records, notes, writings, exhibition files, photographs, and printed material.

Biographical materials include resumes, personal forms, and certificates. Correspondence is with family, friends, and colleagues, including muralist Anton Refregier, songwriter Malvina Reynolds, and composer John Edmunds. There is one letter from Dorothea Lange. Also found is correspondence with various political and arts organizations, such as the American Civil Liberties Union and the Russian magazine Soviet Woman. Much of the correspondence discusses personal relationships and political and art-related activities. Additional correspondence with and concerning Diego Rivera and Frida Kahlo is arranged in Series 6.

Personal business records found within the papers include studio real estate and rent records, insurance records, price lists for artwork, consignment records, and miscellaneous receipts. There is one interview transcript of an interview with Packard for the Radical Elders Oral History Project. The papers include a series of notebooks/diaries, address lists, and other notes.

Packard's reference files and personal papers documenting her professional and close personal relationship with Diego Rivera and Frida Kahlo are arranged into a separate series. They include her research files for a planned book on the two artists, personal letters between Packard and the couple, as well as several interesting photographs. Also found in this series are notes, writings, and printed materials relating to Diego Rivera, Frida Kahlo, and other Mexican artists, such as Covarrubius, Juan O'Gorman, and Pablo O'Higgins.

The collection also includes typescripts and additional writings by Packard and others. Artwork consists of orginal drawings and prints by Packard and others not directly associated with projects. Exhibition and project files for many of Packard's commissioned projects are also found within the collection, including her files for the restoration of Anton Refregier's Rincon Annex Post Office mural in San Francisco and the Coit Tower murals in San Francisco. Many of the project files contain correspondence, reports, contracts, printed material, photographs, and artwork.

The papers also include photographs of Packard, her family, residences, artwork, friends, and colleagues, including Cesar Chavez, Juan O'Gorman, Malvina Reynolds, Charles Safford, Ralph Stackpole, and Tennessee Williams. Two scrapbooks are found, as well as additional printed materials such as clippings and exhibition announcements and catalogs. There are also two artifact items, a vinyl record of Malvina Reynolds and a political campaign button.
Arrangement note:
The collection is arranged into fifteen series.

Missing Title

Series 1: Biographical Material, 1942-1985 (Box 1; 1 folder)

Series 2: Correspondence, 1919-1990 (Box 1-3; 2.6 linear feet)

Series 3: Personal Business Records, 1945-1985 (Box 3; 21 folders)

Series 4: Interview Transcript, 1979 (Box 3; 1 folder)

Series 5: Notes, 1900-1985 (Box 3-4, 10; 1.1 linear feet)

Series 6: Reference Files on Diego Rivera and Frida Kahlo, 1929-1986 (Box 5, 10, OV 11; 0.9 linear feet)

Series 7: Writings by Packard, 1953-1984 (Box 6; 17 folders)

Series 8: Writings by Others, 1955-1984 (Box 6; 19 folders)

Series 9: Artwork, 1921-1976 (Box 6; 10 folders)

Series 10: Exhibition Files, 1950-1964 (Box 6, OV 11; 5 folders)

Series 11: Project Files, 1953-1985 (Box 6-7, 10, OV 11; 1.8 linear feet)

Series 12: Photographs, 1914-1982 (Box 8, 10; 0.8 linear feet)

Series 13: Scrapbooks, 1947-1950 (Box 8, 10; 0.2 linear feet)

Series 14: Printed Material, 1936-1988 (Box 8-9, 10; 1 linear foot)

Series 15: Artifacts, 1984 (Box 9-10, OV 11; 2 folders)
Biographical/Historical note:
Emmy Lou Packard was born in Imperial Valley, California on April 15, 1914, to Walter and Emma Leonard Packard. In the late 1920s she lived with her family in Mexico City where she became acquainted with Diego Rivera, from whom she received regular art criticism and encouragement. She graduated from the University of California, Berkeley and completed courses in fresco and sculpture at the California School of Fine Arts in 1940. That year and the next, Packard worked as a full-time painting assistant to Rivera on his 1,650 square-foot fresco at the World's Fair in San Francisco. During this project, Packard became very close to Rivera and Frida Kahlo and returned to Mexico with them and spent a year living with the couple.

From then on, except for in 1944-1945 working for a defense plant, Packard worked and grew in various aspects of her art. In addition to her work in fresco, Packard is known for her work in watercolor, oil, mosaic, laminated plastic, concrete, and printmaking, both in linocuts and woodblocks. She received numerous commissions that included installations for ships, hotels, and private homes for which she executed large woodcuts and mural panels. During the 1950s and 1960s, Packard was hired to restore several historic murals, most notably the Rincon Annex Post Office mural by Anton Refregier and the Coit Tower murals in San Francisco.

Between 1966 and 1967 she was commissioned by architects to design and execute a number of concrete and mosaic pieces, one of which went to the Mirabeau Restaurant in Kaiser Center, Oakland. She also designed and executed a mural for the Fresno Convention Center Theater during that same period. In 1973-1974, she designed and supervised a glazed brick mural for a public library in Pinole, California.

Packard had one-woman shows at the San Francisco Museum of Art, Raymond and Raymond Gallery (San Francisco), Addison Gallery of American Art (Andover, Mass.), Connecticut Academy of Fine Arts, Pushkin Museum (Moscow), and March Gallery (Chicago). Emmy Lou Packard died in 1998.
Related Archival Materials note:
Also found in the Archives of American Art is an oral history interview with Emmy Lou Packard conducted by Mary Fuller McChesney in 1964.
Provenance:
Emmy Lou Packard donated her papers to the Archives of American Art from 1984-1988.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- San Francisco  Search this
Sculptors -- California -- San Francisco  Search this
Muralists -- California -- San Francisco  Search this
Topic:
Printmakers -- California -- San Francisco  Search this
Mural painting and decoration, American  Search this
Mural painting and decoration, Mexican  Search this
Latino and Latin American artists  Search this
Women artists  Search this
Women muralists  Search this
Women printmakers  Search this
Women painters  Search this
Women sculptors  Search this
Genre/Form:
Scrapbooks
Sketches
Photographs
Interviews
Diaries
Citation:
Emmy Lou Packard papers, 1900-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.packemmy
See more items in:
Emmy Lou Packard Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9db9feb7f-b0e9-4a2b-9d8c-9940b1d933d2
EDAN-URL:
ead_collection:sova-aaa-packemmy
Online Media:

Maltby Sykes papers

Creator:
Sykes, Maltby  Search this
Names:
Christ-Janer, Albert, 1910-1973  Search this
Eichenberg, Fritz, 1901-1990  Search this
Miller, George Charles, b. 1894  Search this
Rivera, Diego, 1886-1957  Search this
Extent:
5.1 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Scrapbooks
Date:
1936-1992
Scope and Contents:
Correspondence, writings, speeches, notes, teaching material, price lists, financial and legal information, press releases, printed material, and photographs relating to Sykes' career as an portrait painter and printmaker, his tenure as Professor of Art at Auburn University, and his 1936 assistantship to muralist Diego Rivera on murals for the Hotel Reforma in Mexico City.
Correspondence, 1940-1990 (1.4 ft.), with sitters, colleagues, galleries, associations and organizations, universities, and others, among them Albert Christ-Janer, Fritz Eichenberg, George C. Miller, and the National Endowment for the Arts; writings, including "Multimetal Lithography for Artists", 1967, written as a result of a grant from the NEA, and containing original prints; lectures delivered at various universities and exhibitions describing his printmaking and portraiture work; notes; teaching material, 1973-1976, relating to Sykes' tenure as Professor of Art at Auburn University; price lists of artwork and other exhibition records; financial records, 1944-1985, mainly receipts for printmaking materials; press releases, 1966-1989, mainly concerning Sykes' award from the NEA and various exhibitions; printed material, ca.1940-ca.1990 (1 ft.), including exhibition announcements and invitations, a dismantled scrapbook containing newspaper clippings, and newsletters from Auburn University and various clubs and organizations; original artwork (0.5 ft.), including sketchbooks and loose sketches and drawings; and photographs (1 ft.), mainly of works of art by Sykes.
Unmicrofilmed documentation relating to Sykes' 1936 assistantship to Diego Rivera is documented by printed material, photographs, many depicting Rivera at work on the mural, and writings, including a manuscript by Sykes "Diego Rivera Remembered: An Account of the Hotel Reforma Mural Project," 1985.
REEL 3667: Sykes' notes on the Hotel Reforma mural project; two letters from Diego Rivera (in Spanish with accompanying translations by Sykes), one providing proof of Sykes' status as a student of fresco painting and the other granting Sykes permission to make sketches and copies of Rivera's paintings; records of supplies; plastering schedules, including diagrams of four fresco panels showing time schedules for plastering; 10 drawings by Sykes of the frescoes; clippings, including a typescript and translation of a newspaper article from "Excelsior" describing the controversy surrounding the murals and Rivera's involvement with Mexican labor unions; and photographs and negatives of the preparation of the walls, Rivera and assistants at work on the murals, and Rivera's studies and finished panels.
Biographical / Historical:
Maltby Sykes (1911-1992) was a painter, draftsman, lithographer, engraver, and teacher from Auburn, Alabama. Full name William Maltby Sykes. Sykes apprenticed with Diego Rivera in 1936, and later studied with George C. Miller, John Sloan and Fernand Leger. He was a combat artist in World War II and became a Professor in Art at Auburn University in 1954. He has exhibited at the American Color Print Society, the American Institute of Graphic Artists, and the Pennsylvania Academy.
Provenance:
Material on reel 3667 donated 1985 by Maltby Sykes. Unmicrofilmed material donated 1993 and 1995 by Sykes's widow, Marjorie Sykes.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- United States  Search this
Portrait painters -- United States  Search this
Painters -- Alabama -- Auburn  Search this
Printmakers -- Alabama -- Auburn  Search this
Topic:
Mural painting and decoration -- Mexico -- Mexico City  Search this
Prints -- Technique  Search this
Lithography  Search this
Latino and Latin American artists  Search this
Genre/Form:
Drawings
Scrapbooks
Identifier:
AAA.sykewill
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93c342498-3253-4fe2-9cd8-f2e7d4c348e2
EDAN-URL:
ead_collection:sova-aaa-sykewill

Walter Pach papers

Creator:
Pach, Walter, 1883-1958  Search this
Names:
Armory Show (1913: New York, N.Y.)  Search this
Association of American Painters and Sculptors (New York, N.Y.)  Search this
Brummer Gallery (New York, N.Y.)  Search this
Laurel Gallery (New York, N.Y.)  Search this
New York School of Art  Search this
Avery, Milton, 1885-1965  Search this
Barye, Antoine-Louis, 1796-1875  Search this
Brooks, Van Wyck, 1886-1963  Search this
Burroughs, Bryson, 1869-1934  Search this
Charlot, Jean, 1898-1979  Search this
Chase, William Merritt, 1849-1916  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Duchamp, Marcel, 1887-1968  Search this
Duchamp-Villon, Raymond, 1876-1918  Search this
Faure, Elie, 1873-1937  Search this
Henri, Robert, 1865-1929  Search this
Lipchitz, Jacques, 1891-1973  Search this
Marsh, Reginald, 1898-1954  Search this
Matisse, Henri, 1869-1954  Search this
Miró, Joan, 1893-  Search this
Monet, Claude, 1840-1926  Search this
Of, George F. (George Ferdinand), b. 1876  Search this
Ogihara, Moriye  Search this
Orozco, José Clemente, 1883-1949  Search this
Pach, Magda, 1884-1950  Search this
Pach, Nikifora  Search this
Pach, Raymond  Search this
Picasso, Pablo, 1881-1973  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Renoir, Auguste, 1841-1919  Search this
Rivera, Diego, 1886-1957  Search this
Schamberg, Morton L., 1881-1918  Search this
Sloan, John, 1871-1951  Search this
Villon, Jacques, 1875-1963  Search this
Extent:
20.7 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Scrapbooks
Prints
Drawings
Diaries
Travel diaries
Photographs
Date:
1857-1980
Summary:
The papers of New York artist, critic, historian, writer, art consultant and curator Walter Pach, measure 20.7 linear feet and date from 1857-1980. The collection documents Pach's promotion of modernism through his role in the landmark 1913 Armory Show, his relationships with artists and art-world figures and his extensive writings on art. Records include biographical material, correspondence with family, friends and colleagues including noted artists, handwritten and edited versions of manuscripts by Pach, diaries and journals, business records, printed material, scrapbooks, sketchbooks and artwork by Pach and others, and photographs of Pach and his family, friends, and colleagues. The collection also includes 12 linear feet of selections from Walter Pach's library.
Scope and Contents note:
The papers of New York artist, critic, historian, writer, art consultant and curator Walter Pach, measure 20.7 linear feet and date from 1857-1980. The collection documents Pach's promotion of modernism through his role in the landmark 1913 Armory Show, his relationships with artists and art-world figures and his extensive writings on art. Records include biographical material, correspondence with family, friends and colleagues including noted artists, handwritten and edited versions of manuscripts by Pach, diaries and journals, business records, printed material, scrapbooks, sketchbooks and artwork by Pach and others, and photographs of Pach and his family, friends, and colleagues. The collection also includes 12 linear feet of selections from Walter Pach's library.

Biographical material includes a copy of Pach's birth certificate and two passports for Walter and Magda Pach, in addition to address books, association membership cards and certificates.

Correspondence is both personal and professional. Family correspondence includes letters from Pach's son, Raymond, his first wife Magdalene (Magda), and his second wife Nikifora, whom he married in 1951 following the 1950 death of Magda. General correspondence includes letters from artists including Jean Charlot, Arthur B. Davies, Marcel Duchamp, Raymond Duchamp-Villon, Jacques Lipchitz, Henri Matisse, Claude Monet, Maurice Prendergast, Diego Rivera, Morton Livingston Schamberg, John Sloan, and Jacques Villon; and other art-world figures including writers Van Wyck Brooks and Elie Faure, and Bryson Burroughs, curator of painting at the Metropolitan Museum of Art.

The Writings series represents an extensive collection of hand-written manuscripts, typescripts, annotated drafts and notes for published and unpublished writings by Pach, including lectures, monographs such as Queer Thing, Painting and Ananias, or The False Artist, and journal and newspaper articles such as "Pierre-Auguste Renoir" (1912).

Diaries and journals include one of particular note recording Pach's trip to Europe circa 1903-1904, with William Merritt Chase's class.

Business records include 2 notebooks recording sales at the Armory Show in New York, Boston and Chicago, a record book with handwritten lists of paintings owned and sold by Pach in the early 1930s, and two books, one maintained by Nikifora Pach, recording pictures sold, lectures and publications by Pach from the early 1900s to the early 1960s.

Printed material documents Pach's career through exhibition catalogs of Pach's solo and group exhibitions, news clippings about Pach, including reviews of his writings on art, and an almost comprehensive collection of copies of Pach's published journal and newspaper articles.

Scrapbooks include a book of reviews and original letters pertaining to Pach's book Ananias or the False Artist, and a scrapbook documenting Pach's activities during the 1920s which included his first one-man show at the Brummer Gallery in New York and the publication of his books Masters of Modern Art and Raymond Duchamp-Villon.

Artwork inlcudes a small group of drawings and three sketchbooks by Pach. Also of note are two print portfolios published in 1947 by the Laurel Gallery which include an essay and an etching by Pach, in addition to hand-pulled prints by artists such as Milton Avery, Reginald Marsh and Joan Miro.

Photographs are of Pach from childhood through to the 1950s, in addition to Magda and Raymond Pach and other family members, artists, colleagues and friends. Included are photographs of William Merritt Chase's class and Robert Henri's class at the New York School of Art, circa 1904, and photos of artists including Robert Henri, Moriye Ogihara, and Pablo Picasso. Photographs of artwork by Pach and other artists can also be found here including Mexican mural projects by José Clemente Orozco and Diego Rivera, and works by Antoine-Louise Barye and George Of.

Selections from Pach's library include works written by or translated by Pach, and items central to Pach's interests and work.
Arrangement note:
The Walter Pach papers are arranged as ten series.

Missing Title

Series 1: Biographical Material, 1884-circa 1950s (Box 1, 9; 9 folders)

Series 2: Correspondence, 1883-1980 (Box 1-3, FC 23; 2.1 linear feet)

Series 3: Writings, 1899-circa 1950s (Box 3-5; 2.5 linear feet)

Series 4: Diaries and Journals, 1903-circa 1950s (Box 5; 5 folders)

Series 5: Business Records, circa 1913-circa 1960s (Box 5-6; 0.3 linear feet)

Series 6: Printed Material, circa 1900-1977 (Box 6-7, 9; 1.3 linear feet)

Series 7: Scrapbooks, circa 1890-circa 1940s (Box 7, 9; 0.4 linear feet)

Series 8: Artwork, circa 1860-circa 1950s (Box 7, 10; 0.4 linear feet)

Series 9: Photographs, 1857-1959 (Box 7-8, 10; 1.4 linear feet)

Series 10: Selections from Walter Pach's Library, 1880-1963 (Box 11-22; 12 linear feet)
Biographical/Historical note:
New York artist, critic, writer, art consultant, and curator, Walter Pach (1883-1958) was an influential promoter of modern art and was instrumental in organizing the landmark Armory Show in 1913.

Walter Pach was born in New York City, July 11, 1883. His father, Gotthelf Pach, was a prominent commercial photographer who, along with his family, ran the New York firm of Pach Brothers. The company did the bulk of the photographic work for the Metropolitan Museum of Art, and the young Pach often accompanied his father on museum assignments. In 1903, Pach graduated from the City College of New York with a degree in art. He also studied with Robert Henri at the New York School of Art and went abroad to paint with William Merritt Chase in the summers of 1903 and 1904.

In 1906 Pach presented his first art history lecture at the Westfield State Normal School in Westfield, Massachusetts.

In 1907, Pach went to France and as an artist and critic moved among the Parisian avant-garde and became part of the Gertrude and Leo Stein circle. Gertrude Stein's "Portrait of Walter Pach was painted in 1908. Pach wrote extensively about modern art and through his numerous books, articles, and translations of European art texts, brought an emerging modernist viewpoint to the American public. In 1908 he wrote the first article published in America on Cézanne, and also wrote on such established artists as Claude Monet, whom he interviewed in 1908 for Scribner's Magazine..

Pach organized exhibitions of contemporary art for important New York City galleries of the period, as well as the landmark exhibition of 1913, "The International Exhibition of Modern Art," commonly known as the Armory Show. Along with painters Arthur B. Davies and Walt Kuhn, he brought together leading contemporary European and American artists. Pach served with Kuhn as administrator, publicist and gallery lecturer for the Armory Show Chicago for the run of the exhibition.

Pach helped to form major collections for John Quinn and Walter Arensberg. He was also instrumental in securing individual works of art for museums, such as a portrait for the Louvre Museum by American master Thomas Eakins, and Jacques-Louis David's Death of Socrates for the Metropolitan Museum of Art.

Pach married artist Magdalene Frohberg in February 1914, and their son Raymond was born at the end of that year. The Pachs lived primarily in New York, but spent time abroad from 1928 to 1932. Intermittently, they lived on the West Coast, where Pach taught at the University of California at Berkeley. In the 1920s he taught at the University of Mexico on a Shilling Fund grant, lecturing and writing on Native American art and developing a strong interest in Pre-Columbian art. He took an active interest in organizing exhibitions and raising money for a museum to be dedicated to the indigenous art of the Americas. In addition, he was a friend of José Clemente Orozco and Diego Rivera and helped organize the Mexican chapter of the Society of Independent Artists, the New York-based organization he founded in 1917 with Walter Arensberg and Marcel Duchamp.

While not well known today as a painter, Walter Pach devoted much of his creative effort to painting. He considered himself both an artist and a writer, even though friends like art historian Bernard Berenson urged him to devote all his time to writing. Among his writings are monographs on a wide range of subjects, social commentary on the art world, and a book on museum structures. Among his first publications were a series of brochures produced for the 1913 Armory Show, including Odilon Redon and, in the same year, A Sculptor's Architecture, a book about the work of Raymond Duchamp-Villon, a close friend whom he admired greatly. In 1923, Pach wrote Georges Seurat, a book later cited by art historian John Rewald as an important early text on the artist. Masters of Modern Art and the monograph Raymond Duchamp-Villon were published the following year, and in 1928 Pach's well-known indictment of opportunistic artists and corruption in the art world, Ananias, or The False Artist, created a stir in art circles. Pach considered Vincent Van Gogh to be a seminal figure in the development of modern art and was the first historian to lecture on him in America. In 1936, he published his well-received monograph, Vincent Van Gogh. His recollections of a life spent in art, Queer Thing, Painting appeared in 1938. Ingres was published in 1939, as well as Masterpieces of Art, written for the 1939 New York World's Fair, for which Pach was exhibition director. His Art Museum in America, published in 1948, called into question the relevance, responsibility, and future direction of the American art museum. He long championed the artists of Mexico and published an essay on Diego Rivera in 1951 for the National Museum of Fine Arts, Mexico, for its 50-year retrospective exhibition on the artist. The Classical Tradition in Modern Art, Pach's last book, was published posthumously in 1959.

Pach's fluency in French, German, and Spanish allowed him to understand and interpret new avant-garde ideas developing in Europe and to translate them for an English-speaking audience. His language skills also allowed him to communicate personally with many noted artists in Europe and Mexico and to mediate between gallery dealers and museum curators on their behalf. His correspondence with major figures in 20th-century art are a fascinating and important source of information, not only about the artists themselves but about the art world in general during the first half of this century.

Chronology of Exhibitions and Writings

1908 -- "Cézanne," by Walter Pach, the first American article on the subject, published in December issue of Scribner's.

1911 -- "Albert P. Ryder," by Walter Pach, published in January issue of Scribner's.

1912 -- Met with Arthur B. Davies and Walt Kuhn to begin preparations for the Armory Show. Was responsible for the exhibition's European operations. Completed Portrait of Gigi Cavigli (exhibited at the Armory Show the following year). "Pierre-Auguste Renoir," by Walter Pach, published in May issue of Scribner's.

1913 -- Exhibited 5 paintings and 5 etchings in "The International Exhibition of Modern Art" (Armory Show), which opened in New York City on February 13. Served as administrator, publicist, and gallery lecturer for the Armory Show Chicago with Kuhn for the run of the exhibition. At the close of the show, Matisse, Brancusi, and Pach were hanged in effigy by the students of the School of the Art Institute of Chicago.

1915 -- Publication of The John Quinn Collection, catalog of a collection Pach was instrumental in assembling.

1916 -- Founded Society of Independent Artists in collaboration with Marcel Duchamp, Walter Arensberg, and others. Adviser to collector Walter Arensberg.

1917 -- Designed sets for Wallace Stevens's play, Bowl, Cat and Broomstick, produced at the Neighborhood Playhouse, New York City. Arranged a Gino Severini exhibition at Stieglitz's 219 gallery, New York City.

1918 -- "Universality in Art," by Walter Pach, published in February issue of Modern School. "Jean Le Roy," by Walter Pach, published in October issue of Modern School

1919 -- "The Schamberg Exhibition," by Walter Pach, published in May 17 issue of the Dial. Wrote introduction for Odilon Redon, the catalog for a graphics show at Albert Roulliers Gallery, Chicago.

1920 -- "The Art of the American Indian," by Walter Pach, published in January 20 issue of the Dial. His paintings abandoned the cubist-futurist mode and returned to a more naturalistic style.

1921 -- Publication of History of Art: Ancient Art, volume 1, by Elie Faure, translated by Walter Pach.

1922 -- Lecturer, University of Mexico, where he developed a strong interest in Pre-Columbian art. Lectured at Société Anonyme. Publication of History of Art: Mediaeval Art, volume 2, by Elie Faure, translated by Walter Pach. Contributed a chapter, "Art," to Civilization in the United States: An Inquiry by Thirty Americans, edited by Harold E. Stearns.

1923 -- Publication of Georges Seurat by Walter Pach. Publication of The Art of Cineplastics and History of Art: Renaissance Art, volume 3, by Elie Faure, translated by Walter Pach. "Georges Seurat," by Walter Pach, published in March issue of the Arts.

1924 -- Publication of Masters of Modern Art, by Walter Pach. Publication of Raymond Duchamp-Villon, by Walter Pach. Publication of History of Art: Modern Art, volume 4, by Elie Faure, translated by Walter Pach. "The Greatest American Artist," by Walter Pach, published in January issue of Harper's Magazine.

1926 -- "Graveur Américain," by Léon Rosenthal, an article about Pach's graphics (illustrated with an original etching, New York), published in September issue of Byblis, Miroir des Arts du Livre et de L'Estampe. "Brancusi," by Walter Pach, published in December 1 issue of the Nation. Instructor, New York University. First solo exhibition at Brummer Gallery, New York, New York.

1927 -- "What Passes for Art," by Walter Pach, published in June issue of Harper's Magazine

1928 -- Publication of Ananias, or The False Artist, by Walter Pach. Pach family relocated to Europe.

1929 -- "The Evolution of Diego Rivera," by Walter Pach, published in January issue of Creative Art. "John Ruskin and Walter Pach: Defenders of the Faith," by W.H. Downes, published in August issue of American Museum Art.

1930 -- Publication of An Hour of Art, by Walter Pach. Publication of History of Art: The Spirit of the Forms, volume 5, by Elie Faure, translated by Walter Pach. "Notes sur le classicisme de Delacroix," by Walter Pach, published in June issue of L'Amour de L'Art.

1931 -- Solo exhibition at Kraushaar Gallery, New York City, with review published in March 21 issue of Art News. "Raymond Duchamp-Villon," by Walter Pach, published in May issue of Formes XV.

1932 -- "Le Classicisme de Barye," by Walter Pach, published in November issue of L'Amour de L'Art . Returned to the United States.

1933 -- "Address at the Worcester Opening of International, 1933," by Walter Pach, and "Georges Rouault," by Walter Pach, both published in January issue of Parnassus. "American Art in the Louvre," by Walter Pach, published in May issue of Fine Arts 20. "On Owning Pictures," by Walter Pach, published in August issue of Fine Arts 20. "Rockefeller, Rivera and Art," by Walter Pach, published in September issue of Harper's Magazine.

1934 -- Organized Maurice Prendergast retrospective for Whitney Museum of American Art.

1935 -- Exhibition at Knoedler Gallery, New York City included Walter Pach's Respice, Adspice, and Prospice, a fresco commissioned for the City College of New York by the Class of 1903.

1936 -- Exhibition of watercolors at Kleemann Galleries, New York City. Publication of Vincent Van Gogh, by Walter Pach." The Raphael from Russia," by Walter Pach, published in January issue of Virginia Quarterly Review. "First Portfolio of American Art," by Walter Pach, published in October 3 issue of Art News. Wrote foreword to First Exhibition in America of Géricault, catalog of exhibition at Marie Sterner Gallery, New York City. "The Outlook for Modern Art," by Walter Pach, published in April issue of Parnassus. Article about Pach's City College mural published in February issue of City College Alumnus Magazine.

1937 -- Publication of The Journal of Eugène Delacroix, translated by Walter Pach. Publication of Thomas Eakins, by Walter Pach, catalog of exhibition at Kleemann Gallery, New York City.

1938 -- Publication of Queer Thing, Painting: Forty Years in the World of Art, by Walter Pach. "Delacroix Today," by Walter Pach, published in January issue of Magazine of Art.

1939 -- Publication of Ingres, by Walter Pach. Appointed general director, "Masterpieces of Art" exhibition, New York World's Fair.

1940 -- Publication of Masterpieces of Art, New York World's Fair, 1940, Official Illustrated Catalogue, by Walter Pach.

1941 -- Solo exhibition at Schneider-Gabriel Gallery, New York City.

1942 -- "Newly Discovered Ingres: The Lovers," by Walter Pach, published in October issue of Art in America Exhibition at Whitney Museum of American Art, "Between the Wars: Prints by American Artists, 1914-1941," included Walter Pach's etching Saint-Germain-des-Pres (1911). Lecturer, University of Mexico, Shilling Fund grant.

1943 -- "A Newly Found American Painter: Hermenegildo Bustos," by Walter Pach, published in January issue of Art in America. "Unknown Aspects of Mexican Painting," by Walter Pach, published in October issue of Gazette des Beaux-Arts. Marriage of son, Raymond.

1944 -- "The Eight, Then and Now," by Walter Pach, published in January issue of Art News. "Problemas del arte americano," by Walter Pach, published in December issue of Origenes.

1946 -- "La Barricade in America," by Walter Pach, published in July issue of Art News. "On Art Criticism," by Eugène Delacroix (first published in Revue de Paris, May 1829), translated by Walter Pach for catalog of exhibition at Curt Valentin, New York City.

1947 -- Publication of Picasso, by Juan Larrea, edited by Walter Pach. Publication of "Museums Can Be Living Things," by Walter Pach, in Laurels Number One, Laurel Gallery. Etching, Scopasian Head, by Walter Pach, included in Laurels Number Two, Laurel Gallery.

1948 -- Publication of The Art Museum in America, by Walter Pach. "The Past Lives On," by Walter Pach, parts 1 and 2, published in October and November issues of American Artist.

1949 -- "Thus Is Cubism Cultivated," by Walter Pach, published in May issue of Art News.

1950 -- Contributed a chapter, "The State of the Arts in the Democratic Way of Life: A Postscript," to Perspectives on a Troubled Decade: Science, Philosophy and Religion, 1939-1949, edited by Lyman Bryson, Louis Finkelstein, and R. M. MacIver. Death of wife, Magdalene.

1951 -- "Reaciones entre la cultura nordeamericana y la ombre de Diego Rivera," a major essay by Walter Pach published in Diego Rivera, 50 años de su labor artistica, exposition de normenaje nacional, Museo nacional de artes plasticas, Mexico City. Married Nikifora.

1953 -- "A Modernist Visits Greece," by Walter Pach, reprinted in autumn issue of Archaeology.

1954 -- "John Sloan," by Walter Pach, published in August issue of Atlantic Monthly.

1956 -- "Introducing the Paintings of George Of (1876-1954)," by Walter Pach, published in October issue of Art News.

1958 -- Professor, City College of New York. Died, New York City, following an operation for stomach ulcers.

1959 -- Publication of The Classical Tradition in Modern Art, by Walter Pach.

1986 -- Exhibition, "Walter Pach, A Retrospective," at Asheville Art Museum, Asheville, North Carolina.

1988 -- Exhibition, "The Art of Walter and Magda Pach," at Butler Institute of American Art, Youngstown, Ohio.

1990 -- Exhibition, "Discovering Modernism: Selections from the Walter Pach Papers," at the Archives of American Art, New York City.

1991 -- Exhibition, "The Paintings of Walter Pach," at Forum Gallery, New York City.
Related Materials:
Papers of Walter Pach, 1885-1956, are also located at the Helen Farr Sloan Library & Archives.
Separated Materials note:
When the Archives of American Art acquired the Walter Pach Papers, some portion of his library was also received. The bulk of the library was transferred to the Smithsonian's American Art/Portrait Gallery Library where the items could be properly cataloged, cared for, and used.
Provenance:
The Walter Pach papers were acquired in several installments. After Pach's death his widow, Nikifora Pach, sold Pach's papers to Salander-O'Reilly Galleries. They were purchased by the Archives of American Art in 1988 with a grant from the Brown Foundation, Inc.

Eight family photographs, donated by Raymond Pach, son of Walter Pach, were received in 1990.

In 2012 Francis M. Naumann donated an additional 5.7 linear feet of material to the Archives of American Art.
Restrictions:
Use of original papers requires an appointment.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics  Search this
Art historians  Search this
Artists  Search this
Topic:
Art schools -- Photographs  Search this
Authors -- New York (State) -- New York  Search this
Art criticism  Search this
Art -- Study and teaching  Search this
Art -- Expertising  Search this
Mural painting and decoration, Mexican  Search this
Curators -- New York (State) -- New York  Search this
Modernism (Art)  Search this
Genre/Form:
Sketchbooks
Scrapbooks
Prints
Drawings
Diaries
Travel diaries
Photographs
Citation:
Walter Pach papers, 1857-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pachwalt2
See more items in:
Walter Pach papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e24017f2-73ab-4bdf-b1e3-d0e53592ca04
EDAN-URL:
ead_collection:sova-aaa-pachwalt2
Online Media:

John Warner Norton and Norton family papers

Creator:
Norton, John Warner, 1876-1934  Search this
Extent:
200 Items (Ca. 200 items (on 3 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1893-1954
Scope and Contents:
Correspondence, sketches and sketchbooks, printed material, writings and photographs.
REEL 3257: Norton's passport; 2 photographs of him and his work; a bibliography; letters to Norton's wife (some illustrated), his mother, ca. 1898, when he was with the Rough Riders, and correspondence concerning mural commissions; subject files on the Jefferson County Court House murals in Birmingham, Ala. and at the Logan Museum, Beliot College; his memorial exhibition at the Art Institute of Chicago, and obituaries and condolence letters received by his wife; cancelled checks; a typescript of writings by his children regarding a trip to Mexico City; a contract for a mural; an award; clippings; his memorial biography, JOHN W. NORTON: AMERICAN PAINTER; a sketchbook and sketches; and a scrapbook containing illustrated letters, photographs and sketches.
REEL 3367: A typed draft of Norton's story "White Man's Luck"; Norton's United Scenic Artists' union card; 9 sketches and a sketchbook of drawings, notes and a draft of Norton's last letter to Tom Lea, 1933.
REEL 4074: Twelve letters, many illustrated, from John to his family including his son "Bud" (John Francis Norton); a magazine article on Norton from Northwest Architect; an address and a poem by Norton; and 19 photographs and a 5 page manuscript written by Madge Norton, John's wife, describing their trip to Arizona in 1904.
Biographical / Historical:
Painter, muralist; Chicago, Ill. Taught at the Art Institute of Chicago.
Provenance:
Passport and photographs donated 1984 by Mr. and Mrs. John Norton Garrett, Norton's grandson. Material on reels 3257 & 3367 lent for microfilming by Mr. & Mrs. Garrett, 1984, as part of the Archives of American Art's Texas Project. Material on reel 4074 lent for microfilming, 1987, by John C. Norton, John Norton Garrett and Katherine Norton Smalley, grandsons and granddaughter of John W. Norton as part of AAA's Chicago project.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Muralists -- Illinois -- Chicago  Search this
Painters -- Illinois -- Chicago  Search this
Topic:
Artists' writings  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Painting, American -- Illinois -- Chicago  Search this
Identifier:
AAA.nortjohn
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94f87cb8c-9b1d-4c17-ada1-6442c3788ac5
EDAN-URL:
ead_collection:sova-aaa-nortjohn

The Mexican murals / by Philip Stein

Author:
Stein, Philip  Search this
Physical description:
54 pages : illustrations (some color), portraits ; 23 cm
Type:
Books
Date:
1984
20th century
Topic:
Mural painting and decoration, Mexican  Search this
Call number:
ND2644 .S74 1984X
ND2644.S74 1984X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_435540

José Clemente Orozco in the United States, 1927-1934 / Dawn Ades ... [et al.] ; Renato González Mello and Diane Miliotes, editors

Author:
Ades, Dawn  Search this
González Mello, Renato  Search this
Miliotes, Diane Helen  Search this
San Diego Museum of Art  Search this
Hood Museum of Art  Search this
Museo de Arte Carrillo Gil  Search this
Subject:
Orozco, José Clemente 1883-1949  Search this
Physical description:
383 p. : ill. (some col.) ; 32 cm
Type:
Exhibitions
Place:
United States
Date:
2002
C2002
20th century
Topic:
Mural painting and decoration, Mexican  Search this
Call number:
N40.1.O74 H66 2002
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_681675

Los Murales del Palacio de Bellas Artes / textos, Teresa del Conde ... [et al.] ; fotografía, Enrique Bostelman

Author:
Conde, Teresa del  Search this
Palacio de Bellas Artes (Mexico City, Mexico)  Search this
Museo del Palacio de Bellas Artes (Mexico)  Search this
Subject:
Palacio de Bellas Artes (Mexico City, Mexico) Exhibitions  Search this
Physical description:
213 p. : ill. (chiefly col.) ; 33 cm
Type:
Exhibitions
Place:
Mexico
Mexico City
Date:
1995
C1995
20th century
Topic:
Mural painting and decoration, Mexican--Exhibitions  Search this
Mural painting and decoration--Exhibitions  Search this
Social problems in art  Search this
Mexico in art--Exhibitions  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_593531

Mexican history ; Diego Rivera's frescoes in the National Palace and elsewhere in Mexico City. A descriptive guide book of the National Palace and its royal rooms. The author R.S. Silva E

Author:
Silva E., R. S  Search this
Mexico Secretaría de Educación Pública  Search this
Subject:
Rivera, Diego 1886-1957  Search this
Palacio Nacional (Mexico)  Search this
Physical description:
1 v. (unpaged) illus. (some col.) 20 cm
Type:
Books
Date:
1966
C1966
Topic:
Mural painting and decoration, Mexican  Search this
Call number:
ND259.R62 S58 1966
N40.1.R62 S58 1966
N40.1.R62S58 1966
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_416737

Mexican muralism : a critical history / edited by Alejandro Anreus, Leonard Folgarait, and Robin Adèle Greeley

Editor of compilation:
Anreus, Alejandro  Search this
Folgarait, Leonard  Search this
Greeley, Robin Adèle 1958-  Search this
Physical description:
xviii, 367 pages : illustrations ; 27 cm
Type:
Books
Place:
Mexico
Date:
2012
20th century
Topic:
Mural painting and decoration, Mexican  Search this
Mural painting and decoration--Political aspects  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1002375

Los hablantes = the speakers : Verónica Gerber Bicecci / textos = texts, Amanda de la Garza, Verónica Gerber Bicecci

Title:
Speakers : Verónica Gerber Bicecci
Author:
Gerber Bicecci, Verónica 1981-  Search this
De la Garza, Amanda  Search this
Host institution:
Universidad Nacional Autónoma de México Museo Universitario Arte Contemporáneo  Search this
Subject:
Gerber Bicecci, Verónica 1981-  Search this
Physical description:
64 pages : illustrations (some color) ; 22 cm
Type:
Exhibitions
Date:
2014
21st century
Topic:
Art, Modern  Search this
Mural painting and decoration--Themes, motives  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1047239

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