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Emmy Lou Packard Papers

Creator:
Packard, Emmy Lou, 1914-1998  Search this
Names:
American Civil Liberties Union  Search this
Public Works of Art Project  Search this
Covarrubias, Miguel, 1904-1957  Search this
Edmunds, John, 1913-  Search this
Kahlo, Frida  Search this
Lange, Dorothea  Search this
O'Gorman, Juan, 1905-  Search this
O'Higgins, Pablo, 1904-  Search this
Refregier, Anton, 1905-  Search this
Reynolds, Malvina  Search this
Rivera, Diego, 1886-1957  Search this
Extent:
9.4 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketches
Photographs
Interviews
Diaries
Date:
1900-1990
Summary:
The Emmy Lou Packard papers measure 9.4 linear feet and date from 1900 to 1990, and focus on the career of painter, printmaker, muralist, and sculptor Emmy Lou Packard. Also found are extensive materials relating to Packard's personal and professional relationship with muralist Diego Rivera and painter Frida Kahlo, with whom Packard lived for one year in Mexico. Papers include correspondence, financial records, notes, writings, exhibition files, photographs, and printed material.
Scope and Contents note:
The Emmy Lou Packard papers measure 9.4 linear feet and date from 1900 to 1990, and focus on the career of painter, printmaker, muralist, and sculptor Emmy Lou Packard. Also found are extensive materials relating to Packard's personal and professional relationship with muralist Diego Rivera and painter Frida Kahlo, with whom Packard lived for one year in Mexico. Papers include correspondence, financial records, notes, writings, exhibition files, photographs, and printed material.

Biographical materials include resumes, personal forms, and certificates. Correspondence is with family, friends, and colleagues, including muralist Anton Refregier, songwriter Malvina Reynolds, and composer John Edmunds. There is one letter from Dorothea Lange. Also found is correspondence with various political and arts organizations, such as the American Civil Liberties Union and the Russian magazine Soviet Woman. Much of the correspondence discusses personal relationships and political and art-related activities. Additional correspondence with and concerning Diego Rivera and Frida Kahlo is arranged in Series 6.

Personal business records found within the papers include studio real estate and rent records, insurance records, price lists for artwork, consignment records, and miscellaneous receipts. There is one interview transcript of an interview with Packard for the Radical Elders Oral History Project. The papers include a series of notebooks/diaries, address lists, and other notes.

Packard's reference files and personal papers documenting her professional and close personal relationship with Diego Rivera and Frida Kahlo are arranged into a separate series. They include her research files for a planned book on the two artists, personal letters between Packard and the couple, as well as several interesting photographs. Also found in this series are notes, writings, and printed materials relating to Diego Rivera, Frida Kahlo, and other Mexican artists, such as Covarrubius, Juan O'Gorman, and Pablo O'Higgins.

The collection also includes typescripts and additional writings by Packard and others. Artwork consists of orginal drawings and prints by Packard and others not directly associated with projects. Exhibition and project files for many of Packard's commissioned projects are also found within the collection, including her files for the restoration of Anton Refregier's Rincon Annex Post Office mural in San Francisco and the Coit Tower murals in San Francisco. Many of the project files contain correspondence, reports, contracts, printed material, photographs, and artwork.

The papers also include photographs of Packard, her family, residences, artwork, friends, and colleagues, including Cesar Chavez, Juan O'Gorman, Malvina Reynolds, Charles Safford, Ralph Stackpole, and Tennessee Williams. Two scrapbooks are found, as well as additional printed materials such as clippings and exhibition announcements and catalogs. There are also two artifact items, a vinyl record of Malvina Reynolds and a political campaign button.
Arrangement note:
The collection is arranged into fifteen series.

Series 1: Biographical Material, 1942-1985 (Box 1; 1 folder)

Series 2: Correspondence, 1919-1990 (Box 1-3; 2.6 linear feet)

Series 3: Personal Business Records, 1945-1985 (Box 3; 21 folders)

Series 4: Interview Transcript, 1979 (Box 3; 1 folder)

Series 5: Notes, 1900-1985 (Box 3-4, 10; 1.1 linear feet)

Series 6: Reference Files on Diego Rivera and Frida Kahlo, 1929-1986 (Box 5, 10, OV 11; 0.9 linear feet)

Series 7: Writings by Packard, 1953-1984 (Box 6; 17 folders)

Series 8: Writings by Others, 1955-1984 (Box 6; 19 folders)

Series 9: Artwork, 1921-1976 (Box 6; 10 folders)

Series 10: Exhibition Files, 1950-1964 (Box 6, OV 11; 5 folders)

Series 11: Project Files, 1953-1985 (Box 6-7, 10, OV 11; 1.8 linear feet)

Series 12: Photographs, 1914-1982 (Box 8, 10; 0.8 linear feet)

Series 13: Scrapbooks, 1947-1950 (Box 8, 10; 0.2 linear feet)

Series 14: Printed Material, 1936-1988 (Box 8-9, 10; 1 linear foot)

Series 15: Artifacts, 1984 (Box 9-10, OV 11; 2 folders)
Biographical/Historical note:
Emmy Lou Packard was born in Imperial Valley, California on April 15, 1914, to Walter and Emma Leonard Packard. In the late 1920s she lived with her family in Mexico City where she became acquainted with Diego Rivera, from whom she received regular art criticism and encouragement. She graduated from the University of California, Berkeley and completed courses in fresco and sculpture at the California School of Fine Arts in 1940. That year and the next, Packard worked as a full-time painting assistant to Rivera on his 1,650 square-foot fresco at the World's Fair in San Francisco. During this project, Packard became very close to Rivera and Frida Kahlo and returned to Mexico with them and spent a year living with the couple.

From then on, except for in 1944-1945 working for a defense plant, Packard worked and grew in various aspects of her art. In addition to her work in fresco, Packard is known for her work in watercolor, oil, mosaic, laminated plastic, concrete, and printmaking, both in linocuts and woodblocks. She received numerous commissions that included installations for ships, hotels, and private homes for which she executed large woodcuts and mural panels. During the 1950s and 1960s, Packard was hired to restore several historic murals, most notably the Rincon Annex Post Office mural by Anton Refregier and the Coit Tower murals in San Francisco.

Between 1966 and 1967 she was commissioned by architects to design and execute a number of concrete and mosaic pieces, one of which went to the Mirabeau Restaurant in Kaiser Center, Oakland. She also designed and executed a mural for the Fresno Convention Center Theater during that same period. In 1973-1974, she designed and supervised a glazed brick mural for a public library in Pinole, California.

Packard had one-woman shows at the San Francisco Museum of Art, Raymond and Raymond Gallery (San Francisco), Addison Gallery of American Art (Andover, Mass.), Connecticut Academy of Fine Arts, Pushkin Museum (Moscow), and March Gallery (Chicago). Emmy Lou Packard died in 1998.
Related Archival Materials note:
Also found in the Archives of American Art is an oral history interview with Emmy Lou Packard conducted by Mary Fuller McChesney in 1964.
Provenance:
Emmy Lou Packard donated her papers to the Archives of American Art from 1984-1988.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- San Francisco  Search this
Sculptors -- California -- San Francisco  Search this
Topic:
Works of art  Search this
Printmakers -- California -- San Francisco  Search this
Mural painting and decoration, American  Search this
Mural painting and decoration, Mexican  Search this
Muralists -- California -- San Francisco  Search this
Latino and Latin American artists  Search this
Genre/Form:
Scrapbooks
Sketches
Photographs
Interviews
Diaries
Citation:
Emmy Lou Packard papers, 1900-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.packemmy
See more items in:
Emmy Lou Packard Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-packemmy
Online Media:

Oral history interview with Frank Romero

Interviewee:
Romero, Frank  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Names:
Los Four (Art group)  Search this
Otis Art Institute -- Students  Search this
Almaraz, Carlos  Search this
Mugnaini, Joseph A.  Search this
Rocha, Roberto de la  Search this
Sanchez Luján, Gilbert  Search this
Sheets, Millard, 1907-1989  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
99 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 January 17-March 2
Scope and Contents:
An interview of Frank Romero conducted 1997 January 17-March 2, by Jeffrey Rangel, for the Archives of American Art, in Romero's studio, in Los Angeles, Calif.
Romero discusses his growing up in East Los Angeles and his large extended family; his earliest art studies in the public schools; attending the Otis Art Institute where he studied with Joe Mugnaini and had contact with Millard Sheets and Peter Voulkos; the "very polyglut culture" of East Los Angeles; the influences of television, western movies, rock-and-roll, and rhythm and blues on his early musical/artistic taste; time spent in New York; returning to Los Angeles in 1969; and his marriage and family.
He describes his move into Carlos Almaraz's house which became the informal meeting place of the artist group Los Four (Almaraz, Romero, Gilbert Sanchez Lujan, and Roberto "Beto" de la Rocha); the Los Four show at the Los Angeles County Museum of Art in 1974; and the stylistic aesthetics of Los Four.
Romero describes the "boys club" nature of Chicano art centers; his contributions to the Chicano art movement; his relationship to the Chicano/Mexican culture and mainstream U.S. culture; murals done by members of Los Four for the Inner City Mural Program; his work for the Metropolitan Transit Authority; the Murals of Aztlan exhibit in 1981 at the Craft and Folk Art Museum; and his shows at the ARCO Center for the Visual Arts. He concludes with his assessment of the Chicano arts movement, the relationship between economic and art cycles, and the role of the more established artists to those of a younger generation.
Biographical / Historical:
Frank Romero (1941- ) is a painter from Los Angeles, Calif.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 4 hr., 27 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the interview provided by the Smithsonian Institution Latino Pool Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Muralists -- California -- Los Angeles -- Interviews  Search this
Topic:
Painters -- California -- Los Angeles -- Interviews  Search this
Mexican American artists  Search this
Hispanic American artists  Search this
Mexican American art  Search this
Street art  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.romero97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-romero97

Oral history interview with Gronk

Interviewee:
Gronk, 1954-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Names:
Asco (Group of artists)  Search this
Los Angeles Contemporary Exhibitions (Gallery)  Search this
Los Four (Art group)  Search this
Dreva, Jerry  Search this
Extent:
6 Sound cassettes (Sound recording (ca. 6 hrs.), analog)
94 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1997 Jan. 20-23
Scope and Contents:
An interview of Gronk conducted by Jeffrey Rangel for the Archives of American Art.
Gronk discusses differences between two artists' group, Los Four and and Asco; the Chicano artists view of Asco; isolation from the Chicano arts movement as well as the mainstream avant-garde art scene; his relationship with Jerry Dreva and the development of mail art and the Dreva/Gronk Show: 1968-1978 at the Los Angeles Contemporary Exhibitions; and his 1983 NEA fellowship for performance/conceptual work.
Biographical / Historical:
Gronk (1954-) is an artist from California. Gronk, whose full name is Glugio Gronk Nicandro, was born in Los Angeles in 1954. As a member of the 1970s activist performance group, Asco (nausea), with Harry Gamboa, Jr., Patssi Valdez, and Willie Herron, Gronk arranged anti-war protests and painted graffiti murals.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the interview provided by the Smithsonian Latino Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Hispanic American artists  Search this
Mexican American artists  Search this
Mexican American art  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.gronk97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gronk97

Oral history interview with Willie Herrón

Interviewee:
Herrón, Willie, 1951-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Names:
Asco (Group of artists)  Search this
Gronk, 1954-  Search this
Extent:
7 Sound cassettes (Sound recording (6 hrs.), analog)
109 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
2000 Feb. 5-Mar. 17
Scope and Contents:
An interview of Willie Herrón conducted 2000 Feb. 5-Mar. 17, by Jeffrey J. Rangel, for the Archives of American Art.
The interviews took place in a restaurant, City Terrace, East Los Angeles, Calif. Herrón describes his childhood growing up in East Los Angeles, culminating with an extensive discussion of the circumstances surrounding the painting of his most acclaimed mural, "The Wall that Cracked Open" in City Terrace; founding the avant-garde Chicano art group Asco along with Harry Gamboa, Jr., Patssi Valdez, and Gronk; his experience as leader of the band Los Illegals and as a cofounder of the alternative music space Club Vex with Self Help Graphics' Sister Karen Boccalero; the Chicano mural movement, particularly his undertakings in City Terrace, Boyle Heights, and at the Estrada Courts and Ramona Gardens housing projects in East Los Angeles; his commitment to working with at-risk youth and his strong desire to expand the stylistic and iconographic parameters of the medium through the incorporation of graffiti; and an assessment of Asco's role in expanding the continuum of Chicano art and identity.
Biographical / Historical:
Willie Herrón (1951-) is a painter, graphic artist, muralist, and musician from Los Angeles, Calif. Herrón is known as one of the premiere artists and musicians to emerge out of the Chicano arts movement during the 1970s.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview and transcription provided by the SI Latino Fund of 1997.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Muralists -- California -- Los Angeles -- Interviews  Search this
Topic:
Art and music  Search this
Graffiti art  Search this
Street art  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Mexican American artists  Search this
Mexican American musicians -- California -- Los Angeles -- Interviews  Search this
Hispanic American artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.herron00
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-herron00

Murals of Aztlán Film Production Records

Creator:
Tartan, James, 1931-  Search this
Names:
Craft and Folk Art Museum  Search this
Extent:
5.1 Linear feet
Type:
Collection descriptions
Archival materials
Transcripts
Sound recordings
Motion pictures (visual works)
Date:
1981
Summary:
The Murals of Aztlán Film Production Records measures 5.1 linear feet and consists of film footage, sound recordings, and notes from the documentary produced by James Tartan during the exhibition Murals of Aztlán: the Street Painters of East Los Angeles at the Craft and Folk Art Museum, Los Angeles in 1981. Film and sound elements in the collection include original sound recordings, work print, outtakes, and trims. Also found are production notes, museum memorandums concerning the exhibition schedule, and a transcript of a recorded conversation among muralists.
Scope and Contents:
The Murals of Aztlán Film Production Records measures 5.1 linear feet and consists of film footage, sound recordings, and notes from the documentary produced by James Tartan during the exhibition Murals of Aztlán: the Street Painters of East Los Angeles at the Craft and Folk Art Museum, Los Angeles in 1981. Film and sound elements in the collection include original sound recordings, work print, outtakes, and trims. Also found are production notes, museum memorandums concerning the exhibition schedule, and a transcript of a recorded conversation among muralists.
Arrangement:
Collection arranged as 5 series.

Series 1: Exhibition and Production Notes, 1981 (8 folders; Box 1)

Series 2: Work Print and Soundtrack, 1981 (2.6 linear feet; Box 3, FC 1-30)

Series 3: Sound Recordings, 1981 (0.5 linear feet; Box 1-2)

Series 4: Voiceover Outtakes, 1981 (0.9 linear feet; FC 31-39)

Series 5: Trims and Outtakes, 1981 (0.9 linear feet; FC 40-48)
Biographical / Historical:
Murals of Aztlán is a documentary film produced by actor and filmmaker James Tartan during the exhibition Murals of Aztlán: the Street Painters of East Los Angeles held at the Craft and Folk Art Museum in Los Angeles, California in 1981. For the exhibition, artists Carlos Almaraz, Gronk, Judithe Hernandez, Willie Herron, Frank Romero, John Valadez and the East Los Streetscrapers (David Botello, Wayne Healy, George Yepes) painted portable murals in the gallery, which was open to the public during the installation of the work. The filmmaker and his crew interviewed the artists involved in the exhibition for the film, filmed the artists creating murals in the gallery, and also filmed the public viewing the artists working and the murals themselves.

James Tartan was born in 1931 and worked as a filmmaker, actor, and voiceover artist. In addition to Murals of Aztlán, Tartan created a documentary film about the 1974 Los Angeles County Museum of Art exhibition Los Four, and has been credited with training many Chicano filmmakers in the 1970s.
Separated Materials:
Additional production material from the documentary Murals of Aztlán, including a final print, is found in the James Tartan Film Collection, 1960-1985, held at the UCLA Chicano Research Center.
Provenance:
Donated by James Tartan, the filmmaker, in 1988.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Muralists -- California -- Los Angeles -- Interviews  Search this
Topic:
Hispanic American artists  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Street art  Search this
Mexican American art  Search this
Mexican American artists  Search this
Genre/Form:
Transcripts
Sound recordings
Motion pictures (visual works)
Citation:
Murals of Aztlán film production records, 1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tartjame
See more items in:
Murals of Aztlán Film Production Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tartjame

Oral history interview with José and Malaquias Montoya

Interviewee:
Montoya, José  Search this
Creator:
Hernandez, Eduardo  Search this
Montoya, Malaquias, 1938-  Search this
Names:
Royal Chicano Air Force  Search this
Montoya, Malaquias, 1938-  Search this
Extent:
7 Sound cassettes (Sound recording, master (ca. 11 hrs.), analog)
7 Cassettes (Sound recording, duplicate)
373 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Cassettes
Pages
Sound recordings
Interviews
Date:
1988 Feb. 28-June 2
Scope and Contents:
Interviews of brothers José and Malaquias Montoya conducted 1988 Feb. 28-June 2, by Eduardo Hernandez, for the Archives of American Art.
The Montoya's recall growing up as Mexican-Americans in a rural town in Colorado; moving to urban areas in California; their early education and development of their political awareness; and their artistic experiences, including their founding of the Royal Chicano Air Force, a group working primarily as muralists.
Biographical / Historical:
José Montoya (1932-2013) was a Mexican-American poet and artist in Sacramento, Calif. Malaquias Montoya (1938- ) is a Mexican-American artist in Oakland, Calif. He and his brother José founded Royal Chicano Air Force, a group working primarily as muralists
Occupation:
Muralists -- California  Search this
Topic:
Mexican American artists  Search this
Mexican American art  Search this
Mural painting and decoration, American  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Hispanic American artists  Search this
Painters -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.montoy88
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-montoy88

Oral history interview with David Avalos

Interviewee:
Avalos, David  Search this
Interviewer:
Nieto, Margarita  Search this
Extent:
100 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1988 June 16-July 5
Scope and Contents:
An interview of David Avalos conducted 1988 June 16-July 5, by Margarita Nieto, for the Archives of American Art. Avalos speaks of his childhood, education at the University of California at San Diego; his involvement with the Centro Cultural de la Raza; the socio-political environment that produced the San Diego Chicano Muralist movement (specifically Chicano Park); the formation of the Border art Workshop (BAW/TAF); the collaboration between the Centro and the La Jolla Museum of Contemporary Art (presently the San Diego Museum of Contemporary Art); art activity in San Diego; Chicano activity distinct from Los Angeles; his philosophy on conceptual art; and his art career.
Biographical / Historical:
David Avalos (1947-) is a painter and administrator from San Diego, California.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 4 hr., 44 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Painters -- California -- San Diego -- Interviews  Search this
Hispanic American artists  Search this
Hispanic American art  Search this
Mexican American art  Search this
Mexican American artists  Search this
Mural painting and decoration -- 20th century -- California -- San Diego  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.avalos88
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-avalos88

Oral history interview with Frank Romero, 1997 January 17-March 2

Interviewee:
Romero, Frank, 1941-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Subject:
Almaraz, Carlos  Search this
Mugnaini, Joseph A.  Search this
Rocha, Roberto de la  Search this
Sanchez Luján, Gilbert  Search this
Sheets, Millard  Search this
Voulkos, Peter  Search this
Four (Art group)  Search this
Otis Art Institute  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- California -- Los Angeles -- Interviews  Search this
Mexican American artists  Search this
Hispanic American artists  Search this
Mexican American art  Search this
Street art  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)13587
(DSI-AAA_SIRISBib)216102
AAA_collcode_romero97
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216102
Online Media:

Oral history interview with Judith Baca, 1986 August 5-6

Interviewee:
Baca, Judith Francisca, 1946-  Search this
Interviewer:
Mesa-Bains, Amalia, 1943-  Search this
Type:
Sound recordings
Interviews
Topic:
Hispanic American artists  Search this
Mexican American art  Search this
Mural painting and decoration, American  Search this
Women painters -- California -- Los Angeles  Search this
Arts administrators -- California -- Interviews  Search this
Muralists -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)5436
(DSI-AAA_SIRISBib)211937
AAA_collcode_baca86
Theme:
Latino and Latin American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211937
Online Media:

Oral history interview with David Avalos, 1988 June 16-July 5

Interviewee:
Avalos, David, 1947-  Search this
Interviewer:
Nieto, Margarita  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- California -- San Diego -- Interviews  Search this
Hispanic American artists  Search this
Hispanic American art  Search this
Mexican American art  Search this
Mexican American artists  Search this
Mural painting and decoration -- 20th century -- California -- San Diego  Search this
Record number:
(DSI-AAA_CollID)5428
(DSI-AAA_SIRISBib)213765
AAA_collcode_avalos88
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213765
Online Media:

Murals of Aztlán Film Production Records, 1981

Creator:
Tartan, James, 1931-  Search this
Subject:
Craft and Folk Art Museum  Search this
Type:
Transcripts
Sound recordings
Motion pictures (visual works)
Topic:
Hispanic American artists  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Street art  Search this
Mexican American art  Search this
Mexican American artists  Search this
Record number:
(DSI-AAA_CollID)13501
(DSI-AAA_SIRISBib)211809
AAA_collcode_tartjame
Theme:
Communities, Organizations, Museums
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211809

Oral history interview with Judith Baca

Interviewee:
Baca, Judith Francisca  Search this
Interviewer:
Mesa-Bains, Amalia  Search this
Extent:
59 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1986 August 5-6
Scope and Contents:
An interview of Judith Baca conducted 1986 August 5-6, by Amalia Mesa-Bains, for the Archives of American Art.
Baca speaks of her family history, childhood, and education in Los Angeles, her involvement with the Los Angeles muralism movement in the early 1970s, her teaching experience at East Los Angeles recreation center, her directorship of the Eastside murals and of the City-Wide Mural Project, the work of other muralists, feminist views on art which have influenced her work, the origin of the Social and Public Arts Resource Center in Venice, California, her directorship and the mission of the S.P.A.R.C. in 1986, and her own current mural projects.
Biographical / Historical:
Judith Baca (1946-) is an art administrator and mural painter from Venice, California.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 7 digital wav files. Duration is 2 hr., 40 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
This transcript is open for research. Access to the entire audio recording is restricted. Contact Reference Services for more information.
Topic:
Hispanic American artists  Search this
Mexican American art  Search this
Mural painting and decoration, American  Search this
Women painters -- California -- Los Angeles  Search this
Arts administrators -- California -- Interviews  Search this
Muralists -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.baca86
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-baca86

Oral history interview with José and Malaquias Montoya, 1988 Feb. 28-June 2

Interviewee:
Montoya, José, 1932-2013  Search this
Interviewer:
Hernandez, Eduardo  Search this
Subject:
Montoya, Malaquias  Search this
Royal Chicano Air Force  Search this
Type:
Sound recordings
Interviews
Topic:
Mexican American artists  Search this
Mexican American art  Search this
Mural painting and decoration, American  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Hispanic American artists  Search this
Painters -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13570
(DSI-AAA_SIRISBib)211798
AAA_collcode_montoy88
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211798

Oral history interview with José Moya del Pino, 1964 Sept. 10

Interviewee:
Moya del Pino, Jose, 1891-1969  Search this
Interviewer:
McChesney, Mary Fuller, 1922-  Search this
Subject:
Arnautoff, Victor Mikhail  Search this
Rivera, Diego  Search this
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Coit Memorial Tower (San Francisco, Calif.)  Search this
Painters -- California -- Interviews  Search this
Muralists -- California -- Interviews  Search this
Federal aid to the arts  Search this
Mural painting and decoration -- California -- San Francisco  Search this
Hispanic American artists  Search this
Record number:
(DSI-AAA_CollID)12903
(DSI-AAA_SIRISBib)213674
AAA_collcode_moyade64
Theme:
Latino and Latin American
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213674

Oral history interview with Willie Herrón, 2000 Feb. 5-Mar. 17

Interviewee:
Herrón, Willie, 1951-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Subject:
Gronk  Search this
Asco (Group of artists)  Search this
Type:
Sound recordings
Interviews
Topic:
Art and music  Search this
Graffiti art  Search this
Street art  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Mexican American artists  Search this
Mexican American musicians -- California -- Los Angeles -- Interviews  Search this
Hispanic American artists  Search this
Record number:
(DSI-AAA_CollID)12847
(DSI-AAA_SIRISBib)223100
AAA_collcode_herron00
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_223100
Online Media:

Oral history interview with Gronk, 1997 Jan. 20-23

Interviewee:
Gronk, (Glugio Gronk Nicandro), 1957-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Subject:
Dreva, Jerry  Search this
Los Angeles Contemporary Exhibitions (Gallery)  Search this
Four (Art group)  Search this
Asco (Group of artists)  Search this
Type:
Sound recordings
Interviews
Topic:
Hispanic American artists  Search this
Mexican American artists  Search this
Mexican American art  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)13586
(DSI-AAA_SIRISBib)216258
AAA_collcode_gronk97
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216258
Online Media:

Oral history interview with José Moya del Pino

Interviewee:
Moya del Pino, Jose, 1891-1969  Search this
Interviewer:
McChesney, Mary Fuller  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Arnautoff, Victor Mikhail, 1896-1979  Search this
Rivera, Diego, 1886-1957  Search this
Extent:
13 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 Sept. 10
Scope and Contents:
An interview of José Moya del Pino conducted 1964 Sept. 10, by Mary McChesney, for the New Deal and the Arts Oral History Project.
Moya del Pino speaks of his youth in Spain, and his education in Rome and in Paris; meeting Matisse; moving to San Francisco and taking up portraiture there; starting with the Federal Art Project (FAP) and working on a mural at Coit Tower; political problems with the murals and other work done under the FAP; painting a mural in a post office in Alpine, Tex., and other murals; how work was assigned; his mural for the Social Security Building in Washington, D.C.; and his feelings about government support for the arts and how it should be administered. He recalls Diego Rivera and Victor Arnautoff.
Biographical / Historical:
José Moya del Pino (1891-1969) was a painter and mural painter from Calif.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hrs., 57 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Topic:
Coit Memorial Tower (San Francisco, Calif.)  Search this
Painters -- California -- Interviews  Search this
Muralists -- California -- Interviews  Search this
Federal aid to the arts  Search this
Mural painting and decoration -- California -- San Francisco  Search this
Hispanic American artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.moyade64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-moyade64

Bernard Zakheim papers, [ca. 1930-1977]

Creator:
Zakheim, Bernard Baruch, 1896-1985  Search this
Federal Art Project  Search this
Topic:
Mural painting and decoration, American  Search this
Mural painting and decoration -- Conservation and restoration  Search this
Record number:
(DSI-AAA_CollID)7276
(DSI-AAA_SIRISBib)209427
AAA_collcode_zakhbern
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209427

David S. Osborn papers relating to the Federal art project in California, 1956

Creator:
Osborn, David S.  Search this
Subject:
Labaudt, Lucien  Search this
Federal Art Project (Calif.)  Search this
Place:
United States -- Economic conditions -- 1918-1945 -- California -- San Francisco
United States -- Social conditions -- 1933-1945 -- California -- San Francisco
Topic:
New Deal, 1933-1939 -- California -- San Francisco  Search this
Federal aid to the arts -- California -- San Francisco  Search this
Federal aid to the public welfare -- California -- San Francisco  Search this
Art and state -- California -- San Francisco  Search this
Mural painting and decoration, American -- California -- San Francisco  Search this
Record number:
(DSI-AAA_CollID)9819
(DSI-AAA_SIRISBib)212279
AAA_collcode_osbodavi
Theme:
Government Sponsorship of the Arts
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212279

George Booth Post photographs and monograph, 1936-1937

Creator:
Post, George Booth, 1906-1997  Search this
Subject:
Federal Art Project (Calif.)  Search this
Topic:
Federal aid to the arts -- California -- San Francisco  Search this
Art and state -- California -- San Francisco  Search this
Watercolor painting -- California -- San Francisco  Search this
Muralists  Search this
Record number:
(DSI-AAA_CollID)9821
(DSI-AAA_SIRISBib)212281
AAA_collcode_postgeor
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212281

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