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Clement Greenberg papers

Creator:
Greenberg, Clement, 1909-1994  Search this
Names:
American Committee for Cultural Freedom  Search this
Avedisian, Edward, 1936-2007  Search this
Bannard, Walter Darby, 1934-  Search this
Baziotes, Ethel  Search this
Bush, Jack, 1909-  Search this
Caro, Anthony, 1924-  Search this
Connolly, Cyril, 1903-1974  Search this
Davis, Gene, 1920-1985  Search this
Diebenkorn, Richard, 1922-1993  Search this
Dorazio, Piero, 1927-  Search this
Dzubas, Friedel, 1915-  Search this
Emmerich, André  Search this
Feeley, Paul, 1910-1966  Search this
Francis, Sam, 1923-1994  Search this
Frankenthaler, Helen, 1928-2011  Search this
Fuller, Peter, 1947-1990  Search this
Goodnough, Robert, 1917-  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hofmann, Hans, 1880-1966  Search this
Hosaisson, Philippe  Search this
Kainen, Jacob  Search this
Krauss, Rosalind E.  Search this
Moffett, Kenworth  Search this
Motherwell, Robert  Search this
Newman, Barnett, 1905-1970  Search this
Noland, Kenneth, 1924-  Search this
O'Faolin, Nuala  Search this
Olitski, Jules, 1922-2007  Search this
Pepper, Beverly  Search this
Rothko, Mark, 1903-1970  Search this
Sander, Ludwig, 1906-  Search this
Smith, David, 1906-1965  Search this
Smith, Kimber, 1922-1981  Search this
Solomon, Deborah  Search this
Still, Clyfford, 1904-  Search this
Truitt, Anne, 1921-2004  Search this
Waddington, Leslie  Search this
Wisenski, Kurt  Search this
Extent:
8.6 Linear feet
Type:
Collection descriptions
Archival materials
Transcripts
Interviews
Etchings
Photographs
Reports
Date:
1937-1983
Summary:
The papers of art critic, author, and lecturer Clement Greenberg measure 8.6 linear feet and date from 1937 to 1983. The bulk of the collection consists of letters from art critics, artists, family, friends, galleries, and museums. Notable correspondents include Jack Bush, Anthony Caro, Richard Diebenkorn, Friedel Dzubas, Helen Frankenthaler, Adolph Gottlieb, Hans Hofmann, Morris Louis, Robert Motherwell, Charles Pollock, Jules Olitski, David Smith, and Anne Truitt among others. Also found are biograpical materials, personal business and financial records, an etching by Kurt Wisneski, printed materials, and two reports by Greenberg concerning his travels.
Scope and Content Note:
The papers of influential New York art critic Clement Greenberg measure 8.6 linear feet and date from 1937 to 1983. The bulk of the papers (7 feet) consists of letters from art critics, artists, family, friends, galleries, and museums, with some letters from Greenberg. Correspondents include Edward Avedisian, Darby Bannard, Ethel Baziotes, Jack Bush, Anthony Caro, Gene Davis, Richard Diebenkorn, Piero Dorazio, Friedel Dzubas, Andre Emmerich, Paul Feeley, Sam Francis, Helen Frankenthaler, Robert Goodnough, Adolf Gottleib, Hans Hofmann, Philippe Hosiasson, Jacob Kainen, Rosalind Krauss, Robert Motherwell, Ken Moffett, Barnett Newman, Kenneth Noland, Jules Olitski, Beverly Pepper, Ludwig Sander, David Smith, Kimber Smith, Clyfford Still, Anne Truitt, and Leslie Waddington.

Biographical materials include a transcript of an interview with Greenberg conducted by Deborah Solomon in 1983. Greenberg's personal business and financial records include correspondence regarding his lectures and seminars, requests for his writings, student queries, documents regarding his television and radio appearances, royalty statements, and receipts for gifts of works of art. Also found within business records are documents relating to Greenberg's testimony at the Mark Rothko Trial in 1974.

Artwork consists of one etching by Kurt Wisenski entitled "Spring." The papers contain very few of Greenberg's writings about art. Found are lists of artists, and reports written by Greenberg on the state of art in Japan and India in 1967, likely related to his membership in the American Committee for Cultural Freedom. Printed material includes scattered clippings concerning art and exhibition announcements.

One series of ACCESS RESTRICTED papers contains documents relating to Greenberg's role as a trustee in the David Smith estate; correspondence between Greenberg with Andre Emmerich and Peter Fuller, Nuala O'Faolain, and the Greenberg family; and some financial materials regarding the sale and loan of Greenberg's art collection.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Information, circa 1950s-1983 (Box 1; 2 folders)

Series 2: Business and Financial Records, 1940-1983 (Box 1; 12 folders)

Series 3: Correspondence, 1937-1983 (Boxes 1-8; 7 linear feet)

Series 4: Artwork, 1973 (Box 8; 1 folder)

Series 5: Writings and Notes, 1967-1983 (Box 8; 3 folders)

Series 6: Printed Material, 1950-1982 (Box 8; 2 folders)

Series 7: Restricted Material, 1963-1983 (Boxes 9-11; 1.2 linear feet)
Biographical Note:
Clement Greenberg was a highly influential art critic working in New York City from the 1940s through the 1960s. He was an advocate of modern art, particulary the abstract expressionist movement, and one of the first critics to recognize the significance of Jackson Pollock's work.

Greenberg was born in 1909 to Russian immigrants in Bronx, New York. After graduating from Syracuse University in 1930, he married and had a child, David. He settled in New York City while working at the United States Customs Department as an appraiser.

In the late 1930s, Clement Greenberg attended a meeting of the U.S. Works Progress Administration and heard Hans Hofmann speak of avant-garde art. In 1939, he wrote one of his first important critical pieces "Avant-Garde and Kitsch" for the Partisan Review. Greenberg argued that the avant-garde art movement rose out of the need to defend and maintain high art standards against the decline in taste brought about by America's consumerism and capitalist culture.

In 1940, Greenberg joined Partisan Review as an editor. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. In December 1950, he joined the CIA-fronted American Committee for Cultural Freedom.

Throughout the 1940s through the 1960s Greenberg continued to write and, in his essays and articles, he promoted the work of Abstract Expressionists, among them Jackson Pollock, Willem de Kooning, Hans Hofmann, Barnett Newman, and Clyfford Still. He particularly championed Jackson Pollock. Greenberg wrote several seminal essays that defined his views on art history in the 20th century. "Greenberg on Collage" was one one of his most important.

Greenberg's views on pop art were mixed. He also became less enamored with Abstract Impressionism, particularly the second generation. However, he became very interested in the Color-Field and Hard-Edge painters.

Through the 1960s Greenberg's views informed a younger generation of art critics including Michael Fried and Rosalind E. Krauss. Some writers maintain that Greenberg's views were so well-respected that he had too much of an influence on the world of art. In time, Greenberg's antagonism to Postmodernist theories and other modern art movements caused him to lose much of his credibility among both artists and art critics.

Greenberg died at the age of eighty-five in 1994.

Since his death, letters edited by his widow, Janice Van Horne and a re-evaluation of his writings have helped to restore his reputation within the art world.
Related Material:
The Portland Art Museum holds Clement Greenberg's private art collection as well as a library of exhibition catalogs.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming (reels N69-91, N70-7, and N737). Most, but not all, of these papers were later donated by Greenberg. Loaned materials not donated at a later date remain with the lender and are not described in the container listing of this finding aid.
Provenance:
Clement Greenberg initally lent material for microfilming in 1968-1969. He donated most of this material with additional papers in several accretions between 1984 to 1991.
Restrictions:
Use of original papers requires an appointment. Some of the collection is ACCESS RESTRICTED: documents relating to the estate of David Smith; some correspondence with Peter Fuller, Nuala O'Faolain, and the Greenberg family; and sale and loan agreements. Contact the reference staff for more information about permission to use this portion of the collection.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- New York (State) -- New York  Search this
Topic:
Art criticism -- New York (State) -- New York  Search this
Art -- Japan  Search this
Art -- India  Search this
Modernism (Art)  Search this
Art -- Economic aspects  Search this
Genre/Form:
Transcripts
Interviews
Etchings
Photographs
Reports
Citation:
The Clement Greenberg papers, 1937-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.greeclep
See more items in:
Clement Greenberg papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-greeclep
Online Media:

Gertrude Kasle Gallery records

Creator:
Gertrude Kasle Gallery (Detroit, Mich.)  Search this
Names:
Universal Limited Art Editions (Firm)  Search this
Bontecou, Lee, 1931-  Search this
De Kooning, Willem, 1904-1997  Search this
Dine, Jim, 1935-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Goodman, Brenda Joyce, 1943-  Search this
Goodnough, Robert, 1917-  Search this
Goodyear, John L., 1930-  Search this
Gottlieb, Adolph, 1903-1974  Search this
Grosman, Tatyana, 1904-1982  Search this
Guston, Philip, 1913-1980  Search this
Hartigan, Grace  Search this
Jenkins, Paul, 1923-2012  Search this
Johnson, Ray, 1927-  Search this
Kasle, Gertrude, 1917-  Search this
Motherwell, Robert  Search this
Natkin, Robert, 1930-  Search this
Nesbitt, Lowell, 1933-1993  Search this
Oldenburg, Claes, 1929-  Search this
Pollock, Charles C.  Search this
Rauschenberg, Robert, 1925-2008  Search this
Schmidt, Julius, 1923-  Search this
Shapiro, Babe  Search this
Tall, Bill  Search this
Todd, Mike, 1935-  Search this
Tworkov, Jack  Search this
Extent:
8.1 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Sound recordings
Date:
1949-1999
bulk 1964-1983
Summary:
The records of the Gertrude Kasle Gallery of Detroit measure 8.1 linear feet and date from 1949-1999, with the bulk of records dating from 1964-1983. The collection documents the establishment and operations of this contemporary American art gallery and consists of artists files, business and administrative files, exhibition files, photographic materials, and interviews and lectures in the form of sound recordings.
Scope and Content Note:
The records of the Gertrude Kasle Gallery of Detroit measure 8.1 linear feet and date from 1949-1999, with the bulk of the records dating from 1964-1983. The collection documents the establishment and operations of this contemporary American art gallery and consists of artists files, business and administrative files, exhibition files, photographic materials, and interviews and lectures in the form of sound recordings.

The bulk of the records consist of Artists' Files that document the professional and personal relationships Kasle fostered with the artists represented by the gallery, including sales and exhibitions. The files contain a wide variety of materials and the amount of documentation for each artist also varies. Typically the files contain personal and business correspondence, sales documentation, exhibition photographs, photographs of works of art, family photographs, photographs of the artist, exhibition announcements and catalogs, other printed materials, greeting cards, and other documents. Some of the artists well-represented in the files include Lee Bontecou, Wilhem De Kooning, Jim Dine, Helen Frankenthaler, Brenda Goodman, Robert Goodnaugh, John Goodyear, Adolph Gottlieb, Philip Guston, Grace Hartigan, Ray Johnson, Robert Motherwell, Robert Natkin, Lowell Nesbitt, Claes Oldenburg, Charles Pollock, Robert Rauschenberg, Julius Schmidt, Babe Shapiro, Michael Todd, and Jack Tworkov. Additional general information about exhibitions is found in Series 3, Exhibition Files and additional photographs are filed in Series 4, Photographic Material.

Gallery and personal business and administrative files house documents relating to the founding and incorporation of the gallery and general operations, as well as some of Gertrude Kasle personal business files. Also found in this series are files related to fine art prints and the gallery's business relationship with Universal Limited Art Editions.

Scattered exhibition files are found for a few of the gallery's exhibitions and also include general exhibition related files, such as clippings, announcements, guest lists, and schedules. Most of the information about the gallery's exhibitions is found in the Artists Files. Photographs and slides are found throughout the collection, particularly in the Artists Files, but Series 4, Photographic Materials houses an extensive collection of slides documenting art work by artists represented by the gallery. There is also an autographed photograph portrait of Lowell Nesbitt.

Sound recordings are of interviews and lectures. Interviews are with Tatyana Grosman, Lowell Nesbitt, Paul Jenkins, and Bill Tall. There are recorded lectures by Paul Jenkins and Jack Tworkov. The sound recordings are on both audio cassette reel to reel tapes. Transcripts are not available.
Arrangement:
The collection is arranged into 5 series:

Series 1: Artists Files, 1949-1999 (Boxes 1-5, OV 11; 5.1 linear feet)

Series 2: Gallery and Personal Business and Administrative Files, 1961-1995 (Boxes 6-7, OV 12; 1.2 linear feet)

Series 3: Exhibition Files, 1963-1976 (Box 7; 7 folders)

Series 4: Photographic Materials, 1953-1985 (Boxes 7, 10; 18 folders)

Series 5: Sound Recordings, 1966-1971 (Boxes 7-9; 7 folders)
Historical Note:
Gertrude Kasle was born in New York City on December 2, 1917, and began her life-long career in the art world very early, taking art classes in high school and Saturday classes at the Art Students League. She began her formal studies in art education at New York University (NYU) and later transfered to the University of Michigan. Kasle interrupted her studies during World War II to devote herself to family work while her husband served as a military chaplain. The family returned to Detroit in 1947 and she began classes at the Society of Arts and Crafts. After raising her three children, she enrolled in Wayne State University in 1955, completing her degree in 1962.

While a student in Detroit, Kasle was active in the Friends of Modern Art group at the Detroit Institute of Art, and became Vice President. In 1962, she was approached by Detroit businessman Franklin Siden to help him open a gallery where she would have a one-third partnership. During the first year of Siden Gallery's operations, Kasle introduced Detroit to the work of many notable contemporay American artists, such as Larry Rivers, Grace Hartigan, Robert Goodnough, and Robert Natkin.

Her tenure with the Siden Gallery was short-lived and by 1964 she left and began to contemplate her next move. Several of the artists she had represented at Siden Gallery encouraged her to open her own gallery. Local art critic Joy Hakanson Colby who worked for the Detroit News interviewed Kasle and claimed that Kasle was "looking for gallery space". Responding to the article, the Fischer Building offered Kasle a very attractive lease in the "New Center" area of downtown Detroit that would later become known as the city's gallery center, housing several prominent galleries.

With the help of her husband and son, she opened the doors of the Gertrude Kasle Gallery on April 10, 1965. The opening exhibition featured Larry Rivers, Grace Hartigan, Robert Goodnough, Irving Kreisberg, and Manousher Yektai. Kasle's goal was to introduce the city of Detroit to the foremost contemporary artists in the country, some already well-established such as Wilhelm De Kooning, Helen Frankenthaler, Philip Guston, Grace Hartigan, Robert Motherwell, Lowell Nesbitt, Claes Oldenburg, Charles Pollock, Larry Rivers, and Jack Tworkov, as well as others just becoming known, such as Jim Dine. Through group and one-man shows, the Gertrude Kasle Gallery represented contemporary painting, mixed media, and sculpture, focusing primarily on the Abstract Expressionist movement. The gallery also fostered many local Detroit artists, giving them their first shows, including Al Loving and Brenda Goodman.

During her earlier tenure with the Siden Gallery Kasle had worked with Tatyana Grosman of Universal Limited Art Editions which produced original prints of contemporary artists including Jasper Johns, Robert Rauschenberg, and Jim Dine. In her own gallery, Kasle continued her business relationship with Grosman and fine art print publishers, allowing the gallery access to many artists that were previously unattainable.

For eleven years the Gertrude Kasle Gallery operated as a thriving contemporary art gallery, forming the nucleus for the growing Detroit modern and avant garde art scene during the sixties and seventies. Although financially the gallery was not as successful as hoped, it provided a cultural forum for artists and Detroit art enthusiasts to convene, learn, and celebrate. In April, 1976 the gallery closed. When asked why she was closing the gallery, Gertrude Kasle said, "Because the need for a gallery like mine isn't as great as it was in the 1960's. Today the public respects and understands more about creative innovation in contemporary art." (Hakanson Colby, March, 1976) Although the gallery formally closed, Kasle continues to work as a art consultant and live in Detroit.

This historical note relies heavily on the essays written by Gertrude Kasle's son, Stephen available on the Gertrude Kasle Gallery website.
Related Material:
Also available at the Archives of American Art is an oral history interview with Gertrude Kasle conducted by Dennis Barrie on July 24, 1975.
Provenance:
The collection was donated to the Archives of American Art in 1976 and 1982 by Mrs. Gertrude Kasle. A third accession was donated by the Cincinnati Art Museum in 2002.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Modern -- 20th century  Search this
Function:
Art galleries, Commercial -- Michigan
Genre/Form:
Interviews
Photographs
Sound recordings
Citation:
The Gertrude Kasle Gallery records, 1949-1999 (bulk 1964-1983). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gertkasl
See more items in:
Gertrude Kasle Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gertkasl
Online Media:

Artist Files

Collection Creator:
Gertrude Kasle Gallery (Detroit, Mich.)  Search this
Extent:
(Boxes 1-5, OV 11; 5.1 linear feet)
Type:
Archival materials
Date:
1949-1999
Scope and Contents note:
Artists Files document the gallery's representation of many contemporary artists, including Lee Bontecou, Wilhem De Kooning, Jim Dine, Helen Frankenthaler, Brenda Goodman, Robert Goodnaugh, John Goodyear, Adolph Gottlieb, Philip Guston, Grace Hartigan, Ray Johnson, Robert Motherwell, Robert Natkin, Lowell Nesbitt, Claes Oldenburg, Charles Pollock, Robert Rauschenberg, Julius Schmidt, Babe Shapiro, Michael Todd, Jack Tworkov, and many others. Typically, the files contain personal and business correspondence, sales information, exhibition catalogs and announcements, photographs and slides of the artist and artwork, and printed materials. Files are arranged in alphabetical order according to artists' name. Artists for which only a few scattered documents are found are filed in the general alphabetized files in the front of the series. Artists for which numerous documents are found are further divided by type of material.
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The Gertrude Kasle Gallery records, 1949-1999 (bulk 1964-1983). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gertkasl, Series 1
See more items in:
Gertrude Kasle Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gertkasl-ref14

Nathan Halper business records

Creator:
Halper, Nathan  Search this
Names:
H.C. Gallery (Provincetown, Mass.)  Search this
H.C.E. Gallery (Provincetown, Mass.)  Search this
Kootz Gallery (N.Y.)  Search this
National Association of Women Artists (U.S.)  Search this
Sun Gallery (Provincetown, Mass.)  Search this
Avery, Milton, 1885-1965  Search this
Botkin, Henry, 1896-1983  Search this
Brodie, Gandy, 1925-1975  Search this
Caro, Anthony, 1924-  Search this
Cuddihy, John Murray  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hartley, Marsden, 1877-1943  Search this
Hofmann, Hans, 1880-1966  Search this
Kootz, Samuel Melvin, 1898-1982  Search this
Motherwell, Robert  Search this
Smith, David, 1906-1965  Search this
Stankiewicz, Richard, 1922-1983  Search this
Extent:
4.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Gallery records
Visitors' books
Date:
1952-1979
Summary:
Records of four of Nathan Halper's Provincetown galleries measure 4.2 linear feet and date from 1952-1979. The records relate to Kootz Gallery, H-C Gallery, HCE Gallery, and Sun Gallery - all based in Provincetown. The bulk of the collection consists of correspondence with artists, estate executors, collectors, galleries, and museums. There are also scattered business and financial records documenting operations and sales, photographs and slides, printed materials, and one poem. Correspondents include Milton Avery, Anthony Caro, John Murray Cuddihy, Marsden Hartley, Hans Hoffman, Samuel Kootz, Robert Motherwell, David Smith, Richard Stankeiwicz, and many others.
Scope and Contents note:
Records of four of Nathan Halper's Provincetown galleries measure 4.2 linear feet and date from 1952-1979. The records relate to Kootz Gallery, H-C Gallery, HCE Gallery, and Sun Gallery - all based in Provincetown. The bulk of the collection consists of correspondence with artists, estate executors, collectors, galleries, and museums. There are also scattered business and financial records documenting operations and sales, photographs and slides, printed materials, and one poem. Correspondents include Milton Avery, Anthony Caro, John Murray Cuddihy, Marsden Hartley, Hans Hoffman, Samuel Kootz, Robert Motherwell, David Smith, Richard Stankeiwicz, and many others.

Biographical material consists of one literary poem.

The bulk of the collection consists of correspondence with many artists, estate executors, gallery partners, collectors, galleries, and museums regarding works of art, sales, account balances, requests for information, and general updates.

Scattered business records are found for all four galleries and include a Kootz Gallery guest register, address books, corporation and partnership agreements for the Kootz, H-C, HCE, and Sun galleries, insurance policies, and a Kootz Gallery employee file. Both the guest register and address books were also used as general business related notebooks.

Financial material consists of inventory stock books, price lists and sales, checkbook registers, and general expense invoices/receipts for the four galleries. The undated stock books list artists' names, general artwork identification information, and prices. Additional sales information is found in price lists, correspondence, sales notebooks, and checkbook registers. Invoices and receipts also document general operating expenses.

Printed material includes newspaper clippings on the Provincetown art scene and major artists represented by Halper, three exhibition catalogs, and an event calendar from the National Association of Women Artists.

Photographic material consists of prints and slides of the Kootz, H-C, and HCE galleries; black and white and color prints of exhibitions by Harry Botkin, Adolph Gottlieb, Robert Motherwell, and Hans Hofmann; and black and white prints, color slides, and transparencies of select works of art shown at the galleries.
Arrangement note:
The collection is arranged as 6 series:

Series 1: Biographical Material, circa 1953-1970 (Box 1; 1 folder)

Series 2: Correspondence, 1952-1979 (Boxes 1-2; 1.3 linear feet)

Series 3: Business Records, 1953-1970 (Box 2; .7 linear feet)

Series 4: Financial Material, 1953-1970 (Boxes 3-4; 2 linear feet)

Series 5: Printed Material, 1952-1976 (Box 5; 3 folders)

Series 6: Photographic Material, 1953-1969 (Box 5; 11 folders)
Biographical/Historical note:
Nathan Halper (1907-1983) worked in Provincetown, Massachusetts as a contemporary American art dealer, writer, and James Joyce scholar.

Nathan Halper first moved to Provincetown, Massachusetts in 1936 where he met and eventually married his wife, Helen Marjorie Windust Halper. During the late 1940s and early 1950s, their circle of friends included artists, writers, and academics drawn to the Provincetown art colony. Through friendships with Adolph Gottlieb and Fritz Bultman, Halper was introduced to Hans Hofmann, his students, and other abstract expressionist artists.

In 1949, Halper was invited to give a talk on James Joyce at Forum 49, a Provincetown summer lecture series on the future of art organized by Weldon Kees and held in a gallery at 200 Commercial Street. Speakers ranged from Jackson Pollock to poet laureate Howard Nemerov, and the series also presented one of the first major exhibitions of abstract expressionism in America. In 1952, Halper became the treasurer of the Provincetown Art Association (est. 1914), an influential social nexus that connected artists, galleries, patrons, and the public through memberships and annual events.

In 1953, he entered into a partnership with New York art dealer Sam Kootz and helped establish the Kootz Gallery in Provincetown. Their stable initially consisted of abstract expressionists Kootz represented in New York: Robert Motherwell, Hans Hofmann, Adolph Gottlieb, Fritz Bultman, and William Baziotes. Halper and Kootz mutually agreed to dissolve their partnership in 1954 and Halper opened the H-C Gallery with John Murray Cuddihy in 1955. After Cuddihy's departure at the end of the 1956 season, Halper opened the HCE Gallery (1957-1967), a name inspired by Joyce's Finnegan's Wake. In 1962, Halper entered into a one year partnership with Noah Goldowsky to help finance and run the Sun Gallery.

After the dissolution of the Kootz Gallery, Halper continued to represent Motherwell and, for a short time, Gottlieb in the Provincetown area, but quickly added other artists to the HCE stable. Through its relationship with New York dealers, such as Martha Jackson Gallery, Andre Emmerich Gallery, and Waddington Galleries, HCE was able to exhibit and sell works by Milton Avery, Gandy Brodie, Anthony Caro, Edwin Dickinson, Marsden Hartley, Hans Hoffman, Wolf Kahn, William King, Jan Muller, Elie Nadelman, David Smith, Richard Stankiewicz, Tal Streeter, and Anthony Vevers, among others.
Related Archival Materials note:
Also found in the Archives of American Art are the Kootz Gallery records and oral history interviews with Nathan Halper conducted by Dorothy Seckler, July 17, 1963 and by Robert Brown, July 8-August 14, 1980. Columbia University also holds Nathan Halper's papers concerning his literary scholarly work.
Provenance:
The Nathan Halper business records were donated by Nathan Halper in 1979. Additional materials were donated in 1983 and 1984 by his wife Helen Marjorie Windust Halper.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art dealers  Search this
Gallery directors -- Massachusetts -- Provincetown  Search this
Topic:
Art -- Massachusetts -- Provincetown  Search this
Art, Modern -- 20th century -- United States  Search this
Function:
Art galleries, Commercial -- Massachusetts
Genre/Form:
Photographs
Gallery records
Visitors' books
Citation:
Nathan Halper business records, 1952-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.halpnath
See more items in:
Nathan Halper business records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-halpnath
Online Media:

Correspondence Files

Collection Creator:
Cahill, Holger, 1887-1960  Search this
Extent:
1.5 Linear feet (Boxes 1-2)
Type:
Archival materials
Date:
1922-1979, 1993
Scope and Contents note:
This series consists of personal and work-related correspondence (primarily incoming correspondence) between Cahill and various friends and colleagues. While a large portion of the series documents Cahill's position as Director of the FAP, it also extends beyond those years and illuminates other aspects of Cahill's career including his interest in folk and Asian art, and his work as an art critic.

There is significant correspondence with the artist Stanton MacDonald Wright between 1936 and 1950, and with the artist Irene Pereira between 1950 and 1953. The series also documents research which Cahill conducted in the late 1940s on the development of the Index of American Design for his introduction to a book on the Index by the National Gallery of Art, published by the Macmillan Company. Correspondence from 1949 provides another angle on the historical details of the FAP through lengthy correspondence documenting Cahill's criticism of William Francis McDonald's book Federal Relief Administration and the Arts (Ohio State University Press, 1969).

There is a large amount of correspondence from July 1960 comprising sympathy letters to Dorothy C. Miller following Cahill's death. Correspondence from 1977 encloses a catalog of an exhibition organized by New York WPA Artists, Inc., at the Parsons School of Design in November 1977. The exhibition, New York City WPA Art, was dedicated to the memory of Holger Cahill.

See Appendix for a list of correspondents (with the exception of those microfilmed on reel 1105) in Series 2
Appendix: Correspondents in Series 2:
Abbott, Berenice: 1944 (letter to the Editor)

Abbott, John: [1946]

Abell, Walter ( -- Canadian Art): -- 1943-1944 (2 letters)

Adams, Charles C.: 1940

Alcopley, Mr.: [1952] (including typescript "Pictures of Alcopley" by Saburo Hasegawa); 1953-1960 (4 letters)

Alsberg, Henry G. (Director, Federal Writers' Projects): 1936 (4 letters)

American Council of Learned Societies: 1949

American Federation of Arts: 1949-1952 (3 letters)

American Folk Art Gallery: 1941

American Heritage: 1954

American Swedish Historical Foundation: 1949

Andrews, Robert Armstrong and Eleanor: [1960], undated

Art in America: 1953

Artists For Victory: [1942]

Artists League of America: 1945

Artists Union of Massachusetts: 1936 (telegram to President Roosevelt)

Arts Council of Japanese Americans for Democracy: 1944

Ashton, Dore: [1960]

Bach, Richard F. (Metropolitan Museum): 1924 and 1950

Bailey, Herbert: 1972 (letter from Naomi Bliven)

Baker, Donald: [1936]

Baker, Jacob (WPA): 1935-1960, undated (10 letters)

Barach, Frederica (Writers' War Board): 1944

Barker, Virgil and Ida: 1945-1960 (4 letters)

Barnard College: 1951 (2 letters)

Barr, Alfred H., Jr. (Museum of Modern Art): 1935-1960 (16 letters)

Barr, Tony: 1960

Batten, Barton, Durstine & Osborn, Inc.: 1950

Baur, John (Brooklyn Museum): 1946-1960 (6 letters)

Baylinson, Ada: 1950

Bear, Donald J. (Denver Art Museum): 1939

Beckmann, Mrs. Max: 1960

Bennington College: 1950

Benson, Emanuel M. (FAP): 1936-1940 (7 letters)

Berlandina, Jane: 1960

Bessinger, Frederic (artist): 1933

Biddle, George: 1936-1940

Biesel, Fred and Frances: 1941-1955 (13 letters)

Bird, Elzy: [1949]

Bittermann, Eleanor: 1951

Black, Mary: [1960]

Bliven, Naomi: 1972 (letter to Herbert Bailey)

Block, Edgar S.: 1950

Block, Lou: 1949

Bluemner, Oscar: 1934-1937 (3 letters)

Blue Ribbon Books: 1935

Blume, Peter: 1944 and 1950

Blumenfeld, Willow (Cahill's granddaughter): [1960]

Blumenschein, Ernest L.: 1936

Blumenthal, Joseph: [1960]

Bolotowsky, Ilya: 1960

Borgenicht, Grace (art dealer): [1960]

Boston Marine Museum: 1949

Boston: Museum of Fine Arts: 1950

Boulton, Margaret: 1936

Bragozzi, Tony and Olive (curator of David Rockefeller's collection): 1960

Breck, George and Ruth: [1960]

Brennan, Francis: 1960

Brook, Alex: 1959 (2 letters)

Brook, Gina (wife of artist Alexander Brook): 1960

Brooks, James and Charlotte: [1960]

Brown, Clara D. (antiques dealer): [1935]

Brown, Yaeger: 1943 (2 letters)

Bruce, Edward: 1937

Bucks County Historical Society: 1950

Bufano, Beniamino: [1940-1942], undated (3 letters)

Bulau, Alwin E.: 1952

Burnham, Ralph Warren (antiques dealer): 1933

Byron, Evelyn S.: 1942 (memo from Wilda Sawyer)

Bywaters, Jerry: 1960

Calder, Alexander: 1956 (photocopy) and 1960

Calkins, K: 1936 (2 letters to Constance Rourke)

Campbell, Robert B.: 1960

Carolina Art Association: 1935-1950 (5 letters)

Carroll, Bob: 1960

Carroll, Eleanor: 1936

Castelli, Leo: 1960

Catlin, Tod: 1960

Cavanna, Elise: 1960

Chamberlain, Betty: 1960

Chanin, Abraham and Maralt (Museum of Modern Art): [1960]

Chapin, Lucy Stock: 1932-1933 (2 letters)

Chapman, Suzanne: 1946-1949 (2 letters)

Charm -- (Barbara Lee Johnson): 1929

Chermayeff, Serge (Institute of Design): 1948

Chichester, Jim Hinchman (college friend of Elizabeth Holt): 1960

Church, Elizabeth D. (antiques dealer): 1935 (including 10 photographs of folk art)

Citizens Committee for Support of WPA: 1937

Claflin, Agnes: 1960

Clark, Stephen C.: 1939

Cleveland Institute of Art: 1950 (letter from Alfred Barr)

Coffey, Katherine: 1960

Coggeshall, Calvert and Suzanne: 1956-1960 (2 letters)

Cole, Mrs. Charley Tidd (Friends of the FAP): 1940 (letter from Martha Davidson)

Colie, Annetta (Elizabeth Holt's sister): 1960

Colin, Georgia and Ralph: 1960

Collier, Nina (Index of American Design): 1936 (6 letters)

Collins, Lloyd and Lib: 1960

Colman, Anne (FAP, Michigan): 1937 (2 letters)

Colonial Williamsburg, Incorporated: 1935-1960 (13 letters)

Colorado Springs Fine Arts Center: 1939-1960 (3 letters)

Columbia Broadcasting System, Inc.: 1939 (contract for Cahill to broadcast "What's Art to Me" program)

Columbia University: [1939]

Conklin, Franklin (Newark Museum): 1944

Connolly, Elizabeth (FAP, Southern California): 1940

Cooper, Charlotte Gowing (FAP, Ohio): 1937-1937 (4 letters)

Cooper, Samuel C.: 1941 (including certificate of dissolution for the American Folk Art Gallery); 1951 (3 letters)

Corcoran Gallery of Art: 1950 (3 letters)

Cornelius, Charles: 1936 (2 memoranda from others)

Cosmopolitan Fire Insurance: 1931

Coussirat, Elizabeth (Index of American Design): 1936 (6 letters)

Crampton, Rollin: 1960

Craven, Thomas: 1944 (2 letters)

Crawford, Phyllis: 1945-1960 (4 letters)

Crofut, Edward F. (WPA and Museum of Modern Art): 1936-1938 (3 letters)

Cronin, Agnes S.: 1939-1944 (2 letters)

Crosby, Hildegard (FAP, Illinois): 1937-1949 (8 letters)

Culler, Julia Abbott: 1935

Cummin, Hazel (Index of American Design): 1937 (5 letters)

Curran, Mary (FAP, Pennsylvania): 1937 (2 letters)

Daly, Matthew A. (WPA): 1936 (2 letters)

Dana, John Cotton (Newark Museum): 1924-1925 (4 letters)

Daugherty, D. H. (American Council of Learned Societies): 1949 (11 letters)

Davidson, Jo: 1944 (letter to the Editor)

Davidson, Martha (Friends of the FAP): 1939-1940 (3 letters)

Davies, Terry: 1960 (2 letters)

Davis, Charles (artist): mentioned in invitation dated [1938]

Davis, D. and Phyllis: 1960

Davis, George Earl: 1952

Davis, Lew and Mathilde: 1960

Davis, Stuart: 1936-1960 (5 letters)

Dehner, Dorothy: [1960]

Delson, Sidney: 1958-1959 (2 letters)

de Nagy, Tibor: 1960

Dentsch, Hilda: [1941-1960] (2 letters)

DeVoto, Bernard: 1949 (4 letters)

De Young Memorial Museum: 1939

d'Harnoncourt, Rene: 1944-1960 (5 letters)

Dickinson, Edwin: 1960

Dienes, Sari (artist): 1960

Don, Michael: 1939-1940 (2 letters)

Donati, Enric: 1960

Douglas, Eric: 1949

Downtown Gallery: 1935

Dows, Olin (Treasury Relief Art Project): 1935-1960 (5 letters)

Dunbar, Anna: 1960

Duntley, Seibert Q.: 1941

du Pont, H. F.: 1950 (2 letters)

Durieux, Caroline: 1943

Durham, Mr.: 1936

Dutt, Alska: 1956

du Von, Jay: 1941

East Liverpool, Ohio, Chamber of Commerce: 1939

Eaton, Allen: 1938 and 1945

Edwards, Paul (WPA, Washington, D.C.): 1941

Eglington, Laurie (Index of American Design): 1936 (2 letters)

Eilshemius, Louis M.: 1931-1939 (2 letters)

Emery, Humphrey J. (American Handicraft Council): 1939

Emil, Allan and Kate (art collectors): 1960

Emmerich, Andre: 1960

Engineer Replacement Center, Fort Belvoir: 1941 (2 letters)

Essex Institute: 1950

Evans, Ernestine: 1947 (2 letters)

Evergood, Philip: 1944 (letter to the Editor)

Fairweather, Sally: [1960]

Feininger, Julia: 1960, undated

Feitelson, Lorser and Helen: 1943-1960 (3 letters)

Ferber, Herbert and Lisi: 1960 (2 letters)

Ferren, John: 1949 (2 letters)

Field, George H. (Federal Works Agency): 1943 (2 letters)

Flanagan, Hallie: 1949 (3 letters)

Fleming, Philip B.: [1943]

Fogel, Barbara: 1960

Follmer, Frank J.: 1942

Force, Juliana: 1946

'47 -- Magazine: 1946

Frankenberg, Lloyd: 1937 and 1960

French, Helen: [1960]

Frick Art Reference Library: 1946

Fried: Rose Fried Gallery: 1953

Friends of the FAP: 1939 (13 letters)

Fuller, Buckminster: 1942-1949 (including a brochure about the Dymaxion House)

Fultz, Harry T.: 1942 (memo from Fred Biesel)

Gaskin, William: 1940-1961 (12 letters)

Gates, Marguerite (Public Library of Newark, N.J.): 1929-1935 (3 letters)

Gavert, Olive Lyford (Alfred Barr's secretary): 1960

General Services Administration: 1950

Gershoy, Toni: [1960]

Gibbs, Peggy (widow of artist Howard Gibbs): [1960]

Giedion, Siegfried: mentioned in letter dated Oct 07, 1951

Glarner, Fritz: 1949 and 1960

Glassgold, Cook Adolph: 1936-1940 (43 letters)

Goldberg, Albert L. (Illinois Music Project): 1940

Goldberg, Mike: [1960]

Goldwater, Louise and Robert: 1960

Goodall, Donald B.: 1960

Goodchild, Donald: 1939

Goodrich, Lloyd (Whitney Museum of American Art): 1948-1960 (7 letters)

Goodyear, A. Conger: 1935-1960 (5 letters)

Gordon, Jack (Whitney Museum of American Art): [1960]

Gorsline, Douglas W.: 1950 (2 letters)

Gowing, Lawrence: 1960

Graham, Ralph (FAP, Illinois): 1941-1942 (3 letters)

Graves, Morris: 1946

Green, Wilder: 1960

Greenberg, Clement: 1960

Greenwell, Darrell J. ( -- Ogden Standard Examiner): -- 1949

Griffis, Toni (Mrs. Hughes Griffis): 1960

Griffith, E. J. (FAP, Oregon): 1938 and 1960

Grossman, Mrs. I. Donald: [1960]

Guerrero, Jose and Roxane: [1960]

Guggenheim, Olga: 1960

Gwathmey, Robert: 1944 (letter to the Editor)

Hale, Bob (Metropolitan Museum of Art): 1960

Hall, Edward T. (Universal School of Handicrafts): 1939

Halpert, Edith: 1930-1960, undated (20 letters)

Hardin, Shirley: [1960]

Hare, Michael M.: 1948

Harper's Magazine: 1943-1944 (2 letters)

Harrison, Preston: 1934

Hart, "Pop": 1930-1932 (2 letters)

Hartigan, Grace: 1960

Hasegawa, Saburo: 1952 (letter to Franz Kline, including typescript "Pictures of Alcopley")

Hatch, John Davis: 1960

Hatcher, Harry and Doris: 1960 (3 letters)

Haupers, Clement (FAP, Minnesota): 1937-1949 (5 letters)

Haydon, Hal: 1955

Henley, Helen B. (Wadsworth Atheneum): 1937 (2 letters)

Herbert, David: 1960

Hess, Thomas: 1960

Hinckley, Robert H. (American Broadcasting Co.): 1960

Hirsch, Joseph: 1960

Hofmann, Hans and Maria: 1960 (2 letters)

Holt, Elizabeth (art historian): 1960

Holzhauer, Mildred: 1937-1940 (4 letters)

Hope, Henry R. (Indiana Univ.): 1948-1949 (2 letters)

Hopkins, Harry L.: 1936-1943 (13 letters)

Horr, Axel (artist): mentioned in invitation dated [1938]

House Beautiful: 1950

Houston: Museum of Fine Arts of Houston: 1955

Hunter, Howard O.: 1941

Hunter, Virginia and Russell Vernon Hunter: 1951-1960, undated (4 letters)

Huxley, Julia S.: 1942

Illinois Art Project: 1941-1942 (6 letters)

Index of American Design: 1936 (form letter)

Interior: Department of the Interior: 1950 (3 letters)

Inverarity, Robert Bruce (FAP State Dir., Washington): 1937-1950 (5 letters)

Isaacs, Betty and Julius: 1960

Jackson, Martha: [1960]

Jerry, Sylvester (FAP, Michigan): 1939 (3 letters)

Johns, Jasper: 1960

Johnson, Anna: 1952

Johnson, Buffie: 1960

Johnson, Irene Edith: 1960

Johnson, Philip C.: 1960

Jones, Anne (Mrs. E. Powis Jones): 1960

Kallen, Horace (publisher): 1960

Karpel, Ray and Bernard (Museum of Modern Art): [1960]

Kavanaugh, George R. (Berea College): 1936

Kaye, Harold: 1958

Kayser, Dr.: 1954

Keck, Caroline and Sheldon (art conservators): 1960

Kellogg, Elizabeth R.: 1949 (2 letters)

Kent, Rockwell: 1944

Kerr, Florence (Work Projects Administration): 1940-1942 (4 letters)

Keyes, Homer Eaton ( -- Antiques -- Magazine): 1936

Kiesler, Frederick J.: 1960

Kiplinger, Walter M.: 1941 (4 letters)

Kipper, Katrina (antiques dealer): 1935 (3 letters)

Kirby, Mr. O. A.: 1941

Kleinholz, Frank: 1944 (letter to the Editor)

Kline, Franz: 1952 (letter from Saburo Hasegawa, including typescript "Pictures of Alcopley") and 1960

Knight, Frederic (Artists' Coordination Committee): Nov 1936 (5 letters)

Knight, Harry: 1960

Knittle, Rhea Mansfield: 1936-1937 (2 letters)

Kokoschka, Oskar: 1944

Kootz, Jane and Sam: 1960

Kroll, Eleanor: 1937 (2 letters)

Kuniyoshi, Yasuo: 1944 (2 letters)

Labaudt, Lucien: 1943 (4 letters)

Lane, Harry: [1960]

Laning, Clair: 1960

Leech, Nancy T.: 1949

Leeds, Harold Eliot (architect): 1960

Legg, Alicia (Museum of Modern Art curator): 1960

Leggett, Eugene S. (National Emergency Council): 1936 (letter from Harry Hopkins)

Leicester, Louise B. (American Handicraft Council): [1940]

Lekakis, Michael: 1960

Lemmon, Warren W.: mentioned in letter dated Mar 08, 1940

Levine, Jack: 1960

Levy, Julian: 1944 and [1960]

Lewis and Clark High School: 1939

Lewis, Elizabeth Ray: 1943

Life -- Magazine: 1944 (4 letters)

Lipman, Jean and Howard: [1960]

Lipscomb, Isabel (Work Projects Admin.): 1941 (3 letters)

Lipton, Seymour: [1960]

Litchfield, Elizabeth (Museum of Modern Art): 1941 - [1960] (3 letters)

Lowenthal, Edith and Milton: 1960

Lundy, Margaret: 1938

Lunsford, Bascom Lamar: 1936

Lyles, Mary E.: 1935

Mabry, Tom and Ethel: 1960 (2 letters)

Macdonald-Wright, Stanton: 1936-1955, undated (60 letters)

Macdowell Colony: 1960

MacLeish, Archibald: [1943] (letter from Philip B. Fleming)

Macmillan Company: 1946-1959 (24 letters)

Magazine of Art: 1948-1951 (10 letters)

Mapes, Col. Milton C. (Civilian Camouflage): 1941

March, Frank A. (Project Control Division): 1941

Marcus, Marcia: 1960

Marg -- Magazine: 1956 (6 letters)

Marx, Ione F.: 1942

Maryland Historical Society: 1950 (2 letters)

Matisse, Patricia (Pierre Matisse Gallery Corp.): [1960]

Mattis, Astria: 1960

Maverick Maury (Congressman, Texas): 1936 (3 letters)

Mayor, A. Hyatt (Metropolitan Museum): 1960

Mazo, Sara (widow of Yasuo Kuniyoshi): 1960

McAndrew, Betty and John: 1960

McCormick, M. R.: 1938

McCrady, John: 1943

McCray, Porter (Museum of Modern Art): 1960

McDonald, W. F. (American Council of Learned Societies): 1944-1949 (3 letters)

McKeague, Robert I. (Community Service Projects Section): 1937-1940 (8 letters)

McMahon, Audrey (WPA): 1936-1941 (7 letters)

McPharlin, Paul (Michigan WPA): 1937 (7 letters)

Metropolitan Museum of Art: 1953

Miller, Dorothy C. (Museum of Modern Art): 1936-1956 (27 letters)

Miller, Emma Guffey: 1938

Minnesota Historical Society: 1952

Morgan, Anne: 1938-1939 (5 letters)

Morley, Grace: 1960

Morris, Lawrence: 1937-1939 (2 letters)

Morris, Suzy (Mrs. George L. K. Morris): 1960

Morrison, Richard: 1936-1949 (6 letters)

Morsell, Miss: 1938

Motherwell, Robert: 1960

Museum of Modern Art: 1936-[1960] (4 letters)

Myers, Bernard: 1948

Myers, John (art dealer): 1960

Nakian, Reuben: 1960

Nash, Susan Higginson: 1934 (2 letters)

Nathan, Reuben S.: 1949 (3 letters)

National Gallery of Art: 1943-1993 (27 letters)

National Institute on Education and the War: 1943

Navy: Department of the Navy: 1941

Neuberger, Roy: 1960

Neumeyer, Alfred (Mills College): 1944

Nevelson, Louise: 1960

Newhall, Beaumont: 1941

New Hampshire: University of New Hampshire: 1939

Newman, Barnett: 1960

Newmeyer, S.: [1936]

New Republic: 1949 (letter from Lloyd Goodrich)

New York WPA Artists, Inc.: 1977 (including exhibition catalog "Then and Now")

New Yorker: 1948 and 1952

New York Herald Tribune: 1948-1952 (3 letters)

New York Public Library: 1949 (including copies of Index of American Design correspondence dated 1935-1936)

New York State Historical Association: 1949-1951 (4 letters)

[New York Times]: 1944

Neyland, Harry: 1935 (letter to Mrs. Rockefeller with 13 photographs of folk art)

Norman, Charles: 1960

Norman, Dorothy (Stieglitz protegee): 1960

Norman, Geoffrey (Works Projects Administration): 1941 (3 letters)

North Texas Agricultural College: 1939

Northrop, F. S. C.: 1947

Northwest Missouri State Teachers College: 1939

Norton, Ann: [1960]

Norwegian Folk Art Museum: 1949 (2 letters)

Odegaard, Charles E. (American Council of Learned Societies): 1949 (3 letters)

O'Hara, Frank (poet and art critic): 1960

Okada, Kimi and Keryo: 1960

Olmsted, Harold S.: 1954

Olsen, Catharine M.: 1941, undated (3 letters)

O'Neill, John P. (Historic American Buildings Survey, Department of the Interior): 1936 (5 letters)

Organ, Violet: 1949

Ormsbee, Thomas H. (editor, -- American Collector): -- 1936 (letter to Ruth Reeves)

Osborn, Elodie: 1960

O'Steen, Alton (Alabama Dept. of Education): 1943

Pach, Walter: 1939 (photograph of letter to Friends of the FAP)

Parker, Margaret: [1960]

Parker, Thomas C. (Federal Art Proj.): 1936-1940 (14 letters)

Parkinson, Eliza (Museum of Modern Art trustee): 1960

Parr, Russell C.: 1936

Parsons, Betty: 1960

Pedlar, Sylvia: 1960

Pedro, Luis Martinez: 1947

Peixotto, Ernest: 1936

P.E.N. Club, The: 1948

People's Art Center Association, St. Louis: 1952 (5 letters)

Pereira, Irene Rice and George Reavey: 1950-1953 (21 letters)

Perry, Beatrice (Gres Gallery): 1960

Philadelphia Museum of Art: 1950

Pickens, Alton: 1955

Pietan, Norman: 1948 and [1949]

Pilgrim Society: 1949 (2 letters)

Pollack, Peter: 1960

Pollak, Frances M. (WPA): 1936-1949 (7 letters)

Pollet, Elizabeth (widow of artist Joseph Pollet): [1960]

Pollock, Jackson: 1952 (photocopy)

Price, R. Moore: 1945

Public Use of Arts Committee: 1939

Purcell, Ralph: 1949 (4 letters)

Pyle, Edward Frederick: 1939

Ramsay, John: mentioned in memo dated Mar 31, 1936

Reeves, Ruth: 1936-1949 (55 letters including field reports)letters)

Reines, Harriet: 1938

Reinhart, Ad: 1952-1959 (3 letters)

Reynal and Hitchcock, Inc.: 1937

Richardson, E. P. (Detroit Institute of Arts; Archives of American Art): 1951-1960 (7 letters)

Riefstahl, Elizabeth: 1936

Ritchie, Andrew C.: 1944 (2 letters)

Rivers, Larry: 1960

Robinson, Boardman: 1936 and 1960

Rockefeller Center, Inc.: 1934 (contract for the First Municipal Art Exhibition)

Rockefeller Foundation: 1949

Rockefeller, David: 1960

Rockefeller, John D., Jr., and Abby A.: 1934-1940 (4 letters)

Rockefeller, John III, and Blanchette: 1951-1960 (3 letters)

Rockefeller, Nelson A.: 1934-1960 (6 letters)

Rockefeller, Peggy: 1960

Roesen, Severin: mentioned in letter dated Mar 02, 1938

Roosevelt, Franklin D.: 1936-1940 (3 letters)

Rosenbaum, Belle ( -- New York Herald Tribune): -- 1949-1960 (4 letters)

Rosenwald, Janet: 1937 and 1960

Rothko, Mark: 1960

Rourke, Constance: 1935-1938 (57 letters)

Rowan, Edward B. (Treasury Department, Section of Painting and Sculpture): 1936-1943 (5 letters)

Rubenstein, Erica B.: 1945 (3 letters)

Rubenstein, Sarah (Museum of Modern Art): 1960

Russell, Morgan: 1950-1951 (2 letters)

St. Petersburg Federal Galleries: 1939

Sandoz, Mari (writer): 1960

Sawitzky, William (painting researcher): 1935 (2 letters)

Sawyer, Wilda A.: 1942

Saxon, Lyle: 1943

Schaefer, Bertha: [1960]

Scharf, Bill: [1960]

Scheidt, Melvin E. (War Relocation Authority): 1943

Schmidt, Katherine: 1944 and 1960

Schnitzer, Robert C.: 1949

Schwabacher, Ethel: 1960 (2 letters)

Scott, Cecil: 1960 (2 letters)

Scott, Phyllis C.: 1936-1937 (2 letters)

Scull, Ethel and Bob (art collectors): [1960]

Seckar, Alvena V.: 1946

Seeger, Charles: 1936

Selz, Peter and Thalia: 1960

Shaw, Charles: 1960

Simms, Agnes (artist): 1960

Siporin, Mitchell: 1943-1960 (4 letters)

Sloan, Helen (Mrs. John Sloan): 1951 and 1960

Sloane, William: 1945

Smedley, Agnes: 1947 (letter from Ernestine Evans)

Smith College: 1944-1950 (6 letters)

Smith, Ferdinand: 1952

Smith, Geneva: 1942 (memo from Frank J. Follmer)

Smith, Gordon M. (Index of American Design): 1936-1937 (8 letters)

Smith, Holly and Sam: [1960]

Smith, Joseph Lindon: mentioned in letter dated Mar 28, 1950

Smith, Laura: 1938-1939 (5 letters)

Smith, Louise: 1960

Smith, Margery Hoffman (FAP, Oregon): 1938

Soby, James Thrall: 1948-1960 (5 letters)

Soderblom, Nathan: 1922 (in Swedish)

Solomon, Saul (Cahill's doctor): 1960

Soyer, Moses: 1944 (letter to the Editor)

Spark, Mrs. Victor: 1960

Speck, Walter: 1939 (2 letters)

Spencer, Betty (Niles Spencer's first wife): 1960

Spencer, Catherine (Mrs. Niles Spencer): 1952-1960 (8 letters)

Stamos, Theodoros: 1960

Standards: National Bureau of Standards: 1941

State: Department of State: 1939 (3 letters)

Stavenitz, Alexander: 1937

Steegmuller, Francis: 1960

Stella, Joseph: 1936 (2 letters)

Sterner, Albert: 1935

Stieglitz, Alfred: 1932 and 1934

Stier, W. (Project Review Section): 1941

Still, Clyfford: 1953-1956 (4 letters)

Stix, Hugh: 1960

Stock, Joseph (artist): mentioned in letters dated 1932 and 1933

Stout, Rex: 1944

Strickland, Sidney: 1949 (2 letters)

Studio Publications, Inc.: 1951

Sunami, Soichi: 1960

Swasey, Jeannette: [1935]

Sweeney, Jim: [1960]

Tabak, Maynatalie (colleague of Jackson Pollock): [1960]

Taub, Alex: 1942 (memo from Buckminster Fuller)

Taylor, Francis Henry: 1939 and 1952

Taylor, Miss: 1936

Thomas, Yvonne (artist): 1960

Thomley, John: 1949

Thoms, Mr.: 1936 (letter from Matthew Daly)

Thorgurson, Nina: [1960]

Tobey, Mark: 1954 and 1960

Tobey, Judith (Resettlement Administration): 1936

Townsend, Gertrude: [1937]

Townsend, Mr.: 1938

Tranum, Carl K.: 1949 (2 letters)

Triggs, Clayton E.: 1940 (4 letters)

Turner, Katherine: [1935]

Tworkov, Jack and Wally: 1960

Uht, Charles (photographer of Nelson Rockefeller's collection): 1960

United American Artists: 1940

Valentin, Curt: 1954

Valentine, Chapin: 1932

Valentiner, W. R. (Detroit Institute of Arts): 1933

Varian, Dorothy: 1960

Viviano, Catherine (art dealer): [1960]

Volkmer, Jean (Museum of Modern Art conservator): [1960]

von Wiegand, Charmion (artist): 1960

Walker, Hudson D.: 1960

Walley, Jano and John: 1949 and 1960

Ward: 1925 and 1960 (3 letters)

War Department: 1938-1941 (5 letters)

Warren, William (FAP, Connecticut): 1937

Wasey, Jane: 1960

Washburn College: 1939

Washburn, Gordon (Albright Art Gallery): 1960

Washington: The State College of Washington: 1939

Watrous, Harry W.: 1936

Watson, Forbes: 1949

Webb, Aileen (American Handicraft Council): 1938 (4 letters)

Weber, Max: 1922-1960 (6 letters)

Weisenborn, Fritzi (Mrs. Rudolph Weisenborn): 1950

Wendt, Gerald (Time, Inc.): 1944 (2 letters)

Weston, Edward: 1936

Wharton, Frances L.: 1935 (2 letters)

Wheeler, Monroe (Museum of Modern Art): 1960

White, Francis Robert: 1944

White, Jim: 1960

Whitelaw, Robert N. S.: 1960

Whitney Museum of American Art: 1949 and 1979

Whyte, James C.: 1942

Wilfred, Thomas: 1960

Williams, Aubrey (WPA): 1936

Williamsburg Restoration, Incorporated: 1935 (4 letters)

Winchester, Alice ( -- Antiques -- Magazine): 1950-1951 (6 letters)

Winser, Beatrice: 1924-1944 (6 letters)

Winter, Anna K. (antiques dealer): 1935

Wisconsin: State Historical Society of Wisconsin: 1939

Woodstock Artists Association: 1960

Woodward, Ellen S.: 1936-1938 (3 letters)

Worcester, Wakefield (architect): 1936

Wright, Russell (industrial designer): [1960]

Wyn: A. A. Wyn, Inc.: 1951

Youngerman, Jack: 1960

Zegri, Armando (Galeria Sudamericana): 1960

Zimmerman, Fred and Dorothy: [1960]

Zorach, William: 1936-1960 (3 letters)
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Holger Cahill papers, 1910-1993, bulk 1910-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cahiholg, Series 2
See more items in:
Holger Cahill papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cahiholg-ref23

Elise Asher papers

Creator:
Asher, Elise, 1914-  Search this
Names:
Bultman, Fritz, 1919-1985  Search this
De Groot, Nanno, 1913-1964  Search this
Frankenthaler, Helen, 1928-2011  Search this
Guston, Philip, 1913-1980  Search this
Hofmann, Hans, 1880-1966  Search this
Kunitz, Stanley, 1905-2006  Search this
Mailer, Norman  Search this
Motherwell, Robert  Search this
Nevelson, Louise, 1899-1988  Search this
Rothko, Mark, 1903-1970  Search this
Stamos, Theodoros, 1922-1997  Search this
Tworkov, Jack  Search this
Vonnegut, Kurt  Search this
Williams, William Carlos, 1883-1963  Search this
Extent:
1.6 Linear feet
Type:
Collection descriptions
Archival materials
Illustrated letters
Christmas cards
Slides (photographs)
Photographs
Date:
1923-1994
Summary:
The Elise Asher papers measure 1.6 linear feet and date from 1923 to 1994. The collection includes biographical material, letters, writings, works of art, business records, printed material, and photographs reflecting Asher's career as a poet, painter, and sculptor, and her friendships with many prominent artists of the mid-twentieth century.
Scope and Content Note:
The Elise Asher papers, 1923-1994, measure 1.6 linear feet and reflect Asher's career as a poet, painter, and sculptor, and her friendships with many of the more prominent artists of the mid-twentieth century. The collection contains biographical material, letters, writings, works of art, business records, printed material, and photographs.

Notable correspondents found in the collection include Fritz Bultman, Helen Frankenthaler, Philip Guston, Hans Hofmann, Norman Mailer, Robert Motherwell, Louise Nevelson, Mark Rothko, Theodoros Stamos, Jack Tworkov, and Kurt Vonnegut.
Arrangement:
The collection is arranged into seven series according to material type. The contents of each folder have been arranged chronologically.

Series 1: Biographical Material, 1923-1976 (box 1, 1 folder)

Series 2: Letters, 1941-1988, undated (box 1, 2 folders)

Series 3: Business Records, 1955-1988, undated (box 1, 43 folders)

Series 4: Writings, 1973-1979, undated (box 1, 4 folders)

Series 5: Artwork, undated (box 1, 2 folders)

Series 6: Printed Material, 1929-1994, undated (boxes 1-3, 30 folders)

Series 7: Photographs, 1951-1973, undated (box 2, 5 folders)
Biographical Note:
Born in Chicago, Illinois, in 1914, Elise Asher studied at the Art Institute of Chicago, Bradford Junior College, Boston College, and at Simmons College.

She began her career as a poet, culminating in a volume of her poetry entitled The Meandering Absolute. Upon her 1947 arrival in New York City, her attention turned to painting and sculpture. The Tanager Gallery mounted her first solo exhibition in 1953.

Asher was married to painter Nanno de Groot from 1949 to 1957. A year later she married poet Stanley Kunitz, whose work she often illustrated.
Provenance:
The Elise Asher papers were donated in 1975, 1976, 1989, 1990 and 1995 by the artist.
Restrictions:
The collection is open for research. Microfilmed portion must be consulted on microfilm. Use of unmicrofilmed material requires an appointment and is limited to the Washington D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Poets -- New York (State) -- New York  Search this
Women painters -- New York (State) -- New York  Search this
Women sculptors -- New York (State) -- New York  Search this
Works of art  Search this
Genre/Form:
Illustrated letters
Christmas cards
Slides (photographs)
Photographs
Citation:
The Elise Asher papers, 1923-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.asheelis
See more items in:
Elise Asher papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-asheelis
Online Media:

Letters

Collection Creator:
Asher, Elise, 1914-  Search this
Extent:
2 Folders (Box 1)
Type:
Archival materials
Date:
1941-1988, undated
Scope and Contents note:
Letters found here are from Asher's colleagues, including Fritz Bultman, Helen Frankenthaler, Philip Guston, Hans Hofmann, Norman Mailer, Robert Motherwell, Louise Nevelson, Mark Rothko, Theodoros Stamos, Jack Tworkov, and Kurt Vonnegut. The letters primarily concern their art-related activities.

See Appendix for list of notable correspondents from Series 2
Appendix: Notable Correspondents from Series 2:
Adams, Pat: May 31, 1979

Albert, Calvin: undated Christmas cards (3), one is illustrated

Ashton, Dore: undated postcard?; Jun 12, 1985

Beck, Rosemarie: Jun 1972

Boghosian, Varujan and Marilyn: undated Christmas card

Bourgeois, Louise: Jun 15, 1977

Brooks, Charlotte and Jim: undated letters (2); Apr 3, 1966; Jul 27, 1970; Feb 15, 1971

Brustlein, Daniel: Sep 8, 1955

Bultman, Fritz: undated letters (3); Dec 12, 1964; Jan 2, 1965; Dec 1976

Burlin, Paul and Peggy: Dec 4, 1960

Busa, Peter: Dec 23, 1964

Castellon, Hilda, Paul, and Fred: undated Christmas card

Cavallon, Giorgio: Nov 15, 1955; Sep 8, 1963; Oct 22, 1963; Jan 6, 1965; Oct 3, 1966; Mar 12, 1974

De Kooning, Lisa: 1979 (incomplete letter)

Dorfman, Elsa: undated letter

Ferber, Ilse and Herbert: undated Christmas card; Oct 24, 1960? (with 5 photographs of works)

Ferren, John: undated Christmas card (illustrated); Feb 11, 1964; Jun 30, 1964

Frankenthaler, Helen: undated letters (2); Aug 2, 1956; Jan 19, 1960; Oct 2_, 1960; Apr 1, 1961; Mar 1, 1969; Aug 18, 1969; also see Robert Motherwell

Friedman, Sanford: undated postcard; Jul 7, 1969; Dec 26, 1981; Apr 19, 1988; Dec 27, 1988

Greene, Stephen and Sigrid: undated Christmas cards (2)

Gross, Chaim and Renee: 1967 Christmas card; 1968 Christmas card; 1983 Christmas card

Gruen, John: undated Christmas card

Guston, Philip and Musa: undated Christmas card with illustration; undated letters (3); Jul 29, 1958; Aug 17, 1960; Sep 19, 1963 (illustrated); Jan 10, 1964 (illustrated); Aug 17, 1964 (illustrated); Nov 6, 1964; Sep 22, 1969; Oct 13, 1970; Feb 15, 1971; [1971]; Apr 9, 1971; Aug 2, 1971; Sep 19, 1972; Dec 22, 1972; Jun 12, 1973; Jul 16, 1973 (illustrated); Aug 27, 1974; Dec 1, 1974; Jan 9, 1975; Aug 16, 1979

Hare, David: Mar 7, 1957; Jun 15, 1979; Aug 4, 1980; Jul 14, 1981; Apr 1, 1983

Harmon, Lily: undated Christmas card

Hess, Thomas: undated letters (2); Nov 12, 1974 (envelope only)

Hofmann, Hans and Miz: undated letter; Dec 23, 1952; Dec 1957; Jun 25, 1958; Dec 1, 1958; Jun 3, 1960; Jun 13, 1962; Apr 18, 1963

Kahn, Wolf: Oct 16, 1955

Kootz, Sam and Jane: undated Christmas card

Kuh, Katharine: undated letter; Dec 28, 1974

Mailer, Norman: Apr 11, 1968

Manso?, Leo: Dec 1979 illustrated envelope

Miller, Dorothy: Aug 26, 1953

Morris, Hilda: undated letters (3)

Motherwell, Robert and Renata Ponsold: Mar 3, 1975; Oct 1, 1977; Oct 16, 1978; Feb 25, 1985; Nov 29, 1988; also see Helen Frankenthaler

Nevelson, Louise: Dec 20, 1960 (illustrated card)

O'Doherty, Brian: undated letter; Jul 31, 1967; Aug 5, 1968 Sep 20, 1982

Pavia, Philip: Aug 17, 1982

Reis, Bernard and Becky: undated Christmas cards (2)

Resnick, Milton: Feb 23, 1956

Rosati, James and Carmel: undated Christmas cards (2); also see Art Work

Rothko, Mark: undated letters (2); Jul 20, 1959; Aug 9, 1961; also see Photographs

Stamos, Theodorus: undated letter; Jan 3, 1962; Aug 6, 1964; Jul 14, 1965; Aug 19, 1965; Jul 15, 1966; Jul 19, 1967; Jun 29, 1968; Aug 5, 1968; Jul 23, 1973; Dec 11, 1981

Stevens, May: Jul 14, 1975

Stout, Myron: Mar 25, 1980

Terris, Albert and Virginia: Dec 1953 (illustrated Christmas card)

Tworkov, Jack and family: undated letters (2); Dec 22, 1955 (illustrated Christmas card); Aug 27, 1956; Jul 5, 1960; Dec 11, 1960; Oct 21, 1968; Jan 4, 1983

Varian, Elayne: Oct 6, 1969; Dec 19, 1969

Vonnegut, Kurt: undated letters (2); Jan 29, 1975

Watson, Hildegarde: Feb 24, 1946; Jun 12, 1948; Mar 31, 1951; Jan 27, 1956; Aug 9, 1958

Webb, Nancy: Jan 6, 1986; Dec 15, 1986 (illustrated Christmas card)

Wesley, John: Mar 21, 1987

White, Emil: see Art Work

Williams, William Carlos: Jul 2, 1949 (photocopy); also see Photographs

Wilson, Jane: see John Gruen

Yunkers, Adja: undated cards (2), one illustrated; Feb 3, 1951; Dec 16, 1964
Collection Restrictions:
The collection is open for research. Microfilmed portion must be consulted on microfilm. Use of unmicrofilmed material requires an appointment and is limited to the Washington D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The Elise Asher papers, 1923-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.asheelis, Series 2
See more items in:
Elise Asher papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-asheelis-ref17

Installation view of Robert Motherwell: Paintings, drawings, and collages at the Kootz Gallery

Photographer:
Studly, Adolph  Search this
Studly, Adolph  Search this
Subject:
Motherwell, Robert Burns  Search this
Kootz Gallery (N.Y.)  Search this
Type:
Photographs
Date:
1952 April
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)17853
See more items in:
Kootz Gallery records, 1923-1966
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17853
Online Media:

Installation view of Robert Motherwell: Paintings, drawings, and collages at the Kootz Gallery

Photographer:
Studly, Adolph  Search this
Studly, Adolph  Search this
Subject:
Motherwell, Robert Burns  Search this
Kootz Gallery (N.Y.)  Search this
Type:
Photographs
Date:
1952 April
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)17854
See more items in:
Kootz Gallery records, 1923-1966
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17854
Online Media:

Installation view of Robert Motherwell: Paintings, drawings, and collages at the Kootz Gallery

Photographer:
Studly, Adolph  Search this
Studly, Adolph  Search this
Subject:
Motherwell, Robert Burns  Search this
Kootz Gallery (N.Y.)  Search this
Type:
Photographs
Date:
1952 April
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)17855
See more items in:
Kootz Gallery records, 1923-1966
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17855
Online Media:

Installation view of Robert Motherwell: Paintings, drawings, and collages at the Kootz Gallery

Photographer:
Studly, Adolph  Search this
Studly, Adolph  Search this
Subject:
Motherwell, Robert Burns  Search this
Kootz Gallery (N.Y.)  Search this
Type:
Photographs
Date:
1952 April
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)17856
See more items in:
Kootz Gallery records, 1923-1966
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17856
Online Media:

Installation view of Black or white: Paintings by European and American artists exhibition at the Kootz Gallery

Photographer:
Siskind, Aaron, 1903-1991  Search this
Siskind, Aaron, 1903-1991  Search this
Subject:
De Kooning, Willem  Search this
Hofmann, Hans  Search this
Motherwell, Robert Burns  Search this
Kootz Gallery (N.Y.)  Search this
Type:
Photographs
Date:
1950
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)17857
See more items in:
Kootz Gallery records, 1923-1966
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17857
Online Media:

Robert Motherwell in Provincetown

Photographer:
Ponsold, Renate, 1935-  Search this
Ponsold, Renate, 1935-  Search this
Subject:
Motherwell, Robert Burns  Search this
Type:
Photographs
Date:
1972 March
Record number:
(DSI-AAA)17866
See more items in:
Long Point Gallery records, 1959-1999, bulk 1976-1998
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17866
Online Media:

Robert Motherwell in his Greenwich studio

Photographer:
Ponsold, Renate, 1935-  Search this
Ponsold, Renate, 1935-  Search this
Subject:
Motherwell, Robert Burns  Search this
Type:
Photographs
Date:
1991
Topic:
Artists' studios  Search this
Record number:
(DSI-AAA)17867
See more items in:
Long Point Gallery records, 1959-1999, bulk 1976-1998
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17867
Online Media:

Robert Motherwell

Photographer:
Reynal, Kay Bell, 1905-1977  Search this
Reynal, Kay Bell, 1905-1977  Search this
Subject:
Motherwell, Robert Burns  Search this
Type:
Photographs
Date:
1952
Topic:
Artists at or with their work  Search this
Painters  Search this
Painting  Search this
Record number:
(DSI-AAA)2493
See more items in:
[Photographs of artists taken by Kay Bell Reynal], 1952
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_2493
Online Media:

Yvonne Thomas papers, 1955-1979

Creator:
Thomas, Yvonne, 1913-  Search this
Thomas, Yvonne, 1913-  Search this
Subject:
Motherwell, Robert  Search this
Reinhardt, Ad  Search this
Topic:
Painting, Modern -- 20th century -- History -- New York (State) -- New York  Search this
Women painters  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8556
(DSI-AAA_SIRISBib)210734
AAA_collcode_thomyvon
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210734

Watson/de Nagy & Company gallery records, 1972-1984

Creator:
Watson/de Nagy & Company (Gallery: Houston, Tex.)  Search this
Watson/de Nagy & Company (Gallery: Houston, Tex.)  Search this
Subject:
Boxer, Stanley  Search this
Dzubas, Friedel  Search this
Hughto, Darryl  Search this
Motherwell, Robert  Search this
Goodnough, Robert  Search this
Greenleaf, Kenneth Lee  Search this
Moses, Forrest  Search this
Staley, Earl  Search this
Caro, Anthony  Search this
Darby, Walter  Search this
Watson, Marvin  Search this
Willour, Clint  Search this
Watson, Marvin  Search this
De Nagy, Tibor  Search this
Tibor de Nagy Gallery Texas Inc  Search this
Theme:
The Art Market  Search this
Record number:
(DSI-AAA_CollID)9325
(DSI-AAA_SIRISBib)211521
AAA_collcode_watsnagy
Theme:
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211521

Florence Weinstein papers, 1929-1983

Creator:
Weinstein, Florence, 1895-1989  Search this
Weinstein, Florence, 1895-1989  Search this
Subject:
Motherwell, Robert  Search this
Weinstein, Sylvie L.  Search this
Borduas, Paul-Emile  Search this
Golbin, Andrée  Search this
Littlefield, William Horace  Search this
Topic:
Pottery, American  Search this
Women artists  Search this
Decorative arts  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Craft  Search this
Record number:
(DSI-AAA_CollID)9340
(DSI-AAA_SIRISBib)211536
AAA_collcode_weinflor
Theme:
Women
Lives of American Artists
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211536

Emerson Woelffer papers, 1937-1999

Creator:
Woelffer, Emerson, 1914-2003  Search this
Woelffer, Emerson, 1914-2003  Search this
Subject:
Motherwell, Robert  Search this
Topic:
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Dadaism  Search this
Painting, Modern -- 20th century -- California -- Los Angeles  Search this
Surrealism  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9359
(DSI-AAA_SIRISBib)211555
AAA_collcode_woelemer
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211555

Ulfert Wilke papers, 1934-1977

Creator:
Wilke, Ulfert, 1907-1987  Search this
Wilke, Ulfert, 1907-1987  Search this
Subject:
Wilke, Rudolf  Search this
Beckmann, Max  Search this
Berman, Eugene  Search this
Bissier, Julius  Search this
Bonnefoy, Maurice  Search this
Evergood, Philip  Search this
Feininger, Lyonel  Search this
Grosz, George  Search this
Holty, Carl  Search this
Jensen, Alfred  Search this
Motherwell, Robert  Search this
Reinhardt, Ad  Search this
Tobey, Mark  Search this
Type:
Sketchbooks
Topic:
Art -- Collectors and collecting -- United States  Search this
Artists' studios -- Photographs  Search this
Painting, Modern -- 20th century -- United States  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9375
(DSI-AAA_SIRISBib)211572
AAA_collcode_wilkulfe
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211572

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