Moser, Joann G. 2000. "Hand Print Workshop in Perspective." In The View from Here: Issues of Cultural Identity and Perspective in Contemporary Russian and American Art. 10–19. Moscow: State Tretyakov Gallery.
Moser, Joann G. 2000. "Digital Deja Vu." In Printed on Paper: The Techniques, History and Conservation of Printed Media. Colburne, Jane and Snyder, Reba Fishman, editors. 177–184. Newcastle upon Tyne UK: Arts and Social Sciences Academic Press.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacob Kainen papers, 1905-2008, bulk 1940-2001. Archives of American Art, Smithsonian Institution.
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Max Weber papers, 1902-2008. Archives of American Art, Smithsonian Institution.
Moser, Joann G. 2003. Graphic masters: highlights from the Smithsonian American Art Museum. Washington, DC: Smithsonian American Art Museum, pp., 108 pp.
Mecklenburg, Virginia M., Lemmey, Karen, Moser, Joann G. and Ramos, E. Carmen. 2015. Crosscurrents: Modern Art from the Sam Rose and Julie Walters Collection. Washington, DC: Smithsonian American Art Museum, in association with D. Giles Ltd, pp., 232 pp.
Broun, Elizabeth. 2015. Foreward. In: Mecklenburg, Virginia M., Lemmey, Karen, Moser, Joann G. and Ramos, E. Carmen, Crosscurrents: Modern Art from the Sam Rose and Julie Walters Collection. Washington: Smithsonian American Art Museum, in association with D. Giles Ltd,() pp.8-9.
Moser, Joann G. 2000. Hand Print Workshop in Perspective. In: The View from Here: Issues of Cultural Identity and Perspective in Contemporary Russian and American Art. Moscow: State Tretyakov Gallery,() pp.10-19.
Moser, Joann G. 2013. Robert Conway, A Meticulous Serenity: The Prints of Clinton Adams, 1948-1997: A Catalogue Raisonné. Print Quarterly, 30(4): 455-458.
Moser, Joann G., Wiley, William T., Yau, John and Hanhardt, John G. 2009. What's it all mean: William T. Wiley in retrospect. Washington, DC : Berkeley: Smithsonian American Art Museum ; University of California Press, pp., 226 pp.
Moser, Joann G. 2008. "Introduction." In Will Barnet: Catalogue Raisonné 1931-2005, Etchings, Lithographs, Woodcuts, Serigraphs. vi–ix. New York: John Szoke Editions.
