73 Items (Letters, written in ink, ball point, graphite, typewriter)
26 Items (Stamps)
3 Items (Photographs)
Type:
Collection descriptions
Archival materials
Correspondence
Place:
USA -- Tennessee -- Nashville
Date:
1831-1979
Scope and Contents:
This collection is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American Art. Included in the collection is a significant portion of letters from Abbott Thayer to correspondents from his circle of family, friends and art world figures such as Maria Oakey Dewing and Samuel Coleman.
Arrangement:
Organized alphabetically by author.
Biographical / Historical:
Beginning in his youth Thomas Brumbaugh collected autographed correspondence. Mr. Brumbaugh's collecting instincts resulted in a unique collaborative collection providing a glimpse into the lives of a variety of 19th and 20th century American artists, such as Abbott Thayer. Brumbaugh was a professor of fine arts at Vanderbilt University in Nashville, and author of many articles on American art and artists.
Local Numbers:
FSA A2009.06
Other Archival Materials:
Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Brumbaugh, Thomas B. (Thomas Brendle), 1921- Search this
Extent:
9 Items (Letters, written in ink, ball point, graphite)
Type:
Archival materials
Correspondence
Date:
1848-1924
Scope and Contents:
This folder is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American art. Included in the folder are letters from George P. Healy, Eastman Johnson, George W. Maynard, Ambrose McEvoy, and James Henry Moser.
Arrangement:
Organized alphabetically by author.
Biographical / Historical:
Healy was an American academic painter during the 19th century who painted mostly portraits, including a rather well-known one of Abraham Lincoln seated, which hangs in the National Portrait Gallery in Washington, D.C. He studied in Paris, and worked in Paris, Rome, and Boston. Healy was prolific, painting as many as 50 portraits in a single year, including a series of American presidents, and group pictures depicting congressmen and other famous political figures. The picture depicts Senator Daniel Webster's (MA) reply in Senate to Senator Robert Hayne (SC) in 1830. They debated the issue of states' rights and nullification, and Webster defended a strong national government, famously declaring, "The motto should not be 'Liberty first, and Union afterwards,' but 'Liberty and Union, now and forever, one and inseparable!'"
Hon. George C. Washington was born in Virginia in 1789 and died in Georgetown, D.C. in 1854. He attended Phillips Academy in Andover, Massachusetts, served in the Maryland legislature, and served several terms representing Montgomery County in Congress.
Eastman Johnson was an American painter who co-founded the Metropolitan Museum of Art. Johnson painted many influential Americans of his day, and his style was influenced by the Dutch masters, earning him the title of "The American Rembrandt."He was born in Maine in 1824, but moved to Washington, D.C., where he completed many of his portraits. Johnson lived among Native American tribes and opened a studio in New York.
George Willoughby Maynard was an American painter who started his career by completing murals in Boston's Trinity Church. He later did many murals in the Library of Congress.
Ambrose McEvoy painted figures, landscapes, and portraits in the late 19th and early 20th centuries. He was a founder-member of the National Portrait Society in England, and painted a number of portraits of soldiers and sailors, which are now in the Imperial War Museum.
Edward StanleyMercer was an English artist who studied at the Slade School of Art, along with time in Holland, Spain, and Italy. He exhibited at the Royal Academy, and was a member of both the Royal Society of Portrait Painters and the Royal Institute of Oil Painters.
In the letter, Ambrose McEvoy mentions that he has "written to Harold Speed," who was an English painter of oil and watercolor landscapes and portraits. Speed (1872-1957) studied art at the Royal Academy Schools and was elected a member of the Royal Society of Portrait Painters. Speed exhibited at the Royal Academy.
James Henry Moser was born in Ontario, Canada, who worked as an illustrator and landscape painter in oil and watercolor. In Washington, D.C., he was awarded the first Corcoran Prize by the Washington Watercolor Club. He was an art critic for the Washington Times, Post, and Herald, and did freelance illustrations for Harper's, among other publications. Mrs. Benjamin Harrison, the First Lady, purchased one of Moser's pieces, "A Sunny Morning at Salisbury Beach," to hang in the White House living room. He died in 1913 after having suffered a stroke earlier that year.
Local Numbers:
FSA A2009.06 5
Other Archival Materials:
Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Zolnay, George Julian, 1862 or 1863-1949 Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Place:
Museum directors -- Washington (D.C.)
Date:
1879-1955
Summary:
The artists' files of William Henry Holmes, curator and director of the Smithsonian's National Collection of Fine Arts (now the Smithsonian American Art Museum) in Washington, D.C., measure 0.2 linear feet and date from 1879 to 1955. The artists' files consist mostly of correspondence, but also include a few photographs, artwork in the form of sketches, and printed material. There is also one file relating to Holmes' affiliation with the Washington Water Color Club.
Scope and Contents:
The artists' files of William Henry Holmes, curator and director of the Smithsonian's National Collection of Fine Arts (now the Smithsonian American Art Museum) in Washington, D.C., measure 0.2 linear feet and date from 1879 to 1955. The artists' files consist mostly of correspondence, but also include a few photographs, artwork in the form of sketches, and printed material. There is also one file relating to Holmes' affiliation with the Washington Water Color Club.
Notable artists represented in the files include R.N. Brooke, William B. P. Closson, James Earle Fraser, Vinnie Ream Hoxie, Reuben Le Grand Johnston, John LaFarge, Gari Melchers, Thomas Moran, Henry Moser, Hobart Nichols, Violet Oakley, Joseph Pennell, Joseph Henry Sharp, Mary Vaux Walcott, Carl F. Weller, Max Weyl, Irving R. Wiles and George Julian Zolnay.
Arrangement:
This collection is arranged as 1 series.
Missing Title
Series 1: Artists' Files, 1879-1955 (0.2 linear feet; Box 1)
Biographical / Historical:
William Henry Holmes (1846-1933) was a curator, museum director, artist, scientific illustrator, archaeologist, geologist, and anthropologist. He served in various positions in the Smithsonian Institution, and finally as director of the Smithsonian's National Gallery of Art (now the Smithsonian American Art Museum) from 1920-1932.
Holmes was born in Harrison County, Ohio in 1846. In 1870, he graduated from McNeely Normal School in Ohio and, after a short time of teaching at that school, moved to Washington, D.C. in 1871 to study art under Theodore Kaufmann. Thanks to his artistic skills, he was soon hired by Smithsonian paleontologist Francis B. Meek to do scientific drawings. In 1872, Holmes joined the geological survey of Ferdinand Vandeveer Hayden, as an artist and topographer of the survey of Yellowstone National Park and surrounding area, and other regions in the west. In 1879, Holmes went to work for the newly founded U.S. Geological Survey. There he worked as a geologist and chief of scientific illustration. In addition to art and geology, his interests and expertise expanded into archaeology and anthropology.
Holmes worked as chief curator at the Field Columbian Museum (now the Field Museum of Natural History) in Chicago before returning to the Smithsonian in 1897, where he served as curator of anthropology and chief of the Bureau of American Ethnology. In 1910, he became chairman of the Division of Anthropology. In 1920, Holmes became director of the Smithsonian Institution's National Gallery of Art (now the Smithsonian American Art Museum), a position he held until 1932. William Henry Holmes died one year later.
Related Materials:
Collections about William Henry Holmes are also located at other Smithsonian Institution archival units, including the National Anthropological Archives and Smithsonian Institution Archives.
Provenance:
These files were transferred from the Smithsonian Institution's National Museum of American Art Library (now the Smithsonian American Art Museum) to the Archives of American Art in two installments in 1981 and 1992.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Biographical material, correspondence, diaries and journals, articles and stories, clippings, exhibition catalogs and announcements, price lists, printed material, and photographs.
Reels 984-985: Biographical material; correspondence, 1877-1961, undated, between Moser and his family, and many letters from other artists, including a 7 p. letter from Arthur Stieglitz, 1905; volume of letters to Moser's wife describing his European trip, 1896; 3 diaries, l891, 1896-97, and 1904; 3 journals: "Art Notes and Subject," 1896, Society of Washington Artists "Mem. and Notes," 1898, and "Pictures sold after Nov. 1913"; a centennial sketchbook, 1876; articles and stories written by Moser; 1880-1914; exhibition catalogs and announcements; price lists; printed material; copy of typescript "James Henry Moser: His Brush and His Pen" by Moser's daughter, Mrs. James M. Fetherolf; and miscellany.
Reel 964: Eight photographs of Moser's studio in Washington, D.C., Atlanta, Georgia, and Columbus, Ohio; one photograph of the artist at work in Conway, N.H.; one of Moser at the Salmagundi Club; one of 35 artists including Moser; 217 photographs of Moser's works and an album containing 63 photographs of Moser's works; and miscellaneous photographs.
Biographical / Historical:
Illustrator and landscape painter; Washington, D.C. Born in Whitby, Ontario, Canada. Studied with J. H. Witt and C. H. Davis. Illustrated first published volume of UNCLE REMUS. Taught at the Corcoran Gallery of Art. Assistant Director of Knoxville, Tenn. Expo, 1910.
Provenance:
Lent for microfilming by Moser's daughter, Mrs. James Fetherolf, 1975.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No access restrictions. Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
Uncle Remus, his songs and his sayings : the folk-lore of the old plantation / by Joel Chandler Harris ; with illustrations by Frederick S. Church and James H. Moser
Uncle Remus, his songs and his sayings : the folk-lore of the old plantation / by Joel Chandler Harris ; with illustrations by Frederick S. Church and James H. Moser
