Skip to main content Smithsonian Institution

Search Results

Collections Search Center
55 documents - page 1 of 3

Christine J. Abel printed material relating to Helen Forbes

Creator:
Abel, Christine Jeannette, 1890-1970  Search this
Names:
Forbes, Helen, 1891-1945  Search this
Extent:
8 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1910-1940
Scope and Contents:
Clippings about painter and muralist Helen Forbes, one of which concentrates on Forbes's demonstration of principles of mosaic, and 2 photographs of works of art by Forbes.
Biographical / Historical:
Helen Forbes was a painter and mosaicist, San Francisco and Palo Alto, Calif.
Provenance:
Lent for microfilming 1964 by Christine J. Abel.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Mosaicists -- California  Search this
Painters -- California  Search this
Artisans -- California  Search this
Educators -- California  Search this
Topic:
Women artists -- California  Search this
Women artisans -- California.  Search this
Identifier:
AAA.abelchri
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-abelchri

Oral history interview with Mary Dill Henry, 1964 May 12

Interviewee:
Henry, Mary Dill, 1913-  Search this
Interviewer:
McChesney, Mary Fuller, 1922-  Search this
Subject:
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Mosaicists -- California -- Interviews  Search this
Designers -- California -- Interviews  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)12650
(DSI-AAA_SIRISBib)213564
AAA_collcode_henry64
Theme:
New Deal
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213564

Hildreth Meière papers, 1901-2011, bulk 1911-1960

Creator:
Meiere, M. Hildreth, d. 1961-  Search this
Subject:
Abbott, Berenice  Search this
Dunn, Louise Meière  Search this
United States. Navy  Search this
Exposition internationale  Search this
Peter A. Juley & Son  Search this
New York World's Fair  Search this
Type:
Slides (photographs)
Transcripts
Video recordings
Photographs
Poetry
Diaries
Sketchbooks
Place:
Spain -- History -- Civil War, 1936-1939
Topic:
War relief  Search this
Travel  Search this
Painters -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
World War, 1939-1945  Search this
World War I, 1914-1918  Search this
Women artists  Search this
Mosaicists -- New York (State) -- New York  Search this
Art commissions  Search this
Motion pictures (visual works)  Search this
Record number:
(DSI-AAA_CollID)5982
(DSI-AAA_SIRISBib)228718
AAA_collcode_meiemari
Theme:
Women
Lives of American Artists
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_228718
Online Media:

Mary Reardon papers

Creator:
Reardon, Mary, 1912-2002  Search this
Extent:
5.6 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Scrapbooks
Date:
1920-2002
bulk 1940-1990
Scope and Contents:
Biographical material; printed material; early childhood drawings by Reardon; photographs of Reardon and her works of art; files on major mural commissions and programs; files on Mexico, including the mural school of David Alfaro Siquieros; studio records; photographs of Reardon and her work; correspondence; sketches; and clippings. Major mural commissions include the Baltimore Cathedral, 1959, National Shrine of the Immaculate Conception, Washington, DC, 1973, and the St. Louis Cathedral, 1984.
Biographical / Historical:
Painter and muralist; Hingham, Mass.; b. 1912; d. 2002.
Provenance:
Donated 2004 by the Reardon estate via Martha A. R. Bewick, Reardon's niece and executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Muralists -- Massachusetts  Search this
Mosaicists -- Massachusetts  Search this
Painters -- Massachusetts  Search this
Topic:
Women artists  Search this
Genre/Form:
Drawings
Scrapbooks
Identifier:
AAA.rearmary
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rearmary

Hildreth Meière papers

Creator:
Meiere, M. Hildreth, d. 1961  Search this
Names:
Exposition internationale (1937 : Paris, France)  Search this
New York World's Fair (1939-1940)  Search this
Peter A. Juley & Son  Search this
United States. Navy  Search this
Abbott, Berenice, 1898-1991  Search this
Dunn, Louise Meière  Search this
Extent:
27.3 Linear feet
0.068 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Slides (photographs)
Transcripts
Video recordings
Photographs
Poetry
Diaries
Sketchbooks
Place:
Spain -- History -- Civil War, 1936-1939
Date:
1901-2011
bulk 1911-1960
Summary:
The papers of Hildreth Meière measure 27.3 linear feet and 0.068 GB and date from 1901 to 2011, with the bulk of material dating from 1911 to 1960. The collection documents Meière's life and travels, and her long and prolific career as an architectural muralist through biographical material, correspondence, writings, thirteen diaries, files regarding her war relief work during the Spanish Civil War and World War II, printed and digital materials, extensive photographs and slides, eight sketchbooks, and two videocassettes and 93 reels of motion picture film documenting her travels, her volunteer efforts in Spain following the civil war, artwork, and home movies.
Scope and Contents:
The papers of Hildreth Meière measure 27.3 linear feet and 0.068 GB and date from 1901 to 2011, with the bulk of material dating from 1911 to 1960. The collection documents Meière's life and travels, and her long and prolific career as an architectural muralist through biographical material, correspondence, writings, thirteen diaries, files regarding her war relief work during the Spanish Civil War and World War II, printed and digital materials, extensive photographs and slides, eight sketchbooks, and two videocassettes and 93 reels of motion picture film documenting her travels, her volunteer efforts in Spain following the civil war, artwork, and home movies.

Biographical material includes an autobiographical narrative written by Meière, her many awards and certificates, membership information, passports, her U.S. Navy service records from World War I, documentation of her brief marriage and family genealogy, obituaries, and memorial service documentation. Also found are extensive writings and research conducted by Meière's daughter, Louise Meière Dunn, which include a complete list of Meière's commissions, detailed biographical narratives, and records of Meière's works held elsewhere.

The papers contain Meière's personal and family correspondence, travel correspondence, and business correspondence regarding professional activities. Much of the correspondence with family and friends was written during Meière's extensive travels over the world. Both family and travel correspondence have extensive indexes, summaries, and in some cases, transcripts prepared by Meière's daughter, Louise Meière Dunn. Some of the indexes, summaries and transcripts are digital. Writings include poetry and diaries kept during childhood and school years, travel diaries, essays and talks written about Meière's work, writings Meière prepared for committees of the National Mural Painters Association, and detailed travelogues of her trips to Constantinople and the Balkans in 1933, to Russia in 1936, her "Grand Tour" to Australia, Southeast Asia, India, Africa, and Europe in 1952-1953, and her "Holy Land" tour of the Middle East in 1954.

Civilian War Service Records document Meière's efforts at war relief organization during and after the Spanish Civil War and during World War II. The Spanish Civil War files include extensive photographs provided by the Spanish government as well as three motion picture films documenting refugees and damaged architecture and public artwork shot by Meière during a trip sponsored by Franco's government. World War II activities concern Meière's efforts to organize artists in the United States to design and execute murals and other works of public art at military facilities around the U.S.

Travel records include maps, ephemera, slides, and 83 motion picture films taken on trips abroad between 1933 and 1958. Trips include Eastern and Western Europe, the Mediterranean Region and the Middle East, South America, Mexico and Guatemala, India, Sub-Saharan Africa, Southeast Asia, Australia, New Zealand, Scandinavia, and the UK. The motion picture films are mostly shot in Kodachrome color and many contain intertitles prepared by Meière to identify locations for travel lectures.

Printed materials consist primarily of clippings and publications that reference Meière's work, contain profiles of her, or contain published writings by her. A single published educational film is also found, given to her by an Australian filmmaker friend. Additional photographs, digital photographs and moving images include personal photographs of Meière, with portraits by Peter A. Juley and Sons and Berenice Abbott, photographs of many of her commissioned works, and a few photographs of artwork by others. Home movies show Meière with friends in 1926 and 1940. Among the photographic documentation of artworks by Meière and others are motion picture films of the 1939 New York World's Fair, the D.C. Municipal Building Frieze, and the 1937 Paris Fair; also found are 311 lantern slides and 201 glass copy negatives of her own completed works as well as murals she documented while traveling, notably murals in Norway and Oberammergau, Bavaria, taken in the 1930s.

Eight sketchbooks date to her early years as an art student and artist and include many figure studies, landscapes, and theatrical sketches made at home and abroad.
Arrangement:
This collection is arranged in 8 series. Indexes, summaries, and transcripts prepared by Louise Meière Dunn that relate directly to archival materials in the collection are found throughout the collection with the material they describe. These indices are particularly rich in Series 2, Correspondence.

Series 1: Biographical Material, 1915-2003 (0.6 linear feet; Boxes 1, 14, OV18)

Series 2: Correspondence, 1901-2011 (3 linear feet; Boxes 1-4, RD19, 0.038 GB; ER01-ER03)

Series 3: Writings, 1904-1960 (1.3 linear feet; Boxes 4-5)

Series 4: Civilian War Service Records, 1938-2006 (1.3 linear feet; Boxes 5-6, 15, FC 28-30)

Series 5: Travel Records, 1933-1958 (12.8 linear feet; Boxes 6-10, 15, OV18, FC 31-111)

Series 6: Printed Material, 1913-1998 (2.1 linear feet; Boxes 10-12, 15, FC 112)

Series 7: Photographs and Moving Images, 1915-1966 (5.8 linear feet; Boxes 12-13, 16, 20-27, FC 17, 113-127, 0.029 GB; ER04)

Series 8: Sketchbooks, 1911-1922 (0.4 linear feet; Box 13)
Biographical / Historical:
Hildreth Meière (1892-1961) was born in Flushing, New York, and had a prolific career from 1921-1961 as an architectural muralist working primarily in an Art Deco style. Meière painted murals and designed for various mediums including mosaic, metal, and stained glass. In 1956 the American Institute of Architects awarded Meière their Fine Arts Medal.

Meière was educated at New York's Convent of the Sacred Heart, Manhattanville, the Art Students League in New York, the California School of Fine Arts (now San Francisco Art Institute), and the School of the Art Institute of Chicago, in addition to pursuing studies in Italy. Her major commissions include the Nebraska State Capitol at Lincoln, the National Academy of Sciences, the Resurrection Chapel of the National Cathedral in Washington, D.C. In New York, she designed the Art Deco plaques on the exterior wall of Radio City Music Hall; created mosaic interiors for the Irving Trust Building at 1 Wall Street; and provided ecclesiastical decorations for St. Patrick's Cathedral, St. Bartholomew's Episcopal Church, Temple Emanu-El, and elsewhere. She also created murals for the Chicago 1933 Century of Progress Fair, and the 1939 New York World's Fair.

She was also an active officer in the Art Students League and the National Society of Mural Painters. Some of her most inspired collaborations were with the architect Bertram Goodhue in the 1920s, and only his sudden death in 1924 put an end to them, although some projects were finished with the successor firm.

Meière died in 1961 at the age of 68. Her work is remembered in several major publications, including The Art Deco Murals of Hildreth Meière by Catherine Coleman Brawer and Kathleen Murphy Skolnik, with photographs by Meière's granddaughter, Hildreth Meière Dunn, published in 2014; and the catalog of the 2009 exhibition at St. Bonaventure University, curated by Brawer and photographed by Dunn, entitled Walls Speak: the Narrative Art of Hildreth Meière.
Provenance:
A majority of the collection placed on deposit 2001 by Louise Meière Dunn, daughter of Hildreth Meière. The collection was donated incrementally by Dunn through 2012. Donations occurred 2001-2007, and again in 2010-2012.
Restrictions:
Use of original papers requires and appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Hildreth Meière papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
War relief  Search this
Travel  Search this
Painters -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
World War, 1939-1945  Search this
World War I, 1914-1918  Search this
Women artists  Search this
Mosaicists -- New York (State) -- New York  Search this
Art commissions  Search this
Motion pictures (visual works)  Search this
Genre/Form:
Slides (photographs)
Transcripts
Video recordings
Photographs
Poetry
Diaries
Sketchbooks
Citation:
Hildreth Meière papers, 1901-2011, bulk 1911-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.meiemari
See more items in:
Hildreth Meière papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-meiemari
Online Media:

Jeanne Reynal

Collection Creator:
Charlton, Maryette  Search this
Type:
Archival materials
Date:
1961-1983
Scope and Contents:
This subseries consists of material on Maryette Charlton's film about sculptor and mosaicist Jeanne Reynal. Included are research materials, editing notes, contracts, screening notes, shooting cards, exhibition catalogs, and photographs.
Arrangement:
The folders in this subseries are grouped together by document type, then arranged chronologically within each grouping.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Maryette Charlton papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Maryette Charlton papers, circa 1890-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.charmary, Subseries 8.5
See more items in:
Maryette Charlton papers
Maryette Charlton papers / Series 8: Major Film Projects
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-charmary-ref2061

Gerald Mast papers

Creator:
Mast, Gerald, 1908-1971  Search this
Names:
Society of Arts and Crafts (Detroit, Mich.)  Search this
Carroll, John, 1892-1959  Search this
Extent:
1.5 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
[ca. 1928-1971]
Scope and Contents:
Biographical sketches; correspondence with Mast's family and others; photographs of Mast, his family, John Carroll's art class at the Society of Arts and Crafts in Detroit and other art classes, WPA murals, and other works of art; three sketchbooks, 1935-1952; ca. 50 loose sketches; writings, including manuscripts of "Egg Tempera" and "Philosophy of Art"; exhibition catalogues; clippings; and printed materials.
ADDITION: Correspondence, photographs, a sketchbook, 1928, and drawings from the 1930's and 1940's, including a sketch for the mural, "Nature's Kin" for the Children's Section of the Herrick Public Library, Holland, Mich.
Biographical / Historical:
Painter, mural painter, mosaicist, and educator, Grand Rapids, Mich./Providence, R.I.
Provenance:
Donated 1978-1982 by Gerald Mast's daughter, Mrs. Gordon V.K. (Betsey M.) Reid.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art teachers -- Michigan  Search this
Mosaicists -- Michigan  Search this
Muralists -- Michigan  Search this
Painters -- Michigan  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.mastgera
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mastgera

Alfred James Tulk papers

Creator:
Tulk, Alfred James, 1899-1988  Search this
Names:
Rambusch (Firm)  Search this
Rambusch Glass and Decorating Company  Search this
Extent:
1.5 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Scrapbooks
Video recordings
Place:
Africa, West -- Description and Travel -- 1851-1950
Date:
1923-1986
Scope and Contents:
Photographs, artwork, scrapbooks, and Tulk's autobiography document his career as an artist. Over 160 photographs (ca. 1920's-1980's) depict Tulk and his work. Eighty-three drawings and paintings range from student work at Yale to professional designs for the Rambusch Company and other design firms. Two scrapbooks assembled by Tulk contain reviews and exhibit announcements. His autobiography, describing his two-year residence in West Africa in the 1930's, and a descriptive list of murals painted between 1925-1960 are included among his notes and writings. Letters (1940-1986) are mostly business-related correspondence between Tulk and the Rambusch Company. Clippings (1936-1984) discuss the altar designs Tulk created for ships and camps during World War II and his work for the Rambusch Company. Other materials include a 1985 video-taped interview with Tulk and many copyright certificates for his designs.
Biographical / Historical:
Born in London, England. Tulk received his Bachelors Degree from Yale University in 1923 and his Masters Degree from the University of Guanajualo, Mexico. Mural painting occupied most of his earlier years with commissions in painting, stained glass, and mosaics. He painted over 300 large murals between 1925 and 1954 for theatres, churches, hotels, restaurants, and private homes. During World War II Tulk worked with camouflage and the painting of altar triptychs for U.S. Chaplains in camps and on battleships. From 1960 to 1987 he painted landscapes, portraits, and abstract paintings.
Provenance:
Papers were bequeathed to Tulk's daughter, Sheila Tulk Payne, who donated them to the Archives.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Portrait painters  Search this
Mosaicists  Search this
Stained glass artists  Search this
Art teachers -- Connecticut  Search this
Landscape painters -- Connecticut  Search this
Topic:
Painting, Abstract -- Connecticut  Search this
Mural painting and decoration  Search this
Landscape painting -- Connecticut  Search this
Glass painting and staining  Search this
Art and religion  Search this
Christian art and symbolism  Search this
World War, 1939-1945 -- Religious aspects  Search this
Muralists  Search this
Genre/Form:
Drawings
Interviews
Scrapbooks
Video recordings
Identifier:
AAA.tulkalfr
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tulkalfr

Oral history interview with Max McCarthy

Interviewee:
McCarthy, Max, 1896-1977  Search this
McCarthy, Jean  Search this
Interviewer:
McChesney, Mary Fuller  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Extent:
25 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 Oct. 15
Scope and Contents:
An interview of Max McCarthy conducted 1964 Oct. 15, by Mary McChesney, for the Archives of American Art New Deal and the Arts Project.
McCarthy's wife Jean is also present during the interview and contributes to it.
Biographical / Historical:
Max McCarthy (1896-1977) was a mosaicist in San Francisco, Calif.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 3 digital wav files. Duration is 2 hr., 12 min.
The remastered reel was used for digitization. It was returned to Iron Mountain. Original reel missing.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Federal aid to the arts  Search this
Mosaicists -- California -- San Francisco -- Interviews  Search this
Art -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mccart64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mccart64

Oral history interview with Joyce Kozloff

Interviewer:
Kozloff, Joyce  Search this
Richards, Judith Olch  Search this
Creator:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Names:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Extent:
139 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2011 Jul 12-13
Scope and Contents:
An interview of Joyce Kozloff conducted 2011 July 12 and 13, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts Project, at Kozloff's home and studio, in New York, N.Y.
Biographical / Historical:
Joyce Kozloff (1942- ) is a mixed media artist in New York, N.Y. Judith Olch Richards (1947- ) is a former executive director of iCI in New York, N.Y.
General:
Originally recorded on Edirol R-09HR. Reformatted in 2010 as 9 digital wav files. Duration is 7 hrs., 10 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Mosaicists -- New York (State) -- New York -- Interviews  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.kozlof11
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kozlof11

Oral history interview with George Gaethke

Creator:
Gaethke, George, 1898-  Search this
New Deal and the Arts Oral History Project  Search this
Interviewer:
McChesney, Mary Fuller  Search this
Names:
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Albro, Maxine, 1903-1966  Search this
Bertrand, Ray, 1909-  Search this
Extent:
1 Sound tape reel (Sound recording, 5 in.)
26 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1964 Sept. 26
Scope and Contents:
An interview of George Gaethke conducted 1964 Sept 26 by Mary McChesney for the Archives of American Art.
Gaethke speaks of his background and art training in California and Chicago; his work on the Coit Tower murals; working on a mosaic under the Federal Art Project; printmaking under the FAP; his post-FAP career. He recalls Maxine Albro and Ray Bertrand.
Biographical / Historical:
Painter, printmaker, mosaicist, mural painter; San Francisco, Calif.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Topic:
Federal aid to the arts  Search this
Coit Memorial Tower (San Francisco, Calif.)  Search this
Mural painting and decoration  Search this
Printmakers -- California -- San Francisco -- Interviews  Search this
Mosaicists -- California -- San Francisco -- Interviews  Search this
Muralists -- California -- San Francisco -- Interviews  Search this
Painters -- California -- San Francisco -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.gaethk64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gaethk64

Oral history interview with Louisa Etcheverry

Creator:
King, Louisa Anne Etcheverry, 1911-1966  Search this
New Deal and the Arts Oral History Project  Search this
Interviewer:
McGlynn, Betty Hoag  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Extent:
1 Sound tape reel (Sound recording, 5 in.)
11 Pages (Tracnscipt)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1964 Sept. 23
Scope and Contents:
An interview of Louisa Etcheverry conducted 1964 Sept. 23 by Betty Hoag for the Archives of American Art.
Biographical / Historical:
Louisa Anne Etcheverry King (1911-1966) was a mosaicist from California.
General:
Interviews of Eugenia Everett (10/14/64), and Leon Saulter (11/19/64) conducted by B. Hoag are also on this tape.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Federal aid to the arts  Search this
Mosaicists -- California -- Interviews  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.etchev64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-etchev64

Oral history interview with Henry Allen Nord

Interviewee:
Nord, Henry Allen, 1904-  Search this
Interviewer:
McGlynn, Betty Hoag  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Extent:
29 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 July 19
Scope and Contents:
An interview of Henry Allen Nord conducted 1965 July 19, by Betty Hoag, for the Archives of American Art New Deal and the Arts Project.
Biographical / Historical:
Henry Allen Nord (1904-1981) was a mosaicist and painter from Los Angeles, Calif.
General:
Originally recorded on 3 sound tape reels. Reformatted in 2010 as 3 digital wav files. Duration is 1 hr., 2 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Use requires an appointment.
Topic:
Federal aid to the arts  Search this
Mosaicists -- California -- Los Angeles -- Interviews  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.nord65
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nord65

Oral history interview with Mary Dill Henry

Creator:
Henry, Mary, 1913-  Search this
New Deal and the Arts Oral History Project  Search this
Interviewer:
McChesney, Mary Fuller  Search this
Names:
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Extent:
1 Sound tape reel (Sound recordings (1 hour), 5 in.)
27 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1964 May 12
Scope and Contents:
An interview of Mary Dill Henry conducted on 1964 May 12, by Mary McChesney for the Archives of American Art.
Henry speaks of getting on the WPA Federal Art Project in Oakland, California; working on mosaics and designing murals for California school buildings; the dispersal of the art work created by the Project; her opinions of federal support for the arts.
Biographical / Historical:
Designer, mosaicist; California.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Use requires an appointment.
Topic:
Federal aid to the arts  Search this
Mosaicists -- California -- Interviews  Search this
Designers -- California -- Interviews  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.henry64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-henry64

Oral history interview with Marion Greenwood

Interviewee:
Greenwood, Marion, 1909-1970  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Treasury Relief Art Project  Search this
Extent:
15 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 Jan. 31
Scope and Contents:
An interview of Marion Greenwood conducted on 1964 Jan. 31, by Dorothy Seckler, for the Archives of American Art's New Deal and the Arts Oral History Project.
Greenwood speaks of her background and education; her mural work before joining the Treasury Relief Art Project; working on murals for the Red Hook Housing Project in Brooklyn, N.Y.; changing from murals to easel paintings; and her opinions regarding government support for the arts.
Biographical / Historical:
Marion Greenwood (1909-1970) was a painter, lithographer, mosaicist, fresco, and mural painter from New York, N.Y.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 11 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Topic:
Federal aid to the arts  Search this
Mural painting and decoration  Search this
Lithographers -- New York (State) -- New York -- Interviews  Search this
Mosaicists -- New York (State) -- New York -- Interviews  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Muralists -- New York (State) -- New York -- Interviews  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.greenw64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-greenw64

Oral history interview with Maxine Albro and Parker Hall

Interviewee:
Albro, Maxine, 1903-1966  Search this
Hall, Parker  Search this
Interviewer:
McChesney, Mary Fuller  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Allied Artists Guild  Search this
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Bertrand, Ray, 1909-  Search this
Gaethke, George, 1898-  Search this
Neininger, Urban  Search this
O'Higgins, Pablo, 1904-  Search this
Rivera, Diego, 1886-1957  Search this
Stackpole, Ralph, 1885-1973  Search this
Zakheim, Bernard Baruch, 1898-1985  Search this
Extent:
44 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 July 27
Scope and Contents:
An interview of Maxine Albro and Parker Hall conducted by Mary McChesney on 1964 July 27 for the Archives of American Art.
Albro speaks of her educational background including her work with Paul O'Higgins and as an assistant to Diego Rivera; of fresco and mosaic techniques; her mural at Coit Tower for the Public Works of Art Project; mosaics at San Francisco State College; her relationship with George Gaethke, Urban Neininger, Ralph Stackpole, Bernard Zakheim, and others; the Allied Artists Guild; the influence of the Federal Art Project on her career; and Ray Bertrand's lithography project. Parker Hall comments on his fresco at Coit Tower and other projects. Also present at the interview is Robert McChesney.
Biographical / Historical:
Maxine Albro (1903-1966) was a mural painter and mosaicist in Carmel, California. Her husband, Parker Hall, is a mural painter.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hrs., 26 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Muralists -- California -- Interviews  Search this
Mosaicists -- California -- Interviews  Search this
Mural painting and decoration, American -- California  Search this
Federal aid to the arts  Search this
Mosaics -- 20th century -- California  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.albro64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-albro64

Oral history interview with Arthur and Jean Goodwin Ames

Interviewee:
Ames, Arthur Forbes, 1906-1975  Search this
Creator:
Ames, Jean Goodwin, 1903-1986  Search this
New Deal and the Arts Oral History Project  Search this
Interviewer:
McGlynn, Betty Hoag  Search this
Names:
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Albro, Maxine, 1903-1966  Search this
Bruton, Helen, 1898-1985  Search this
Bruton, Margaret, 1894-  Search this
Drerup, Karl, 1904-2000  Search this
Extent:
30 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 June 9
Scope and Contents:
An interview of Arthur and Jean Goodwin Ames conducted 1965 June 9, by Betty Hoag McGlynn, for the Archives of American Art New Deal and the Arts Project. They speak of their participation in WPA projects at Newport Harbor Union High School, the San Diego County Courthouse, the Jon Lindbergh Junior High School, and the California Federal Building and Loan in Los Angeles; mural, mosaic and tapestry techniques and materials; Karl Drerup and the development of enameling in America; and the effect of the federal art programs on contemporary art. They also describe the work of Maxine Albro and Helen and Margaret Bruton.
Biographical / Historical:
Arthur Forbes (1906-1975) and Jean Goodwin Ames (1903-1986) were mural painters, mosaicists, and tapissiers from Claremont, California.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 4 digital wav files. Duration is 1 hr., 12 minutes.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Federal aid to the arts  Search this
Mosaics -- California  Search this
Mural painting and decoration -- California  Search this
Tapestry -- California  Search this
Mosaicists -- California -- Interviews  Search this
Muralists -- California -- Interviews  Search this
Tapissiers -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ames65
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ames65

Max Spivak photographs

Creator:
Spivak, Max, 1906-1981  Search this
Extent:
17 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1938-[ca. 1967]
Scope and Contents:
2 photographs of Spivak and 15 photographs of his art works, including painted and mosaic WPA murals.
Biographical / Historical:
Mosaicist, teacher, and lecturer; New York, N.Y.
Provenance:
Donated 1980 by Max Spivak's wife, Florence.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Mosaicists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Mural painting and decoration -- New York N.Y. -- Photographs  Search this
Mosaics -- Photographs  Search this
Identifier:
AAA.spivmax
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-spivmax

Marian Simpson clippings and photographs

Creator:
Simpson, Marian Hahn, 1899-1978  Search this
Names:
Federal Art Project (Calif.)  Search this
Extent:
2 Reels (ca.20 items (on partial microfilm reels))
Type:
Collection descriptions
Archival materials
Reels
Place:
United States -- Economic conditions -- 1918-1945 -- California -- Oakland -- Photographs
United States -- Social conditions -- 1933-1945 -- California -- Oakland -- Photographs
Date:
1934-1958
Scope and Contents:
Photographs and clippings.
Reel NDA 1: Photographs of marble panels for the Alameda County Courthouse in Oakland, California done for the Federal Art Project.
Reel NDA 3(frames 21-30): Newpaper clippings from San Francisco, Oakland and Los Angeles papers on Simpson's murals and mosaics, 1934 and 1958.[untitled on microfilm]
Biographical / Historical:
Marian Simpson (1899-1978) was a painter and mosaicist from Berkeley, Calif. Worked on the Federal Art Project of the Work Projects Administration.
Provenance:
Material on reel NDA 1 lent for microfilming 1964 by Marian Simpson; and material on reel NDA 3 lent 1964 by Lewis Ferbrache.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters  Search this
Topic:
New Deal, 1933-1939 -- California -- Oakland -- Photographs  Search this
Federal aid to the arts -- California -- Oakland -- Photographs  Search this
Federal aid to the public welfare -- California -- Oakland -- Photographs  Search this
Art and state -- California -- Oakland -- Photographs  Search this
Muralists  Search this
Women artists  Search this
Identifier:
AAA.simpmari
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-simpmari

Mary Dill Henry papers

Creator:
Henry, Mary, 1913-  Search this
Extent:
0.3 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1970-1990
Scope and Contents:
Biographical material; 28 color photographs and 67 slides of Henry's work; exhibition list; 3 letters; receipts; magazine and newspaper clippings; and exhibition announcements.
Biographical / Historical:
Painter, designer, mosaicist; California and Seattle, Wash.
Provenance:
Donated by Artemas A. Ginzton, Henry's friend and patron.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Designers  Search this
Mosaicists  Search this
Painters -- California  Search this
Painters -- Washington (State) -- Seattle  Search this
Topic:
Women artists -- Washington (State) -- Seattle  Search this
Identifier:
AAA.henrmary
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-henrmary

Modify Your Search







or


Narrow By