Skip to main content Smithsonian Institution

Search Results

Collections Search Center
18 documents - page 1 of 1

Robert Jay Wolff papers

Creator:
Wolff, Robert Jay, 1905-  Search this
Names:
Artists' Union (Chicago, Ill.)  Search this
Solomon R. Guggenheim Museum  Search this
Cahill, Holger, 1887-1960  Search this
Calder, Alexander, 1898-1976  Search this
Chermayeff, Serge, 1900-  Search this
Crawford, M. D. C. (Morris De Camp), 1882-1949  Search this
Ernst, Jimmy, 1920-1984  Search this
Giedion, S. (Sigfried), 1888-1968  Search this
Gropius, Walter, 1883-1969  Search this
Holty, Carl, 1900-1973  Search this
Holtzman, Harry  Search this
Hustvedt, Stephen R.  Search this
Kuh, Katharine  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Moholy-Nagy, László, 1895-1946  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Osborn, Robert Chesley, 1904-1994  Search this
Pearlstein, Philip, 1924-  Search this
Rebay, Hilla, 1890-1967  Search this
Reinhardt, Ad, 1913-1967  Search this
Robinson, Increase, 1890-1981  Search this
Seligmann, Kurt, 1900-1962  Search this
Extent:
0.4 Linear feet ((on 4 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1926-1969
Scope and Contents:
Correspondence; exhibition catalogs; notes; photographs; notebooks; scrapbook; clippings; and miscellany.
REELS N69-72-N69-74: Correspondence, 1929-1968 with Alexander Calder, Serge Chermayeff, Jimmy Ernst, Sigfried Giedion, Walter Gropius, Guggenheim Museum, Carl Holty, Katharine Kuh, L. and Sybil Moholy-Nagy, Museum of Non-Objective Painting and Hilla Rebay, Harry Holtzman, Stephen R. Hustvedt, Bob Osborn, Philip Pearlstein, Ad Reinhardt, and Kurt Seligmann; exhibition catalogs; price lists; clippings; articles; talks and notes; photographs of paintings and sculpture, 1929-1958; notebooks, 1929-1965; and a scrapbook, 1934-1938.
REEL N69-98: Nine letters from Morris D. C. Crawford and his wife, 1926-1932, and a carbon copy of a letter to Dorothy Miller Cahill, May 27, 1969, in which Wolff mentions his efforts, as president of the Artists' Union of Chicago, ca. 1936, to unseat Increase Robinson. Wolff also explains how he became Holger Cahill's "bitter enemy."
Biographical / Historical:
Designer and painter; New Preston, Connecticut. Died in 1978.
Provenance:
Lent for microfilming 1969 by Robert Jay Wolff.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Designers -- Connecticut -- New Preston  Search this
Painters -- Connecticut -- New Preston  Search this
Topic:
Painting, American  Search this
Design  Search this
Identifier:
AAA.wolfrobe
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wolfrobe

James Edward Davis papers

Creator:
Davis, Jim, 1901-1974  Search this
Names:
De Marco, Norman  Search this
Kossoff, Rosalind  Search this
Lye, Len, 1901-1980  Search this
Marin, John, 1870-1953  Search this
Moholy-Nagy, László, 1895-1946  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Steichen, Edward, 1879-1973  Search this
Stieglitz, Alfred, 1864-1946  Search this
Vanderpool, Wynant D.  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Extent:
3.4 Linear feet ((on 7 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1917-1969
Scope and Contents:
Correspondence; photographs; drawings; sketches and designs; typescripts; exhibition announcements and clippings.
REELS 430-433: Correspondence; ca. 1000 photographs of Davis's paintings, plastic mobiles, motion studies; 13 notebooks containing photos and notes on his films, visual design, plastics, Frank Lloyd Wright and other subjects; exhibition announcements; and clippings. Correspondents include Rosalind Kossoff (Director AF Films and FilmImages), John Marin, Frank Lloyd Wright, Len Lye, Sibyl and Laszlo Moholy-Nagy, Norman De Marco, Alfred Stieglitz, Wynant Vanderpool, Edward Steichen, and others.
REEL N712: Sketches, designs, and working papers relating to Davis's plastic constructions, mobiles, and abstract art films; photos of works; a file on Davis's exhibition at Princeton, 1963; statements on his work; and typescripts, "Notes on Frank Lloyd Wright," and "Notes on John Marin."
REEL N738: Selection of drawings, 1919-1950, with explanatory notes by Davis.
REEL N68-86A: Sixteen letters from John Marin, 1940-1947.
UNMICROFILMED: Slides and miscellany.
Biographical / Historical:
Painter, photographer, filmmaker; Princeton, New Jersey. Davis's specialty was abstract art. He studied with Andre Lhote in Paris.
Provenance:
Material on reels N172, N68-86A, N738 lent 1967-1968 for microfilming by James E. Davis. Material on reels 430-433 donated 1969 by Davis and Rosalind Kossoff, Davis's agent.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Photographers  Search this
Topic:
Art, Abstract  Search this
Mobiles (Sculpture)  Search this
Identifier:
AAA.davijame
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-davijame

Oral history interview with Lee Mullican

Interviewee:
Mullican, Lee, 1919-1998  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Diebenkorn, Richard, 1922-1993  Search this
Guggenheim, Peggy, 1898-  Search this
Hockney, David  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Moses, Ed, 1926-  Search this
Noguchi, Isamu, 1904-1988  Search this
Onslow-Ford, Gordon  Search this
Paalen, Wolfgang, 1907-  Search this
Rosenthal, Rachel, 1926-  Search this
Stauffacher, Jack Werner  Search this
Extent:
160 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1992 May 22-1993 Mar. 4
Scope and Contents:
An interview of Lee Mullican conducted 1992 May 22-1993 Mar. 4, by Paul Karlstrom for the Archives of American Art, at the artist's home/studio in Santa Monica, Calif.
Mullican speaks of his family background, childhood, and his first introductions to art; the influence of abstraction and surrealism in his work; his studies at Abilene College, University of Oklahoma, and the Kansas City Art Institute; his service in WWII; his interest in French painting, theater, opera and ballet; meeting Jack Stauffacher; the influence of Wolfgang Paalen in Mexico; and the connection between modern and primitive, and tribal art, especially in the American Indians of Mexico. He discusses his arrival in San Francisco and the art world and lifestyle there; the Dynaton group; early years in Los Angeles; his trip and exhibition in Rome; UCLA politics; his relationship to modernism and place in American art; regionalism; and the mystical and transcendental expressed in his work. He recalls Gordon Onslow-Ford, Jack Stauffacher, Peggy Guggenheim, Rachel Rosenthal, Richard Diebenkorn, David Hockney, Ed Moses, Isamu Noguchi, Sibyl Moholy-Nagy, and others.
Biographical / Historical:
Lee Mullican (1919-1998) was a painter from San Francisco and Santa Monica, Calif.
General:
Originally recorded on 8 sound cassettes. Reformatted in 2010 as 14 digital wav files. Duration is 7 hrs., 4 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview was provided by the Lannan Foundation.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art, Modern -- 20th century -- California  Search this
Painters -- California -- Santa Monica -- Interviews  Search this
Dynaton (Group of artists)  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.mullic92
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mullic92

Gyorgy Kepes papers

Creator:
Kepes, Gyorgy, 1906-2001  Search this
Names:
Center for Advanced Visual Studies  Search this
Illinois Institute of Technology  Search this
Saidenberg Gallery  Search this
Triennale di Milano (Milan, Italy)  Search this
Arnheim, Rudolf  Search this
Bertoia, Harry  Search this
Blee, Michael  Search this
Boghosian, Varujan  Search this
Brazdys, Konslancija  Search this
Burgess, Lowry, 1940-  Search this
Burnham, Jack, 1931-  Search this
Calder, Alexander, 1898-1976  Search this
Chermayeff, Serge, 1900-  Search this
Dreyfuss, Henry, 1904-1972  Search this
Eames, Charles  Search this
Eames, Ray  Search this
Egawa, Kazuhiko  Search this
Entwhistle, Clive  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Gropius, Walter, 1883-1969  Search this
Hayter, Stanley William, 1901-1988  Search this
Hélion, Jean, 1904-1987  Search this
Johnson, Philip, 1906-2005  Search this
Kepes, Juliet  Search this
Kowalski, Piotry  Search this
Lynch, Kevin, 1918-1984  Search this
McLuhan, Marshall, 1911-1980  Search this
Mead, Margaret, 1901-1978  Search this
Moholy-Nagy, László, 1895-1946  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Nusberg, Lev, 1937-  Search this
Osborn, Robert Chesley, 1904-1994  Search this
Piene, Otto, 1928-  Search this
Read, Herbert Edward, Sir, 1893-1968  Search this
Richards, I. A. (Ivor Armstrong), 1893-1979  Search this
Rickey, George  Search this
Saarinen, Eero, 1910-1961  Search this
Sonfist, Alan  Search this
Steinberg, Saul  Search this
Tacha, Athena, 1936-  Search this
Takis, Vassilakis  Search this
Tange, Kenzō, 1913-  Search this
Thiel, Philip  Search this
Tovish, Harold, 1921-2008  Search this
Tsʻai, Wen-ying, 1928-  Search this
Wolff, Robert Jay, 1905-  Search this
Wurster, William Wilson  Search this
Zvilna, Jēkabs, 1913-1997  Search this
Faculty:
Massachusetts Institute of Technology  Search this
Extent:
21.2 Linear feet
Type:
Collection descriptions
Archival materials
Caricatures
Designs
Photographs
Sketchbooks
Sketches
Sound recordings
Place:
Times Square (New York, N.Y.)
Date:
1909-2003
bulk 1935-1985
Summary:
The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.
Scope and Contents:
The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.

Correspondence provides a wide range of documentation on all aspects of Kepes's career including his collaborations and friendships with artists, architects, writers, scientists, and fellow educators including Rudolf Arnheim, Alexander Calder, Henry Dreyfuss, Charles and Ray Eames, Clive Entwhistle, R. Buckminster Fuller, Walter Gropius, S. W. Hayter, Jean Hélion, Laszlo and Sibyl Moholy-Nagy, Lev Nussberg, Robert Osborn, George Rickey, Saul Steinberg, Kenzo Tange, Robert Jay Wolff, and Jekabs Zvilna. Correspondence also documents the evolution of Kepes's vision for the Center for Advanced Visual Studies, which he established in 1967, and his subsequent leadership of CAVS at M.I.T. Records document his collaborations with students and fellows including Lowry Burgess, Jack Burnham, Piotry Kowalski, Margaret Mead, Otto Piene, Alan Sonfist, Athena Tacha, Vassilakis Takis, Philip Thiel, Harold Tovish, and Wen-Ying Tsai. Correspondents also include people who contributed to Kepes's Vision + Value series, including Michael Blee, Kazuhiko Egawa, Jean Hélion, and others. Correspondence includes three motion picture films, including what appears to be an early version of Powers of Ten by Charles and Ray Eames.

Writings include notes and manuscripts for articles and essays in which Kepes explored ideas evident in his books The New Landscape and Language of Vision, and submitted to publications such as Daedalus, Design, Domus, and Leonardo. Writings also include manuscripts for lectures, and draft manuscripts documenting Kepes's collaborative work with fellow M.I.T. professor Kevin Lynch on city planning, which culminated in Lynch's research project "The Perceptual Form of the City."

A small group of "Times Square Project" files documents Kepes's proposal for a lightscape in Times Square that was ultimately not realized.

Teaching files include sound recordings of circa five symposia and discussions held at M.I.T., the Illinois Institute of Technology, and elsewhere, some featuring Kepes and including Philip Johnson, Eero Saarinen and others.

Exhibition files include documentation of three exhibitions, including Light as a Creative Medium (1968) and a Kepes exhibition at Saidenberg Gallery (1968). They also record Kepes's involvement in designing the 1968 Triennale di Milano.

Printed material includes a substantial collection of announcements and catalogs for Kepes exhibitions, lectures, and other events, and includes catalogs and announcements for scattered exhibitions of his wife, artist and illustrator, Juliet Kepes. Clippings from newspapers and magazines include articles about Kepes, and contain some copies of published writings and designs by him. The series also includes sound recordings and motion picture films containing original material for a CBS television series "The 21st Century," probably as part of the episode "Art for Tomorrow," which appear to feature M.I.T. fellows Jack Burnham and Vassilakis Takis. Another motion picture film of an Italian documentary "Operazione Cometa" can also be found here.

Two sketchbooks contain pen and ink and painted sketches by Kepes. Artwork by Kepes includes original poster designs, caricatures, and many pencil, and pen and ink sketches and paintings on paper and board, including designs for stained glass. Artwork by others includes ink on mylar sketches by D. Judelson and Konstancija Brazdys, and a sketch by Harold Tovish. Also found are circa seventeen motion picture films and four sound recordings, the majority of which are untitled and by unidentified artists, but include films by M.I.T. fellows Otto Piene, Vassilakis Takis, Philip Thiel, Harold Tovish, Wen-Ying Tsai, and others.

Photographs are of Kepes, Juliet Kepes, and other family members; students, colleagues, and friends, including R. Buckminster Fuller, Serge Chermayeff, Harry Bertoia, Varujan Boghosian, Alexander Calder, Marchall McLuhan, Margaret Mead, Herbert Read, I. A. Richards, Saul Steinberg, and William Wurster; and of Kepes in his studio. There are also photos of exhibition installations in which Kepes's work appeared or which he designed, and photos of his artwork and of images for publications which he wrote or edited. Photos by others include artwork by established artists and work by students, as well as photographs arranged by subjects such as cityscapes, forms found in nature, light patterns, mechanical devices, and photomicrographs. A collection of lantern slides with similar content to the photos of artwork and photos by subject is also found in this series and includes a lantern slide of Picasso creating a design with light.
Arrangement:
The collection is arranged as eleven series.

Series 1: Biographical Material, circa 1940-circa 1980 (0.25 linear feet; Boxes 1, 28)

Series 2: Correspondence, 1936-1984 (5.7 linear feet; Boxes 1-7, 28 OV 33, FCs 39-41)

Series 3: Interviews and Transcripts, 1954-1970 (4 folders; Box 7)

Series 4: Writings and Notes, 1948-circa 1980s (1.4 linear feet; Boxes 7-8, 28)

Series 5: Times Square Project Files, 1972-1974 (6 folders; Box 9)

Series 6: Teaching Files Sound Recordings, circa 1953-1972 (0.7 linear feet; Box 9)

Series 7: Exhibition Files, 1958-1973 (0.4 linear feet; Boxes 9-10)

Series 8: Printed Material, circa 1922-1989 (3.6 linear feet; Boxes 10-12, 28-29, OVs 35, 37, FCs 42-49)

Series 9: Sketchbooks, circa 1940s-circa 1970s (2 folders; Box 12)

Series 10: Artwork and Moving Images, circa 1924-2003 (2.5 linear feet; Boxes 12, 13, OVs 33-36, 38, FCs 50-62)

Series 11: Photographs, 1909-1988 (10.4 linear feet; Boxes 13-32)
Biographical / Historical:
Painter, designer, art theorist, and educator, Gyorgy Kepes (1906-2001), was born in Selyp, Hungary, and studied at the Royal Academy of Fine Arts, Budapest. He worked with Moholy-Nagy in Berlin and London before joining him at the New Bauhaus (later the Chicago Institute of Design) in 1937.

Kepes taught courses at the New Bauhaus from 1937 to 1945, and published Language of Vision in 1944, summarizing the educational ideas and methods he had developed during his time at the institute. In 1946 he accepted a teaching position at the Massachusetts Institute of Technology (M.I.T.) where he initiated a program in visual design.

In 1956 Kepes published The New Landscape in Art and Science, in which he presented images from nature that were newly accessible due to developments in science and technology, and explored his ideas for a common language between science and the visual arts.

In 1965, these ideas were apparent in Kepes's proposal of an expanded visual arts program at M.I.T., which would "build new as yet undetermined bridges between art and engineering and science," according to the minutes of an M.I.T. Art Committee meeting in March of that year. Kepes's vision dovetailed with M.I.T.'s vested interest in promoting the arts, and faculty and administrators were open to the argument that "The scientific-technical enterprise needs schooling by the artistic sensibilities." In 1967, they appointed Kepes Director of M.I.T.'s Center for Advanced Visual Studies (CAVS).

Kepes retired from the regular faculty at M.I.T. in 1967, to focus on his role as director of CAVS, where he worked to provide artists with opportunities for exploring new artistic forms on a civic scale through a working dialogue with scientists and engineers. Early fellows of the center included Maryanne Amacher, Joan Brigham, Lowry Burgess, Jack Burnham, Piotry Kowalski, Otto Piene, Vassilakis Takis, and Wen-Ying Tsai.

In 1965-1966 Kepes edited a six-volume series entitled Vision + Value, published by George Braziller, Inc. Each volume featured essays that centered around a core theme: The Education of Vision; Structure in Art and Science; The Nature and Art of Motion; Module, Symmetry, Proportion, Rhythm; Sign, Image, Symbol; and Man-Made Object. Contributions came from prominent artists, designers, architects, and scientists of the time including Rudolf Arnheim, Saul Bass, Marcel Breuer, John Cage, R. Buckminster Fuller, Johannes Itten, Marshall McLuhan, and Paul Rand.

Kepes experimented widely with photography, producing abstract images through the application of fluids and objects to photographic paper. He also took commercial work throughout his career, producing designs for all kinds of objects, including books and stained glass windows for churches. He returned to painting in the 1950s, and his development as a painter continued throughout his career at M.I.T., where he remained until his retirement in 1974, and beyond. His paintings, which were abstract and often incorporated organic shapes and hints of landscapes, can be found in museums such as the Brooklyn Museum of Art, the Corcoran Gallery of Art, and the Whitney Museum of American Art.

Kepes received many awards during his lifetime, including a Guggenheim Fellowship (1958); the Gold Star Award of the Philadelphia College of Art (1958); the National Association of Art Colleges Annual Award (1968); the California College of Art Award (1968); and the Fine Arts Medal from the American Institute of Architects (1968). In 1973 he was elected into the National Academy of Design as an associate member, and became a full academician in 1978. He was a member of the National Institute of Arts and Letters and Fellow of the American Academy of Arts and Sciences.
Related Materials:
Additional papers of Gyorgy Kepes can be found at Stanford University and the Massachusetts Institute of Technology Center for Advanced Visual Studies Special Collection.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 1211) including ninety-eight letters to Kepes from colleagues, 1946-1974. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Gyorgy Kepes lent papers for microfilming in 1974 and donated material to the Archives of American Art in a series of gifts between 1974 and 1993.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Rights:
Authorization to publish, quote, or reproduce must be obtained from Juliet Kepes Stone or Imre Kepes.
Topic:
Art -- Philosophy  Search this
Artists' studios--Photographs  Search this
City planning  Search this
Educators--Massachusetts--Cambridge  Search this
Motion pictures (visual works)  Search this
Genre/Form:
Caricatures
Designs
Photographs
Sketchbooks
Sketches
Sound recordings
Citation:
Gyorgy Kepes papers, 1909-2003, bulk 1935-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kepegyor
See more items in:
Gyorgy Kepes papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kepegyor

Oral history interview with Luchita Hurtado

Interviewee:
Hurtado, Luchita, 1920-2020  Search this
Interviewer:
Winter, Amy H. (Amy Harriet)  Search this
Karlstrom, Paul J.  Search this
Names:
Bloch, Lucienne, 1909-1999  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Kozloff, Joyce  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Mullican, Lee, 1919-1998  Search this
Mullican, Matt, 1951-  Search this
Noguchi, Isamu, 1904-1988  Search this
Paalen, Wolfgang, 1907-  Search this
Varda, Jean  Search this
Wescher, Mary  Search this
Wescher, Paul, 1894-  Search this
Extent:
4 Sound cassettes (Sound recording (4 hrs., 15 min.), analog)
120 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Date:
1994 May 1-1995 Apr. 13
Scope and Contents:
An interview of Luchita Hurtado conducted 1994 May 1-1995 Apr. 13, by Amy Winter and Paul Karlstrom, for the Archives of American Art, Women in the Arts in Southern California Oral History Project.
1994 May 1 session: The interview focuses on Hurtado's family background; years with her second husband, artist and collector Wolfgang Paalen; the surrealist artist group, Dynaton, living and traveling in Mexico with Paalen, moving to San Francisco and her relationships with artists, collectors; influences on her painting; and Surrealism. Among those mentioned are Rufino and Olga Tamayo, Isamu Noguchi, Gordon Onslow Ford, Jacqueline Johnson, Frida Kahlo, Remedios Varos, Leonora Carrington, Edward James, Lucienne Bloch, Stephen Dimitroff, Grace McCann Morley, Sybil Moholy-Nagy, Jack and Frank Stauffacher, James Broughton, Rene d'Harnoncourt, Julius Karlebach, Herbert (Joe) Spinden, and Robert Motherwell.
April 13, 1995 session: Hurtado continues with a focus on the California years, discussing her reasons for settling there, the Dynaton group and her circle of friends; her third husband, Lee Mullican; the birth of her son Matthew Mullican; her work; California and Mexican imagery; importance of experience and senses, particularly smell, to her creativity and work; importance of her family; and difficulties of pursuing art as a career for a woman, wife and mother; and life in Taos, N.M. She recalls Jean Varda, Shiela and Giles Healey, Mary and Paul Wescher, and Joyce Kozloff.
Biographical / Historical:
Luchita Hurtado (1920-2020) was a painter from Santa Monica, Calif. and Arroyo Seco, N.M. She was born in Caracas, Venezuela.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview was provided by the Margery and Harry Kahn Philanthropic Fund of the Jewish Communal Fund of New York.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Women artists -- California -- Interviews  Search this
Surrealism  Search this
Painters -- California -- Interviews  Search this
Hispanic American women artists  Search this
Identifier:
AAA.hurtad94
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hurtad94

Lilian Swann Saarinen papers

Creator:
Saarinen, Lilian Swann, 1912-1995  Search this
Names:
Cambridge Art Center  Search this
Cranbrook Academy of Art -- Faculty  Search this
G Place Gallery (Washington, D.C.)  Search this
Knoll Associates, inc.  Search this
Massachusetts Institute of Technology -- Faculty  Search this
Midtown Galleries (New York, N.Y.)  Search this
Otava Publishing Company  Search this
Reynal & Hitchcock  Search this
Armitage, Merle, 1893-1975  Search this
Crosby, Caresse, 1892-  Search this
Eames, Charles  Search this
Eames, Ray  Search this
Koch, Carl  Search this
Kreis, Henry, 1899-1963  Search this
Milles, Carl, 1875-1955  Search this
Moholy-Nagy, László, 1895-1946  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Saarinen, Eero, 1910-1961  Search this
Saarinen, Eliel, 1873-1950  Search this
Saarinen, Loja  Search this
Venturi, Robert  Search this
Weese, Harry, 1915-1998  Search this
Extent:
9 Linear feet
Type:
Collection descriptions
Archival materials
Blueprints
Diaries
Illustrations
Sketches
Photographs
Scrapbooks
Date:
circa 1909-1977
Summary:
The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.
Scope and Contents:
The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.

Biographical material consists of resumes and biographical sketches, as well as a 1951 blueprint for the Eero Saarinen and Associates Office Building in Bloomfield Hills, Michigan.

Correspondence documents Saarinen's personal and professional life through letters to and from Eero Saarinen and other family members, including six letters from Loja Saarinen; correspondence with artists and architects, including Merle Armitage, Charles and Ray Eames, Carl Koch, Henry Kreis, Carl Milles, Laszlo and Sibyl Moholy-Nagy, Robert Venturi, and Harry Weese; and friends and colleagues at the Cranbrook Academy of Art and Knoll Associates. Also documented is Saarinen's business relationship with Midtown Galleries and Caresse Crosby, and publishers and publications including Child Life, Interiors, Otava Publishing Company, and Reynal & Hitchcock, Inc.

Writings and Notes document Saarinen's work on several children's publications, including Picture Book Zoo (1935) and Who Am I? (1946), through correspondence, notes, manuscript drafts, and extensive sketches. This series also includes Saarinen's ideas for other publications and incorporates some early writings and notes, as well as typescripts of her reminiscences about Eliel Saarinen, the Saarinen family, and the Cranbrook Academy of Art.

Diaries consist of bound diary volumes, loose-leaf journal entries, and heavily annotated engagement calendars, documenting Saarinen's personal life, artistic aspirations, and career development from the 1930s-1970s. This material provides a deeply personal view of the emotional landscape of Saarinen's life, her struggles to balance her identity as a working artist with the roles of wife, mother, and homemaker, and the complex, and often competing, relationships within the renowned architectural family into which she married.

Project files document Saarinen's work on book cover designs, federal and post office commissions in Bloomfield, Indiana, Carlisle, Kentucky, and Evanston, Illinois, reliefs for the Crow Island School in Winnetka, Illinois, and other important commissions including the Harbor National Bank Clock in Boston, Massachusetts, the KLM Airlines installation at JFK Airport, the Fountain of Noah sculpture at the Northland Center in Detroit, Michigan, and the interior of Toffenetti's restaurant in Chicago, Illinois. Also documented is her role in designs for the Gateway Arch in St. Louis, with Eero Saarinen.

Teaching files document Saarinen's "Language of Clay Course" which she taught at Cambridge Art Center and the Massachusetts Institute of Technology.

Financial records document exhibition and sales expenses for two exhibitions, including her show at G Place Gallery in 1944.

Printed material consists of clippings about Saarinen and her family, exhibition announcements and catalogs for herself and others, and reference files from the 1930s-1940s, primarily comprising clippings of animals.

Additional printed material documenting Saarinen's career can be found in one of two scrapbooks found in the collection. An additional scrapbook consists of clippings relating primarily to Saarinen's parents.

Artwork comprises extensive sketches, particularly animal and figure sketches, in graphite, crayon, ink, pastel, and watercolor. The sketches demonstrate in particular Saarinen's developing interest in and skill with animal portraiture from her childhood to the 1960s.

Photographs are primarily of artwork and Saarinen's 1944 exhibition at G Place Gallery. Also found are one negative of Saarinen, probably with Eero Saarinen, and a group photo including Lilian, Eero, and Eliel Saarinen with the model for the Detroit Civic Center, circa 1940s.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, circa 1930s-1960s (3 folders; Box 1, OV 12)

Series 2: Correspondence, 1920-1974 (1.9 linear feet; Boxes 1-2, 8, OV 12)

Series 3: Writings and Notes, 1920s-1973 (1.3 linear feet, Boxes 2-3, 8, OVs 13-16)

Series 4: Diaries, 1930-1973 (1.4 linear feet, Boxes 3-5, 8)

Series 5: Project Files, 1931-1966 (1.7 linear feet, Boxes 5-6, 8, OVs 17-19)

Series 6: Teaching Files, 1966-1970 (3 folders, Box 6)

Series 7: Financial Records, 1940s-1970s (2 folders, Box 6)

Series 8: Printed Material, circa 1930s-1970s (0.2 linear feet, Box 6)

Series 9: Scrapbooks, circa 1909-1974 (2 folders; Boxes 6, 9)

Series 10: Artwork, circa 1920s-circa 1960s (1.7 linear feet, Boxes 6-7, 9-10, OVs 20-27)

Series 11: Photographs, circa 1940s, 1977 (0.5 linear feet, Boxes 7, 11, OV 27)
Biographical / Historical:
Cambridge artist and sculptor, Lilian Swann Saarinen (1912-1995), studied at the Art Students League with Alexander Archipenko in 1928, and later with Albert Stewart and Heninz Warneke from 1934-1936, before moving to Michigan where she studied with Carl Milles at the Cranbrook Academy of Art from 1936-1940. Saarinen was an accomplished skier and a member of the 1936 US Olympic ski team.

At Cranbrook, Swann met architect Eero Saarinen, whom she married in 1939. She subsequently worked with Saarinen's design group on a variety of projects, including the Westward Expansion Memorial, which later became known as the "Gateway Arch" in St. Louis. Lilian and Eero had a son, Eric, and a daughter, Susie, before divorcing in 1953.

Saarinen, who had developed an affinity for drawing animals in childhood, specialized in animal portraits in a variety of sculptural media. In 1939, she exhibited her sculpture Night, which depicted Bagheera the panther from Rudyard Kipling's Jungle Book, at the World's Fair. The sculpture was placed in the Boston Public Garden in 1986. In the 1930s and 1940s Saarinen was commissioned to work on a variety of architectural projects, including reliefs for post offices in Bloomfield, Indiana, Carlisle, Kentucky, and Evanston, Illinois, and the Crow Island School in Winnetka, Illinois. She also executed commissions for the Harbor National Bank in Boston, KLM (Royal Dutch Airlines) at JFK Airport, the Northland shopping Center in Detroit Michigan, and Toffenetti's Restaurant in Chicago.

Saarinen was a contributing author and illustrator for a variety of publications, including Child Life, Interiors and Portfolio: An Intercontinental Quarterly. In 1935 she illustrated Picture Book Zoo for the Bronx Zoo and in 1946 Reynal & Hitchcock, Inc. published Who Am I?, a children's book which Saarinen wrote and illustrated.

Saarinen taught ceramic sculpture to soldiers for the Red Cross Arts and Skills Unit rehabilitation program in 1945, served on the Visiting Committee to the Museum School at the Museum of Fine Arts, Boston, from 1959-1964, where she taught ceramics, and later taught a course entitled "The Language of Clay" at the Cambridge Art Center and the Massachusetts Institute of Technology. One of Saarinen's private students at Cambridge was her cousin, Edie Sedgwick.

Saarinen died in Cohasset, Massachusetts, in 1995 at the age of 83.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reels 1152 and 1192) including a scrapbook containing clippings, copies of letters and telegrams received, and reproductions of Saarinen's work. There is a copy of Saarinen's book, "Who Am I?", and three albums containing photographs of Saarinen, photographs and reproductions of her work, a list of exhibitions, quotes about her, and writings by her about sculpture. Lent material was returned to the lender and is not described in the collection container inventory.
Provenance:
Lilian Swann Saarinen donated the collection in 1975. She lent additional materials for microfilming in 1976.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Lilian Swann Saarinen papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws
Occupation:
Sculptors -- Massachusetts -- Cambridge  Search this
Topic:
Women artists -- Massachusetts  Search this
Art -- Study and teaching  Search this
Illustrated books, Children's  Search this
Gateway Arch (Saint Louis, Mo.)  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Illustrators -- Massachusetts  Search this
Art commissions  Search this
Art, Municipal  Search this
Genre/Form:
Blueprints
Diaries
Illustrations
Sketches
Photographs
Scrapbooks
Citation:
Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.saarlili
See more items in:
Lilian Swann Saarinen papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-saarlili
Online Media:

Sibyl and Laszlo Moholy-Nagy papers

Creator:
Moholy-Nagy, Sibyl, 1905-  Search this
Moholy-Nagy, László, 1895-1946  Search this
Extent:
10 Reels (ca. 1500 items (on 10 microfilm reels))
Type:
Collection descriptions
Archival materials
Reels
Date:
1918-1971
Scope and Contents:
Correspondence; diaries; writings; photographs; and printed material.
REELS 944-949: Correspondence; diaries, 1918-1945 and 1947-1959; articles, lecture manuscripts, book reviews, book notes, various writings; family, chilhood, and professional photos, including portrait shots from silent movies in Berlin in 1924-31; course outlines; Architectural League papers, 1970-71; AIA medal; correspondence files; South American travel diary, 1959; and miscellaneous papers.
REELS 951-952: Correspondence; photographs of Laszlo, his Hungarian family, and of his work; clippings and press notices of his 1969-1970 retrospective.
REELS 1005-1006: Undated writings, notes, and printed material relating to Sibyl Moholy-Nagy's unpublished book, "Pragma."
Biographical / Historical:
Sibyl: architectural historian, critic, educator. Birthdate also cited as 1903. Died 1971. Laszlo: sculptor, designer, painter & photographer; Chicago, Illinois. Sibyl was born Dorothea Maria Pauline Alice Sybille Pietzsche in Dresden, Germany. An actress in Berlin during her twenties, she used the stage name Sibyl Peech. Eventually she shifted to a career in the scenario office of the Tobis [Moving] Picture Syndicate where she met Moholy-Nagy in 1929. They married in 1932. Came to U.S. 1934. Laszlo taught at Walter Gropius's first Bauhaus in Weimar and Dessau, 1920's, and was one of the founders of the Institute of Design, Chicago, 1939.
Provenance:
Lent for microfilming 1971 by Hattula Hug, daughter of Sibyl and Laszlo Moholy-Nagy. [Microfilm reels 1005-1006 erroneously labeled a gift.]
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters  Search this
Photographers  Search this
Sculptors  Search this
Architectural historians -- Illinois -- Chicago  Search this
Topic:
Painting, Modern -- 20th century  Search this
Sculpture, Modern -- Illinois -- Chicago  Search this
Photography  Search this
Architecture, Modern  Search this
Women architectural critics  Search this
Identifier:
AAA.mohosiby
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mohosiby

Oral history interview with Tom Patti

Interviewee:
Patti, Tom  Search this
Interviewer:
Warmus, William, 1953-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Corning Museum of Glass.  Search this
General Electric Company  Search this
George Walter Vincent Smith Museum  Search this
Haystack Mountain School of Crafts -- Students  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Norman Rockwell Museum at Stockbridge  Search this
Owens-Corning Fiberglas Corporation  Search this
Penland School of Crafts -- Students  Search this
Pratt Institute -- Students  Search this
Sienna Gallery  Search this
Arnheim, Rudolf  Search this
Borowsky, Irvin J.  Search this
Buechner, Thomas S.  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gund, Ann  Search this
Gund, Graham  Search this
Heller, Doug, 1946-  Search this
Hunter-Stiebel, Penelope, 1946-  Search this
Kostellow, Rowena Reed  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Parriott, Joseph  Search this
Pelli, Cesar  Search this
Rockwell, Norman, 1894-1978  Search this
Rogers, Malcolm J. (Malcolm Jennings), 1890-1960  Search this
Safdie, Moshe, 1938-  Search this
Wagman, Laurie  Search this
Wood, Art  Search this
Extent:
77 Pages (Transcript)
6 Items (Sound recording: 6 sound files (4 hr., 47 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Colombia -- Description and Travel
Europe -- description and travel
Israel -- Description and Travel
Date:
2010 January 18-19
Scope and Contents:
An interview of Tom Patti conducted 2010 January 18 and 19, by William Warmus, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Patti's residence, in Miami Beach, Florida.
Patti talks about growing up in Pittsfield, Massachusetts, in a working-class neighborhood, and playing in and around the General Electric Corp. landfill, the major employer in the area; losing vision in one eye after a childhood accident; he recalls running with a tough crowd during high school and making homemade tattoos for his friends; his probation officer during high school, who encouraged his interest in art; meeting Norman Rockwell, who encouraged him to attend Pratt Institute in Brooklyn, New York; majoring in industrial design at Pratt, where he worked with Rowena Reed Kostellow; the idealism and social consciousness of the 1960s; exposure to the ideas of visionary architects such as Moshe Safdie and Buckminster Fuller; the New York art/social scene in the 1960s, including Max's Kansas City; meeting Marilyn Holtz, whom he later married; a trip to Colombia to discuss shelter development, and exposure to severe poverty; a resulting focus on people-centered shelter ideas; graduate work at Pratt, and the value of his studies in an academic environment; working with inflatable shelters, experimenting with different materials, including using glass; returning to the Berkshires in Massachusetts, working odd jobs, running a small glass school for children; becoming aware of the studio glass movement and attending a glassblowing workshop at Penland School of Crafts in Penland, North Carolina, in 1971; continued work with glass, including Vitrolite and other scavenged materials; growing public recognition in the 1970s; an internship at Haystack Mountain School of Crafts, Deer Isle, Manie, where he met Steve Feren, with whom he worked for several years; acquisition of work by the Corning Museum of Glass, Corning, New York, in 1976; first one-man gallery show in 1977; purchase of work by the Museum of Modern Art, New York, New York; series Solar Riser and the importance of a meditative/spiritual component of his work; setting up a studio in Plainfield, Massachusetts; first museum exhibition at the George Walter Vincent Smith Art Museum in Springfield, Massachusetts; speaking at the World Crafts Council conference in Vienna in the late 1970s; continued travel and recognition in Europe in the 1980s; "Genic Doran Divider-Sentinel," (1982-84), commissioned sculpture for General Electric in Pittsfield, which led to his focus on laminated materials; early 1990s studio expansion to work on a larger scale; commission work with Cesar Pelli for Owens Corning Fiberglas in 1993; one-person show at Serge Lechazynski's gallery in Biot, France; travels in Europe and Israel; serving on the board of the Norman Rockwell Museum in Stockbridge, Massachusetts; consulting work with the glass and materials industry; "Spectral-Luma Ellipse" (2000); "Spatial Boundary" (2001), commissioned by Ann and Graham Gund; continued smaller-scale work; designing the window for Sienna Gallery in Lenox, Massachusetts, owned by his daughter; recent commissions including "Morton Square" in 2004, the Roosevelt Avenue Intermodal Station (2004), both in New York City, and "Miami Rain" (2009), Miami, Florida; and the importance of transparency, opacity, and translucency in his work. He also recalls Joseph Parriott, Sybil Moholy-Nagy, Rudolf Arnheim, Art Wood, Thomas Buechner, Doug Heller, Penelope Hunter-Stiebel, Laurie Wagman and Irvin Borowsky, and Malcolm Rogers.
Biographical / Historical:
Tom Patti (1943- ) is a glass artist, sculptor, and designer in Pittsfield, Massachusetts and Miami Beach, Florida.
General:
Originally recorded on 6 memory cards. Duration is 4 hr., 47 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Design, Industrial -- Study and teaching  Search this
Designers -- Massachusetts -- Interviews  Search this
Glass art -- Study and teaching  Search this
Glass artists -- Massachusetts -- Interviews  Search this
Glass blowing and working -- Study and teaching  Search this
Sculptors -- Massachusetts -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.patti10
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-patti10

Oral history interview with Edmund Rudolph Teske

Interviewee:
Teske, Edmund, 1911-1996  Search this
Interviewer:
Larsen, Susan C.  Search this
Names:
Barnsdall, Aline, 1882-1946  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Ray, Man, 1890-1976  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Extent:
96 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1980 May 27-30
Scope and Contents:
An interview of Edmund Rudolph Teske conducted 1980 May 27-30, by Susan C. Larsen, for the Archives of American Art.
Teske speaks of his family background; his early interest in photography, acting and music; Jane Addams' Hull House; working in A. George Miller's commercial photography studio; aspiring to be a cinematographer; establishing the first photographic workshop at Taliesin North; photographing Chicago "in the spirit of Atget"; development of his technique; his subject matter; solarization and other printing processes; and his series, "Song of Dust". He recalls Aline Barnsdall, Sibyl Moholy-Nagy, Man Ray, Frank Lloyd Wright, and others.
Biographical / Historical:
Edmund Teske (1911-1996) was a photographer from Los Angeles, California.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 7 digital wav files. Duration is 3 hr., 38 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Topic:
Photography -- Printing processes  Search this
Photographers -- California -- Los Angeles -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.teske80
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-teske80

Sibyl and Laszlo Moholy-Nagy papers, 1918-1971

Creator:
Moholy-Nagy, Sibyl, 1905-1971  Search this
Moholy-Nagy, László, 1895-1946  Search this
Topic:
Painting, Modern -- 20th century  Search this
Sculpture, Modern -- Illinois -- Chicago  Search this
Photography  Search this
Architecture, Modern  Search this
Women architectural critics  Search this
Record number:
(DSI-AAA_CollID)9057
(DSI-AAA_SIRISBib)211249
AAA_collcode_mohosiby
Theme:
Diaries
Art Movements and Schools
Photography
Architecture & Design
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211249

Tod dem Mondschein, oder, Gelbe Ohrfeigen : ein Fotobuch mit Szenen des futuristischen Theaters nach F.T. Marinetti, U. Boccioni, G. Balla, und S. Moholy-Nagy, H. Müller, K. Schwitters u.a. : Futurismus-Collage, Sprengel Museum Hannover, Hannover, 1992 / Fotos, Jürgen Sieckmeyer ; Einführung, Norbert Nobis

Title:
Gelbe Ohrfeigen
Tod im Mondschein oder Gelbe Ohrfeigen : eine Futurismus-Collage
Author:
Boccioni, Umberto 1882-1916  Search this
Scheerbart, Paul 1863-1915  Search this
Schwitters, Kurt 1887-1948  Search this
Moholy-Nagy, Sibyl 1905-  Search this
Müller, Heiner 1929-1995  Search this
Marinetti, F. T. 1876-1944  Search this
Balla, Giacomo 1871-1958  Search this
Nobis, Norbert  Search this
Sprengel Museum Hannover  Search this
Physical description:
112 p. : ill. ; 24 cm
Type:
Books
Place:
Germany
Date:
1992
C1992
20th century
Topic:
Experimental theater--History  Search this
Theater--History  Search this
Performance art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_787889

Native genius in anonymous architecture

Author:
Moholy-Nagy, Sibyl 1905-  Search this
Physical description:
223 p. illus. 27 cm
Type:
Books
Place:
America
Date:
1957
Topic:
Vernacular architecture  Search this
Architecture  Search this
Call number:
NA203.M6X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_248298

Moholy-Nagy, experiment in totality. Sibyl Moholy-Nagy. With an introd. by Walter Gropius

Author:
Moholy-Nagy, Sibyl 1905-  Search this
Subject:
Moholy-Nagy, László 1895-1946  Search this
Physical description:
ix, 253 p. illus. (some col.) ports. 25 cm
Type:
Books
Date:
1950
C1950
Call number:
N6838.M6 M6X
N40.1.M698 M6 1950
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_15157

Matrix of man; an illustrated history of urban environment [by] Sibyl Moholy-Nagy

Author:
Moholy-Nagy, Sibyl 1905-  Search this
Physical description:
317 p. illus., maps, plans. 27 cm
Type:
Books
Date:
1968
[1968]
Topic:
City planning--History  Search this
Call number:
NA9090 .M69
NA9090.M69
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_21451

The architecture of Paul Rudolph. Introd. by Sibyl Moholy-Nagy. Captions by Gerhard Schwab. With comments by Paul Rudolph. [Translation of the captions into English by Maria Kroll.]

Author:
Rudolph, Paul 1918-1997  Search this
Moholy-Nagy, Sibyl 1905-  Search this
Physical description:
239 p. illus. (part col.), map, plans, port. 26 cm
Type:
Books
Date:
1970
[1970]
Call number:
NA737.R9 M69
NA737.R9M69
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_4506

Carlos Raul Villanueva and the architecture of Venezuela [by] Sibyl Moholy-Nagy. [Translated into Spanish by Clara Diament de Sujo]

Author:
Moholy-Nagy, Sibyl 1905-  Search this
Physical description:
179 p. illus. (part co.) facsims, maps, plans. port. 23 x 26 cm
Type:
Books
Place:
Venezuela
Date:
1964
[1964]
20th century
Topic:
Villanueva, Carlos Raul  Search this
Architecture  Search this
Architecture, Modern  Search this
Call number:
NA939.V5 M6X
NA939.V5M6X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_54759

Native genius in anonymous architecture in North America / Sibyl Moholy-Nagy

Author:
Moholy-Nagy, Sibyl 1905-  Search this
Physical description:
190 p. : ill. ; 24 cm
Type:
Books
Place:
America
Date:
1976
1976, c1957
Topic:
Vernacular architecture  Search this
Architecture  Search this
Call number:
NA203 .M6 1976X
NA203.M6 1976X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_73652

Moholy-Nagy: experiment in totality [by] Sibyl Moholy-Nagy. With an introd. by Walter Gropius

Author:
Moholy-Nagy, Sibyl 1905-  Search this
Subject:
Moholy-Nagy, László 1895-1946  Search this
Physical description:
xvii, 259 p. illus. (part col.), ports. 25 cm
Type:
Books
Date:
1969
[1969]
Call number:
N40.1.M698 M6 1969
N40.1.M698M6 1969
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_960

Modify Your Search







or


Narrow By