Davis visited the Diegueno and Luiseno in southern California; the Pi-pi (Pais), Kil-e-wah (Cahuilla), and Waicuri of Lower California, Mexico; the Yuma, Cocopah, Pima, Papago, Maricopa, Mojave, Hualapai (Walapai), Yaqui, and White Mountain Apache in Arizona; the Cora, Huichol, Opata, Mayo, and Yaqui of Mexico; the Seri of Tiburon Island; the Chemehuevi of Nevada and California; the Modoc and Klamath Lake Indians in Oregon; and the Paiute in Nevada. His collection contains photographs of Apache, Cahuilla, Chemehuevi, Cochimi, Cochiti Pueblo, Cocopa, Cora, Guaicuruj, Huichol, Kawia, Kiliwa, Kumeyaay (Diegueno), Luiseno, Maricopa, Mayo, Mission, Mohave, Opata, Paipai, Papago (Tohono O'odham), Pima (Akimel O'odham), San Carlos Pueblo, San Manuel, Seri, Ute, Walapai (Hualapai), Yaqui, and Yuma.
Collection arranged by item number.
Artist, photographer, and artefact collector, Edward Harvey Davis was born on June 18, 1862 in New York. He traveled to California in 1884 for health reasons (Bright's disease i.e. actue of chronic nephritis (a kidney disorder)), arriving in 1885, and settled on 320 acres in an area called Mesa Grande, east of San Diego. Later that year he returned to New York to marry, bringing his new bride, Anna May Wells back to California with him. They would eventually have four children. Shortly after settling in California, Davis became interested in the the Kumeyaay (Northern Diguenos), the Mesa Grande Indians indigenous to that area, and spent the remainder of his life collecting artifacts, studying and photographing them. He collected so many items that his ranch house ran out of room for them, necessitating the building of another structure (adobe) to house them. As a result of this interest and care of the Mesa Grande Indians in San Diego County, in 1907, Davis was named a ceremonial chief by the Indians themselves. Originally trained as an artist, Davis first worked as a drafter and architect. Upon his arrival in San Diego in 1885, he fortuitously invested in and profited from the booming real estate industry of the time. Davis became known to George Gustav Heye when Heye initially purchased a collection of Indian artifacts from him for the Museum of the American Indian, Heye Foundation in 1915. With the money from the sale of his collection, Davis was able to open a resort lodge called the Powam that same year. His real estate investments and his lodge enabled Davis to finance his fieldwork, most of which he did on his own. In 1916 however, Davis also became an official field collector for the Museum of the American Indian in New York. Sporadically, from 1917 to 1930, Heye contracted Davis to conduct field trips to California, Arizona, New Mexico, Nevada, Mexico, and Tiburon Island, visiting over two dozen different Indian peoples in the course of his travels. Wherever he went, Davis continued to photograph the Native peoples, but did not consider these photographs to be part of his contract with Heye. Heye later purchased the bulk of Davis's photograph collection. Davis also had sketched objects and landscapes during his travels as a method of preserving what he saw. Davis died in San Bernardino on February 22, 1951. In addition to his photographs, Davis authored several scholarly articles.
Purchased;, Edward H. Davis;, 1917 and 1948.
Access restricted. Researchers should contact the staff of the NMAI Archives for an appointment to access the collection.
Copies of photogaphs selected from the George Eastman House collection by Bureau of American Ethnology archivist Margaret Blaker in 1962. Many of the photographs are individual or group portraits of American Indians and some highlight pottery, baskets, and cradleboards. There are also images of American Indian dwellings, including tipis and hogans; pueblos; dances; and an encampment during the Modoc War and Plains Indian prisoners at Fort Marion, Florida (1870s).
Expedition photos in the collection were made on T. O. Selfridgeʹs Darien Expedition (1870-1871), the Wheeler surveys (1871-1874), and the Hayden Geological Survey (1871). The collection also includes portraits of Frederick Douglass, Sitting Bull, and John A. Logan; and images from Buffalo Bill's Wild West Show; Company F of New York's 140th Volunteer Infantry; and the Smithsonian in Washington, DC.
Local Call Number(s):
NAA Photo Lot R79
Copy negatives made by George Eastman House, 1962.
Copy prints made by the Smithsonian, 1962-1963.
Location of Other Archival Materials:
The National Anthropological Archives holds vintage prints for many of the photographs copied in this collection, including in Photo lot 4501, Photo Lot 4605, and Photo Lot 90-1.
The collection is open for research.
Access to the collection requires an appointment.
The images were acquired for reference purposes and cannot be reproduced. Copies may be obtained from George Eastman House, International Museum of Photography and Film.
Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave mounds and excavations. The collection also includes images of prisoners at Fort Marion in 1875, Sioux Indians involved in the Great Sioux Uprising in Minnesota, the Fort Laramie Peace Commission of 1868, Sitting Bull and his followers after the Battle of the Little Bighorn, and the aftermath of the Wounded Knee Massacre in 1890.
There are studio portraits of well-known Native Americans, including American Horse, Big Bow, Four Bears, Iron Bull, Ouray, Red Cloud, Red Dog, Red Shirt, Sitting Bull, Spotted Tail, Three Bears, and Two Guns White Calf. Depicted delegations include a Sauk and Fox meeting in Washington, DC, with Lewis V. Bogy and Charles E. Mix in 1867; Kiowas and Cheyennes at the White House in 1863; and Dakotas and Crows who visited President Warren G. Harding in 1921. Images of schools show Worcester Academy in Vinita, Oklahoma; Chilocco Indian School; Carlisle Indian Industrial School; Haskell Instittue, and Albuquerque Indian School.
Some photographs relate to the Centennial Exposition in Philadelphia, 1876; World's Columbian Exposition in Chicago, 1893; Louisiana Purchase Exposition in St. Louis, 1903; and Centennial Exposition of the Baltimore and Ohio Railraod, 1876. Expedition photographs show the Crook expedition of 1876, the Sanderson expedition to the Custer Battlefield in 1877, the Wheeler Survey of the 1870s, Powell's surveys of the Rocky Mountain region during the 1860s and 1870s, and the Hayden Surveys.
Outstanding single views include the party of Zuni group led to the sea by Frank Hamilton Cushing; Episcopal Church Rectory and School Building, Yankton Agency; Matilda Coxe Stevenson and a companion taking a photographs of a Zuni ceremony; John Moran sketching at Acoma; Ben H. Gurnsey's studio with Indian patrons; Quapaw Mission; baptism of a group of Paiutes at Coeur d'Alene Mission; court-martial commission involved in the trial of Colonel Joseph J. Reynolds, 1877; President Harding at Sitka, Alaska; Walter Hough at Hopi in 1902; and Mrs. Jesse Walter Fewkes at Hopi in 1897.
George V. Allen was an attorney in Lawrence, Kansas and an early member of the National Stereoscope Association. Between the 1950s and 1980s, Allen made an extensive collection of photographs of the American West, mostly in stereographs, but also including cartes-de-visite and other styles of mounted prints, photogravures, lantern slides, autochromes, and glass negatives.
Albums probably assembled by William Henry Jackson, mostly containing portraits of Native American delegates in Washington, D.C. and photographs made on US Geological Surveys (including the Hayden and Powell surveys). Photographs from the field include John K. Hillers' photographs of the Southwest, photographs of Fort Laramie (possibly by Alexander Gardner), Orloff R. Westmann's photographs of Taos Pueblo, and Jackson's photographs of Crow, Shoshoni, Pawnee, and Nez Perce Tribes and related sites. Most of the photographs were made circa 1860s-1870s.
The albums were probably by Jackson while working under Ferdinand V. Hayden for the United States Geological Survey of the Territories. The reason for their creation is uncertain, though it may have been a project set up by Hayden or a continuation of William Henry Blackmore's tradition of publishing albums. Some of the albums include captions pasted from Jackson's Descriptive Catalogue of Photographs of North American Indians (1877) while others have handwritten captions.
William Henry Jackson (1843-1942) was an American painter, photographer and explorer. Born in New York, he sold drawings and retouched photographs from an early age. After serving in the Civil War, he opened a photography studio in Omaha, Nebraska, with his brother Edward. As photographer for the US Geological and Geographical Surveys (1870-1878), he documented the American west and published the first photographs of Yellowstone. When the surveys lost funding in 1879, Jackson opened a studio in Denver, Colorado, and also worked for various railroad companies. Many of Jackson's photographs were displayed at the World's Columbian Exhibition in Chicago (1893), for which he was the official photographer.
Local Call Number(s):
NAA Photo Lot 4420
Location of Other Archival Materials:
Original negatives for many of the photographs in this collection can be found in the National Anthropological Archives in the BAE historical negatives.
The National Museum of the American Indian Archives holds William Henry Jackson photographs and negatives.
Additional Jackson photographs held in National Anthropological Archives Photo Lot 4605, MS 4801, Photo Lot 14, Photo Lot 24, Photo Lot 29, Photo Lot 37, Photo Lot 40, Photo Lot 60, Photo Lot 93, Photo lot 143, Photo Lot 87-2P, Photo Lot 87-20, and Photo Lot 90-1.
Correspondence from Jackson held in the National Anthropological Archives in MS 4517, MS 4881, MS 4821, and collections of personal papers.