Herman J. Viola photograph collection relating to Star Hawk Pow Wow, American Indian Cultural Resources Training Program, and acquisition trips for NAA
American Indian Cultural Resources Training Program Search this
Smithsonian Institution, Department of Anthropology, National Anthropological Archives, Native American Cultural Resources Training Program Search this
Photographs made by Herman J. Viola, depicting the 1973 Institute of American Indian Art meeting, Wolf Robe Hunt and his Acoma pottery, the transfer of Blue Eagle collection from Mae Abbott home to National Anthropological archives, and the 1974 Star Hawk Pow Wow in Watonga, Oklahoma. Additionally, there are photographs of NAA staff and the 1974 Acee Blue Eagle reception at NAA, possibly made by Viola. The collection also contains some photographs of Wounded Knee taken by Rev. Salvatore Genete, and copies of official portraits of Governor Aquillar of San Ildefonso Pueblo made by Harry B. Neufeld. There are also National Archives photographs of Chinese Boxer Rebellion prints, and Young watercolors and Alden sketches of American landscapes.
Much of the collection consists of portraits of participants in the NAA's American Indian Cultural Resources Training Program made by Smithsonian photographers, including Victor Krantz. These individuals include: Harry Walters, Navajo; Anna Walters, Otoe-Pawnee; George Sutton, Southern Arapaho; Sarah Yazzie, Navajo; Rubie Sootkis, Norther Cheyenne; David Fanman, Cheyenne; Augustine Smith, Navajo; Lorraine Bigman, Navajo; Jim Jefferson, Southern Ute; Rose Marie Pierite Gallardo, Tunica-Biloxi; George Horse Capture, Gros Ventre; Violet Zospah, White Mountain Apache; Gloria Anderson, Mille Lacs; Wenonah Silva, Wampanoag; Claire Lamont, Oglala; George Wasson, Coos-Coquille; Virginia Martin, Yakama; Gary Roybal, San Ildefonso; Richard Ground, Sihasapa; Almeda Baker, Hidatsa; June Finley, Hidatsa; Lida Young Wolf, Hidatsa; Christine Webster, Menominee; Rose Marie Roybal, Puyallup; Vivienne Jake, Kaibab-Paiute; Kim Yerton, Hupa; Dean Jacobs, Ojibwa; Lois Nowlin, Shawnee; Bonita McCloud, Nisqually; Gloria Maude Blackbird Cheswalla, Osage; Emily Peake, Ojibwa; Gordon McLester, Oneida; Mary Seth, Nez Perce; Bill Tohee, Oto-Missouria; Frank LaPena, Wintu; Juanita McQuistion, Wyandot; Carson Waterman, Seneca; Elton Stumbling Bear, Kiowa Apache; Patrick Chief Stick, Chippewa-Cree; Lynne Walks-on-Top, Spokane; Ethelyn Garfield, Paiute; Nora Dauenhauer, Tlingit; Caroline B. Jones, Tulalip; Grace F. Thorpe, Sauk and Fox; Dixie Lee Davis, Yavapai; Lynn D. Pauahty, Kiowa; David Lee Harding, Ojibwa; Robert V. Bojorcas, Klamath; Patty Leah Harjo, Seneca-Cayuga; Steven DeCoteau, Clallam; Robert Van Gunten, Ojibwa; Danny K. Marshall, Steilacoom; Meredith P. Flinn, Makah; Rhonda Hulsey, Chickasaw; Betty J. Brown, Choctaw; Vernon Calavaza, Zuni; Jack Bowen Jr., Upper Skagit; and Harry William Jr., Pima.
Biographical/Historical note:
Herman Joseph Viola is a historian of Native Americans who was director of the National Anthropological Archives from 1972-1989 and founding editor of Prologue: The Journal of the National Archives. In 1973, he launched the American Indian Cultural Resources Training Program, designed to encourage Native Americans to become professional archivists, librarians, curators, and historians through research and internships at the NAA.
Local Call Number(s):
NAA Photo Lot 74-17
Location of Other Archival Materials:
The National Anthropological Archives holds Viola's papers from 1980-1981.
Records relating to the American Indian Cultural Resources Training Program can be found in the National Anthropological Archives in the Records of the National Anthropological Archives.
Indians of North America -- Southern states Search this
Genre/Form:
Photographs
Citation:
Photo lot 74-17, Herman J. Viola photograph collection relate to Star Hawk Pow Wow, American Indian Cultural Resources Training Program, and acquisition trips for NAA, National Anthropological Archives, Smithsonian Institution
The collection consists of thirteen (13) silhouettes produced by the Peale Museum.
Included are images of Shegagahega (Chaticks Si Chaticks/Pawnee); Pagesgatse (Chaticks Si Chaticks/Pawnee); Tahawarra (probably Missouria/Missouri); Macapaba (probably Missouria/Missouri); Waconsca (probably Kaw/Kansa); Sagessage ("The Wind"; Osage); Joseph Barron (spelled "Joseph Baume" on image), interpreter; and Paul Chouteau (Osage), interpreter. There are two items labeled number 10, one of which is possibly Mechenecka (Sac and Fox/Sauk & Fox).
The other silhouettes are undated. They include two labeled "Titian R. Peale" (Charles Willson Peale's son), and one labeled "Black Hawk's son."
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Historical Note:
In December 1805, Thomas Jefferson hosted a delegation of representatives of Native American tribes from Louisiana Territory in Washington D.C. In January 1806, several members of the delegation traveled to Philadelphia. There they visited Charles Willson Peale's Museum and had their silhouettes made.
Charles Willson Peale (1741–1827) was an American painter, soldier, scientist, inventor, politician and naturalist who established one of the first museums in the United States, known as Peale's Philadelphia Museum. The silhouettes were made using a physiognotrace, a device developed by British inventor John Hawkins (1772-1855) which allowed the artist to produce multiple silhouettes simultaneously by impressing a traced image onto a folded piece of paper. The artist then cut away the center of the paper, leaving a "hollow cut" image. African American artist Moses Williams (1776-1883), an indentured servant of Peale, cut thousands of silhouettes for visitors to the museum and may be the artist responsible for the silhouettes in this collection.
Local Numbers:
NAA MS 7129
OPPS NEG MHT 55,527-536
OPPS NEG 84-14405-407
Publication Note:
The silhouettes are described in Ewers, J. C. (1966). "Chiefs from the Missouri and the Mississippi" and Peale's Silhouettes of 1860. Smithsonian Journal of History, 1, 1-26.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Silhouettes
Works of art
Citation:
MS 7129 Silhouettes of members of a 1805-06 delegation to Washington, and others, National Anthropological Archives, Smithsonian Institution