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Edwin and Wilfred Whitefield papers, 1854-1918

Creator:
Whitefield, Edwin, 1816-1892  Search this
Whitefield, Wilfred J., 1839-1926  Search this
Whitefield, Edwin, 1816-1892  Search this
Type:
Drawings
Place:
Minnesota -- Description and travel
Minnesota -- History
Topic:
Dakota Indians -- Wars, 1862-1865  Search this
Theme:
Diaries  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)13459
(DSI-AAA_SIRISBib)212471
AAA_collcode_whitedwi
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212471

Oral history interview with Mary Giles, 2006 July 18

Interviewee:
Giles, Mary, 1944-  Search this
Giles, Mary, 1944-  Search this
Interviewer:
Sauer, Jane, 1937-  Search this
Subject:
Buckman, Jan  Search this
DeRaad, Rianna  Search this
Hu, Mary Lee  Search this
Itter, Diane  Search this
Jacobs, Ferne K. (Ferne Kent)  Search this
Kranzberg, Nancy  Search this
Larsen, Jack Lenor  Search this
Martin, Agnes  Search this
Nottingham, Walter  Search this
Okun, Barbara Rose  Search this
Reed, Duane  Search this
Schira, Cynthia  Search this
Shieber, Horty  Search this
American Crafts Council  Search this
Arrowmont School of Arts and Crafts  Search this
Haystack Mountain School of Crafts  Search this
Mankato State University  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts  Search this
SOFA Chicago  Search this
Type:
Sound recordings
Interviews
Place:
Minnesota -- Description and travel
Topic:
Decorative arts  Search this
Women artists  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13564
(DSI-AAA_SIRISBib)261680
AAA_collcode_giles06
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_261680
Online Media:

Oral history interview with Mary Giles

Interviewee:
Giles, Mary  Search this
Interviewer:
Sauer, Jane, 1937-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Crafts Council  Search this
Arrowmont School of Arts and Crafts -- Students  Search this
Haystack Mountain School of Crafts -- Students  Search this
Mankato State University -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Students  Search this
SOFA Chicago  Search this
Buckman, Jan  Search this
DeRaad, Rianna  Search this
Hu, Mary Lee, 1943-  Search this
Itter, Diane, 1946-1989  Search this
Jacobs, Ferne K. (Ferne Kent), 1942-  Search this
Kranzberg, Nancy  Search this
Larsen, Jack Lenor, 1927-2020  Search this
Martin, Agnes, 1912-2004  Search this
Nottingham, Walter, 1930-2012  Search this
Okun, Barbara Rose  Search this
Reed, Duane  Search this
Schira, Cynthia, 1934-  Search this
Shieber, Horty  Search this
Extent:
4 Items (Sound recording: 4 sound files (2 hr., 43 min.), digital, wav)
46 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Minnesota -- Description and Travel
Date:
2006 July 18
Scope and Contents:
An interview of Mary Giles conducted 2006 July 18, by Jane Sauer, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the home of Jane Sauer, in Santa Fe, New Mexico.
Giles speaks of childhood summers spent on Pine Lake in Minnesota; receiving a B.S. in art education from Mankato State University, Minnesota; educational experiences at Arrowmont School of Arts and Crafts, Penland School of Crafts, and Haystack Mountain School of Crafts; the influence of nature and Native American art in her work; finding inspiration in "woods and water"; spirituality; teaching elementary art in St. Louis for 28 years while pursuing her art; the materials she works with, including wax linen and various metals; the techniques she uses, such as coiling, twining, torching, hammering, and knotting; the importance of a studio; the appeal of natural aging and corrosion of materials; the competitiveness of craft fields in the United States; attending American Craft Council shows and Sculpture Objects & Functional Art expositions in Chicago; craft as art in the United States; her experience showing in galleries and struggles with pricing; participating in the Poland Triennale in Lodz, Poland, 2001; the pioneering efforts of female fiber artists. Giles also recalls Mary Lee Hu, Diane Itter, Jack Lenor Larsen, Walter Nottingham, Rianna DeRaad, Cynthia Schira, Ferne Jacobs, Barbara Rose Okun, Nancy Kranzberg, Jan Buckman, Horty Shieber, Duane Reed, Agnes Martin, and others.
Biographical / Historical:
Mary Giles (1944- ) is an artist of Stillwater, Minnesota. Jane Sauer (1937- ) is an artist and gallery owner of Santa Fe, New Mexico.
General:
Originally recorded 3 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 43 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Fiber artists  Search this
Topic:
Decorative arts  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.giles06
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-giles06

Edwin and Wilfred Whitefield papers

Creator:
Whitefield, Edwin, 1816-1892  Search this
Whitefield, Wilfred, 1839-1926  Search this
Extent:
0.5 Linear feet ((on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Drawings
Place:
Minnesota -- Description and Travel
Minnesota -- History
Date:
1854-1918
Scope and Contents:
Letters (1856-1918), diaries (1863-1866), writings (1856-1863), printed material (1854-1857), and photographs document the activities of Edwin Whitefield and his son Wilfred and early settlement in Minnesota.
Edwin Whitefield papers consist of 2 of his business cards, a list of books and prints by Whitefield, 2 clippings "The View of Paris" (1854?) and "Minnesota Going East" (1856), a real estate advertisement for Whitefield's Minnesota Land Agency displaying a reproduction of Whitefield's drawing of Minnehaha Falls (1857), a letter of introduction written by James W. Taylor to William T. Bascom on Whitefield's behalf (1857), a letter illustrated with hand-drawn maps of a Minnesota townsite (1858?), and a letter written by Whitefield to his son Wilfred (1871). Writings consist of an 3 essays "Kandiyohi", "A Sketch of Minnesota" and "Minnesota" describing his travels as a member of the Whitefield exploration party (1856-1858).
Wilfred Whitefield papers include 17 typescripts of his letters to Louisa describing experiences as a soldier (1863), 15 letters (1895-1917) concerning his sketches from the Henry H. Sibley Expedition against the Sioux in 1863, a letter about his father's watercolors (1918), a letter supporting a pension application for a soldier from the Minnesota State Militia (1918), an essay "A Trip to the Sauk Valley" (1857?), an account of the Battle of Big Mound (1863), and minutes of a war meeting held at Sauk Center, Minnesota (1864). Diary fragments describe daily events in Kandotta, Minnesota (1859) and events during the Sibley Expedition (1863). A diary (1863-1866) contains pencil sketches and notes and is accompanied by a transcript and photographs of selected sketches.
Biographical / Historical:
Edwin Whitefield was born in England in 1816, immigrating to the United States ca. 1840. Between 1840 and 1855, he studied and taught drawing in New York and New England. In the latter 1850s, he became a real estate speculator in the Minnesota territory and became involved in land and and townsite promotion in what is now Kandiyohi County and the Sauk River Valley, Minn. Between 1860 and 1864 he lived in Chicago, but spent his final years in Massachusetts until his death in 1892. Edwin's son Wilfred Whitefield, also an artist, was born in 1839. He traveled to Minnesota with his father in 1856 and accompanied Henry H. Sibley's expedition against the Dakota (Sioux) Indians in 1863. He died in Sauk Center, Minn. in 1926.
Provenance:
The microfilm was purchased from the Minnesota Historical Society.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Rights:
Authorization to publish, quote or reproduce requires written permission from the Division of Library and Archives, Minnesota Historical Society. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Real estate agents  Search this
Draftsmen (artists)  Search this
Topic:
Dakota Indians -- Wars, 1862-1865  Search this
Genre/Form:
Drawings
Identifier:
AAA.whitedwi
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-whitedwi

Max Bohm papers

Creator:
Bohm, Max, 1868-1923  Search this
Names:
Beachcombers (Organization)  Search this
Salmagundi Club  Search this
Bohm, Zella Newcomb  Search this
Hunt, Clyde du Vernet  Search this
Locke, Esther Bohm, d. 1913  Search this
Longyear, Mary Beecher, 1851-1931  Search this
Macbeth, Robert W. (Robert Walker), 1884-1940  Search this
Macbeth, William, 1851-1917  Search this
Extent:
5.6 Linear feet
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Sketchbooks
Sketches
Paintings
Photographs
Drawings
Diaries
Place:
France -- description and travel
Date:
1873-1970
bulk 1880-1959
Summary:
The papers of painter Max Bohm measure 5.6 linear feet and date from 1873-1970, with the bulk of the material dating from 1880-1959. Biographical material includes a file concerning the Provincetown artist's club The Beachcombers. Also found is detailed family correspondence, as well as general correspondence that includes exchanges with patron Mary Beecher Longyear and dealer William Macbeth. The papers contain scattered business records; five diaries written by Bohm's wife Zella; other notes and writings; art work including fifteen sketchbooks, loose drawings, and oil paintings; printed material; and photographs of Bohm, his family, and colleagues including artists attending a Salmagundi dinner. There is also a motion picture film Six Foot Art, in Which Max Bohm, Member of the National Academy Tells How He Does It.
Scope and Contents:
The papers of painter Max Bohm measure 5.6 linear feet and date from 1873-1970, with the bulk of the material dating from 1880-1959. Biographical material includes a file concerning the Provincetown artist's club The Beachcombers. Also found within the papers is detailed family correspondence, as well as general correspondence that includes exchanges with patron Mary Beecher Longyear and dealer William Macbeth. Also found are scattered business records; five diaries written by Bohm's wife Zella; other notes and writings; art work including sketchbooks, loose drawings, and oil paintings; printed material; and photographs of Bohm, his family, and colleagues including artists attending a Salmagundi dinner. There is also a motion picture film Six Foot Art, in Which Max Bohm, Member of the National Academy Tells How He Does It.

Family correspondence consists of letters exchanged between various Bohm family members during their long periods of separation. Decades of almost daily exchanges of letters offer detailed descriptions of Bohm's activities in pursuit of notoriety as an artist including his frequent travels in Europe and the United States, attendance of art-related and other cultural events, and his thoughts about art, philosophy, and his strong opposition to German aggression in World War I. The often affectionate letters from Bohm's wife Zella describe her concerns over finances and raising the children during Bohm's frequent absences, but also include descriptions of their summers in coastal France.

Professional correspondence consists of scattered letters discussing art-related business with colleagues including Bohm's longtime patron and Christian Science advocate, Mary Beecher Longyear, and Macbeth Gallery owners Robert and William Macbeth.

Scattered business records include price lists for art work, banking records, and miscellaneous receipts.

Five diaries and loose diary pages written by Bohm's wife Zella contain detailed descriptions of daily activities and her observations and thoughts, some drawings, notes, and financial notations. Some of the diaries contain annotations by her daughter, Esther.

Notes and writings include notebooks containing original short stories and miscellaneous sketches by Bohm, lists of art work, miscellaneous notes including several written by Esther Bohm, and miscellaneous writings by and about Bohm including his typescript "An Artist's Philosophy."

Art work consists of fifteen sketchbooks, miscellaneous drawings including a self-portrait, and oil paintings on board and on unstretched canvases including Bohm's studies of works by Titian and Van Dyke, and a painting of a young Esther Bohm looking at the sea. Works by others include a batik design on silk by Zella Bohm, a watercolor by Bohm's aunt, Anna Stuhr Weitz, and an oil portrait of Zella by her granddaughter.

Printed material primarily consists of clippings generated by Bohm's participation in the Paris Salons, in addition to several exhibition announcements and catalogs for Bohm and for others, and reproductions of art work by Bohm and others. There are also 2 copies of a silent, black and white Pathé newsreel titled Six Foot Art, in Which Max Bohm, Member of the National Academy Tells How He Does It on 16mm and 35mm film reels.

Photographs are of Bohm and his family, colleagues including Clyde du Vernet Hunt in his studio and a Salmagundi Club "Get Together" dinner, views of the town of Etaples, France, and of works of art by Bohm and others.
Arrangement:
The papers have been organized into 8 series.

Series 1: Biographical Material, 1898-1970 (0.1 linear feet; Box 1, OV 8)

Series 2: Correspondence, 1880-1955 (3.3 linear feet; Boxes 1-4, 7)

Series 3: Business Records, 1910-1930 (0.2 linear feet; Box 4)

Series 4: Diaries, 1887-1916 (0.2 linear feet; Box 4)

Series 5: Notes and Writings, 1882-circa 1970 (0.2 linear feet; Boxes 4, 7)

Series 6: Art Work, 1873-1951 (0.6 linear feet; Boxes 4-5, 7, OVs 8-10)

Series 7: Printed Material and Motion Picture Film, 1886-1957 (0.8 linear feet; Boxes 5-7, FC 11-12)

Series 8: Photographs, 1886-1959 (0.2 linear feet; Boxes 6-7)
Biographical / Historical:
Max Bohm was born on January 21, 1868, in Cleveland, Ohio, the son of Henry and Emilie Bohm.

Bohm began his study of art in 1887 when he accompanied his aunt, Anna Stuhr, on the first of several voyages to France. He studied in artist communities in Brittany and in Paris at the Académie Julian with Boulanger, Lefebvre, and Benjamin Constant. He also traveled to Belgium, The Netherlands, and Germany.

In 1895, Bohm attended an open school of painting in Etaples on the coast of France, and during the winter months he taught painting at a school in London, England. His painting En Mer was awarded the Gold Medal by the Paris Salon of 1897.

While teaching in Etaples in 1898, Bohm married one of his pupils, Zella Newcomb, an art teacher from Carlton College in Minnesota. In 1900, the Bohms traveled to Italy for several months before returning to Minneapolis, Minnesota, where Bohm established a studio. After trying to find affordable studio and living space in New York City, Bohm moved his family back to France in 1902. Bohm established a studio in Paris for two years and during the summer months his wife and children moved to the less expensive and cooler coastal towns of France. Bohm continued to display his work in the annual Paris Salons.

From 1905 until the summer of 1908, the Bohm family lived primarily in England. In 1909, Bohm entered and won the Cleveland Court House mural competition, prompting the family to return to the United States for several months. They returned to Paris the following year, where Bohm established a studio and worked on the Cleveland Court House mural. Again, Bohm's wife and children would live in French coastal towns, while Bohm was on extended visits to Paris, London, or the United States.

Sometime around 1911, Bohm became acquainted with Mrs. Mary Beecher Longyear, a wealthy follower of Mary Baker Eddy and Christian Science. Over the next decade, Mrs. Longyear commissioned many works by Bohm and supported his career. In May of 1912 Bohm's mural, First New England Town Meeting, was installed in the new Cleveland Court House and arrangements were made with Macbeth Galleries to exhibit Bohm's work. Late in 1913, Bohm became involved with the Pan-Pacific International Exposition where his painting Promenade won the Gold Medal in 1915.

During World War I, the Bohm family fled France and temporarily settled in Tuckahoe, New York, and Bohm made frequent visits to his patron, Mrs. Longyear, in Boston. In 1916, the Knoedler Gallery exhibited Bohm's murals for Mrs. Longyear's music room. Also during this time, the family enjoyed spending summers in Provincetown, where Bohm joined The Beachcombers, an organization of artists.

In 1919, the Bohms built a house in Bronxville, New York, for easy access to New York City, while simultaneously purchasing a cottage in Provincetown. While the house was being constructed, Zella and the children became boarders in the home of painter Spencer Nichols, who also lived in Bronxville. During this year, Max Bohm, Jr., entered Harvard University while Mrs. Longyear continued to provide commissions for Max Bohm's art work.

Between 1922 and 1923, Bohm had exhibitions in Greenwich, Connecticut, Washington, D.C., and at the Grand Central Galleries, with his painting En Mer being exhibited at the National Academy of Design.

Max Bohm died on September 19, 1923 in Provincetown, Massachusetts.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels 420-421) including biographical material, scattered letters, notes and writings, drawings, clippings, exhibition catalogs, booklets, a scrapbooks, and photographs of Bohm, his family, colleagues, and residences. Loaned materials were returned to the lender and are not described in the collection container inventory.

The original Six Foot Art film was also transferred to 16mm and 35mm film reels in the 1970s, but is not in the collection.
Provenance:
Kathryn Esther Locke and Elizabeth Schwarz, the artist's daughters, lent the material on microfilm reels 420-421 and donated papers in 1972.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts -- Provincetown  Search this
Topic:
World War, 1914-1918  Search this
Art -- Philosophy  Search this
Christian Scientists  Search this
Painting, American -- Massachusetts -- Provincetown  Search this
Genre/Form:
Motion pictures (visual works)
Sketchbooks
Sketches
Paintings
Photographs
Drawings
Diaries
Citation:
Max Bohm papers, 1873-1970, bulk 1880-1959. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bohmmax
See more items in:
Max Bohm papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bohmmax
Online Media:

Stanton L. Catlin papers

Creator:
Catlin, Stanton L. , 1915-1997  Search this
Names:
Columbia Records, Inc.  Search this
Hunter College -- Faculty  Search this
Syracuse University -- Faculty  Search this
Universidad de Chile -- Faculty  Search this
Ades, Dawn  Search this
Ashton, Dore  Search this
Boulton, Alfredo  Search this
Motherwell, Robert  Search this
Obregón, Alejandro, 1920-  Search this
Paternosto, César, 1931-  Search this
Paz, Octavio, 1914-  Search this
Rasmussen, Waldo  Search this
Rockefeller, David, 1915-  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Sandoval, Judith Hancock de  Search this
Sebastián, Santiago  Search this
Torruella Leval, Susana  Search this
Williams, Amancio  Search this
Extent:
56.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Interviews
Transcripts
Diaries
Place:
Czech Republic -- Description and Travel
Date:
1911-1998
bulk 1930-1994
Summary:
The papers of curator, gallery director, educator, and Latin American art historian Stanton L. Catlin (1915-1997) measure 56.4 linear feet and date from 1911 to 1998 with the bulk of the material dating from 1930 to 1994. The papers are comprised of biographical material, correspondence, writings and notes, teaching and project files, professional files, research files, exhibition and subject files, printed material, and photographs.
Scope and Contents:
The papers of curator, gallery director, educator, and Latin American art historian Stanton L. Catlin (1915-1997) measure 56.4 linear feet and date from 1911 to 1998 with the bulk of the material dating from 1930 to 1994. The papers are comprised of biographical material, correspondence, writings and notes, teaching and project files, professional files, research files, exhibition and subject files, printed material, and photographs.

Biographical material includes six address books, two annotated calendars, four day books, curriculum vitae, interview transcripts, records of Catlin's personal book collection, and his work as a student. Correspondence is with Catlin's family and prominent artists and colleagues, such as Dawn Ades, Dore Ashton, Alfredo Boulton, Robert Motherwell, Alejandro Obregon, César Paternosto, Octavio Paz, Waldo Rasmussen, David and Nelson Rockefeller, Susana Torruella Leval, Judith Sandoval, Santiago Sebastian, and Amancio Williams. Correspondence with Columbia Records concerns Catlin's Grammy Award for best album.

There are writings and notes by Catlin and others on Latin American art, and three journals kept by Catlin during his time in the Czech Republic and Minnesota.

Teaching files document some of Catlin's work as an art history professor at Hunter College, Syracuse University, and the University of Chile. The project files document his work as a consultant or contributor on various projects abd the professional files include records of Catlin's positions as art gallery curator and director, professional memberships, conference participation, and other professional activities. Research and subject files consist of annotated material related to Latin American art, European art, and various artforms and artists.

Exhibition files are found for Art of Latin America Since Independence (1966) and other exhibitions of Latin American art. Printed materials include books with an inscription, clippings, exhibition announcements and catalogs, magazines, and publications. There are photographs of Catlin, family and friends, colleagues, and artwork.
Arrangement:
The collection is arranged as 10 series.

Series 1: Biographical material , 1933-1989 (1 linear foot; Box 1)

Series 2: Correspondence, 1914-1994 (4.5 linear feet; Box 2-6)

Series 3: Writings and Notes, 1930-1993 (4.5 linear feet; Box 6-10, OV 57)

Series 4: Teaching Files, 1941-1991 (1.5 linear feet; Box 10-12)

Series 5: Project Files, 1940-1993 (3.5 linear feet; Box 12-16)

Series 6: Professional Files, 1939-1994 (13.1 linear feet; Box 16-28, OV 58, 60)

Series 7: Research and Subject Files, 1938-1998 (8.0 linear feet; Box 28-36)

Series 8: Exhibition Files, 1941-1993 (15.6 linear feet; Box 37-51, OV 58-60)

Series 9: Printed Material, 1944-1993 (4.2 linear feet; Box 52-56)

Series 10: Photographs, 1911-1991 (0.5 linear feet; Box 56)
Biographical / Historical:
Stanton L. Catlin (1915-1997) was a curator, gallery director, educator, art historian, and expert on Latin American Art.

Catlin studied art history at Oberlin College and graduated in 1937. After graduation, he studied painting and art history at the Academy of Arts in Prague, Czech Republic for two years. Catlin received a Fogg Museum Fellowship in Modern Art at Harvard University to survey collections of art in Europe. However, the project was canceled because of World War II.

During the war, Catlin served as a Cultural Relations Representative for the Coordinator of Inter-American Affairs where he assisted with exhibition arrangements throughout Latin America. In 1942, he also began teaching the history of art in the United States at the University of Chile. After the war, Catlin served in the Field Operations Division of the United Nations Relief and Rehabilitation Administration, working in the Displaced Persons Operation from 1945-1946.

From 1947 to 1950, Catlin served as the executive director of the American Institute of Graphic Arts. He received his graduate degree in art history from New York University in 1952, and shortly thereafter became editor and curator of American art at the Minneapolis Institute of Arts. From 1958 to 1967, Catlin was the assistant director of the Yale University Art Gallery. While there, he curated the landmark exhibition Art of Latin America Since Independence in 1966, the first exhibition to include only Latin American art and the accompanying catalog remains a standard reference source. That same year, Catlin won a Grammy Award for best album notes for an essay on Mexican mural painting.

In 1967, Catlin left Yale to take a position as director of the Art Gallery at the Center for Inter-American Relations before joining the faculty of Syracuse University in 1971 and becoming director of the university's Art Gallery. He remained at Syracuse for the rest of his career.

Catlin was a consultant on the major retrospective exhibition of the work of Diego Rivera at the Detroit Institute of Arts in 1986. He also worked on a project to document Mexican murals in the United States. Catlin died in Fayetteville, New York in 1997.
Related Materials:
Also found at the Archives of American Art is an oral history interview conducted by Francis V. O'Connor with Stanton L. Catlin from July 1 to September 14, 1989.

The University of Texas at Austin holds a significant collection of Stanton Loomis Catlin's papers, some of which are duplicates of the papers held by the Archives of American Art.
Provenance:
The collection was donated from 1992 to 1995 to by Stanton L. Catlin.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State)  Search this
Minnesota -- Description and travel  Search this
Gallery directors -- New York (State)  Search this
Curators -- New York (State)  Search this
Topic:
Art, European  Search this
Latino and Latin American artists  Search this
Educators -- New York (State)  Search this
Art, Latin American  Search this
Art -- History -- Study and teaching  Search this
Genre/Form:
Photographs
Interviews
Transcripts
Diaries
Citation:
Stanton L. Catlin papers, 1911-1998, bulk 1930-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.catlstan
See more items in:
Stanton L. Catlin papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-catlstan
Online Media:

Pioneers Arriving in Marshall by Wagon Trains (mural study, Marshall, Minnesota Post Office)

Artist:
Henry Holmstrom, born Nybro, Sweden 1900-died Minneapolis, MN 1981  Search this
Medium:
oil on paperboard
Dimensions:
13 3/4 x 31 1/2 in. (35.0 x 79.9 cm.)
Type:
Painting
Date:
ca. 1938
Topic:
Figure group  Search this
History\United States\westward expansion  Search this
Animal\cattle  Search this
Study\mural study  Search this
Landscape\Minnesota\Marshall  Search this
Travel\land\covered wagon  Search this
New Deal\Treasury Section of Painting and Sculpture\Minnesota  Search this
Credit Line:
Smithsonian American Art Museum, Transfer from the Internal Revenue Service through the General Services Administration
Object number:
1962.8.72
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk702fc1e91-4700-4ad8-93ec-fdabc14a3fda
EDAN-URL:
edanmdm:saam_1962.8.72

Canoe Race Near Sault Ste. Marie

Artist:
George Catlin, born Wilkes-Barre, PA 1796-died Jersey City, NJ 1872  Search this
Medium:
oil on canvas
Dimensions:
19 5/8 x 27 1/2 in. (49.7 x 70.0 cm)
Type:
Painting
Date:
1836-1837
Topic:
Landscape\river  Search this
Western  Search this
Recreation\sport and play\boating  Search this
Travel\water\canoe  Search this
Ethnic\Indian\Ojibwa  Search this
Landscape\Michigan\Sault Ste. Marie  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr.
Object number:
1985.66.434
Restrictions & Rights:
CC0
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7053066c3-1ba6-4139-a383-3e8a648d44e7
EDAN-URL:
edanmdm:saam_1985.66.434

Railroad Cap Badge, Brakeman, Great Northern Railway

Physical Description:
metal (overall material)
Measurements:
overall: 1 1/4 in x 4 1/16 in; 3.175 cm x 10.31875 cm
Object Name:
railroad cap badge
Subject:
Railroads  Search this
Travel  Search this
Adornment  Search this
ID Number:
TR.334029
Catalog number:
334029
Accession number:
309861
See more items in:
Work and Industry: Transportation, Railroad
Work
Clothing & Accessories
Transportation
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a6-8c2e-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_843121
Online Media:

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
Sen. Edward Brooke, American, born 1919  Search this
Morris Brown College, American, founded 1881  Search this
Interracial Council for Business Opportunity, American, founded 1963  Search this
Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this
Hubert Horatio Humphrey Jr., American, 1911 - 1978  Search this
General Daniel James Jr., American, 1920 - 1978  Search this
Roy Wilkins, American, 1901 - 1981  Search this
Rufus B. Shorter, American  Search this
National Association of Black Social Workers, American, founded 1968  Search this
National Association of Market Developers, American, founded 1953  Search this
National Medical Association, American, founded 1895  Search this
Ancient and Accepted Scottish Rite of Freemasonry  Search this
Prince Hall Freemasonry, founded 1784  Search this
Howard University, American, founded 1867  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Young Men's Christian Association (YMCA), International, founded 1844  Search this
Avon, founded 1886  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
The Links, Incorporated, American, founded 1946  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
National Medical Association, American, founded 1895  Search this
National Dental Association, American, founded 1913  Search this
Sigma Gamma Rho Sorority, Inc., founded 1922  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
National Urban League, American, founded 1910  Search this
Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this
Alpha Kappa Alpha Sorority, Incorporated, founded 1908  Search this
Zeta Phi Beta Sorority, American, founded 1920  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
Eta Phi Beta Sorority, Inc., American, founded 1943  Search this
National Association of University Women, American, founded 1910  Search this
National Association of Market Developers, American, founded 1953  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
American Bridge Association, American, founded 1932  Search this
Arthur Ashe Jr., American, 1943 - 1993  Search this
The Salvation Army, American, founded 1865  Search this
National Dental Association, American, founded 1913  Search this
Shriners International, American, founded 1870  Search this
Sammy Davis Jr., American, 1925 - 1990  Search this
Congressional Black Caucus, American, founded 1971  Search this
Rev. Martin Luther King Sr, American, 1899 - 1984  Search this
Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this
Southern Christian Leadership Conference, American, founded 1957  Search this
National Urban League Guild, American, founded 1946  Search this
Association for the Study of African American Life and History, American, founded 1915  Search this
369th Veterans Association, American  Search this
Prince Hall Freemasonry, founded 1784  Search this
One Hundred Black Men, Inc., American, founded 1963  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 7/16 in. (27.5 × 21.4 × 1.1 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
California, United States, North and Central America
Houston, Texas, United States, North and Central America
Minneapolis, Hennepin County, Minnesota, United States, North and Central America
Detroit, Wayne County, Michigan, United States, North and Central America
Chicago, Cook County, Illinois, United States, North and Central America
Washington, District of Columbia, United States, North and Central America
Jamaica, Caribbean, North and Central America
Barbados, Caribbean, North and Central America
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
West Africa, Africa
Date:
1978
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religious groups  Search this
Social life and customs  Search this
Sororities  Search this
Travel  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.12
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5e8bb6cbd-99b9-4ce0-8851-3b3bef3dd0e8
EDAN-URL:
edanmdm:nmaahc_2012.167.12

E. J. Glave autograph letter signed to Major James B. Pond, St. Paul, Minnesota, 8 October 1890

Author:
Glave, E. J (Edward James)  Search this
Correspondent:
Pond, James B (James Burton) 1838-1903  Search this
Author:
Russell E. Train Africana Collection (Smithsonian Libraries) DSI  Search this
Subject:
Glave, E. J (Edward James) Travel  Search this
Physical description:
1 item (4 pages) 6 x 9.5 in
Type:
Manuscripts
Correspondence
Place:
Africa
Date:
1890
Topic:
Natural history  Search this
Discoveries in geography  Search this
Travel  Search this
Discovery and exploration  Search this
Call number:
M059
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1043017

Grand Old Man of the Sea [photomechanical print]

Artist:
Palenske, Reinhold H. 1884-1954  Search this
Photographic firm:
Brown & Bigelow  Search this
Physical description:
1 photomechanical print black and white
Type:
Photomechanical prints
Date:
Copyrighted 1945
Topic:
Figure male--Elderly  Search this
Occupation--Industry--Fishing  Search this
Travel--Water--Boat  Search this
Image number:
LOC LC001595
See more items in:
Photograph Archives
Library of Congress Copyright Deposit Collection
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_139460

Appletons' hand-book of American travel, the northern tour by Edward H. Hall

Author:
Hall, Edward H (Edward Hepple)  Search this
Physical description:
xvi, 456, vii pages fold maps (including front.) folded plans 29 cm
Type:
Books
Guidebooks
Place:
Canada
United States
Date:
1867
Topic:
Descriptions and travel  Search this
Guidebooks  Search this
Call number:
E158.A665X 1867
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_290044

Far From Home? These Regional Comfort Foods Can Be Shipped to Your Door

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Wed, 29 Apr 2020 18:34:31 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_7322e56b0f6f489945879030712565ae

[Trade catalogs from Park Mfg. Co. (Minnesota)]

Company Name:
Park Mfg. Co. (Minnesota)  Search this
Related companies:
formerly Park Wagonstock Co.  Search this
Notes content:
sled runners and bases for farming operations, logging, grocery and other deliveries. The company, formerly called Park Wagonstock Co., also made neck yokes for farming draft animals ; iron wagon straps, braces and rods ; wagon wrenches and pin clevis.
Includes:
Trade catalog and price lists
Black and white images
Physical description:
3 pieces; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Minnesota Transfer, Minnesota, United States
Date:
1900s
Topic (Romaine term):
Agricultural tools and machinery  Search this
Carriages; wagons and accessories  Search this
Farm equipment and supplies (including dairy and poultry equipment)  Search this
Luggage; travel; travel services and traveling accessories (including trunks; briefcases; and other traveling accessories)  Search this
Lumber; logging; timber and forestry  Search this
Topic:
Agricultural implements  Search this
Agricultural machinery  Search this
Briefcases  Search this
Carriage and wagon making  Search this
Carriages and carts  Search this
Dairying  Search this
Farm equipment  Search this
Forests and forestry  Search this
Luggage  Search this
Lumber  Search this
Timber  Search this
Travel  Search this
Record ID:
SILNMAHTL_28588
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_28588

Mexico City Is Proposing to Build One of the World's Largest Urban Parks

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Wed, 12 Feb 2020 20:03:42 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_a0b5e3ee5576ac4c7997bcea7a62b993

The Cycle From 'Zen and the Art of Motorcycle Maintenance' Comes to the Smithsonian

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Fri, 20 Dec 2019 16:41:50 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_fb28377290193cf38228a7a5fe26015e

At the Anacostia Community Museum, a Sleek New Look Comes with a New Director

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Fri, 01 Nov 2019 18:23:03 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_f50162a58a13cc15a344f422affebb03

What Makes This Minnesota Town the Halloween Capital of the World?

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Fri, 25 Oct 2019 19:32:54 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_36d5821b47028675cbe05cdae58cf117

Narrative of an expedition through the upper Mississippi to Itasca Lake, the actual source of this river : embracing an exploratory trip through the St. Croix and Burntwood (or Broule) Rivers, in 1832 / under the direction of Henry R. Schoolcraft

Title:
Expedition Lake Itasca
Expedition through upper Mississippi DSI
Author:
Schoolcraft, Henry Rowe 1793-1864  Search this
Printer:
Whitney, George Lewis 1807-1867  Search this
Ill:
Allen, James 1806-1846  Search this
Former owner:
Wineland, Lloyd G. DSI  Search this
Merrill, George P (George Perkins) 1854-1929 DSI  Search this
Schoolcraft, Henry Rowe 1793-1864 DSI  Search this
Mercantile Library Association (Boston, Mass.) DSI  Search this
Boston Public Library DSI  Search this
Engraver:
LeCount & Hammond  Search this
Physical description:
[2], 307, [1] p., [5] leaves of plates (2 folded) : maps ; 23 cm
Type:
Electronic resources
Place:
Minnesota
Mississippi River
Saint Croix River (Wis. and Minn.)
United States
Date:
1834
1789-1869
Topic:
Government relations  Search this
Natural history  Search this
Ojibwa language  Search this
Sources  Search this
Description and travel  Search this
Discovery and exploration  Search this
Exploring expeditions  Search this
Call number:
F597 .S36 1834X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_101978

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