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Maltby Sykes papers

Creator:
Sykes, Maltby  Search this
Names:
Christ-Janer, Albert, 1910-1973  Search this
Eichenberg, Fritz, 1901-1990  Search this
Miller, George Charles, b. 1894  Search this
Rivera, Diego, 1886-1957  Search this
Extent:
5.1 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Scrapbooks
Date:
1936-1992
Scope and Contents:
Correspondence, writings, speeches, notes, teaching material, price lists, financial and legal information, press releases, printed material, and photographs relating to Sykes' career as an portrait painter and printmaker, his tenure as Professor of Art at Auburn University, and his 1936 assistantship to muralist Diego Rivera on murals for the Hotel Reforma in Mexico City.
Correspondence, 1940-1990 (1.4 ft.), with sitters, colleagues, galleries, associations and organizations, universities, and others, among them Albert Christ-Janer, Fritz Eichenberg, George C. Miller, and the National Endowment for the Arts; writings, including "Multimetal Lithography for Artists", 1967, written as a result of a grant from the NEA, and containing original prints; lectures delivered at various universities and exhibitions describing his printmaking and portraiture work; notes; teaching material, 1973-1976, relating to Sykes' tenure as Professor of Art at Auburn University; price lists of artwork and other exhibition records; financial records, 1944-1985, mainly receipts for printmaking materials; press releases, 1966-1989, mainly concerning Sykes' award from the NEA and various exhibitions; printed material, ca.1940-ca.1990 (1 ft.), including exhibition announcements and invitations, a dismantled scrapbook containing newspaper clippings, and newsletters from Auburn University and various clubs and organizations; original artwork (0.5 ft.), including sketchbooks and loose sketches and drawings; and photographs (1 ft.), mainly of works of art by Sykes.
Unmicrofilmed documentation relating to Sykes' 1936 assistantship to Diego Rivera is documented by printed material, photographs, many depicting Rivera at work on the mural, and writings, including a manuscript by Sykes "Diego Rivera Remembered: An Account of the Hotel Reforma Mural Project," 1985.
REEL 3667: Sykes' notes on the Hotel Reforma mural project; two letters from Diego Rivera (in Spanish with accompanying translations by Sykes), one providing proof of Sykes' status as a student of fresco painting and the other granting Sykes permission to make sketches and copies of Rivera's paintings; records of supplies; plastering schedules, including diagrams of four fresco panels showing time schedules for plastering; 10 drawings by Sykes of the frescoes; clippings, including a typescript and translation of a newspaper article from "Excelsior" describing the controversy surrounding the murals and Rivera's involvement with Mexican labor unions; and photographs and negatives of the preparation of the walls, Rivera and assistants at work on the murals, and Rivera's studies and finished panels.
Biographical / Historical:
Maltby Sykes (1911-1992) was a painter, draftsman, lithographer, engraver, and teacher from Auburn, Alabama. Full name William Maltby Sykes. Sykes apprenticed with Diego Rivera in 1936, and later studied with George C. Miller, John Sloan and Fernand Leger. He was a combat artist in World War II and became a Professor in Art at Auburn University in 1954. He has exhibited at the American Color Print Society, the American Institute of Graphic Artists, and the Pennsylvania Academy.
Provenance:
Material on reel 3667 donated 1985 by Maltby Sykes. Unmicrofilmed material donated 1993 and 1995 by Sykes's widow, Marjorie Sykes.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- United States  Search this
Portrait painters -- United States  Search this
Painters -- Alabama -- Auburn  Search this
Printmakers -- Alabama -- Auburn  Search this
Topic:
Mural painting and decoration -- Mexico -- Mexico City  Search this
Prints -- Technique  Search this
Lithography  Search this
Hispanic American art  Search this
Genre/Form:
Drawings
Scrapbooks
Identifier:
AAA.sykewill
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sykewill

Oral history interview with Elizabeth Saltonstall

Interviewee:
Saltonstall, Elizabeth, 1900-1990  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Boston Society of Independent Artists  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Institute of Modern Art (Boston, Mass.)  Search this
Milton Academy (Milton, Mass.) -- Faculty  Search this
Museum of Fine Arts, Boston. School  Search this
Windsor School (Boston, Mass.) -- Faculty  Search this
Windsor School (Boston, Mass.) -- Students  Search this
Benson, Frank Weston, 1862-1951  Search this
Bosley, Frederick A., 1881-1942  Search this
Chase, Frank Swift, 1886-1958  Search this
Clark, Henry Hunt  Search this
Cross, Anson K., 1862-1944  Search this
Hale, Philip Leslie, 1865-1931  Search this
James, Alexander, 1890-1946  Search this
Miller, George Charles, b. 1894  Search this
Presser, Josef, 1909-1967  Search this
Saltonstall, Nathaniel, 1903-1968  Search this
Thompson, Leslie P.  Search this
Wengenroth, Stow, 1906-1978  Search this
Extent:
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1981 November 18
Scope and Contents:
An interview of Elizabeth Saltonstall conducted 1981 November 18, by Robert F. Brown, for the Archives of American Art.
Saltonstall discusses her experiences with art as a child in Boston (mentioning Frank Weston Benson as an influence) and her subsequent art education at the Winsor School, the art school of the Museum of Fine Arts, Boston, and independent study in Paris. She remembers the various teaching styles of the Museum School faculty (Frederick A. Bosley, Henry Hunt Clark, Anson K. Cross, Philip Leslie Hale, Alexander James, and Leslie P. Thompson), especially as they contrasted with French teaching methods. She also speaks of her teachers in France and on Martha's Vineyard and Nantucket (including Frank Swift Chase), and recalls some of her co-students (including Josef Presser). Particular mention is made of a lithography workshop taught by Stow Wengenroth, and of George C. Miller, who printed her lithography stones. Her cousin, Nathaniel Saltonstall, is discussed as a patron of the arts, especially his contributions to the establishment of the Institute of Modern Art [Institute of Contemporary Art] in Boston. She touches also on her own teaching career at Winsor School and Milton Academy, and her involvement with the Boston Society of Independent Artists and the Grace Horn Gallery.
Biographical / Historical:
Elizabeth Saltonstall (1900-1990) was a painter, printmaker, and instructor of Chestnut Hill, Mass.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 25 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art patrons -- Massachusetts -- Boston  Search this
Topic:
Art -- Study and teaching -- France -- Paris  Search this
Art -- Study and teaching -- Massachusetts  Search this
Art teachers -- Massachusetts -- Interviews  Search this
Painters -- Massachusetts -- Interviews  Search this
Printmakers -- Massachusetts -- Interviews  Search this
Women artists -- Massachusetts -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.salton81
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-salton81

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