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Oral history interview with Edgar and Joyce Anderson

Interviewee:
Anderson, Edgar, approximately 1922-  Search this
Anderson, Joyce, 1925-  Search this
Interviewer:
Gold, Donna, 1953-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Craft Council  Search this
American Crafts Council. Museum of Contemporary Crafts  Search this
Chilton Professional Automotive (Firm)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
United States. Agency for International Development  Search this
Campbell, David Robert, 1907-1963  Search this
Cooke, Edward S., 1954-  Search this
Grotta, Lou  Search this
Grotta, Sandra  Search this
Larsen, Jack Lenor  Search this
Malarcher, Patricia  Search this
Maloof, Sam  Search this
McPhee, John, 1931-  Search this
Meier, Richard, 1934-  Search this
Milan, Emil, 1922-1985  Search this
Smith, Paul J., 1931-  Search this
Stocksdale, Bob, 1913-2003  Search this
Takaezu, Toshiko  Search this
Tibbs, Thomas S., 1917-2002  Search this
Webb, Aileen O.  Search this
Wegner, Hans J., 1914-  Search this
Wirkkala, Tapio, 1915-1985  Search this
Wyman, William, 1922-1980  Search this
Extent:
143 Pages (Transcript)
34 Items (Sound recording: 34 sound files (5 hr., 56 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
World Trade Center Site (New York, N.Y.)
Honduras -- Description and Travel
Date:
2002 September 17-19
Scope and Contents:
An interview of Edgar and Joyce Anderson conducted 2002 September 17-19, by Donna Gold, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Morristown, New Jersey.
The interview begins in the home of their frequent patrons, Sandra and Lou Grotta, in Harding Township, New Jersey. The Grottas are not present. They discuss several of their pieces in situ, including tables, beds, a piano bench, the grandfather clock (carved in the shape of Edgar's arm wearing a wristwatch), and the Knight table. Many of these pieces are discussed in detail in terms of their design and construction. They also allude briefly to other pieces in the Grotta's collection by Toshiko Takaezu, Hans Wegner, Bill Wyman, Sam Maloof, and Bob Stocksdale. The Grotta's house, designed by architect Richard Meier, is also discussed. Edgar recalls that Meier designed the house to accommodate the collection. They also talk about the Grotta's participation in the American Craft Council, and the relationship among collectors. The interview continues at the artists' home Harding Township, New Jersey. They discuss several projects for other clients, and they reflect on the relationships that developed. These include: a gaming table for Doug Dayton of Monteath Lumber Company, a jewelry chest for Thelma Newman, collaboration with Newman on a book for Chilton Publishing Company (not published), and a figural chest for Mako Stewart, which is still in the artists' private collection. They reflect on their private and professional partnership and the balance of skills they shared. They recall that their early success was bolstered by a New York Times article by Betty Pepis. This publicity led to new clients, such as Reverend John Mason of the Episcopal Chapel at the University of Maine, who is discussed in detail along with his wife Elizabeth Mason. They explain their expertise in humidity and wood shrinkage, including their work as consultants for the Museum of Contemporary Crafts, before it became the American Craft Museum. There is lengthy discussion of the Andersons' own house, which they designed and built themselves over a period of years. Frank Lloyd Wright was an influence. They discuss other church commissions in general, speaking of the influence of their spirituality. St. Luke's Episcopal Church, Haworth, New Jersey, is discussed in some detail. Edgar briefly talks about a local World Trade Center memorial which he has been working on. They recall the importance of the support of the American Craft Museum, Aileen Osborne (Vanderbilt) Webb, and David Campbell. They discuss in depth their time in Honduras, under the sponsorship of the USAID program, teaching craft techniques to local inhabitants. Joyce describes this as a Kennedy era demonstration program. Other participants in the Honduras program included Dave Chapman, Roy Ginstrom, Bill Wyman, and Emil Milan. They also recall participating in a similar program in Antigua. They also recall Herb and Marje Noyes, Ruth Martin, Patricia Malarcher, John Geraci, Mike Langan, Bob and Rowena MacPhail, Sterling North, Zelda Strecker, Paul Smith, Tom Tibbs, Walker Weed, Lois Moran, Toshiko Takaezu, Tapio Wirkkala, Jack Lenor Larsen, Edward Cooke, Michael Stone, John McPhee, and Dot Blanchard.
Biographical / Historical:
Edgar Anderson (1922- ) and Joyce Anderson (1923- ) are woodworkers from Morristown, New Jersey.
General:
Originally recorded 5 sound discs. Reformatted in 2010 as 34 digital wav files. Duration is 5 hr., 56 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Woodworkers -- New Jersey -- Interviews.  Search this
Decorative arts  Search this
September 11 Terrorist Attacks, 2001  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.anders02a
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ae8bf067-31d4-4221-a0a6-7913411f8cdb
EDAN-URL:
ead_collection:sova-aaa-anders02a
Online Media:

Emil Milan Research Project records, circa 1940-2010

Creator:
Emil Milan Research Project  Search this
Milan, Emil, 1922-1985  Search this
Subject:
Milan, Emil  Search this
Peters Valley (Craft center)  Search this
Citation:
Emil Milan Research Project records, circa 1940-2010. Archives of American Art, Smithsonian Institution.
Theme:
Architecture & Design  Search this
Craft  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)22043
AAA_collcode_milaemil
Theme:
Architecture & Design
Craft
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_22043

Emil Milan Research Project records

Creator:
Emil Milan Research Project (2008-)  Search this
Names:
Peters Valley (Craft center)  Search this
Milan, Emil, 1922-1985  Search this
Extent:
0.7 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1940-2010
Scope and Contents:
Emil Milan Research Project records measure 0.7 linear feet and date from circa 1940-2010. Included is biographical material, correspondence, press clippings documenting landmark moments in Milan's career (a notable institutional moment involves the Smithsonian's Renwick Gallery), photographs from Milan's time serving in World War II, rare catalogs and exhibition announcements, documentation related to his long teaching career at Peters Valley School of Craft in New Jersey, and interviews with associates of Milan. Also included is a small group of particle board templates for Milan's hallmark wood design shapes, salvaged from the floor of his studio.
Biographical / Historical:
The Emil Milan Research Project was founded in 2008 by Barry Gordon, Norm Sartorius, and Phil Jurus to document the career and life of woodworker Emil Milan (1922-1985).
Provenance:
Donated in 2020 by Barry Gordon, Norm Sartorius, and Phil Jurus, founders of the Emil Milan Research Project.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- Pennsylvania  Search this
Woodworkers -- Pennsylvania  Search this
Identifier:
AAA.milaemil
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98b07e27e-7195-40f7-8c99-d0e2941baa82
EDAN-URL:
ead_collection:sova-aaa-milaemil

Emil Milan : midcentury master / Craig Edelbrock ; with Norm Sartorius, Phil Jurus, Barry Gordon ; foreword by Albert LeCoff

Author:
Edelbrock, Craig S.  Search this
Writer of foreword:
LeCoff, Albert B. 1950-  Search this
Issuing body:
Center for Art in Wood (Philadelphia, Pa.)  Search this
Subject:
Milan, Emil 1922-1985  Search this
Milan, Emil 1922-1985  Search this
Physical description:
271 pages : illustrations (chiefly color) ; 28 cm
Type:
Biography
Catalogs
Criticism, interpretation, etc
Pictorial works
Place:
United States
Date:
2017
Topic:
Woodworkers  Search this
Wood-carvers  Search this
Art woodwork  Search this
Call number:
N40.1.M626 E34 2017
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1107747

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