acrylic and oil paint, graphite, bristol board, metal leaf, natural and synthetic cloth fabric, nylon tulle, polyester and cotton thread, and crystal glass beads on wood panel
Dimensions:
H x W x D (a: wood panel): 24 × 16 1/8 × 1 9/16 in. (61 × 40.9 × 4 cm)
H x W (b: quilt panel): 20 1/2 × 15 15/16 in. (52 × 40.5 cm)
Type:
panel paintings
fiber art
portraits
mixed media
Place made:
Baltimore, Maryland, United States, North and Central America
45 Video recordings (5 DigiBeta video recordings; 2 Betacam SP video recordings; 9 DVCAM video recordings; 19 miniDV video recordings; 10 DVD-R video recordings)
1 Boxe (1 box of index card video logs)
0.75 Linear feet (3 boxes)
Type:
Collection descriptions
Archival materials
Sound recordings
Video recordings
Date:
2003-2004
Scope and Contents:
Audiovisual materials created for an exhibition on the rich tradition of African American storytelling, which is celebrated through videotaped interviews with professional writers telling compelling stories drawn from their own experiences and revealing how the world in which they live impacts their writing. A portion of the exhibition is devoted to African American children's literature and original art used in books for young readers. The exhibition showcases some of the most engaging writers on the scene today. They are Haitian-born novelist Edwidge Danticat whose current best seller, The Dew Breaker, explores the complex lives and conflicts of her native country. Other featured writers include: science fiction writers Samuel R. Delany and Octavia E. Butler; Valerie Boyd, author of the award-winning biography of Zora Neale Hurston; Washington poet Kenny Carroll; Charles Johnson, winner of the National Book Award for his novel Middle Passage; and Walter Dean Myers, who has built a sub-specialty in literature for children and young adults.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
45 Video recordings (5 DigiBeta video recordings; 2 Betacam SP video recordings; 9 DVCAM video recordings; 19 miniDV video recordings; 10 DVD-R video recordings)
1 Boxe (1 box of index card video logs)
0.75 Linear feet (3 boxes)
Type:
Archival materials
Sound recordings
Video recordings
Date:
2003-2004
Scope and Contents note:
Audiovisual materials created for an exhibition on the rich tradition of African American storytelling, which is celebrated through videotaped interviews with professional writers telling compelling stories drawn from their own experiences and revealing how the world in which they live impacts their writing. A portion of the exhibition is devoted to African American children's literature and original art used in books for young readers. The exhibition showcases some of the most engaging writers on the scene today. They are Haitian-born novelist Edwidge Danticat whose current best seller, The Dew Breaker, explores the complex lives and conflicts of her native country. Other featured writers include: science fiction writers Samuel R. Delany and Octavia E. Butler; Valerie Boyd, author of the award-winning biography of Zora Neale Hurston; Washington poet Kenny Carroll; Charles Johnson, winner of the National Book Award for his novel Middle Passage; and Walter Dean Myers, who has built a sub-specialty in literature for children and young adults.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
1 Item (Silver gelatin on cellulose acetate film sheet., 35mm film strip.)
Type:
Archival materials
Photographs
Place:
Liberia
Date:
7/26/78
Scope and Contents:
Conference for/at the Liberian Embassy, images reference the middle passage. Four images on one strip of 35mm film. No ink on negative. Kodak Safety Film 5063 edge imprint.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1970-1980 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Self guided tour highlighted the five areas of the exhibition 'Out of Africa: From West African Kingdoms to Colonization.' The five areas explored ancient African kingdoms, African artworks, slave forts and slavery on the west coast of Africa, the Middle Passage and slavery in the Caribbean, resistance to slavery in America, and back to Africa movements.
Exhibition tour. Related to exhibition 'Out of Africa: From West African Kingdoms to Colonization.' Undated.
Biographical / Historical:
The exhibition - Out of Africa: From West African Kingdoms to Colonization - explores early African civilizations, the slave trade, the abolitionist movement and the founding of the first African republic, Liberia. Maps, graphics, and tapes depict the ancient kingdoms of Ghana, Mali, Songhei, Kanem-Bornu and the Hausa States. Headdresses, masks, housepots, gold weights, taped music and musical instruments and door panels represent the cultures of Nigeria, the Ivory Coast, Ghana, Mali, Liberia and Sierra Leone. The journey into slavery is told in a diary of a ship's doctor, the account book of a slave trader and letters of a young passenger. Slave revolts are treated in documents, photographs and portraits. Photographs, books and other publications are included in a section on the Abolitionist movement. Additional documents and photographs tell the story of those who chose to return to Africa. The exibition was organized by the Anacostia Neighborhood Museum and held there from February 1979 - February 1980. Curated by Louise Daniel Hutchinson.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sharon Frances Patton research material regarding Vincent Smith, 1968-2005. Archives of American Art, Smithsonian Institution.
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Romare Bearden papers, 1937-1982. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of this collection was provided by the Terra Foundation for American Art
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate access copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jeff Donaldson papers, 1918-2005, bulk 1960s-2005. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of the Jeff Donaldson papers was provided by the Walton Family Foundation.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate access copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jeff Donaldson papers, 1918-2005, bulk 1960s-2005. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of the Jeff Donaldson papers was provided by the Walton Family Foundation.
