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Levant

Author:
Council for British Research in the Levant  Search this
British School of Archaeology in Jerusalem  Search this
British Institute at Amman for Archaeology and History  Search this
Physical description:
v. ill., plates. 27 cm
Type:
Electronic resources
Periodicals
Place:
Middle East
Date:
1969
Topic:
Antiquities  Search this
Call number:
DS56 .L48X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_290771

Photographs of Palmyra, Syria

Creator:
Bonfils, Félix, 1831-1885  Search this
Collector:
Smith, Myron Bement, 1897-1970  Search this
Names:
Islamic Archives  Search this
Smith, Myron Bement, 1897-1970  Search this
Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Collection Source:
Blake, Marion Elizabeth  Search this
Extent:
29 Albumen prints (various dimensions)
Type:
Archival materials
Albumen prints
Photographic prints
Place:
Asia
Palmyra (Syria)
Syria
Date:
circa 1867-76
Scope and Contents:
29 albumen prints depicting the architectural ruins at the ancient city of Palmyra, Syria. Also includes portraits of the Bedouins who inhabited the site, and a group of funerary portrait busts.
Arrangement:
- 29 albumen prints mounted on board.
Biographical / Historical:
Félix Bonfils (1831 - 1885) was a French photographer and writer who was active in the Middle East. His family business "Maison Bonfils," dominated Middle East commercial photography in the late 19th century.
Local Numbers:
FSA A.04 2.6.174G.Palmyra
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Ancient Near Eastern Art  Search this
Antiquities  Search this
Architecture  Search this
Clothing and dress  Search this
Bedouins  Search this
Landscapes  Search this
Portrait photography  Search this
Genre/Form:
Photographic prints
Albumen prints
Collection Citation:
The Myron Bement Smith Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.
Identifier:
FSA.A.04, File FSA A.04 2.6.174G.Palmyra
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.6: Country Photograph File / 2.6.34: Oriental Institute Photographs / Oriental Institute, University of Chicago Photographs, 174 G, Syria, Palmyra part 1
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a-04-ref9749
Online Media:

Joseph Lindon Smith papers

Creator:
Smith, Joseph Lindon, 1863-1950  Search this
Names:
Académie Julian  Search this
Alma-Tadema, Lawrence, Sir, 1836-1912  Search this
Beaux, Cecilia, 1855-1942  Search this
Benson, Frank Weston, 1862-1951  Search this
Brush, George de Forest, 1855-1941  Search this
Carson, Kit, 1809-1868  Search this
Gardner, Isabella Stewart, 1840-1924  Search this
James, Henry, 1843-1916  Search this
Loring, Charles Greely, 1828-1902  Search this
Manship, Paul, 1885-1966  Search this
Pershing, John J. (John Joseph), 1860-1948  Search this
Ross, Denman Waldo, 1853-1935  Search this
Sargent, John Singer, 1856-1925  Search this
Smith, Corinna Lindon, 1876-  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Extent:
8.8 Linear feet
Type:
Collection descriptions
Archival materials
Notebooks
Photographs
Prints
Interviews
Drafts (documents)
Sound recordings
Scrapbooks
Diaries
Sketchbooks
Drawings
Place:
Egypt, Antiquities
Egypt -- description and travel
Date:
1647-1965
bulk 1873-1965
Summary:
The papers of Boston and New Hampshire painter Joseph Lindon Smith date from 1647-1965, with the bulk of papers dating from 1873-1965, and measure 8.8 linear feet. Found within the papers are biographical materials; letters from family members, artists, museums, and art patrons; seven diaries by Smith and two by his wife Corinna, personal business records, notes and writings, files concerning charitable theatrical productions, one sketchbook and other art work, a scrapbook, printed material, photographs, and sound recordings of radio interviews and a radio program on Smith.
Scope and Content Note:
The papers of Boston and New Hampshire painter Joseph Lindon Smith date from 1647-1965, with the bulk of papers dating from 1873-1965, and measure 8.8 linear feet. Found within the papers are biographical materials; letters from family members, artists, museums, and art patrons; seven diaries by Smith and two by his wife Corinna, personal business records, notes and writings, files concerning charitable theatrical productions, one sketchbook and other art work, a scrapbook, printed material, photographs, and sound recordings of radio interviews and a radio program on Smith.

Scattered biographical material consists of family history documents for the Smith and Putnam families, a Jenkes family tree, and passports for Joseph Lindon Smith and his family.

Over three linear feet of letters are from family members, artists including Cecilia Beaux, Frank Benson, George DeForest Brush, and Denman Ross, museum staff concerned with work in Egypt, and art patrons including Isabella Stewart Gardner, and individuals involved with Smith's charitable pageants. There are scattered letters from Lawrence Alma-Tadema, Henry James, Charles G. Loring, Paul Manship, General John J. Pershing, John Singer Sargent, and Abbott Handerson Thayer. Among the subjects discussed are student life at the Académie Julian, the Smiths' travels, and individuals known by Smith.

Seven diaries written by Joseph Lindon Smith document his ravels in Egypt, Persia, Europe, and New Mexico. Two diaries were written by Corinna Smith during her travels to Beiram and Egypt.

Personal business records business records include contracts, price lists, lists of securities, and miscellaneous receipts of the Smith and Putnam families, Joseph Lindon Smith, Corinna Smith, and their daughter Lois Smith.

Notes include engagement calendars, notebooks, lists of art work, lecture notes, minutes of meetings, notes on family history and on travel, and an autograph by Kit Carson. Writings include miscellaneous typescripts by the Smiths and others concerning travel, work in Egypt and elsewhere, and anecdotes about various friends and acquaintances. There are also three drafts of "Egypt - My Winter Home."

Theatrical production files concern plays, pageants, and masques written and/or produced by the Smiths. Many of the performances were benefits, dedication or anniversary celebrations, such as a pageant given at Fenway Court in honor of Isabella Stewart Gardner, a pageant at the dedication of a memorial to Abbott Handerson Thayer, and the centenary celebration of the founding of Amherst, Massachusetts.

Art work includes a sketchbook with extensive notes, a painting, drawings by Joseph Lindon Smith, and prints by other artists.

A scrapbook contains clippings and an exhibition catalog from the St. Botolph Club. Additional printed material includes clippings, exhibition announcements and catalogs, press releases, programs, booklets, brochures, and books by others.

Photographs are of Smith, his family, friends including classmates from the Académie Julian, Isabella Stewart Gardner, Abbott Handerson Thayer, exhibition installations, military camp sites from World War I, travel scenes, and art work by Smith.

Audio recordings consist of four sound disc recordings of interviews for WKNE Radio, Keene, New Hampshire, with Corinna Smith and Barry Faulkner talking about Smith, and a program about Smith and his book Tombs, Temples, and Ancient Art.
Arrangement:
The collection is arranged as 11 series:

Series 1: Biographical Material, 1711-1948 (Box 1, 10; 5 folders)

Series 2: Letters, 1768-1965 (Box 1-4, OV 11; 3.5 linear feet)

Series 3: Diaries, 1904-1949 (Box 4; 11 folders)

Series 4: Personal Business Records, 1647-1959 (Box 4, 10; 11 folders)

Series 5: Notes and Writings, 1783-1963 (Box 4-6; 2.0 linear feet)

Series 6: Theatrical Production Files, 1897-1950 (Box 6-7, 10; 1.2 linear feet)

Series 7: Art Works, 1932-1943 (Box 8, 10; 8 folders)

Series 8: Scrapbook, 1888-1901 (Box 8; 1 folder)

Series 9: Printed Material, 1723-1963 (Box 8, OV 11; 0.8 linear feet)

Series 10: Photographs, 1884-1956 (Box 8-10; 0.5 linear feet)

Series 11: Audio Recordings, 1956 (Box 9-10; 2 folders)

All material is arranged chronologically except for the writings by others and travel photographs that are arranged alphabetically.
Biographical Note:
Joseph Lindon Smith (1863-1950) of Boston, Massachusetts and Dublin, New Hampshire, was a painter primarily known for his ability to meticulously depict the murals and tomb sculpture of Egypt and other ancient cultures.

Joseph Lindon Smith was born on October 11, 1863 in Pawtucket, Rhode Island, the son of wholesale lumberman Henry Francis Smith and Emma Greenleaf Smith, a cousin of John Greenleaf Whittier.

From 1880 to 1882, Smith studied drawing and painting at the Art School of the Boston Museum of Fine Arts under Frederic Crowninshield and Otto Grundman. Accompanied by his friend, Frank Benson, he attended the Académie Julian and studied under William Bouguereau, Gustave Boulanger, and Jules Lefebvre from 1883 to 1885.

Upon his return to Boston, Smith established a studio as a portrait and landscape painter, attracting the attention of Denman Ross, a professor of History of Fine Arts at Harvard University. In the early 1890s Smith and Ross began to travel extensively and Smith became interested in ancient civilizations of Mexico, China, and Southeast Asia. In 1892, during a trip to Italy, Smith befriended Isabella Stewart Gardner, for whom he copied famous paintings, and occasionally acted as agent in purchasing art work.

Making his first trip to Egypt in 1898, Smith became enthralled with the art work of the ancient civilization and devoted himself to painting copies of the tomb sculptures and murals for educational uses in museums and other public institutions. In 1899, he married Corinna Haven Putnam and the couple spent much of their married life traveling between the United States and the Middle East, especially Egypt. From 1910 to 1939, Smith was a member of the Joint Expedition of the Boston Museum of Fine Arts and Harvard University directed by Dr. George A. Reisner.

For fifty years, Smith was also sought out as a writer and producer of plays and theatrical pageants, fetes, and masques primarily staged for various charitable fund-raising events.

Joseph Lindon Smith died on October 18, 1950 in Dublin, New Hampshire.
Related Material:
The papers of Smith's wife, Corinna Putnam Smith, are available at The Schlesinger Library of Radcliffe College, Cambridge, Massachusetts.
Provenance:
The Joseph Lindon Smith papers were donated by Jessie T. Hale, Smith's granddaughter, in 1977 and 1978.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Joseph Lindon Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters -- New Hampshire -- Dublin  Search this
Topic:
Historical drama  Search this
Community theater  Search this
Art, Egyptian  Search this
Art, Ancient  Search this
Art, Egypt  Search this
Genre/Form:
Notebooks
Photographs
Prints
Interviews
Drafts (documents)
Sound recordings
Scrapbooks
Diaries
Sketchbooks
Drawings
Citation:
Joseph Lindon Smith papers, 1647-1965, bulk 1873-1965. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.smitjose
See more items in:
Joseph Lindon Smith papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smitjose
Online Media:

Photographic Material

Collection Creator:
National Academy of Design (U.S.)  Search this
Extent:
6.1 Linear feet (Boxes 60-63, 131-138, OV 143-144)
Type:
Archival materials
Date:
1845-2010
Scope and Contents:
Photographic material includes a wide variety of formats and processes including 19th and 20th photographic prints, glass plate negatives, copy prints, contact sheets, slides, and 35mm negatives. Subjects include artists and others associated with the National Academy of Design, the school, exhibitions and events, Academy buildings, artwork, and reference photographs. Many 19th century photographs contain descriptive annotations. Supplementary inventories and guides prepared by Academy archivists are scattered throughout.

Artists and others associated with the Academy (subseries 17.1) consists of portraits of artists and groups of people—including members, juries, and council officers—at exhibitions, dinners, council meetings, and other gatherings. There are several folders of photographs of Henry Ward Ranger over three decades, some with Academy colleagues. One folder contains photographs belonging to Academy member Francis Lathrop, depicting a workshop, believed to belong to William Morris (includes supplemental correspondence, 1968-1986). One civil war photograph was sent to the president of the Academy by Joseph Jackson, depicting union soldiers and thanking the Academy for its inspiring work.

Photographs of the Academy school (subseries 17.2) depict teachers, students, classrooms, models, and instruction. Some classes are identified, such as George W. Maynard's class, and James Carroll Beckwith's "antiques class". Also included are photographs of student artworks, exhibitions, critiques, scholarship winners, and extracurricular activities. Student artwork includes predominantly figurative paintings, sculptures, and murals.

Exhibition and event photographs (subseries 17.3) include the Academy centennial exhibition, exhibitions not held at the Academy, ceremonies, galas, and the 175th anniversary celebration.

Building photographs (subseries 17.4) include copy prints of illustrations and renderings of proposed building sites, floor plans, and interior and exterior views of many of the Academy's buildings.

Artwork photographs (subseries 17.5) depict work by Daniel Huntington and George W. Maynard (many with annotations), murals by John Holmer and Gifford Beal, as well as medals, portrait paintings, figurative sculpture, sculptural relief, and religious murals.

Reference photographs (subseries 17.6) include figure studies, landscapes, and locations abroad including Egypt, Italy, the Middle East, Northern Europe, and Spain.
Arrangement:
The series is arranged as six subseries.

17.1: Artists and People, 1854-2009

17.2: School, 1845-2010

17.3: Exhibitions and Events, 1889-2007

17.4: Building, 1850-2002

17.5: Artwork, 1845-1975

17.6: Reference, 1890-1979
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.natiacad, Series 17
See more items in:
National Academy of Design records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-natiacad-ref17

Thomas B. Card and Paul W. Card photographs of world travels and World War II

Creator:
Card, Thomas B.  Search this
Names:
United States. Army  Search this
Card, Paul W.  Search this
Mussolini, Benito, 1883-1945  Search this
Extent:
104 Negatives (nitrate)
625 Color slides (circa)
1,218 Negatives (nitrate and acetate, 35 mm)
121 Copy slides (black and white)
750 Prints (circa, silver gelatin)
Culture:
Japanese  Search this
Chinese  Search this
Incas  Search this
Arabs  Search this
Mayas  Search this
Type:
Collection descriptions
Archival materials
Negatives
Color slides
Copy slides
Prints
Photographs
Place:
Saudi Arabia
Okinawa Island (Japan)
Mexico -- Antiquities
China
Peru
West Indies
Japan
Trinidad
Venezuela
Spain
France
Italy
Date:
circa 1932-1947, 1961
Scope and Contents note:
The majority of the photographs were made by Thomas B. Card during World War II and the postwar years in Japan, South America, the Caribbean, Europe, and the Middle East. He documented people, architecture, and scenery, as well as military bases and personnel in Okinawa, Japan. Additionally, there are images of Mexican archeological sites, Camp Claiborne in Louisiana (made in 1944), the 1932 Amur River flood, and Benito Mussolini's execution.

The collection also includes photographs taken by Paul W. Card in China before World War II, including images of the Yangtze River, historical architecture and art, people, shrines, and cities.
Biographical/Historical note:
Thomas B. Card was an engineer and Army officer during World War II. After completing his freshman year at Worcester Polytechnic Institute (September 1916-October 1917), he joined the signal corps in World War I, later transferrimg to become a pilot in the air service. Returning to school, he graduated from the Masssachusetts Institute of Technology in 1921 and received a Masters in Business Administration from Harvard Graduate School in 1930. During World War II, he supervised the construction of bases in the Caribbean and Japan, and served as commanding officer of the 601st Engineers Base Depot on Okinawa. He was promoted to Colonel, CE, in 1945. In 1947, he led a group of engineers working on the Bechtel International Modernization Project in Saudi Arabia, as well as other post-war work in Argentina and Trinidad.

Paul W. Card, Thomas B. Card's brother, graduated from the Naval Academy in 1927 and was assigned to work in China's Yangtze River region until 1938. He spent most of his time protecting the United States Legation in Nanjing and gathered intelligence as a "naval observer."
Local Call Number(s):
NAA Photo Lot 2000-02, NAA Photo Lot 97-43
Location of Other Archival Materials:
Photographs made by Thomas B. Card, previously filed in Photo Lot 97-43, have been relocated and merged with Photo Lot 2000-02. These photographs were were made at the same time and places and form part of this collection.
Restrictions:
Original nitrate negatives are in cold storage and require advanced notice for viewing.
Rights:
Contact the repository for terms of use.
Topic:
World War, 1939-1945  Search this
Architecture  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 2000-02, Thomas B. Card and Paul W. Card photographs of world travels and World War II, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.2000-02
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-2000-02

Palestine Exploration Fund photograph collection of Biblical antiquities and sites

Collector:
Palestine Exploration Fund  Search this
Extent:
56 Mounted prints (albumen)
Culture:
Palestinian Arabs  Search this
Jews  Search this
Samaritans  Search this
Type:
Collection descriptions
Archival materials
Mounted prints
Photographs
Place:
Middle East -- Antiquities
Syria
Israel
Palestine
Date:
circa 1890-1895
Scope and Contents note:
Photographs collected by the Palestine Exploration Fund depicting sites and peoples in Syria, Israel, and Palestine that relate to Biblical events. Sites include the Great Mosque in Damascus, Nazareth, a Samaritan camp, remains of synagogues, Mount Gerizim, and Jerusalem. The photographs, which were either made or funded by members of the Palestine Exploration Fund, were collected by the United States National Museum for the Cotton States and International Exposition in Atlanta, Georgia, in 1895; many of them still have the accompanying text from that exhibit, including identification information and Biblical citations.
Biographical/Historical note:
The Palestine Exploration Fund was established in 1865 by a group of British academics and clergymen to "promote research into the archaeology and history, manners and customs and culture, topography, geology and natural sciences of biblical Palestine and the Levant."
Local Call Number(s):
NAA Photo Lot 158, USNM ACC 29586, USNM ACC 22944, USNM ACC 23302
Location of Other Archival Materials:
This collection has been relocated from Photo Lot 79-38.
Additional Palestine Exploration Fund photographs, previously filed in Photo Lot 97, have been relocated and merged with Photo Lot 158. These photographs were also funded and collected by the Palestine Exploration Fund and form part of this collection.
Images of exhibits at the Cotton States and International Exposition can be found in the National Anthropological Archives in the BAE historical negatives.
The Smithsonian Institution Archives holds the Exposition Records of the Smithsonian Institution and the United States National Museum, 1867-1940 (SIA RU000070).
Additional material from the Palestine Exploration Fund can be found in the Department of Anthropology in accession 35833.
The Palestine Exploration Fund archives holds additional photographs and artifacts relating to its studies.
Material found in Gus Van Beek's office can also be found in the National Anthropological Archives Photo Lot 79-34.
See others in:
Palestine Exploration Fund photograph collection of Biblical antiquities and sites, circa 1890-1895
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 158, Palestine Exploration Fund photograph collection of Biblical antiquities and sites, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.158
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-158

Egypt, the Aegean and the Levant : interconnections in the second millenium BC / edited by W. Vivian Davies and Louise Schofield

Author:
Davies, W. V  Search this
Schofield, Louise  Search this
British Museum Trustees  Search this
Physical description:
viii, 156 p., 32 p. of plates : ill. (some col.), map, plans ; 30 cm
Type:
Books
Congresses
Place:
Egypt
Ḍabʻah, Tall al- (Egypt)
Middle East
Aegean Sea Region
Date:
1995
C1995
To 332 B.C
To 622
Topic:
Minoans--Congresses  Search this
Civilization, Aegean--Foreign influences--Congresses  Search this
Civilization  Search this
Congresses  Search this
Foreign influences  Search this
Antiquities  Search this
Call number:
DT61 .E32 1995
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_483515

Records of Charles Lang Freer's art purchases while traveling in the Middle East

Creator:
Freer, Charles Lang, 1856-1919  Search this
Names:
Smithsonian Institution  Search this
Collection Creator:
Freer, Charles Lang, 1856-1919  Search this
Extent:
56 Sheets
Type:
Archival materials
Sheets
Vouchers
Place:
Egypt
Cairo (Egypt)
Syria
Palmyra (Syria)
Damascus (Syria)
Aleppo (Syria)
Jerusalem
Date:
May-August,1908
Scope and Contents:
Purchase vouchers, notes and price relating to purchases made by Charles Freer while in Egypt, Syria, Palestine, Lebanon, Turkey and Paris between May and August, 1908. Purchases were primarily Syrian and Persian pottery and tiles, but also included ancient Egyptian artifacts, manuscripts, and a mortuary bust from Palmyra. Dealers included Maurice Nahman, Cairo; Marcopoli & Co., Aleppo; Murad Barody, Beirut; N. Ohan, Jerusalem; Tabbagh Freres & Co., Paris, and Dikran Kelekian, Paris. Documents also include travel itinerary notes and a reciept for a donation for relief of the poor of Aleppo.
Freer collection numbers: F1908.53; F1908.54; F1908.110; F1908.111; F1908.112; F1908.113; F1908.117; F1908.118; F1908.119; ; F1908.120; F1908.121; F1908.122a-b; F1908.123; F1908.124; F1908.125; F1908.126; F1908.127; F1908.128; F1908.129; F1908.133; F1908.130; F1908.131; F1908.132; F1908.134; F1908.135; F1908.136; F1908.137; F1908.138; F1908.139; F1908.140; F1908.141; F1908.142; F1908.143; F1908.144; F1908.145; F1908.146; F1908.147; F1908.148; F1908.149; F1908.150; F1908.151; F1908.152; F1908.153; F1908.154; F1908.155; F1908.156; F1908.157; F1908.158; F1908.159; F1908.160; F1908.161; F1908.162; F1908.163; F1908.164; F1908.165; F1908.166; F1908.167; F1908.168; F1908.184; F1908.185; F1908.186; F1908.187; F1908.179; F1908.180; F1908.190; F1908.191; F1908.192; F1908.193; F1908.202; F1908.223; F1908.224; F1908.236; F1908.250;
Arrangement:
Freer's purchase vouchers are generally organized by date of purchase.
Local Numbers:
FSA A.01 06.5.2.1908.12.13
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Antiquities  Search this
Art, Ancient  Search this
Art, Egyptian  Search this
Art, Islamic  Search this
Christian art and symbolism  Search this
Genre/Form:
Vouchers
Collection Citation:
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Identifier:
FSA.A.01, Item FSA A.01 06.5.2.1908.12.13
See more items in:
Charles Lang Freer Papers
Charles Lang Freer Papers / Series 6: Financial Materials / 6.5: Vouchers / 6.5.2: Financial materials - Vouchers - Art vouchers / Invoices after 1883
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a-01-ref3470

Richard B. Parker Photographs

Creator:
Parker, Richard Bordeaux, 1923-  Search this
Extent:
1.75 Linear feet (200 Prints: black & white; 2 contact sheets: black & white; 481 Negatives (photographic): black & white)
Type:
Collection descriptions
Archival materials
Photographic prints
Negatives
Place:
Jordan
Syria
Algeria
Fès (Morocco)
Cairo (Egypt)
Morocco
Rabat-Salé (Morocco)
Marrakech (Morocco)
Meknès (Morocco)
Date:
1965-1979
Summary:
A collection of black and white prints and negatives of Islamic monuments taken by former ambassador Richard B. Parker. The collection includes 200 prints and 481 negatives. The images document Islamic architecture throughout Algeria, Cairo, Lebanon, Syria, Jordan, Morocco, and Spain.
Scope and Contents of the Collection:
The Amb. Richard B. Parker Photographs contains 200 black and white prints, 481 black and white negatives, and two black and white contact sheets of Islamic monuments in Algeria, Cairo, Lebanon, Syria, Jordan, Morocco, and Spain. The Morocco series in the largest in the collection covering four cities. Photographs from Cairo span the years 1965-1968. All other photographs span the years 1970-1979. Originally, the negatives and prints were housed together. Although the negatives are now housed separately from the prints, they are grouped in the original order. All prints are in original order. Most of the photographs have been annotated and/or dated by the creator.
Arrangement note:
The collection is arranged into six series: Series 1: Algeria,1972-1974; Series 2:Cairo, 1965-1968; Series 3:Lebanon, Syria, and Jordan,1977-1978; Series 4:Morocco, 1970-1979; Series 5:Spain, 1970-1972; and Series 6: Miscellaneous.
Biography of Ambassador Richard B. Parker:
Richard Bordeaux Parker was born on July 3, 1923, in the Philippines where his father was stationed in the United States Army. He earned a Bachelors of Science in General Science and a Masters of Science in Citizenship Education from Kansas State University. After serving as an infantry soldier during World War II, Parker joined the U.S. Foreign Service in 1949. His first tour was spent in Sydney, Australia. He then focused his career on the Middle East, holding a number of posts in Israel, Jordan, and Egypt. In addition, Parker served as ambassador to Algeria (1974-1977), Lebanon (1977), and Morocco (1978-1979.)

Fluent in Arabic, he has written/edited seven books to date on subjects concerning the Middle East. He retired from the U.S. Foreign Service in 1981 and became the editor of, The Middle East Journal, from 1981 through 1987. In addition to his diplomatic career, Parker taught at the University of Virginia, Johns Hopkins University, and Lawrence University. He served as the first president of the Association for Diplomatic Studies and Training from 1986-1989. He is also a member of several organizations including the Advisory Council on Near East Studies at Princeton University, the American Academy of Diplomacy, the Cosmos Club, the Council on Foreign Relations, and the Middle East Institute. In June, 2004, he received the American Foreign Service Association's lifetime Contributions to American Diplomacy award. Richard B. Parker is married with four children and lives in Washington, D.C.
Related Materials:
Other collections housed in the archives documenting Islamic monuments include: Antoin Sevruguin Photographs, the Seherr-Thoss Photographs, and the Lionel Bier Architectural Drawings.
Provenance:
Ambassador Richard B. Parker donated this entire collection in 2002.
Restrictions:
Collection is open for research.
Rights:
The archives is open by appointment only, Tuesdays through Thursdays, 10:00 a.m. to 5:00 p.m. The Archives is closed on all federal holidays.
Topic:
Islamic antiquities  Search this
Genre/Form:
Photographic prints
Negatives
Citation:
Amb. Richard B. Parker Photographs, 1965-1979. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution. Washington, D.C. Gift of Ambassador Richard B. Parker, 2002
Identifier:
FSA.A2002.06
See more items in:
Richard B. Parker Photographs
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a2002-06

Seherr-Thoss Photographs of Islamic Architecture

Creator:
Seherr-Thoss, Hans Christoph, Graf von, 1918-  Search this
Seherr-Thoss, Sonia P.  Search this
Extent:
4 Linear feet (approximate: 1250 items)
Type:
Collection descriptions
Archival materials
Color slides
Transparencies
Photographic prints
Place:
Uzbekistan
Iran -- Antiquities
Turkey
Afghanistan
Date:
circa 1960-1968
Summary:
Photographs and negatives of Sonia P. and Hans C. Seherr-Thoss. Mounted and unmounted color slides, transparencies, black and white negatives, mounted prints, contact sheets, and a photograph, circa 1960-1968. The majority of images, taken by Hans C. Seherr-Thoss, appear in their publication, Design and Color in Islamic Architecture: Afghanistan, Iran, and Turkey, published by the, Smithsonian Institution Press, in 1968. Countries depicted are Iran, Turkey, Afghanistan, Tajikistan, and Uzbekistan.
Scope and Contents of the Collection:
Photographs and negatives of Islamic monuments. Photos taken by Hans C. Seherr-Thoss and most appear in his and Sonia P. Seherr-Thoss' publication, Design and color in Islamic architecture: Afghanistan, Iran, Turkey.

The mounted slides have been placed in cold storage due to preservation concerns and the transparencies and mounted photos have not yet been processed.
Arrangement note:
This collection is arranged into three series by format: 1. Mounted slides, 2. Transparencies, and 3. Mounted photos. Only the mounted slides have been arranged and remain in their original order.
Biographical/Historical note:
Count Hans Seherr-Thoss was born in Dobrau, Germany in 1912 (New York Times, October 29, 1992.) He later became a United States citizen and served in the United States' Army during World War II. Sonia Phipps Farrell married Seherr-Thoss in Palm Beach, Florida, on March 3, 1948 (The Washington Post, March 2, 1948.) Both had children from previous marriages. Mrs. Seherr-Thoss graduated from Columbia University with majors in economics and sociology. She served as president of the Litchfield (Connecticut) Historical Society and the Oliver Wolcott Library. She received the Paul Harris Fellowship for community service and the Connecticut Association of Schools awarded her the Distinguished Friend of Education Award. In 1968, the Smithsonian Institution Press published, Design and Color in Islamic Architecture: Afganistan, Iran, Turkey. Written by Mrs. Seherr-Thoss, the photographs were taken by Mr. Seherr-Thoss during their travels to the concerned regions. Many of the photographs featured in that publication are included in this collection. Hans C. Seherr-Thoss died on October 28, 1992 and Sonia P. Seherr-Thoss currently resides in Litchfield, Connecticut.
Biography of Sonia P. and Hans C. Seherr-Thoss:
Count Hans Seherr-Thoss was born in Dobrau, Germany in 1912 (New York Times, October 29, 1992.) He later became a United States citizen and served in the United States' Army during World War II.

Sonia Phipps Farrell married Seherr-Thoss in Palm Beach, Florida, on March 3, 1948 (The Washington Post, March 2, 1948.) Both had children from previous marriages. Mrs. Seherr-Thoss graduated from Columbia University with majors in economics and sociology. She served as president of the Litchfield (Connecticut) Historical Society and the Oliver Wolcott Library. She received the Paul Harris Fellowship for community service and the Connecticut Association of Schools awarded her the Distinguished Friend of Education Award.

In 1968, the Smithsonian Institution Press published, Design and Color in Islamic Architecture: Afganistan, Iran, Turkey. Written by Mrs. Seherr-Thoss, the photographs were taken by Mr. Seherr-Thoss during their travels to the concerned regions. Many of the photographs featured in that publication are included in this collection.

Hans C. Seherr-Thoss died on October 28, 1992 and Sonia P. Seherr-Thoss currently resides in Litchfield, Connecticut.
Related Materials:
Other collections housed in the archives documenting Islamic monuments include: Ambassador Richard B. Parker Photographs of Islamic Monuments and the Lionel Bier Architectural Drawings.
Provenance:
This collection was donated by Sonia P. Seherr-Thoss, 2001
Restrictions:
Collection is open for research. Mounted slides are in cold storage; digital surrogates are preferred for access. One week's notice is required prior to access originals.
Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Topic:
Decoration and ornament, Architectural -- Middle East  Search this
Islamic antiquities  Search this
Mosques  Search this
Islamic architecture  Search this
Minarets  Search this
Genre/Form:
Color slides
Transparencies
Photographic prints
Citation:
Hans C. and Sonia P. Seherr-Thoss Photographs of Islamic Architecture. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of Sonia P. Seherr-Thoss, 2001.
Identifier:
FSA.A2001.15
See more items in:
Seherr-Thoss Photographs of Islamic Architecture
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a2001-15

Veronika Soul Collection

Creator:
Soul, Veronika  Search this
Extent:
5 Boxes
Type:
Collection descriptions
Archival materials
Photographs
Photograph albums
Postcards
Place:
Japan
Palestine
Jerusalem
Damascus (Syria)
China
Tianjin (China)
United States
Manhattan (New York)
Date:
undated
Scope and Contents:
Collection contains various albums, graphics and photographs, primarily of Japan, but also including China and the Middle East. Three photograph albums of Tianjin created by a Japanese military officer named Etsuzan in the late 1930s. Includes photographs of the city and of army life, foreign concessions, and the Tianjin flood of 1939. Also includes trips to Beijing, Chengde, Yungang, Shanghai, etc., a handful of postcards, including a signed photo of the famous geisha Hatsuko. Two photography albums mostly of travels in the US from the 1920s by a reprsentative of the Hara Silk Company. Eighty three Showa period postcards and 101 trade cards, primarily of popular Japanese stage and screen actors, actresses, and musicians, both prewar and postwar, up through the 1960s. Also includes 3 Meiji period painted postcards and two stereographs of Japanese soldiers during the Russo-Japan War. A 2015 addition includes 181 stereocards of the Holy Land, from the late 19th and early 20th centuries, as well as postcards from the Middle East. Also includes a set of painted lantern slides depicting views of Palestine.
Arrangement:
Organized by box.
Biographical / Historical:
Ms. Soul is a retired independent filmmaker who has travelled internationally, collecting materials that she finds visually compelling for her films, often at flea markets or antique shops.
Local Numbers:
FSA A2013.02
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Genre/Form:
Photographs
Photograph albums
Postcards
Identifier:
FSA.A2013.02
See more items in:
Veronika Soul Collection
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a2013-02
Online Media:

Donald J. Ortner Papers

Creator:
Ortner, Donald J.  Search this
Names:
Paleopathology Association  Search this
Smithsonian Institution Department of Anthroplogy  Search this
University of Bradford  Search this
Frohlich, Bruno, 1945-  Search this
Putschar, Walter G. J., 1904-1987  Search this
Extent:
44.37 Linear feet (96 boxes, 3 map-folders)
Type:
Collection descriptions
Archival materials
Maps
Photographs
Slides (photographs)
Negatives (photographic)
Manuscripts
Sound recordings
Correspondence
Place:
Virginia
England
Jordan
Peru
Date:
1963-2013
Summary:
The Donald J. Ortner Papers, dated 1963 to 2013, document his research and professional activities while working in the Division of Physical Anthropology in the Department of Anthropology at the Smithsonian Institution National Museum of Natural History. They primarily deal with his contributions to the field of paleopathology and his work with specimens from Bab edh-Dhra, Jordan and Chichester, England. The bulk of this collection consists of correspondence, files related to Ortner's publications, specimen observations and analysis, and photographs.
Scope and Contents:
The Donald J. Ortner Papers primarily document his projects, research, and correspondence working as a biological anthropologist in the Division of Physical Anthropology of the Department of Anthropology from 1963 until his death in 2012. The bulk of the projects represented relate to his work in paleopathology, such as the Near Eastern skeletal biology program in Jordan and the medieval skeletal disease project in England. The collection consists of notes, research materials, correspondence, data and data analysis, transcripts of specimen observations, maps, blueprints, artwork, negatives, slides, photographs, CD-Roms, floppy discs, and sound cassettes.
Arrangement:
This collection is arranged in 8 series: Series 1. Correspondence, 1966-2012; Series 2. Subject files, 1965-2013, undated; Series 3. Near Eastern Skeletal Biology Program, 1977-2010, undated; Series 4. Medieval Skeletal Disease Project, 1988-2006, undated; Series 5. Other publications, projects, and research, 1963-2011, undated; Series 6. Professional activities, 1971-2007, undated; Series 7. Biographical and office files, 1963-2011, undated; Series 8. Artwork, 1978, undated
Biographical Note:
Donald J. Ortner was a biological anthropologist in the Department of Anthropology at the Smithsonian National Museum of Natural History (NMNH). By the time of his death, Ortner had served in many positions at the Museum, including Acting Director (1994-1996). His areas of expertise included human paleopathology, human health in medieval England, bioarcheology of the ancient Near East, and the history and evoluton of human infectious diseases. Ortner was a founding member of the Paleopathology Association.

Ortner was born in 1938 in Stoneham, Massachusetts and arrived at the NMNH in 1963, working primarily with J. Lawrence Angel who had recently started as Curator in the Division of Physical Anthropology. While working at the Museum, Ortner completed his Master's in Anthropology in 1967 and received his Ph.D. from the University of Kansas in 1970. His doctoral dissertation was on The Effects of Aging and Disease on the Micromorphology of Human Compact Bone.

Ortner worked with Walter G. J. Putschar, a pathologist based at Massachusetts General Hospital in Boston, on a series of short-courses (1971-1974) on paleopathology at the Smithsonian. During the summer of 1974, Putschar and Ortner traveled to Europe (London, Edinburgh, Zurich, Strasbourg, Vienna, Prague) studying and photographing examples of skeletal pathology in museums and other repositories. The result of this research was the book Identification of Pathological Conditions in Human Skeletal Remains published in 1981, with later editions in 1985 and 2003.

In 1977, Ortner joined the Expedition to the Dead Sea Plain directed by archaeologists Walter E. Rast and R. Thomas Schaub, focusing on the site of Bab edh-Dhra. Ortner studied the tombs and skeletons for data indicating cultural and biological changes, especially urbanization and connection to the development of other "Western civilizations." Ortner participated in two more field seasons in Bab edh-Dhra in 1979 and 1981. From his research at Bab-edh-Dhra, Ortner published many scholarly articles and recreated two tombs for the Hall of Western Civilization at NMNH.

In 1988, Ortner began his collaboration with the University of Bradford in Bradford, England, teaching short-courses on paleopathology. While a Visiting Professor at the University, he also participated in a project on human health and disease in Medieval England. The project focused on leprosy and syphilis in skeletons from St. James Hospital's leprosarium cemetery in Chichester, Wharram Perry, and Magistrates' Court in Kingston-upon-Hull. He received an Honorary Doctorate of Science from the University in 1995.

Donald J. Ortner died on April 29th, 2012 in Maryland.

Sources consulted:

Ubelaker, D. H. "Obituary: Donald J. Ortner (1938–2012)." American Journal of Physical Anthropology, 149 (2012): 155–156.

Arnoldi, Mary Jo and Ann Kaupp. "Donald J. Ortner, Sr. (1939-2012)." Anthropolog: Newsletter of the Department of Anthropology, Spring 2012: 1-3.

Chronology

1938 -- Born on August 23 in Stoneham, Massachusetts.

1960 -- Received B.A. in Zoology from Columbia Union College in Takoma Park, Maryland.

1963 -- Began working at the Smithsonian Institution.

1967 -- Received M.A. in Anthropology from Syracuse University.

1969 -- Promoted to Assistant Curator.

1970 -- Received Ph.D. from the University of Kansas.

1971 -- Promoted to Associate Curator.

1971-1975 -- Taught part-time at the University of Maryland.

1974 -- Spent summer with Dr. Walter G. J. Putschar studying pathological specimens in Europe.

1976 -- Promoted to Curator in the Anthropology Department, National Museum of Natural History.

1977 -- First field season at Bab edh-Dhra cemetery site in Jordan.

1979 -- Second field season at Bab edh-Dhra cemetery site in Jordan.

1981 -- Third field season at Bab edh-Dhra cemetery site in Jordan.

1988 -- Began association with the University of Bradford in Bradford, England.

1988-1992 -- Chairman of the Department of Anthropology, National Museum of Natural History.

1994-1996 -- Acting Director of the National Museum of Natural History.

1995 -- Awarded an Honorary Doctorate of Science degree from the University of Bradford.

1999-2001 -- President of the Paleopathology Association.

2005 -- Received Eve Cockburn Award from the Paleopathology Association in recognition of his contributions in the field of paleopathology.

2012 -- Died on April 29 in Maryland.
Related Materials:
The following photo lots depicting Donald J. Ortner can be found at the NAA:

Photo Lot 7D: Photograph of attendees after American Anthropological Association annual meeting, 1965

Photo Lot 7A: Portraits made at the annual meeting of the American Association of Physical Anthropologists, 1970

Photo Lot 77-45: Photograph of Smithsonian Institution physical anthropologists, circa 1977

Photo Lot 4822: Division of Physical Anthropology collection of photographs of physical anthropologists, undated

Sound recordings of Donald J. Ortner at the NAA:

John Lawrence Angel Papers, Sound Recordings, "How Humans Adapt: A Biocultural Odyssey," November 9, 1981

Other collections at the NAA in which Donald J. Ortner is a correspondent or creator of material:

Records of the Department of Anthropology, 1877-1980

Department of Anthropology Annual Reports, 1920-1983

John Lawrence Angel Papers, 1930s-1980s

Three films that document Ortner's work in Bab edh-Dhra are located in the Human Studies Film Archives (HSFA):

Film number 2000.9.1, The Bones of Bab edh-Dhra, ca. 1970s

Film number 2000.9.3, Bab edh-Dhra Film Project, 1970-1980

Film number 2014.3, City of the Dead, 1978

The Smithsonian Institution Archives holds the original City of the Dead in Accession 05-282, Office of Telecommunications, Productions.
Provenance:
These papers were transferred to the NAA from the Department of Anthropology in 2014.
Restrictions:
The Donald J. Ortner Papers are open for research.

Access to the Donald J. Ortner Papers requires an appointment.

Requests to view forensic files are subject to review by the NAA. Forensic files can only be viewed in the National Anthropological Archives reading room. No copies are permitted unless permission is granted by the agency the report was written for.

Electronic records are unavailable for research. Please contact the reference archivist for additional information.

Use of audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
Contact the repository for terms of use.
Topic:
Anthropologists -- United States  Search this
Archaeology  Search this
Human remains (Archaeology)  Search this
Excavations (Archaeology) -- Middle East  Search this
Scurvy  Search this
Leprosy -- Research  Search this
Physical anthropology  Search this
Bāb edh-Dhrā Site (Jordan)  Search this
Excavations (Archaeology) -- England  Search this
Forensic anthropology  Search this
Paleopathology  Search this
Bronze age  Search this
Chichester (England)  Search this
Diseases  Search this
Genre/Form:
Maps
Photographs
Slides (photographs)
Negatives (photographic)
Manuscripts
Sound recordings
Correspondence
Citation:
Donald J. Ortner Papers, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.2014-07
See more items in:
Donald J. Ortner Papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-2014-07

Therese Bonney photographs

Creator:
Bonney, M. Thérèse (Mabel Thérèse), 1897-1978  Search this
Names:
Bonney Service  Search this
Cooper-Hewitt Design Archive  Search this
Bonney, M. Thérèse (Mabel Thérèse), 1897-1978  Search this
Extent:
4,300 Photographs (black and white)
Type:
Collection descriptions
Archival materials
Photographs
Black-and-white photographs
Date:
1925-1937
Summary:
This collection contains4,300 black and white photographs that document architecture and design in Paris from 1925-1937.These silver-gelatin prints, mostly 8 x 10, depicting French industrial art objects, interior settings, and window displays were amassed by Bonney who lived most of her life in Paris. Many of the photographs were done by Bonney. She collected others from news agencies, photographers, and stock photograph vendors. Many of the photographs are accompanied by captions composed in a conversational manner by Bonney.
Arrangement note:
Photographs are arranged by subject. Each box is labeled as to contents.
Biographical/Historical note:
Photojouralist. Born Syracuse, New York, 1897. She studied at the University of California at Berkeley and Radcliffe College in the 1910s. Bonney immigrated to France in 1919 where she became on of the first ten women to graduate from the Sorbonne. She founded the first American illustrated press service in Europe, the Bonney Service, in 1924.

By the late 1930s, Bonney became discouraged by the poor quality of the work of the photographers she employed, and decided to learn the art of photography herself. The subjects of her photographs ranged from individual objects to interior settings to window displays to major building complexes and focused on the impact of modernism on European design.

In the late 1920s and early 1930s, Bonney organized a number of exhibitions and collaborated with her sister, Louise Bonney, on a series of guide books, including "Buying Antique and Modern Furniture in Paris". With the coming of World War II, Bonney took to documenting civilian life in Europe. She published two photo-essay books, "War comes to the People" (1940) and "Europe's Children" (1943). Her concept for a film about children displaced by war, became an Academy Award winning movie, "The Search" (1948). The museum's collection of photographs was the subject of Cooper-Hewitt's 1985 exhibition, "Paris Recorded: The Therese Bonney Collection."
Location of Other Archival Materials Note:
New York Public Library, Rare Books and Manuscripts Section. Photographs of views of Europe, North Africa, the Middle East, Asia, and New York. The bulk of the photographs are of French landscapes, architecture, costume, and everyday life.
University of California at Berkeley, The Bancroft Library. Scrapbooks, clippings, testimonials and other materials relating to Bonney's photographic work, circa 1919-1977.
Radcliffe College, Schlesinger Library. Biographical material, correspondence, photographs, and information about the Women's Land Army and the Women's Auxiliary Army Corps, dating from 1931-1964.
Library of Congress, Washington, D.C.Assorted photographs of Bonney, many documenting important events in her life.
Provenance:
This collection was given to Cooper-Hewitt, then the Cooper Union Museum, in 1939 by the Bonney family.
Restrictions:
Unrestricted research use onsite by appointment. Permission of staff required to photograph materials.
Occupation:
Photographers -- France -- Paris  Search this
Topic:
Architectural photography -- France -- Paris  Search this
Furniture -- France -- Paris  Search this
Furniture -- Pictorial works  Search this
Interior decoration -- France -- Paris  Search this
Interior decoration -- Pictorial works  Search this
Show windows -- Pictorial works  Search this
Photography -- Archives  Search this
Photography -- France -- Paris  Search this
Genre/Form:
Black-and-white photographs
Identifier:
SIL-CH.2000-42-1
Archival Repository:
Smithsonian Libraries
EDAN-URL:
ead_collection:sova-sil-ch-2000-42-1

"African and Middle Eastern History" slide collection

Extent:
541 slides (photographs) (+master guide +special guide)
Container:
Volume 1
Type:
Collection descriptions
Archival materials
Slides (photographs)
Black-and-white transparencies
Color slides
Place:
Africa -- Politics and government -- 20th century
Africa -- Social conditions
Africa, North
Africa -- history -- 20th century
Africa -- Civilization
Africa, North -- history -- 1882-
Africa -- history -- 1884-1960
Africa -- history
Africa -- Antiquities
Africa
Date:
1998
Summary:
A published instructional slide set of African and Middle Eastern scenes that is part of a larger slide set of "The World History Slide Collection".
Formatted Contents note:
Group A-G. African and Middle Eastern History (670 slides) - - Group A. History of Traditional Africa (112 slides) - - Group B. Africa and Europe to World War II (108 slides) - - Group C. Southern Africa to 1948 (42 slides) - - Group D. Sub-Saharan Africa After 1945 (72 slides) - - Group F. Northern and Northeast Africa to 1945 (67 slides) - - Group G. North Africa and the Middle East After 1945 (70 slides).
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
For study purposes only. Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
World War, 1939-1945 -- Africa  Search this
World history  Search this
Slave trade -- Africa -- History  Search this
Genre/Form:
Black-and-white transparencies
Color slides
Identifier:
EEPA.1988-005
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_collection:sova-eepa-1988-005

Disability in antiquity

Author:
Haj, Fareed  Search this
Physical description:
188 p. 23 cm
Type:
Books
Place:
Middle East
Date:
1970
[1970]
Topic:
People with disabilities--History  Search this
Mutilation--History  Search this
Call number:
RA395.N35 H15
RA395.N35H15
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_5930

Egyptian, Near Eastern and Classical Greek and Roman antiquities. Part 1, November 27, 1900, 2:00 p.m. : the Park Lane Hotel, second floor ballroom suite, 36 Central Park South, New York, New York / Hesperia Arts Auction, Ltd

Author:
Hesperia Arts Auction, Ltd  Search this
Physical description:
1 v. (various pagings) : ill. (some col.) ; 28 cm
Type:
Catalogs
Place:
Middle East
Date:
1990
[1990]
Topic:
Art objects, Egyptian  Search this
Art objects, Ancient--Catalogs  Search this
Art objects, Classical  Search this
Call number:
NK630 .E32 1990
NK630.E32 1990
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_436230

Ancient Near Eastern temple inventories in the third and second millennia BCE : integrating archaeological, textual, and visual sources proceedings of a conference held at the LMU Centre for Advanced Studies, November 14-15, 2016 edited by Jean M. Evans and Elisa Roßberger ; in cooperation with Paola Paoletti

Author:
Evans, Jean M  Search this
Rossberger, Elisa  Search this
Paoletti, Paola  Search this
Physical description:
221 pages illustrations (some color), charts, facsimiles, map, plans 31 cm
Type:
Congresses
Conference papers and proceedings
Place:
Middle East
Date:
2019
Topic:
Temples--Inventories  Search this
Antiquities  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1115698

Rome, Persia, and Arabia shaping the Middle East from Pompey to Muhammad Greg Fisher

Author:
Fisher, Greg 1976-  Search this
Physical description:
x, 247 pages illustrations, maps 26 cm
Type:
Books
History
Place:
Arabian Peninsula
Middle East
Rome
Rome (Empire)
Date:
2020
To 622
Topic:
Arabs--History  Search this
Arabs  Search this
History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1116458

The Holy Land Syria, Idumea, Arabia, Egypt & Nubia after lithographs by Louis Haghe from drawings made on the spot by David Roberts, R.A. ; With historical descriptions by the Revd. George Croly, L.L.D

Title:
Holy Land
Syria, Idumea, Arabia, Egypt & Nubia
Author:
Roberts, David 1796-1864  Search this
Author:
Brockedon, William 1787-1854  Search this
Croly, George 1780-1860  Search this
Lithographer:
Haghe, Louis 1806-1885  Search this
Printer:
Day & Son  Search this
Subject:
Roberts, David 1796-1864 Travel  Search this
Physical description:
6 volume in 3, 250 leaves of plates color illustrations, map, portraits 31 cm
Type:
Electronic resources
Pictorial works
In art
Art
Place:
Middle East
Egypt
Jerusalem
Date:
1855
1860
Topic:
Travel  Search this
Antiquities  Search this
Description and travel  Search this
In art  Search this
Call number:
DS48 .C76 1855
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_935814

Remnants of Ancient Palace Discovered in Jerusalem

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Thu, 10 Sep 2020 15:18:06 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_341b1efc0e789aba175a42e7548fec65

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