The microfilm for this collection has been digitized and is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcel Breuer papers, 1920-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the microfilming of this collection was provided by the Gerta Charitable Trust. Funding for the digitization of the microfilm was provided by the Terra Foundation for American Art.
The collection is partially microfilmed. Use of material not microfilmed requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Smith family papers, 1793-1977, bulk 1826-1977. Archives of American Art, Smithsonian Institution.
Sponsor:
Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The collection is partially microfilmed. Use of material not microfilmed requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Smith family papers, 1793-1977, bulk 1826-1977. Archives of American Art, Smithsonian Institution.
Sponsor:
Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The collection is partially microfilmed. Use of material not microfilmed requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Smith family papers, 1793-1977, bulk 1826-1977. Archives of American Art, Smithsonian Institution.
Sponsor:
Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Weinman, Adolph A. (Adolph Alexander), 1870-1952 Search this
Extent:
(4 folders; see also Box 13-14)
Container:
Reel 5889, Frame 407-439
Type:
Archival materials
Date:
1930, undated
Collection Restrictions:
A digitized version of the microfilm of this collection is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Adolph A. Weinman papers, 1890-1959. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of the microfilm of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
The microfilm for this collection has been digitized and is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcel Breuer papers, 1920-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the microfilming of this collection was provided by the Gerta Charitable Trust. Funding for the digitization of the microfilm was provided by the Terra Foundation for American Art.
The microfilm for this collection has been digitized and is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcel Breuer papers, 1920-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the microfilming of this collection was provided by the Gerta Charitable Trust. Funding for the digitization of the microfilm was provided by the Terra Foundation for American Art.
The microfilm for this collection has been digitized and is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcel Breuer papers, 1920-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the microfilming of this collection was provided by the Gerta Charitable Trust. Funding for the digitization of the microfilm was provided by the Terra Foundation for American Art.
Weinman, Adolph A. (Adolph Alexander), 1870-1952 Search this
Container:
Box 10
Type:
Archival materials
Negatives [31027000554176]
Date:
undated
1896-1901
Scope and Contents:
Plaque with Two Mourning Cherubs, Spandrel Figures Over Arch, Boys Holding Symbols of Industry, Eagle on Sphere, Grave Memorial for William Kimball, Brooklyn Institute of Arts and Sciences Pediment, Through the Smoke of Battle, Standing Lincoln with Hand on Lapel, Portrait Medallion of Catharina Weinman, Portrait Medallion of Unidentified Man, Bust of Margaret Lucille (sculptor's wife), Sarah Porter Memorial Plaque, The Bowler, Girl Golfer, The Golfer, The Pitcher
Collection Restrictions:
A digitized version of the microfilm of this collection is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Adolph A. Weinman papers, 1890-1959. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of the microfilm of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Weinman, Adolph A. (Adolph Alexander), 1870-1952 Search this
Container:
Box 11
Type:
Archival materials
Negatives [31027000554069]
Date:
1902-1912
Scope and Contents:
Rockinghorse Baby, Bust of Charles Henry Niehaus, Strayed From the Herd, Cow with Lowered Head, Chief Flatiron, Destiny of the Red Man, Kansas, Louisiana Purchase Exposition Gold Medal, Louisiana Purchase Exposition Silver Medal, Plaque for Universal Exposition, Louisiana Purchase Exposition Bronze Medal, Theodore Roosevelt Inaugural Medal, Panels for Façade of J. Pierpont Morgan Library, George Poell Medal for Lifesaving on Railroads, Madison Square Presbyterian Church Pediment, Alexander Macomb Memorial, Union Soldiers and Sailors Monument, Baltimore, Maryland, Seated Lincoln Statue, Hodgenville, Kentucky, William Bateman Leeds Mausoleum Panel
Collection Restrictions:
A digitized version of the microfilm of this collection is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Adolph A. Weinman papers, 1890-1959. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of the microfilm of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Weinman, Adolph A. (Adolph Alexander), 1870-1952 Search this
Container:
Box 12
Type:
Archival materials
Negatives [31027000554127]
Date:
1908-1915
Scope and Contents:
Alexander Johnston Cassatt Statue, Seated Lincoln Statue, Madison, Wisconsin, Wisconsin State Capitol Pediment, Eagle, Pennsylvania Railroad Station, New York, Swag with Winged Wheel, Pennsylvania Railroad Station, New York, Female Figure Holding Cornucopia and Winged Wheel, Pennsylvania Railroad Station, New York, Mercury Holding Cadeusus Keystone, Pennsylvania Railroad Station, New York, New York, National Institute of Arts and Letters Medal, Relief Portrait of Gilbert Montague Stark, Julius Theodore Melchers Memorial Plaque, Standing Lincoln Statue, Frankfort, Kentucky, William Cotter Maybury Memorial, Municipal Building Sculpture, New York, Masonic Temple Tympanum, San Francisco, Lincoln Bust (Replica for Loraine Pratt-Immen), Grand Rapids, Michigan, William F. Vilas Memorial, Vicksburg, Mississippi, Sphinxes for Scottish Rite Temple, Washington, D. C.
Collection Restrictions:
A digitized version of the microfilm of this collection is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Adolph A. Weinman papers, 1890-1959. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of the microfilm of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
In the 1960s, the Smithsonian National Air Museum, later to become the National Air and Space Museum (NASM) microfilmed Series III of the Jones Collection, "Notebooks and Files for Chronology." One positive and one negative copy were made. In July 2002, the positive set of microfilm was deaccessioned to the National Air and Space Museum Branch Library. The negative copies listed below remain with the Ernest Jones Collection. The note "M###" gives the roll identification assigned by the National Air and Space Museum when all microfilm held by NASM was sequentially numbered regardless of collection; these numbers are included for historical purposes.
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Ernest Jones Aeronautical Collection, NASM.XXXX.0096, National Air and Space Museum, Smithsonian Institution.
Weinman, Adolph A. (Adolph Alexander), 1870-1952 Search this
Container:
Box 13
Type:
Archival materials
Negatives [31027000554184]
Date:
undated
1896-1930
Scope and Contents:
Couple in Long Robes, Angel Casting Out Male Figures, Soldier and Sailor with Flag, Winged Figure Balanced on Sphere with Flag, Arch Flanked by Allegorical Figures, Portrait Medallion of Catharina Weinman, Union Soldiers and Sailors Monument, Baltimore, Seated Lincoln Statue, Hodgenville, Kentucky, Sphinxes, Scottish Rite Temple, Washington, D. C., Sir Galahad Sculptured Lectern, Pomfret, Connecticut, Reredos with Kneeling Angels, George Newhall Clarke Memorial Chapel, Pomfret, Connecticut, The Rising Sun and Descending Night, Panama-Pacific International Exposition, San Francisco, Winged Liberty ("Mercury") Dime, J. Sanford Saltus Medal, Missouri State Capitol Pediment, Elks National Memorial Headquarters Building Frieze and Façade Figures, Chicago, Relocation of Sculpture by Karl Bitter and Fountain, Missouri State Capitol, Samuel Rea Statue, Pennsylvania Railroad Terminal, New York
Collection Restrictions:
A digitized version of the microfilm of this collection is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Adolph A. Weinman papers, 1890-1959. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of the microfilm of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
1 Item (Silver gelatin on cellulose acetate film sheet., film strip.)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
March 1973
Scope and Contents:
Two women working with piles of wrapped and bound newspapers. The presence of a blackboard suggests that they are working in a classroom. No ink on negative. Ink (text) on enclosure: "Night Assign. hotel 3/73." "Kodak Safety Film" edge imprint.
Subseries Restrictions:
Collection is open for research.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1970-1980 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
1 Item (Silver gelatin on cellulose acetate film sheet., film strip.)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
March 1973
Scope and Contents:
Strip of three negatives on #120 film: Two women working with piles of wrapped and bound newspapers. The presence of a blackboard suggests that they are working in a classroom. (Microfilming not shown on this strip. No ink on negative. Kodak Safety Film edge imprint.
Subseries Restrictions:
Collection is open for research.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1970-1980 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
