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Tomás Ybarra-Frausto research material, 1965-2004

Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Subject:
Lomas Garza, Carmen  Search this
Goldman, Shifra M.  Search this
Mesa-Bains, Amalia  Search this
Mexican Museum  Search this
Studio 24 (San Francisco, Calif.)  Search this
Royal Chicano Air Force  Search this
Type:
Photographs
Slides (photographs)
Interviews
Place:
Mexico -- Religious life and customs
Topic:
Santos (Art)  Search this
Hispanic American art -- Sources  Search this
Mexican American artists -- Sources  Search this
Hispanic American artists -- Sources  Search this
Household shrines -- Mexico  Search this
Mexican American arts -- Sources  Search this
Record number:
(DSI-AAA_CollID)5563
(DSI-AAA_SIRISBib)216281
AAA_collcode_ybartoma
Theme:
Latino and Latin American
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216281
Online Media:

Tomás Ybarra-Frausto research material

Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Names:
Mexican Museum  Search this
Royal Chicano Air Force  Search this
Studio 24 (San Francisco, Calif.)  Search this
Goldman, Shifra M., 1926-2011  Search this
Lomas Garza, Carmen  Search this
Mesa-Bains, Amalia  Search this
Extent:
33.1 Linear feet
1.27 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Slides (photographs)
Interviews
Place:
Mexico -- Religious life and customs
Date:
1965-2004
Summary:
The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.
Scope and Content Note:
The research material of Tomás Ybarra-Frausto, amassed throughout his long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States. As community leader and scholar, Ybarra-Frausto played dual roles of active participant and historian in the Chicano movement, chronicling this unique political and artistic movement from its inception in the 1960s to the present day.

Deeply rooted in American history, "El Movimiento," the Chicano movement, evolved from Mexican-Americans' struggle for self-determination during the civil rights era of the 1960s. It began as a grassroots community effort that enlisted the arts in the creation of a united political and cultural constituency. Chicano artists, intellectuals, and political activists were instrumental in mobilizing the Mexican-American community for the cause of social justice, and the movement was shaped by the affirmation of a cultural identity that embraced a shared heritage with Mexico and the United States.

Just as "El Movimiento" aimed to instruct and inspire through the recollection and conservation of culture, Ybarra-Frausto's own career as scholar and historian helped to shape the intellectual discourse of the Chicano art. As a leading historian and theoretician in the field of Chicano Studies, he has written extensively on the subject, and has been instrumental in defining the canons of Chicano art. His papers are accordingly rich and varied, and they will be of great use to future scholars.

His research material, dating from 1965 to 1996, are arranged in subject files containing original writings, notes, bibliographies compiled by Ybarra-Frausto and others, exhibition catalogues, announcements, newspaper clippings and other printed material, as well as slides and photographs. Many of these files also include interview transcripts and correspondence with prominent figures in the movement. While this research collection contextualizes Chicano art within the larger framework of Latino and Latin-American culture, the bulk of the files relates specifically to Chicano visual culture. The collection also contains pertinent documentation of the Chicano civil rights movement, material on Chicano poets and writers, and research files on the wider Hispanic community, but these also appear within the context of Chicano culture in general.

Prominent among the bibliographies are the many notes and drafts related to the publication of A Comprehensive Annotated Bibliography of Chicano Art, 1965-1981 (University of California, Berkeley, 1985), which Ybarra-Frausto co-authored with Shifra Goldman. Ybarra-Frausto's files on Goldman, like other files in the collection, document his close associations and collaborations with scholars.

Art historians have traditionally found the categorization of Chicano art a difficult task. Unsure whether to classify the work as "American" or "Latin American," critics often ignored the work altogether. An outgrowth of this dilemma was the proliferation of artists, curators, and critics within the Chicano community, and the papers contain many original writings by Chicano artists about Chicano art, found in extensive files on artists that will be of particular significance to researchers. These often contain exhibition essays, dissertation proposals, and course outlines authored by the artists, along with the standard biographies, exhibition records, and reviews. Some of the files contain rare interviews conducted and transcribed by Ybarra-Frausto. Highlights include conversations with Carmen Lomas Garza, Amalia Mesa-Bains, and members of the Royal Chicano Air Force artist cooperative.

As a member of several Chicano art organizations and institutions, Ybarra-Frausto kept active records of their operation. The extensive files on the Mexican Museum and Galerie de la Raza/Studio 24, both in San Francisco, not only chronicle the history of Chicano art through the records of exhibitions and programming, but also offer case studies on the development of non-profit art institutions. The files on artist cooperatives, organizations, and exhibition spaces cover several regions of the United States, but focus on California, Texas and New York.

Two notable events in the development of Chicano art were the 1982 Califas: Chicano Art and Culture in California seminar at the University of California at Santa Cruz, and the 1990 traveling exhibition Chicano Art: Resistance and Affirmation, 1965-1985 (CARA), of which Ybarra-Frausto served as organizer and catalogue essayist. His records document the planning and development of these seminal events. Ybarra-Frausto's files on folk art, altars, posters, murals, performance art, border art, Chicana feminist art, and Southwestern and Mexican imagery (both urban and rural expressions) mirror the diverse forms and subject matter of Chicano art.

Spanning almost four decades of American culture from a Chicano perspective, these files have a unique historical value. The legacy of Chicano art and its contribution to the cultural landscape of this country, kept alive in Ybarra-Frausto's files, attests to the richness and diversity of American art.

Henry C. Estrada

Research Fellow, 1997.
Arrangement:
The collection is arranged as a single series of subject files. The general contents of each folder have been listed. The subject files are arranged in alphabetical order. While no two files are alike, they may contain résumés, printed and digital material, letters, draft writings, and photographs. Unless otherwise noted, each listing represents one file folder. The abbreviation TYF was used to refer to the name Tomá Ybarra-Frausto throughtout the Series Description.
Autobiographical Note:
Papelitos (little bits of paper), whether rent receipts, paid bills, or piles of personal letters, can become layered bundles of personal history. I have always been a pepenador (a scavenger) and saver of paper scraps. Diary notes, scribbled annotations, and first drafts are often useful indicators of ideas and gestation. Papelitos are the fragments of every-day life that gain expanded meaning integrated into the larger historical events of a period.

In the decade of the 1960s, I started saving ephemeral material--exhibition announcements, clippings of individual artists and of organizations fomenting a Chicano art movement. The social scenarios of the period such as marches, strikes, sit-ins, and mobilizations for social justice all spawned manifestos, posters, leaflets, and other forms of printed material. I somehow managed to assemble and protect the evanescent printed information that recorded the birth and development of Chicano art.

As I started to research and write about Chicano art and artists of the period, I continued to clip, photocopy, and preserve material given me by Mexican-American artists from throughout the nation. My idea was to form an archive that would be comprehensive rather than selective. I knew that it was the offbeat, singular piece of paper with a missing link of information that would attract the scholar.

Today, several decades after the flowering of Chicano art, there is still a lamentable paucity of research and information about this significant component of American art.

It is my fervent hope that this compendium of information will function as a resonant print and image bank for investigators of Chicano culture. Perhaps contained within the archive are the facts that will inspire new visions or revisions of Chicano art and culture--this is my fondest dream.

Dr. Tomás Ybarra-Frausto

New York City, 1998
Related Materials:
Tomás Ybarra-Frausto Papers are located at University of Texas Libraries, The University of Texas at Austin.
Provenance:
The collection was donated to the Archives of American Art by Tomás Ybarra-Frausto in 1997, and in 2004.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Tomás Ybarra-Frausto research material is owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Santos (Art)  Search this
Hispanic American art -- Sources  Search this
Mexican American artists -- Sources  Search this
Hispanic American artists -- Sources  Search this
Household shrines -- Mexico  Search this
Mexican American arts -- Sources  Search this
Genre/Form:
Photographs
Slides (photographs)
Interviews
Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ybartoma
See more items in:
Tomás Ybarra-Frausto research material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ybartoma
Online Media:

Clifford Wight papers relating to Diego Rivera

Creator:
Wight, Clifford, 1900-ca.1960  Search this
Names:
Biddle, George, 1885-1973  Search this
Richardson, Edgar Preston, 1902-1985  Search this
Rivera, Diego, 1886-1957  Search this
Stackpole, Ralph, 1885-1973  Search this
Extent:
1 Linear foot ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1929-1990
Scope and Contents:
Correspondence between Wight, Rivera, and Rivera clients; technical documents including a chemical analysis of the fresco process, and proposals, cost analyses, work schedules and specifications relating to Rivera murals at the Detroit Institute of Arts and Rockefeller Center; writings by George Biddle, Edgar P. Richardson, Rivera and Wight; photographs of Rivera, Wight and others; photographs of work by Rivera, Ralph Stackpole and Wight (?); articles, newspaper clippings and other printed material; and sketches by unidentified artists including a layout for a mural(?).
Biographical / Historical:
Wight, a sculptor and epigrapher; San Francisco, Calif.; acted as Mexican muralist Diego Rivera's technical assistant, translator, and secretary during his soujourn in the United States, ca. l931-1934, while Rivera completed murals for the Detroit Institute of Arts, the Rockefeller Center in New York (destroyed), and the Coit Tower in San Francisco.
Provenance:
Lent for microfilming by Syracuse University Library, Special Collections, 1992. The arrangement devised by the lender has been maintained.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Rights:
Authorization to publish, quote or reproduce must be obtained from Syracuse University Library, Special Collections.
Occupation:
Sculptors  Search this
Topic:
Mural painting and decoration  Search this
Public art  Search this
Mexican American art  Search this
Muralists  Search this
Hispanic American art  Search this
Identifier:
AAA.wighclif
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wighclif

Monarchs Brown and Native contemporary artists in the path of the butterfly Risa Puleo

Title:
Brown and Native contemporary artists in the path of the butterfly
Author:
Puleo, Risa  Search this
Author:
Bemis Center for Contemporary Arts  Search this
Museum of Contemporary Art (North Miami, Fla.)  Search this
Blue Star Contemporary and Southwest School of Art (San Antonio, Tex.)  Search this
Contemporary Art for San Antonio (Organization)  Search this
Nerman Museum of Contemporary Art  Search this
Soap Factory (Minneapolis, Minn.)  Search this
Physical description:
176 pages color illustrations 17 cm
Type:
Exhibitions
Exhibition catalogs
Place:
North America
Date:
2018
21st century
Topic:
Art, American  Search this
Mexican American art  Search this
Indian art  Search this
Art, Modern  Search this
Art, Modern--Themes, motives  Search this
Call number:
N6512.7 .P85 2018
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1111838

Chicano and Chicana art : a critical anthology / Jennifer A. González, C. Ondine Chavoya, Chon Noriega, and Terezita Romo, editors

Editor:
González, Jennifer A.  Search this
Chavoya, C. Ondine  Search this
Noriega, Chon A. 1961-  Search this
Romo, Terecita  Search this
Physical description:
xvi, 534 pages : illustrations ; 27 cm
Type:
Books
Place:
United States
Date:
2019
Topic:
Mexican American art  Search this
Mexican American artists  Search this
Art--Political aspects  Search this
Art and society  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1105488

Oral history interview with Carlos Almaraz, 1986 February 6-1987 January 29

Interviewee:
Almaraz, Carlos, 1941-1989  Search this
Interviewer:
Nieto, Margarita  Search this
Subject:
Flores, Elsa  Search this
Type:
Sound recordings
Interviews
Topic:
Mexican American art  Search this
Hispanic American artists -- Interviews  Search this
Mexican American artists -- Interviews  Search this
Street art -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)5409
(DSI-AAA_SIRISBib)216420
AAA_collcode_almara86
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216420
Online Media:

Oral history interview with Carlos Almaraz

Interviewee:
Almaraz, Carlos  Search this
Interviewer:
Nieto, Margarita  Search this
Names:
Flores, Elsa  Search this
Extent:
154 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1986 February 6-1987 January 29
Scope and Contents:
An interview of Carlos Almaraz conducted 1986 February 6-1987 January 29, by Margarita Nieto, for the Archives of American Art.
Almaraz discusses his childhood and education; the development of his interest in art; his experiences living in New York City from 1965 to 1970; and his return to Southern California in the early 1970s. He speaks of his participation in the muralism movement in Los Angeles in the 1970s; his political involvement in the United Farm Workers movement; his personal art work (as opposed to collective work with the muralists); his trip to China in 1974; people he met in New York and southern California; and recent developments in the Los Angeles art world. The interview is concluded with Almaraz speaking of his wife Elsa Flores and their daughter Maya.
Biographical / Historical:
Carlos Almaraz (1941-1989) was a mural painter from Los Angeles, California.
General:
Originally recorded on 8 sound cassettes. Reformatted in 2010 as 14 digital wav files. Duration is 5 hrs., 56 minutes.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Mexican American art  Search this
Hispanic American artists -- Interviews  Search this
Mexican American artists -- Interviews  Search this
Street art -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.almara86
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-almara86

Mel Casas papers

Creator:
Casas, Mel, 1929-2014  Search this
Names:
Con Safo (Group)  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Date:
1963-1998
Summary:
The papers of San Antonio painter and educator Mel Casas measure 1 linear foot and date from 1963 to 1998. The collection is comprised of biographical material including files on the art collective Con Safo, correspondence regarding business and exhibitions, writings by Casas on Chicano art, printed materials documenting Casas's career and Con Safo events, and photographic materials, including photos and slides of Casas and others, his artwork, and an exhibition.
Scope and Contents:
The papers of San Antonio painter and educator Mel Casas measure 1 linear foot and date from 1963 to 1998. The collection is comprised of biographical material including files on the art collective Con Safo, correspondence regarding business and exhibitions, writings by Casas on Chicano art, printed materials documenting Casas's career and Con Safo events, and photographic materials, including photos and slides of Casas and others, his artwork, and an exhibition.

Of particular note are the files on Con Safo, including meeting minutes for two 1975 meetings, and copies of La Movida Con Safo numbers 1 and 2, which include records of the founding of the group and copies of defining documents of the Chicano art movement. Casas's writings, which express his ideas on Chicano art in diagrammatic form, are also of particular note.
Arrangement:
The collection is arranged as five series.

Series 1: Biographical Materials, 1975-1996 (Box 1; 4 folders)

Series 2: Correspondence, 1975-1993 (Box 1; 4 folders)

Series 3: Writings, 1973-1993 (Box 1; 0.9 folders)

Series 4: Printed Materials, 1963-1998 (Box 1-2, OVs 3-4; 0.7 linear feet)

Series 5: Photographic Materials, circa 1977 (Box 2; 2 folders)
Biographical / Historical:
Mel Casas (1929-2014) was a painter and educator in San Antonio, Texas.

Casas was born in El Paso in the historic El Segundo Barrio. After graduating from El Paso High School, he worked odd jobs before serving in the United States Army during the Korean War. Casas was wounded by a landmine in Korea and ultimately awarded the Purple Heart. After returning home he attended the University of Texas at El Paso and graduated in 1956. He subsequently earned a Master of Fine Art in 1958 from the University of the Americas in Mexico City.

Casas began his teaching career at Jefferson High School in El Paso where one of his students was artist Gaspar Enriquez. He went on to teach at San Antonio College and was chair of the art department there until his retirement in 1990.

Casas was a founder of the Chicano art movement and a key member of the art collective Con Safo with other founding members Felipe Reyes, Jose Esquivel, Rudy Treviño, and Roberto Ríos. Originally named El Grupo, the group's mission was to empower Chicano artists who were largely overlooked in the mainstream art world. In 1968 Casas penned the "Brown Paper Report," a manifesto explaining the meaning of Con Safo, Chicano, the "Brown Vision of America," and the group's use of the symbol "C/S." The report helped to define Con Safo as an organization and remains a fundamental document in the history of the Chicano art movement.

Casas is well-known for his series Humanscapes that includes 150 large-scale paintings produced between 1965 and 1989. This series, along with smaller works, has been exhibited throughout the United States and Mexico. Casas's work can be found in the permanent collections of the Smithsonian American Art Museum, the San Antonio Museum of Art, and other collections worldwide.

Casas died in San Antonio, Texas, in 2014.
Related Materials:
Also at the Archives of American Art is an interview of Mel Casas conducted August 14-16, 1996 by Paul Karlstrom for the Archives of American Art.
Provenance:
The Mel Casas papers were donated by Mel Casas in 1981 and microfilmed as part of the Archives of American Art's Texas project. Additional papers were donated by Casas in 1999.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers--Texas--San Antonio  Search this
Painters--Texas--San Antonio  Search this
Topic:
Hispanic American artists  Search this
Mexican American art  Search this
Mexican American artists  Search this
Chicano art movement  Search this
Citation:
Mel Casas papers, 1963-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.casamel
See more items in:
Mel Casas papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-casamel
Online Media:

Nancy Kelker research material regarding Mel Casas, 1890-circa 2011, bulk 1968-2005

Creator:
Kelker, Nancy, 1951-  Search this
Subject:
Casas, Mel  Search this
Valdez, Vincent  Search this
Type:
Interviews
Lectures
Sound recordings
Video recordings
Topic:
Chicano movement  Search this
Mexican American art  Search this
Record number:
(DSI-AAA_CollID)17364
(DSI-AAA_SIRISBib)381309
AAA_collcode_kelknanc
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_381309
Online Media:

Mel Casas papers, 1963-1998

Creator:
Casas, Mel, 1929-2014  Search this
Subject:
Con Safo (Group)  Search this
Topic:
Hispanic American artists  Search this
Mexican American art  Search this
Mexican American artists  Search this
Chicano art movement  Search this
Record number:
(DSI-AAA_CollID)5448
(DSI-AAA_SIRISBib)212917
AAA_collcode_casamel
Theme:
Latino and Latin American
Lives of American Artists
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212917
Online Media:

Philip Brookman papers, 1977-1993

Creator:
Brookman, Philip, 1953-  Search this
Subject:
Avalos, David  Search this
Hock, Louis  Search this
Washington Project for the Arts  Search this
Mary Porter Sesnon Art Gallery  Search this
Topic:
Mexican American art  Search this
Record number:
(DSI-AAA_CollID)5442
(DSI-AAA_SIRISBib)220209
AAA_collcode_broophil
Theme:
Latino and Latin American
Lives of American Artists
American Art and Artists in a Global Context
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_220209
Online Media:

Gaspar Enriquez papers, 1973-2017

Creator:
Enriquez, Gaspar, 1942-  Search this
Subject:
Antone, Bernadin  Search this
Jimenez, Luis  Search this
Juárez, Miguel  Search this
Marin, Cheech  Search this
Silva, Elda  Search this
Type:
Photographs
Sketches
Topic:
Mexican American art--Texas  Search this
Record number:
(DSI-AAA_CollID)17462
(DSI-AAA_SIRISBib)387806
AAA_collcode_enrigasp
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_387806
Online Media:

Clifford Wight papers relating to Diego Rivera, 1929-1990

Creator:
Wight, Clifford, 1900-ca. 1960  Search this
Subject:
Rivera, Diego  Search this
Biddle, George  Search this
Richardson, Edgar Preston  Search this
Stackpole, Ralph  Search this
Topic:
Mural painting and decoration  Search this
Public art  Search this
Mexican American art  Search this
Muralists  Search this
Hispanic American art  Search this
Record number:
(DSI-AAA_CollID)13461
(DSI-AAA_SIRISBib)214652
AAA_collcode_wighclif
Theme:
American Art and Artists in a Global Context
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214652

The Mexican Museum : catalog of selections from its collection, with introductions to Mexican and Mexican American art = El Museo Mexicano : catálogo de selecciones de su colección, con introducciones al arte mexicano y mexicoamericano / [text, Nora E. Wagner ; translation, Nora E. Wagner ; photography, Blair Paltridge]

Author:
Mexican Museum  Search this
Wagner, Nora E  Search this
Paltridge, Blair  Search this
Subject:
Mexican Museum Catalogs  Search this
Physical description:
48 p. : ill. (some col.) ; 22 x 29 cm
Type:
Catalogs
Place:
California
San Francisco
Date:
1981
Topic:
Art, Mexican  Search this
Mexican American art--Catalogs  Search this
Art  Search this
Call number:
N6550 .M47 1981X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_519019

Correspondence

Collection Creator:
Casas, Mel, 1929-2014  Search this
Extent:
4 Folders (Box 1)
Type:
Archival materials
Date:
circa 1975-1993
Scope and Contents:
Four folders of correspondence primarily document exhibitions and other events Casas participated in. Correspondence related to his participation in symposia and other programs includes Arte-Arts regarding a 1984 symposium "Images for the '90s," San Antonio radio station KURU 89.1 FM, the San Antonio Art League, the San Antonio Women's Caucus for the Arts, and INTAR Gallery, where Casas served as a guest panelist for a 1986 symposium on Chicano/Mexican-American Art.

There are two letters from Shifra M. Goldman, one of which expresses her interest in writing about Casas, and correspondence from San Antonio College, including material related to Casas's receipt of an award at the Seventh Annual Tribute to the Chicano Arts recognizing "outstanding achievements of contemporary Hispanic artists."

Correspondence with galleries and museums relates to exhibitions with Aspen Art Museum, ¡Mira! Canadian Club Hispanic Art Tour, and Frito-Lay, Inc. Also found are correspondence, check lists, loan agreements, and material relating to the exhibition catalog essay, for Casas's retrospective at the Laguna Gloria Art Museum. Additional printed material for exhibitions can be found in Series 4: Printed Material.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mel Casas papers, 1963-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.casamel, Series 2
See more items in:
Mel Casas papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-casamel-ref2

U.C. Irvine Art Gallery exhibition catalog for Los Four: Almaraz/de la Rocha/Lujan/Romero

Creator:
Art Gallery, University of California, Irvine  Search this
Subject:
Art Gallery, University of California, Irvine  Search this
Four (Art group)  Search this
Los Angeles County Museum of Art  Search this
Type:
Printed Materials
Place:
Los Angeles, Calif.
Date:
1973
Topic:
Exhibitions  Search this
Mexican American art  Search this
Record number:
(DSI-AAA)5616
See more items in:
Tomás Ybarra-Frausto research material, 1965-2004
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5616
Online Media:

Oral history interview with José and Malaquias Montoya, 1988 Feb. 28-June 2

Interviewee:
Montoya, José, 1932-2013  Search this
Interviewer:
Hernandez, Eduardo  Search this
Subject:
Montoya, Malaquias  Search this
Royal Chicano Air Force  Search this
Type:
Sound recordings
Interviews
Topic:
Mexican American artists -- California -- Interviews  Search this
Mexican American art  Search this
Mural painting and decoration, American  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Hispanic American artists -- Interviews  Search this
Painters -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13570
(DSI-AAA_SIRISBib)211798
AAA_collcode_montoy88
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211798

Oral history interview with Frank Romero, 1997 January 17-March 2

Interviewee:
Romero, Frank, 1941-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Subject:
Almaraz, Carlos  Search this
Mugnaini, Joseph A.  Search this
Rocha, Roberto de la  Search this
Sanchez Luján, Gilbert  Search this
Sheets, Millard  Search this
Voulkos, Peter  Search this
Four (Art group)  Search this
Otis Art Institute  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- California -- Los Angeles -- Interviews  Search this
Hispanic American artists -- Interviews  Search this
Mexican American artists -- California -- Los Angeles -- Interviews  Search this
Hispanic American artists  Search this
Mexican American art -- California -- Los Angeles  Search this
Street art -- Exhibitions -- California -- Los Angeles  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)13587
(DSI-AAA_SIRISBib)216102
AAA_collcode_romero97
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216102
Online Media:

Oral history interview with Gronk, 1997 Jan. 20-23

Interviewee:
Gronk, (Glugio Gronk Nicandro), 1957-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Subject:
Dreva, Jerry  Search this
Los Angeles Contemporary Exhibitions (Gallery)  Search this
Four (Art group)  Search this
Asco (Group of artists)  Search this
Type:
Sound recordings
Interviews
Topic:
Hispanic American artists -- Interviews  Search this
Mexican American artists -- Interviews  Search this
Mexican American art  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)13586
(DSI-AAA_SIRISBib)216258
AAA_collcode_gronk97
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216258
Online Media:

Oral history interview with Kathy Vargas, 1997 November 7-25

Interviewee:
Vargas, Kathy, 1950-  Search this
Interviewer:
Quirarte, Jacinto, 1931-2012  Search this
Type:
Sound recordings
Interviews
Topic:
Women artists -- Texas -- San Antonio -- Interviews  Search this
Mexican American photographers -- Interviews  Search this
Hispanic American photographers -- Interviews  Search this
Photographers -- Texas -- San Antonio -- Interviews  Search this
Arts administrators -- Texas -- San Antonio -- Interviews  Search this
Photography, Artistic  Search this
Hispanic American art  Search this
Mexican American art  Search this
Record number:
(DSI-AAA_CollID)13544
(DSI-AAA_SIRISBib)216335
AAA_collcode_vargas97
Theme:
Latino and Latin American
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216335
Online Media:

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