Search Results

Creator:

Thomas, Richard C., 1917-1988  Search this

Subject:

Cranbrook Academy of Art  Search this

Citation:

Richard Thomas papers, 1968-1979. Archives of American Art, Smithsonian Institution.

Topic:

American studio craft movement  Search this

Metal-work  Search this

Theme:

Craft  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)9244

(DSI-AAA_SIRISBib)211439

AAA_collcode_thomrich

Theme:

Craft

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211439

Interviewee:

Choo, Chunghi, 1938-  Search this

Interviewer:

Milosch, Jane, 1964-  Search this

Subject:

Thomas, Richard C.  Search this

Bush, Cody  Search this

Chateauvert, Jocelyn  Search this

Kaufman, Glen  Search this

Fujio, Yuho  Search this

Grotell, Maija  Search this

McFadden, David Revere  Search this

Kao, Ruth  Search this

Lechtzin, Stanley  Search this

Lee, Sang-Bong  Search this

Larsen, Jack Lenor  Search this

Mayer-VanderMey, Sandra  Search this

Saarinen, Loja  Search this

Raab, Rosanne  Search this

Merkel-Hess, Mary  Search this

Park, No Soo  Search this

Smith, Paul J.  Search this

Yeun, Kee-ho  Search this

Cranbrook Academy of Art  Search this

University of Iowa  Search this

Haystack Mountain School of Crafts  Search this

Penland School of Handicrafts  Search this

Museum of Modern Art (New York, N.Y.)  Search this

University of Northern Iowa  Search this

Victoria and Albert Museum  Search this

Ihwa Yŏja Taehakkyo  Search this

Museum für Kunsthandwerk Frankfurt am Main  Search this

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Type:

Sound recordings

Interviews

Place:

Korea (South) -- History -- April Revolution, 1960

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Chunghi Choo, 2007 July 30-2008 July 26. Archives of American Art, Smithsonian Institution.

Topic:

Decorative arts  Search this

Metal-work  Search this

Jewelers -- Interviews  Search this

Asian American art  Search this

Asian American artists  Search this

Korean War, 1950-1953  Search this

Korean American art  Search this

Korean American artists  Search this

Asian American jewelers  Search this

Asian American metal-workers  Search this

Women artists  Search this

Women textile artists  Search this

Jewelry making  Search this

Theme:

Asian American  Search this

Women  Search this

Craft  Search this

Record number:

(DSI-AAA_CollID)13621

(DSI-AAA_SIRISBib)271722

AAA_collcode_choo07

Theme:

Asian American

Women

Craft

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_271722

Interviewee:

Choo, Chunghi  Search this

Interviewer:

Milosch, Jane  Search this

Creator:

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Names:

Cranbrook Academy of Art -- Students  Search this

Haystack Mountain School of Crafts -- Faculty  Search this

Ihwa Yŏja Taehakkyo  Search this

Museum für Kunsthandwerk Frankfurt am Main  Search this

Museum of Modern Art (New York, N.Y.)  Search this

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Penland School of Handicrafts -- Students  Search this

University of Iowa -- Faculty  Search this

University of Northern Iowa  Search this

Victoria and Albert Museum  Search this

Bush, Cody  Search this

Chateauvert, Jocelyn  Search this

Fujio, Yuho  Search this

Grotell, Maija  Search this

Kao, Ruth  Search this

Kaufman, Glen  Search this

Larsen, Jack Lenor  Search this

Lechtzin, Stanley, 1936-  Search this

Lee, Sang-Bong  Search this

Mayer-VanderMey, Sandra  Search this

McFadden, David Revere  Search this

Merkel-Hess, Mary  Search this

Park, No Soo  Search this

Raab, Rosanne  Search this

Saarinen, Loja  Search this

Smith, Paul J.  Search this

Thomas, Richard C., 1917-1988  Search this

Yeun, Kee-ho  Search this

Extent:

75 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Place:

Korea (South) -- History -- April Revolution, 1960

Date:

2007 July 30-2008 July 26

Scope and Contents:

An interview of Chunghi Choo conducted 2007 July 30-2008 July 26, by Jane Milosch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home, in Iowa City, Iowa.

Choo speaks of establishing the Metalsmithing and Jewelry program at the University of Iowa in Iowa City; the elaborate equipment, tools, and safety protection used in the studio; her experience teaching silent metalforming at Haystack Mountain School of Crafts in Deer Isle, Maine; participating in international workshops and seminars in Korea; the extensive world traveling she does with her husband, Dr. Charles Read, including destinations in Scandinavia, Thailand, Austria, Italy, and South Africa, among others; the house she designed in Iowa City; her love of the city and being surrounded by treasured friends, a supportive university, and beautiful environments; an interest in creative cooking and appreciation for diverse dishes from all around the world; her childhood and young adulthood in Inchon, Korea; growing up with an appreciation for beautiful art objects and classical music; an early interest and talent in drawing; attending Ewha Women's University as generations of women in her family had previously; experiences during the Korean War and April 19 Revolution in 1961; coming to the United States in 1961 as a student; studying English, ceramics, enameling, and stone cutting for one semester at Penland School of Crafts in Penland, N.C.; attending Cranbrook Art Academy in Bloomfield Hills, Michigan and studying metalsmithing with Richard Thomas, ceramics with Maija Grotell, and weaving with Glen Kaufman; living with Mrs. Loja Saarinen during her three and a half years at Cranbrook; teaching general craft at the University of Northern Iowa in Cedar Rapids from 1965-1968; pioneering the mixed-media studies with her students at UNI; accepting the challenge to build a metalsmithing and jewelry program at the University of Iowa in Iowa City in 1968; learning and teaching electroforming; the development of the electro-appliqué technique; extensive donor support and fundraising for the Metalsmithing and Jewelry program and its students; finding inspiration in nature, East Asian calligraphy, classical music, and travel; her long friendship with Jack Lenor Larsen and the great influence he has had on her work; being represented in major art museums and institutions world-wide, including the Museum of Modern Art in New York City, Victoria and Albert Museum in London, Museum fur Kunsthandwerk in Frankfurt, Germany, and many others; the joy she has when her students succeed and surpass her; and plans for future work, writing projects, and travel. Choo also speaks of the 2008 flooding of Iowa City and the state of Iowa during which her studio was severely damaged and many things were lost. Choo also recalls Park, No Soo; Lee, Sang Bong; Ruth Kao; Stanley Lechtzin; Yuho Fujio; David McFadden; Paul J. Smith; Rosanne Raab; Cody Bush; Jocelyn Chateauvert; Mary Merkel Hess; Sandra Mayer-VanderMey; Kee-ho Yeun, and others.

Biographical / Historical:

Chunghi Choo (1938- ) is a Korean American educator, metalsmith, jeweler, and textile and mixed media artist based in Iowa City, Iowa. Interviewer Jane Milosch is a curator from Silver Spring, Maryland.

General:

Originally recorded 5 sound discs. Reformatted in 2010 as 27 digital wav files. Duration is 5 hr., 22 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.

Occupation:

Metal-workers -- Iowa -- Iowa City  Search this

Jewelers -- Iowa -- Iowa City  Search this

Textile designers -- Iowa -- Iowa City  Search this

Mixed-media artists -- Iowa -- Iowa City  Search this

Topic:

Decorative arts  Search this

Metal-work  Search this

Jewelers -- Interviews  Search this

Asian American art  Search this

Asian American artists  Search this

Korean War, 1950-1953  Search this

Korean American art  Search this

Korean American Artists  Search this

Asian American jewelers  Search this

Asian American metal-workers  Search this

Women artists  Search this

Women textile artists  Search this

Jewelry making  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.choo07

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw91d0f3d3d-e648-47b2-9282-e395b73f635f

EDAN-URL:

ead_collection:sova-aaa-choo07

Interviewee:

Pijanowski, Eugene, 1938-  Search this

Interviewer:

Fisch, Arline M  Search this

Subject:

Pijanowski, Hiroko Sato  Search this

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Eugene Pijanowski, 2003 May 13-14. Archives of American Art, Smithsonian Institution.

Topic:

Metal-workers -- Hawaii -- Interviews  Search this

Jewelers -- Hawaii -- Interviews  Search this

Decorative arts  Search this

Metal-work  Search this

Jewelry making  Search this

Theme:

Craft  Search this

Record number:

(DSI-AAA_CollID)12849

(DSI-AAA_SIRISBib)242168

AAA_collcode_pijanoe03

Theme:

Craft

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_242168

Interviewee:

Griffin, Gary, 1945-  Search this

Interviewer:

Adamson, Glenn, 1972-  Search this

Subject:

Cranbrook Academy of Art  Search this

Rochester Institute of Technology  Search this

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Gary Griffin, 2004 August 4. Archives of American Art, Smithsonian Institution.

Topic:

Metal-workers -- Michigan -- Bloomfield Hills -- Interviews  Search this

Decorative arts  Search this

Metal-work  Search this

Theme:

Craft  Search this

Record number:

(DSI-AAA_CollID)12630

(DSI-AAA_SIRISBib)249180

AAA_collcode_griffi04

Theme:

Craft

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_249180

Interviewee:

Pijanowski, Eugene, 1938-  Search this

Interviewer:

Fisch, Arline M.  Search this

Creator:

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Names:

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Pijanowski, Hiroko Sato, 1942-  Search this

Extent:

92 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

2003 May 13-14

Scope and Contents:

An interview of Eugene Pijanowski conducted 2003 May 13-14, by Arline M. Fisch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Honolulu, Hawaii.

Pijanowski speaks of his childhood in suburban Detroit; his experience as a projectionist at the Marine Corp's Camp Pendleton; studying at Wayne State University in Detroit, Oxbow Summer School in Saugatuck, and Cranbrook Academy of Art, in Bloomfield Hills, Michigan, where he met his wife Hiroko Sato; he discusses moving to Japan, where he studied at Geidai and Sophia University in Tokyo, and worked at Renown Clothing; moving back to the U.S.; his teaching positions at San Diego State University, Purdue University, and University of Michigan at Ann Arbor; he comments on his administrative role at University of Michigan; his experience teaching workshops; his research on Japanese metal work, specifically mokume gane and its influence on western metalsmithing; he recalls his Fulbright in Vienna; the exchange between University of Michigan and Seika Art School in Kyoto, Japan; he discusses his studio production; how he is not interested in exhibiting; how objective critiques are missing in the field; nature as a source of inspiration; the east/west theme of his work; he speaks specifically of his series "Gentle Solitude," "Amaryllis," "Maple Seed," and "I am Precious;" the limited value of publications, exhibitions, and organizations; he discuss his relationship with galleries; the importance of teaching; grants, honors, and other accomplishments; and his current projects in Honolulu. In addition to his long professional and personal relationship with Hiroko Sato Pijanowski, Eugene Pijanowski recalls Philip Fike, Richard Thomas, Mr. Hiramatsu, Arline M. Fisch, Bruce Metcalf, Onno Boekhoudt, Inge Asenbaum, Helen Drutt, Hermann Junger, Ian Ferguson, and others.

Biographical / Historical:

Eugene Pijanowski (1938- ) is a metalsmith from Honolulu, Hawaii. Arline M. Fisch is a jeweler.

General:

Originally recorded on 5 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 4 hr., 55 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

Transcript available on the Archives of American Art website.

Topic:

Metal-workers -- Hawaii -- Interviews  Search this

Jewelers -- Hawaii -- Interviews  Search this

Decorative arts  Search this

Metal-work  Search this

Jewelry making  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.pijanoe03

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw93fe2cb89-eb09-4191-ba8c-b6873a787b2d

EDAN-URL:

ead_collection:sova-aaa-pijanoe03

Interviewee:

Griffin, Gary, 1945-  Search this

Interviewer:

Adamson, Glenn  Search this

Creator:

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Names:

Cranbrook Academy of Art -- Faculty  Search this

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Rochester Institute of Technology -- Faculty  Search this

Extent:

73 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

2004 August 4

Scope and Contents:

An interview of Gary Griffin conducted 2004 August 4, by Glenn Adamson, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Bloomfield Hills, Michigan.

Griffin speaks of the opening of the new studio building at Cranbrook; growing up in Los Angeles, California; spending summers in Taos, N.M. with his grandmother; his mother's antique and decorating business; going to Catholic high school; working in a furniture repair shop as a teenager; taking college courses in welding and art; transferring to California State University, Long Beach, and getting a dual degree in industrial and fine arts; deciding to focus on metalwork; getting his M.F.A. at Tyler School of Art; metalsmiths who influenced his early work; the role of functional and conceptual art; having Stanley Lechtzin as a teacher and mentor; the craft community in Philadelphia, attending metalsmith workshops and conferences; and being influenced by decorative arts. Griffin also speaks of becoming head of the jewelry program at Rochester Institute of Technology; working with Hans Christensen; participating in the Society of North American Goldsmiths; his interest in machine technology; deciding to turn from jewelry to blacksmithing; finding dealers for his work; the art community in Rochester; keeping variety in his work; teaching at Cranbrook and rebuilding the metals program; how material culture influences his teaching and artwork; how economics impacts his work; working on commission; making the entrance gates at Cranbrook; working on some of his other important pieces; his current project; the difference between craft and fine arts; and his plans for the future. Griffin also recalls Al Pine, Jack Prip, John Marshall, Philip Fike, Olaf Skoogfors, Elliot Pujol, Rudolf Staffel, Albert Paley, Mary Jane Leland, and others.

Biographical / Historical:

Gary Griffin (1945- ) is a metalsmith and educator from Bloomfield Hills, Michigan. Glenn Adamson is a curator and art historian from Wisconsin.

General:

Originally recorded on 5 sound discs. Reformatted in 2010 as 6 digital wav files. Duration is 4 hr., 52 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

Transcript available on the Archives of American Art website.

Topic:

Metal-workers -- Michigan -- Bloomfield Hills -- Interviews  Search this

Decorative arts  Search this

Metal-work  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.griffi04

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw933eb11f5-709d-4f6c-8646-723d70252a65

EDAN-URL:

ead_collection:sova-aaa-griffi04

Creator:

Thomas, Richard C., 1917-1988  Search this

Names:

Cranbrook Academy of Art  Search this

Extent:

0.6 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1968-1979

Summary:

The papers of metal-worker and educator Richard Thomas, head of the metalsmithing department at the Cranbrook Academy of Art from 1948 to 1984, measure 0.6 linear feet, date from 1968 to 1979, and consist of scattered records from Cranbrook's metalsmithing department.

Scope and Contents:

The papers of metal-worker and educator Richard Thomas, head of the metalsmithing department at the Cranbrook Academy of Art from 1948 to 1984, measure 0.6 linear feet, date from 1968 to 1979, and consist of scattered records from Cranbrook's metalsmithing department.

Papers include two bound volumes of theses abstracts by metalsmithing students, a catalog for the exhibition Reprise (1975) with a letter from Thomas to the exhibitors, and slides of artwork by metalsmithing students.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Richard Thomas (1917-1988) was a metal-worker and educator who served as head of the metalsmithing department at the Cranbrook Academy of Art in Bloomfield Hills, Michigan. He was known for his design and fabrication of liturgial objects and commemorative objects of the Cranbrook Foundation.

Thomas was born in Marion Center, Pennsylvania. He earned a Bachelor of Science degree in art education from Indiana University at Pennsylvania and received a Master of Fine Arts degree from the Cranbrook Academy of Art in 1948. After becoming acquainted with Cranbrook director Zoltan Sepeshy, during his undergraduate studies, Thomas was asked by Sepeshy to head the metalsmithing department at the school. Thomas served as department head from 1948 to 1984.

Thomas was awarded the Cranbrook's Founders Medal in 1981 and his liturgial designs can be seen in more than ninety churches, synagogues, and temples across the country. He also designed the Cranbrook Foundation's silver punch bowl, the Saarinen Medal, and the commemorative medal for the Academy of Art's fiftieth anniversary.

Related Materials:

Also in the Archives of American Art is an oral history interview of Richard Thomas conducted on May 5-17, 1978 by Dennis Barrie.

Separated Materials:

The Archives of American Art also has microfilm (reel 926) of loaned material including correspondence, biographical material, writings and lectures, artwork, photographs of Thomas's liturgical pieces and his studio, clippings, and meeting minutes of Faculty Assemblies at the Cranbrook Academy of Art. Originals were returned to Richard Thomas after microfilming and are not described in the collection container inventory.

Provenance:

The collection was donated in 1975 and 1985 by Richard Thomas.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Metal-workers -- Michigan -- Bloomfield Hills  Search this

Educators -- Michigan -- Bloomfield Hills  Search this

Topic:

American studio craft movement  Search this

Metal-work  Search this

Citation:

Richard Thomas papers, 1968-1979. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.thomrich

See more items in:

Richard Thomas papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9393021cf-d8c6-4a39-967f-deb567224fdd

EDAN-URL:

ead_collection:sova-aaa-thomrich

Interviewee:

Thomas, Richard C., 1917-1988  Search this

Interviewer:

Barrie, Dennis, 1947-  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Richard Thomas, 1978 May 5-17. Archives of American Art, Smithsonian Institution.

Topic:

Art, American  Search this

Educators -- Michigan -- Bloomfield Hills -- Interviews  Search this

Metal-workers -- Michigan -- Bloomfield Hills -- Interviews  Search this

Decorative arts  Search this

Theme:

Craft  Search this

Record number:

(DSI-AAA_CollID)12006

(DSI-AAA_SIRISBib)213158

AAA_collcode_thomas78

Theme:

Craft

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_213158

Interviewee:

Thomas, Richard C., 1917-1988  Search this

Interviewer:

Barrie, Dennis  Search this

Extent:

48 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1978 May 5-17

Scope and Contents:

An interview of Richard Thomas conducted 1978 May 5-17, by Dennis Barrie, for the Archives of American Art.

Biographical / Historical:

Richard Thomas (1917-1988) is a metalsmith and educator from Cranbrook Academy, Bloomfield Hills, Michigan.

General:

Originally recorded on 2 sound tape reels. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 3 min.

Provenance:

These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.

Topic:

Art, American  Search this

Educators -- Michigan -- Bloomfield Hills -- Interviews  Search this

Metal-workers -- Michigan -- Bloomfield Hills -- Interviews  Search this

Decorative arts  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.thomas78

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9e3207d92-ac54-4f38-977a-67b1cff20d83

EDAN-URL:

ead_collection:sova-aaa-thomas78